WEBVTT

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The CBS Radio Mystery Theater presents... Come

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in. Welcome. I'm E .G. Marshall. Welcome to the

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world of your own terrifying imagination. There

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are people who suddenly find themselves tortured

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and taunted by a fragile wisp of a memory. It's

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intangible and veiled, and it hovers uncertainly

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somewhere around the hazy borders of the conscious

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mind. It's a memory of something they may have

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said, or something they think they did. Exactly

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what it was has been long forgotten. But now

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it must be paid for. And the price? Life itself.

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Yes? Are you Mrs. Louise Goodman? That's right.

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Are you sure? I... Of course I'm sure. It's just

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that I don't want to make a mistake. I'm Mrs.

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Louise Goodman. Who are you? And what is it you

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want? I want to keep my promise. Promise? What

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promise? I promised I'd kill you. Remember? Our

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mystery drama, A Little Night Murder, was written

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especially for the Mystery Theater by Sam Dan

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and stars Tony Roberts. I'll be back shortly

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with Act One. Downtown at night, the city is

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a deserted place. The lofty office buildings,

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those gleaming towers of glass and steel, stand

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quiet, empty and foreboding, like ancient temples.

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And like the ancient temples, they also have

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their priestesses. These are the ladies who enter

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at night with mops and brooms and vacuum cleaners

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to clear away the debris of the day's worship

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and purify the offices. for tomorrow's rituals.

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We are concerned now with one of these. A sturdy

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middle -aged woman named Mary Margaret Cannon.

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Steady, hard -working, no nonsense. But on this

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Friday evening something seems amiss. Mary Margaret

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is pale. She's nervous. And every now and then

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she stops working and just listens. Someone there?

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I'm so nervous, so jumpy, I'm so scared. Yeah,

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but why? I just don't know. Dammit. Yes? I hear

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someone coming. Are you sure? I hear someone.

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Dammit. today he said he was sick they sent me

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down to relieve him how'd you know my name well

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Tom told me I asked him who's in the building

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tonight and he said just mrs. Cannon but but

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why Tom Tom doesn't know my last name any more

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than I know his we're just Mary and Tom how did

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you know Why shouldn't I know your last name?

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You know mine. How? How would I know your last

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name? Miss Jackson. Remember? Little Peter Jackson.

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I never saw you before in my life. Oh, you did,

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you did. Yes, you did. What? What do you want?

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I want to keep my promise. What promise? I promised

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I'd kill you. Why do you want to kill me? You

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don't remember? Well, let me refresh your memory,

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Mary Margaret Cannon. Twenty -three years ago,

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you lived on Baxter Street, and one morning,

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you walked into a little grocery store. Now,

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now you remember. You have exactly thirty seconds

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to live. Oh, please, please don't kill me, please!

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Would you be saying your prayer? But I told the

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truth! If it was the truth, then God will forgive

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you. Pray, Mary Margaret Cannon. Pray! Listen,

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listen. My husband and I, we have a little money

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put aside. And I know exactly how you got it.

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You can have it! All of it! Yes, I'll keep you

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informed. Well, you got a pretty good one here.

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Is this your first mad killer assignment, Lou?

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Yeah, I guess so, Captain. Mad killers, mad bombers,

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mad stranglers, you name it. You get one every

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10, 15 years. You can count on it. You get a

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rash of absolutely senseless killings. No motive,

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no rhyme, no reason. Should we talk to our husband

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again? What for? and how they neither of them

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ever had any enemies. Captain Blake, suppose,

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just suppose it isn't a mad killer. Four murders

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in 11 days. Number one, Mrs. Martha Denson, shot

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while parking her car late at night. Number two,

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Mrs. Janet Drew, shot in her backyard. Number

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three, Mrs. Louise Goodman, shot in her apartment.

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Number four, this cleaning lady, shot while...

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Could there be a connection? Do they have something

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in common? There's no pattern. None of them knew

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each other as far as we can make out, or even

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had anything in common. That we know of. It's

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the toughest situation in our business. A mad

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killer. Okay, he's a mad killer. Every killer

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is mad, but does this one have a method to his

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madness? Yeah. He uses a .38 caliber revolver

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and shoots women. The last one, Mrs. Cannon,

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that's the problem. What kind of problem? Well,

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he's a mad killer, you say, so he wanders around,

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and if he gets a chance, he'll kill. He sees

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a woman alone in a parking lot, Mrs. Denson.

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He shoots her. He sees Mrs. Drew in her backyard.

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He shoots her. He sees Mrs. Goodman alone in

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her apartment. He shoots her. Okay, how do you

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count to Mrs. Cannon? You're dealing with a mad

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man, Lou. You can't account for anything he does.

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All right. Three women are targets of opportunity.

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They happened along, or he happened along, and

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that was it. But he went out of his way to kill

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Mrs. Cannon. Look, he had to slug the night watchman.

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He had to take the elevator up 12 stories to

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find her. It means he wasn't just out to kill

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any woman. He wanted that woman. Why? That's

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good thinking, Lou. And if this were almost any

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other kind of cake... Blake? What? Oh, no. Not

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another one. Okay, okay. I'll send her in. Did

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they tell you about nuts while you were getting

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your college degree? This one coming in sounds

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like a 14 -carat nut to me. Captain Blake? Yes,

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I'm Captain Blake. This is Detective Parker.

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How do you do? I'm Miss Maitland, Alice Maitland.

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I own a bookshop on 3rd Street, and... Well,

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it's about the murders. Do you know anything

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about the murders, Miss Maitland? I... I know

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who's going to be killed next. You do? Who? Me.

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Uh, why do you say that? I... I have a premonition.

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I see. I know what you gentlemen must be thinking.

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You're convinced I'm a hysterical woman or a

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crank. No, but I... Miss Madeleine, do you have

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any enemies? I don't know of any. Well, we know

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there's a homicidal maniac, Luce. It's true,

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he may strike at anyone. That's not why I'm here.

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I know he's going to strike at me. Well, what

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reason would anyone have for killing you? What

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reason was there for killing those other women?

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Hey, you say your shop is on 3rd Street. I'll

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see that the officer on the beat keeps an eye

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on the place. Yes. I just thought I should tell

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you. That's all anyone can do, I suppose. Goodbye.

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Goodbye, Miss Maitland. Now, Lou, you have just

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conversed with an authentic member of the Nut

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Club. I don't know about that, Captain. She's

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a charter member. She belongs to the I'm the

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next victim chapter. I still say she's not a

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nut. Maybe not. Maybe she's just some poor little

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dame half scared out of her wits. Oh, she was

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calm. She was very calm. As a matter of fact,

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it's as if she knows what she's talking about.

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May I help you? Remember me? Yes. You're one

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of the detectives I spoke with. Yeah, Lou Parker.

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Tell me why you came to police headquarters with

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a story that... Well, rationally, it doesn't

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make sense. You said as much yourself. You felt

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that you had made yourself seem somewhat ridiculous.

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But now... Well, forget all that. I'm willing

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to assume that your story is true, that you really

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are next on the list. Then you do believe me?

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I'm willing to accept what you say. But you have

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to help me. Does anyone have a motive for wanting

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to kill you? No. You never did or said anything

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that may have hurt someone? I can't remember.

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A disappointed boyfriend? I never really disappointed

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anyone that way. And yet you insist someone wants

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to kill you. I know it sounds ridiculous. There's

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a reason for feeling the way you do. If only

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we could uncover that reason. Excuse me, that's

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my phone. Hello? Hello? Hello? Hello? Miss Madeleine?

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Yes. What is it? You seem rather pale. Oh? What

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happened? When I picked up the phone, there was

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just a click on the other end. As if someone

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had just hung up. Well, why should that seem

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to upset you? Well, because it's happened before.

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It has? Yes. Frequently? I mean often enough

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so that it really isn't just an accident? Three,

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four, perhaps five times a day. When did it start?

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I'd say about two weeks ago. I remember it happened

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three times the night the first of those women

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was murdered. Why didn't you tell us this before?

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I didn't think it was anything important. May

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I use your phone? It's back there in the office.

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Okay, how long will it be a moment? May I help

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you? Yes. Is your name Alice Maitland? Yes. Can

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I do anything for you? Well, you see, I came

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here because I have to keep a certain promise

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I made. will about this young man. He has at

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least one redeeming feature. His word seems to

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be as good as his bond. But will he be able to

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keep this particular promise? This problem will

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be our primary concern when we return shortly

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with Act Two. At one time, a young man named

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Peter Jackson has made the same promise to several

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women. A promise that he would kill them. So

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far, he has kept his promise four times. Now,

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he is in a bookshop owned by a Miss Maitland,

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apparently ready to fulfill promise number five.

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I came here because I have to keep a certain

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promise I made. You made a promise? Oh, yes.

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And I came here to keep my word. Miss Maitland,

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I think we're... Oh, I'm sorry. I didn't know

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you had a customer. What sort of promise are

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you talking about? Oh, I had promised a special

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person I would buy her a book. I came in here

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to... Any particular type of book? Yeah. Yes.

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A good murder mystery. Oh, well, we have the

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latest Jonathan Merriweather novel. No, I don't

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dig him. Nothing happens. You got anything by

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Mike Stilson? Now, there's a guy who really writes

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murders. I mean, he kills somebody every other

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page. Oh, we're sold out on the latest. It's

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called Blood on the Street. Yeah, that's the

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one in which this guy kills all those dames.

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Look, if you're interested in that kind of stuff,

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all you have to do is read the newspapers. Do

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I tell you what to read, buddy? Sorry. I could

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order the book and have it day after tomorrow.

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No, that'll be too late. Well, try us again.

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Sure. Well, there's a guy with gruesome tastes.

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Well, takes all kinds. Hey, you know, he's a

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great Mike Stilson fan, and he thinks nobody

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knows it. Who? My boss, Captain Blake. You're

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kidding. Hey, this is the very first time I've

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ever seen you smile. Oh, I smile a lot. It's

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just recently. I told Captain Blake about the

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calls. And? You never know. He just grunted and

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said, I'll stay with it. What time do you close?

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Just about now. I'll take you home. I live in

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this building. Two flights up. Well, how about

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some dinner? Oh, you don't have to. You asked

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for police protection. Is that the reason? Line

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of duty? Well, yes and no. I'd like to. Except

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that, well, it's the end of the month and I'm

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swamped with paperwork. Well, this neighborhood

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seems safe enough. It's busy. And that diner

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across the street stays open all night. Look,

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keep this card handy at all times. It's got a

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special phone number. Now use it. Anytime you're

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disturbed by anything at all, no matter how slight

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or trivial, don't feel embarrassed. Just get

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on the phone. Well, I've already told the officers

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everything. Yeah, I know, Mr. Kennan, but I just

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have one more question. It's very important.

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What could be important? Harry's dead. You said

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that Mrs. Cannon had no enemies. I'll take that

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back. She had a great many enemies. But when

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we asked you last night, you said she had none.

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Sometimes when you think about a question, you

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see it in a whole new light. Can you name some

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of these enemies? She was good. She was on...

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I'm sure she was, but just tell me this. During

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the past ten days or so, would the phone ring

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and then go dead as soon as you picked it up?

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Yeah, now that you mention it, it happened. Often?

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At least two, three, maybe four times a day.

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I see. Is the name Alice Maitland familiar? Alice

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Maitland. Think. Alice Maitland. You know, there

00:19:49.660 --> 00:19:53.940
is something familiar about it. The Alice Maitland...

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Think of the type person with whom you could

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associate that name. Now, would she be a movie

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star, a librarian, a teacher, a woman who might

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own a bookstore? No, none of those. I think of

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a little girl. A little girl named Alice Maitland.

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Did she live in the neighborhood? You know, these

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past couple of years, my memory, it just comes

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and goes. Right now, it's gone. Well, if ever

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you remember why and how you know Alice Maitland,

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call the number on this card. I'll have another

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cup of coffee, please. Are you waiting for somebody,

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mister? Well, not exactly. Why do you ask? Oh,

00:20:46.089 --> 00:20:48.009
you've been sitting around for hours drinking

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this stuff. Is the coffee in this joint that

00:20:50.549 --> 00:20:54.849
good? Look, don't be frightened. Oh, who's frightened?

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Well, you are, so just look at this. Oh, you're

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a cop. I was beginning to think you could be

00:21:04.250 --> 00:21:07.329
that mad killer. Well, it could be just about

00:21:07.329 --> 00:21:11.230
anybody. I hope I didn't scare you too badly.

00:21:11.670 --> 00:21:13.569
Well, the truth is, I wasn't that much scared

00:21:13.569 --> 00:21:17.339
for myself. No? What? You've just been staring

00:21:17.339 --> 00:21:19.839
at that building across the street. I got the

00:21:19.839 --> 00:21:22.759
idea you were watching for something. Are you?

00:21:23.660 --> 00:21:29.359
Well, maybe. Could I have a change for the telephone,

00:21:29.420 --> 00:21:40.140
please? Thank you. Now, where have I seen him

00:21:40.140 --> 00:21:45.460
before? What did you say? Nothing, just talking

00:21:45.460 --> 00:21:49.420
to myself. You do that a lot, don't you? Do what?

00:21:49.940 --> 00:21:54.339
Talk to yourself. Well, that was a short call.

00:21:54.920 --> 00:21:59.319
She wasn't home. Ah, it's too bad. Did you find

00:21:59.319 --> 00:22:04.359
the book? What book? The one by Mike Stilson.

00:22:05.920 --> 00:22:15.819
Oh. No. Well, keep looking. You know the best

00:22:15.819 --> 00:22:19.640
way to stop talking to yourself? No. Get married.

00:22:20.680 --> 00:22:24.400
The light went on in her room. What's that? He

00:22:24.400 --> 00:22:27.140
went to the booth, he only had time to dial,

00:22:27.680 --> 00:22:30.680
and the light went on and I was... Who's Alice?

00:22:31.440 --> 00:22:52.630
Could be a coincidence. Wait a minute. Alice,

00:22:52.849 --> 00:22:56.769
it's Lou Parker. Did I wake you? No. I'm up.

00:22:57.170 --> 00:23:00.190
Did your phone ring just a minute ago? Did it

00:23:00.190 --> 00:23:02.990
ring? Well, I don't know. What do you mean you

00:23:02.990 --> 00:23:07.910
don't know? Well, I'd fallen asleep, and I must

00:23:07.910 --> 00:23:10.910
have been having a bad dream. I think I heard

00:23:10.910 --> 00:23:13.369
the phone, but it could have been in the dream.

00:23:14.890 --> 00:23:17.970
Anyhow, I did wake up suddenly, and I turned

00:23:17.970 --> 00:23:22.240
on the light. Could it have been the ringing

00:23:22.240 --> 00:23:26.960
of the phone that woke you? I don't know. Did

00:23:26.960 --> 00:23:29.240
I hear it ring or did I dream it was ringing?

00:23:30.640 --> 00:23:36.019
Why do you ask? I'm just checking. Anyhow, I'm

00:23:36.019 --> 00:23:40.299
glad you're okay. I'll see you tomorrow. Good

00:23:40.299 --> 00:23:46.779
night. That was a short phone call too. Yeah.

00:23:47.880 --> 00:23:52.940
How is she? Who? How do you know I called my

00:23:52.940 --> 00:23:56.960
girl? I told you I read character. Do you also

00:23:56.960 --> 00:24:01.220
read the future? Like an open book. Well, I sure

00:24:01.220 --> 00:24:10.700
hope so. Captain, we got ourselves the killer.

00:24:11.039 --> 00:24:13.359
Oh, how can you be sure of your guy? I saw him

00:24:13.359 --> 00:24:15.900
in the bookshop. Does that make him a suspect

00:24:15.900 --> 00:24:18.299
maybe he likes to read? Then again in the diner.

00:24:18.490 --> 00:24:21.029
He may have been hungry. He didn't eat. He just

00:24:21.029 --> 00:24:22.750
went into the phone booth. He didn't even make

00:24:22.750 --> 00:24:25.289
a call. He was in there just long enough to let

00:24:25.289 --> 00:24:28.970
the number ring and then he was out. So? So the

00:24:28.970 --> 00:24:31.750
light went on and Alice is in Miss Maitland's

00:24:31.750 --> 00:24:35.710
apartment. You mean he called her and hung up?

00:24:37.170 --> 00:24:41.750
Well... Well what? She isn't sure. How can she

00:24:41.750 --> 00:24:44.269
not be sure? The phone rang or it didn't? It

00:24:44.269 --> 00:24:46.309
isn't that simple. You see, she was asleep and

00:24:46.309 --> 00:24:49.059
she can't be sure. If it was the ringing of the

00:24:49.059 --> 00:24:51.240
phone that woke her up or if the ringing of the

00:24:51.240 --> 00:24:54.059
phone was part of her dream. Good luck. Well,

00:24:54.180 --> 00:24:55.680
Captain Blake, there's something about this guy.

00:24:55.759 --> 00:25:00.220
He's young, about 30 -ish, thin, blonde, very

00:25:00.220 --> 00:25:03.460
hard -lined. It was Mount Lowe. I think you better

00:25:03.460 --> 00:25:06.700
report him for general duty. This case is getting

00:25:06.700 --> 00:25:08.579
to you. Well, Captain, I'll please... There's

00:25:08.579 --> 00:25:11.319
no reflection. It's even to your credit. It shows

00:25:11.319 --> 00:25:14.180
you care about people. Captain, let me have one

00:25:14.180 --> 00:25:27.079
more day. All right, Lou. 24 hours. I'm sorry

00:25:27.079 --> 00:25:29.940
I've caused you so much embarrassment, Lou. It's

00:25:29.940 --> 00:25:34.180
all right. Captain Blake is unhappy. He'll get

00:25:34.180 --> 00:25:37.240
over it. He thinks I'm crazy. Well, he thinks

00:25:37.240 --> 00:25:40.880
most people are crazy. Lou, you can't keep guarding

00:25:40.880 --> 00:25:43.980
me forever. He has to strike at you soon. That's

00:25:43.980 --> 00:25:47.099
the pattern. He's done four murders in 12 days.

00:25:47.700 --> 00:25:50.200
That's one every three days. This is the night

00:25:50.200 --> 00:25:55.240
of the 15th day. He's due. Unless... Unless what?

00:25:56.480 --> 00:25:59.579
Unless I've scared him off for a while. No, no.

00:25:59.579 --> 00:26:02.740
Keep away from your window. Why? Well, if he's

00:26:02.740 --> 00:26:06.619
around, we'll be tipped off. But could I have

00:26:06.619 --> 00:26:09.799
scared him away? After all, how would you know

00:26:09.799 --> 00:26:15.230
I'm a cop? You never saw him before? Never. We

00:26:15.230 --> 00:26:17.670
have to assume he's our killer. What is the only

00:26:17.670 --> 00:26:19.869
thing we know about him besides his general physical

00:26:19.869 --> 00:26:22.930
description? We know he wanted a book by Mike

00:26:22.930 --> 00:26:25.349
Stilson. Blood on the Streets. But he could have

00:26:25.349 --> 00:26:27.609
made that up on the spur of the moment. People

00:26:27.609 --> 00:26:29.670
rarely make things up in the spur of the moment.

00:26:29.690 --> 00:26:32.549
He knows what he's doing. He's out to frighten

00:26:32.549 --> 00:26:37.309
you. The phone calls are a part of it. That book.

00:26:38.399 --> 00:26:40.279
There's something in it that would cause you

00:26:40.279 --> 00:26:43.539
to be frightened. But what? I don't know. I've

00:26:43.539 --> 00:26:45.700
never read it. Well, he figures you did. After

00:26:45.700 --> 00:26:48.599
all, you own a bookstore. I have to sell books

00:26:48.599 --> 00:26:51.299
by Mike Stilson, but no one can force me to read

00:26:51.299 --> 00:26:54.940
them. Well, the clue is in that book. Wait a

00:26:54.940 --> 00:27:14.190
minute. It's Lou Parker. Do you know it's two

00:27:14.190 --> 00:27:16.250
in the morning? Yes, sir, but I'm calling on

00:27:16.250 --> 00:27:19.769
the line of duty. You live dangerously, Lou.

00:27:20.730 --> 00:27:22.970
What is it? Captain, you've read all the books

00:27:22.970 --> 00:27:26.430
by Mike Stilson. What? Don't deny it, sir. It's

00:27:26.430 --> 00:27:28.430
a known fact throughout the department. You mean

00:27:28.430 --> 00:27:30.750
you woke me up at two in the morning dressed

00:27:30.750 --> 00:27:41.829
as - Line of duty, sir. Captain, what's the story

00:27:41.829 --> 00:27:47.309
of blood on the streets? Oh, I hope your patrolman's

00:27:47.309 --> 00:27:50.329
uniform still fits. I'll be able to prove this

00:27:50.329 --> 00:27:53.009
is the line of duty. Yeah, I was pick up in your

00:27:53.009 --> 00:28:32.099
extension. Well, in a nutshell... be similar

00:28:32.099 --> 00:28:36.380
no but it has to think I hope you don't mind

00:28:36.380 --> 00:28:51.880
if I answer your phone hello yes good work we

00:28:51.880 --> 00:28:57.000
better hang up what is it Lou right now right

00:28:57.000 --> 00:29:00.579
here and now we're gonna find out if that telephone

00:29:00.579 --> 00:29:23.920
should At least young Peter Jackson is something

00:29:23.920 --> 00:29:28.640
of a sportsman. In his own way, he warns his

00:29:28.640 --> 00:29:32.059
intended victims. He even tries to give them

00:29:32.059 --> 00:29:37.380
clues. This time, has he given one too many?

00:29:38.519 --> 00:29:59.509
We'll be back shortly with Act 3. Imagine your

00:29:59.509 --> 00:30:03.589
life without it. And the way the telephone works,

00:30:04.250 --> 00:30:08.589
it requires two people to complete a call. However,

00:30:09.450 --> 00:30:12.470
some of the most eloquent conversations can be

00:30:12.470 --> 00:30:15.849
carried on when there's no one at the other end,

00:30:16.329 --> 00:30:49.220
as you shall hear. seconds and then he ran out

00:30:49.220 --> 00:30:50.920
of here. Did you see which way he went? He didn't

00:30:50.920 --> 00:30:53.160
even pay his check. Which way did he go? Look,

00:30:53.160 --> 00:30:55.039
you've got nothing to worry about. You'll get

00:30:55.039 --> 00:30:57.519
him. What are you saying? He ran into a cab that's

00:30:57.519 --> 00:30:59.460
usually parked outside. All right, could you

00:30:59.460 --> 00:31:01.539
describe the cab? I don't have to describe. I

00:31:01.539 --> 00:31:03.759
know. Look, all I want is the... I know the cab

00:31:03.759 --> 00:31:06.920
driver. He's a schoolteacher with days and moonlights.

00:31:07.119 --> 00:31:09.200
His name is Vic Wilson. Does he have a radio?

00:31:09.299 --> 00:31:11.180
They all have radios. How could he make a living?

00:31:11.339 --> 00:31:13.319
What's the company? Oh, what a great witness

00:31:13.319 --> 00:31:16.220
I make. Jefferson. You even got the number on

00:31:16.220 --> 00:31:20.019
the card in the phone booth. Blondie's in for

00:31:20.019 --> 00:31:36.720
it, huh? This is a police call. You have a driver,

00:31:36.940 --> 00:31:39.799
Vic Wilson. He's on a job right now. The minute

00:31:39.799 --> 00:31:41.740
he checks in, have him report back to the diner

00:31:41.740 --> 00:31:53.190
at 3rd Street, to Detective Parker. Yeah, how

00:31:53.190 --> 00:31:58.170
do I know it's my badge Get it Can't be too careful

00:31:58.170 --> 00:32:00.690
that maniac running around loose. Where'd you

00:32:00.690 --> 00:32:05.849
take your last fare? 790 Chris. Oh, what is it?

00:32:06.089 --> 00:32:09.730
Apartment building how big Six family and say

00:32:09.730 --> 00:32:14.069
attached. No, so myself It's an empty lot on

00:32:14.069 --> 00:32:16.329
either side to renovating the neighbors. It's

00:32:16.329 --> 00:32:19.170
about time. He lives there. I've been taking

00:32:19.170 --> 00:32:21.829
that for the last couple of days He comes out

00:32:21.829 --> 00:32:23.650
of the diner, he gets into the camp, that's where

00:32:23.650 --> 00:32:26.670
he goes. That's good enough. Was he a bad boy?

00:32:27.349 --> 00:32:29.430
Why, you wouldn't give him a star for good conduct,

00:32:29.970 --> 00:32:36.549
teacher. Throw on those searchlights, Haggerty,

00:32:36.730 --> 00:32:41.509
and hand me that bullhorn. We know who you are,

00:32:42.210 --> 00:32:45.730
and we know you're in there. We'll give you exactly

00:32:45.730 --> 00:32:54.440
60 seconds to come out. Keep behind the car,

00:32:54.799 --> 00:32:57.400
Lou. A nut like this one might want to take some

00:32:57.400 --> 00:33:04.259
people with it. You've had your minute. Come

00:33:04.259 --> 00:33:10.559
out, or we'll come in. All right, let's get in

00:33:10.559 --> 00:33:54.319
there fast. Then what happened? Oh, he's smart.

00:33:54.519 --> 00:33:56.539
He has himself dropped off at a false certain

00:33:56.539 --> 00:33:59.420
address in case he's being tailed, and then...

00:33:59.420 --> 00:34:03.400
then he sneaks out. Makes sense. Of course, Captain

00:34:03.400 --> 00:34:05.839
Blake doesn't believe a word of it. But, Luke...

00:34:05.839 --> 00:34:08.280
Oh, come on. Six families live in that house.

00:34:08.480 --> 00:34:11.900
Six ordinary law -abiding families, and we rouse

00:34:11.900 --> 00:34:14.039
them at five in the morning and search the place.

00:34:14.780 --> 00:34:18.760
How angry is Captain Blake? Well, if he ever

00:34:18.760 --> 00:34:21.340
gets over it, I may wind up working nights in

00:34:21.340 --> 00:34:24.079
charge of the property office. Otherwise, I'm

00:34:24.079 --> 00:34:27.780
pounding a beat down along the docks. It's my

00:34:27.780 --> 00:34:31.840
fault. No. How do I really know I'm in danger?

00:34:32.780 --> 00:34:35.179
Why isn't this the product of an overwrought

00:34:35.179 --> 00:34:38.460
imagination? And the phone calls? Coincidence.

00:34:39.139 --> 00:34:41.469
And the guy in the bookshop? And we see him again

00:34:41.469 --> 00:34:43.590
in the phone booth, just before your telephone

00:34:43.590 --> 00:34:46.769
rings? It could all be coincidence. I can't accept

00:34:46.769 --> 00:34:49.269
that. Captain Blake does. As far as I'm concerned,

00:34:49.409 --> 00:34:51.469
you're in danger. And you're convinced of it

00:34:51.469 --> 00:34:53.670
too, aren't you? But I don't have to be right.

00:34:53.769 --> 00:34:57.289
We can't take any more chances. I'm gonna stay

00:34:57.289 --> 00:34:59.610
here with you for another hour. By then the stores

00:34:59.610 --> 00:35:02.170
will be open and we'll buy you a small .25 caliber

00:35:02.170 --> 00:35:05.409
revolver. No. I'll arrange for a permit and I'll

00:35:05.409 --> 00:35:07.570
show you how to use it. But I can't stand the

00:35:07.570 --> 00:35:09.730
sight of a gun. Alice, if a man is determined

00:35:09.730 --> 00:35:12.389
to kill you, all the advantages are on his side.

00:35:12.449 --> 00:35:15.289
We have to reduce the odds. I couldn't own a

00:35:15.289 --> 00:35:17.969
gun. I couldn't use one even if it meant saving

00:35:17.969 --> 00:35:20.230
my life. Now, Alice, I don't want to say that

00:35:20.230 --> 00:35:25.889
sounds silly, but... Lou... I don't think I can

00:35:25.889 --> 00:35:34.130
ever forget. Forget what? Well, I was... I was

00:35:34.130 --> 00:35:38.090
standing right next to a man once who... Who

00:35:38.090 --> 00:35:45.590
was killed by a gun? When? Oh, years ago. I was

00:35:45.590 --> 00:35:51.269
about six. Who was killed? A very nice man. He

00:35:51.269 --> 00:35:56.250
was our grocer, Mr. Jackson. It was the day after

00:35:56.250 --> 00:36:00.170
New Year's, and Mama sent me out to buy... To

00:36:00.170 --> 00:36:03.889
this day, I remember. A quart of milk, a half

00:36:03.889 --> 00:36:06.869
pound of butter, and a jar of strawberry jam.

00:36:08.559 --> 00:36:13.840
Then this man came in he had a gun it was a holdup

00:36:13.840 --> 00:36:20.739
and suddenly there was a loud explosion and a

00:36:20.739 --> 00:36:27.199
Terrible flash of light. Oh It was terrible mr.

00:36:27.400 --> 00:36:33.300
Jackson fell to the floor He was dead the man

00:36:33.300 --> 00:36:38.469
ran away was he ever caught oh, yes Just a few

00:36:38.469 --> 00:36:41.670
hours later. I had to go to the station house

00:36:41.670 --> 00:36:45.110
to identify him Do you realize what you've just

00:36:45.110 --> 00:36:51.110
told me? This is it you identify the man He was

00:36:51.110 --> 00:36:54.409
sent to jail now years later. He wants his revenge,

00:36:54.510 --> 00:36:59.750
but that's not what happened No Well, you see

00:36:59.750 --> 00:37:04.650
I was so frightened I wasn't sure I really couldn't

00:37:04.650 --> 00:37:09.309
identify him And he went free yes, so why would

00:37:09.309 --> 00:37:13.190
he want to kill me now? Then that gets us nowhere

00:37:13.190 --> 00:37:17.289
either The others couldn't identify him either

00:37:17.289 --> 00:37:22.630
The others? Yes There were other people, but

00:37:22.630 --> 00:37:27.630
No one was sure of him Now if you had identified

00:37:27.630 --> 00:37:31.289
him and sent him to prison It makes sense to

00:37:31.289 --> 00:37:35.460
suppose he'd want revenge, but you didn't Now

00:37:35.460 --> 00:37:38.260
whoever and wherever he is today, he's happy.

00:37:39.219 --> 00:37:42.019
But the fact that you failed to identify him

00:37:42.019 --> 00:37:45.780
could have made someone else unhappy. What do

00:37:45.780 --> 00:37:48.320
you mean? Oh, the book, Blood on the Streets.

00:37:48.340 --> 00:37:50.800
It's about a man who killed people who did his

00:37:50.800 --> 00:37:54.119
father an injury. Did this grocer have a son?

00:37:54.960 --> 00:37:57.820
I think so. I think a little boy used to play

00:37:57.820 --> 00:38:03.079
in the store. But it's so long ago. Who could

00:38:03.079 --> 00:38:07.909
that be? I'll take him. Hello. Mr. Parker, this

00:38:07.909 --> 00:38:10.809
is Terry Cannon. Remember me? Yes, Mr. Cannon.

00:38:11.170 --> 00:38:14.690
They said I could reach you at this number. And

00:38:14.690 --> 00:38:18.650
now, it came to me. What came to you? I was trying

00:38:18.650 --> 00:38:21.690
to puzzle out one name. Alice Maitland was so

00:38:21.690 --> 00:38:26.190
familiar. You know, I'll say, about 23 years

00:38:26.190 --> 00:38:30.190
ago, Mary Margaret was in a grocery store and

00:38:30.190 --> 00:38:33.829
a man was killed in a hold -up. I took her down

00:38:33.829 --> 00:38:36.090
to the station house to identify the gunman.

00:38:36.250 --> 00:38:40.250
And could she? Well, not so she really couldn't

00:38:40.250 --> 00:38:44.550
be sure. Anyhow, another one of the witnesses

00:38:44.550 --> 00:38:48.630
was a little girl. Her name was Alice Maitland.

00:38:49.269 --> 00:38:53.329
And I remember her because she was the most terrified

00:38:53.329 --> 00:38:56.449
little thing I'd ever seen in my life. Thank

00:38:56.449 --> 00:39:02.159
you. Thank you, Mr. Cannon. Finally, I've got

00:39:02.159 --> 00:39:05.480
you all tied together. Who? You and those women

00:39:05.480 --> 00:39:07.519
who were killed all come together in a little

00:39:07.519 --> 00:39:11.900
grocery store some 23 years ago. Finally, now

00:39:11.900 --> 00:39:14.900
we know who we're looking for. I'd like to see

00:39:14.900 --> 00:39:16.900
the look on Captain Blake's face when I tell

00:39:16.900 --> 00:39:18.599
him this. Well, good to see that look, friend.

00:39:18.719 --> 00:39:20.940
Lou! I know you got a gun on the shoulder holster.

00:39:20.960 --> 00:39:28.300
Just lay the phone down. Slow. Easy. Now, raise

00:39:28.300 --> 00:39:35.780
the hand. Slow. Easy. That's fine. Just keep

00:39:35.780 --> 00:39:39.800
him there. I guess your name is Jackson. Peter

00:39:39.800 --> 00:39:44.500
Jackson, Jr. You figured it out. So I figured

00:39:44.500 --> 00:39:48.800
I'd have to come back and get both of you. The

00:39:48.800 --> 00:39:52.219
hands stay up. It's too late, Peter. We know

00:39:52.219 --> 00:39:55.119
about you. You know about me, but the other cops

00:39:55.119 --> 00:39:57.920
don't. See, I was in the house across the street

00:39:57.920 --> 00:40:00.969
when you staged the raid. I thought I'd die laughing.

00:40:01.369 --> 00:40:03.769
I learned never to get dropped off where I live.

00:40:03.809 --> 00:40:05.949
That way you don't get surprised. You won't get

00:40:05.949 --> 00:40:08.389
away with it. Oh, I'll get away with it. She's

00:40:08.389 --> 00:40:12.070
the last one. I'm sorry about you, but I'll walk

00:40:12.070 --> 00:40:15.489
out of here. And who knew it was me? But why

00:40:15.489 --> 00:40:18.769
her? She was just a kid. She lied. But I didn't

00:40:18.769 --> 00:40:21.269
know. I really didn't know. Yeah, that's what

00:40:21.269 --> 00:40:24.349
they all said, but they were lying. They were

00:40:24.349 --> 00:40:27.210
bored off. All of you were bought off. Come on,

00:40:27.349 --> 00:40:30.369
Peter, talk sense. My father is murdered, and

00:40:30.369 --> 00:40:33.170
the law lets a killer go free, and you want me

00:40:33.170 --> 00:40:36.269
to talk sense? Does it make sense that five people

00:40:36.269 --> 00:40:38.289
who were standing right there couldn't recognize

00:40:38.289 --> 00:40:41.010
him? But I couldn't be sure. I really couldn't

00:40:41.010 --> 00:40:43.949
be sure. My father, he never hurt a soul in his

00:40:43.949 --> 00:40:46.250
life. If a hungry person didn't have a penny

00:40:46.250 --> 00:40:48.190
in his pocket, he could still walk out of that

00:40:48.190 --> 00:40:50.289
store with a loaf of bread or a bottle of milk.

00:40:50.469 --> 00:40:53.010
If your father was that kind of man, what would

00:40:53.010 --> 00:40:55.630
he think of you killing innocent people? My father

00:40:55.630 --> 00:40:58.769
believed in justice. But you knew who the killer

00:40:58.769 --> 00:41:01.610
was. Why didn't you go after him? Yeah, I did.

00:41:01.849 --> 00:41:04.829
I did, but I was cheated. I spent years on his

00:41:04.829 --> 00:41:06.550
trail, and when I friendly caught up with him,

00:41:06.550 --> 00:41:09.130
he was in his grave. Well, my father wasn't going

00:41:09.130 --> 00:41:11.449
to be cheated out of everything. If I couldn't

00:41:11.449 --> 00:41:13.329
have the killer, at least I could get the people

00:41:13.329 --> 00:41:15.800
who helped him. Let me explain something. The

00:41:15.800 --> 00:41:17.820
law! You don't want to explain anything. You

00:41:17.820 --> 00:41:20.559
want a store. You want a chance to go for your

00:41:20.559 --> 00:41:23.119
gun. Well, you won't get it. See, I'll kill you

00:41:23.119 --> 00:41:25.659
first. And then her. There's such a thing in

00:41:25.659 --> 00:41:27.840
this world as justice. If the law won't give

00:41:27.840 --> 00:41:29.699
it to you, then you make your own. And that's

00:41:29.699 --> 00:41:32.719
why you're doing this? A justice? That's right.

00:41:32.800 --> 00:41:36.679
That's wrong. You're doing it because you love

00:41:36.679 --> 00:41:42.260
to kill. That's a lie. Ah, it's the truth. Look

00:41:42.260 --> 00:41:45.679
at yourself. Look at how you're enjoying this.

00:41:45.679 --> 00:41:48.440
I'm doing what has to be done. You killed those

00:41:48.440 --> 00:41:51.980
four women and you enjoyed it You have 30 seconds

00:41:51.980 --> 00:41:54.719
to live say your prayers. How long do you think

00:41:54.719 --> 00:41:58.000
you have to live? You're gonna keep killing and

00:41:58.000 --> 00:42:02.099
you'll be caught you can't stop I Hate killing

00:42:02.099 --> 00:42:04.679
come on. You'll love to see people under the

00:42:04.679 --> 00:42:07.619
gun how they squirm and sweat you're eating this

00:42:07.619 --> 00:42:11.639
up Look at your face in that mirror. Look at

00:42:11.639 --> 00:42:16.480
that grin Like a wolf. See how flushed and excited

00:42:16.480 --> 00:42:23.739
you are. Look at yourself. Look! Break your arm,

00:42:24.099 --> 00:42:30.599
Trumpet! Very good work, Lou. Very good. One

00:42:30.599 --> 00:42:32.659
more second and we would have had to gun him

00:42:32.659 --> 00:42:36.739
down. This way we can take him home alive. Captain

00:42:36.739 --> 00:42:40.880
Blake! Somehow, I'm gonna get back here. Get

00:42:40.880 --> 00:42:44.030
back to you, Miss... Alice Maitland. I'll keep

00:42:44.030 --> 00:42:48.389
my promise. Hagerty. Gordon. Cuff him. Hustle

00:42:48.389 --> 00:42:51.210
him back to headquarters. Look, Alice, don't

00:42:51.210 --> 00:42:53.690
worry about him. Are you all right, Miss Maitland?

00:42:54.369 --> 00:42:58.710
Yes. I think so. You shouldn't be. It was a rough

00:42:58.710 --> 00:43:02.289
experience. Why did you come back, Captain? Well,

00:43:02.289 --> 00:43:05.349
I guess we both solved it, Lou. You broke it

00:43:05.349 --> 00:43:08.789
by pure and simple brain work. I waited for a

00:43:08.789 --> 00:43:11.650
miracle. Oh, did you get it? Yeah, I got it.

00:43:12.320 --> 00:43:16.239
I got it because of this little machine. Mary

00:43:16.239 --> 00:43:20.119
Cannon was killed in an office. She managed somehow

00:43:20.119 --> 00:43:23.739
to throw the switch on a dictating machine. A

00:43:23.739 --> 00:43:26.119
secretary came into work this morning and she

00:43:26.119 --> 00:43:29.059
heard Peter Jackson and she didn't stop running

00:43:29.059 --> 00:44:08.340
until she got to my desk. Listen. You might want

00:44:08.340 --> 00:44:11.099
to know what happened to Peter Jackson. He's

00:44:11.099 --> 00:44:14.679
in a hospital for the criminally insane. For

00:44:14.679 --> 00:44:17.400
his sterling leadership in cracking the case,

00:44:17.880 --> 00:44:21.440
Captain Blake will probably become the next chief

00:44:21.440 --> 00:44:26.019
of police. Detective Parker will probably become

00:44:26.019 --> 00:44:30.860
Detective Sergeant Parker. And Miss Alice Maitland

00:44:30.860 --> 00:44:35.880
will probably become Mrs. Lou Parker. So you

00:44:35.880 --> 00:44:40.219
see? Sometimes, we can give you a happy ending.

00:44:41.139 --> 00:44:55.900
I'll be back shortly. The story you have just

00:44:55.900 --> 00:44:59.820
heard is concerned with the most precious concept

00:44:59.820 --> 00:45:05.480
the human race has ever created. Justice. And

00:45:05.480 --> 00:45:08.719
when you think of Peter Jackson, perhaps he proves

00:45:08.719 --> 00:45:13.139
the point made by a great poet. When a man takes

00:45:13.139 --> 00:45:17.579
justice in his own hands, he will soon shape

00:45:17.579 --> 00:45:23.039
her to his own ends. Our cast included Tony Roberts,

00:45:23.480 --> 00:45:26.159
Susan Grossman, Jack Grimes, Brianna Rayburn,

00:45:26.699 --> 00:45:29.960
and Robert Dryden. The entire production was

00:45:29.960 --> 00:45:34.059
under the direction of Hyman Brown. And now...

00:45:34.480 --> 00:45:41.119
A preview of our next tale. How has life gone

00:45:41.119 --> 00:45:43.940
with you all these years? Oh, as all lives go,

00:45:43.960 --> 00:45:46.940
I suppose. There's been the good, the bad, and

00:45:46.940 --> 00:45:50.360
different. Yes, but mine has been mostly bad.

00:45:51.219 --> 00:45:54.599
I've prospered my importing business in Baton

00:45:54.599 --> 00:45:57.019
Rouge. Ruination, that's been my lot, my fate.

00:45:57.820 --> 00:46:03.000
The fate of the House of Usher? Well, if you

00:46:03.000 --> 00:46:07.559
are... financially in need. No, no. No, no, no.

00:46:08.460 --> 00:46:12.619
I speak of another kind of ruination. Decadence.

00:46:12.920 --> 00:46:16.059
I speak of the evil. The evil that molders within

00:46:16.059 --> 00:46:23.460
my body, my mind. My house. House? Oh, no. No

00:46:23.460 --> 00:46:28.739
house this. A tomb. A tomb that houses the living

00:46:28.739 --> 00:46:34.929
dead. You are ill. Yes, I lied. I... I am ill

00:46:34.929 --> 00:46:38.849
with fear. This is E .G. Marshall inviting you

00:46:38.849 --> 00:46:41.710
to return to our mystery theater for another

00:46:41.710 --> 00:46:48.550
adventure in the macabre. Until next time, pleasant

00:46:48.550 --> 00:46:49.449
dreams.
