WEBVTT

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Come in. Welcome. I'm E .G. Marshall. Welcome

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to the sound of suspense. To the fear you can

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hear. This time around, we're involved in the

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supernatural. Any dictionary will give you several

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definitions. Supernatural, above and beyond the

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natural order of events. of or related to ghosts,

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behavior caused by the intervention or by the

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action of a god on earthly affairs. Choose your

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own definition for this tale we are about to

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relate. No. They won't want me here. Someone,

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something doesn't want me here. Richard. April.

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April is doing as my... April. No. I don't believe

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in ghosts. I will... I will... No. Who's there?

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Another drama, Here Goes the Bride, was written

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especially for the Mystery Theater by Ian Martin

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and stars Ruby Dee and Michael Wager. I'll be

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back shortly with Act One. something totally

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beyond this earth. There are those among us who

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hover somewhere between earth and sky. The stars

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who light up our theater marquees or movie screens.

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All the human beings who have become by extension

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a little larger than life. This is the shocking

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tale about two of those. It's such a lovely day.

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Can't we put the top down? Well, I don't want

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to take a chance on being recognized. Nobody

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will recognize me. Just do as I say, please.

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I'm sorry to make you do the driving, darling,

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but that's why I had Juan leave my sister Lisa's

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car in Monterey. The damn snoops should know

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by now not to pay any attention to it. Does your

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sister look like me, Richard? Enough from a distance.

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Same colored hair. But not really. is attractive

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enough, I suppose. No, actually, she is very

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plain, and you... Yes. You're the most beautiful

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woman I've ever known. And I thought you only

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married me for my money. Don't say that. Well,

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darling, I was only joking. Did you really mean

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what you said about me? Every word. But she was

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so beautiful. How could you? April was April.

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She isn't in my world or anyone else's anymore.

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She's dead. I'm sorry, darling. I shouldn't have

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brought her up. I... Oh, we're here already.

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So, I'm about to see Richard Morgan's Bolly at

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last. I'll let the walls spoil it for you. Oh,

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it's like a fortress, Bob. Why, a broken glass?

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And the gate looks as though you borrowed it

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from the Bastille. Does it all have to be so

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hard? The price of privacy. What little we could

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ever get. The fans considered April and myself

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public property. But we could forget that once

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we're inside. From there looking out, you can't

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even see the walls. Open the gate. I don't think

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I could even budget it if I knew how. Not manually.

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You see the little box on the visor? It's an

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electric gizmo. Just press the button on it.

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It's a magic castle. Enter your majesty and long

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live the Queen. Pull over to the gatehouse. Stop

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a minute. What are those, the hounds or the basketballs?

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They are guardian angels. They patrol the grounds

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at night. Juan, amigo! Que pasa con los peros?

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They know you are back in Casa Mi Padrón. They

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will not be tranquil till they see you for themselves.

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Bienvenida en Casa Senora Mujer. Muchas gracias

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viejo amigo. Darling, this is Juan. This is Senora

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Aguilar. Juan, permíteme presentarte a nueva

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senora. Mi esposa, Senora Mujer. Juan, put the

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top down for the senora. I'll get the dogs quiet.

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It's good to get some fresh air. Well, my husband

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didn't have any trouble quieting down the dog.

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They're not really as savage as they sound. Are

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they one? They are trained to kill, senora. Anyone

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who does not belong here? Oh, goodness. I hope

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they get to know me soon, then. If they learn

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to know you belong, you have nothing to fear.

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You've been here a long time? Since the house

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was first built. Then you were here from the

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beginning with Richard's... with Richard's first

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wife, April. Si. A terrible tragedy for all of

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you. You must have loved her. She was. La Senora

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de la Casa. I hope you won't blame me for trying

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to take her place. There is no one to take her

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place. Conchita? Sí, señorita. Here in the hall.

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Yes, señorita Morgan. You didn't take her portrait

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down. La señora? April? That is her place. I

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don't think my brother is going to agree with

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you. He is bringing home a new bride, you know.

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I know. Didn't he suggest it might be a sensible

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idea to clear away all the portraits and memories

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of April from around the house? The portrait

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here in the hall is painted on plaster. It cannot

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be removed. Any more than her memory can be removed.

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So it stays. This is her place. No one can take

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it. A fresco. Funny, I never realized that. Because

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it's framed, I suppose. It was El Patron's idea

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for the wedding present. His way of saying, here

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is my love, which will never die. As it will

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never die for any of us. Think so. Maybe not.

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But once he returns again, I think he will know

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there is only one La Señora. Now you're really

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going to see what Bonaparte is all about. I'm

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going to drive slow so you can drink it in. Horrible

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not only the house but the clips and that wide

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leap off into the Pacific and all the way to

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the horizon. Oh I love it. I hope you'll be able

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to I do already except Except what? The rest

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of it is also bad that suddenly the house seems

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small Now the closer we get I realize how huge

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it is Alex. It's rambling Started from small

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beginnings and then just kept on growing. Looking

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at that main house, it wasn't all that small.

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Well, for its day it was. Big families then.

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All that's left of mine I see clustered on the

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porch. My sister. And the lady with her? That's

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our housekeeper. Conchita Aguilar. She's Juan's

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wife. I have no one, but at least you have a

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sister. Makes me feel a lot less like an orphan.

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And the house is so lovely. I hope I've come

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home. I told you when we came back to America

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that would be your decision. Jenny, for many

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reasons, it's not going to be an easy one. But

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just give it a chance. I'll welcome it, Richard.

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If only it will welcome me. We flew straight

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from Japan to San Francisco. Then drove down

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to Monterey to pick up the car. Oh, it's good

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to see you. Your bride is lovely. But you could

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have let us know about the wedding. Lisa, I wanted

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to keep it private, so we just sneaked off. More

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coffee, Jenny? Richard? No, I think I'll have

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some brandy. How about you girls? Not for me.

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I pass. Oh, it's a magnificent night. There's

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going to be a full moon. Damn dogs are all stirred

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up again. Jenny? Yes, Richard? Want to walk down

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with me and start making friends with them? Well,

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I'm a little tired tonight. I bet I'd make a

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better dog pal by daylight. Well, why don't you

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go ahead while I go up and get ready for bed.

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Well, you're the one they're calling for anyway.

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I've missed them. And it's nice to have been

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missed. Would you mind if I won't be over a half

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hour? I'll be waiting for you when you get back.

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I'll close the French windows. Don't forget to

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lock them, Lisa. No, no. Leave them open. The

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breeze is wonderful. I'll see they get closed,

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Richie. I've been taking care of that for the

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last year. Take care of my bride, too, Lisa.

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Good night to you, Lisa. I'll see you later,

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Jenny. Well, a very sexy goodbye. Your brother

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is a very sexy man. Why didn't you know this?

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Well, why should I be the only woman in the Northern

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Hemisphere to have it escape me? Oh, Lisa. It's

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what makes my blood run cold sometimes. That

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and April. She can scarcely run you much competition

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anymore. Because she's dead. She is? Well, not

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really. In so many ways, I'm terribly naive growing

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up. in Japan, knowing so little of my native

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country. I was always aware that Richard Morgan

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was a star. After all, he was in Japan to make

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a movie. And I knew he'd been married for many

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years to April Sanders. It was only after I'd

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married Richard and come back to America that

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I began to realize I'd married into royalty.

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Not only that, but I'd brushed blindly into marrying

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the King. without seeing that the Queen is not

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dead. Oh Jenny, don't be silly. The Queen is

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very dead. Not in most people's memories. How

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did this happen, Lisa? How could that vibrant,

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overwhelmingly wonderful woman have met her death?

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Want to take a little walk, Jenny? I could use

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some air. Which way do we go? Oh, towards the

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sea. There's enough moonlight to light the way.

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Are you cold? Lord, no. I welcome the breeze.

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Were you taking me to the end of the world? What?

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Well, where April ended hers. You wanted to know

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how it happened, didn't you? I think I've gone

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far enough, Lisa. Only a few steps. What is this

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path? I mean somebody cut it out of solid rock.

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It's called the seven steps to heaven. More like

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seventy. Richard had them cut for April on their

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seventh anniversary. You'll see why now as we

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come out on the ledge. It's windier tonight than

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I thought. Those days it's calm up here. The

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sun pours down. You can lie out here on the ledge

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with the sea four hundred feet below and drench

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in the sun as though you were the only person

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in the world. April treated this as a shrine.

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She was an indufferate sun worshiper. But it's

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sheer heaven bathed in moonlight. If you look

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up, I can't see too much of the shadows looking

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down. The rocks are as jagged as teeth. Four

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hundred feet straight down. This is right where

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she fell. Spread -eagled on the rocks, broken

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and mangled, but speared by the sharp edges so

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even the restless sea couldn't wash her away.

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Oh my God, Liz. How could she have gone close

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enough to fall? She didn't fall. But the paper

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says the story that was given out. Conchita believes

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it, Richie claims he does. Others are not so

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sure. Come on, this place gives me the heebie

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-jeebies. Let's get back to the house before

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Richie sets those damn dogs loose. Oh, excuse

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me, I was just turning down the bed. Which I'm

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sure you're quite ready to roll into, Jenny.

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Good night, dear. Welcome home. Such as it is.

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Good night, Lisa. See you whenever. Don't feel

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there's anything to get up for. Will there be

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anything else, Madame? No, thanks, Conchita.

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Then I will say, Buenas noches, Madame. Wait

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a minute. Si, Madame. Madame is not a Spanish

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word. Why do you call me that? What would you

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have me call you? Well, since I am Richard's

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wife, shouldn't it be Senora? In this house,

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there was only one Senora. But she is dead. Jamás

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en el corazón. Never in the heart. For anyone

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who knew her. Buenas noches, madame. Bridget?

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Bridget, are you awake? What's happening? Jenny,

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Jenny, what is it? Don't you hear? Hear what?

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There's nothing. But there was... What is it,

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darling? You look as though you've seen a ghost.

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Not seen. I heard. It was her. April, your wife.

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Be quiet! You're my wife. April is dead. But

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she still doesn't... What me? Nobody does. Not

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a very auspicious house warming for poor Jenny

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at Bon Repos. Bon Repos. A reasonable translation

00:17:34.099 --> 00:17:38.880
of the French is sweet dreams. But there will

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be few sweet dreams for Jenny. At least this

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night, as for others, we'll find out when we

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return shortly with Act Two. By the fresh light

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of a clear morning with the wind stilled and

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the sunlight flooding all the dark corners, Morepo

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is a little more worthy of its name. But Richard

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Morgan is having a difficult time selling that

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to his still shaken bride. Let a little light

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in. You'll feel better, Jenny. No, no, Richard.

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I'm still not over last night. Who was it? Darling,

00:18:32.420 --> 00:18:35.579
it wasn't anybody. You still say you didn't hear

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it, that awful sobbing. It was... It was nothing

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but the wind. Sometimes it sighs and moans all

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around the house, and you'd swear it was a human

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voice. But look. Not a whisper this morning.

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Even the ocean's like glass. Today, you'll understand

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why I love this house so much. Richard, come

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here. Beside me, on the bed. All right, darling?

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I know you love Boomba Pool, but... But what?

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Richard, please, I don't want to live here. Why

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not? No, I'm trying to understand. I don't feel

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I belong here. I know one and Conchita seem to

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resent me. Have they said anything? No, not in

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so many words. It's just a feeling I get. I'm

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not one... That isn't true. Richard, don't you

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see? It's her house. It was her family's house

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to begin with. She's... He is still. She'll never

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leave it. She'll haunt me every minute I'm in

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it. Please, take me away from here. All right.

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If that's what you want, I'll sell the damn place,

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tear it apart, stone by stone. Richard. Oh, Jenny,

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my darling. Look, it's just the time lag, the

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long flight from Japan, days and nights turned

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upside down. I'm going to have Conchita bring

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us a breakfast up to the room. We'll have it

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out on the veranda. Give you a chance to get

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a good look at one's landscaping all that Riot

00:20:11.200 --> 00:20:14.079
of color of bougainvillea poinsettia chameleon

00:20:14.079 --> 00:20:18.380
against the green Maybe that'll change your mind

00:20:18.380 --> 00:20:21.559
about poor old water pool darling. I know how

00:20:21.559 --> 00:20:26.039
much you love it and talk Come on Jenny Give

00:20:26.039 --> 00:20:31.980
it a chance few more days a week Give it a chance

00:20:31.980 --> 00:20:37.099
to cast its own peculiar spell All right, darling.

00:20:38.039 --> 00:20:41.740
Go get us some breakfast. I'll wash up and brush

00:20:41.740 --> 00:20:44.539
my teeth and get rid of some cobwebs while you're

00:20:44.539 --> 00:20:51.599
gone. Jenny. Yes? I love you, Mrs. Morgan. That's

00:20:51.599 --> 00:21:00.319
who I am. I love you, my husband. Conchita. Si,

00:21:00.380 --> 00:21:06.279
patron. Come over here in the alcove. I couldn't

00:21:06.279 --> 00:21:09.099
help it. She woke up, started to scream, and

00:21:09.099 --> 00:21:12.200
then to sob. You heard? No. House must have heard.

00:21:12.480 --> 00:21:15.240
I didn't just stop her. I did as soon as I could.

00:21:15.359 --> 00:21:17.359
You know I don't want my wife to know about her

00:21:17.359 --> 00:21:21.440
being here. I know. Then keep her quiet. Conservatives.

00:21:21.660 --> 00:21:26.140
That's your job. And I want my new wife made

00:21:26.140 --> 00:21:29.059
welcome. That is not my job. Then I'll find someone

00:21:29.059 --> 00:21:32.200
else for it. You would drive Juan and me from

00:21:32.200 --> 00:21:38.460
this house? We'll... We'll talk about this later.

00:21:40.180 --> 00:21:41.960
For now, bring breakfast to the veranda for the

00:21:41.960 --> 00:21:45.900
Signor and me. Si, Signor. Where's my sister?

00:21:46.299 --> 00:21:53.940
In her room, I think. Muy bien. Come in. It's

00:21:53.940 --> 00:21:59.579
open. Richard. I didn't expect to see you this

00:21:59.579 --> 00:22:03.359
morning. Why not? Well, after all, brother mine,

00:22:03.539 --> 00:22:07.170
a new bridegroom. I'm an old bridegroom by now.

00:22:07.450 --> 00:22:11.750
Yes, maybe she is a touch young for you. Damn

00:22:11.750 --> 00:22:14.089
you, I didn't mean that. I didn't mean what I

00:22:14.089 --> 00:22:16.150
said either. I was only teasing you. She's a

00:22:16.150 --> 00:22:19.490
lovely girl. She's sunny and free and unspoiled.

00:22:19.650 --> 00:22:24.009
I want to keep her that way. What the devil am

00:22:24.009 --> 00:22:26.630
I going to do about her? Upstairs there, you

00:22:26.630 --> 00:22:29.049
heard her last night. Well, you know my feelings

00:22:29.049 --> 00:22:34.390
on the subject. Get rid of her. For good. I can't.

00:22:35.359 --> 00:22:40.200
After all, it's part of her house. God, why won't

00:22:40.200 --> 00:22:43.339
she die? It would be a neat solution to it all,

00:22:43.420 --> 00:22:47.500
wouldn't it? But it seems she just won't. I'm

00:22:47.500 --> 00:22:49.099
afraid you're stuck with her as long as your

00:22:49.099 --> 00:22:52.420
conscience holds you back. Please, for God's

00:22:52.420 --> 00:22:55.819
sake, don't tell Jenny about her. Just how long

00:22:55.819 --> 00:22:58.500
do you think you can keep her secret? I don't

00:22:58.500 --> 00:23:02.720
know. All I need is a few days, a week. By then,

00:23:02.740 --> 00:23:12.500
one way or another, it won't matter. Are you

00:23:12.500 --> 00:23:14.460
going to start country hopping again, or are

00:23:14.460 --> 00:23:16.420
you going to stay home and make some nice, solid

00:23:16.420 --> 00:23:19.380
American movies? Well, that depends on my negotiations.

00:23:19.539 --> 00:23:22.279
The next week or ten days. Jenny, you're not

00:23:22.279 --> 00:23:24.960
eating your steak. Want it on the fire a little

00:23:24.960 --> 00:23:28.880
more? No, thanks. I really ate too much of that

00:23:28.880 --> 00:23:31.579
wonderful salad. I don't think I could eat another

00:23:31.579 --> 00:23:35.119
thing. Conchita? Si, senor. I think you can clear

00:23:35.119 --> 00:23:37.759
the table. You want dessert, dear? I don't think

00:23:37.759 --> 00:23:40.789
so. Lisa, please forgive me, but... I'm so full

00:23:40.789 --> 00:23:44.029
of sand, sea, air, and scouting the property

00:23:44.029 --> 00:23:47.049
that I'm really bushed. Would you excuse me?

00:23:47.089 --> 00:23:50.730
Of course, Jenny. Get a good sleep. I'll see

00:23:50.730 --> 00:23:52.730
you upstairs, darling. Shall I have Conchita

00:23:52.730 --> 00:23:54.589
bring us some coffee? Oh, no, no. I just want

00:23:54.589 --> 00:23:57.529
to sleep and sleep and make up for the last few

00:23:57.529 --> 00:24:00.630
days. You don't have to come up. Try and keep

00:24:00.630 --> 00:24:05.049
me away. Night, Lisa. Night. See you tomorrow.

00:24:06.190 --> 00:24:09.839
I feel like such a party pooper. Please don't

00:24:09.839 --> 00:24:16.240
forgive us. I ambushed myself. Darling, you're

00:24:16.240 --> 00:24:20.940
positively weaving. I feel a little high or low

00:24:20.940 --> 00:24:24.019
or something. How about my arm for support? I'd

00:24:24.019 --> 00:24:30.559
love it. No good? No, fine. I was just... She

00:24:30.559 --> 00:24:41.119
was so lovely, Richard. Huh? April of Fresco.

00:24:42.339 --> 00:24:44.579
That damn thing, I wish I'd never dreamed it

00:24:44.579 --> 00:24:47.980
up. I promise you it'll be removed or covered

00:24:47.980 --> 00:24:51.079
or something. Oh, no, darling. It's too lovely

00:24:51.079 --> 00:24:53.839
to destroy. Besides, no matter what you do or

00:24:53.839 --> 00:24:57.200
anyone tries to do, the memory of April Sanders

00:24:57.200 --> 00:25:00.779
and our time can never be wiped out or erased.

00:25:01.240 --> 00:25:03.920
It's something we both have to live with. She

00:25:03.920 --> 00:25:08.960
was like... Jean Harlow. Marilyn Monroe, Elizabeth

00:25:08.960 --> 00:25:12.700
Taylor. She belonged to the public. But you had

00:25:12.700 --> 00:25:24.160
her painted to endure forever. Are you sure the

00:25:24.160 --> 00:25:26.500
dog was poisonous? That's enough, you two silencio!

00:25:28.319 --> 00:25:31.640
What was all that arguing about? Nothing, nothing,

00:25:31.799 --> 00:25:34.299
nothing. Trouble with one of the dogs. Come on,

00:25:34.339 --> 00:25:36.930
Jenny. Let's have some morning coffee and juice

00:25:36.930 --> 00:25:40.250
and get back to normal. What's the matter with

00:25:40.250 --> 00:25:44.450
the dog? Here's your juice. Oh, it's what I've

00:25:44.450 --> 00:25:47.609
been trying to steal myself to weed out. He's

00:25:47.609 --> 00:25:50.269
a maverick, or was. What do you mean? Well, some

00:25:50.269 --> 00:25:53.529
dogs take to training, some don't. This one just

00:25:53.529 --> 00:25:57.170
never did. He's unpredictable. A natural born

00:25:57.170 --> 00:26:00.730
scavenger. He picked up something from the garbage

00:26:00.730 --> 00:26:04.809
with a botulism, I guess. Anyway, he died this

00:26:04.809 --> 00:26:07.710
morning. But what could have done? Look, don't

00:26:07.710 --> 00:26:10.809
take on about it. I'm going down to bring up

00:26:10.809 --> 00:26:13.589
some eggs and bacon. Why don't you set the table

00:26:13.589 --> 00:26:18.289
for us on the veranda? Of course, darling. The

00:26:18.289 --> 00:26:22.089
steak. I didn't eat it. Isn't that what poisoned

00:26:22.089 --> 00:26:27.160
him? Oh, God, help me to know what to do. I love

00:26:27.160 --> 00:26:29.720
my husband, but every instinct in me tells me

00:26:29.720 --> 00:26:42.519
to run. Run for my life! Yep. Yep. Sure, JB.

00:26:43.839 --> 00:26:46.019
No, I don't like it, but if it's the only way,

00:26:46.059 --> 00:26:51.059
I'll be there. Yes, yes, right away. No, I'll...

00:26:51.059 --> 00:26:53.400
I'll... I'll drive down. It's almost dark already,

00:26:53.539 --> 00:26:58.069
so I'll not take much of a chance. Well, yes,

00:26:58.190 --> 00:27:01.009
thanks, yes. I'll stay with you overnight and

00:27:01.009 --> 00:27:04.329
come right back. You're going to Los Angeles?

00:27:05.529 --> 00:27:08.670
Just overnight, darling. But take me with you.

00:27:08.890 --> 00:27:12.049
Oh, Jenny, I can't. This is all strictly business.

00:27:12.289 --> 00:27:14.950
And I stay here alone? I'm not alone. Lisa's

00:27:14.950 --> 00:27:17.369
with you. Thank God for that. I have nothing

00:27:17.369 --> 00:27:22.029
to worry about. Of course I haven't. Go, do what

00:27:22.029 --> 00:27:25.119
you have to do and come back to me safe. And

00:27:25.119 --> 00:27:38.299
you stay safe for me to come back to. Well, wouldn't

00:27:38.299 --> 00:27:40.500
you know, the moment my brother cuts out, the

00:27:40.500 --> 00:27:43.440
local electricity has to fail. Here's your candle,

00:27:43.700 --> 00:27:46.519
Jenny. Want me to come in with you? No, I'm fine.

00:27:46.720 --> 00:27:48.500
There are plenty of others in the candelabra.

00:27:48.559 --> 00:27:51.240
They can burn all night. I won't need them. That

00:27:51.240 --> 00:27:53.910
good night drink we had is... curdle my brain.

00:27:54.069 --> 00:27:56.869
I know, me too. I don't know about you, but I'm

00:27:56.869 --> 00:27:59.430
sailing. Maybe there was something in Conchita's

00:27:59.430 --> 00:28:01.690
aureus confolia, but I'm positively lightheaded.

00:28:02.950 --> 00:28:06.710
Well, whatever it was, thank God for small favors.

00:28:06.950 --> 00:28:10.569
I'll sleep sound tonight if I can just find the

00:28:10.569 --> 00:28:14.950
bed. Oh, I'm really high as a kite, and no reason

00:28:14.950 --> 00:28:18.970
for it. Whatever it is, don't let Conchita see

00:28:18.970 --> 00:28:34.019
me like this. See me to bed, Lisa. No, no. They

00:28:34.019 --> 00:28:39.640
don't want me here. Someone, something. But who?

00:28:40.180 --> 00:28:45.539
Conchita? Juan? Richard? No, please, please,

00:28:45.779 --> 00:28:50.220
not Richard. But April, April is... still in

00:28:50.220 --> 00:28:59.099
his mind. April. No, no. I don't believe ghosts.

00:29:00.619 --> 00:29:36.339
I won't. Who's there? was the dead woman April

00:29:36.339 --> 00:29:40.640
Morgan. But what a travesty of that beautiful

00:29:40.640 --> 00:29:46.119
woman. A face gaunt and haggard. The eyes staring

00:29:46.119 --> 00:29:50.259
blankly from the desiccated skin. A hellish ghoul

00:29:50.259 --> 00:29:54.759
raised from the year -old grave. No wonder Jenny

00:29:54.759 --> 00:29:59.660
mercifully passed out. We'll return shortly with

00:29:59.660 --> 00:30:16.069
Act Three. Spectral figure that hovers over Jenny,

00:30:16.690 --> 00:30:20.329
motionless under the covers, stands as still

00:30:20.329 --> 00:30:24.670
as the girl lies in the bed. Is her presence

00:30:24.670 --> 00:30:30.369
as malign as Jenny deems it to be, or as benign

00:30:30.369 --> 00:30:35.890
as it seems to be? Hush, child. Hush. I mean

00:30:35.890 --> 00:30:41.390
you no harm. But you are. How you must hate me.

00:30:41.660 --> 00:30:48.400
Her. April. His wife. Oh, no. No, I'm not April.

00:30:50.279 --> 00:30:56.539
April is dead. She died, you know. I thought

00:30:56.539 --> 00:31:03.980
I did. Then who am I? I'm her mother. April was

00:31:03.980 --> 00:31:12.400
my daughter. You live here. Yes. Then you're

00:31:12.400 --> 00:31:15.839
the one I heard the other night, sobbing. Was

00:31:15.839 --> 00:31:23.759
I? Perhaps I was. I'm very sad, you know. Because

00:31:23.759 --> 00:31:27.059
your daughter died. Because my daughter was killed.

00:31:27.140 --> 00:31:31.700
Killed? What did April have to die for? She had

00:31:31.700 --> 00:31:34.680
everything to live for. She'd never commit suicide.

00:31:34.740 --> 00:31:37.839
But it was an accident, wasn't it? Oh. April

00:31:37.839 --> 00:31:40.900
was as graceful as a fawn. She was a dancer,

00:31:40.920 --> 00:31:44.920
you know. She had an incredible sense of balance.

00:31:45.099 --> 00:31:48.079
She could never have lost it. Are you suggesting

00:31:48.079 --> 00:31:52.720
she was pushed? Why do you think I'm locked up

00:31:52.720 --> 00:31:55.980
there in my room on the third floor with Conchita

00:31:55.980 --> 00:31:59.440
as my jailer? The housekeeper. Conchita is a

00:31:59.440 --> 00:32:04.680
practical nurse. And I am a prisoner half the

00:32:04.680 --> 00:32:09.160
time under sedation. Living in limbo, the shut

00:32:09.160 --> 00:32:12.839
-in to end all shut -ins. But why? To keep me

00:32:12.839 --> 00:32:16.220
from crying it to the skies. To keep the truth

00:32:16.220 --> 00:32:19.839
buried like me and my daughter. Except that I

00:32:19.839 --> 00:32:22.759
am on the third floor and April is six feet deep.

00:32:23.799 --> 00:32:28.019
He was jealous of her. He couldn't stand the

00:32:28.019 --> 00:32:30.380
fact that she was the talent. She held it all

00:32:30.380 --> 00:32:33.319
together. She made the legends. And when the

00:32:33.319 --> 00:32:35.819
truth was coming out that he meant nothing, that

00:32:35.819 --> 00:32:39.480
she was the star, he had to drag her out of the

00:32:39.480 --> 00:32:44.900
skies, destroy her, kill her. Who? Your new husband,

00:32:45.579 --> 00:32:48.440
Richard Morgan. That's why I came to warn you.

00:32:48.740 --> 00:32:52.299
Get out while you can. Come here! Come here right

00:32:52.299 --> 00:32:57.539
now! What is it he wants to take from you? Open

00:32:57.539 --> 00:33:02.279
the door! I'm coming on! What do you want? Are

00:33:02.279 --> 00:33:05.579
you rich? Yes. I will come into your house. Then

00:33:05.579 --> 00:33:10.559
run like the wind. He will kill you. Just as

00:33:10.559 --> 00:33:23.799
he did April. Are you all right, Jenny? Are you

00:33:23.799 --> 00:33:27.519
all right? I'll do. But the lights are on again.

00:33:27.680 --> 00:33:32.069
Yes. What happened? Two... To April's mother.

00:33:32.430 --> 00:33:35.829
One has taken her back to her room. She's mad,

00:33:35.829 --> 00:33:39.390
you know. She's quite mad. She... She accused

00:33:39.390 --> 00:33:43.190
Richard of killing April. It's her obsession.

00:33:43.849 --> 00:33:46.950
She should be institutionalized, but Richie...

00:33:46.950 --> 00:33:48.990
Well, he could never hurt a fly. But I don't

00:33:48.990 --> 00:33:54.789
understand why. Now what? Headlights. Coming

00:33:54.789 --> 00:33:57.630
up the drive. Must be Richie. I'd better go down

00:33:57.630 --> 00:34:09.380
and let him in. Don't be terrified of me, Jenny.

00:34:09.400 --> 00:34:12.340
Well, I don't mean to. I don't know what's the

00:34:12.340 --> 00:34:14.159
matter with me. Look, April's mother must have

00:34:14.159 --> 00:34:16.320
shaken you. Well, why would you have kept it

00:34:16.320 --> 00:34:21.579
a secret? Look, I'm exhausted, and you're tired.

00:34:22.480 --> 00:34:25.139
Must we go through it tonight? I don't think

00:34:25.139 --> 00:34:28.099
we can go through any other night if we don't.

00:34:29.940 --> 00:34:34.500
Okay. It all has to do with a living legend.

00:34:35.820 --> 00:34:38.750
April was a... a star, a sick symbol developed

00:34:38.750 --> 00:34:42.889
by the studios. I was a stage actor with a gift

00:34:42.889 --> 00:34:47.750
of reasonable looks and an unusual voice. Separately,

00:34:47.750 --> 00:34:52.849
we had great success. But together, when we did

00:34:52.849 --> 00:34:56.949
get together, particularly after our marriage,

00:34:57.610 --> 00:35:01.269
we became something not only wildly larger than

00:35:01.269 --> 00:35:05.349
life, but larger than even just plain stardom.

00:35:06.030 --> 00:35:11.769
Our own lives disappeared, replaced by a storybook

00:35:11.769 --> 00:35:15.989
romance that our careers had to conform to, despite

00:35:15.989 --> 00:35:21.750
the fact that we had learned, oh well, not to

00:35:21.750 --> 00:35:26.070
hate each other, but that we had no love left.

00:35:26.650 --> 00:35:34.110
You didn't love April. Jenny, I couldn't stand

00:35:34.110 --> 00:35:40.239
her. He was selfish, avaricious, demanding, petty,

00:35:41.380 --> 00:35:44.900
an impossible woman. So you... so you got rid

00:35:44.900 --> 00:35:50.539
of her? You don't believe that? No. Oh, no, Richard.

00:35:50.860 --> 00:35:55.840
But how did April really die? I wasn't asking

00:35:55.840 --> 00:35:59.119
that. You don't have to. Half the world is speculated

00:35:59.119 --> 00:36:04.579
on that. Her mother thought I killed her. I still

00:36:04.579 --> 00:36:07.940
think so. Couldn't Cheetah and Juan know it was

00:36:07.940 --> 00:36:14.320
an accident? Lisa? Lisa has her own theory. Something

00:36:14.320 --> 00:36:17.820
to do with Apol's star complex and the wild winds

00:36:17.820 --> 00:36:21.360
that sometimes blow across the headlands. And

00:36:21.360 --> 00:36:36.719
you? I think she committed suicide. Buenos dias,

00:36:36.820 --> 00:36:40.679
conchita. Buenos dias, senor. You can serve breakfast

00:36:40.679 --> 00:36:44.980
for all of us and... Where's Juan? In the south

00:36:44.980 --> 00:36:47.800
garden. Will you tell my wife when she comes

00:36:47.800 --> 00:36:54.440
down where I am? Si, senor. Patron? Yes? Will

00:36:54.440 --> 00:36:58.000
you close up the house? If I'm going to save

00:36:58.000 --> 00:37:02.300
my new marriage, I think I must. I'm not going

00:37:02.300 --> 00:37:07.420
to argue the facts. But it's quite... clear that

00:37:07.420 --> 00:37:12.059
Jenny doesn't fit here. I'll have some juice

00:37:12.059 --> 00:37:16.300
and coffee, Conchita. Sí, señorita. Oh, and for

00:37:16.300 --> 00:37:19.860
Senora Morgan, too. Sí, señorita. Morning, Jenny.

00:37:20.340 --> 00:37:24.059
Good morning, Lisa. Oh, heavenly day. Breakfast

00:37:24.059 --> 00:37:26.940
is on the way. Where's Richard? Oh, off on the

00:37:26.940 --> 00:37:29.760
ground somewhere. Want to go look for him? I

00:37:29.760 --> 00:37:32.280
would like to get some air. Well, then let's

00:37:32.280 --> 00:37:37.960
go. Get you a... Finally get some sleep? Yes.

00:37:38.780 --> 00:37:41.280
Well, with the new day, if you're smart, you'll

00:37:41.280 --> 00:37:42.940
make up your mind to get out of here and have

00:37:42.940 --> 00:37:48.699
Richard all to yourself. But what will you and

00:37:48.699 --> 00:37:52.539
Contita and Juan and Mrs... Isn't that terrible?

00:37:53.159 --> 00:37:56.260
I don't even know April's mother's name. Oh,

00:37:56.440 --> 00:38:00.480
what will all of you do? Oh, life goes on. We'll

00:38:00.480 --> 00:38:04.110
manage and adjust. We might even be able to do

00:38:04.110 --> 00:38:07.409
it here in time. Oh, no, Lisa. I never could.

00:38:07.670 --> 00:38:10.269
This isn't my place. It's April's. It wasn't

00:38:10.269 --> 00:38:13.530
hers, either. But I thought it was originally

00:38:13.530 --> 00:38:15.989
her family's. That's why her mother is dead.

00:38:15.989 --> 00:38:19.489
It was a run -down, no -account mess. The stucco

00:38:19.489 --> 00:38:21.969
peeling, the plumbing, antediluvian, the gardens,

00:38:22.190 --> 00:38:25.409
the shambles. Ritchie cured all that. He's marvelous

00:38:25.409 --> 00:38:28.329
with his hands. His imagination knows no bounds.

00:38:29.030 --> 00:38:32.119
You may be what it is. It's all his. I can appreciate

00:38:32.119 --> 00:38:35.000
that, Lisa, and I know how beautiful it is, but

00:38:35.000 --> 00:38:38.980
it's dark and sinister to me. Nothing will ever

00:38:38.980 --> 00:38:42.079
change that. I remember that first evening when

00:38:42.079 --> 00:38:45.539
you took me to Seventh Heaven. Yes. That was

00:38:45.539 --> 00:38:49.820
the mark of what was wrong here. Such free, wild

00:38:49.820 --> 00:38:55.460
beauty, but somehow it was evil. Oh Jenny, that's

00:38:55.460 --> 00:38:58.760
not fair. You went by moonlight. You knew a tragedy

00:38:58.760 --> 00:39:02.019
had occurred there, but Seventh Heaven is just

00:39:02.019 --> 00:39:05.179
what its name implies. Especially on a day like

00:39:05.179 --> 00:39:09.719
today with no wind and the sun riding high. Come

00:39:09.719 --> 00:39:14.519
on. Let me show you. No thanks. Jenny, you hold

00:39:14.519 --> 00:39:18.099
a lot of fates in your hand. Among them mine.

00:39:19.239 --> 00:39:22.900
I don't want to leave here. Give me a chance

00:39:22.900 --> 00:39:26.780
to show you cobwebs cleared away. It's not such

00:39:26.780 --> 00:39:36.199
a bad place to live. Conchita? Si, senor. Where's

00:39:36.199 --> 00:39:39.139
the senorita? They went out in the garden, towards

00:39:39.139 --> 00:39:44.260
the water. They? Your sister and your wife. Didn't

00:39:44.260 --> 00:39:47.800
they know breakfast was ready? I think. But the

00:39:47.800 --> 00:39:50.119
senorita Morgan seemed to want to take the senora

00:39:50.119 --> 00:39:54.730
to the water. I should not say this, but I have

00:39:54.730 --> 00:39:59.550
a sensation. You should go quickly after them.

00:40:06.829 --> 00:40:10.409
I really don't know why you insisted on me coming

00:40:10.409 --> 00:40:13.550
up here. I won't change my mind, Lisa. Even now,

00:40:13.570 --> 00:40:16.429
looking out here at that incredible view? I told

00:40:16.429 --> 00:40:19.050
you, I didn't like heights. You know, Jenny,

00:40:20.409 --> 00:40:25.219
you're a little person. With no stature. Well,

00:40:25.659 --> 00:40:28.099
I wouldn't quite agree... Like April, really,

00:40:28.119 --> 00:40:31.119
for all her cheap beauty. She just couldn't measure

00:40:31.119 --> 00:40:33.960
up. And I had to sit by and take the fact that

00:40:33.960 --> 00:40:36.519
she had cheated and stolen Richie away from me.

00:40:36.659 --> 00:40:41.179
What? My brother? Oh, does that shock you? I've

00:40:41.179 --> 00:40:43.300
loved Richie longer and deeper than all of you.

00:40:44.019 --> 00:40:47.500
How much have I gotten in return? Do you have

00:40:47.500 --> 00:40:51.820
any notion how I hated that... smug, superior,

00:40:52.119 --> 00:40:56.199
super -adulated April. Would you be very surprised

00:40:56.199 --> 00:41:00.599
to find out that she didn't fall or stumble or

00:41:00.599 --> 00:41:04.360
take her life when she blew off here into eternity?

00:41:05.639 --> 00:41:11.079
She was hasten, Jenny, pushed, shoved by me,

00:41:11.719 --> 00:41:15.739
just as you're going to be. Why? Even allowing

00:41:15.739 --> 00:41:18.880
for what you confess. How can you hate me? Because

00:41:18.880 --> 00:41:22.130
you are Far worse than April. He really didn't

00:41:22.130 --> 00:41:25.190
love her. They were a team. He was trapped. He

00:41:25.190 --> 00:41:29.489
had to stick with her. But you... Now you're

00:41:29.489 --> 00:41:32.510
different. Because he loves me? Because with

00:41:32.510 --> 00:41:35.570
you, there's no chance for me. There's no chance

00:41:35.570 --> 00:41:37.849
at all. How could there ever be? I don't have

00:41:37.849 --> 00:41:41.130
to share his bed. Only his life. I could have

00:41:41.130 --> 00:41:43.489
been the one to care for him, to console him,

00:41:43.530 --> 00:41:48.559
to love him. Love him, damn you! It'll never

00:41:48.559 --> 00:41:54.260
be you never anyone You can't stand against me

00:41:54.260 --> 00:41:57.460
any more than April could you are going over?

00:42:00.139 --> 00:42:02.679
A marvelous weapon hang on to it if you want

00:42:02.679 --> 00:42:25.139
to take it with you, but you're going What can

00:42:25.139 --> 00:42:34.940
I say? Nothing. Nothing. But your sister. I love

00:42:34.940 --> 00:42:37.860
my sister. Either more or less than my first

00:42:37.860 --> 00:42:44.940
wife. I can't... mourn either one of them. Jenny,

00:42:45.019 --> 00:42:50.079
it's too important to celebrate you. It'll take

00:42:50.079 --> 00:42:52.780
some time to straighten out my... my affairs,

00:42:52.780 --> 00:42:57.440
but once we do... You and I are going to enjoy

00:42:57.440 --> 00:43:01.800
our private life. You'll still be public property.

00:43:02.079 --> 00:43:07.000
No. My new deal as a director. I'll never act

00:43:07.000 --> 00:43:13.800
again. Not even for me? For you. For you I'll

00:43:13.800 --> 00:43:17.920
be whatever you desire. This affair is finally

00:43:17.920 --> 00:43:25.619
beginning. We'll end only the same way. is forever.

00:43:25.960 --> 00:43:31.619
I love you forever. That's what I just said.

00:43:37.119 --> 00:43:41.420
The walls still stand about Bon Repos, but the

00:43:41.420 --> 00:43:44.699
barbed wire and broken glass are gone from the

00:43:44.699 --> 00:43:49.460
parapets. The gates stand invitingly open, and

00:43:49.460 --> 00:43:53.949
the dogs are gone. In the bright sunshine, the

00:43:53.949 --> 00:43:57.969
dark memories too are fading. And the clean winds

00:43:57.969 --> 00:44:02.210
from the sea have washed away the cobwebs. Once

00:44:02.210 --> 00:44:07.369
again the old house lives up to its name. I'll

00:44:07.369 --> 00:44:24.789
be back shortly. we return full circle to our

00:44:24.789 --> 00:44:27.949
definition of the supernatural as it applies

00:44:27.949 --> 00:44:33.409
to tonight's tale, of or related to ghosts, behavior

00:44:33.409 --> 00:44:37.010
caused by the intervention or by the action of

00:44:37.010 --> 00:44:42.349
a god on earthly affairs. Well, equal standards

00:44:42.349 --> 00:44:46.530
with both ghost and by our modern standards,

00:44:47.409 --> 00:44:52.500
goddess. But her reign is over and So is our

00:44:52.500 --> 00:44:56.320
up -to -date fable of Richard and Jenny. Our

00:44:56.320 --> 00:45:00.380
cast included Ruby Dee, Michael Wager, Terry

00:45:00.380 --> 00:45:05.000
Keen, Bryna Rayburn, and Ian Martin. The entire

00:45:05.000 --> 00:45:07.639
production was under the direction of Hyman Brown.

00:45:08.440 --> 00:45:15.099
And now, a preview of our next tale. I told you

00:45:15.099 --> 00:45:17.980
I burned it. And you know that's a fairy tale

00:45:17.980 --> 00:45:19.719
that no one will believe. I don't care whether

00:45:19.719 --> 00:45:21.539
you believe it or not. Now, are you coming with

00:45:21.539 --> 00:45:24.659
me? Where? To talk to your Colonel Blake. He

00:45:24.659 --> 00:45:27.460
won't see you. Oh, I think he will. Goodbye,

00:45:27.699 --> 00:45:30.000
Carol. It was nice knowing you. I think. You

00:45:30.000 --> 00:45:32.199
will kindly step back into your room as you're

00:45:32.199 --> 00:45:36.420
feeling? Now, wait a minute. Move. I am Major

00:45:36.420 --> 00:45:40.900
Suminovich. Oh. You and I have something to discuss.

00:45:41.019 --> 00:45:44.610
I warned you. Yeah, sure you did. I do so dislike

00:45:44.610 --> 00:45:47.530
dealing with amateurs. This is strictly a business.

00:45:48.110 --> 00:45:50.449
You mean you want to make a deal with me? I mean

00:45:50.449 --> 00:45:53.030
you would find it wise if you wanted to make

00:45:53.030 --> 00:45:57.170
a deal with us. For the paper? Exactly. Where

00:45:57.170 --> 00:46:00.329
is it? No, no, not so fast, not so fast. You

00:46:00.329 --> 00:46:04.010
spoke about a deal? You give us the paper, we

00:46:04.010 --> 00:46:07.570
give you your life. Mrs. E .G. Marshall inviting

00:46:07.570 --> 00:46:10.949
you to return to our mystery theater for another

00:46:10.949 --> 00:46:17.920
adventure. in the macabre. Until next time, pleasant

00:46:17.920 --> 00:46:18.980
dreams.
