WEBVTT

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I'm E .G. Marshall. Welcome to the terrifying

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world of your own imagination. I would like to

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offer a few observations on the vagaries of the

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animal called man. Take the popular saying, seeing

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is believing. What idiot first said that? And

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how many idiots have repeated it since? Do you

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believe in love? Tell me the color of it. Do

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you believe in truth, goodness, mercy? What shapes

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do they come in? No, my friends. Seeing is not

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believing. Only believing is believing. And we'll

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prove it to you in the story that follows. The

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longer we're away from this earth, Alice, the

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less we rely on our senses. The senses... in

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a manner of speaking, start to fade little by

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little. They tell me this is quite normal. Actually,

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they tell me I'm a bit ahead of the game to be

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able to enjoy as much as I do. Charles, when

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you say they, they tell you this and they tell

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you that, you mean? I mean them, of course. All

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those. The ones up there? It isn't up there.

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Alice and it isn't down there either well where

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is it it's simply there meaning not here I thought

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you knew that are there a lot of them of course

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there are a lot of them what would you expect

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The Ghost at the Gate was written especially

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for the Mystery Theatre by Elspeth Eric and stars

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Beatrice Strait. I'll be back shortly with Act

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One. With how much ease believe we what we wish.

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An English playwright named Dryden wrote that

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in the year 1679. Brilliant man, Mr. Dryden.

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But wait, listen to this. Men freely believe

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that which they desire. Someone else seems to

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have had the same idea. And he wasn't a 17th

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century English playwright. He was a Roman emperor

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named Julius Caesar. Proving once again that

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no man in any age has a monopoly on wisdom. Now,

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let's get on with our story. Come in, Dorothea.

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Your chocolate, Mrs. Emory. Oh, good. Shall I

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light the fire in the fireplace? Yes, please.

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I think it's chilly enough for... Oh, Dorothea.

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Ma 'am? You forgot the other cup again. I did?

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I told you to always bring two cups. Oh, it seems

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so silly. I'll decide what's silly. When I asked

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you to drink it... I've explained that to you,

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Dorothy, and more than once. I like to drink

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two cups of chocolate before retiring. And I

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don't like that icky sediment in the bottom of

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the cup. Uh, I'll try, Mrs. Emily. Um, now, if

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that's all... Or do you want me to go downstairs

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and fetch up another cup? Oh, no, no. Go to bed.

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Good night, Mrs. Emery. Good night, Dorothea.

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All right now, darling. Chocolate's all poured.

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Fire's lighted. Charles! Everything's ready.

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Now come on, darling, or the chocolate'll get

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cold. Don't want any chocolate. Oh, Charles,

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you love chocolate. You always love chocolate.

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Tastes like mud. But it's very good chocolate.

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You know what good chocolate Dorothea makes?

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Now come on Charles, don't make me wait. You

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want me? Want you? Oh Charles, how can you ever

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ask such a thing? Why, I go through the whole

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day thinking of you, all afternoon at the community

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chest I think about you. Why darling, it's torture

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for me listening to those other women whose husbands

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are with them in their conventional way. I want

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to scream at them, but I have my Charles, you

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silly females. Every night he comes to my bedroom

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and he's tall and handsome and brilliant and

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romantic and adorable and manly and we sit and

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talk together and he... All right, Alice. That's

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enough. There you are. Oh, Charles. Missed me?

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Oh, darling, the days are so terrible. I can't

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think of anything but this moment when we're

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together. But you know that, my dear, I tell

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you every single night. I need to hear it, Alice.

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We who have more or less left this world can't

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come back unless we are wanted by someone who

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is still here. Wanted a lot. Otherwise we can't

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make the trip, as it were. We can't even purchase

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a ticket, so to speak, unless we have a destination

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that is vibrant with love and... Need and desire.

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But I love you and I need you. I desire you.

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You should know that, Charles. Well, it doesn't

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hurt to hear it. Here's your chocolate. Try it.

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I don't want it. Oh, Charles. The longer we're

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away from this Earth, Alice, the less we rely

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on our senses. The senses, in a manner of speaking,

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start to... to fade. Mashed potatoes begin to

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taste like cold cream. Coffee tastes like iodine,

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and this chocolate tastes like mud. They tell

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me this is quite normal. Charles, when you say

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they, they tell you this and they tell you that,

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you mean... I mean them, of course. All those.

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The ones up there? It isn't up there, Alice.

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And it isn't down there, either. Well, where

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is it? It's simply there, meaning not here. Heavens,

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I thought you knew that. Are there a lot of...

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of them? Of course there are a lot of them. It's

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all so vast, so endless, and so damnably peaceful.

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I know what it is to be lonely, Charles. This

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big house, I couldn't bear to move out of it

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after you weren't here all the time. Because

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I couldn't leave the place where you and I had

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spent so many happy years together. Why don't

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you ask someone to move in with you? Move in?

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Why, I never thought. Such a large house. You

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could have separate quarters. You wouldn't be

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forever bumping into each other. But who would

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want to move in? Who would I want to move in?

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Oh, some old good friend? Well, like who, Charles?

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Oh. Someone like Connie, maybe. Connie Lawrence.

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Connie Lawrence? Well, I've certainly known her

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long enough. We were roommates at school. What

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do you think she'd want to? She'll jump at the

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chance, would be my guess. She still lives in

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that tiny one -room apartment. I know she's saving

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for her retirement. And with the pay school teachers

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get in this town. Charles? I'll call her tomorrow.

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She gets home from school at three. Come in,

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doctor. Your breakfast, Mrs. Emery. Thank you.

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You don't want two cups in the morning, do you?

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Oh, no. No. Coffee doesn't leave that icky stuff

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the way chocolate does. Actually, I think I won't

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have chocolate at night anymore, Dorothea. I

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feel like trying something else. But two cups,

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just the same, don't forget. Yes, ma 'am. Don't

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go just yet, Dorothea. I want to talk to you

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about something. Sit down, won't you? Oh, yes,

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ma 'am. Dorothea, do you find the work too hard

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in this big house? No, ma 'am. Well, we used

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to have a houseman and an upstairs maid and a

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cook. Oh, I have no complaints, Mrs. Emery, if

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you don't. Oh, I don't? This is the only job

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I've ever had. I've worked here for 22 years.

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I was so fond of both you and Mr. Emery right

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from the start, and I still am of you. And goodness

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knows I practically worship this house. It's

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so beautiful. I love taking care of it, and I

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love living in it. Do you still have that little

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room on the third floor in the back? Oh, I love

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that little room, Mrs. Emory. I can look out

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and see the garden. I was thinking, why couldn't

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we give you all the other rooms as well? The

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rooms the other servants used to have. All of

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them? Well, why couldn't we knock out the partition

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between your room and what used to be the cook's

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room? I have... I'd have two windows. And make

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one of the other rooms into a really big dressing

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room. Oh! And maybe put in some kind of a kitchen

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for you with a hot plate in the refrigerator.

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Oh! Mrs. Emory, I never thought I... I never

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imagined in my wildest dreams. No, no. It's all

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settled. Oh! I'm going to stay right here in

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bed all morning and make plans. I don't know

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how to... Thank you, Mrs. Emery. Don't try. It's

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my pleasure. I just hope I deserve all the...

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Hope. Before I forget, Dorothea. Last night,

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while I was drinking your lovely chocolate, an

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idea came to me. You and I are raffling around

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in this big house. Oh, we certainly are. And

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I was wondering, well, how would it be if we

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invited Miss Lawrence to stay with us? Miss Constance

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Lawrence? Do you remember her? Isn't she the

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one who teaches school? Used to come to dinner

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once in a while, and after she'd help Mr. Amory

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with the double -crossed it? That's Connie. I

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thought we could open up the two big rooms on

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this floor in the back. In that way, she and

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I would have separate quarters and not be, you

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know, bumping into each other all the time. Of

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course, I imagine she'd expect to take care of

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her own room. Oh, I wouldn't mind. Let's do more

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rooms. You wouldn't mind cooking for her? What's

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one more person to cook for nothing? Well then,

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it's all settled. My goodness. The house will

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be kind of lively again. Almost like before.

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Not quite, of course, but... Well, you know what

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I mean. I know what you mean, Dorothea. It will

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be more lively. I'm sorry, Goldie. Hello? Connie,

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this is Alice Emory. Alice! How are you? Long

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time no see. Well, I don't get out a great deal.

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Maybe we could have dinner some evening. Would

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you like to come here? Well, I thought you might

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like to come here. Well, if you'd rather. Heaven

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knows your dinners are better than mine. I can't

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leave this little place. I can't give up my afternoons.

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Why, I couldn't live without my afternoons. I

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know this place is small and dark and furniture

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is dingy and the bathroom is old fashioned. But

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we've never minded, have we dearest? Have we?

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I'm moving to Alice's house. I might lose you

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forever. You might never come to visit me again

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and all my lovely afternoons will be really over.

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You're not to worry, Connie. You mean we can

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go on as we always have? Only we'll have more

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room. Well, if you say so. Trust me, Connie.

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Oh, I do trust you, Charlie. There's nothing

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like the love of a good woman. Unless it's the

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love of two good women. We'll come back in a

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bit for act two. Now we come back to our story.

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We seem to have uncovered a triangle here. Connie,

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Alice, and Charles. as Connie calls him. And

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the apex of the triangle is naturally, if you

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will pardon my chauvinism, the man. Listen now

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to the second act of the ghost at the gate. What

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a lovely dinner that was, Alice. Was it, Connie?

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It was the wine that made everything taste so

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good. What ever gave you the idea of bringing

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home a bottle of wine? Alice! It's the first

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anniversary of me. moving in here. Don't you

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realize? I've been here a month. Well, for heaven's

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sake. Why, it seems like a week. Or it seems

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like you've always lived here. I don't know which.

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It has worked out, hasn't it? Has it ever worked

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out? I was so afraid it wouldn't. You know what?

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It's meeting just for dinner that's done it.

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Leading separate lives except for dinner. Connie,

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let's have wine every night. This wine. What

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kind is it? I can't quite make out what the label

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says. Oh, it's in French. Oh, so never mind.

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It's got a picture of a house on it. If it's

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French, it's a chateau. I didn't know that. You're

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very clever, Alice. Save the label, and I'll

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order a case of it. Must be really nice to have

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money. I've always found it to be nice. I guess

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money is about the nicest thing in the world.

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Money isn't. Love is. Oh, yes. First comes love,

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friends come second, then money. How about friends

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who have money? Oh, Connie, you're very witty

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tonight. So are you, Alice. Witty and profound.

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Seriously, though, Connie, you have been happy

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here, haven't you? Oh, Alice, my beautiful room,

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the marvelous food. Having done it for you to

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make my bed and clean up, it's heavenly. You're

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stuck with me. Oh, I am so glad, Connie. You

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can't imagine how glad. Is there any more of

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that wine? More than half a bottle. Oh, good.

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Let's... Mrs. Emery? What? Oh! Dorothea! What

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is it? It's after nine o 'clock, Mrs. Emery.

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You don't say. I was wondering, should I bring

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your clear consomme upstairs to you? What clear

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consomme? Well, Mrs. Emory, we talked about it

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last night. Remember when you decided to give

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up the chocolate, and then we tried apple juice

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and prune juice and lemonade, and last night

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you said clear consomme because it has a nice

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aroma? I did say that, didn't I? Uh -huh. What

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time did you say it was? Quarter past nine. Oh!

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My goodness. What's the matter, Alice? Time.

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Past my bedtime. You want the consomme? Okay,

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heck with the consomme. I'll take the wine. You

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don't mind, do you, Connie? Why not, Alice? Well,

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let me have your glass, too, all right? Sure,

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Alice. I've got my glass, Connie. Forgive me

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for eating and running. Alice, it's your house.

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I simply didn't realize the time. A quarter past

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nine. Heaven! She'd better not drink any more

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of that wine. She's not used to it. Neither am

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I. Only tonight we were celebrating my being

00:20:07.210 --> 00:20:11.480
here a month. Why did you want two glasses, Dorothea?

00:20:11.839 --> 00:20:15.160
Oh, she always wants two. Two cups, two bowls,

00:20:15.319 --> 00:20:18.480
two glasses. One of her little ways. But tonight

00:20:18.480 --> 00:20:22.079
she took my glass. Do you suppose she wants me

00:20:22.079 --> 00:20:24.740
to join her? I wouldn't know, Miss Lawrence.

00:20:25.279 --> 00:20:28.839
Maybe. Maybe she's always expected me to join

00:20:28.839 --> 00:20:31.579
her after dinner, only she didn't want to suggest

00:20:31.579 --> 00:20:35.000
it. When I moved in here we agreed that we'd

00:20:35.000 --> 00:20:37.380
lead absolutely independent lives not getting

00:20:37.380 --> 00:20:40.259
each other's way We've been very careful about

00:20:40.259 --> 00:20:43.480
that going to our separate rooms after dinner

00:20:43.480 --> 00:20:47.119
Maybe all this time she was hoping I'd stop by

00:20:47.119 --> 00:20:50.559
her room on my way to my room And I never noticed

00:20:50.559 --> 00:20:53.940
Dorothy. Yeah, that must be it. I wouldn't really

00:20:53.940 --> 00:20:58.519
know I never guessed Oh self -centered. I wasn't

00:20:58.519 --> 00:21:01.460
sensitive. I'll never forgive myself I'm going

00:21:01.460 --> 00:21:04.319
up there right now and apologize. Can I clear

00:21:04.319 --> 00:21:08.960
the table now? Do whatever you like. She's got

00:21:08.960 --> 00:21:12.519
to forgive me. That's all there is to it. Dear,

00:21:12.819 --> 00:21:16.299
sweet, generous Alice. She'll understand. She'll

00:21:16.299 --> 00:21:20.900
know I didn't mean to hurt her feelings. Alice?

00:21:21.400 --> 00:21:24.519
May I come in? Come on, darling. Have some wine.

00:21:25.539 --> 00:21:28.579
Alice? Connie and I had it for dinner. We just

00:21:28.579 --> 00:21:34.160
loved it. Try it, Charles. Charles? Not at all

00:21:34.160 --> 00:21:41.619
bad. Nice bouquet. Charlie! Charlie! Where did

00:21:41.619 --> 00:22:00.859
you come from, Connie? You never told me. What

00:22:00.859 --> 00:22:04.220
did you think of Charlie's explanation? I've

00:22:04.220 --> 00:22:07.200
heard it all before. How he needs lots of love

00:22:07.200 --> 00:22:09.140
to make the trip from there to here. He always

00:22:09.140 --> 00:22:11.180
needed a lot of love, even when he was just here.

00:22:11.299 --> 00:22:14.240
Well, he got a lot. Did he really spend all those

00:22:14.240 --> 00:22:17.680
afternoons with you? I mean, before he left here

00:22:17.680 --> 00:22:21.619
and went there? Five afternoons a week. Alice,

00:22:22.460 --> 00:22:26.680
do you hate me? I should. I know, but do you?

00:22:27.519 --> 00:22:29.779
I guess I do when it comes right down to it.

00:22:29.869 --> 00:22:32.529
I'll move out. I'll move back to my one room.

00:22:32.589 --> 00:22:35.630
But I don't want you to move out. Oh, we were

00:22:35.630 --> 00:22:39.029
having such a good time. Remember how we were

00:22:39.029 --> 00:22:41.730
laughing and carrying on at dinner? I haven't

00:22:41.730 --> 00:22:44.349
laughed like that in years and years. Could have

00:22:44.349 --> 00:22:48.609
been the wine. There's half a bottle left. Should

00:22:48.609 --> 00:22:52.390
we? Let's. You don't think we'll turn into a

00:22:52.390 --> 00:22:55.210
couple of alcoholics, do you? Not on half a bottle

00:22:55.210 --> 00:23:01.799
of wine. Like white wine. Well? Here's to...

00:23:01.799 --> 00:23:08.160
To what? Here's to Charles. To Charlie. I feel

00:23:08.160 --> 00:23:11.480
as if I've just buried him. Said goodbye forever.

00:23:12.839 --> 00:23:15.160
Did he really come to see you five afternoons

00:23:15.160 --> 00:23:18.900
a week, Connie? At three o 'clock. You see, my

00:23:18.900 --> 00:23:21.319
school and his bank let out at the same time.

00:23:21.559 --> 00:23:25.079
It was practically inevitable. Charlie was a

00:23:25.079 --> 00:23:29.319
no good man. He still is. Only now he's a...

00:23:29.319 --> 00:23:35.839
a no good ghost. Oh, Alice. There's enough wine

00:23:35.839 --> 00:23:38.880
left for a glass apiece. Fill her up. Hold out

00:23:38.880 --> 00:23:43.759
your glass. All that bluff about needing to be

00:23:43.759 --> 00:23:46.279
loved and wanted or he couldn't make the trip.

00:23:46.539 --> 00:23:48.279
Remember what we were saying at dinner, Connie,

00:23:48.380 --> 00:23:51.279
about love being the most important thing? I've

00:23:51.279 --> 00:23:53.640
always believed that. And friends being the second

00:23:53.640 --> 00:23:56.430
most important thing? Especially friends like

00:23:56.430 --> 00:24:00.369
you, Alice. And like you, Connie. I feel closer

00:24:00.369 --> 00:24:03.109
to you right now than I've ever felt to anybody.

00:24:03.789 --> 00:24:07.250
My mother, my father, my canary. We've been through

00:24:07.250 --> 00:24:12.269
a lot, Connie. Just in the last half hour. And

00:24:12.269 --> 00:24:16.769
yet we're still friends. Isn't that amazing?

00:24:17.569 --> 00:24:23.660
Truly remarkable. It must mean something. Something

00:24:23.660 --> 00:24:30.519
very profound. Like what? Like, well, like there

00:24:30.519 --> 00:24:33.220
are times in a person's life when love isn't

00:24:33.220 --> 00:24:37.720
the most important thing. Friends are. Friends?

00:24:38.680 --> 00:24:43.099
Yes. Stupid ghost. Silly, pompous ghost. You

00:24:43.099 --> 00:24:46.039
believe in ghosts? Say no. Neither do I. Never

00:24:46.039 --> 00:24:49.240
have. Except Charlie, of course. Why should Charlie

00:24:49.240 --> 00:24:51.759
be an exception? He is for you too, Alice. You

00:24:51.759 --> 00:24:55.079
know he is. Tell me something. Why do you believe

00:24:55.079 --> 00:25:00.119
in him? Because... Why? I want to. That's why

00:25:00.119 --> 00:25:02.359
I believe in him too. Is that wrong? Not wrong,

00:25:02.359 --> 00:25:04.460
but you've got to stop, and I've got to stop.

00:25:04.880 --> 00:25:06.799
We can't have him visiting you in the back of

00:25:06.799 --> 00:25:08.619
the house from three to six, and then coming

00:25:08.619 --> 00:25:10.599
to see me in the front of the house from nine

00:25:10.599 --> 00:25:14.980
to twelve. Now that we know... It wouldn't be

00:25:14.980 --> 00:25:18.460
nice. Well, we couldn't be friends anymore. Oh,

00:25:18.799 --> 00:25:22.519
Alice. But if we don't believe in him, if we

00:25:22.519 --> 00:25:26.299
don't, well, don't desire him, then he'll have

00:25:26.299 --> 00:25:30.759
to go back there and stay there. He won't be

00:25:30.759 --> 00:25:34.079
able to come here anymore. He can't make the

00:25:34.079 --> 00:25:40.319
trip! Connie, can you do it? Stop warning him?

00:25:40.480 --> 00:25:44.799
Yes. Of course I can. Why I'm having a wonderful

00:25:44.799 --> 00:25:50.099
time. I don't need him Neither do I will be better

00:25:50.099 --> 00:25:53.779
off without him We'll be free Connie liberated

00:25:53.779 --> 00:25:58.099
women Let's drink to that right you are bottoms

00:25:58.099 --> 00:26:11.119
up What courage lies in the bottom of a glass

00:26:11.119 --> 00:26:15.539
courage for the shy the lonely, the frightened,

00:26:16.319 --> 00:26:20.920
the frustrated, and for the two elderly ladies

00:26:20.920 --> 00:26:25.099
determined to forget a ghost. We'll return shortly

00:26:25.099 --> 00:26:40.700
with Act 3. Alice and Connie are bravely resolved

00:26:40.700 --> 00:26:46.769
to forget the man. both had loved so long. But

00:26:46.769 --> 00:26:53.049
what of him? Poor lonely unloved ghost, doomed

00:26:53.049 --> 00:26:58.230
to live on forever in the there, banished forever

00:26:58.230 --> 00:27:28.769
from the here. What of him? I'm here, Charlie,

00:27:28.869 --> 00:27:34.430
but you're not. I am so. I don't believe in you

00:27:34.430 --> 00:27:38.789
anymore. You do too. And I don't love you or

00:27:38.789 --> 00:27:43.930
want you, so there. Connie, you're being very

00:27:43.930 --> 00:27:48.869
cruel. I expect I am. If you don't believe me,

00:27:49.349 --> 00:27:52.089
why are you talking to me? Don't try to confuse

00:27:52.089 --> 00:27:55.809
things, Charlie. Answer my question. Why are

00:27:55.809 --> 00:27:57.509
you talking to me if you... You don't believe

00:27:57.509 --> 00:28:11.410
in me. Goldie, tell that ghost to go away. How

00:28:11.410 --> 00:28:15.450
did it go today, Connie? Oh, he was around. I

00:28:15.450 --> 00:28:18.549
could hear him. What did he want? The usual.

00:28:19.369 --> 00:28:23.130
Be loved, be wanted. I told him no more of that.

00:28:23.250 --> 00:28:26.069
You had a conversation with him? Not much of

00:28:26.069 --> 00:28:29.519
a one. You haven't stopped believing. Have you

00:28:29.519 --> 00:28:34.500
stopped, Alice? I think so. You haven't. If you'd

00:28:34.500 --> 00:28:36.380
stopped, you wouldn't say, I think so. You'd

00:28:36.380 --> 00:28:39.660
know. Oh, Connie, how can I know? Mrs. Emery?

00:28:40.680 --> 00:28:43.140
What is it, Darthia? Do you want Cleopatra to

00:28:43.140 --> 00:28:47.799
be in your room tonight or what? Nothing. Not

00:28:47.799 --> 00:28:52.039
anything? Not a thing. Oh, well, all right. I

00:28:52.039 --> 00:28:54.539
had it already, but... That ought to show him,

00:28:54.660 --> 00:29:21.420
don't you think, Connie? A blessed thing, Charles.

00:29:22.180 --> 00:29:26.779
Ah, you spoke. I didn't mean to. But you did.

00:29:27.680 --> 00:29:30.059
How beautiful to hear your voice. Don't tell

00:29:30.059 --> 00:29:34.220
me that old malarkey, Charles. Malarkey? I never

00:29:34.220 --> 00:29:36.259
thought I'd hear my wife use a word like that.

00:29:36.359 --> 00:29:40.680
I'm not your wife. I'm your widow. And I'm using

00:29:40.680 --> 00:29:44.519
a lot of words I never used before. Alice, say

00:29:44.519 --> 00:29:48.210
you love me still. I can't make the... trip unless

00:29:48.210 --> 00:29:52.710
you love me I loved you for 35 years Alice I'm

00:29:52.710 --> 00:29:56.650
facing eternity what's 35 years maybe not much

00:29:56.650 --> 00:30:00.670
there where you are but it's a long time here

00:30:00.670 --> 00:30:03.349
now I'm going to turn off the light and go to

00:30:03.349 --> 00:30:15.029
sleep I was talking to him before I could stop

00:30:15.029 --> 00:30:18.180
myself the same with me But he couldn't complete

00:30:18.180 --> 00:30:20.160
the trip because I wouldn't say I loved him.

00:30:20.500 --> 00:30:23.200
Same here. And I really don't think I do love

00:30:23.200 --> 00:30:26.579
him, Connie. I think I just got into the habit.

00:30:26.859 --> 00:30:30.140
Me too. What does he want to hang around for?

00:30:30.680 --> 00:30:33.440
Can't imagine. Must be so beautiful there where

00:30:33.440 --> 00:30:36.059
he is. Why should he want to come here? He says

00:30:36.059 --> 00:30:39.619
it's very peaceful there. Sounds heavenly. Not

00:30:39.619 --> 00:30:43.099
much like here, Alice. That's why he keeps coming

00:30:43.099 --> 00:30:45.940
back. He can't stand the peacefulness. He isn't

00:30:45.940 --> 00:30:49.779
having any fun. I bet you're right. No worries,

00:30:49.980 --> 00:30:53.960
no troubles, no arguments, no problems. He can't

00:30:53.960 --> 00:30:56.740
stand it. That's the way he was when he was here.

00:30:57.000 --> 00:30:59.720
That's why he took up with me. Why else would

00:30:59.720 --> 00:31:02.059
he want to have a clandestine affair in the afternoon

00:31:02.059 --> 00:31:04.220
with a middle -aged schoolteacher when he had

00:31:04.220 --> 00:31:08.000
a wonderful wife like you? He was bored. He wanted

00:31:08.000 --> 00:31:13.180
a little excitement. He still wants it. Funny.

00:31:14.019 --> 00:31:16.279
I always thought people change when they left

00:31:16.279 --> 00:31:18.839
this terrible world. I guess they don't. I hope

00:31:18.839 --> 00:31:22.000
I change. I'd hate to go on the same way for...

00:31:22.000 --> 00:31:25.980
for eternity. Being petty and jealous and suspicious.

00:31:26.180 --> 00:31:30.059
Oh, no. Well, how can it be so peaceful there

00:31:30.059 --> 00:31:33.960
if everyone's the same as they were here? Maybe.

00:31:34.859 --> 00:31:38.200
Maybe the others don't stay the same. Maybe they

00:31:38.200 --> 00:31:41.660
accept all that eternal peace and enjoy it. In

00:31:41.660 --> 00:31:45.019
the meantime, Connie. While we're still here,

00:31:46.380 --> 00:31:49.759
we have a problem that must be dealt with. Let's

00:31:49.759 --> 00:31:51.539
face it, neither of us has stopped believing

00:31:51.539 --> 00:31:54.319
in Charles completely. Alice, I don't know if

00:31:54.319 --> 00:31:57.619
I'll ever be able to stop completely. Maybe there'll

00:31:57.619 --> 00:32:00.339
always be some little corner of my mind that

00:32:00.339 --> 00:32:03.539
goes on believing that Charlie is here. It's

00:32:03.539 --> 00:32:06.640
the same with me. And as long as we both have

00:32:06.640 --> 00:32:08.799
that last little shred of belief, he will be

00:32:08.799 --> 00:32:11.789
here. Wandering around the house making bleating

00:32:11.789 --> 00:32:14.289
noises. But we won't answer it. We've got to

00:32:14.289 --> 00:32:20.329
be strong. Use their measures. Like what? Like...

00:32:20.329 --> 00:32:24.869
Like rejecting him. Utterly. How do we do that?

00:32:26.289 --> 00:32:28.930
I have two rooms in the front of the house. Two

00:32:28.930 --> 00:32:31.549
big rooms with a big bath between. Would you

00:32:31.549 --> 00:32:34.890
consider taking one of them? Why, I... That would

00:32:34.890 --> 00:32:37.440
be... What I call rejecting him utterly. He'd

00:32:37.440 --> 00:32:39.359
never try to visit one of us if the other one

00:32:39.359 --> 00:32:42.259
was there. Could I bring Goldie? Of course you

00:32:42.259 --> 00:32:45.960
can bring Goldie. I'll get a canary, too, of

00:32:45.960 --> 00:32:48.759
the opposite sex. You'll hear some real singing

00:32:48.759 --> 00:32:52.259
then, all right. Let's skip the set. Let's go

00:32:52.259 --> 00:32:54.480
upstairs now and look at the room and you can

00:32:54.480 --> 00:32:56.799
decide what furniture you want to keep and which

00:32:56.799 --> 00:32:59.480
you want to get rid of. It's all terribly exciting.

00:33:00.200 --> 00:33:02.799
Oh, Alice, I don't want to be dead for a long

00:33:02.799 --> 00:33:15.299
time. between the windows and the chair here.

00:33:15.960 --> 00:33:18.859
We take out the love seat. And that'll leave

00:33:18.859 --> 00:33:21.859
room for the bed. What do you think, Connie?

00:33:22.079 --> 00:33:26.259
I think it's perfect. Now, what color do you

00:33:26.259 --> 00:33:31.119
want the walls painted? Uh, blue. Blue? Really?

00:33:32.940 --> 00:33:35.880
I thought with your dark hair you'd have wanted

00:33:35.880 --> 00:33:39.240
pink or yellow. Ooh, such a nice background for

00:33:39.240 --> 00:33:42.700
Goldie. I'll tell you a secret, Alice. My hair

00:33:42.700 --> 00:33:50.700
is dyed this color. Alice? Alice? Listen to him.

00:33:50.839 --> 00:33:54.900
He sounds miserable. I expect he is. You really

00:33:54.900 --> 00:33:58.400
dye your hair, Connie? Do it myself. Want me

00:33:58.400 --> 00:34:01.680
to? I'll show you how. I wonder why I ever let

00:34:01.680 --> 00:34:06.619
myself go gray. You look lovely. Sort of a pale

00:34:06.619 --> 00:34:13.579
ash blonde. Pale ash blonde? I like the sound

00:34:13.579 --> 00:34:20.699
of that. Connie? Connie? Where are you, my darling?

00:34:20.920 --> 00:34:23.900
Poor old thing. Don't you give in! Oh, I won't!

00:34:23.960 --> 00:34:27.460
I won't! Be strong! Oh, I will! I swear! Connie!

00:34:27.579 --> 00:34:29.639
Now, you said blue for the walls. Now, what shade

00:34:29.639 --> 00:34:32.440
of blue? Act marine, turquoise, robin's egg?

00:34:32.659 --> 00:34:35.780
Turquoise. Good. And we'll put white criss -cross

00:34:35.780 --> 00:34:38.840
curtains at the windows. With turquoise tie -backs!

00:34:39.079 --> 00:34:41.289
You're right! And we'll get a turquoise and white

00:34:41.289 --> 00:34:45.210
spread for the bed. Beautiful. Could I possibly

00:34:45.210 --> 00:34:49.030
have a white rug? A what? Shag rug. Why not?

00:34:49.949 --> 00:35:04.269
Alice. Connie. Connie. Do you mean to sit there

00:35:04.269 --> 00:35:06.070
and tell me you didn't even take one peek at

00:35:06.070 --> 00:35:08.440
your new room? I wanted to wait until you got

00:35:08.440 --> 00:35:10.980
home from community chess. Well, right after

00:35:10.980 --> 00:35:13.019
dinner, we'll look at it together. What if the

00:35:13.019 --> 00:35:15.000
color is wrong? The painter showed me a sample.

00:35:15.199 --> 00:35:18.000
Pure tech -wise. We'll eat fast. I can't wait

00:35:18.000 --> 00:35:21.320
to see it. Dorothy had the bed moved in. Oh,

00:35:21.380 --> 00:35:25.739
Connie. I hope we'll get along as well as we've

00:35:25.739 --> 00:35:28.639
been getting along after you move in. We will.

00:35:28.739 --> 00:35:32.219
We will. And Charlie will go back there and settle

00:35:32.219 --> 00:35:35.699
down. He'll be much better off. He'll thank us.

00:35:36.559 --> 00:35:41.679
If I know Charles, he won't. Well, if you don't

00:35:41.679 --> 00:35:44.400
know him, I don't know who does. Unless it's

00:35:44.400 --> 00:35:52.320
you. You know you're right there. Connie, I have

00:35:52.320 --> 00:35:56.760
a thought. What if I went to the community chest

00:35:56.760 --> 00:36:00.639
in the morning instead of the afternoon? That

00:36:00.639 --> 00:36:02.260
way, when you get through school, we could do

00:36:02.260 --> 00:36:07.869
things like go to the movies. and you know what

00:36:07.869 --> 00:36:11.449
else weekends we could take a train into the

00:36:11.449 --> 00:36:14.710
city and see a play or a concert or go to a museum

00:36:14.710 --> 00:36:18.230
all those things I've been wanting to do only

00:36:18.230 --> 00:36:21.630
I didn't want to do them alone do you know what

00:36:21.630 --> 00:36:26.570
else you mean there's more well you have that

00:36:26.570 --> 00:36:29.929
two months off in the summer we could go to Europe

00:36:29.929 --> 00:36:35.670
Europe I'll pay of course I don't argue I'm your

00:36:35.670 --> 00:36:39.309
rich friend, so I'll pay. Alice, say it again.

00:36:40.309 --> 00:36:42.610
We're doing the right thing by Charlie, aren't

00:36:42.610 --> 00:36:45.369
we? Charles must stop being a ghost and settle

00:36:45.369 --> 00:36:48.730
down. And be happy. He will be happy, won't he?

00:36:48.869 --> 00:36:51.590
Charles will be happy there in whatever way they

00:36:51.590 --> 00:36:55.650
are happy there. Just as we will be happy here.

00:36:56.000 --> 00:36:58.260
I dare say the ways are different, but to each

00:36:58.260 --> 00:37:00.940
his own. Isn't that the expression? Oh, Alice,

00:37:01.260 --> 00:37:03.539
you do have a way of making everything sound

00:37:03.539 --> 00:37:07.099
simple. It is simple. If you stare the facts

00:37:07.099 --> 00:37:10.480
in the face and don't waver. I hope we're not

00:37:10.480 --> 00:37:13.239
being selfish. We're being realistic, that's

00:37:13.239 --> 00:37:16.780
all. Sometimes realistic and selfish look like

00:37:16.780 --> 00:37:20.119
the same thing, but they're not. Finished your

00:37:20.119 --> 00:37:23.019
coffee? Uh -huh. Then guess what we're going

00:37:23.019 --> 00:37:25.940
to do? Go look at my new room. Yes, only wait

00:37:25.940 --> 00:37:29.199
a minute. Dorothea, I simply can't wait to see

00:37:29.199 --> 00:37:32.639
it. Yes, Mrs. Emery. You know that case of French

00:37:32.639 --> 00:37:35.739
wine I ordered. Did it come? The one with the

00:37:35.739 --> 00:37:38.099
picture of the chateau on the label. It came

00:37:38.099 --> 00:37:41.599
last week. Well, will you uncork a bottle and

00:37:41.599 --> 00:37:46.000
bring it upstairs to my suite? To our suite.

00:37:46.519 --> 00:37:50.159
Oh, Alice. And two glasses. Yes, Mrs. Emery.

00:37:50.380 --> 00:37:54.210
Connie. You and I are going to drink to a brand

00:37:54.210 --> 00:38:02.130
new life. Three new lives. Yours, mine, and his.

00:38:03.349 --> 00:38:17.869
Come along. Come in, Dorothea. Oh, good, the

00:38:17.869 --> 00:38:20.409
wine's arrived. Just set it down here, Dorothea.

00:38:20.429 --> 00:38:23.320
Yes, ma 'am. Dorothy and Miss Lawrence and I

00:38:23.320 --> 00:38:26.340
have decided to go to Europe for two months this

00:38:26.340 --> 00:38:29.880
summer. Oh? So you'll have a good long vacation

00:38:29.880 --> 00:38:32.739
instead of your usual two weeks. Full salary,

00:38:32.739 --> 00:38:35.780
of course. You're free to go where you like or

00:38:35.780 --> 00:38:39.099
you can stay here. Oh, thank you, Mrs. Henry.

00:38:40.460 --> 00:38:43.679
I don't know where I'd go exactly. Well, suit

00:38:43.679 --> 00:38:49.380
yourself. Pour the wine, Connie. We'll, uh...

00:38:49.260 --> 00:38:52.360
That be all for this evening? That'll be all.

00:38:52.820 --> 00:38:55.719
Then I'll say good night to you both. Good night.

00:38:55.940 --> 00:39:04.800
Sleep well, Dorothea. Thank you. Two whole months.

00:39:06.900 --> 00:39:10.500
They'll be gone two whole months. What'll I do

00:39:10.500 --> 00:39:15.420
with myself? Dorothea? Where would I go? Dorothea?

00:39:15.420 --> 00:39:17.940
What would I do if I stayed here in an empty

00:39:17.940 --> 00:39:22.599
house? Dorothea, can't you hear me? I'd be all

00:39:22.599 --> 00:39:27.440
by myself. No, you wouldn't. No, you wouldn't.

00:39:27.500 --> 00:39:31.719
If there was just somebody... There he is. There

00:39:31.719 --> 00:39:37.440
he is. If you'd only listen. Somebody like...

00:39:37.440 --> 00:39:43.599
like him. There is me, Dorothea. Oh, Dorothea,

00:39:43.599 --> 00:39:48.119
hear me. But he's gone. Believe in me. Never

00:39:48.119 --> 00:39:53.559
to return. Love me. Want me. And I loved him

00:39:53.559 --> 00:40:02.179
so. Dorothea, listen. And I still do. Oh, I love

00:40:02.179 --> 00:40:38.760
him still. Dorothea, look at me. I've never forgotten

00:40:38.760 --> 00:40:45.360
you. Really? I... Well, I know it was just that

00:40:45.360 --> 00:40:48.519
one weekend when Mrs. Emory went to her 25th

00:40:48.519 --> 00:40:53.400
college reunion, but I've never forgotten. That

00:40:53.400 --> 00:40:58.800
was quite some time ago. I was younger then,

00:40:58.800 --> 00:41:02.280
of course. You haven't changed, Dorothea. Not

00:41:02.280 --> 00:41:35.570
an eye older. That weekend you came up to my

00:41:35.570 --> 00:41:37.929
room on the third floor, don't you remember?

00:42:58.730 --> 00:43:02.050
Connie and Alice with their new hairdos and their

00:43:02.050 --> 00:43:05.929
new pants suits. Good luck to them all. Good

00:43:05.929 --> 00:43:09.869
luck to all of us. It's what we need the most.

00:43:10.690 --> 00:43:24.929
I'll be back shortly. I hope you enjoyed our

00:43:24.929 --> 00:43:28.250
little ghost story. It wasn't meant to be taken

00:43:28.250 --> 00:43:32.570
too... His wife isn't meant to be taken too seriously.

00:43:33.590 --> 00:43:37.909
Or, for that matter, death. Don't you agree?

00:43:39.469 --> 00:43:42.329
Our cast included Beatrice Strait, Paula Truman,

00:43:42.829 --> 00:43:46.150
Joan Loring, and John Barragrave. The entire

00:43:46.150 --> 00:43:48.590
production was under the direction of Hyman Brown.

00:43:49.730 --> 00:44:42.280
And now, a preview of our next take. But he'll

00:44:42.280 --> 00:44:44.960
emerge unharmed when the flames die down. It's

00:44:44.960 --> 00:44:48.760
a miracle, Casey. It's impressive. But I don't

00:44:48.760 --> 00:44:52.500
believe in miracles. This is E .G. Marshall inviting

00:44:52.500 --> 00:44:55.400
you to return to our mystery theater for another

00:44:55.400 --> 00:44:59.820
adventure in the macabre. Until next time.
