WEBVTT

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And now, Mystery Theater. Come in. Welcome. I'm

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E .G. Marshall. Welcome to the terrifying world

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of your imagination. I have an unusual story

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for you about a crack in a cellar wall that resists

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all efforts to repair it. Despite all the learning

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through the ages, despite the world's great progress

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in physics, chemistry, biology, there are certain

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matters which cannot be explained by our computers

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or our wise men. Matters which may never have

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a logical explanation. Mr. Carroll, the contractor,

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was the first to admit that the crack in the

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wall was beyond him. I'm not a superstitious

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man, Mrs. Sanford, but something is happening

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here I can't explain. Look at that crack. Not

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a speck of mortar on it. Looks like it hadn't

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been touched in a hundred years. But I swear

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I closed it up, not five minutes ago. I swear

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it. That cold draft blowing from it. Like from

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a tomb. Like from a tomb. Our mystery drama,

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The Crack in the Wall. was written especially

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for the Mystery Theatre by Sidney Sloan, and

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stars Celeste Holm. It was a cold, rainy, windy

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day when Paul and Nora Sanford laid their child

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to rest in Green Tree Cemetery. Despite all the

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soothing words of friends and relatives, Nora's

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despair was inconsolable. She felt that nothing

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could ease the pain in her heart caused by the

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loss of her only child. Our Father, who art in

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heaven, hallowed be thy name. My baby. Why did

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you have to die? Nora, darling, please. Our religion

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teaches us that God in His infinite wisdom...

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Don't speak these empty words to me. I accepted

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that because it never touched me before. I never

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thought of it. But our daughter, our beautiful

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innocent child, is 16. Why? One does not question

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these matters, Nora. I do question. But the first

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time in my life I questioned, I would do anything,

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anything to bring my Ruth back to this world.

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Nora, please. Now you know that's impossible.

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Why? Why? Because our little girl Ruth is dead.

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Burnt to death. Nothing you can do or say or

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who can change that. First chance I've had to

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take a look at it today. The minister was here

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today, Dr. Fowler. Say he wanted to see our new

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house. New? This house is over a hundred years

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old. Well, new for us, he meant. Just an excuse

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to come here, actually. He wanted to know why

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I hadn't been to church the last several months.

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What did you tell him? Oh, I don't know. It was

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awkward. I said I'd be back next Sunday. Made

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some excuse about not having felt well lately.

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Well, I'm glad. About my going back to church?

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Yes. But more important than that, it means that

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you're getting over this depression, getting

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out into the world again, beginning to forget.

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No. No, you're wrong, Paul. I'll never get over

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wanting my little girl back with me. I'll never

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forget. Please believe me, Nora, I loved Ruth,

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too. But I accept the fact that she's gone from

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us forever. I'll never accept that. Oh, by the

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way, now I remember what I wanted to remind you

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about. What? It's about that crack in the cellar

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wall right in front of the washer and dryer.

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There's a terrible draft that comes from it.

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There's no crack there, Nora. No crack? I thought

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I'd get rheumatism from the cold draft when I

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did the washing today. It hit you right in the

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back. I had that repaired. I paid for it. It's

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on the general bill for the repairs we had to

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make on the old house before we could move in.

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Well, then they cheated you, charged you, and

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never did the job. You sure? Seems to me that

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I remember... It's never been done. Those contractors

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will try. You know, it's Mr. Caro, isn't it?

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His number's on the telephone stand. Why don't

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you call him? It's 7 .30, Nora. Come to think

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of it, the only time I could possibly reach him

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would be at night. He'd be busy all day out on

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the job. Hello, Miss Kara? Paul Sanford. I'm

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sorry to bother you, but one of the items on

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your bill to me for repairs on my house, item

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28, repair crack in cellar wall, north side interior,

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$45 .60. You never closed up that crack. You

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what? Hold on a minute. Nora, he says he supervised

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that item himself, mixed the cement for it. Well,

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just tell him that he's got it wrong. Mr. Carroll,

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my wife says the crack is still there. It hasn't

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been repaired. Okay, sometime tomorrow morning?

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Right, thank you. It's kind of funny. He said

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he's willing to bet $100 that he completed the

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work. Mr. Sanford, I I'm finished with the job

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and I want you're okay. I'll put on the pot and

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give you a cup of coffee Thanks. I'd appreciate

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that Come right down. I'm in a bit of a hurry

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won't be a minute I'm coming. Mr. Garrow. Mr.

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Sanford the strangest thing What did you say?

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Mr. Carol? Oh Look at that wall. Oh Dear another

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crack No, it's it's not another crack what it's

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the same crack I I just filled it with cement

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You couldn't do it looks old and dry look at

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my hands. They're still covered with cement Here

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are my tools my trowel my hammer and chisel I

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could swear it was closed up not five minutes

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ago Knowing from like from a A tomb. Like from

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a tomb. Oh, Mr. Sanford. Come in, come in. Thank

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you, Dr. Fowler. Come into the study. We won't

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be disturbed there. They're right this way. Sit

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down, won't you? Thank you. Please forgive me

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for interrupting you at this hour. I don't quite

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know how to begin. As you know, we've been through

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a horrible experience. Yes. Losing your daughter

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in that fire. It's our only child. Just 16. Mr.

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Sanford, you must get hold of yourself. Yes.

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You see, I've been holding my emotions back for

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months. I had to be strong for Nora's sake. She's

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taken this very hard, yes, I know. She hasn't

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gotten over it. It shook her to the very foundation

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of her belief. I gather that it's been only recently

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that you both came back into the church. She

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is... She's definitely twisted mentally. Preoccupation

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is with a crack in the cellar wall, which he

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says cannot be repaired. What? Well, there's

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a long jagged crack in the cellar wall. It's

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been there since we bought the house earlier

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this year, after our other house burned down.

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Have you tried to have this crack filled with

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cement? Oh, yes, yes, we tried. The way you say

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that is very strange. Well, I paid Carol the

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builder for repairs on the house. He was certain

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that he'd repaired the wall. However, he came

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back and patched up the crack again when he asked

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for my wife's okay on the job after he'd finished.

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They went down to the cellar and looked. The

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crack was open again. I don't understand. Neither

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do I. Caro said that he'd not left the cellar,

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that he'd called my wife to look at it. What's

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your explanation? I have none, Dr. Fowler, none.

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Is that you down in the cellar, Paul? Yes, Nora.

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I'm... I'm filling up the crack in the wall with

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cement. Do you think that's wise, Paul? Wise?

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Well, I thought you wanted the wall repaired.

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Kara won't come here anymore, so... Well, that's

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what I mean Paul there's some very good reason

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why that wall resists repair That's a strange

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way of putting had wall resist repair So you

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thought the wall and I don't quite know how to

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put this as though the wall had a will of its

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own Nora that's ridiculous. Is it? Mr. Carroll

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tried twice to fill that crack. He gave up. I

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know I just received a check from him for $45

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.60, refunding the money I paid him for the job.

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Come on, let's go upstairs. This old cellar gives

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me the creeps. Look! My God. It's disappearing.

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The cement... The cement I just put into the

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cracks dissolving into thin air. Mr. Edmund,

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I'm calling about this house you sold us. No,

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it's a good, solid old house. It's just that

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my wife isn't happy here. We're all alone, as

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you know. It just isn't right for us. Yes, I

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know. I'll have to take a loss if I change now,

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but I'm prepared for that. Okay, I'll see you

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tomorrow, around five, okay? Good. Goodbye, Mr.

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Edmunds. Who was that on the phone? Oh, Nora,

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I called Miss Redmond. The real estate man? That's

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right. You're thinking of selling? Well, I thought

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you'd want to get out of here, too, Nora. Whatever

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gave you that idea? Now, that's a very strange

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attitude. Don't you know what this all means?

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No. No, I don't understand it. Frankly, it scares

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me. Ruth is trying to reach us. What are you

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talking about? It was just two days ago. I was

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lying in bed. You were sound asleep. I heard

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the clock chime three. I felt something urging

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me to leave the bedroom and go down into the

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cellar. Nora, I've got to take you to a doctor.

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Paul, I'm not out of my mind. I tell you, our

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daughter is calling to me. She's trying to get

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to me. Darling, Nora, listen to me. What you're

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saying doesn't make sense. Our child is dead,

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Nora. Burned to death. I spoke to her. I spoke

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to her through the crack in the cellar wall.

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You what? I spoke to our Ruth. And she spoke

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to me. What time is it? Quiet. Now do you hear?

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Hear what? She's calling to me. Our little girl.

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She wants us. She needs us. Nora, listen to me.

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You don't hear anything. You just think you hear

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because you want to hear. Listen. Listen. I don't

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hear anything. There it is again. It's very faint,

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but you can hear it if you try hard enough. Please.

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Darling try to rest I've made an appointment

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for you with dr. I don't need a doctor calling

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to her mother, or was Paul Sanford falling into

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the clouded supernatural obsession that controlled

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Nora's life? He thought he heard the voice of

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his dead child calling to her mother. He couldn't

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be sure, but Nora's certainty was so strong that

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he was almost convinced that he heard it too.

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I'll be back shortly with Act Two. Everything

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that Paul and Ruth Sanford believed in is being

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drained away. They are living in a nightmare

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of twisted emotions pulled farther and farther

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from the normal life they had known into a tangled

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dreamlike world in which they hear the voice

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of their dead child calling to them. You're not

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going down into that cellar, Nora. It was Ruth's

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voice calling. Are you coming with me, Paul,

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or shall I go down alone? Please. No, we're dreaming

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this. It isn't happening. I heard her voice.

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You said you heard it. She was calling to me

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for help. Are you coming with me or shall I go

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alone? I'll come with you, dear. Just to prove

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to you that there's nothing there. Nothing. How

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could there be? I know there is something there.

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Come. Now, wait, wait. Don't try to go down those

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steep cellar stairs in the dark. Turn on the

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light. It's out. It's not working. Here, let

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me try. Oh, I'm not going down there in the dark.

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There's some candles in the cupboard just outside

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the door. Get them. Candles won't do any good.

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Get them. I just remembered. I've got a flashlight

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in the kitchen table drawer. Hurry! Here we are.

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Now stay right behind me. I'll go first. Flash

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the light around. Oh, there's nothing. Nothing

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but that crack in the wall. Let's go back upstairs,

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Nora. Good evening. What? Who are you? Oh, I'm

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sorry if I frightened you. What? Who are you?

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What are you doing in our house? Doing? I am

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inspecting the wall. The wall that needs repair.

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And who are you? Why, I'm the helper. What are

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you talking about, helper? Whom are you helping?

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You. I don't like this, Paul. Please make him

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go away. If you want me to, I'll go. But I thought

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you needed me. I want you out of here. I see

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you have a hammer in your hand. You're afraid

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of me. Believe me, I came to help you. Who sent

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you? Employer. Who? Your friend. Your friend

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who knows of your sorrows. He sent me to seal

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up the crack in the wall. Well, I've tried. Several

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people have tried to do that. It won't stay closed.

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I can close it for you if you want me to. I repeat,

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if you want me to, you may not want it. Why?

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You will not hear the voice of your daughter

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ever again. No, no, no. Don't, don't seal it.

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Please. No, maybe it would be best. No, no. No,

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this is insanity. No, our daughter is dead. Dead

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and buried. And you think that is the end? Of

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course. It's the end of mortal life. And do you

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share your husband's beliefs, Nora? No, no. Ruth

00:18:56.640 --> 00:19:01.519
was calling to me. I want her back. I... I want

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to hold her in my arms. Am I dreaming? This can't

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be happening. What are we doing standing here

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talking to this... Paul, please, don't. There's

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no one here. He was here? Where is he? He couldn't

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get past us up the stairs, nor where did he go?

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Who? Oh! Nora, darling, what's happened to you?

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Speak to me, dear, speak. What are we doing here

00:19:41.069 --> 00:19:53.529
in the cellar? How did we get here? Did you say,

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Mr. Sanford, that you think you saw this creature

00:19:57.950 --> 00:20:00.869
in the cellar of your house? No, it wasn't what

00:20:00.869 --> 00:20:05.930
you say. No, not a creature. It was a man. Small,

00:20:06.289 --> 00:20:09.369
dwarf -like. He said he'd come to repair the

00:20:09.369 --> 00:20:13.589
wall. At three o 'clock in the morning? You saw

00:20:13.589 --> 00:20:16.549
this man, too, Mrs. Sanford? No. I don't know

00:20:16.549 --> 00:20:18.410
what Paul's talking about. I didn't see anything.

00:20:18.690 --> 00:20:22.269
I was fast asleep. Paul woke me and told the

00:20:22.269 --> 00:20:26.700
story. Mm, I see. Your daughter's death was a

00:20:26.700 --> 00:20:29.759
terrible shock to you both. It's... it's preying

00:20:29.759 --> 00:20:32.680
on your thoughts. Your grief pushed the normal

00:20:32.680 --> 00:20:35.880
day -to -day living from your minds. You began

00:20:35.880 --> 00:20:38.940
to imagine... I heard her voice, Doctor. I heard

00:20:38.940 --> 00:20:41.500
Ruth's voice calling to me. Of course you did.

00:20:42.220 --> 00:20:45.119
But try to think rationally, Mrs. Sanford. You

00:20:45.119 --> 00:20:47.460
know it's impossible for you to have actually

00:20:47.460 --> 00:20:51.000
heard the voice of your dead daughter. Seriously,

00:20:51.039 --> 00:20:55.049
you... I can't believe you did, can you? Seriously,

00:20:55.349 --> 00:21:05.089
can you believe that? I don't know. Mother, I

00:21:05.089 --> 00:21:12.650
need you! Help me, my little girl! It's all so

00:21:12.650 --> 00:21:16.569
simple if you will recognize the true authority.

00:21:16.869 --> 00:21:21.420
Who are you? I am merely a conveyor of ideas,

00:21:22.220 --> 00:21:26.839
a messenger. Then you are sent by the devil?

00:21:27.880 --> 00:21:32.700
Perhaps. Perhaps I'm your friend. Call me the

00:21:32.700 --> 00:21:37.539
helper. Can you help me? Can you bring my daughter

00:21:37.539 --> 00:21:43.380
back to me? Under certain conditions, you might

00:21:43.380 --> 00:21:47.539
find the cost. too high tell me nothing nothing

00:21:47.539 --> 00:21:50.660
is too costly too terrible I'll agree to anything

00:21:50.660 --> 00:21:53.759
even if it meant that you would lose everything

00:21:53.759 --> 00:21:57.400
everything you've been taught about life and

00:21:57.400 --> 00:22:03.079
death since you were a child yes yes yes I agree

00:22:03.079 --> 00:22:29.190
I agree I woke you. Paul, he came to see me and

00:22:29.190 --> 00:22:32.849
told me that I... Who, darling? That ugly little

00:22:32.849 --> 00:22:36.990
creature. I'd seen him before, but I can't remember

00:22:36.990 --> 00:22:40.329
where. The helper. That's what he calls himself.

00:22:40.910 --> 00:22:44.450
I heard Ruth calling to me. Then he appeared.

00:22:44.529 --> 00:22:47.329
I don't know what it is. I don't want to know.

00:22:47.509 --> 00:22:48.990
We're getting out of this house and we're not

00:22:48.990 --> 00:22:51.789
coming back. Oh, you go, Paul, but I can't. But

00:22:51.789 --> 00:22:54.250
don't you see what's happening to us here? Something

00:22:54.250 --> 00:22:57.130
evil is pursuing us, either to destroy us or

00:22:57.130 --> 00:23:00.210
drive us insane. No. No, I can have my daughter

00:23:00.210 --> 00:23:03.289
back. He'll help me. You can't believe that.

00:23:03.369 --> 00:23:07.170
I believe it. What does he expect in exchange?

00:23:07.690 --> 00:23:12.930
I can't tell you, Paul. I just can't tell you.

00:23:27.329 --> 00:23:31.549
Mrs. Sanford Hall? No. No, I called her sister

00:23:31.549 --> 00:23:33.849
and got her to make a date with Nora so she wouldn't

00:23:33.849 --> 00:23:39.230
be here. My work is suffering. We're not sleeping

00:23:39.230 --> 00:23:41.910
well. Nora's had terrible dreams, nightmares.

00:23:42.470 --> 00:23:47.950
You've told your physician, Dr. Coombs? If anyone

00:23:47.950 --> 00:23:55.569
can help us, it's God. Dr. Fowler, we have seen

00:23:55.569 --> 00:24:02.799
the evil one. What? We have seen him. We have

00:24:02.799 --> 00:24:06.480
spoken with him. It's either the devil or one

00:24:06.480 --> 00:24:09.559
of his emissaries. He calls himself the helper.

00:24:10.299 --> 00:24:13.059
My good man, in this enlightened age, when we

00:24:13.059 --> 00:24:18.039
speak of Satan, it is usually... Well, what I

00:24:18.039 --> 00:24:21.619
mean to say is we think of the devil as the embodiment

00:24:21.619 --> 00:24:26.420
of all evil, but not as an actual being. I see.

00:24:27.699 --> 00:24:32.519
Well, dr. Fowler If you can't help us we may

00:24:32.519 --> 00:24:35.700
have to go to someone who can there are groups

00:24:35.700 --> 00:24:40.279
where they believe in the devil mr. Sanford Paul

00:24:40.279 --> 00:24:45.859
please understand I Cannot believe in the devil's

00:24:45.859 --> 00:24:49.579
being other than an abstract name for evil if

00:24:49.579 --> 00:24:53.500
I can show him to you Will you believe me then

00:24:53.500 --> 00:24:59.650
I? Saw him I have seen the devil and the devil's

00:24:59.650 --> 00:25:10.190
work and I'm frightened to death. Sorry to bother

00:25:10.190 --> 00:25:13.009
you, Dr. Combs, but something very disturbing

00:25:13.009 --> 00:25:17.049
has happened. Yes? You know the two people I

00:25:17.049 --> 00:25:28.900
referred to, the Sanford's? Yes. Dr. Fowler,

00:25:29.099 --> 00:25:32.480
the word insane is a legal one, not a medical

00:25:32.480 --> 00:25:38.700
one. Well, I would say from a very cursory examination

00:25:38.700 --> 00:25:41.460
that they were both suffering from severe emotional

00:25:41.460 --> 00:25:44.400
stresses brought on by the untimely death of

00:25:44.400 --> 00:26:00.519
their only child. Hallucination? Not exactly

00:26:00.519 --> 00:26:04.819
a common delusion in this day and age If they

00:26:04.819 --> 00:26:08.619
need medical help they must come to me. I can't

00:26:08.619 --> 00:26:24.960
solicit An excellent idea Fowler, but who's going

00:26:24.960 --> 00:26:28.619
to commit them? Can you get them to commit themselves

00:26:28.619 --> 00:26:40.440
voluntarily? I don't know. I'll try. Have you

00:26:40.440 --> 00:26:44.160
come to any decision? I've been thinking about

00:26:44.160 --> 00:26:47.420
it. I've heard you say you would do anything

00:26:47.420 --> 00:26:51.099
to have your daughter back. You had made up your

00:26:51.099 --> 00:26:56.740
mind. Yes. Oh yes, but... But still... You hesitate.

00:26:57.160 --> 00:27:03.140
What you asked of me is almost... Well, I'm almost

00:27:03.140 --> 00:27:07.319
afraid to think of it. It's been in my mind,

00:27:07.440 --> 00:27:10.640
awake and asleep. I can't tell the difference

00:27:10.640 --> 00:27:15.460
anymore. You hesitate. Thinking of yourself while

00:27:15.460 --> 00:27:20.200
your daughter suffers? No, no. I will leave you

00:27:20.200 --> 00:27:25.720
now, perhaps never to return. This is your last

00:27:25.720 --> 00:27:36.059
chance Nora Wake up, please Nora Nora. It's me

00:27:36.059 --> 00:27:42.119
Paul Open your eyes. You're all right. You're

00:27:42.119 --> 00:27:49.200
safe with me darling. It's me Paul Yes It's all

00:27:49.200 --> 00:27:55.880
right now Paul I've made my decision What decision

00:27:55.880 --> 00:28:01.740
about Ruth I Am going to bring her back Bring

00:28:01.740 --> 00:28:05.119
her back What are you saying? I'm going to bring

00:28:05.119 --> 00:28:07.319
her back no matter what the cost no matter what

00:28:07.319 --> 00:28:18.279
the consequences are Nora and Paul have come

00:28:18.279 --> 00:28:23.759
far along a tortuous a frightening path Now Nora

00:28:23.759 --> 00:28:27.559
is determined to see the matter to the end, despite

00:28:27.559 --> 00:28:31.460
the consequences. I'll be back shortly with Act

00:28:31.460 --> 00:28:48.359
3. Forces are tearing at the sanity of Paul and

00:28:48.359 --> 00:28:52.269
Nora Sanford. Nora's sleeping and waking worlds

00:28:52.269 --> 00:28:55.710
are so much the same that she can no longer differentiate

00:28:55.710 --> 00:29:00.069
between them. In her thoughts, in her ears, are

00:29:00.069 --> 00:29:02.750
the words of her dead daughter calling to her

00:29:02.750 --> 00:29:06.569
for help. Paul thinks he has heard the child,

00:29:06.789 --> 00:29:11.069
too, but is uncertain. He is not sure whether

00:29:11.069 --> 00:29:14.609
or not it is the driving influence of his wife's

00:29:14.609 --> 00:29:18.480
obsession or... what he has actually heard and

00:29:18.480 --> 00:29:22.259
seen himself. I don't know, doctor. I don't know

00:29:22.259 --> 00:29:26.079
anymore. Everything is so confused. I want you

00:29:26.079 --> 00:29:29.440
to sign commitment papers for your wife. You

00:29:29.440 --> 00:29:32.480
mean put her in... In a good sanitarium, in a

00:29:32.480 --> 00:29:35.339
place where she'll be safe and receive the proper

00:29:35.339 --> 00:29:41.339
treatment for her problems. I don't know. I...

00:29:41.369 --> 00:29:44.769
Now, I don't think she's crazy. You're not in

00:29:44.769 --> 00:29:46.950
any condition to judge her mental health, Mr.

00:29:47.170 --> 00:29:51.430
Sanford. What do you mean? Well, I mean, I'm

00:29:51.430 --> 00:29:54.970
asking you to make a difficult decision. I'm

00:29:54.970 --> 00:30:06.390
also asking you to commit yourself. No! I won't

00:30:06.390 --> 00:30:09.930
think of it! Send him away! Send the doctor away!

00:30:10.269 --> 00:30:12.250
Paul, how can you do this to me? You know I'm

00:30:12.250 --> 00:30:15.750
not insane. You heard her. That night, we both

00:30:15.750 --> 00:30:18.470
went down into the cellar. And that little man,

00:30:19.089 --> 00:30:22.869
you remember? The helper? You saw him, too. You

00:30:22.869 --> 00:30:26.509
know I'm not crazy. I won't go. I won't! You

00:30:26.509 --> 00:30:30.730
can't make me! She's gone into the bedroom, Dr.

00:30:30.970 --> 00:30:34.089
Combs. Is there a lock on the door? No. Well,

00:30:34.509 --> 00:30:37.349
suppose I go in. Perhaps a sedative to quiet.

00:30:37.589 --> 00:30:40.509
Oh, please doctor. Let me speak to her first.

00:30:40.529 --> 00:30:43.849
She'll listen to me very well I'll wait out in

00:30:43.849 --> 00:30:46.130
the car if you want me. Yes. Yes, please go.

00:30:46.130 --> 00:30:52.690
I I think she'll listen to me if you're not here

00:30:52.690 --> 00:31:03.069
Nora Nora May I come in is that doctor still

00:31:03.069 --> 00:31:08.099
here? No. No, he's outside in his car. Paul,

00:31:08.279 --> 00:31:11.480
how could you do this to me? Deceive me, try

00:31:11.480 --> 00:31:14.660
to put me away. But I explained everything to

00:31:14.660 --> 00:31:18.119
you. I will never consent. I'm going with you,

00:31:18.339 --> 00:31:23.119
dear. I'm going in too. What? Why? Paul, why

00:31:23.119 --> 00:31:26.980
do you want to do such a thing? Because I'm frightened.

00:31:27.849 --> 00:31:30.210
I've never been afraid in my life before, but

00:31:30.210 --> 00:31:33.529
this is all beyond me, beyond any rational explanation.

00:31:33.589 --> 00:31:36.450
And you think you'll be away from your fear in

00:31:36.450 --> 00:31:39.829
that place? Oh, Paul, I'm not out of my mind,

00:31:39.849 --> 00:31:43.450
and neither are you. How much longer can we stand

00:31:43.450 --> 00:31:46.910
this? Listen to me. What? I can tell you, only

00:31:46.910 --> 00:31:52.829
you. What? I've made a pact with the helper.

00:31:54.769 --> 00:31:59.440
Oh, Nora. He has given me the power to bring

00:31:59.440 --> 00:32:03.039
Ruth back. You don't know what you're saying.

00:32:03.099 --> 00:32:05.480
Oh, yes, I do. That's impossible. Now, don't

00:32:05.480 --> 00:32:08.319
be foolish. Don't tell anyone else what you've

00:32:08.319 --> 00:32:11.019
told me. Now, you think I'm insane too, don't

00:32:11.019 --> 00:32:13.839
you? I don't know what to think. He has given

00:32:13.839 --> 00:32:18.640
me two wishes. Two wishes? Yes. He said that

00:32:18.640 --> 00:32:22.700
I would need two. Actually, all I need is one.

00:32:23.319 --> 00:32:27.940
To bring my dear child back. Yes. Yes, Nora,

00:32:27.940 --> 00:32:32.319
of course. Now, now, I want you to do something

00:32:32.319 --> 00:32:37.480
for me. What? Don't fight me now. Go along with

00:32:37.480 --> 00:32:40.799
me for a little while. Perhaps this nightmare

00:32:40.799 --> 00:32:43.359
will stop. We'll be able to get out when we want

00:32:43.359 --> 00:32:46.259
to. I have the doctor's promise. Can you trust

00:32:46.259 --> 00:32:50.000
him? Yes, darling. Since we're committing ourselves,

00:32:50.079 --> 00:32:52.900
we can get... ourselves released merely by asking

00:32:52.900 --> 00:32:55.480
to be released. And our poor tortured child?

00:32:56.160 --> 00:32:58.319
Who will be here to hear her call? Who will be

00:32:58.319 --> 00:33:02.220
here to comfort her, Paul? We're running away,

00:33:02.740 --> 00:33:06.119
deserting her. Darling Nora, our Ruth will be

00:33:06.119 --> 00:33:23.839
with us always, no matter where we are. Oh, the

00:33:23.839 --> 00:33:31.559
phone. Oh. Hello. Hello, Mr. Sanford. Yes, Dr.

00:33:31.839 --> 00:33:34.920
Coon. I'm calling from the sanitarium. Is there

00:33:34.920 --> 00:33:38.619
anything wrong? Yes, your wife has disappeared.

00:33:39.319 --> 00:33:42.940
You mean walked out? Nobody saw her leave. As

00:33:42.940 --> 00:33:45.519
a matter of fact, it's a bit of a mystery. Her

00:33:45.519 --> 00:33:49.200
room was locked. Perhaps someone, one of the

00:33:49.200 --> 00:33:52.400
attendants or nurses unlocked the door for her.

00:33:54.980 --> 00:33:58.019
At 1 o 'clock, the nurse assigned to that section

00:33:58.019 --> 00:34:01.140
entered her room to administer a mild sedative.

00:34:01.740 --> 00:34:03.720
Your wife had complained she was worried because

00:34:03.720 --> 00:34:06.000
you weren't there. Well, I was just cleaning

00:34:06.000 --> 00:34:09.099
up a few urgent matters here. I was coming to

00:34:09.099 --> 00:34:11.360
commit myself tomorrow morning. I told her that,

00:34:11.500 --> 00:34:14.940
but it didn't seem to have any effect. When was

00:34:14.940 --> 00:34:18.179
Nora last seen? Not more than 10 minutes before

00:34:18.179 --> 00:34:21.059
1 a .m. Another nurse on the floor answered her

00:34:21.059 --> 00:34:25.579
ring. about her anxiety and her inability to

00:34:25.579 --> 00:34:29.280
sleep. She hasn't returned home, has she? No.

00:34:30.000 --> 00:34:32.840
What do you want me to do, doctor? Stay where

00:34:32.840 --> 00:34:36.400
you are. She may come home. It's very likely

00:34:36.400 --> 00:34:46.880
that she will come there. Emily, I'm sorry to

00:34:46.880 --> 00:34:50.579
be calling you at this hour, but... Nora has

00:34:50.579 --> 00:34:53.099
disappeared. She walked out of the hospital.

00:34:53.960 --> 00:34:56.599
The fire, Ruth's death, it's been preying on

00:34:56.599 --> 00:34:59.559
our minds, and I thought that... Wait, Emily,

00:34:59.699 --> 00:35:02.159
that's my doorbell. I'll call you back. I just

00:35:02.159 --> 00:35:05.099
wanted to know if Nora was with you. I'll call

00:35:05.099 --> 00:35:07.500
you back. Let me know if Nora shows up. Bye.

00:35:12.000 --> 00:35:16.820
Oh, Dr. Fowler. Come in. Oh, thank you. I got

00:35:16.820 --> 00:35:20.269
a call from Dr... Coombs about 20 minutes ago.

00:35:20.449 --> 00:35:24.110
Yes? He asked me to see him. He said you might

00:35:24.110 --> 00:35:28.670
need me. I came right over. Anything I can do

00:35:28.670 --> 00:35:32.650
to help? Nothing. Unless you can find Nora. She's

00:35:32.650 --> 00:35:35.929
been missing since about 1 .30 a .m. About three

00:35:35.929 --> 00:35:40.090
hours. Where would she go? Where could she go?

00:35:40.289 --> 00:35:48.650
I don't know. What? What was that? I heard it

00:35:48.650 --> 00:35:56.889
too. Do you have a cat, Paul? No. Sounded like

00:35:56.889 --> 00:36:02.710
a cat. It was Ruth. She's calling Nora. Ruth?

00:36:03.530 --> 00:36:09.889
My daughter. Oh, yes, yes, your daughter. But

00:36:09.889 --> 00:36:22.110
she's... She's... You heard it, too. No. No,

00:36:22.190 --> 00:36:25.309
no, no. It can't be. That's superstitious nonsense.

00:36:25.469 --> 00:36:31.250
That's what I thought. But I don't anymore. Ruth

00:36:31.250 --> 00:36:39.989
is calling to us from the grave. I hear it. I

00:36:39.989 --> 00:36:45.429
hear it. Paul, pray with me. Pray to God to make

00:36:45.429 --> 00:36:50.409
her go back. No. She will come here and answer

00:36:50.409 --> 00:36:53.210
to her child's cries. Her mother's love is so

00:36:53.210 --> 00:36:55.730
strong that Ruth's outstretched hand will reach

00:36:55.730 --> 00:36:58.489
across the void of death and touch the hand of

00:36:58.489 --> 00:37:19.840
her mother. Just been through the most shattering

00:37:19.840 --> 00:37:23.300
experience of my life. You saw Mrs. Sanford?

00:37:24.199 --> 00:37:29.280
No. I'm not a superstitious man, Dr. Coombs,

00:37:29.360 --> 00:37:37.000
but I heard the voice of Ruth Sanford calling

00:37:37.000 --> 00:37:56.539
to her mother from the grave. I thought it was

00:37:56.539 --> 00:37:59.719
Nora. She hasn't returned yet, huh? I was talking

00:37:59.719 --> 00:38:02.699
with your minister, Dr. Fowler. He seemed quite

00:38:02.699 --> 00:38:05.940
upset. Any word from the police? Nothing. They've

00:38:05.940 --> 00:38:08.940
gotten several false telephone tips from cranks.

00:38:10.079 --> 00:38:14.480
Only one man identified himself by name, a Mr.

00:38:14.860 --> 00:38:20.780
Helper. Helper? You know him? Yes, I know him.

00:38:21.119 --> 00:38:23.639
The police asked him for his address. He gave

00:38:23.639 --> 00:38:26.170
him one, but it proved to be a phony. Do you

00:38:26.170 --> 00:38:29.489
know where to find him? You won't believe this,

00:38:29.750 --> 00:38:35.869
doctor. But the last place I saw him was in my

00:38:35.869 --> 00:38:40.170
cellar. What? I don't know how he got there.

00:38:40.769 --> 00:38:43.809
I didn't see him leave, although I was standing,

00:38:43.949 --> 00:38:48.469
talking to him at the moment. He vanished. Vanished?

00:38:50.050 --> 00:38:55.400
Disappeared. I see. Disappeared. Right before

00:38:55.400 --> 00:38:58.719
your eyes. Oh, yes. I remember you're telling

00:38:58.719 --> 00:39:00.760
me about that incident when you both came to

00:39:00.760 --> 00:39:06.079
my office. Hello. Who's there? Paula? I've come

00:39:06.079 --> 00:39:09.739
home. What is he doing here? I won't go back

00:39:09.739 --> 00:39:11.260
to that place. He can't make me go back. Nora,

00:39:11.500 --> 00:39:13.760
Nora, dear. Send him away. Paul, Paul, make him

00:39:13.760 --> 00:39:16.500
leave. We don't need him. Mrs. Sanford, as your

00:39:16.500 --> 00:39:18.639
doctor, I... You're not my doctor anymore. Please

00:39:18.639 --> 00:39:21.820
go. Leave us alone. Please, Dr. Coombs. Your

00:39:21.820 --> 00:39:24.610
being here will just make her worse. Very well

00:39:24.610 --> 00:39:27.269
if you think you can manage as I can manage.

00:39:27.469 --> 00:39:31.369
I'm sorry you feel this way about me. Good morning

00:39:31.369 --> 00:39:38.250
He was trying to do what he thought best for

00:39:38.250 --> 00:39:41.389
you for us He has no way of knowing what his

00:39:41.389 --> 00:39:43.909
best for us. He was just interfering Keeping

00:39:43.909 --> 00:39:47.809
us from Ruth Nora, please give up that mad notion.

00:39:47.809 --> 00:39:52.969
Give it up. Oh No Paul, I will not give it up

00:39:53.719 --> 00:39:57.340
Tonight, this morning before dawn, we will bring

00:39:57.340 --> 00:39:59.820
our child back to us. Nora, think what you're

00:39:59.820 --> 00:40:02.460
saying. I thought, and I've made up my mind.

00:40:02.579 --> 00:40:04.719
Before daylight, he said. What time is it now?

00:40:06.820 --> 00:40:09.039
It's twenty after four. It won't be light before

00:40:09.039 --> 00:40:13.280
six. We must do it now. Come, we'll go together.

00:40:13.360 --> 00:40:16.139
Go where? To the place I first heard her voice,

00:40:16.380 --> 00:40:19.320
calling to me, the cellar, the crack in the wall.

00:40:19.820 --> 00:40:22.619
Are you sure you want to go through with this?

00:40:24.039 --> 00:40:26.780
I've come too far to turn back now. I don't care

00:40:26.780 --> 00:40:29.059
what happens to me. It's Ruth we must think of.

00:40:30.480 --> 00:40:34.199
All right, Nora, I'll go along. I'd better get

00:40:34.199 --> 00:40:37.039
my flashlight. The light's still out in the cellar.

00:40:37.239 --> 00:40:41.460
No, Paul. What I must do must be done in darkness.

00:40:42.380 --> 00:40:52.500
No lights. Now let's go down the stairs. Don't

00:40:52.500 --> 00:40:57.679
say anything. I must ask for her life from the

00:40:57.679 --> 00:41:07.039
Master. Oh, Master, listen to my plea. I have

00:41:07.039 --> 00:41:11.460
paid dearly for this boon. Heed my request and

00:41:11.460 --> 00:41:16.199
grant it to me in payment. I fear your presence,

00:41:16.219 --> 00:41:24.320
Master, but I implore you, grant my wish. I wish

00:41:24.320 --> 00:41:30.380
my daughter were alive and with me now. My daughter,

00:41:31.159 --> 00:42:50.260
please give me back my daughter, Ruth. The second

00:42:50.260 --> 00:42:54.619
now I know I did not send her. I am Nora. Yes.

00:42:55.179 --> 00:43:00.960
I wish my dear daughter were dead and back in

00:43:00.960 --> 00:43:16.980
her grave. Nora. It's over. It's all over. Our

00:43:16.980 --> 00:43:25.170
child is gone. May our dear child rest in eternal

00:43:25.170 --> 00:43:36.030
peace. And so Paul and Nora were left to pick

00:43:36.030 --> 00:43:40.849
up the fragments of their lives and go on. Strangely

00:43:40.849 --> 00:43:45.150
enough, the crack in the cellar wall was finally

00:43:45.150 --> 00:43:50.449
closed and no human hand had a part in its repair.

00:43:51.789 --> 00:44:07.329
I'll be back shortly. The power of a mother's

00:44:07.329 --> 00:44:11.230
love cannot be measured by any instrument known

00:44:11.230 --> 00:44:15.630
to man. The supernatural strength to reach out

00:44:15.630 --> 00:44:19.130
into the void of darkness and bring back to life

00:44:19.130 --> 00:44:23.190
the child of her heart defies all the natural

00:44:23.190 --> 00:44:27.789
laws of nature. The answer can only be found

00:44:27.789 --> 00:44:32.190
in the terrifying world of the imagination. The

00:44:32.190 --> 00:44:36.309
world where anything the mind can conceive can

00:44:36.309 --> 00:44:40.429
happen. Our cast included Celeste Holm, Wes Addy,

00:44:40.809 --> 00:44:44.070
Robert Maxwell, Robert Dryden, and Anne Costello.

00:44:44.460 --> 00:44:46.960
The entire production was under the direction

00:44:46.960 --> 00:44:50.900
of Hyman Brown. This is E .G. Marshall inviting

00:44:50.900 --> 00:44:54.039
you to return to our Mystery Theater for another

00:44:54.039 --> 00:45:00.480
adventure in the macabre. Until next time, pleasant

00:45:00.480 --> 00:45:01.519
dreams.
