WEBVTT

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Mystery Theater. Come in. Welcome. I am E .G.

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Marshall. Welcome to The Sound of Suspense. to

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the fear you can hear. Our tale is a blood -freezing

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story inspired by a nursery rhyme, a sweet, simple

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song. Ring a ring of roses, a pocketful of poses.

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Achoo! Achoo! We all fall down. It sounds young

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and innocent, doesn't it? But it is very old

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and very sinister. For the ring -a -ring of roses

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were the splotches that first appeared on the

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faces of those afflicted during the Black Plague.

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The pocketful of poses were the herbs that were

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carried, hopefully to ward off the fatal disease.

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The sneezing sounds, achoo, achoo, were the sounds

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of the final spasms. And we all fall down was,

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well, you can guess. Our mystery drama, A Ring

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of Roses, was written especially for the Radio

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Mystery Theatre by S. J. Wilson and stars Glynis

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O 'Connor. Science has brought most plagues under

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control, but not so those other epidemics of

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the past. those that plague us with their unseen,

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unknown, and unexpected terrors. And such is

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the tale of terror you are about to hear. Draw

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close to the guttering candle, for you will receive

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no warmth from a ring of roses. You know, George,

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I've heard about this place so often from Helena.

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I'm just dying to see her home. And I'm anxious

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to meet your friend, Helena. Oh, I'm sure you'll

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like her. But will she like me, taking her best

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friend away from her? Come on, George. You know

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you're irresistible. Why do you think I'm going

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to marry you? Well, for one thing, my beautiful,

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exquisite, enormous pots of money. Oh, George,

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wait! Look! Laurie! Get your hands off the wheel!

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What do you think you're trying to... But we

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passed it! It's the sign to the house! Back there!

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Now, Laurie... Laurie, I never want you to do

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that again. I'm not gonna let missing a sign

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risk your getting hurt, you understand? I'm sorry.

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I shouldn't have grabbed the wheel that way.

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All right, forget it. But please, never again,

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ever. And that is supposed to be the sign? Helena

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warned that we might miss it. Why would anyone

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use a rose -colored stone in a brass oval with

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no name or any identification on it for a house

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sign? Well, their name is Rauston. And Helena

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said that generations back when their family

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first moved to America, it was rose stone. And

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so they put up a rose stone. Well, if they want

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people to get that meaning from it. They either

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enjoy guessing games or more likely just want

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to keep themselves very, very private. Yes. Guess

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what? As you said, they are very private. Well,

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I got that impression before we got here. And

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I also have the feeling that they're not very

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friendly either. Oh, how can you say that? When

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Helena's mother especially invited us over because

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she personally wanted to give us our engagement

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gift. Yes, and that's pretty peculiar too. How?

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How many parties, I mean showers, did your girlfriends

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give you? Four, right? No, three. The last one

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was a dinner. All right, and Helena was invited

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to every one, but she... I know, George. She

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didn't turn up for any of them. You know, Laurie,

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I've never seen you so wound up. What's spinning

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around in that pretty head of yours? I don't

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know, but... I am on edge. About what? I guess

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about meeting Helena's mother. You see, she's

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so strange. She seems so powerful and so terribly

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uncompromising. I was trying to change things

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for Helena, and then I let her down by becoming

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engaged to you. Well, now don't tell me you weren't

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gonna marry for poor Helena's sake. Well, at

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least not until she married first. We were going

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to share an apartment together in the city You

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know what I'm gonna do Laurie I am going to turn

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this car right around and head back to the city

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this whole trip is more Foolish than funny. Oh,

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no George. Please don't Hey, what's that you

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hear something like like like singing Let me

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open the window. It's a woman singing that old

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nursery rhyme. What's that snapping sound? It

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sounds like a piece of leather. It sounds like

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a whip. George, what are you doing? I'm getting

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out. Something's happening here that I don't

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like. No, don't open the door. Please don't.

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We'll go back if you want to, but don't. I'll

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be right back. Keep the window shut and the doors

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locked. No, don't leave me, George. I'm coming

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with you. Wait. Okay, but stay close to me. It

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seems to be coming from behind those hedges.

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You know, it could be just kids playing games.

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If that voice is coming from a kid, he's using

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a bullhorn. Let's stop here. We might see through

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the hedge. Please be careful. Holy Toledo. Look

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at that. Let me see. That man. The old man with

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the beard. He's trying to catch the girl with

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his whip. She's teasing him. She's making fun

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of him. If he lands that wagon whip on her, he'll

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split her face open. Look at their clothes, George.

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They're dressed like settlers. Back in the early

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1800s. Yeah. You know, they could be rehearsing

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a play. If they are, he's lost his mind in his

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part. That man's going wild with that whip. But

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she's provoking him. Why doesn't she stop? Hey.

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Hey, you there. What are you two doing? George,

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you shouldn't have done that. And who is it who

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is ordering me and questioning me? I am. Over

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here. That's a terrible thing you're doing. Oh,

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George, please don't go in there. They know we're

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here. We must meet them. That's a dangerous whip

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you're using. That young woman can be killed

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by it. I see by your clothes you are a stranger.

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And I can also see that you are a kind human

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who wishes no harm to come to another. But this,

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this wench is my daughter. And what I am doing

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is the true way to gain the obedience of a child

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who will stray. But what in heaven could she

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have done? to deserve being whipped I did no

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harm to no person or to him I have broken no

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law of God or man strumpet hold your witch's

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tongue believe me young woman when I tell you

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that she has the demon in her playing and wenching

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with the young master who owns this land Well,

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I'm out here working at clearing their forest

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lands she's up there in the great house with

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her enticements and tricks and enchantments and

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If it has already come to this that he has given

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her a gift for favors promised or already bestowed

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the gift of a ring and already He gave it to

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me fair and with the holy vow that he will marry

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me in the month of the next full moon. Marry

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you, Willie. You can have fair to read and write.

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You who are lower than his mother's kitchen scullion.

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You give me that ring. I won't. I swear by the

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name and the soul of my sainted mother that you

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will never get this ring. Then until I do, though

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it mean your own death, you get the whip. Stop

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it! Don't! Why can't you be a little more reasonable?

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She may be telling you the truth. I am. I swear

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it on my dead mother's Bible, I am. Well, then

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if you are, why don't you give him the ring and

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let your young man personally tell your father

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of his plans? No! No, he'll do no thing like

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that. He'll bury the ring in some secret spot

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and drag me away before the fall of night. For

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he doesn't want me to marry to no one but to

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stay with him and clean and cook and wash for

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the rest of his devil life. As you can see, she's

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beyond talking of matters with sense and decency.

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She's been taken up with her planning and scheming

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to get away from me for the purpose of harlot's

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gain. And she hardly of marrying him. I'll kill

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you! George! She has an axe! An axe! She's going

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to kill him! Stop! Stop! For God's sake, stop!

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What happened to her? There she is! She's running

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away! Hey! Hey, come back! Come back! You can't

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get away! It's you who will never get away! The

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ring will circle you! George! George, don't try

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to catch her! She's like the wind! I'll never

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get my hands on her! She's almost in the forest!

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Come back! Come back! We're not gonna hurt you!

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She's disappeared. Even before she got to the

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forest. But George, look what I found. It's the

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ring. She dropped the ring. Let me see it. You

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know what it's like? It's just like the road

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sign. It's the same shape. The same color stone.

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It's smaller, but it is just like the road sign.

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Rose colors George George we've got to get help

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the police somewhere Of course the house we've

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got to get to Helena's house This ring so rosy

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this ring so red does it belong to the living

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Return shortly with Act II. Let us return to

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the evil of a ring of roses and to our young

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friends who have been wrenched back through space

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to a time when a young woman raised an axe and

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split in more ways than one. But did she leave

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that strange foreboding ring with its bloody

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rose stone? What does the ring mean? Does it

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possess a tragic magic? Oh Why doesn't someone

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answer why don't they hurry take it easy Laura?

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Thank you. We've got to see a moment, please

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You are Miss Thornton? Yes, but we've got...

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And you, Mr. Williams? Yes, and we've come to

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see... Mrs. and Miss Roston are expecting you.

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Won't you follow me, please? Miss Thornton and

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Mr. Williamson. Oh, Laurie, how wonderful. Oh,

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but something's wrong. Your hair. And Lori, you're

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so pale. Something frightful has just happened,

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Helena. Can... Can I see you alone? I don't want

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to disturb your mother. My dear, you're not disturbing

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me in the slightest. This room has no secrets.

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Its acoustics are incredible. I'm Helena's mother.

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Hello, Mrs. Rauston. We've just had a very...

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a very unusual experience. Laurie's pretty badly

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shaken by it. Yes, so I see. Helena, why don't

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you take Laurie to your room, let her refresh

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herself. Perhaps Mr. Williamson will tell me

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something more about what's happened. I think

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the police should be notified at once. The police?

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Here? Did you have an accident? Well, not exactly,

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but we happen to see something that can only

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be described as... grossom, I guess. And the

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police should be notified. Mother, do you think...

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Helen, dearest, this is not the time for speculation.

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I shall be glad to have the deputy's office call.

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But can you give me some indication of what they'd

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be told? We don't like bothering our officers

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unnecessarily. They have enough to do as it is.

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But someone's just been murdered! Oh, no, not

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again. What? Now, Helena, restrain yourself,

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dearest. Laurie, you say someone's been murdered.

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Who? Well, we don't know who he is, but he was

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trying to whip a young woman. And Mr. Williamson,

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she took an axe and killed him. You know? How

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could you? I was praying that it wouldn't happen

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to you. Oh, poor Laurie. Now, why don't you young

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people make yourselves comfortable? A glass of

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sherry might calm you. But Mother, you told me

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that it would never happen again. That... Thing,

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Helena, I said I had taken every precaution not

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to have it happen. But who am I to promise I

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will control the uncontrollable? Are you saying

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that this has happened before? Laurie, maybe

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Mrs. Rauston wants to explain. Well, not really,

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but I feel I'm obliged to. However, it is difficult.

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How does one explain the inexplicable? I think

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they're ghosts. There are no ghosts, Helena.

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Dr. Medvek, the last scientist I consulted, said

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it was undoubtedly an instance of photally sensory

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projection. Helena poo -poos it. But, uh, has

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either of you ever heard of that discipline?

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Oh, vaguely. It once came up in a course on parapsychology

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that I had at school. No one has ever proved

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PSP, Mother. Well, they've never proved ESP either,

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but a lot of serious scientists work with it.

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But, but, George, what does that... Photo -whatever

00:16:06.860 --> 00:16:11.860
-mean. It's quite complicated. Fatalysis is the

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means by which light can affect the arrangement

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of chlorophyll grains in leaves. Chlorophyll

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grains? Leaves? There's a man not more than a

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mile from here who's been murdered! Now calm

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yourself, my child. There is no such man and

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no such daughter. This has happened before. I've

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seen it. Helena has. A very few close friends

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have. Unfortunately, you have too. Mr. Williamson,

00:16:41.269 --> 00:16:43.629
do you think you'd still like to try an explanation

00:16:43.629 --> 00:16:47.870
of PSP? Well, it's spooky in a way. By that I

00:16:47.870 --> 00:16:51.950
mean the scientific explanation of it. You see,

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we're all supposed to give off certain light

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and heat waves. And what is it happens in the

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case of individuals who are emotionally stimulated,

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let us say... people in love well the theory

00:17:03.340 --> 00:17:05.839
has it that people in a very intense emotional

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state give off more highly concentrated waves

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well i just don't understand what chlorophyll

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and and leaves and light waves have to do with

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a man being murdered. You see, it's tied up with

00:17:18.359 --> 00:17:21.420
photosynthesis. And scientists aren't sure how

00:17:21.420 --> 00:17:24.259
that process really works. But with the unusual

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intensity of light, the cells of chlorophyll

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rearrange themselves and are forced to give off

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some of the excess carbohydrates in which there

00:17:32.019 --> 00:17:36.779
is an unusual amount of stored energy. I'm not

00:17:36.779 --> 00:17:39.839
following this at all. My dear. Helena speaks

00:17:39.839 --> 00:17:42.480
of you as having the patience of a saint. So,

00:17:42.660 --> 00:17:45.019
if you'd like me to telephone the deputies, I

00:17:45.019 --> 00:17:47.500
suggest you give your fiancé a chance to finish.

00:17:47.819 --> 00:17:50.660
There isn't much more, Laurie. Just at the openings

00:17:50.660 --> 00:17:52.559
in the leaves, they're called stonemates, tend

00:17:52.559 --> 00:17:56.539
to react like projectors. And through the magnification

00:17:56.539 --> 00:17:58.500
of additional oxygen, are supposed to be able

00:17:58.500 --> 00:18:01.380
to relay an episode they once absorbed when they

00:18:01.380 --> 00:18:06.400
were in the receptive state, like film. Are you

00:18:06.400 --> 00:18:09.279
talking about something... Something like motion

00:18:09.279 --> 00:18:12.380
picture film? Yes, Laurie, but it means something

00:18:12.380 --> 00:18:16.819
like a projector with a memory. A memory of blood,

00:18:16.839 --> 00:18:19.559
in this case. Well, it happens that chlorophyll

00:18:19.559 --> 00:18:22.359
is very much like hemoglobia, except that it

00:18:22.359 --> 00:18:24.680
contains magnesium instead of the iron found

00:18:24.680 --> 00:18:27.819
in blood. Are you saying that what we saw was

00:18:27.819 --> 00:18:31.220
a motion picture? Nothing more? Well, essentially,

00:18:31.400 --> 00:18:34.619
that's it. But when and where the original was

00:18:34.619 --> 00:18:38.839
recorded, we have no idea. But there's a building!

00:18:39.099 --> 00:18:41.640
There's a cabin out there! And there's a man's

00:18:41.640 --> 00:18:44.859
body bleeding! Why don't you go and see for yourself

00:18:44.859 --> 00:18:47.640
if you don't believe us? No, Laurie. There's

00:18:47.640 --> 00:18:53.200
nothing there. Helena, you too? Yes. As Mother

00:18:53.200 --> 00:18:58.000
said, I've seen it. Others have too. Around here,

00:18:58.160 --> 00:19:01.740
they call it the Enchanted Forest. But if you

00:19:01.740 --> 00:19:04.279
go out there again, you won't find a cabin or

00:19:04.279 --> 00:19:08.880
a man. Nothing. The police know all about it.

00:19:09.000 --> 00:19:13.619
They'll come and you'll just feel foolish. I...

00:19:13.619 --> 00:19:17.579
I don't know what to think. It all seemed so

00:19:17.579 --> 00:19:20.119
real. Well, now why don't we come back to the

00:19:20.119 --> 00:19:24.779
present and the truly real? Because I have the

00:19:24.779 --> 00:19:27.880
real pleasure of giving you our gift to celebrate

00:19:27.880 --> 00:19:30.960
your engagement. It's a complete surprise. Even

00:19:30.960 --> 00:19:34.049
I don't know what it is. Laurie, dear... It isn't

00:19:34.049 --> 00:19:37.670
that what we're giving you is expensive or valuable,

00:19:38.630 --> 00:19:41.710
but it is dear to us. We hope it will be your

00:19:41.710 --> 00:19:51.509
first family heirloom. Here it is. No pretty

00:19:51.509 --> 00:19:54.529
wrapping, but it seems too lovely a box to cover

00:19:54.529 --> 00:19:57.500
with silly paper. Mother, I've never seen that

00:19:57.500 --> 00:19:59.779
box before. Well, now isn't it nice that I can

00:19:59.779 --> 00:20:01.920
still have some surprises for you? That's a great

00:20:01.920 --> 00:20:06.839
-looking box, Mrs. Rauston. Those are roses painted

00:20:06.839 --> 00:20:09.819
on ivory, aren't they? Oh, it's so beautiful.

00:20:10.460 --> 00:20:12.900
I feel as if I'm depriving you of something very

00:20:12.900 --> 00:20:17.900
special if I accepted it. Oh, no. Please, take

00:20:17.900 --> 00:20:22.359
it. It's little enough and... You know what I

00:20:22.359 --> 00:20:24.759
think that box would be perfect for? It already

00:20:24.759 --> 00:20:28.660
has its purpose, dear. What I was going to say

00:20:28.660 --> 00:20:32.660
was that it would be the perfect place to keep

00:20:32.660 --> 00:20:35.700
a lock of your first baby's hair. Wouldn't it?

00:20:35.759 --> 00:20:38.519
And I'm afraid it's going to stay empty for some

00:20:38.519 --> 00:20:41.619
time. Oh, George, we don't know that. Not yet.

00:20:41.640 --> 00:20:44.039
We will have to find you another container for

00:20:44.039 --> 00:20:47.539
that when the time comes. This box already has

00:20:47.539 --> 00:20:50.200
its occupant. You mean there's something inside?

00:20:50.420 --> 00:20:54.740
Well, look and see. Well, go ahead, Laurie. My

00:20:54.740 --> 00:20:58.319
heart's beating so loudly. She's been like that

00:20:58.319 --> 00:21:01.700
all day, so excited. Darling, do you want me

00:21:01.700 --> 00:21:06.440
to open it? No, no, I'm all right. Just let me

00:21:06.440 --> 00:21:14.539
take a deep breath. Oh, no! Hey, that's... that's

00:21:14.539 --> 00:21:18.130
the same... Laurie! What's wrong? Mother! Oh,

00:21:18.170 --> 00:21:21.829
it's music! Give me the box, Laurie. And inside!

00:21:22.529 --> 00:21:28.910
Inside! Oh, the ring! I got her. Put her on the

00:21:28.910 --> 00:21:35.970
couch. Yes. Laurie? Laurie? Mother, do something!

00:21:36.069 --> 00:21:38.150
Don't just stand there! Helena, control yourself

00:21:38.150 --> 00:21:41.309
and get some water. Oh, Laurie, my poor Laurie.

00:21:41.609 --> 00:21:46.450
Wake up. Laurie, come out of it, honey. Darling?

00:21:46.799 --> 00:21:49.839
She's trying to open her eyes. Slowly, Laurie.

00:21:50.700 --> 00:21:56.680
It's me, George. Who? What happened? You've just

00:21:56.680 --> 00:21:59.019
passed out for a moment. Here, give her this

00:21:59.019 --> 00:22:03.440
water. Here you go. Sip this slowly. I don't

00:22:03.440 --> 00:22:10.079
need it. But did I really see it? See what? The

00:22:10.079 --> 00:22:14.259
ring. Yes. Yes, I've got it. What ring? This

00:22:14.259 --> 00:22:18.849
ring. The same one. With a rose -colored stone.

00:22:18.990 --> 00:22:22.349
Mother, how dare you? That's mine. You know what

00:22:22.349 --> 00:22:24.630
that ring means to me. Oh, please take that thing

00:22:24.630 --> 00:22:26.869
away. I don't want to look at it. Don't worry.

00:22:26.890 --> 00:22:29.890
You won't have to. Here, Mrs. Rothstein, take

00:22:29.890 --> 00:22:33.269
it back. And I hope it isn't a sample of your

00:22:33.269 --> 00:22:36.069
sense of humor. Just one moment, Mr. Williamson.

00:22:36.069 --> 00:22:38.730
I don't particularly appreciate your tone or

00:22:38.730 --> 00:22:42.490
your attitude. What do you mean by my sense of

00:22:42.490 --> 00:22:46.019
humor? If you and your daughter know all about

00:22:46.019 --> 00:22:48.660
that axe murdering scene that we saw earlier,

00:22:49.420 --> 00:22:51.480
then you must have known about the ring. What

00:22:51.480 --> 00:22:56.200
about it? It's mine. That ring. It's just like

00:22:56.200 --> 00:22:58.799
that road sign you have on the highway. Yes,

00:22:58.839 --> 00:23:01.420
the sign was copied from the design of the ring.

00:23:02.000 --> 00:23:04.839
It's been our family hallmark, so to speak, for

00:23:04.839 --> 00:23:07.619
generations. Is that why the girl who killed

00:23:07.619 --> 00:23:10.440
her father did it? Because of that ring? What

00:23:10.440 --> 00:23:14.799
do you mean? She had it. She teased him with

00:23:14.799 --> 00:23:19.039
it while she sang that song. That same nursery

00:23:19.039 --> 00:23:25.039
rhyme in the box. Oh, no. That couldn't be. That's

00:23:25.039 --> 00:23:27.960
my ring. She couldn't have had it. Are you too

00:23:27.960 --> 00:23:30.660
sure you saw this ring? Well, that girl in the

00:23:30.660 --> 00:23:33.819
field. She dropped it when she ran away. Then

00:23:33.819 --> 00:23:38.019
where is it now? Well, George, you had it. What?

00:23:38.059 --> 00:23:41.019
You sure? I thought you put it into your purse.

00:23:41.519 --> 00:23:45.660
Well, I'll look. Well, it isn't in any of my

00:23:45.660 --> 00:23:49.440
pockets. No, it's not here in my purse. How could

00:23:49.440 --> 00:23:55.160
it be? There is only one ring, this ring. It's

00:23:55.160 --> 00:23:57.680
been in the Rosten family for generations. It

00:23:57.680 --> 00:24:00.059
was brought here by a Rosten early in the 18th

00:24:00.059 --> 00:24:03.400
century. And it has always belonged to the oldest

00:24:03.400 --> 00:24:05.740
child in each family. In which case it would

00:24:05.740 --> 00:24:09.150
be your daughter's. Since you are a Rostan by

00:24:09.150 --> 00:24:12.089
marriage. Yes, that would be so if it were true.

00:24:13.250 --> 00:24:15.470
You're not going to tell them. Well, why not?

00:24:15.890 --> 00:24:18.089
It's time that silly cloud you've been hiding

00:24:18.089 --> 00:24:20.450
behind was blown away. Don't, Mother, please,

00:24:20.630 --> 00:24:25.990
I beg you, don't. Nonsense. I am a Rostan. That

00:24:25.990 --> 00:24:29.599
ring belongs to me. Helena's father died in the

00:24:29.599 --> 00:24:32.680
Southeast Asian war, shot down even before he

00:24:32.680 --> 00:24:34.960
knew I was going to have a child. Mother, I hate

00:24:34.960 --> 00:24:38.279
you for this. I hate you. Helena, don't say that

00:24:38.279 --> 00:24:42.000
to your own mother. Why not? She's hated me ever

00:24:42.000 --> 00:24:43.980
since she learned that her father and I had never

00:24:43.980 --> 00:24:48.640
married. Imagine that, in this day. A girl making

00:24:48.640 --> 00:24:50.940
such a fuss about legitimacy. Stupid mother,

00:24:50.980 --> 00:24:53.049
please! We don't have to hear anymore, Mrs. Boston.

00:24:53.190 --> 00:24:56.109
Oh, yes, yes, you do. George, can't we get out

00:24:56.109 --> 00:24:58.450
of here quickly? You can go whenever you like,

00:24:58.450 --> 00:25:01.170
Miss Thornton. But out of your friendship for

00:25:01.170 --> 00:25:04.349
Helena, you must take that ring with you. No,

00:25:04.569 --> 00:25:07.009
I couldn't. I won't let her give it to me. Helena,

00:25:07.049 --> 00:25:09.910
what are you doing? The ring, she tore it out

00:25:09.910 --> 00:25:12.549
of my hand. I've got it and no one will ever

00:25:12.549 --> 00:25:18.230
get it from me. Let her go. She'll be back. And

00:25:18.230 --> 00:25:21.380
with the ring. She knows it's wrong for her to

00:25:21.380 --> 00:25:25.079
have taken it. Eventually the ring must come

00:25:25.079 --> 00:25:29.299
to you, Laurie. We don't want it. But it will

00:25:29.299 --> 00:25:34.039
come to you. It can do you no harm. It's a silly

00:25:34.039 --> 00:25:36.079
superstition, but only Rawstons are supposed

00:25:36.079 --> 00:25:40.019
to be vulnerable to the ring. And Laurie, if

00:25:40.019 --> 00:25:42.079
you are Helena's friend, as you say you are,

00:25:42.200 --> 00:25:46.039
you will take it. But she wants it. She insists

00:25:46.039 --> 00:25:49.269
that it stay hers. Only as an excuse. But what

00:25:49.269 --> 00:25:51.509
sort of an excuse could the ring give her? The

00:25:51.509 --> 00:25:54.970
excuse not to marry. And why not? She considers

00:25:54.970 --> 00:26:00.029
herself fated, ill -starred, if you will. You

00:26:00.029 --> 00:26:02.829
see, at one time, the superstition arose that

00:26:02.829 --> 00:26:06.250
if the firstborn was female, the ring would prevent

00:26:06.250 --> 00:26:10.170
her from marrying. It's high time that ring is

00:26:10.170 --> 00:26:13.430
out of frost and hands. Why don't you just throw

00:26:13.430 --> 00:26:16.470
it away hot with Helena carrying on as if possessed?

00:26:16.549 --> 00:26:21.529
Well, we just do not want it I'm sorry, but we

00:26:21.529 --> 00:26:23.950
must get back to the city. Yes. It's a long drive

00:26:23.950 --> 00:26:26.250
and we'd like to make it before dark I regret

00:26:26.250 --> 00:26:29.029
this has turned out to be so unpleasant, but

00:26:29.029 --> 00:26:32.009
then perhaps it couldn't have been avoided perhaps

00:26:32.009 --> 00:26:43.440
But it's over now George, let's go Oh, I can't

00:26:43.440 --> 00:26:45.440
get away fast enough. I don't know what the speed

00:26:45.440 --> 00:26:47.700
limit is here, but whatever it is, we'll break

00:26:47.700 --> 00:26:57.539
it. Helena, I order you to come out of your room

00:26:57.539 --> 00:27:05.920
at once. At once! Mother, don't hurt her. She

00:27:05.920 --> 00:27:11.380
is my only friend. The only friend I have in

00:27:11.380 --> 00:27:20.960
the whole... Run from the ring. Run for your

00:27:20.960 --> 00:27:25.859
life. But without a ring, what's a husband or

00:27:25.859 --> 00:27:43.789
wife? We'll return shortly with Act 3. Let us

00:27:43.789 --> 00:27:46.970
try and penetrate the shrouding darkness of the

00:27:46.970 --> 00:27:51.829
final act of a ring of roses. Laurie and George

00:27:51.829 --> 00:27:55.750
have been plunged into a strange, unreal experience.

00:27:56.650 --> 00:27:59.430
As the twilight lowers over the countryside,

00:28:00.349 --> 00:28:03.750
they are fleeing from the Rostans, the malevolent

00:28:03.750 --> 00:28:07.650
nursery rhyme, the flashing axe, the avenging

00:28:07.650 --> 00:28:14.309
curse, the fatal ring. But can flight outrace

00:28:14.309 --> 00:28:20.069
those forces of evil? That woman at mrs. Rauston

00:28:20.069 --> 00:28:23.349
She's monstrous. Oh, I'm so sorry for Helena.

00:28:23.670 --> 00:28:25.470
Yeah. Well, I didn't see any halos around her

00:28:25.470 --> 00:28:27.890
head either Yeah, but just imagine having to

00:28:27.890 --> 00:28:30.609
live with that mother Why did she have to tell

00:28:30.609 --> 00:28:32.650
Helena that she and her father never married?

00:28:33.230 --> 00:28:36.190
Do you believe it? Well, why would she lie about

00:28:36.190 --> 00:28:38.650
something that important maybe out of just plain

00:28:38.650 --> 00:28:46.160
malice? Or... Or what? It just occurred to me.

00:28:46.200 --> 00:28:48.740
Couldn't she have invented that story about the

00:28:48.740 --> 00:28:51.700
curse the ring puts on firstborn Rost and girls?

00:28:52.259 --> 00:28:55.539
To what end? Simple. It'd be a guarantee that

00:28:55.539 --> 00:28:58.059
she'd never be alone. That she could hold on

00:28:58.059 --> 00:29:01.039
to her daughter for life. Like the woodcutter.

00:29:01.079 --> 00:29:05.420
Oh, don't remind me of him. Anyway, I can't see

00:29:05.420 --> 00:29:07.539
how the ring and whatever it's supposed to do

00:29:07.539 --> 00:29:09.640
fits. Well, if she made up the business about

00:29:09.640 --> 00:29:11.859
fate keeping her from marrying Helena's father,

00:29:12.220 --> 00:29:15.099
now wouldn't that be a kind of evidence, proof

00:29:15.099 --> 00:29:18.099
for Helena that the curse was real? Well, then

00:29:18.099 --> 00:29:20.220
why would she give us the ring? Well, I'm only

00:29:20.220 --> 00:29:22.880
guessing, but couldn't it have been Mrs. Rauston's

00:29:22.880 --> 00:29:24.759
way of telling her daughter that she wouldn't

00:29:24.759 --> 00:29:27.039
marry even if the ring was off the premises,

00:29:27.059 --> 00:29:30.279
so to speak? But, George, whatever we think of

00:29:30.279 --> 00:29:32.990
Mrs. Rauston, she's still a mother. And what

00:29:32.990 --> 00:29:34.809
mother would sentence her daughter to a lifetime

00:29:34.809 --> 00:29:38.809
of misery? Look, I'm sorry I got you into this

00:29:38.809 --> 00:29:41.450
mess. I didn't dream it would be that horrible.

00:29:41.670 --> 00:29:44.549
Well, you had no way of knowing. Well, looking

00:29:44.549 --> 00:29:48.829
back, I should have. Helena, always so strange,

00:29:49.490 --> 00:29:53.150
so withdrawn, and so mysterious about herself,

00:29:53.309 --> 00:29:57.150
her home, and her mother. It should have been

00:29:57.150 --> 00:29:59.809
a warning. Honey, let's find a happier subject.

00:30:00.569 --> 00:30:05.289
Such as? Well, let's see, uh... Okay, it's not

00:30:05.289 --> 00:30:08.269
original, but it'll do. For instance, if and

00:30:08.269 --> 00:30:10.329
when we have our first baby, would you want a

00:30:10.329 --> 00:30:13.130
boy or a girl? Oh, don't be corny. Why not? Corn

00:30:13.130 --> 00:30:15.730
is fine as long as it doesn't... George! George,

00:30:15.890 --> 00:30:18.230
isn't there someone in the road? Where? Well,

00:30:18.230 --> 00:30:21.150
look, straight ahead. Oh, yeah, that's a woman.

00:30:21.730 --> 00:30:24.289
Well, we're not stopping for a man or beast or

00:30:24.289 --> 00:30:26.890
any mixture of the two. There, that should get

00:30:26.890 --> 00:30:28.859
her off the road. Because if it doesn't, then

00:30:28.859 --> 00:30:31.299
she may be another bit of PSP, and we can drive

00:30:31.299 --> 00:30:33.980
right through her. Darling, slow down. She's

00:30:33.980 --> 00:30:37.319
waving at us. George, slow down! No way. If that's

00:30:37.319 --> 00:30:39.119
a living body and it wants to stay that way,

00:30:39.140 --> 00:30:42.660
she'll get off the road. Oh, please! She isn't

00:30:42.660 --> 00:30:44.539
moving from the middle of the road! Damn her

00:30:44.539 --> 00:30:46.640
teeth, whoever she is! George! George, you're

00:30:46.640 --> 00:30:50.940
going to hit her! Laurie, you all right? Yeah,

00:30:50.940 --> 00:30:57.259
I think so. That stupid woman! It's Helena! Yeah!

00:30:57.400 --> 00:31:00.480
Well, just wave goodbye and we'll get going Laurie

00:31:00.480 --> 00:31:04.099
Laurie, please. I must speak to you. Tell her

00:31:04.099 --> 00:31:06.740
your phone are on Halloween Hey, wait Laurie.

00:31:06.799 --> 00:31:08.740
Don't lower the window. Well, she's in trouble

00:31:08.740 --> 00:31:11.500
better her than you There can't be any danger

00:31:11.500 --> 00:31:13.440
in finding out what she wants. Haven't you been

00:31:13.440 --> 00:31:16.140
through enough? How about that? We're in a hurry

00:31:16.140 --> 00:31:19.140
telephone Laurie tomorrow. No, don't go please.

00:31:19.279 --> 00:31:21.839
Let me explain George. I don't have the heart

00:31:21.839 --> 00:31:25.240
to do this. Are you sure that's hell of it? Of

00:31:25.240 --> 00:31:30.970
course Her face. It looks so strange. What's

00:31:30.970 --> 00:31:32.769
strange about her face? Look at her eyes. They're

00:31:32.769 --> 00:31:35.609
washed out. They're sunken as if... as if she's

00:31:35.609 --> 00:31:38.190
taken some kind of drug. That's probably because

00:31:38.190 --> 00:31:41.289
she's been crying. I'm lowering the window. And

00:31:41.289 --> 00:31:43.130
you're also raising my temper. Well, what do

00:31:43.130 --> 00:31:45.069
you want me to do? Just wave goodbye and we'll

00:31:45.069 --> 00:31:47.769
get going. Oh, she's gone to the front of the

00:31:47.769 --> 00:31:51.410
car now, George. Oh, she does look dreadful.

00:31:51.430 --> 00:31:54.170
Why not? She is dreadful. I've got to find out

00:31:54.170 --> 00:31:57.509
what she wants. Just one minute. Let me talk

00:31:57.509 --> 00:32:00.970
to her for just only one minute. Okay. Sixty

00:32:00.970 --> 00:32:03.509
seconds. But don't lower the window more than

00:32:03.509 --> 00:32:11.910
an inch. Helena? Helena, over here. Now, what

00:32:11.910 --> 00:32:14.650
is it? Oh, thank you, Laurie. If you only knew

00:32:14.650 --> 00:32:16.849
how miserable I am about what happened today.

00:32:17.109 --> 00:32:20.269
It was all my fault. You don't have to apologize.

00:32:20.869 --> 00:32:23.890
It wasn't anybody's fault. Mother... Had only

00:32:23.890 --> 00:32:26.049
the best intentions in giving you the ring? Sure

00:32:26.049 --> 00:32:28.150
she did. Nothing like unloading something on

00:32:28.150 --> 00:32:30.210
a couple of strangers that isn't yours to give

00:32:30.210 --> 00:32:32.910
away. But the ring does belong to her mother.

00:32:33.069 --> 00:32:35.650
Only to be given to her child, which excludes

00:32:35.650 --> 00:32:39.769
you. That's true, but you see, after me there

00:32:39.769 --> 00:32:42.890
won't be any, Rostens. But you will marry Helena.

00:32:43.309 --> 00:32:46.690
Just wait and see. I doubt it. And even if I

00:32:46.690 --> 00:32:49.390
did... My children won't be Rostens. Helena,

00:32:49.529 --> 00:32:52.730
this has been the weirdest day in my life. Frankly,

00:32:52.930 --> 00:32:54.710
the sooner we get away from here, the better

00:32:54.710 --> 00:32:57.789
off we'll feel. Just one more thing. Prove to

00:32:57.789 --> 00:33:02.650
me that you are still my friend, and please take

00:33:02.650 --> 00:33:07.470
the ring. No, Helena. Thank you, but I couldn't.

00:33:07.710 --> 00:33:09.730
Absolutely not. Helena, why don't you just throw

00:33:09.730 --> 00:33:13.150
that ring away somewhere? I can't. I'm not allowed

00:33:13.150 --> 00:33:17.849
to. It has to be given to a Rostener. or to the

00:33:17.849 --> 00:33:21.710
person closest and dearest to me. But how could

00:33:21.710 --> 00:33:24.849
you expect me to take it? Every time I'd look

00:33:24.849 --> 00:33:27.289
at it, I would remember that terrible scene in

00:33:27.289 --> 00:33:30.150
the woods. I swear, the ring has nothing to do

00:33:30.150 --> 00:33:32.569
with what happened out there. It never has before.

00:33:32.670 --> 00:33:35.049
This is the first time. And it'll be the last

00:33:35.049 --> 00:33:37.049
for us. Okay, Helena, stand away from the car.

00:33:37.210 --> 00:33:39.369
I'm backing up. Laurie! If you don't take the

00:33:39.369 --> 00:33:42.589
ring, I'll die. I know I'll die. You won't die,

00:33:42.730 --> 00:33:44.710
Helena. Why should you? Because it will mean

00:33:44.710 --> 00:33:47.029
that I've lost my only friend and that I have

00:33:47.029 --> 00:33:49.170
no one to turn to. And I'll be stuck here in

00:33:49.170 --> 00:33:51.670
this prison with my mother. And she'll never

00:33:51.670 --> 00:33:55.890
let me go. Never. So long, Helena. If I return

00:33:55.890 --> 00:33:57.569
to the house with the ring, my mother will do

00:33:57.569 --> 00:33:59.910
something terrible. If you don't take the ring,

00:33:59.930 --> 00:34:01.910
I'll throw myself in front of the car. I don't

00:34:01.910 --> 00:34:06.410
care anymore. I don't care. Helena, give me the

00:34:06.410 --> 00:34:10.929
ring. You mean you will take it? Oh, Laurie,

00:34:11.190 --> 00:34:13.849
you've made me so happy. I've indebted to you

00:34:13.849 --> 00:34:22.849
forever. Forever. You're angry with me, George,

00:34:22.909 --> 00:34:28.889
aren't you? No. I'll probably never see her again.

00:34:29.610 --> 00:34:31.469
And if it meant that much to her, well... What

00:34:31.469 --> 00:34:33.630
probably meant even more to her was that she

00:34:33.630 --> 00:34:36.190
could twist and bend you in any way she wanted.

00:34:37.259 --> 00:34:39.519
Well, in a way, it was her last hope of getting

00:34:39.519 --> 00:34:42.820
out of that house. That's why I finally took

00:34:42.820 --> 00:34:45.980
the ring. Actually, what harm could it do? I

00:34:45.980 --> 00:34:48.099
don't know, Laurie, except that anything connected

00:34:48.099 --> 00:34:50.920
with the Rostens seems dangerous. That's because

00:34:50.920 --> 00:34:54.820
the Rostens are difficult to understand or explain.

00:34:54.840 --> 00:34:57.599
That may be. But why we might never get to the

00:34:57.599 --> 00:34:59.820
bottom of that axe job in the woods, there must

00:34:59.820 --> 00:35:02.940
be a key somewhere to the Rostens. After all,

00:35:02.960 --> 00:35:06.219
they're not ghosts or optical illusions, they're

00:35:06.219 --> 00:35:10.440
people. Living breathing humans Still for all

00:35:10.440 --> 00:35:13.019
we know about them. They're just as haunted as

00:35:13.019 --> 00:35:15.760
that phantom woodcutter and his crazy daughter

00:35:15.760 --> 00:35:20.099
Let's stop talking about them. I will if you

00:35:20.099 --> 00:35:25.360
do me an important favor if I can you can Throw

00:35:25.360 --> 00:35:29.699
that ring away you mean now right the second

00:35:29.699 --> 00:35:33.000
open the window and throw it out Why? Honey,

00:35:33.239 --> 00:35:35.920
I consider it a special favor to me if you got

00:35:35.920 --> 00:35:39.260
rid of that ring. Well, I have no intention of

00:35:39.260 --> 00:35:42.340
keeping it, but I don't want to just throw it

00:35:42.340 --> 00:35:45.880
away. What do you want to do with it? Give it

00:35:45.880 --> 00:35:51.820
away. To whom? I haven't thought yet. Try thinking

00:35:51.820 --> 00:35:55.280
about it right now. You sound as if you're ordering

00:35:55.280 --> 00:35:58.079
me to do it. Actually, I'm begging you, Laurie,

00:35:58.199 --> 00:36:01.820
begging you to get rid of the damn ring. I said

00:36:01.820 --> 00:36:06.079
I would. But when? When I find someone to give

00:36:06.079 --> 00:36:10.340
it to. Someone who would appreciate it. It just

00:36:10.340 --> 00:36:13.920
doesn't make sense to just throw away something

00:36:13.920 --> 00:36:17.260
that's probably valuable for just anyone to find

00:36:17.260 --> 00:36:24.119
or to have it crushed under a car. Say, I know

00:36:24.119 --> 00:36:27.199
what I could do with it. Drop it, Laurie. It's

00:36:27.199 --> 00:36:29.420
only going to get us into an argument. No, I'm

00:36:29.420 --> 00:36:32.260
serious, honestly. I just thought of where this

00:36:32.260 --> 00:36:34.380
ring could do the most good. Fine, you do what

00:36:34.380 --> 00:36:36.300
you want with it, but let's not talk about it.

00:36:36.420 --> 00:36:39.079
Oh, you'll agree? I bet you will. Oh, honey,

00:36:39.099 --> 00:36:41.880
do you realize that since we've known each other,

00:36:41.920 --> 00:36:44.840
we've never had so many disagreements? But I'm

00:36:44.840 --> 00:36:47.719
not disagreeing with you. Good, then let's change

00:36:47.719 --> 00:36:51.659
the subject. Or better still, let's let everything

00:36:51.659 --> 00:37:07.010
take a rest. If that's what you want, fine. Laurie,

00:37:07.269 --> 00:37:11.329
what are you doing? Nothing. Laurie, what are

00:37:11.329 --> 00:37:15.809
you doing with that ring? Nothing, I said. Besides,

00:37:15.849 --> 00:37:19.090
you don't want to talk about it. Why are you

00:37:19.090 --> 00:37:23.809
wearing it? I was playing with it. I just wanted

00:37:23.809 --> 00:37:27.969
to see if it fit. Will you please take it off?

00:37:28.730 --> 00:37:31.550
What are you getting so excited about? That ring,

00:37:31.610 --> 00:37:34.329
if you can't throw it away, at least put it away.

00:37:34.570 --> 00:37:36.650
You're getting awfully bossy, George. You're

00:37:36.650 --> 00:37:39.530
doing it only to get a rise out of me. You can

00:37:39.530 --> 00:37:42.130
forget about it. Because I'm going to give it

00:37:42.130 --> 00:37:44.210
to that thrift shop around the corner from where

00:37:44.210 --> 00:37:46.510
I live. Great idea. Now please take it off. All

00:37:46.510 --> 00:37:53.250
right. Anything for some peace. Hey, that's funny.

00:37:54.690 --> 00:38:01.829
What is? The ring's stuck. I'll get it off. You

00:38:01.829 --> 00:38:03.730
shouldn't have put it on if it was too small.

00:38:03.989 --> 00:38:08.389
But it wasn't. In fact, it felt too big. Isn't

00:38:08.389 --> 00:38:12.230
that strange? I... I can't even twist it. Get

00:38:12.230 --> 00:38:13.889
the flashlight out of the glove compartment.

00:38:15.849 --> 00:38:17.590
Now turn it on and hold your finger under the

00:38:17.590 --> 00:38:24.050
light. There. Can you see it? Your finger doesn't

00:38:24.050 --> 00:38:30.320
look swollen. No. It isn't swollen. But... But

00:38:30.320 --> 00:38:35.179
the ring won't budge. George? George, do you

00:38:35.179 --> 00:38:39.579
hear something? Hear what? That voice. The singing.

00:38:40.099 --> 00:38:46.420
Don't you hear it? No, I don't. Wait. Yes, I

00:38:46.420 --> 00:38:53.679
do. It's that song. Where's it coming from? I

00:38:53.679 --> 00:38:56.840
don't know. It seems to be surrounding us. I'll

00:38:56.840 --> 00:38:58.880
turn the bright lights on. You keep trying to

00:38:58.880 --> 00:39:02.159
get that ring off. I am trying, but it's as if

00:39:02.159 --> 00:39:05.059
it's cemented to my finger. And that's singing.

00:39:05.739 --> 00:39:07.579
It's the same as the girls in the forest. Get

00:39:07.579 --> 00:39:09.579
rid of the flash and give me your hand. What

00:39:09.579 --> 00:39:11.820
for? Maybe I can get it off. Well, you can't.

00:39:12.199 --> 00:39:13.860
You're driving. There's no traffic, Laurie. I

00:39:13.860 --> 00:39:16.000
can manage the wheel with one hand. Why don't

00:39:16.000 --> 00:39:17.960
we wait till we get to a gas station? Then I

00:39:17.960 --> 00:39:19.719
can get it off with a little soap. Come on, give

00:39:19.719 --> 00:39:23.800
me your hand. All right. No, wait. I can't. Why

00:39:23.800 --> 00:39:27.150
not? Oh, I just can't, George! Laurie, you were

00:39:27.150 --> 00:39:29.190
about to drive me out of my head. Why can't you

00:39:29.190 --> 00:39:32.769
give me your hand? Because... because I remembered

00:39:32.769 --> 00:39:35.050
something. What, for heaven's sake? What, Laurie?

00:39:35.510 --> 00:39:38.889
Well, what Helena said back there when she wanted

00:39:38.889 --> 00:39:41.210
me to take the ring. She said a lot of hysterical

00:39:41.210 --> 00:39:43.849
things. That if she couldn't give the ring to

00:39:43.849 --> 00:39:46.969
a Rostin, it would have to be to a person nearest

00:39:46.969 --> 00:39:49.230
and dearest to her. Well, Helena's all whacked

00:39:49.230 --> 00:39:51.329
up. Now give me your hand, Laurie. But what if

00:39:51.329 --> 00:39:55.570
it's true? Oh, that voice! A terrible voice!

00:39:56.030 --> 00:39:58.570
Why doesn't it stop? Laurie, please give me your

00:39:58.570 --> 00:40:02.030
hand. No! Because if you can get it off, then

00:40:02.030 --> 00:40:04.590
you'll be stuck with it. Who cares? I don't want

00:40:04.590 --> 00:40:07.650
anything to happen to you! Not for anything!

00:40:09.309 --> 00:40:12.130
George! George, look straight ahead! Oh, no!

00:40:12.130 --> 00:40:13.889
It's them! The two of them! The old man and the

00:40:13.889 --> 00:40:16.349
girl! He's got an axe! I'm stopping the car!

00:40:44.590 --> 00:40:50.369
It was a tree we had. Only, only a tree, Laurie.

00:40:51.889 --> 00:41:02.710
You hear me? Only a tree. Laurie, the ring. The

00:41:02.710 --> 00:41:10.309
ring? What did you do? It's not on your finger.

00:41:12.010 --> 00:41:27.389
Your finger. Good Lord. She's dead. So you gave

00:41:27.389 --> 00:41:31.309
Laurie the ring, Helena. Yes, Mother. As you

00:41:31.309 --> 00:41:35.849
told me to. Now give me the box. And we'll see

00:41:35.849 --> 00:41:39.070
if the ring has worked wonders once more. Here

00:41:39.070 --> 00:41:43.170
is the box. The one with the roses. Open it.

00:41:43.869 --> 00:41:51.210
Yes, Mother. The music? Why isn't the music playing?

00:41:51.389 --> 00:41:55.210
It's a good sign that it's not playing. It's

00:41:55.210 --> 00:41:58.949
the sign that the ring has done its work. Your

00:41:58.949 --> 00:42:03.730
friend Laurie will not marry ever. Not ever.

00:42:05.389 --> 00:42:10.469
But the ring, Mother? Where is the ring? You'll

00:42:10.469 --> 00:42:14.530
find it in the woods. In the clearing. in the

00:42:14.530 --> 00:42:17.630
same place where I killed your great -grandfather

00:42:17.630 --> 00:42:24.949
143 years ago. Go and bring back the ring that

00:42:24.949 --> 00:42:32.849
will keep us alive forever. Forever. Forever,

00:42:37.130 --> 00:42:42.909
you ghosts. Forever, you sing. But your death

00:42:42.909 --> 00:42:47.829
is as forever as your grim, rosy ring. I'll be

00:42:47.829 --> 00:43:03.030
back shortly. Let us end our tale of ring, a

00:43:03.030 --> 00:43:07.150
ring of roses. For as we also know, roses are

00:43:07.150 --> 00:43:10.590
red, roses are blue. But the rose of death is

00:43:10.590 --> 00:43:15.650
meant for... who? Our cast included Glynis O

00:43:15.650 --> 00:43:19.409
'Connor, George Petrie, Sidney Walker, L. Speth

00:43:19.409 --> 00:43:23.630
-Erik, Holland Taylor, and Carol Hilliard. The

00:43:23.630 --> 00:43:25.590
entire production was under the direction of

00:43:25.590 --> 00:43:28.590
Hyman Brown. This is E .G. Marshall inviting

00:43:28.590 --> 00:43:31.570
you to return to our Mystery Theatre for another

00:43:31.570 --> 00:43:37.630
adventure in the macabre. Until next time, pleasant...

00:43:37.630 --> 00:43:38.550
Dreams?
