WEBVTT

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Currently 48 degrees downtown, George Goode K

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-O -I -M -U. Come in. Welcome. I'm E .G. Marshall.

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Welcome to the sounds of suspense. Welcome to

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the world of your own terrifying imagination.

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So many catastrophic things happen in this world

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because a lady asks a gentleman a question and

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then refuses to accept his answer. For instance,

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the Lady Eve. What great harm could it do if

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I took just the tiniest bite of that apple? Or

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the lady named Pandora. Why would it be a calamity

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if I should sneak just a quick little peek into

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that box? Now add to the list a charming young

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lady named Millie She also has a question. Why

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can't I have the braces Kevin? It belongs to

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the temple Oh nonsense. It's been lying here

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in the jungle for at least a thousand years.

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Who'd miss it? It's owner the Beast goddess.

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Oh, come on Kevin You know what she does with

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people who steal her property She turns them

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into animals. Really? That's the local legend,

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Millie. Now you just take that little bracelet

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off your arm and put it back exactly where you

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found it. Sure. Millie. I mean it. Sure, Kevin.

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Sure. Our mystery drama, The Sign of the Beast.

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was written especially for the Mystery Theater

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by Sam Dam and stars Lois Smith. I'll be back

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shortly with Act One. What is the difference

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between man and beast? There are those who ask,

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is there a difference? It wasn't very long ago

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that man himself was a beast, a carnivorous hunter

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with an insatiable appetite for raw meat. True,

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quite a bit has happened since. We've learned

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manners. We've invented civilization and culture.

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We've created a conscience, a code of morals,

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a system of ethics. But how deep do all these

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things go? Does the beast still slumber in each

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of us, waiting patiently, biding its time, ready

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at any moment to assert its mastery with fang

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and claw? This is going to be a very vital question

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for the very pretty and vivacious young lady

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who at this moment is riding in a helicopter.

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The copter is hovering over a large clearing

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deep in a South American jungle. Here you are,

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Millie. Thanks a million, Larry. This is your

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bet. Kevin and Professor Jorgensen won't thank

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me. Better lift up out of here before they make

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you take me back. You know, Millie, I don't think

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I'm doing you a favor. Did you toss my duffel

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bag over the side? Once more it could cost me

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my job. And furthermore... And furthermore, you

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haven't even kissed me. Look, I'm very angry

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about this, Millie. You could still kiss me,

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Kevin. You promised to stay at the base camp.

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That was last week. But we're moving into the

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jungle tomorrow. Kevin, we've already been through

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all the arguments. Category A, danger from animals.

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Well, I brought the 405 and some carterettes,

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and I'm a better shot than you are. Now listen,

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Millie. Category B. Danger from rare, unknown,

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mysterious, incurable topic diseases. You have

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just as much chance of getting one as I do. Dr.

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Jorgensen will be furious. Your Dr. Jorgensen

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is my Uncle Bert. I can handle him. It isn't

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a matter of handling people. It's true, you know.

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Millie can always handle me. Uncle Bert, I love

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you. I know, dear. And I love you, too. Hey,

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Uncle Bert gave me a kiss. He's glad to see me.

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Dr. Jorgensen will have to radio that idiot,

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Larry. I'm not going back, Kevin. Sir, won't

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you make her see reason? I warned you about this,

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Kevin. Last year when you said to me, how about

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an introduction to that good -looking niece of

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yours, I told you the problems, but you would

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have her. And I'm worth it. Millie, it's only

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because I love you so much. Uncle Bert, why don't

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we leave the killies here to sulk in this tent

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while you show me around the camp? And there's

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somebody you should know, that tall, powerful

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-looking fellow. His name is Amara. He's our

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straw boss. Amara, whenever you want something

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done, you... Yes, Dr. Jorgens. Amara, this is

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Kevin's wife. Her name is Millie. How do you

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do, Amara? It is an honor to meet you, Millie.

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Aymara's in charge of setting up, taking down,

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and moving the whole can. Oh, wow. I can see

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he does a splendid job. Oh, no, no. The fact

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is he does a very bad job. What? What did you

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say? I said he does a poor and unsatisfactory

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job. Oh, for good. No, it's the truth. But everything

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looks to be so unique, so orderly. Actually,

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Aymara is unbelievably incompetent. He deserves

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to be fired. I think that's unfair and heartless.

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Excuse me, Millie. Amara, please go to Kevin's

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tent and bring Millie's 405 rifle. Yes, Doctor.

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At once. Uncle Bert. Before you say another word.

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How could you be so heartless? You must understand,

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Amara, his primitive superstitions and his beliefs.

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But he's not some ignorant savage. You can tell

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by his speech. He's obviously educated. Must

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you insult him? Milly, you simply cannot compliment

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these natives. These natives? Oh my, aren't we

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condescending. And why must we not compliment

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them? Will it spoil them as servants? Will it

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drive up the pay scale? Oh, Milly, I... Where

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to begin? In Amar's religion, he is surrounded

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by a host of jealous, angry, implacable gods

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and goddesses. They do not tolerate praise. for

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human beings. That's nonsense. One man's nonsense

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is another man's devoutly held relief. You terrify

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Amara when you praise him. Therefore, on this

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expedition, never, never praise one of our natives.

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But Uncle Bert... Is that understood? Millie,

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we're not home now where there's a charm in being

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a little quirky, kooky, offbeat. Just obey orders.

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Don't under any circumstances praise anybody.

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Understand? Yes, Uncle Bert, I understand. Things

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are bad enough. In the first place, you're a

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woman. Well, I like that. You need some prestige.

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That's why I sent him for the rifle. Hit some

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tin cans, break a few bottles at 300 yards, and

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you'll be one of the boys. Uncle Bert, you actually

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are a male chauvinist. Who would have suspected

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it? I have to pack away my instruments, can I?

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Trust you not to get into any trouble. Implicitly.

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Very bad shot, Millie. And now, I'll break that

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bottle next to it. Oh, that was terrible. Not

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bad, if I do say so myself. And that's every

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bit of 250 yards. Now, you see those three cans

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you lined up on that rock? Watch. You are a very

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poor shooter, Mary. That's nothing. You should

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see me when I'm in practice. Oh, my. I didn't

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know we had children in the camp. Who's that

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youngster by the kitchen tent? It is my little

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boy. He stays here with me till we leave the

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jungle. What's his name? His name. Zeissera.

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Zeissera. Oh, what a lovely name. No, no, it

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is an unpleasant name. I should think you'd be

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proud. Proud? Me proud? Why do you say I'm proud?

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Oh, because he's such a handsome child. No, he

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is plain, he is ugly. He seems so intelligent.

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Notice how patiently he lines up those stones

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and shells. No, you're stupid, I swear to you.

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He has no sense. He disgraces his mother and

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me. What are you saying, Amara? This child is

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a fool. Anyone can see that. Now I must go. Where?

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I... I must go clean the rifle. I must go. Well...

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Oh, what made him so upset? Oh! Oh! Now I remember.

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Amira, you may serve the coffee. I know the cuisine

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has left something to be desired these past few

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days, Milly. None of this bothers me. I can live

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on tea and toast, fruit and vegetables. By tomorrow

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sometime, we'll come to the ancient temple, the

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Forbidden Grounds. I have the cameras ready.

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I must caution you, Milly. We were permitted

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to come here only because I promised the chief.

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who is my blood brother. We do have a wild family,

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don't we Uncle Bert? That we will not defile

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the holy grounds. Now all around you'll see scattered

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ornaments, brick -a -brack, all sorts of things.

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Touch nothing. Uncle Bert, I hardly have to be

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told. We can photograph anything, everything,

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but it all belongs to the Goddess. The Beast

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Goddess. It'd be dangerous to touch anything

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anyhow. You see, dear, the Beast Goddess is very

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possessive. I don't know why I have to be treated

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like a child and indoctrinated with lessons in

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basic honesty. I've been on digs with you before.

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You take anything that belongs to the Beast Goddess,

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and she'll transform you into a wild animal.

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What's that, Uncle Bert? Those drums. Uh, you

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get used to it. It's just the native telegraph

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service. What are they saying? Why never learn

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to read them exactly I just get the general idea

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I yet I think it's News of death Yes, it's someone's

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death How can you tell well the basic rhythm

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speaks of death And since it's a very light beat

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it's probably Well, the death of a child. A child?

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Yes, I'm sure of it. Milly, is something wrong?

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Oh, I... I have a headache. I think I'd better

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turn in. Tamara, let's put the scaffold here.

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I want to climb this wall and study the inscription.

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Milly! Darling, you feel better? Yes, I suppose

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so. I'll just have to live with this headache.

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Come here a minute. Okay. I'm Mara. Yes, Millie.

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Your little boy, I said, he's dead, isn't he?

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Yes. How did you know? I know. I'm sorry. I thank

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you. I mean, I... I hope you... you don't...

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Yes, Millie. I hope you don't think I'm responsible.

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Why should I think that, Millie? Because... Oh,

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I don't know. Yes, yes, I do. It's because I...

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I praised him just a few days ago and... you

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seemed so upset about it. I was upset. Oh, yes,

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very much. And Dr. Jorgensen... told me I know

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I know what he told you but my little boy my

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I said I died of fever the way so many children

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here do suddenly with without warning then you

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don't blame me I blame you no I am not a superstitious

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savage we poor ignorant natives we played this

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game with dr. Jorgensen and people like him about

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our gods and goddesses. I felt terrible. I was

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afraid you might. You see, in our culture, we

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believe in praise, especially when it comes to

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children. We automatically say nice things about

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children. I understand. And then, and then last

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night when I heard the drums, those... You must

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not feel bad. And to prove... That I tell the

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truth. I have a gift for you. For me? We have

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a custom. When we make someone feel bad, we must

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give that person a gift. And the person must

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accept. That's such a lovely bracelet. Where

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did you get it? Here. Oh, but we're not supposed

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to... There are thousands... Thousands of pieces

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of ornament. Who would know? Place it on your

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wrist. Ah, see how pretty it looks. Wherever

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you look, thousands of beautiful things. This

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is the very last. Besides, it is the custom.

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Well, if it's the custom... And you must not

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tell Kevin or Dr. Jorgensen, because... You see,

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you would have to explain why I gave it. I understand.

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And it would make them uncomfortable. Because

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everything they have come to believe about superstition

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would be wrong. Millie! Millie! What is it, Kevin?

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Bring the camera. I want to shoot these inscriptions.

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Thank you again, Amara. And it will be our secret.

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I'm coming, Kevin! heedless, ignorant woman.

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You have defied my gods and killed my son. Your

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punishment has been decreed. It has already begun.

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Well, Aymara is obviously a man of parts, and

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he's already shown us quite a few of them so

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far. The punishment that has just begun will

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be expanded and continued when we return shortly

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with Act 2. Is it entirely valid to suggest that

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the best way to get a woman to do something is

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to order her not to do it? There seems to be

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some historical basis for it. Archaeologist Kevin

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has ordered his wife Millie not to touch any

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of the artifacts or ornaments found in his latest

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discovery. And now, he finds it impossible to

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take his eyes off her wrist. Is this the section

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of the temple wall you want me to film, Kevin?

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Kevin? Kevin, what are you looking at? What's

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that on your wrist? Oh Well, it's just Millie.

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Dr. Jorgensen told you I told you under no circumstances

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Were you to touch anything? Well, not only touched

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it. You're wearing it. Look the silly superstition.

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Where did you get it? Kevin I don't like that

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tone of voice. Hey What are you two good quarreling

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laughs showing Millie? Oh Uncle Bert listen I

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must ask you, Milly. Where did you get it? I

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found it. You found it here? Well, uh, around.

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Milly, I could tell by the workmanship. It was

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made by an ancient priest of the temple that

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has the same symbols. What's all the fuss? Milly,

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I thought we all understood. Why can't I have

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the bracelet? Because it belongs to the temple.

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Nonsense. It's been lying around the jungle for

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at least a thousand years. Who'd miss it? Its

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owner, the Beast Goddess. Kevin, are you serious?

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Go ahead, tell me the rest of it. Tell me she

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turns people who steal her property into animals.

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I can tell you that not even the natives believe

00:18:45.279 --> 00:18:48.480
that. Come on, fellas. We're overlooking a point,

00:18:48.799 --> 00:18:51.000
Millie. If it were made of gold or silver or

00:18:51.000 --> 00:18:53.220
precious stones, I could understand, but it's

00:18:53.220 --> 00:18:56.059
just a twisted piece of copper. Well, for all

00:18:56.059 --> 00:18:59.420
I know, we're being watched. If so, you can expect

00:18:59.420 --> 00:19:02.220
a poison arrow through your throat any second.

00:19:02.460 --> 00:19:05.349
You know, I listened to the two of you. And I...

00:19:05.349 --> 00:19:07.890
Millie, your trouble is that you don't... Now,

00:19:07.890 --> 00:19:11.509
let's not have an argument. I gave my word. That's

00:19:11.509 --> 00:19:14.430
all there is to it. Millie, you will take that

00:19:14.430 --> 00:19:18.009
bracelet off your wrist and put it back. Put

00:19:18.009 --> 00:19:22.750
it back exactly where you found it. Sure. I mean

00:19:22.750 --> 00:19:32.490
it, Millie. Well, sure, Uncle Bert. Sure. These

00:19:32.490 --> 00:19:35.170
are the symbols the Incas used for weddings.

00:19:35.569 --> 00:19:37.289
Well, could they have originated this far north

00:19:37.289 --> 00:19:40.369
and east, Dr. Jorgensen? Millie, photograph this

00:19:40.369 --> 00:19:48.089
section of the wall. Yes, yes. I need some more

00:19:48.089 --> 00:19:49.849
film. I'll be back in a second. Well, you don't

00:19:49.849 --> 00:19:52.109
have to go. We'll send a mirror. No, no, it's

00:19:52.109 --> 00:19:55.289
all right. I just want to stop off at the kitchen

00:19:55.289 --> 00:19:58.190
tent. I think I need a snack. We just had breakfast.

00:19:58.410 --> 00:20:00.569
I know, but I'm hungry. Are you sure you feel

00:20:00.569 --> 00:20:02.809
all right, Millie? Oh, I'm fine. Just a little

00:20:02.809 --> 00:20:07.329
hungry. That's all. Millie, about yesterday...

00:20:07.329 --> 00:20:12.690
What about yesterday? The bracelet. Oh, that.

00:20:13.450 --> 00:20:15.990
Forget it, Uncle Britt. I know that you see so

00:20:15.990 --> 00:20:18.650
much just lying around. It seems silly to make

00:20:18.650 --> 00:20:21.890
a fuss over some trinket, but... I'm willing

00:20:21.890 --> 00:20:36.670
to forget it if you are. Aymara. Yes, Milly?

00:20:36.710 --> 00:20:40.029
Where's the cook? He will be back soon. I was

00:20:40.029 --> 00:20:42.930
wondering if there's anything to eat? What would

00:20:42.930 --> 00:20:47.950
you like? Well, I'd like some meat. I could cook

00:20:47.950 --> 00:20:50.190
a slice. Oh, would you please, Aymara, and hurry?

00:20:51.130 --> 00:20:53.569
Will this be enough? Just throw it on the fire.

00:20:54.230 --> 00:20:59.670
Yes, Milly. That's good, oh. Oh, that smells

00:20:59.670 --> 00:21:02.890
good. Be careful. Don't burn it. I just put it.

00:21:02.910 --> 00:21:05.170
No, no, no. You're burning it. I'm all right.

00:21:05.410 --> 00:21:07.430
That's good. It's good. Right now. Just the way

00:21:07.430 --> 00:21:13.210
it is. I tell you, it's fine. Yes, Millie. Let

00:21:13.210 --> 00:21:16.130
me get you a plate and a knife and a fork. Oh,

00:21:16.130 --> 00:21:23.410
hurry. Here you are, Millie. I'm all right. Put

00:21:23.410 --> 00:21:33.400
up some more. Kevin. What is it, O'Mara? You

00:21:33.400 --> 00:21:36.799
asked me to prepare a list of supplies for the

00:21:36.799 --> 00:21:40.180
helicopter. Ah, yes, good. Let me write it down.

00:21:40.680 --> 00:21:46.519
First we need fresh meat. Okay, fresh meat. Wait

00:21:46.519 --> 00:21:50.220
a minute. Didn't Larry fly some up just a couple

00:21:50.220 --> 00:21:53.619
of days ago? Yes, Kevin. We should have at least

00:21:53.619 --> 00:21:55.859
enough for the rest of the week. The book says

00:21:55.859 --> 00:21:58.640
he has only enough for tonight's meal. That's

00:21:58.640 --> 00:22:04.079
impossible. Would you like to see Kevin? I take

00:22:04.079 --> 00:22:09.299
your word for it. But... There's someone stealing

00:22:09.299 --> 00:22:12.900
meat. I cannot say, Kevin. Well, I know we eat

00:22:12.900 --> 00:22:17.740
a lot of it, but still... All right, put down

00:22:17.740 --> 00:22:28.400
meat. And this time get plenty of it. Is there

00:22:28.400 --> 00:22:32.950
any more meat? Hi, Mara. I will go see. Meat?

00:22:33.890 --> 00:22:36.829
What's this with meat? You haven't eaten meat

00:22:36.829 --> 00:22:38.490
since I've known you. Aren't you going to finish

00:22:38.490 --> 00:22:40.930
yours, Kevin? I've had enough. Let me have your

00:22:40.930 --> 00:22:43.490
plate. You're out here. I must agree with you,

00:22:43.710 --> 00:22:46.789
Milly. I'm starved, Uncle Britt. I don't understand

00:22:46.789 --> 00:22:49.769
it. You must be famished. Honey, you haven't

00:22:49.769 --> 00:22:52.150
had meat in so long you've forgotten how to eat

00:22:52.150 --> 00:22:55.650
it. You have to chew it before you swallow. Excuse

00:22:55.650 --> 00:23:00.640
me. Get out some tops. Those? Oh, take them back.

00:23:00.799 --> 00:23:03.380
They're too well done. I want some rare. I'm

00:23:03.380 --> 00:23:06.839
sorry. This is all we have. Tell him to put up

00:23:06.839 --> 00:23:11.079
some more. There is no more meat. That's right.

00:23:11.960 --> 00:23:14.160
Larry's due in with supplies and the helicopter.

00:23:14.319 --> 00:23:17.240
When will he be here? I don't know. Sometime

00:23:17.240 --> 00:23:19.779
today. Why don't I take the 405 and shoot us

00:23:19.779 --> 00:23:22.160
a deer, or something we can eat? Really? Are

00:23:22.160 --> 00:23:24.720
you all right? Of course! I'm all right. Now,

00:23:24.720 --> 00:23:26.460
why do you ask? Well, don't snap my head off.

00:23:26.759 --> 00:23:29.000
Marty, you'd better get some rest here. You're

00:23:29.000 --> 00:23:33.200
tired. I'm not tired. I'm hungry. Milly, darling,

00:23:33.559 --> 00:23:36.779
something's wrong. Why? Well... Because this

00:23:36.779 --> 00:23:40.529
isn't like you, that's all. Kevin, I... Oh, I

00:23:40.529 --> 00:23:43.470
don't know. I have such a pain in my stomach.

00:23:43.970 --> 00:23:46.609
What kind of pain? Hunger. That's the only way

00:23:46.609 --> 00:23:48.950
I can describe it. But you shouldn't be hungry.

00:23:49.230 --> 00:23:52.750
I can't help it. I have this terrible craving

00:23:52.750 --> 00:23:56.089
for food. Oh, no, not for food. For meat. For

00:23:56.089 --> 00:23:59.529
red meat. Oh, Kevin. I confess I'm frightened.

00:23:59.750 --> 00:24:02.049
Take her to a tent, Kevin. Take her to a tent.

00:24:02.410 --> 00:24:05.079
We'll give her a Saturday. Oh, yeah. Yes, maybe

00:24:05.079 --> 00:24:07.799
that'll be best. Maybe that pain will go away.

00:24:07.859 --> 00:24:11.480
Come on, dear. Oh, Kevin. Oh, Kevin. You'll wake

00:24:11.480 --> 00:24:13.599
me when Larry gets here in the helicopter with

00:24:13.599 --> 00:24:17.039
the meat. Sure, sure. Promise? Promise? Yes,

00:24:17.119 --> 00:24:29.319
dear, I promise. Is she asleep, Kevin? Yes, finally.

00:24:30.319 --> 00:24:33.539
Dr. Jorgensen, what's wrong? I... Don't know.

00:24:33.619 --> 00:24:36.420
I've never seen her hysterical. Are you as worried

00:24:36.420 --> 00:24:38.480
as I am? I'm worried enough to want to get her

00:24:38.480 --> 00:24:41.099
to Rio to a hospital. Let's radio Larry to get

00:24:41.099 --> 00:24:43.819
that damn helicopter here pronto. I just spoke

00:24:43.819 --> 00:24:47.660
to Larry. We have a problem. It seems the helicopter

00:24:47.660 --> 00:24:50.700
needs some repairs. What kind of repairs, for

00:24:50.700 --> 00:24:53.720
God's sake? I don't know. It was technical. Larry's

00:24:53.720 --> 00:24:57.460
working on it. Larry, Larry, he's an idiot. If

00:24:57.460 --> 00:24:59.700
he hadn't brought her here... It's our fault,

00:24:59.720 --> 00:25:02.569
yours and mine. We let her stay. What are we

00:25:02.569 --> 00:25:06.170
going to do? You say she's asleep. Well, all

00:25:06.170 --> 00:25:12.069
she needs is rest. Maybe when she wakes up, she'll

00:25:12.069 --> 00:25:24.789
be better. Kevin. Kevin. I'm here, dear. I'm

00:25:24.789 --> 00:25:28.869
here. Oh, I was so sleepy. I know. I know. Get

00:25:28.869 --> 00:25:32.299
dark out. What time is it? Well, it's almost

00:25:32.299 --> 00:25:35.880
midnight. You let me sleep. You didn't wake me.

00:25:35.900 --> 00:25:38.319
I couldn't. But I was here and he brought the

00:25:38.319 --> 00:25:41.559
meat. No, dear. The helicopter's out of order.

00:25:41.599 --> 00:25:44.720
Oh, Kevin. I am so hungry. Well, I knew you'd

00:25:44.720 --> 00:25:47.160
be hungry when you woke up. So I'll make you

00:25:47.160 --> 00:25:49.380
an egg sandwich. No, no, no. I want the meat.

00:25:50.539 --> 00:25:52.940
But there isn't any. There's plenty of meat.

00:25:53.000 --> 00:25:57.539
Where, Milly? All around you. Out there. There's

00:25:57.539 --> 00:26:00.829
deer. There's wild pig. Can't you smell it? No,

00:26:01.089 --> 00:26:03.910
I... Millie! Can we have the 405? We'll be able

00:26:03.910 --> 00:26:06.609
to feast. You can't go out in the jungle in the

00:26:06.609 --> 00:26:09.029
middle of the night. Why not? Oh, Millie. Let

00:26:09.029 --> 00:26:12.029
me have the rifle, Kevin. No, Millie, not now.

00:26:12.049 --> 00:26:15.990
It's my rifle. I know, I know. In the morning.

00:26:16.069 --> 00:26:18.250
You can't hunt in the morning. All the animals

00:26:18.250 --> 00:26:21.130
are asleep. You can only hunt at night. Darling.

00:26:21.130 --> 00:26:23.529
Not the time. Now listen, here are some pills

00:26:23.529 --> 00:26:26.130
to calm you. Kevin, something's wrong with me.

00:26:26.130 --> 00:26:30.470
I don't know what. I say things I don't understand.

00:26:30.950 --> 00:26:34.450
I have urges. Oh, I can't even describe. Hold

00:26:34.450 --> 00:26:37.150
my hand. Yes, yes, darling. What is it, darling?

00:26:37.190 --> 00:26:39.950
What is it? Oh, my wrist! My wrist! It's burning!

00:26:40.269 --> 00:26:42.930
Oh! Oh, it's on fire! What's the matter, Mary?

00:26:43.230 --> 00:26:47.349
Look at her wrist. Oh, it's a very ugly -looking

00:26:47.349 --> 00:26:50.190
irritation. How'd you get it, Mary? Oh, I don't

00:26:50.190 --> 00:26:52.910
remember. I don't know. Oh, Uncle Bert, I don't

00:26:52.910 --> 00:26:55.490
know anything. I'm all right. I'm all right.

00:26:56.049 --> 00:26:59.299
Come in here. Now, Milly, you must try to be

00:26:59.299 --> 00:27:02.640
calm. Try, try, dear. Yes, Uncle Bernal's back.

00:27:03.039 --> 00:27:05.940
Now, tell me, how did you hurt your wrist? I

00:27:05.940 --> 00:27:09.500
don't know. I don't remember. Try to think. Try

00:27:09.500 --> 00:27:11.759
to remember. You probably have an infection,

00:27:12.099 --> 00:27:14.700
some kind of bruise. I don't have an infection.

00:27:14.839 --> 00:27:18.160
I'm not sick. I'm hungry. Do you understand?

00:27:18.579 --> 00:27:22.579
I'm hungry. You want me, Dr. Jorgensen? I'm our

00:27:22.579 --> 00:27:26.660
herb. Bring the medical kit. The first thing

00:27:26.660 --> 00:27:29.000
we have to do is put a penicillin ointment on

00:27:29.000 --> 00:27:32.339
that bruise. She's feverish. Ravenous appetite

00:27:32.339 --> 00:27:38.140
for meat. Bruise on wrist. Could be anything.

00:27:38.880 --> 00:27:42.680
She could have scraped it against a bramble,

00:27:42.720 --> 00:27:45.779
anything. Or an insect. Dr. Jorgensen, we have

00:27:45.779 --> 00:27:48.559
to get her out of here. Now, radio Larry, tell

00:27:48.559 --> 00:27:50.940
him it's an emergency. We have to do something.

00:27:50.940 --> 00:27:56.130
Don't lose your head. Miss Millie? Kevin, won't

00:27:56.130 --> 00:27:58.849
you get me something to eat? Yes, yes dear, I

00:27:58.849 --> 00:28:04.410
will. I have the medicines, Dr. Jordan. Kevin,

00:28:04.589 --> 00:28:07.369
you don't love me! I think we'd better put her

00:28:07.369 --> 00:28:24.269
to sleep. Hold your arms still, no dear. you

00:28:24.269 --> 00:28:28.630
a question? Yes, Dr. Jorgerson. Have you ever

00:28:28.630 --> 00:28:33.789
seen anything like this? Yes. Where? When? Once,

00:28:34.230 --> 00:28:38.430
it was a man. He had invaded these holy grounds.

00:28:39.089 --> 00:28:41.890
He had stolen a jewel from the Beast Goddess.

00:28:43.150 --> 00:28:49.430
He... Yes, go on. He then became a beast. He

00:28:49.430 --> 00:28:52.660
disappeared in... into the jungle, and he was

00:28:52.660 --> 00:28:57.420
never seen again. Thank you, Amar. You may leave.

00:28:58.960 --> 00:29:01.380
This kind of superstition we can do without.

00:29:01.740 --> 00:29:05.960
Maybe. And don't bite my head off. Maybe there's

00:29:05.960 --> 00:29:08.579
something to it. Something to what? To what he's

00:29:08.579 --> 00:29:13.019
saying. Oh, I know, I know. Primitive superstition.

00:29:13.599 --> 00:29:17.099
But look at us. You and me. Between us, we carry

00:29:17.099 --> 00:29:19.220
a considerable supply of the knowledge of the

00:29:19.220 --> 00:29:22.380
civilized world. Between us, we have degrees

00:29:22.380 --> 00:29:25.960
in medicine, anthropology, chemistry, sociology.

00:29:27.180 --> 00:29:29.700
Can we explain it? Are you saying the legend

00:29:29.700 --> 00:29:32.559
is true that Milly has offended the Beast Goddess

00:29:32.559 --> 00:29:35.700
and is being punished? I don't know what I'm

00:29:35.700 --> 00:29:39.539
saying. But look at her. Look how troubled, how

00:29:39.539 --> 00:29:42.880
agitated she is. She's flushed, breathing rapidly.

00:29:42.940 --> 00:29:45.420
She could burst through that sedative any minute.

00:29:45.470 --> 00:29:49.390
I'm so hungry! Try to rest, darling. I'm going

00:29:49.390 --> 00:29:52.049
to get on the radio. The helicopter is out of

00:29:52.049 --> 00:29:54.710
order. We're past all that. I'm going to speak

00:29:54.710 --> 00:29:57.869
with the hospital in Rio. I'll describe the symptoms.

00:29:58.150 --> 00:30:00.829
They'll arrange together. My wrist! Oh! Oh! My

00:30:00.829 --> 00:30:04.089
wrist! Oh! Oh! It's burning! Oh! Look at her

00:30:04.089 --> 00:30:07.190
wrist! Look at her wrist! Something's on it!

00:30:07.529 --> 00:30:11.029
I have to design! It's the shape of that bracelet!

00:30:11.250 --> 00:30:13.250
Heaven, it's your imagination! Here's a group!

00:30:13.750 --> 00:30:16.470
Do you see that symbol? It's on every ornament

00:30:16.470 --> 00:30:19.609
worn by the goddess. The design decorates her

00:30:19.609 --> 00:30:23.309
dress. Just a raw ugly scar. With some very wavy

00:30:23.309 --> 00:30:26.470
lines. But it's her sign. The sign of the beast

00:30:26.470 --> 00:30:29.809
goddess. The sign of the beast. It could be a

00:30:29.809 --> 00:30:33.109
coincidence. Do you believe that? Tell me, do

00:30:33.109 --> 00:30:36.210
you believe it? Kevin, I don't know what to believe.

00:30:43.569 --> 00:30:47.109
Well. You've got a pretty good handful of advanced

00:30:47.109 --> 00:30:51.329
college degrees in that tent. Most of them in

00:30:51.329 --> 00:30:56.029
the sciences. And it's surprising how quickly

00:30:56.029 --> 00:30:59.269
knowledge abdicates in the face of the unknown

00:30:59.269 --> 00:31:03.950
terrors of the jungle. Can science be just a

00:31:03.950 --> 00:31:09.130
veneer also? I'll return shortly with Act 3.

00:31:21.839 --> 00:31:25.119
Hamlet said that there were more things under

00:31:25.119 --> 00:31:28.759
heaven and earth than were dreamed of in philosophy.

00:31:30.319 --> 00:31:33.579
Hamlet should be with us in a tent deep in a

00:31:33.579 --> 00:31:37.140
South American jungle amidst the ruins of an

00:31:37.140 --> 00:31:41.420
ancient temple because there are more things

00:31:41.420 --> 00:31:46.279
than any of us can dream of. Is she still asleep?

00:31:47.000 --> 00:31:50.180
I think so. She shouldn't be left alone. I'll

00:31:50.180 --> 00:31:53.460
go back on the 10th in a second. Dr. Jorgensen,

00:31:54.279 --> 00:31:57.400
I just had to find out. Were you able to radio

00:31:57.400 --> 00:32:00.680
the hospital? Kevin, it's two o 'clock in the

00:32:00.680 --> 00:32:03.299
morning. What's the difference? My contact there,

00:32:03.339 --> 00:32:05.960
the chief of medicine, he's due at seven. Can

00:32:05.960 --> 00:32:08.660
he be reached? Kevin, he's returning from vacation.

00:32:08.799 --> 00:32:10.880
He's on the road. It's only five hours. Don't

00:32:10.880 --> 00:32:16.380
worry. Poor Millie. You know, she really didn't

00:32:16.380 --> 00:32:20.230
mean any harm. And there are scads of this stuff

00:32:20.230 --> 00:32:24.269
lying around. I know. It's a pretty little thing.

00:32:24.930 --> 00:32:28.049
Who'd miss it? She didn't think it was stealing?

00:32:28.769 --> 00:32:32.190
Kevin, don't talk as if... As if what? As if

00:32:32.190 --> 00:32:34.930
you believe this is the revenge of the Beast

00:32:34.930 --> 00:32:38.250
Goddess? Can you rule it out? Kevin! If they

00:32:38.250 --> 00:32:41.549
can't send a copter for her, I'll carry her out

00:32:41.549 --> 00:32:45.109
of here on my back! Those damn drums! What are

00:32:45.109 --> 00:32:48.759
they saying? Is it important? I'm getting so

00:32:48.759 --> 00:32:52.779
jumpy. What are the drums saying? Oh, Malcolm.

00:32:53.059 --> 00:32:55.859
That isn't so, Dr. Jorgensen. Why do you make

00:32:55.859 --> 00:32:58.180
an issue out of it? Why do you refuse to tell

00:32:58.180 --> 00:33:02.079
me? Now, you can read those drums the way I can

00:33:02.079 --> 00:33:05.539
read a telegram. Now, what are you trying to

00:33:05.539 --> 00:33:09.759
keep from me? It's just that I thought the agitated

00:33:09.759 --> 00:33:11.559
state you're in right now. Well, don't make it

00:33:11.559 --> 00:33:14.720
worse. What are those drums saying? Well, admit

00:33:14.720 --> 00:33:19.259
it. It has to do with revenge. Revenge? What

00:33:19.259 --> 00:33:22.180
was that? Those were rifle shots. Well, who'd

00:33:22.180 --> 00:33:27.859
be firing at this hour? Come on! Millie! Millie!

00:33:29.000 --> 00:33:32.420
She's gone. She's got her rifle. Miller! Wake

00:33:32.420 --> 00:33:34.680
everybody up! Rouse the camp! We have to find

00:33:34.680 --> 00:33:42.220
Millie! Millie! Millie! Millie! Millie! Careful

00:33:42.220 --> 00:33:44.200
now. Watch every footstep. It's a good thing

00:33:44.200 --> 00:33:47.559
there's a moon. Millie! Millie! Where are you?

00:33:48.740 --> 00:33:51.480
Those shots came from just about here. Why did

00:33:51.480 --> 00:33:53.980
she go out? Let's quit pretending you know why

00:33:53.980 --> 00:33:57.160
she went out. To hunt! At night? Why? Because

00:33:57.160 --> 00:34:00.079
she's hungry! Killer! What are we going to face

00:34:00.079 --> 00:34:03.519
it? Admit it! Millie! Millie! Can't you hear

00:34:03.519 --> 00:34:12.239
us? Look! Where? Oh! Oh no! No, no! She can't

00:34:12.239 --> 00:34:17.769
be dead! Millie, she seems to be breathing. There's

00:34:17.769 --> 00:34:22.170
blood all over her. But it isn't her blood. She

00:34:22.170 --> 00:34:29.530
must have shot this deer. Millie, are you all

00:34:29.530 --> 00:34:52.570
right? I feel so nice and warm. Can you reach

00:34:52.570 --> 00:34:55.429
the doctor yet? Yes, Karen. They're sending a

00:34:55.429 --> 00:34:58.690
copter. He'll be here late this afternoon or

00:34:58.690 --> 00:35:00.829
tomorrow morning. Oh, that's great. They're doing

00:35:00.829 --> 00:35:03.090
the best they can. Oh, sure. It'll be reasonable.

00:35:03.269 --> 00:35:06.070
Reasonable, huh? My wife is being destroyed before

00:35:06.070 --> 00:35:09.510
my eyes. It seems there is or they think that

00:35:09.510 --> 00:35:12.590
this might be a very unusual disease. Oh, come

00:35:12.590 --> 00:35:15.309
on. It's an infection. She might have picked

00:35:15.309 --> 00:35:18.230
it up from a bracelet. What are you talking about?

00:35:18.449 --> 00:35:20.389
It could have scratched her when she put it on.

00:35:20.429 --> 00:35:22.969
And? Well, it's been lying here for hundreds

00:35:22.969 --> 00:35:26.590
of years. All kinds of parasites, microorganisms.

00:35:27.469 --> 00:35:30.530
Anyhow, it seems this disease creates enormous

00:35:30.530 --> 00:35:34.030
cravings for protein. And what does your man

00:35:34.030 --> 00:35:37.289
suggest? Massive doses of penicillin. Well, do

00:35:37.289 --> 00:35:42.710
we have enough? I... I hope so. I'm Omar! Yes,

00:35:42.769 --> 00:35:47.789
Dr. Jorgensen. Bring me the medical chest. Kevin!

00:35:48.409 --> 00:35:53.690
Kevin! She's awake. I'm coming, dear. Kevin.

00:35:54.590 --> 00:35:57.250
No, Millie, now lie still. Don't get up. Oh,

00:35:57.250 --> 00:36:01.070
I feel so comfy. How's your wrist? My wrist?

00:36:01.869 --> 00:36:05.409
Oh, it's okay. It only hurts when I feel hungry.

00:36:05.869 --> 00:36:10.070
And you're not hungry now? No, no. You know,

00:36:10.070 --> 00:36:13.489
I had such a crazy dream, I better not tell you.

00:36:13.690 --> 00:36:17.789
You've got to. You've aroused my curiosity. You

00:36:17.789 --> 00:36:21.010
won't believe it. You try me. Don't laugh, promise?

00:36:21.510 --> 00:36:25.929
I promise. Well, I dreamed I went out into the

00:36:25.929 --> 00:36:29.070
jungle alone at night. There's a picture for

00:36:29.070 --> 00:36:31.769
you. Imagine me alone in the jungle at night.

00:36:32.110 --> 00:36:36.769
Anyway, I dreamed I shot this, I think it was

00:36:36.769 --> 00:36:40.849
an antler, something like that. Yes. And I was

00:36:40.849 --> 00:36:45.429
so hungry, I ate it right there. What a dream.

00:36:46.429 --> 00:36:49.739
You know, I felt so... Oh, just before, but just

00:36:49.739 --> 00:36:52.300
talking about food seems to give me an appetite.

00:36:53.039 --> 00:36:55.519
How about some tea and toast? Tea and toast?

00:36:55.699 --> 00:36:59.659
Oh, how about a nice chop? Or cake? Rare, very

00:36:59.659 --> 00:37:03.619
rare. Well, Larry's been unable to fly up the

00:37:03.619 --> 00:37:05.539
supplies. Doesn't matter, I can go out and shoot.

00:37:05.780 --> 00:37:09.519
Later, Millie, later. You're not hungry now,

00:37:09.639 --> 00:37:13.000
are you? Oh, well, not very, but in a little

00:37:13.000 --> 00:37:18.050
while. Okay, then just a little while. Promise.

00:37:19.070 --> 00:37:29.289
Okay, I promise. Where have you been, Doctor?

00:37:29.289 --> 00:37:31.969
I've been waiting in the tent. Don't leave her

00:37:31.969 --> 00:37:34.389
alone again, Kevin. Where's that penicillin?

00:37:34.429 --> 00:37:37.289
That's just the problem. What problem? Look,

00:37:37.389 --> 00:37:39.489
we just can't have any more problems. We do.

00:37:39.550 --> 00:37:43.309
The penicillin is gone. That's impossible. All

00:37:43.309 --> 00:37:45.730
the bottles of penicillin solution, all the tablets,

00:37:46.110 --> 00:37:49.590
gone. But how? I don't know. Are any other supplies

00:37:49.590 --> 00:37:52.829
missing? No, everything's here. Calvin! Go to

00:37:52.829 --> 00:37:56.429
it quickly. The penicillin. Amara brought me

00:37:56.429 --> 00:37:59.489
the chest. The drug was missing. We have spares

00:37:59.489 --> 00:38:01.750
in the supply depot. I looked. Gone from there

00:38:01.750 --> 00:39:00.420
too. Calvin! I need to get some rest. Damn helicopter.

00:39:00.719 --> 00:39:02.480
He could never find us at night. He'll have to

00:39:02.480 --> 00:39:05.039
wait till morning. I don't know if she can wait

00:39:05.039 --> 00:39:08.940
until morning. Listen, we don't have medicine.

00:39:10.320 --> 00:39:12.280
Let's try the other thing. What other thing?

00:39:12.380 --> 00:39:15.599
The legend. Maybe we can placate the goddess.

00:39:16.099 --> 00:39:18.920
Can't we? Is there anything else we can do? There's

00:39:18.920 --> 00:39:22.579
something happening here. The penicillin is gone.

00:39:23.199 --> 00:39:25.380
How do you account for it? He may have forgotten

00:39:25.380 --> 00:39:29.119
to pack it. Nonsense. Last night, you said the

00:39:29.119 --> 00:39:33.219
drums were talking about revenge. Revenge for

00:39:33.219 --> 00:39:37.280
who? For what? And what are they saying tonight?

00:39:38.659 --> 00:39:43.880
It's... Revenge. Kevin! Come in here! I'm coming.

00:39:44.340 --> 00:39:51.159
I'm coming. Kevin, I want the 405. Untie me.

00:39:51.679 --> 00:39:55.719
No, Millie. Millie. What did you do with it?

00:39:55.840 --> 00:39:59.489
Untie me. What did you do with it? The bracelet?

00:40:00.389 --> 00:40:03.030
You didn't put it back, did you? I'm hungry.

00:40:03.489 --> 00:40:07.769
I'll die, Kevin. I'll die. I'll untie you. If

00:40:07.769 --> 00:40:11.449
you just tell me, where did you put the bracelet?

00:40:13.789 --> 00:40:17.449
I'll get you some meats. Yes. Oh, Kevin, yes.

00:40:17.849 --> 00:40:22.190
The bracelet. The bracelet. Yes, it's in my neck.

00:40:22.190 --> 00:40:28.590
I can't... Where did you find the bracelet? You

00:40:28.590 --> 00:40:30.889
promised to untie me! Where did you find the

00:40:30.889 --> 00:40:33.230
bracelet? I must go hunting! Oh, Kevin! Where

00:40:33.230 --> 00:40:36.769
did you find the bracelet, Millie? I didn't find

00:40:36.769 --> 00:40:40.070
it! Tell me the truth or I'll... I'll never untie

00:40:40.070 --> 00:41:10.699
you! where you hid that penicillin. Or I'll blow

00:41:10.699 --> 00:41:15.360
your brains out. You make it, B. That's not the

00:41:15.360 --> 00:41:17.900
way. Let me beat it out of him. For the past

00:41:17.900 --> 00:41:21.320
two nights, Samara, the drums have talked of

00:41:21.320 --> 00:41:25.679
revenge. Whose revenge? Mine. Upon whom? Billy.

00:41:25.900 --> 00:41:29.940
For what reason? She killed my only son. How?

00:41:30.159 --> 00:41:34.159
She made the gods jealous. She spoke of his beauty,

00:41:34.280 --> 00:42:06.650
his intelligence, his... I will not say No, he

00:42:06.650 --> 00:42:09.269
won't kill you. Who says I won't kill him? Be

00:42:09.269 --> 00:42:13.510
quiet. No one will kill you. But I am a blood

00:42:13.510 --> 00:42:17.289
brother to your chief. I will tell him that you

00:42:17.289 --> 00:42:19.710
committed a sacrilege. I will tell him that you

00:42:19.710 --> 00:42:22.469
stole a bracelet from the Goddess for an evil

00:42:22.469 --> 00:42:26.750
purpose. Now you may go, Amar. What do you mean,

00:42:26.750 --> 00:42:30.070
he may go? He'll be disgraced for life. His wife,

00:42:30.130 --> 00:42:32.809
his parents, his brothers and sisters, all will

00:42:32.809 --> 00:42:35.489
be driven from the village into the jungle. No

00:42:35.489 --> 00:42:38.630
one will speak to him. Why do you stay here,

00:42:38.829 --> 00:42:42.730
Amara? We have no further use for you. Oh, I

00:42:42.730 --> 00:42:48.670
believe we owe you a month's wages. Here, plus

00:42:48.670 --> 00:43:11.719
two weeks' notice. Why do I have to go through

00:43:11.719 --> 00:43:15.860
this mumbo -jumbo? Just do it, Millie. Now place

00:43:15.860 --> 00:43:19.539
the bracelet on the wrist of the statue. Ugly

00:43:19.539 --> 00:43:23.380
old girl, isn't she? Millie. Okay, okay. Now

00:43:23.380 --> 00:43:34.179
say, forgive my sin. What sin? Okay. Forgive

00:43:34.179 --> 00:43:39.340
my sin. What else? That's all. That says it.

00:43:41.550 --> 00:43:45.789
Well, that's a relief. I must have been a child

00:43:45.789 --> 00:43:50.170
to you boys. What happened to me anyhow? The

00:43:50.170 --> 00:43:52.530
way you were shooting, Penis, something to me.

00:43:53.010 --> 00:43:58.989
How are you now, darling? Okay. Again? Oh, but

00:43:58.989 --> 00:44:06.349
I'm so hungry. Hungry? Starved. For what? Meat?

00:44:07.489 --> 00:44:11.119
Meat. Since when did I ever eat meat? Just point

00:44:11.119 --> 00:44:14.699
me at some tea and toast and salad and fruit.

00:44:16.099 --> 00:44:25.940
I might even have an egg. It's always good not

00:44:25.940 --> 00:44:30.199
to put all your eggs in one basket. Always have

00:44:30.199 --> 00:44:34.739
another course of action in reserve. What cured

00:44:34.739 --> 00:44:38.889
Millie? The atonement before the goddess? and

00:44:38.889 --> 00:44:43.190
the return of the bracelet, or the penicillin,

00:44:44.090 --> 00:45:01.090
or both. I'll be back shortly. The sign of the

00:45:01.090 --> 00:45:06.849
beast. It can appear anywhere, anytime, and in

00:45:06.849 --> 00:45:11.849
anyone. And the trouble is, in our world today,

00:45:12.349 --> 00:45:16.429
it appears much too often. Our cast included

00:45:16.429 --> 00:45:20.909
Lois Smith, Paul McGrath, Tom Keener, and Dan

00:45:20.909 --> 00:45:24.250
Arko. The entire production was under the direction

00:45:24.250 --> 00:45:29.869
of Hyman Brown. And now, a preview of our next

00:45:29.869 --> 00:45:42.980
tale. Richard? Richard, are you awake? Huh? It's

00:45:42.980 --> 00:45:51.400
her! It's April! Oh my God! Stay away! Stay away!

00:45:52.119 --> 00:45:56.059
Richard! Wake up! Help me! What's happening?

00:45:56.719 --> 00:46:00.019
Jenny, Jenny, what is it? There's nothing. Don't

00:46:00.019 --> 00:46:04.739
you hear? Hear what? There's nothing. But there

00:46:04.739 --> 00:46:06.820
was... You look as though you'd seen a ghost.

00:46:07.079 --> 00:46:13.210
Nuts! scene. I heard. It was her. April, your

00:46:13.210 --> 00:46:17.969
wife. Be quiet! You're my wife. April is dead.

00:46:18.150 --> 00:46:23.610
But she still doesn't want me here. Nobody does.

00:46:24.309 --> 00:46:26.909
This is E .G. Marshall inviting you to return

00:46:26.909 --> 00:46:30.050
to our mystery theater for another adventure

00:46:30.050 --> 00:46:34.289
in the macabre. Until next time.
