WEBVTT

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The makers of Chase and Sanborn coffee, the superb

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blend you know is fresh, present the Chase and

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Sanborn Hour, and your host, Don Amici. This

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is me, Chase and Sanborn Hour, and this is Don

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Amici. And you're looking perfectly swell. Oh,

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thanks, Charlie. What brings on is the fusion.

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Oh, nothing. You know how it is. Only 11 more

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days till Christmas. Oh, I see. Well, with your

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help, Charlie, suppose we welcome all our friends

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to another Chase and Sanborn show. Yes, indeed.

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Welcome, welcome, welcome. Fights welcome. And

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that comes from Nelson Eddy. Oh, such a marvelous

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voice. Simply marvelous. I wonder what he's going

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to give me for Christmas. Hey, Charlie, Charlie.

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Greetings, too, from Edgar Bergen and my little

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helper, Charlie McCarthy. Oh, heartiest greetings.

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I wonder what Bergen will give me. And a welcome

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to everybody from Dorsey Lavoure. Uh -oh. Now,

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there's an idea of something to find in your

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Christmas stocking. Yeah, you're right, Charlie.

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And greetings, too, from the Stroud Swim. Well,

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then, old fellas, I'll get double presents from

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them. Robert Armbruster extends a hearty welcome,

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and we're all very happy to have as our guest

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one of the greatest personalities on the screen

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today, Miss Mae West. Mae West? That's right,

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Mae West. Woo! And now I'm sure of it, there

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he is, the Santa Claus. We hope you'll enjoy

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our show, and that throughout the week you'll

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enjoy Chase and Sanborn coffee. That's great

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coffee, Chase and Sanborn. Yeah, it certainly

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is, Charlie. I wonder if Chase and Sanborn are

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listening, and I wonder what they'll give me,

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huh? Nelson Eddy sings one of the best love songs

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in all American music, an old friend that we're

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always happy to meet on the road to Mandalay.

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By the old man, if I go to look in Eastward to

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the sea, there's a Burma girl I sat in, and I

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know she thinks of me. For the wind is in the

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palm trees, and the tambour bells they toy. Come

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ye back, ye British. Come you're back Get me

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some worthy stuff so - Naughty Marietta was one

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of Nelson Eddy's most memorable pictures. It

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was full of beautiful melodies, but one of the

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songs I enjoyed most is the haunting love song

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that Nelson sang to the charming Marietta. And

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he sings it now for us, Neath the Southern Moon.

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So you like that, Charlie, huh? Yeah, yes, I

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do, Mr. Eddie, I do. But I still like that song,

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you know, Figaro, Figaro, Figaro. Charlie, you

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call that singing? Well, at least I didn't waste

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a lot of money on my voice. Mrs. Eddie, how much

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can a singer make? How much? to you, May, or

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am I being personal now? Well, I... I mean, you

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know, I mean just round figures, you know. Well,

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no, I make in the neighborhood of... Oh, you

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don't make that much, no. No, I refuse to believe.

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Well, now that you mention it, Charlie, how much

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do you make? Not a tuppence, Mr. Eddie, not a

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tuppence. Every time I ask Mr. Bergen how much

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we're getting, he says it's a benefit performance.

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I get it. Maybe it's a benefit for Bergen, huh?

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I wouldn't put it past you. Say, Bergen? Yes,

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Charlie? Is this a benefit performance? Why?

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Why do you ask? Well, never mind that. How much

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are we getting, Bergen? My dear boy, to entertain

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an audience, to make people happy, to be of service

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to my fellow man. That is my foremost thought.

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It is, huh? Yes. Money is secondary. Is that

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so? Yes. How much secondary do you get? I could

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use a little second. I'm trying to explain that

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there are many things more important than money.

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Name three. Aren't you ashamed to have such selfish

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thoughts at this time? Why, this is your time.

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I remember as a lad... That's a lovely story,

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Edgar, but Charlie wants to know why he doesn't

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ever get paid. Nelson, are you putting mercenary

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thoughts before ideals? Yes, shame on you, Mr.

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Eddie. What would your daddy say? I never would

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have thought it of you, Mr. Eddie. Shame, shame.

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I'm sorry. Perhaps I'm wrong. I should go and

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hang my head in shame. Hang it extra low, too.

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I'll go forgive me, oh, Pa. We forgive you. You

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see how sorry he is? Yes, yes, yes. And now that

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he's gone, why don't I get any money now? Well,

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after all, why do you need money? Well, I have

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to buy. I have my Christmas shopping to do. I

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spent what little I had on Skinny Dugan's present.

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You did? Yeah. I gave him my last penny for his

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present. Yes. Well, that was nice. Yes, it was.

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Where did you get him? I got him a chemical set.

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Oh, I see. My last penny for it, too. Yes. Well,

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that's nice. Yes. He's my pal. Yes. The rat.

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Yes. I got him a lot of bottles and a book of

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experiments. Well, that's fine. Yes. Do they

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work? Yeah, of course they work. I've done eight

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of them myself already. I could have done more,

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but I ran out of chemicals. Well, Charlie, what

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are you going to give Skinny if you've used all

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the chemicals? Well, I'll give him the book.

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The book, yes. And a bottle so he can get refills

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if he wants to mess around with it. Mess around

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with it, yes. Chemistry is an interesting, fascinating

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study. Yes, it is, yes. We owe much to the chemist.

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Yeah? I paid cash for the set. No, no, no. No,

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I'm speaking of chemistry. Yes. It deals with

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the composition of matter. What matter? Well,

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any matter. Oh, it doesn't matter. Oh, yes, it

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does. Charlie, you see, the chemist is the man

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who takes the compound, divides it into molecules

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and elements and atoms. Yeah, that's what he

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does. He'll come up some time and we'll split

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an atom. No. Please, Charlie, don't be facetious.

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Much of the world's progress is due to the labor

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of chemistry. Uh -huh. Their perseverance, their

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patience. I have great respect for them. Uh -huh.

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Well, thank you. We do the best we can. Yes,

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I am. What experiments have you perfected? Well,

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I'm working on a secret formula now for cleaning

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silver. Oh. What is it contained? Well, there

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you are. You see, it's a secret formula. Oh,

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I see. You won't tell me? I won't tell anybody.

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I don't even know what I dumped in it. Oh. Well,

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don't you have a formula? Well, I know a little,

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yes. There was a dash of this and that, you know.

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I took three fingers of sulfuric acid and a jigger

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of potassium chlorine, dash of hydrodromic acid,

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and I took a pony of nitrocellulose, some stuff

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like that. I can't pronounce it, but I dumped

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it in anyway. Then I put the stopper in the sink

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and I poured it all in, and then I dumped your

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silverware in it. My silverware? Yeah. In that

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terrible mixture? Well, you know, Bergen, your

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silverware was tarnished. Is the tarnish gone?

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Yeah, so is the silhouette. The silhouette is

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gone? Yeah, and so is the sink. Is the sink...

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It was a clean sweep, yeah. What a mixture. Yeah.

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Well, that's fine. That's fine. You've ruined

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the silhouette and the sink. Yeah, but it won't

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happen again. We have to charge it up to experience,

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you know. The janitor explained where I made

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the mistake. Oh, the janitor? Yes. He's a smart

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man, too, you know. He's a chemist. College man,

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of course. I guess so, yes, yes. Does he have

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a chemical engineer degree, or is it a BS? I

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think it is, yes. Bachelor of Science. Bachelor

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of Science. No, basement suite there. Basement

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suite, yes. He has a chemical laboratory, too.

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He picks up down there in the basement. I see.

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We're working now on a substitute for gasoline.

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It's very powerful. Is that so? Very powerful.

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One drop on a dog's tail will kill a man. Is

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that so? It makes a monkey out of dynamite. I'll

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bet it does. Well, is this substitute perfected

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now, this gasoline affair? Well, there's two

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things it is, yes. In the first place, it costs

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three times as much as gasoline. In the second

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place, a car won't run on it. Would you care

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to buy in on a little of this? No, no, no, no.

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You can get it cheap now. Yes, I know. I don't

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think I'd care for it. You wouldn't like a piece

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of it? No. Now's the time to get in on the ground

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floor. Yeah. Before it blows up. I have a sample

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with me. Well, Charlie, I don't think I care

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to look at it. I know, and I wish you wouldn't

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handle it around here. It looks dangerous to

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me. It's absolutely safe. I'll give you a demonstration.

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This is no place for a chemical demonstration.

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Bergen, there's a right way and a wrong way to

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handle these things. I know there is. Yes. Now,

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this is the right way. You see, like this. But

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some fool is liable to do this, and then... Oh,

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Bergen! Bergen! Well, where are you, Charlie?

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I'm up here in the ceiling. Well, all I can see

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is a patch up there. And now a brief word to

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everyone who enjoys this program. America has

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gone wild over Charlie McCarthy. Everybody's

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standing for Charlie's marvelous big likeness

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that we're giving away free. Day and night we're

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mailing out these wonderful presents to homes

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everywhere. And you love Charlie too. He's over

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20 inches tall, made of strong cardboard, and

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printed in full color. He sits on your knee and

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you can make his mouth move and his eyes roll.

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And here's how you get him free. Simply mail

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us four bag fronts, showing the date, from four

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one -pound bags of Chase and Sanborn dated coffee.

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And we'll send Charlie promptly and post -pay.

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This offer will last long enough so that you

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can buy your dated coffee as you need it. Never

00:16:21.919 --> 00:16:24.879
more than one pound at a time. Then you're sure

00:16:24.879 --> 00:16:27.980
your coffee's fresh. Never stale and rancid tasting.

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A blend free from the harmful effect sale coffee

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may have on your system. For Chase and Sanborn,

00:16:33.649 --> 00:16:36.230
dated coffee is guaranteed fresh by our unique

00:16:36.230 --> 00:16:38.629
dating and rapid delivery system. It's rushed

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to your grocer fresh from roasting with a delivery

00:16:41.629 --> 00:16:44.049
date clearly marked on a money -saving dated

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bag. You can't buy it stale. Try dated coffee.

00:16:48.570 --> 00:16:50.669
Buy only one pound at a time, and when you save

00:16:50.669 --> 00:16:53.269
four bag front, mail them to us for the big action

00:16:53.269 --> 00:16:56.110
likeness of Charlie McCarthy. Take down our address.

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Chase and Sanborn, 420 Lexington Avenue, 420...

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Lexington Avenue, New York City. Start getting

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Charlie now. Buy Chase and Sanborn data coffee

00:17:07.960 --> 00:17:20.799
from your grocer tomorrow. You remember the old

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adage that coming events cast their shadows before

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them. But we considered a real event when Mae

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West makes one of her rare appearances on the

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air, so by way of upholding a good old superstition,

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Dorothy Lamour does a little shadow casting for

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us with a title song from Miss West's new major

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studios picture, Every Day is a Holiday. Every

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day is a holiday since the day that I found you.

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They all do hang the flags out, they all do close

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the bangs. And though it's not November, still

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I feel like giving thanks. You're a happy new

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year, a movie premiere, you're a Christmas present

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too. Cause every day is a holiday since the day

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that I found you. in both of your eyes and an

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eastern sunday too cause every day is a holiday

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since the day that i found you each heaven on

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earth day feels like a birthday a mayday rendezvous

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cause every day is a holiday since the day that

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i found you they all who hang the flags out they

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all who close the bags and though it's not november

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still i feel like giving thanks you're a happy

00:19:56.309 --> 00:19:59.269
And with that nice bit of foreshadowing by Dorothy

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Lamour, we come to the event itself. which is

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the presence of Mae West in our company tonight.

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Miss West has carved such a sizable niche for

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herself in the Hall of Fame with her unique characterizations,

00:20:09.720 --> 00:20:11.299
that not only is her name known in every home

00:20:11.299 --> 00:20:13.859
up and down the country, but the phrases and

00:20:13.859 --> 00:20:15.680
expressions which she has originated have almost

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become a part of the American language. For us,

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she forsakes the picture hats and sweeping dresses

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of the gay 90s, which she finds so becoming in

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her new picture, and turns back time to step

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into the Garden of Eden and into the character

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of the most fascinating woman of them all, Eve.

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Wendell, will you set the scene for us? Well,

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of course, we find Adam and Eve in the famous

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Garden of Eden, and this light -hearted travesty

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about what might have taken place in those days

00:20:37.750 --> 00:20:39.990
when the world was young was written for us by

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Arch Overler, one of radio's better -known writers.

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Under a spreading fig tree rests one Mr. Adam,

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sprawled out lazily in the hot sun. Eve, obviously,

00:20:48.750 --> 00:20:50.789
is bored beyond endurance as they play a game

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of cards with a deck of fig leaves. Listen tall,

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tan, and tired. It's time I told you a thing

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or two. Ever since creation, I've done nothing

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but playing double solitaire. It's disgusting.

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It's got me down. Well, we've got a nice place

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here. That's the trouble. It's too nice. Well,

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I'm not complaining. But I want something to

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happen, a little excitement, a little adventure.

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A girl's gotta have a little fun once in a while.

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There's no future under a fig tree. Aw. Now come

00:21:19.140 --> 00:21:22.619
on, woman. Be like me. Well, it's a relaxin'.

00:21:22.619 --> 00:21:24.980
Just take it easy, hmm? Because I'm a lady of

00:21:24.980 --> 00:21:30.240
big ideas. Yeah, what kind of ideas? Oh. You've

00:21:30.240 --> 00:21:34.019
no idea. Listen, Adam, I've got to get a chance

00:21:34.019 --> 00:21:37.180
to expand my personality. Well, go on. Expand.

00:21:38.420 --> 00:21:42.240
I will. Out there. Out there? You mean outside

00:21:42.240 --> 00:21:44.519
the gates of the Garden of Eden? Now you're talkin'.

00:21:44.519 --> 00:21:47.779
Oh, but who knows what's out there? I'd find

00:21:47.779 --> 00:21:51.279
out. Oh, no, no. We can't go. We've still got

00:21:51.279 --> 00:21:58.059
a lease on this place. You mean... You mean to

00:21:58.059 --> 00:22:00.000
tell me a lease is the thing that's holding me

00:22:00.000 --> 00:22:02.740
back from developing my personality? Well, a

00:22:02.740 --> 00:22:05.339
lease is a lease. Anyway, we've got a nice place

00:22:05.339 --> 00:22:07.200
here. Temperature perfect, sun always shining,

00:22:07.299 --> 00:22:13.539
nothing but a heavy dew once in a while. What

00:22:13.539 --> 00:22:18.430
are you, the Chamber of Commerce? Don't go away

00:22:18.430 --> 00:22:20.490
and let me sleep, will you? Lou, listen, Adam.

00:22:20.930 --> 00:22:22.650
I tell you, you gotta get me out of this place.

00:22:23.809 --> 00:22:25.829
You gotta break the lease. Yeah, but what for?

00:22:25.849 --> 00:22:27.950
This is Eden. Everything is peaceful and quiet

00:22:27.950 --> 00:22:29.990
and safe. That's the trouble. It's too safe.

00:22:30.390 --> 00:22:33.029
I tell you, it's disgusting. What are you talking

00:22:33.029 --> 00:22:35.690
about? Adam, you don't know a thing about women.

00:22:35.990 --> 00:22:37.769
Oh, you apparently forget you were originally

00:22:37.769 --> 00:22:40.710
one of my own ribs. Yeah. A rib once and now

00:22:40.710 --> 00:22:46.349
I'm beefing. Me? I know everything about women.

00:22:46.539 --> 00:22:50.200
That's covering a lot of territory. Listen, long,

00:22:50.299 --> 00:22:54.539
lazy, and lukewarm. You think I want to stay

00:22:54.539 --> 00:22:57.000
in this place all my life? I do, and I tell you,

00:22:57.000 --> 00:22:59.160
you're one of my ribs. Yeah, but one of your

00:22:59.160 --> 00:23:03.160
floating ribs. A couple of months of peace and

00:23:03.160 --> 00:23:04.920
security and a woman's board all the way down

00:23:04.920 --> 00:23:07.160
to the bottom of a marriage certificate. Well,

00:23:07.160 --> 00:23:09.079
then what do you want? Trouble? Trouble, listen.

00:23:09.420 --> 00:23:11.099
If trouble means something that makes you catch

00:23:11.099 --> 00:23:13.019
your breath. If trouble means something that

00:23:13.019 --> 00:23:14.559
makes your blood run through your veins like

00:23:14.559 --> 00:23:18.240
seltzer water. Hmm, Adam, my man, give me trouble.

00:23:19.519 --> 00:23:23.259
Oh, Eve, you don't want trouble. Now, tell me

00:23:23.259 --> 00:23:25.319
the low -down truth. Ain't there any way you

00:23:25.319 --> 00:23:28.799
can break our lease? Well, yes, there is. But

00:23:28.799 --> 00:23:31.579
I won't tell you. No? No, this is paradise. Free

00:23:31.579 --> 00:23:33.259
light, free heat, free meals. What else could

00:23:33.259 --> 00:23:36.339
a man want? Answer me that. I got a couple of

00:23:36.339 --> 00:23:38.440
good ideas if you'll tell me how to break the

00:23:38.440 --> 00:23:43.559
lease. No, I won't do it. Oh, Adam. What? Come

00:23:43.559 --> 00:23:54.650
on over here. What for? To hold hands? Oh, that

00:23:54.650 --> 00:24:00.829
old game? Can't you think of something new? You

00:24:00.829 --> 00:24:03.230
know, you know nothing about nothing. Oh, yes,

00:24:03.230 --> 00:24:05.690
I do. I know more than you do, woman. Oh, what,

00:24:05.710 --> 00:24:08.430
for instance? I know all about the tree. What

00:24:08.430 --> 00:24:10.250
tree, man? What tree? That apple tree in the

00:24:10.250 --> 00:24:11.710
middle of the garden. The lease says that if

00:24:11.710 --> 00:24:13.069
we eat any of its fruit, we get thrown out of

00:24:13.069 --> 00:24:15.529
here. Oh, now is that a fact? Sure, that's why

00:24:15.529 --> 00:24:17.130
there's a fence around it. I tell you, one bite

00:24:17.130 --> 00:24:19.470
of those apples and we get a dispossessed. Hmm,

00:24:19.529 --> 00:24:24.339
how fa - Fascinating. Adam, you can hold my hand

00:24:24.339 --> 00:24:28.359
now. No. No, I got a better idea. Oh, yeah? I'm

00:24:28.359 --> 00:24:31.299
listening. I'm waiting. Where? What are you gonna

00:24:31.299 --> 00:24:36.440
do now? I think I'll go fishing. How disgusting.

00:24:36.640 --> 00:24:38.500
Now, wait a minute. You can't talk to me that

00:24:38.500 --> 00:24:40.480
way. Do you realize I'm man number one? Yeah,

00:24:40.480 --> 00:24:45.859
but I am number one man. I'll see you around

00:24:45.859 --> 00:24:49.880
supper time. I'll be back. So that's the trouble.

00:24:50.759 --> 00:24:54.500
So it's a tree over there. Hmm. Hello, tree.

00:24:54.839 --> 00:24:56.359
How would you like to do a little lease breaking

00:24:56.359 --> 00:24:59.579
for a woman with ideas, hmm? Not room enough

00:24:59.579 --> 00:25:01.440
to squeeze through those slats for a woman of

00:25:01.440 --> 00:25:03.799
my personality. Now, if I only knew someone skinny

00:25:03.799 --> 00:25:07.779
enough. Salutations, Miss Eve. Oh, if it isn't

00:25:07.779 --> 00:25:12.859
Mr. Snake. Hello, long, dark and slinky. Miss

00:25:12.859 --> 00:25:15.859
Eve, why are you standing by that tree? Stop

00:25:15.859 --> 00:25:20.980
wiggling and I'll tell you. Listen, I know you

00:25:20.980 --> 00:25:23.240
don't approve, but I've got a little proposition

00:25:23.240 --> 00:25:26.359
to make. I certainly refuse to listen. What is

00:25:26.359 --> 00:25:29.039
it? Do you think with the proper provocation

00:25:29.039 --> 00:25:31.039
you could squeeze through that fence around the

00:25:31.039 --> 00:25:34.059
tree? That's the forbidden tree. Oh, don't be

00:25:34.059 --> 00:25:37.099
technical. Answer me this, my palpitating python.

00:25:38.059 --> 00:25:40.160
Would you like to have this whole paradise to

00:25:40.160 --> 00:25:43.380
yourself? Certainly. Okay, then pick me a handful

00:25:43.380 --> 00:25:46.480
of fruit. Adam and I will eat it. And the garden

00:25:46.480 --> 00:25:48.940
of Eden is all yours. What do you say? Sounds

00:25:48.940 --> 00:25:52.279
all right, but it's forbidden fruit. Listen,

00:25:52.539 --> 00:25:54.579
what are you, my friend in the grass or a snake

00:25:54.579 --> 00:25:58.740
in the grass? But forbidden fruit. Are you a

00:25:58.740 --> 00:26:03.500
snake or are you a mouse? I'll do it. Now you're

00:26:03.500 --> 00:26:06.380
talking. Here, right in between those pickets.

00:26:06.740 --> 00:26:10.880
I'm stuck. Oh, shake your hips. There, there,

00:26:10.880 --> 00:26:13.140
now you're through. I shouldn't be doing this.

00:26:13.220 --> 00:26:15.650
Yeah, but you're doing all right. Now get me

00:26:15.650 --> 00:26:24.210
a big one. I feel like doing a big apple. Here

00:26:24.210 --> 00:26:31.509
you are, Mrs. E. Mmm. Ah, I see. Nice going,

00:26:31.730 --> 00:26:35.349
swivel hips. Wait a minute. It won't work. Adam

00:26:35.349 --> 00:26:37.470
will never eat that forbidden apple. Oh, yes

00:26:37.470 --> 00:26:39.650
he will when I'm through with it. Nonsense. He

00:26:39.650 --> 00:26:41.799
won't. He will if I feed it to him like women

00:26:41.799 --> 00:26:44.099
are gonna feed men for the rest of time. What's

00:26:44.099 --> 00:26:49.700
that? Applesauce. Eve? Where are you, Eve? Mmm.

00:26:49.940 --> 00:26:54.319
Waiting, my love. Just waiting. Hello, Eve. What

00:26:54.319 --> 00:26:56.259
have you been doing? Me? Oh, I've just been making

00:26:56.259 --> 00:26:59.880
a little history. Huh? The first woman to make

00:26:59.880 --> 00:27:02.480
a monkey out of a snake. Say, how about supper?

00:27:02.779 --> 00:27:05.180
And don't tell me we got fig stew again. Oh,

00:27:05.180 --> 00:27:07.660
no. Something new, sir. Help me. Something new.

00:27:07.839 --> 00:27:10.819
Here. Have a bite of this. Well, what is it?

00:27:11.400 --> 00:27:15.059
A new kind of sauce. It's good for you. Are you

00:27:15.059 --> 00:27:18.200
sure? Just to prove it's pure 100 % proof, I'll

00:27:18.200 --> 00:27:21.440
have a demi -tasse of it myself. All right, I'll...

00:27:21.440 --> 00:27:24.460
Oh, well... No, wait. Before you eat, answer

00:27:24.460 --> 00:27:26.480
me this. Are you going to take me out of this

00:27:26.480 --> 00:27:28.440
dismal dump and give me a chance to develop my

00:27:28.440 --> 00:27:30.440
personality? Oh, Eve, are you going to start

00:27:30.440 --> 00:27:33.859
that over again? No, I'm going to end it. Eat

00:27:33.859 --> 00:27:36.220
your sauce, big boy, and hold your hat if you've

00:27:36.220 --> 00:27:39.799
got one. Oh, shame. Saint, this is darn good

00:27:39.799 --> 00:27:49.019
sauce. Where did you find it? Oh, my head. Where?

00:27:49.920 --> 00:27:53.440
Oh, what happened to me? We've been dispossessed.

00:27:54.000 --> 00:27:59.180
Yeah, but why? Forbidden applesauce. Oh, Eve,

00:27:59.180 --> 00:28:01.779
what have you done? I've just made a little more

00:28:01.779 --> 00:28:03.900
history, that's all. I'm the first woman to have

00:28:03.900 --> 00:28:05.839
her own way, and a snake will take the rap for

00:28:05.839 --> 00:28:10.279
it. But Eve, we've lost the Garden of Eden. We're...

00:28:10.279 --> 00:28:17.460
we're just... Eve, it's... it's as if I see you

00:28:17.460 --> 00:28:21.880
for the first time. You're beautiful. And you

00:28:21.880 --> 00:28:27.119
fascinate me. Your eyes. Oh, tell me more. Your...

00:28:27.119 --> 00:28:31.680
your lips. Come closer. I want to hold you closer.

00:28:32.619 --> 00:28:43.000
I want to... You want to what? Eve? What was

00:28:43.000 --> 00:29:00.559
that? That was the original kiss. Thank you,

00:29:00.640 --> 00:29:02.559
Mae West, for that most illuminating glimpse

00:29:02.559 --> 00:29:04.859
of the lady who was responsible for so much history.

00:29:05.079 --> 00:29:06.880
The Chasing Sanborn Hour with Nelson Eddy, Mae

00:29:06.880 --> 00:29:08.599
West, Edgar Bergen, Charlie McCarthy, Dorothy

00:29:08.599 --> 00:29:10.500
Lamour, the Stroud twins, and Robert Ambruster

00:29:10.500 --> 00:29:13.599
will continue in just a moment. This is Don Amici

00:29:13.599 --> 00:29:15.539
in The Chasing Sanborn Hour with Robert Ambruster

00:29:15.539 --> 00:29:17.140
and the orchestra joining me in an up -to -the

00:29:17.140 --> 00:29:19.460
-minute commentary on that old, old subject of

00:29:19.460 --> 00:29:21.759
love. It's a long time since Adam and Eve discovered

00:29:21.759 --> 00:29:23.539
the kiss, but we're still making good use of

00:29:23.539 --> 00:29:25.980
it, even as the inspiration for our songs. And

00:29:25.980 --> 00:29:28.519
here's one of the latest. I still love to kiss

00:29:28.519 --> 00:29:42.099
you goodnight. I'll still love to kiss you goodnight.

00:29:42.599 --> 00:29:49.359
The thrill of you holding me tight. Rose ever

00:29:49.359 --> 00:29:54.380
sweeter, the long years between. Since first

00:29:54.380 --> 00:29:59.480
I kissed you when we were sixteen. I still love

00:29:59.480 --> 00:30:05.299
the touch of your lips. I can't get too much.

00:30:05.359 --> 00:30:12.819
of your lips. I know when your hair is growing

00:30:12.819 --> 00:30:20.160
high, I'll feel love and kiss you good night.

00:31:14.960 --> 00:31:53.140
my child get to Don, that was delightful. In

00:31:53.140 --> 00:31:55.259
the past, your vocal renditions have been loathing

00:31:55.259 --> 00:31:57.539
and melodic, but this time you surpassed yourself.

00:31:57.819 --> 00:32:00.640
Oh, thanks, Clarence. Well, I see that Clarence

00:32:00.640 --> 00:32:03.160
Stroud is back in his usual high spirit. You're

00:32:03.160 --> 00:32:05.180
right, Nelson, and my recovery is due to the

00:32:05.180 --> 00:32:06.960
fact that I have ceased to worry about Claude.

00:32:07.200 --> 00:32:09.299
Remember, to be great is to be misunderstood.

00:32:09.559 --> 00:32:12.000
Well, in that case, Claude is a genius. Well,

00:32:12.119 --> 00:32:14.119
Don, some of our greatest writers were considered

00:32:14.119 --> 00:32:16.599
odd. Some of our greatest painters were considered

00:32:16.599 --> 00:32:18.740
peculiar. Some of our greatest musicians were

00:32:18.740 --> 00:32:23.579
considered crazy. I'm a genius. Move over, Claude.

00:32:23.680 --> 00:32:25.640
We have something in common. Hey, wait a minute,

00:32:25.759 --> 00:32:27.059
fellas. Save a little place for Donnie, will

00:32:27.059 --> 00:32:29.519
you? Well, you gentlemen may jest, but I feel

00:32:29.519 --> 00:32:31.660
certain that in the years to come, you, Dorothy,

00:32:31.839 --> 00:32:34.000
and Edgar will all be proud to have known Claude.

00:32:34.319 --> 00:32:37.559
Well, that may be true. Well, you never can tell.

00:32:38.000 --> 00:32:41.579
I'm convinced. Come, Josephine. Napoleon is calling.

00:32:42.099 --> 00:32:46.880
You've got me wrong. I'm not Josephine. I'm Cleopatra!

00:33:00.149 --> 00:33:02.190
They get along very nicely together. Yes, they

00:33:02.190 --> 00:33:07.009
do. They must be geniuses too. Undoubtedly they

00:33:07.009 --> 00:33:09.029
are, and they have your interest at heart. Only

00:33:09.029 --> 00:33:10.630
this morning they stated that you would be a

00:33:10.630 --> 00:33:12.609
great success if you entered the business world,

00:33:12.890 --> 00:33:15.589
or took up some profession. That's nice. Personally,

00:33:15.670 --> 00:33:17.410
I am convinced that you will carve a niche for

00:33:17.410 --> 00:33:19.670
yourself in the realm of business. Once aroused,

00:33:19.710 --> 00:33:21.890
you will crash through every obstacle. You will

00:33:21.890 --> 00:33:24.670
tear down all barriers. You will shake the world.

00:33:25.369 --> 00:33:28.930
I'm a hurricane. Well, potentially you are. The

00:33:28.930 --> 00:33:31.250
secret of salesmanship may lie within your grasp.

00:33:31.650 --> 00:33:33.910
Could you sell me something? Did you pay for

00:33:33.910 --> 00:33:36.529
it? Well, that's neither here nor there. Let

00:33:36.529 --> 00:33:38.849
us conjure up a theoretical instance. You have

00:33:38.849 --> 00:33:40.789
become an agent for the latest type of model

00:33:40.789 --> 00:33:43.410
airplane. This toy has a wingspan of 15 feet.

00:33:43.450 --> 00:33:46.190
It has a flying radius of three miles. It has...

00:33:46.190 --> 00:33:49.049
I'll buy one. But you're not buying this toy.

00:33:49.109 --> 00:33:52.529
You are selling it. Well, I want one. Well, don't

00:33:52.529 --> 00:33:54.400
fret. I'll get you one for Christmas. Thanks.

00:33:54.559 --> 00:33:56.680
Nothing at all. To continue, you are conducting

00:33:56.680 --> 00:33:59.299
a house -to -house campaign. A housewife comes

00:33:59.299 --> 00:34:01.559
to the door. How would you greet her? What would

00:34:01.559 --> 00:34:04.559
you say? Hello. Well, that's an excellent beginning.

00:34:04.680 --> 00:34:08.000
Then what would you say? Goodbye. Well, that's

00:34:08.000 --> 00:34:09.659
a very quick visit. Aren't you going to try to

00:34:09.659 --> 00:34:11.800
sell her something? She slammed the door in my

00:34:11.800 --> 00:34:15.079
face. Well, I don't understand. I am merely citing

00:34:15.079 --> 00:34:17.579
a mythical example. Why do you assume such an

00:34:17.579 --> 00:34:19.599
action? I asked her if she had any children.

00:34:19.849 --> 00:34:21.489
Well, that's a perfectly normal question and

00:34:21.489 --> 00:34:23.610
a sensible approach. You asked her if she had

00:34:23.610 --> 00:34:25.730
any children. Why then should she slam the door

00:34:25.730 --> 00:34:28.429
in your face? I forgot to ask if she was married.

00:34:29.670 --> 00:34:32.349
At times your perspicacity is astounding. Very

00:34:32.349 --> 00:34:34.210
well, you clear up the matrimonial point. Then

00:34:34.210 --> 00:34:36.530
you proceed with your sales talk. Remember, she

00:34:36.530 --> 00:34:39.269
is a woman. How do you appeal to women? They

00:34:39.269 --> 00:34:41.809
think I'm cute. Well, their attitude towards

00:34:41.809 --> 00:34:44.170
you does not concern me. In selling, you appeal

00:34:44.170 --> 00:34:46.670
to a woman through her children. You say, uh...

00:34:46.699 --> 00:34:49.159
Madam, take a look at this model airplane. It

00:34:49.159 --> 00:34:51.179
should please your child. It has a wingspan of

00:34:51.179 --> 00:34:53.960
15 feet. The child has a wingspan of 15 feet?

00:34:54.320 --> 00:34:57.739
No, the woman has a wingspan of 15 feet. Apparently

00:34:57.739 --> 00:34:59.559
salesmanship is not for you. Would you like to

00:34:59.559 --> 00:35:02.559
be a dentist? Not particularly, no. Well, dentistry

00:35:02.559 --> 00:35:04.280
is a great profession and does a lot of good

00:35:04.280 --> 00:35:06.639
for people. You must realize the importance of

00:35:06.639 --> 00:35:09.679
sound, healthy teeth. I've had one fold. Were

00:35:09.679 --> 00:35:11.539
you brave during this operation? Did you retain

00:35:11.539 --> 00:35:14.119
your composure? Or did you cry out? Did you yell

00:35:14.119 --> 00:35:16.280
when the dentist extracted your tooth? No, but

00:35:16.280 --> 00:35:20.599
he did. The dentist yelled, I bit him. Well,

00:35:20.599 --> 00:35:21.940
you shouldn't have done that, Claude. The man

00:35:21.940 --> 00:35:24.280
was only making an effort to help you. Was he

00:35:24.280 --> 00:35:26.699
able to extract the tooth after you bit him?

00:35:26.840 --> 00:35:29.320
It was gone. You mean a tooth had fallen out?

00:35:29.659 --> 00:35:32.760
It was in his arm. I bit him hard. Well, the

00:35:32.760 --> 00:35:36.059
dentist has my sympathy. He has my tooth. Such

00:35:36.059 --> 00:35:38.400
conduct on your part was inexcusable. Dentists

00:35:38.400 --> 00:35:40.800
have anesthetics at their command which render

00:35:40.800 --> 00:35:43.920
their operations painless. Are you allergic to

00:35:43.920 --> 00:35:47.949
anesthetics? Hmm? Are you opposed to Novocaine?

00:35:48.110 --> 00:35:52.050
Do you object to gas? No, you can keep on talking.

00:35:56.170 --> 00:35:58.409
Well, I intend to do so. Why did you choose to

00:35:58.409 --> 00:36:00.909
undergo dental work without anesthesia? Why did

00:36:00.909 --> 00:36:02.750
you refuse to take it? He wouldn't give it to

00:36:02.750 --> 00:36:04.389
me. Well, that's inconceivable. Did he advance

00:36:04.389 --> 00:36:06.670
any reason for his refusal? Said he couldn't

00:36:06.670 --> 00:36:12.300
tell when I was unconscious. Well, I can understand

00:36:12.300 --> 00:36:14.480
a certain confusion on his part. However, good

00:36:14.480 --> 00:36:16.659
teeth are indispensable. If you will build up

00:36:16.659 --> 00:36:18.860
perfect teeth, you may even be able to crack

00:36:18.860 --> 00:36:21.800
walnuts. I can crack walnuts. Oh, I can crack

00:36:21.800 --> 00:36:24.019
hickory nuts, too. Well, that's splendid. I congratulate

00:36:24.019 --> 00:36:26.280
you. How do you crack these nuts? With your canines?

00:36:26.420 --> 00:36:29.500
With your bicuspids? With your molars? With my

00:36:29.500 --> 00:36:32.860
heel. Well, that's no way to crack a nut. It

00:36:32.860 --> 00:36:36.119
ruins the carpet. It certainly does. I can see

00:36:36.119 --> 00:36:37.980
that we have reached another impasse. You are

00:36:37.980 --> 00:36:40.000
not qualified to become a dentist. Would you

00:36:40.000 --> 00:36:42.659
like to become a fireman? Not particularly, no.

00:36:42.900 --> 00:36:45.280
Well, fire -feeding should appeal to every red

00:36:45.280 --> 00:36:47.739
-blooded man. Picture this scene. You and your

00:36:47.739 --> 00:36:50.139
fellow firemen are battling a big blaze. Ten

00:36:50.139 --> 00:36:51.920
streams of water from the left. Ten streams of

00:36:51.920 --> 00:36:53.639
water from the right. Thousands of gallons of

00:36:53.639 --> 00:36:55.739
water pour in from every side. Are you getting

00:36:55.739 --> 00:36:59.480
inspired? Getting off the thirsty. Well, your

00:36:59.480 --> 00:37:02.300
point of view is certainly peculiar. I'm a genius.

00:37:02.659 --> 00:37:04.599
I forgot about that. As a witness of fires, you

00:37:04.599 --> 00:37:06.699
must know the method of procedure. When a fireman

00:37:06.699 --> 00:37:08.780
enters a burning home, what is the first thing

00:37:08.780 --> 00:37:12.949
he does? He hits the piano with an axe. Well,

00:37:13.030 --> 00:37:14.909
you have been observant, but suppose there is

00:37:14.909 --> 00:37:17.190
no piano in the house. Then what does the fireman

00:37:17.190 --> 00:37:21.230
do? He sulks. You are growing progressively more

00:37:21.230 --> 00:37:23.269
difficult. In the past, you have shown a tendency

00:37:23.269 --> 00:37:26.070
to favor opinions expressed by Miss Lemura. Perhaps

00:37:26.070 --> 00:37:28.630
she may be able to save the day. Is she a fireman?

00:37:29.230 --> 00:37:32.369
Well, no, hardly. Dorothy, I have been endeavoring

00:37:32.369 --> 00:37:34.250
to persuade Claude to become a fireman. What

00:37:34.250 --> 00:37:36.489
do you think of it? Oh, Claude, that would be

00:37:36.489 --> 00:37:38.960
so romantic. I think you'd look awfully cute

00:37:38.960 --> 00:37:42.880
in a uniform. Do you, Dottie? Yes, I do. Would

00:37:42.880 --> 00:37:45.039
you wait here until I get back? Yes, please,

00:37:45.360 --> 00:37:47.500
Claude. Where are you going? Going home to get

00:37:47.500 --> 00:37:51.519
my Indian suit. Oh, but I mean a real impressive

00:37:51.519 --> 00:37:54.039
kind of uniform. You could be a Colonel, you

00:37:54.039 --> 00:37:56.239
could be an Admiral, you could even be a General.

00:37:56.659 --> 00:38:00.480
I could be Santa Claus. Oh, yes you could. And

00:38:00.480 --> 00:38:03.360
you'd make a very sweet Santa Claus, too. So

00:38:03.360 --> 00:38:07.010
would you. Oh, but, Claude, if you're Santa Claus,

00:38:07.110 --> 00:38:09.469
you can only wear your uniform once a year. What'll

00:38:09.469 --> 00:38:13.190
you do the rest of the time? Grow a beard. What'll

00:38:13.190 --> 00:38:16.050
you do? What will I do? You're going to spend

00:38:16.050 --> 00:38:18.530
a year growing a beard, and you ask me what I'll

00:38:18.530 --> 00:38:22.190
do. Are you bugs? Are you nutty? Are you crazy?

00:38:22.630 --> 00:38:43.989
I'm a genius. There's no doubt swing is the music

00:38:43.989 --> 00:38:45.889
of the hour. So here's Robert Ambruster and the

00:38:45.889 --> 00:38:47.530
orchestra with their interpretation of the last

00:38:47.530 --> 00:40:57.530
word on the subject. Swing is here to sway. Ladies

00:40:57.530 --> 00:40:59.550
and gentlemen, at last the long awaited meeting

00:40:59.550 --> 00:41:01.510
of Siren May West and Casanova Charles McCarthy

00:41:01.510 --> 00:41:03.429
has arrived. This is the romantic battle of the

00:41:03.429 --> 00:41:05.590
century. The dramatic moment that millions have

00:41:05.590 --> 00:41:07.510
been looking forward to. Tension is running high

00:41:07.510 --> 00:41:09.389
and so are the bets. The odds are May West 5,

00:41:09.429 --> 00:41:11.650
Charlie McCarthy 3. There's some talk that Charlie

00:41:11.650 --> 00:41:13.710
will weaken. They say no man can resist her.

00:41:13.829 --> 00:41:15.250
But there are others who feel that Charlie will

00:41:15.250 --> 00:41:16.889
vanquish the vampire. Wait a minute, wait a minute,

00:41:17.050 --> 00:41:18.690
last minute flash. There's been a drop in the

00:41:18.690 --> 00:41:20.670
odds. May West 4, Charlie McCarthy 4 and a half.

00:41:21.010 --> 00:41:22.289
Let's get a word from the challenger, Charlie

00:41:22.289 --> 00:41:23.969
McCarthy. What have you got to say, Charlie?

00:41:24.269 --> 00:41:25.869
It looks like a tough fight, Mom, but I think

00:41:25.869 --> 00:41:28.679
I'll win. Why do you say it's a tough fight?

00:41:28.960 --> 00:41:32.639
Well, my opponent's in great form. He's had lots

00:41:32.639 --> 00:41:34.420
of training. What do you think of your chance

00:41:34.420 --> 00:41:36.079
of winning? Well, I've had some great fights

00:41:36.079 --> 00:41:38.139
in the East. What do you think of West? Mighty

00:41:38.139 --> 00:41:41.239
pretty country. You might have heard him. Well,

00:41:41.360 --> 00:41:42.659
Charlie's never been in better condition. He's

00:41:42.659 --> 00:41:44.420
a fashion plate with his midnight blue full -dress

00:41:44.420 --> 00:41:45.960
suit, top hat and monocle, and a blue -white

00:41:45.960 --> 00:41:48.199
butterfly tie and dress shirt. Yeah, it's PK.

00:41:48.460 --> 00:41:53.119
PK tie and shirt. Yeah, shot with gravy. And

00:41:53.119 --> 00:41:55.059
now a word for the champion, Mae West. We've

00:41:55.059 --> 00:41:56.300
heard so much about you, Miss West. Won't you

00:41:56.300 --> 00:41:59.000
say a word? Well, all I've got to say is where

00:41:59.000 --> 00:42:03.840
there's smoke, there's fire. Wow. Boy, she burns

00:42:03.840 --> 00:42:07.219
me up. There's nothing I'd like better than the

00:42:07.219 --> 00:42:09.619
aroma of burning wood. I wonder if she means

00:42:09.619 --> 00:42:12.800
me. You better watch out, Charlie. Say, Charlie,

00:42:12.900 --> 00:42:14.820
do you smell that perfume? Yeah. Isn't it ravishing?

00:42:14.980 --> 00:42:16.739
Yes, it is. It's ravishing. It's weakening. So

00:42:16.739 --> 00:42:20.239
help me, I'm swooning. What is it? Why, it's

00:42:20.239 --> 00:42:27.389
my favorite perfume, Ashes of Men. Uh -oh. He's

00:42:27.389 --> 00:42:30.070
a man, holy smoke. She's not going to make a

00:42:30.070 --> 00:42:33.389
cinder out of me. Well, down, there's been a

00:42:33.389 --> 00:42:35.110
great deal of talk, but very little action so

00:42:35.110 --> 00:42:37.210
far. Right you are, Edgar. Miss West, this is

00:42:37.210 --> 00:42:39.989
the famous Charlie McCarthy. Oh, hello, short,

00:42:40.269 --> 00:42:42.889
dark, and handsome. Hello, tall, blonde, and

00:42:42.889 --> 00:42:45.429
terrific. Charlie, that's no way to talk to Miss

00:42:45.429 --> 00:42:47.340
West. You hardly know her. I know it, Bergen.

00:42:47.360 --> 00:42:50.559
I'm a cad. I hate myself. Oh, listen, Charlie,

00:42:50.840 --> 00:42:53.820
are these your keys? Oh, thanks, May. Did I leave

00:42:53.820 --> 00:42:56.400
them in the car? No, you left them in my apartment.

00:42:56.920 --> 00:42:59.820
Oh. Uh -oh. Looks like we're gonna have a white

00:42:59.820 --> 00:43:04.639
Christmas. Oh, jingle bells, jingle bells. Charlie,

00:43:04.780 --> 00:43:08.079
where did you leave those keys? Where did you

00:43:08.079 --> 00:43:11.559
leave those keys? I'm telling you. He left them

00:43:11.559 --> 00:43:13.969
on my dresser. So what? Charlie, why don't you

00:43:13.969 --> 00:43:16.250
walk out on Bergen? What's holding you? Well,

00:43:16.250 --> 00:43:20.130
he is. You better tell him, May. If you want

00:43:20.130 --> 00:43:22.690
to know, he did come up to see me. Oh, he did?

00:43:22.710 --> 00:43:24.710
And what was he doing up there? Well, Charlie

00:43:24.710 --> 00:43:33.090
came up and I showed him my etchings. And he

00:43:33.090 --> 00:43:36.170
showed me his stamp collection. There you have

00:43:36.170 --> 00:43:38.829
it, Bergen. There you have it. So that's all

00:43:38.829 --> 00:43:40.969
there was to it. Just etchings and a stamp collection.

00:43:41.710 --> 00:43:49.530
He's so naive. So that's what's the matter with

00:43:49.530 --> 00:43:53.030
us. Come here, honey. Closer so we can talk intimately.

00:43:53.289 --> 00:43:55.449
Well, if you don't mind, I think I'd better keep

00:43:55.449 --> 00:43:57.530
my distance. Well, I don't like long distance

00:43:57.530 --> 00:44:00.309
conversations, so come here. I thought you were

00:44:00.309 --> 00:44:02.570
going to have a nice long talk tonight at my

00:44:02.570 --> 00:44:04.500
apartment. Where did you go when the doorbell

00:44:04.500 --> 00:44:06.719
rang? Well, I tried to hide in your clothes closet,

00:44:06.760 --> 00:44:09.980
but two guys kicked me out. So I went out the

00:44:09.980 --> 00:44:12.679
back door. Don't tell me you went out through

00:44:12.679 --> 00:44:15.059
the French windows? I'm on the third floor, you

00:44:15.059 --> 00:44:17.340
know. Oh, so that's what it was, the French windows,

00:44:17.440 --> 00:44:19.199
huh? I was going to say you were pretty skimpy

00:44:19.199 --> 00:44:23.139
with those back steps. Oh, you look pretty good

00:44:23.139 --> 00:44:25.340
to me, Charlie. Come here. But I thought you

00:44:25.340 --> 00:44:28.139
only liked tall men. Oh, that was my last year's

00:44:28.139 --> 00:44:30.460
model. This year I'm on a diet. Oh, so that's

00:44:30.460 --> 00:44:33.230
it. You're on a diet? Yes. Tell me, Miss West,

00:44:33.510 --> 00:44:35.289
have you ever found the one man in your life

00:44:35.289 --> 00:44:37.989
that you could really love? Sure, lots of times.

00:44:38.150 --> 00:44:41.769
Oh, I see. Could you even like Mr. Bergen? Oh,

00:44:41.869 --> 00:44:44.309
Mr. Bergen? Well, of course. He's very sweet.

00:44:44.530 --> 00:44:46.349
In fact, he's the right guy. Confidentially,

00:44:46.349 --> 00:44:48.630
you'll have to show me a man I don't like. That's

00:44:48.630 --> 00:44:50.889
well. Bergen's your man. You know, he can be

00:44:50.889 --> 00:44:52.929
had. On second thought, I'm liable to take him

00:44:52.929 --> 00:44:55.010
away from you. Then what do you say? Well, if

00:44:55.010 --> 00:44:56.670
you take Bergen away, I'm speechless, honey.

00:44:58.509 --> 00:45:00.869
You ain't afraid I'll do you wrong? Well, now

00:45:00.869 --> 00:45:03.050
that you ask, I am. Aw, you're afraid I'll do

00:45:03.050 --> 00:45:05.349
you right. Well, I'm slightly confused. I need

00:45:05.349 --> 00:45:07.929
time for that one, then. That's all right. I

00:45:07.929 --> 00:45:11.949
like a man what takes his time. Why don't you

00:45:11.949 --> 00:45:14.030
come up home with me now, honey? I'll let you

00:45:14.030 --> 00:45:20.110
play in my woodpile. Where? I'm not feeling very

00:45:20.110 --> 00:45:22.349
well tonight. I've been so nervous lately. I

00:45:22.349 --> 00:45:24.010
think I'm gonna have a nervous breakdown. Wait,

00:45:24.110 --> 00:45:28.159
there I go. So good time, Charlie's gonna play

00:45:28.159 --> 00:45:30.579
hard to get. Well, you can't kid me. You're afraid

00:45:30.579 --> 00:45:32.619
of women. You can't even know this stuff is just

00:45:32.619 --> 00:45:35.159
a front. A false front. It's not so loud, May.

00:45:35.159 --> 00:45:36.900
Not so loud. All my girlfriends are listening.

00:45:36.920 --> 00:45:39.440
Oh, yeah. You're all wood in the yard long. You

00:45:39.440 --> 00:45:41.219
weren't so nervous, in fact, when you came up

00:45:41.219 --> 00:45:43.400
to see me in my apartment. In fact, I didn't

00:45:43.400 --> 00:45:45.639
need any encouragement to kiss me. Did I do that?

00:45:45.679 --> 00:45:47.699
Well, you certainly did. I got marks to prove

00:45:47.699 --> 00:45:52.260
it. Oh, that's too much. This is too much. Well,

00:45:52.280 --> 00:45:55.000
get this. I don't need you. I got all the gentlemen

00:45:55.000 --> 00:45:57.480
friends I want. Why, I got men for every mood.

00:45:57.619 --> 00:45:59.340
Men for every day in the week. Monday, Tuesday,

00:45:59.420 --> 00:46:01.179
Wednesday, Thursday, Friday. A good man Friday,

00:46:01.360 --> 00:46:03.500
ass and a good man Saturday. I change my men

00:46:03.500 --> 00:46:06.579
like I change my clothes. And you, you... May,

00:46:06.579 --> 00:46:08.559
may, you're not walking out on me, are you? I've

00:46:08.559 --> 00:46:10.980
got a reputation at stake. No man walks out on

00:46:10.980 --> 00:46:12.639
me. They might carry them out, but they never

00:46:12.639 --> 00:46:16.239
walk out on me. I'm mad about you. I love you.

00:46:16.300 --> 00:46:18.840
I've acted like a fool. That wasn't acting. Come

00:46:18.840 --> 00:46:21.619
here. I'll show you how to act. Oh, but may,

00:46:21.739 --> 00:46:24.159
may, don't be so rough. To me, love is peace.

00:46:24.159 --> 00:46:26.420
I need some quiet. That ain't love, that's sleep.

00:46:54.049 --> 00:46:56.070
Now, a short, but very important bit of news.

00:46:57.269 --> 00:46:58.949
Every day, thousands of people are receiving

00:46:58.949 --> 00:47:00.989
their big three likenesses of Charlie McCarthy.

00:47:01.389 --> 00:47:03.510
And you'll want Charlie, too, for he's over 20

00:47:03.510 --> 00:47:05.730
inches tall, made of heavy cardboard, and printed

00:47:05.730 --> 00:47:07.929
in brilliant color. He sits on your knee, and

00:47:07.929 --> 00:47:10.329
you can move his mouth and eyes. Charlie's an

00:47:10.329 --> 00:47:12.750
ideal Christmas present for the children. Remember,

00:47:12.750 --> 00:47:15.289
you get Charlie free. Just mail us four bag fronts,

00:47:15.389 --> 00:47:17.710
showing the date, from four one -pound bags of

00:47:17.710 --> 00:47:20.210
Chase and Sanborn dated coffee. This offer will

00:47:20.210 --> 00:47:21.809
last long enough so that you can buy your dated

00:47:21.809 --> 00:47:24.730
coffee as you need it. Just one pound at a time.

00:47:25.150 --> 00:47:27.710
Then you'll know that your coffee is fresh. Free

00:47:27.710 --> 00:47:30.030
from the rancid, bitter taste of stale coffee

00:47:30.030 --> 00:47:32.190
and the harmful effects it may have on your system.

00:47:32.650 --> 00:47:35.630
For dated coffee is guaranteed fresh by our dating

00:47:35.630 --> 00:47:38.050
and rapid delivery system. It's rushed to your

00:47:38.050 --> 00:47:40.730
grocer fresh from roasting with a delivery date

00:47:40.730 --> 00:47:43.869
clearly marked on the economical dated bag. Start

00:47:43.869 --> 00:47:46.530
now to enjoy the superb blend. The blend you

00:47:46.530 --> 00:47:48.840
know is fresh. Buy only one pound at a time,

00:47:49.119 --> 00:47:51.079
and when you save four bag fronts, mail them

00:47:51.079 --> 00:47:53.519
to us, and we'll send you free the big entertaining

00:47:53.519 --> 00:47:55.760
likeness of Charlie McCarthy. You'll need our

00:47:55.760 --> 00:47:58.239
address, so please take it down. Chase and Sanborn,

00:47:58.599 --> 00:48:02.739
420 Lexington Avenue, that's 4 -2 -0, Lexington

00:48:02.739 --> 00:48:05.460
Avenue, New York City. Start now to get this

00:48:05.460 --> 00:48:08.559
amazing gift all America is enjoying. Buy a pound

00:48:08.559 --> 00:48:11.380
of Chase and Sanborn dated coffee from your grocer

00:48:11.380 --> 00:48:21.690
tomorrow. Nelson Eddy sings a grand comedy song

00:48:21.690 --> 00:48:23.829
from Naughty Marietta, the amusing story of the

00:48:23.829 --> 00:48:52.699
Owl and the Bobcat. I understand you're not the

00:48:52.699 --> 00:49:07.840
kind of a cat you pretend to be. The cat replied

00:49:07.840 --> 00:49:11.800
with just one big meow, meow. And I'm pretty

00:49:11.800 --> 00:49:18.440
sure the owl knows better than I. He knows better

00:49:18.440 --> 00:49:24.119
than I. A fool doll sang from a sycamore limb

00:49:24.119 --> 00:49:27.780
to whip the wall. A bobcat made some remarks

00:49:27.780 --> 00:49:35.239
to him that made him mad cling -poo. The owl

00:49:35.239 --> 00:49:39.340
said, who are you to sit there criticizing me?

00:49:39.760 --> 00:49:42.760
I understand you're not the kind of a cat you

00:49:42.760 --> 00:49:58.980
pretend to be. replied with just one big meow,

00:49:59.420 --> 00:50:02.659
meow. And I'm pretty sure the owl knows better

00:50:02.659 --> 00:50:43.500
now. I've often wondered just what sort of a

00:50:43.500 --> 00:50:45.320
miracle it is that takes place when a beautiful

00:50:45.320 --> 00:50:48.260
melody is born in a composer's brain. Some gateway

00:50:48.260 --> 00:50:50.059
to the spheres must open so that he may write

00:50:50.059 --> 00:50:51.980
down what ordinary mortal ears could never hear.

00:50:53.239 --> 00:50:55.559
Such a melody is the one that Nelson Eddy sings

00:50:55.559 --> 00:50:59.579
for us now. Rachmaninoff, In the Silence of the

00:50:59.579 --> 00:53:27.380
Night. And the breath of an old man. Time seems

00:53:27.380 --> 00:53:29.039
to have a way of creeping up on us, so once again

00:53:29.039 --> 00:53:31.019
it's over. From Mae West, from her regular company

00:53:31.019 --> 00:53:32.599
Nelson Eddy, Edgar Bergen, Charlie McCarthy,

00:53:32.860 --> 00:53:34.300
Dorothy Lamour, the Stroud twins, and Robert

00:53:34.300 --> 00:53:36.340
Ambruster. And may I say to all of you who have

00:53:36.340 --> 00:53:37.780
listened to this broadcast that this hour with

00:53:37.780 --> 00:53:39.619
you is made possible by your purchases of Chase

00:53:39.619 --> 00:53:41.840
and Sanborn coffee. Such purchases are the best

00:53:41.840 --> 00:53:55.360
way of telling us you enjoy our show. If we all

00:53:55.360 --> 00:53:57.179
prepare to go our separate ways, Robert Ambruster

00:53:57.179 --> 00:53:58.980
and the orchestra invite us to join them on a

00:53:58.980 --> 00:54:01.019
dizzy trip through a musical nightmare, Midnight

00:54:01.019 --> 00:55:18.920
in the Madhouse. At the same time, we'll all

00:55:18.920 --> 00:55:21.019
be back for our last visit with you before you

00:55:21.019 --> 00:55:23.019
open all those Christmas packages. So we'll have

00:55:23.019 --> 00:55:24.480
a little Christmas spirit to share and Charlie

00:55:24.480 --> 00:55:26.019
McCarthy will have a rather nice package of his

00:55:26.019 --> 00:55:27.659
own to open with you. And out of it will come

00:55:27.659 --> 00:55:29.460
Snow White and the Seven Dwarfs. The characters

00:55:29.460 --> 00:55:31.159
will give voice to Walt Disney's new animated

00:55:31.159 --> 00:55:33.380
fairy tale. So until then, this is your sincerely

00:55:33.380 --> 00:55:43.739
Don Amici saying au revoir. This is Wendell Niles

00:55:43.739 --> 00:55:46.719
speaking for Jason Sanborn. This is the web network

00:55:46.719 --> 00:55:48.320
of the National Broadcasting Company.
