WEBVTT

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Come in. Welcome. I'm E .G. Marshall. Welcome

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to another hour of mystery and suspense. To a

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terrifying battle of wits. Our play poses a dilemma

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you have never faced or are likely to face in

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your lifetime. Whether to commit the murder in

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your heart when your mind tells you to restrain

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yourself. Listen to what happened to one man,

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Thomas Drake, who did face that dilemma, and

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what he did about it. Professor Mallory, if you're

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a friend of Emory's, you've got to tell him to

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stay away from my wife. Really now, Drake, I

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don't like being a fear in the personal life

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of faculty. You must. You must tell him, or I

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won't be responsible. I... I don't want to kill

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him. But I don't trust myself. Come now, Drake.

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Sensible people don't solve their marital problems

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like that. With murder. Our mystery drama, Under

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Grave Suspicion, was written especially for the

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Mystery Theater by Hank Warner and stars Ralph

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Bell. I'll be back shortly with Act One. Have

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you ever returned home late one night and listened

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in the still darkness, tense and trembling, hoping

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and praying that you would not hear the whispered

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passions of your wife? and the stranger fearful

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that you could not would not control a blinding

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fury to kill that man getting out of the car

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on that dark dead -end road on the windswept

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bluff overlooking the desolate Long Island Sound

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Beach hurrying by cloud -veiled moonlight down

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the winding footpath through the scrub pines

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and brush to his isolated cottage is Thomas Drake,

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despondent, depressed. I should have telephoned,

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given her some warning that I'd be home a night

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earlier. But deep down, I had the feeling that

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I still couldn't trust her. And I had to find

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out. I hurried towards the cottage, wondering

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why there were no lights on, wondering whether

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she was asleep, alone, or with. I walked around

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from the back of the house, across the gravel

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mound, toward the water side port steps, not

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caring whether the crunch of my footsteps could

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be heard inside. The only other sound was my

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pounding heart, and the surf washing the loose

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gravel off the burn. The half moon slipped behind

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a bank of black clouds, and in the darkness I

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drift over the shovel, left lying on the gravel.

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I kicked it away. I went up the porch steps to

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the front door. I tried it. It was not locked.

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I stepped inside and listened. I called out,

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Marianne. The bedroom door was closed. I opened

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the door. I stabbed at the wall switch. The ceiling

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flooded. An empty made -up bed. I went to the

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kitchen. Turned on the light. It was swept and

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tidy. The counter, the sink, the stove top bare

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and dry. Not a trace of food particles. No lingering

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cooking odors. The dish mop, dish towel, bone

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dry. I needed a drink. to calm down I reached

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for the bottle of bourbon in the kitchen cabinet

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poured myself a stiff one wondering where she

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was the drink only added fuel to my slow burn

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I flushed with waves of anger I had to get out

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in the air to think I put out the house lights

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carry the bottle in the glass of the porch and

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settle down to wait. The cool onshore wind on

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my face. The moon playing hide and seek with

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the dark clouds. The lights of Connecticut blinking

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across ten miles of black water. The old field

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light alternating beams of green and red. It

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was restful. But as I nursed the bourbon... I

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couldn't altogether get her out of my mind. My

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thoughts wandering back in time. Wondering if

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she'd left me or would once again like the first

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time before we were married. We're living together

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in my apartment on Manhattan's swinging east

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side. Two modern sensible singles willing to

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give it a try. I had a job then. Good job. I

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was the vice president with electronics engineering.

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I got home that night. It was Friday night, about

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eight o 'clock. And as I let myself in. Yes,

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Steve. I heard her talking on the phone. Come

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on up, Jack. Oh, ask the doorman to hold the

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cab. He just got home. Oh, who was that, Jack

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Harrison? Of course. Well? You know, I'm getting

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tired of his hanging around. Why don't you tell

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him to stop calling you? He didn't. I called

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him. You look so surprised, Thomas. You don't

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have the time anymore for anything but dear old

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electronics engineering. If you did phone me,

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you wouldn't be home for dinner, so I called

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him. There's a movie I want to see. That's the

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third time this week. Oh, I didn't know you were

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counting, darling. watching television, dozing

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pitfully. My mind going back to the smiles and

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looks they had exchanged as they left. I could

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see them after the movies going to the purple

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camellia for nightcaps and the wild rock of the

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patting cougars and then senses stimulated bodies

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pulsating with savage beats to spend the night

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with him. I was awakened from my sleep in the

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chair by the buzzing TV set. It was four o 'clock.

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I fought off the idea of phoning her at Harrison's

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apartment. I had no one but myself to blame.

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We had agreed, like two sensible moderns, that

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there'd be no strings, that we'd be free to live

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our own lives. And for the first time, I admitted

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to myself, I didn't want that freedom. By ten

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o 'clock that morning, I couldn't stand it. I

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phoned Harrison's apartment. There was no answer.

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I went down to the lobby reception desk to get

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the mail. It hadn't arrived yet. But the clerk

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handed me an unstamped envelope, my name and

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apartment number on it, in Marianne's handwriting.

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I tore it open. There was no date on the plain

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white note paper. No imprint of name and address,

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no forwarding address. Just signed Marianne.

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I refused to believe it. I hurried right back

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up to the apartment to her bedroom closet. Her

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clothes were gone. I got through the day somehow

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in a daze. But the next day, when I went out

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to get the Sunday paper and returned to the apartment...

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There she was unpacking I changed my mind Let's

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have a drink Want to tell me There's not much

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to tell He told me he has a wife three children

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in Connecticut that she won't let him go He couldn't

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marry me Marry you You want to get married? Is

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that all? You want to get married? Will you marry

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me? Yeah. Once again, like two sensible moderns,

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we adjusted to marriage. We seemed to be making

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a go of it. Until I lost my job and the cutbacks

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of government contracts. We subleased the apartment,

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moved to the cottage to make the rounds of electronic

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firms on Long Island. I sat there on the porch,

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waiting. Once again, looking up and down the

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beach. And suddenly I saw a flashlight about

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100 yards down the beach. It moved around, but

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it did not advance. And then it went out. I listened.

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The punch of footsteps on gravel carried by the

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wind grew louder. I could make out the silhouettes

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of a man and a fishing rod on his shoulder. He

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was alone, hugging the waterline. As he came

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abreast I called out a lock It was professor

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Maori of the State University Marine Laboratory

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at nearby Flax Pond another thing I was hoping

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to pick up a sniper Line got snarled in the real

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to tangle to bother with tonight. I'm just having

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a nightcap here to join me professor. I Yeah,

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I could stand one short one getting a bit nippy

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He sipped his whiskey. I don't know how many

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I had. He talked about projects at the Marine

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Lab, the need for more state funds for research

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on wetlands, water pollution, erosion. He knew

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I was trying to get relocated, had given me a

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letter to an executive at the Grumman plant.

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Hear anything from Grumman? No, not a thing.

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I'm about exhausted the job possibilities on

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Long Island I spent yesterday and today in New

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England. Well, thanks for the drink. I'm sure

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the job market will open up. Say hello to Mrs.

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Drake. Dr. Mallory. Yes? Would you do me a favor?

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Favor? Are you a friend of Emory, Richard Emory?

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I know you know him. But are you a friend of

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his? Well, he's one of several new young chaps

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doing post -doctorate work at the Marine Lab.

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It's a small group and we're all more or less

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friendly. I mean you as a friend Listen, yes

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Tell him to stay away from my wife. Well Emory

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your wife. That's right Don't ask me how I know

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Little things I know I I come home tonight. She's

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not home. I know About the personal matter, I

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don't feel I have the right to meddle in the

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personal affairs of a faculty member. If he doesn't,

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I'll kill him. Now, Drake, don't talk like that.

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Sensible people don't solve such problems like

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that. That's what I always thought, but now I...

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Look, Drake, if you don't mind my giving you

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some advice, why don't you just get a divorce

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or a separation? You just tell Emory to stay

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away from her. You must tell her Mary you must

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I don't want to kill it, but I'm afraid But they're

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breaking point You tell him Mallory tell him

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if you don't You'll share the responsibility

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now Tom. You're overwrought. You feel better

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in the morning All right, I'll talk to Emory.

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Thanks. Good night Tom It still had about one

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drink in it. I walked down to the water line.

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I swallowed what was left in the bottle, and

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with swelling anger I flunked it into the waves.

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I turned back towards the cottage and stopped.

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I saw a flashlight down the beach. I could make

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out two persons walking towards me, and then

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the light was out. and silhouetted against the

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night sky two forms embraced as one and then

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carried by the wind rising out of the northeast

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i heard the teasing laughter of marianne well

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there may be laughter in the wind but for poor

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tom this is no time for levity Wonder whether

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he knows that it's an ill wind and will blow

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him no good I'll be back shortly with act two

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Now what's a fella to do poor Tom Drake is in

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the dark and all at sea Wondering where he ought

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to be or not to be. But let's not blow the man

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down. Just lend me your ears and we'll listen.

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Their embrace of the dark was brief. And they

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started walking towards the cottage without using

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the flashlight. For a split second I thought

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of walking towards them for a showdown. But Mallory's

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promise to talk to Emory made me put aside the

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impulse. I ducked behind the line of boulders

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that formed a breakwater above a high -water

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line. They stopped in front of the cottage. From

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behind the boulders, I watched and listened.

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That was a good hike. Yeah. Let's go inside.

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Let's sit out here for a while. It's such a beautiful

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night. I'd like a cigarette. Okay. down beside

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her, struck a match, cupped it in his hands and

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held it to the cigarette in her lips. In the

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glow from the match flame, her face flushed,

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her eyes dreamy with desire. I knew I would never

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give her up. I'm going out to Montauk next week.

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It's a long Monday holiday weekend. How about

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coming with me? I'd love to, but I have to figure

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out some excuse to be away. That shouldn't be

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any problem. You're pretty clever about such

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things. Now think of something. I couldn't help

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thinking she was pretty clever about such things.

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Like the night she went with that very clever

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Harrison leading her on. I'd never forget that

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Friday night. And now, another Friday night.

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Come on, let's go inside. You said he won't be

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back tonight. Oh, relax, Richard. You mean to

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tell me you prefer this cold gravel to a nice,

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comfortable couch? Come on, Diane. Oh, what's

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wrong with staying out here? Oh, Mark, I am most

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content with a jug of wine, a loaf of bread beneath

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a bough. Oh, not bad, not bad. The laughter broke

00:18:26.839 --> 00:18:30.730
off suddenly. I saw the growing tips of two flip

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cigarettes, and then... Kiss me, Richard. Stop

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it! Stop it, Tom! What are you... Marianne, go

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inside. Go inside, I tell you. Why? If you have

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anything to say, you can say it here, in front

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of Richard. Go inside? Now listen, you leave

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her alone, let go of her! He broke my grip on

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the wrong and pushed me away. This shove made

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me slip to my knees. I came up swinging at his

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face. I missed. He pinned my arms from behind.

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Well, listen. What's the matter with you? Are

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you crazy? I broke out of his grip, stepped back

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from him, and fell across the shovel. I grabbed

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the handle, jumped up. No! No! And swung at Emery.

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Too late for me to stop the swing. No! As she

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rushed in between us, the sharp edge of the shovel

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hit her in the back of the head. Oh my God. I

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stood there, holding the shovel, unable to move.

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My eyes fixed on her face as Emery knelt down

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over her with a flashlight. I watched her face

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and prayed, prayed she wouldn't die. I trembled

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with fear and anguish, telling myself this couldn't

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be. It was a nightmare. Emery turned the flashlight

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on me. Studied my trembling lips my glazed eyes

00:19:59.539 --> 00:20:06.900
fixed on Marianne she's She is dead I heard him

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but didn't answer I Couldn't take my eyes off

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Drake. Did you hear what I said? She's dead You

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killed her You better go in the house and call

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the police. I looked at him puzzled my mind my

00:20:24.660 --> 00:20:28.400
eyes my memory playing tricks on me wondering

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who he was harrison jack harrison mocking me

00:20:37.339 --> 00:20:40.279
the night he took her to the movie telling me

00:20:40.279 --> 00:20:42.980
we'll be back what's the matter with you drake

00:20:42.980 --> 00:20:46.799
don't you hear me call the police i'll tell them

00:20:46.799 --> 00:20:49.279
i'll say it was an accident she tried to stick

00:20:49.279 --> 00:20:54.579
i don't think you've heard a word i said I'll

00:20:54.579 --> 00:20:57.160
call the police myself. Where are you going,

00:20:57.660 --> 00:21:01.380
Harrison? Call the... Who's Harrison? I'm Emory,

00:21:01.539 --> 00:21:07.839
Richard Emory. Drake... I'll be right back. Don't

00:21:07.839 --> 00:21:12.400
turn your back on me! You look back as I swung

00:21:12.400 --> 00:21:15.759
the shovel. His mouth open, his eyes unbelieving.

00:21:17.440 --> 00:21:30.099
He went down. I hit him again. for air, my head

00:21:30.099 --> 00:21:33.000
pounding, thousands of pinpoints of light exploding

00:21:33.000 --> 00:21:37.259
inside my head. I sank down on the steps of the

00:21:37.259 --> 00:21:40.480
porch, holding my head in my hands, trying to

00:21:40.480 --> 00:21:44.680
clear my head, groping to recall, understand

00:21:44.680 --> 00:21:50.640
what had happened to me, to them. Slowly the

00:21:50.640 --> 00:21:55.140
horror of it all returned. Marianne was dead.

00:21:56.200 --> 00:22:00.559
I turned the other body face up. It was not Harrison.

00:22:02.319 --> 00:22:12.900
It was Emory. I don't know how long I sat there

00:22:12.900 --> 00:22:18.579
on the port steps. Finally I faced it. I decided

00:22:18.579 --> 00:22:22.519
to try to get rid of the bodies. Bury them temporarily

00:22:22.519 --> 00:22:27.359
in the gravel berm. I'd have to get a small boat,

00:22:28.759 --> 00:22:31.700
that rowboat, in the woods just above the mud

00:22:31.700 --> 00:22:34.160
water line, stored by one of these summer residents.

00:22:35.519 --> 00:22:38.819
I'd row the bodies out to the channel, weight

00:22:38.819 --> 00:22:42.480
them, drop them overboard on an outgoing tide.

00:22:43.559 --> 00:22:45.380
The strong current on the bottom of the channel

00:22:45.380 --> 00:22:49.500
would move them out to the sea. The loose gravel

00:22:49.500 --> 00:22:53.200
was only about three feet deep. It would be deep

00:22:53.200 --> 00:22:58.240
enough to hide them. I dragged the bodies over,

00:22:58.859 --> 00:23:04.160
laid them into end, covered them, building up

00:23:04.160 --> 00:23:06.279
the grapple mound the same height of the burn

00:23:06.279 --> 00:23:12.180
that ran parallel to the water level. I inspected

00:23:12.180 --> 00:23:17.099
the shovel. The metal glistened clean, no sign

00:23:17.099 --> 00:23:20.440
of blood or hair. I stood it against the porch

00:23:20.440 --> 00:23:24.779
rail, went inside. I sprawled out on the bed.

00:23:24.940 --> 00:23:29.779
exhausted and fell into a heavy, dreamless sleep.

00:23:38.700 --> 00:23:41.500
I woke up the next morning about an hour after

00:23:41.500 --> 00:23:46.640
sunrise. My mind clear, instantly aware of what

00:23:46.640 --> 00:23:50.240
had happened, what I had done. I jumped off the

00:23:50.240 --> 00:23:53.440
bed, went to the porch door, looked at the gravel

00:23:53.440 --> 00:23:58.599
graves. on the burn it looked natural peaceful

00:23:58.599 --> 00:24:05.160
like a cemetery i knew what i had to do i put

00:24:05.160 --> 00:24:09.039
on the coffee showered changed my clothes became

00:24:09.039 --> 00:24:10.900
aware that her clothes were still hanging in

00:24:10.900 --> 00:24:14.000
the closet i got the old note she had left me

00:24:14.000 --> 00:24:17.140
on that weekend but harrison read it over and

00:24:17.140 --> 00:24:19.519
over as i had my coffee on the kitchen counter

00:24:20.009 --> 00:24:27.170
I turned on the radio for the weather. I placed

00:24:27.170 --> 00:24:30.630
the note on the counter, carefully spilled a

00:24:30.630 --> 00:24:33.049
spoonful of coffee on the counter, wetting a

00:24:33.049 --> 00:24:35.750
large corner of the paper, and then blotted it

00:24:35.750 --> 00:24:39.329
with a paper towel. I knew I'd have to keep checking

00:24:39.329 --> 00:24:42.289
the weather. But first, get rid of her clothes.

00:24:43.269 --> 00:24:46.250
I put them in a large plastic garbage bag. I

00:24:46.250 --> 00:24:47.990
knew I'd have to stay close to the cottage until

00:24:47.990 --> 00:24:51.559
I got rid of the bodies. Lay in a supply of food

00:24:51.559 --> 00:24:54.259
so I drove to the supermarket put the clothes

00:24:54.259 --> 00:24:56.460
into the collection bin of the Salvation Army

00:24:56.460 --> 00:25:00.259
on the parking lot I did my shopping was back

00:25:00.259 --> 00:25:05.660
in less than an hour I Went up to where the rowboat

00:25:05.660 --> 00:25:09.579
was on the bank of trees It looked all right

00:25:09.579 --> 00:25:12.740
Aluminum light enough to drag the oars were in

00:25:12.740 --> 00:25:16.140
it and burlap fish bags strong enough to hold

00:25:16.140 --> 00:25:19.450
the rocks I'd use for weights I'd have to wait

00:25:19.450 --> 00:25:22.509
until dark to move the bodies. In the meantime,

00:25:22.890 --> 00:25:26.809
I could move the boat. It was a couple of hundred

00:25:26.809 --> 00:25:34.109
yards. I placed the boat on top of the grave.

00:25:39.009 --> 00:25:41.309
By nightfall, the Coast Guard was sending out

00:25:41.309 --> 00:25:43.930
small craft warnings and all through the night

00:25:43.930 --> 00:25:48.259
I was glued to the radio. for weather checks.

00:25:49.019 --> 00:25:52.279
Feeling trapped, helpless to do what I had planned,

00:25:53.559 --> 00:26:01.079
I finally fell asleep on the couch. I was awakened

00:26:01.079 --> 00:26:04.579
by the Sunday morning church music and a loud

00:26:04.579 --> 00:26:10.480
knocking at the porch door. I didn't recognize

00:26:10.480 --> 00:26:14.380
the voice. I hesitated. The knocking stopped.

00:26:15.400 --> 00:26:18.799
Heard him walk down the porch steps. I put on

00:26:18.799 --> 00:26:22.380
my shoes went to the door He was sitting on the

00:26:22.380 --> 00:26:27.019
edge of the plants of the boat Smoking a cigarette

00:26:27.019 --> 00:26:31.019
fishing pole across his knees It was Mallory

00:26:31.019 --> 00:26:34.859
He turned didn't wake you did I I? Heard the

00:26:34.859 --> 00:26:40.539
radio. I thought I'd stop by You all right, okay

00:26:40.539 --> 00:26:47.079
now, but yesterday what ahead All day. How about

00:26:47.079 --> 00:26:49.460
some coffee? Oh, thanks for that. Got to get

00:26:49.460 --> 00:26:52.980
back to the lab. I didn't know you had a boat.

00:26:54.039 --> 00:26:57.900
Oh, it's not mine. Alongs with Johnson's. I saw

00:26:57.900 --> 00:27:00.579
a couple of kids dragging it out to the patch

00:27:00.579 --> 00:27:03.660
of trees up there. They ran when I started towards

00:27:03.660 --> 00:27:05.400
them. Thought I'd better keep it here for them.

00:27:05.700 --> 00:27:08.440
I guess it's safe enough here. Unless we get

00:27:08.440 --> 00:27:12.079
that hurricane. I'd pull it up on higher ground

00:27:12.079 --> 00:27:14.829
if the weather gets worse and... Gilda doesn't

00:27:14.829 --> 00:27:18.890
move out see Well glad to see you feeling bad.

00:27:18.890 --> 00:27:23.170
Oh dr. Mowry it did Did you get a chance to talk

00:27:23.170 --> 00:27:29.309
to Emory? No Matter of fact, I haven't seen him.

00:27:29.769 --> 00:27:32.650
I Stopped by his room Friday night after I left

00:27:32.650 --> 00:27:38.549
you He wasn't in I Left a note to call me Didn't

00:27:38.549 --> 00:27:41.809
hear from him all day Saturday wasn't in Saturday

00:27:41.809 --> 00:27:47.259
night Not this room this morning either Not like

00:27:47.259 --> 00:27:54.279
him to go off without a word Hmm I've been thinking

00:27:54.279 --> 00:27:57.039
over dr. Mario. It's uh, it's no use trying memory.

00:27:57.720 --> 00:28:02.519
I can't keep it tied to me She's left me. Oh

00:28:02.519 --> 00:28:07.339
Did she? I'm sorry Perhaps that why she didn't

00:28:07.339 --> 00:28:10.839
get home Friday night. Let me know that Not in

00:28:10.839 --> 00:28:15.140
the kitchen Saturday morning Is she leaving you

00:28:15.140 --> 00:28:23.339
for Emory? She didn't say. Oh, I see. Well, I'm

00:28:23.339 --> 00:28:32.519
sorry, Drake. I really am. Sunday night, I was

00:28:32.519 --> 00:28:35.660
still trapped by the weather. It got worse through

00:28:35.660 --> 00:28:38.259
the night. The weather report said there still

00:28:38.259 --> 00:28:40.559
was a 50 -50 chance that the hurricane would

00:28:40.559 --> 00:28:51.700
bypass Long Island. About noon the next day the

00:28:51.700 --> 00:28:56.220
wind died down. I stood there by the rowboat

00:28:56.220 --> 00:28:58.420
wondering whether I should take the chance in

00:28:58.420 --> 00:29:02.660
broad daylight. Long Island Sound was still calm

00:29:02.660 --> 00:29:07.599
as a lake. I heard a helicopter coming across

00:29:07.599 --> 00:29:13.420
Crane Neck. Routine patrol of the shore I could

00:29:13.420 --> 00:29:20.339
read stuff of police and then Dr. Mallory coming

00:29:20.339 --> 00:29:23.920
on the beach towards me I Stood there waiting

00:29:23.920 --> 00:29:28.440
for him. I'm glad I find you home Drake. Oh,

00:29:28.500 --> 00:29:31.519
I just been answering more job ads Yeah, have

00:29:31.519 --> 00:29:34.440
you heard from mrs. Drake a letter perhaps phone

00:29:34.440 --> 00:29:39.119
call why no I haven't getting really concerned

00:29:39.119 --> 00:29:42.839
about emery no one at the lab has seen him or

00:29:42.839 --> 00:29:47.160
heard from him for three days this morning i

00:29:47.160 --> 00:29:50.559
i looked through his room his clothes his suitcases

00:29:50.559 --> 00:29:56.119
were there i can't understand i i was hoping

00:29:56.119 --> 00:29:58.140
if you'd heard from mrs drake knew where she

00:29:58.140 --> 00:30:01.309
was i'd ask her if she had any idea about where

00:30:01.309 --> 00:30:03.950
Emory might be. Well, I do have her mother's

00:30:03.950 --> 00:30:07.829
phone number in Ohio and her sister's in Connecticut.

00:30:08.509 --> 00:30:11.890
If you don't mind. Do you want to call from here?

00:30:12.589 --> 00:30:14.710
Thanks, but I'm on my way to the village hall

00:30:14.710 --> 00:30:22.609
to see Police Chief Raymond. I stood there watching

00:30:22.609 --> 00:30:25.049
him make his way along the beach to the village

00:30:25.049 --> 00:30:28.069
hall at the old field lighthouse, wondering...

00:30:29.109 --> 00:30:37.650
Just what he'd tell Chief Raymond. Well, you

00:30:37.650 --> 00:30:42.990
know what they say. The path of gory murder leads

00:30:42.990 --> 00:30:46.890
but to the grave. What do you suppose will happen

00:30:46.890 --> 00:30:50.069
to Tom Drake? Will he be like that comedian who

00:30:50.069 --> 00:30:53.529
murdered people with stolen jokes and was hanged

00:30:53.529 --> 00:30:58.150
by his wits end? I'll be back shortly with act

00:30:58.150 --> 00:31:13.400
three. A lot of most policemen is not a happy

00:31:13.400 --> 00:31:17.839
one. Wonder how Police Chief Raymond will receive

00:31:17.839 --> 00:31:21.660
Professor Mallorain. Will he use the right bait

00:31:21.660 --> 00:31:25.660
and make a haul? Or lose hook, line, and sinker?

00:31:26.559 --> 00:31:29.619
Let's follow our troubled professor and find

00:31:29.619 --> 00:31:32.519
out. What's this all about? Emma said to tell

00:31:32.519 --> 00:31:36.119
me it was urgent. Well, I mean, it's not a matter

00:31:36.119 --> 00:31:42.269
of life or death, is it? I hope not. Oh, you

00:31:42.269 --> 00:31:46.269
sound like you're not so sure. I'm not, but I

00:31:46.269 --> 00:31:49.210
am getting worried. Somebody been, uh, sealing

00:31:49.210 --> 00:31:51.490
typewriters and lab equipment again? No, no,

00:31:51.490 --> 00:31:55.170
no, no, Chief. I... Well, this may sound odd,

00:31:55.190 --> 00:32:00.329
but a member of the lab faculty is, uh, seems

00:32:00.329 --> 00:32:04.789
to be missing. Oh? That's, uh, what do you mean,

00:32:05.269 --> 00:32:09.859
missing? No one's seen him. since friday afternoon

00:32:09.859 --> 00:32:13.900
well this is only monday yes yes but he was not

00:32:13.900 --> 00:32:16.980
in his room friday night saturday night sunday

00:32:16.980 --> 00:32:19.940
night he didn't show up in the lab today well

00:32:19.940 --> 00:32:22.180
what about his weekends did he have them free

00:32:22.180 --> 00:32:26.140
well sometimes when scheduled he was not scheduled

00:32:26.140 --> 00:32:29.440
to be off this weekend uh -huh the chap he rooms

00:32:29.440 --> 00:32:34.299
with garrison says he saw emory friday noon well

00:32:34.299 --> 00:32:36.420
garrison was off this past weekend he got back

00:32:36.420 --> 00:32:40.839
sunday night I saw Garrison this morning. He

00:32:40.839 --> 00:32:43.619
wasn't surprised or upset over the fact that

00:32:43.619 --> 00:32:46.900
Emery hadn't spent the night in his room. It

00:32:46.900 --> 00:32:51.500
wasn't the first time. Do you know that cottage

00:32:51.500 --> 00:32:54.299
the Drake rented? Yes, I do. It belongs to Howard.

00:32:54.519 --> 00:32:58.940
Is that the one or about it? Last Friday night,

00:33:00.000 --> 00:33:04.099
I was out casting along the beach. On my way

00:33:04.099 --> 00:33:07.619
back to the lab... Drake invited me to stop for

00:33:07.619 --> 00:33:12.200
a nightcap on the porch. He'd already had quite

00:33:12.200 --> 00:33:16.500
a few. I had one drink with him, and he asked

00:33:16.500 --> 00:33:22.539
me, was I a friend of Emery's? And he asked me,

00:33:22.920 --> 00:33:26.660
the way he put it, would I do him a favor? Mm

00:33:26.660 --> 00:33:31.140
-hmm. Go on, go on. What he wanted me to do was

00:33:31.140 --> 00:33:35.779
for me to tell Emery to... Stay away from his

00:33:35.779 --> 00:33:41.519
wife Now did he explain that he mean emery was

00:33:41.519 --> 00:33:44.619
annoying his wife or did he mean they were having

00:33:44.619 --> 00:33:47.319
an affair Well, my first impression was that

00:33:47.319 --> 00:33:52.740
it was more or less of dalliance Well, that's

00:33:52.740 --> 00:33:54.859
kind of par for the course in this university

00:33:54.859 --> 00:33:58.740
town, you know, yes perhaps but I I Told him

00:33:58.740 --> 00:34:01.819
I prefer not to get involved in personal affairs

00:34:01.819 --> 00:34:05.140
of faculty members. What'd he say? He said if

00:34:05.140 --> 00:34:11.239
Emory didn't stay away, he'd kill him. His exact

00:34:11.239 --> 00:34:15.019
words. Of course, he was very drunk when he said

00:34:15.019 --> 00:34:19.420
it. I told Drake to calm him down that I had

00:34:19.420 --> 00:34:21.400
talked to Emory. Yes, I see. Well, now what about

00:34:21.400 --> 00:34:23.739
Mrs. Drake? Was there anything said to indicate

00:34:23.739 --> 00:34:26.699
whether she was inside the cottage while Drake

00:34:26.699 --> 00:34:30.159
was... Blowing his top this way to you. No. No,

00:34:30.159 --> 00:34:32.360
there were no lights on inside matter of fact

00:34:32.360 --> 00:34:36.059
Drake made it clear that she was not home He

00:34:36.059 --> 00:34:39.639
implied without mentioning Emory by name That

00:34:39.639 --> 00:34:42.500
she was out somewhere with him. Well in that

00:34:42.500 --> 00:34:44.960
case she could have some idea about where he

00:34:44.960 --> 00:34:50.019
might be That occurred to me. I I Went back there

00:34:50.019 --> 00:34:53.659
yesterday morning with that in mind and did she

00:34:53.659 --> 00:34:58.960
she wasn't there Drake told me she'd left him

00:34:58.960 --> 00:35:02.539
He said she didn't come home at all Friday night

00:35:02.539 --> 00:35:06.239
He said he found a note from her in the kitchen

00:35:06.239 --> 00:35:09.360
Saturday morning Well, that's quite a coincidence

00:35:09.360 --> 00:35:12.840
to say the least did the note say she'd gone

00:35:12.840 --> 00:35:14.900
away with Emory Well, Drake didn't show me the

00:35:14.900 --> 00:35:17.800
note, but as much as said there was no mention

00:35:17.800 --> 00:35:20.619
of Emory You've been to the cottage since yesterday.

00:35:21.079 --> 00:35:25.059
I stopped there on my way here Drake says he

00:35:25.059 --> 00:35:27.619
hasn't heard a word from her. No mail. No phone

00:35:27.619 --> 00:35:32.719
call But I asked him would she perhaps have gone

00:35:32.719 --> 00:35:37.860
to her parents home to a relative He gave me

00:35:37.860 --> 00:35:44.980
these phone numbers Ohio and Connecticut you

00:35:44.980 --> 00:35:51.099
think we ought to call them No No I'll drop in

00:35:51.099 --> 00:35:54.159
on Drake. I'd rather he made the call Z If we

00:35:54.159 --> 00:35:56.300
can't locate Mrs. Drake, and you don't hear from

00:35:56.300 --> 00:35:58.860
memory, that leaves us with two missing persons.

00:35:59.500 --> 00:36:01.579
We'll put out in all points teletype, alarm,

00:36:01.659 --> 00:36:05.239
full descriptions, and photos. I'll keep you

00:36:05.239 --> 00:36:15.380
posted, Mallory. I'll come to the point, Drake.

00:36:16.079 --> 00:36:18.699
Mallory, Professor Mallory up at the Marine Lab,

00:36:18.780 --> 00:36:21.900
you know, came to see me. And he's a bit worried

00:36:21.900 --> 00:36:24.820
about the absence of a faculty member, one Richard

00:36:24.820 --> 00:36:27.760
Emery. There's no use being delicate about this,

00:36:28.000 --> 00:36:30.000
Drake. From what he told me, it does look like

00:36:30.000 --> 00:36:34.079
Emery and your wife ran off together, doesn't

00:36:34.079 --> 00:36:38.800
it? Yes. It sure looks like it. Do you mind if

00:36:38.800 --> 00:36:42.500
I see that note she left you? Oh, no. Not at

00:36:42.500 --> 00:36:45.280
all. It's on the kitchen counter where I found

00:36:45.280 --> 00:36:49.599
it. We went into the kitchen. He picked up the

00:36:49.599 --> 00:36:52.590
note. Studied it carefully. Looked at the back

00:36:52.590 --> 00:36:57.230
of the paper. Felt the coffee stain. When did

00:36:57.230 --> 00:37:03.429
you discover this note? Saturday morning. With

00:37:03.429 --> 00:37:06.210
that stain, some coffee spilled from my cup as

00:37:06.210 --> 00:37:08.429
I was reading it. Oh, I see, I see. You mind

00:37:08.429 --> 00:37:13.789
if I look around? Oh, go right ahead. I followed

00:37:13.789 --> 00:37:17.050
him into the bedroom. He looked through her dresser

00:37:17.050 --> 00:37:19.739
in the closet. The night table. Well, her clothes

00:37:19.739 --> 00:37:22.679
are going all right. I was looking for a letter

00:37:22.679 --> 00:37:25.199
she might have received from a friend or relative,

00:37:25.199 --> 00:37:27.119
you know, inviting her for a visit for a few

00:37:27.119 --> 00:37:30.800
days a week. I mean, did she mention such an

00:37:30.800 --> 00:37:34.860
invitation to you? No. Well, if she did get such

00:37:34.860 --> 00:37:37.719
a letter, she could have taken it with her. I

00:37:37.719 --> 00:37:40.460
mean, have you called her parents or her sister?

00:37:41.219 --> 00:37:44.880
Well, frankly, no. I was hoping I wouldn't have

00:37:44.880 --> 00:37:48.440
to do that, that when she'd come back... Or write

00:37:48.440 --> 00:37:51.480
a phone. Well, if they don't turn up in a week

00:37:51.480 --> 00:37:53.679
or two, we might perhaps go on the assumption

00:37:53.679 --> 00:37:57.960
that they're dead. You see? And start a search

00:37:57.960 --> 00:38:05.360
for their bodies. You don't think... Well, look,

00:38:05.480 --> 00:38:08.519
Chief, I was drunk when I... Oh, no, no, no.

00:38:08.920 --> 00:38:11.739
I don't think you killed them. Of course not.

00:38:11.860 --> 00:38:14.599
What would you do with the bodies? Bury them

00:38:14.599 --> 00:38:17.039
out there? Let's not get morbid about this. You

00:38:17.039 --> 00:38:20.000
don't think I'm going to call out the tractors

00:38:20.000 --> 00:38:25.400
to scrape down the gravel, do you? Oh, by the

00:38:25.400 --> 00:38:28.699
way, how long are you planning to stay on here?

00:38:29.519 --> 00:38:31.539
A couple of weeks. All right, fine. Well, now

00:38:31.539 --> 00:38:34.059
keep in touch. I'll call you if anything develops.

00:38:34.760 --> 00:38:39.659
Phone me if you get a letter or a call from your

00:38:39.659 --> 00:38:44.780
wife. I followed him out. He looked at the rowboat.

00:38:45.719 --> 00:38:47.719
He stared at the sky. You know, I'd pull that

00:38:47.719 --> 00:38:50.179
little boat up higher beyond that low ground

00:38:50.179 --> 00:38:52.079
back of the house. I wouldn't be surprised if

00:38:52.079 --> 00:38:54.519
we get some of Hurricane Gilda before night's

00:38:54.519 --> 00:38:57.780
over. Better keep the radio set on the Coast

00:38:57.780 --> 00:39:00.800
Guard reports. I watched him go down the port

00:39:00.800 --> 00:39:03.079
path across the low ground behind the cottage

00:39:03.079 --> 00:39:05.599
and then up here to where his car was parked

00:39:05.599 --> 00:39:08.380
on top of the bluff. It was not until he was

00:39:08.380 --> 00:39:19.369
out of sight that I stopped sweating. Windless,

00:39:20.030 --> 00:39:21.849
an oppressive silence hanging over the water

00:39:21.849 --> 00:39:26.309
and the land. The sky was sunless, gray, not

00:39:26.309 --> 00:39:29.989
a cloud in sight. I'd heard of the calm before

00:39:29.989 --> 00:39:33.650
the storm, but I'd never seen it. I filled the

00:39:33.650 --> 00:39:37.809
kerosene lanterns, got candles ready. Gale warning,

00:39:37.989 --> 00:39:41.230
Cape May to Block Island. Eye -tied through the

00:39:41.230 --> 00:39:43.929
four feet above normal with flooding along lowland.

00:39:46.539 --> 00:39:49.619
By late afternoon, all up and down the south,

00:39:49.800 --> 00:39:52.199
whitecaps galloped shoreward as far as the eye

00:39:52.199 --> 00:39:55.820
could see. Tree tops swayed and twisted in the

00:39:55.820 --> 00:40:00.900
whistling wind. The waves crashed higher on the

00:40:00.900 --> 00:40:04.960
shore. It started to rain hard. Wind swept sheets

00:40:04.960 --> 00:40:08.260
of water, lashed the roof, shingled silence.

00:40:10.679 --> 00:40:14.739
The lights went off. Violet lanterns and candles.

00:40:21.190 --> 00:40:25.469
The door banged open and the wind picked up the

00:40:25.469 --> 00:40:28.449
rowboat, sent it rolling side over side across

00:40:28.449 --> 00:40:31.469
the low ground behind the house. I stood with

00:40:31.469 --> 00:40:34.190
a lantern on the gravel burn, watching the waves

00:40:34.190 --> 00:40:38.329
inching closer, lapping the foot of the gravel

00:40:38.329 --> 00:40:42.809
mound, loosening gravel in the backwash, and

00:40:42.809 --> 00:40:46.280
then I heard the phone ringing. I went to it,

00:40:46.480 --> 00:40:48.800
picked it up. Still watching through the open

00:40:48.800 --> 00:40:52.260
door, the waves breaking over the gravel. Uh,

00:40:52.400 --> 00:40:54.639
hello? Hello, hello, great, this is Police Chief

00:40:54.639 --> 00:40:56.440
Raymond. What the hell are you still doing out

00:40:56.440 --> 00:40:58.039
there? Didn't you hear the evacuation alert?

00:41:00.340 --> 00:41:04.119
The phone fell out of my hand. I saw waves crashing

00:41:04.119 --> 00:41:37.670
over the grave and ran out. on the gravel and

00:41:37.670 --> 00:41:42.389
sand. As fast as the waves washed it off. But

00:41:42.389 --> 00:41:45.309
for every shovel pull I throw in the grave, the

00:41:45.309 --> 00:41:49.650
waves washed off too. I lost track of time. I

00:41:49.650 --> 00:41:52.449
know I had to keep at it to keep the grave covered.

00:42:00.570 --> 00:42:38.769
Heading close to the house, Valerie. over on

00:42:38.769 --> 00:43:34.909
the aircraft. State office building tell him

00:43:34.909 --> 00:43:45.250
I said I won't be needing those tractors Well

00:43:45.250 --> 00:43:49.989
imagine What do you think of that police chief?

00:43:50.829 --> 00:43:56.010
Isn't he the fishy character? Anyhow we didn't

00:43:56.010 --> 00:44:13.099
have to scrape bottom I'll be back shortly in

00:44:13.099 --> 00:44:17.659
a dilemma? We hope you never have to face it.

00:44:18.260 --> 00:44:22.139
We can offer some advice, though. When you are

00:44:22.139 --> 00:44:25.880
uptight about any matter, nothing like settling

00:44:25.880 --> 00:44:29.320
down at your radio and letting the cares of the

00:44:29.320 --> 00:44:33.980
day slip away as your mind and ears carry you

00:44:33.980 --> 00:44:37.739
off on a relaxing journey of mystery adventure.

00:44:39.059 --> 00:44:42.360
Our cast included Ralph Bell, Patricia Wheel,

00:44:42.539 --> 00:44:46.840
Robert Dryden and William Redfield. The entire

00:44:46.840 --> 00:44:49.579
production was under the direction of Hyman Brown.

00:44:51.719 --> 00:44:55.800
Now, a preview of our next tale. Are you all

00:44:55.800 --> 00:45:01.119
right, Jerry? Yeah. I'm all right. But I saw

00:45:01.119 --> 00:45:06.679
him. Who? The guy I was in the army with. Ah,

00:45:06.679 --> 00:45:10.659
the two of you. Were you close? He was my buddy.

00:45:11.360 --> 00:45:14.860
Well, when was the last time you saw him in person?

00:45:16.019 --> 00:45:18.659
The night he was killed. Have you ever seen him

00:45:18.659 --> 00:45:22.400
again? Like you thought you did just now? No.

00:45:23.300 --> 00:45:26.159
No, this is the first time. Well, maybe you need

00:45:26.159 --> 00:45:28.599
a rest, Jerry. Harry, why now? Why tonight after

00:45:28.599 --> 00:45:31.440
all these years? Well, you say you saw him last

00:45:31.440 --> 00:45:34.760
the night he died in battle. Well, the sight

00:45:34.760 --> 00:45:37.559
of him dead must have stayed with you always.

00:45:37.559 --> 00:45:39.780
But that's not how I just saw him, Paddy. He

00:45:39.780 --> 00:45:42.159
wasn't in uniform. He was in civilian clothes.

00:45:42.579 --> 00:45:45.239
You might have pictured him as he looked at a

00:45:45.239 --> 00:45:47.860
happier time. I never saw him in civilian clothes.

00:45:48.059 --> 00:45:50.539
This is E .G. Marshall inviting you to return

00:45:50.539 --> 00:45:53.760
to our mystery theater for another adventure

00:45:53.760 --> 00:46:01.199
in the macabre. Until next time. Pleasant dreams.
