WEBVTT

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The Avid and Costello program brought to you

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by Camel, the cigarette of costlier, properly

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aged tobaccos. See if your throat and your taste

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don't make Camel the first with you too. Find

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out for yourself. Listen to the great rhythms

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of Will Osborne and his orchestra, the swingy

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singing of Connie Hayes. And that sawed -off,

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stubby, over -stuffed little statesman who, when

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invited to San Francisco for the United Nations

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Security Conference, proudly said, Hey, up! Castella,

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Castella, Castella, calm yourself. Why are you

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so excited? Hey, Abbott, I think the war is over.

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Oh, that's silly. What makes you think the war

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is over? I just heard the lady next door talking

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back to her maid. Oh. Well, never mind that.

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Yes, look. Never mind that, Lou, look. You know,

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we've got to drive out to the 8th of the bar

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ranch to see the Andrew sisters about the coming

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show next week. Yeah. Now, did you borrow Ken

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Niles' car? Oh yeah, I borrowed it just like

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you told me. Well, that's swell. But I had a

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terrible accident at it. What do you mean? I

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upset it. I got to turn it over right away or

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Ken Niles' wife won't like it. Well, we can do

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that when we come back from the Andrew Sisters'

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ranch. No, I got to turn the car over now or

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Mrs. Niles is going to be mad. I'll explain it

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to Mrs. Niles. Where is she? She's under the

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car. She... She's under the car? Is she in a

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coma? No, she's wearing her evening gown. Oh.

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Well, then let's get Ken Niles to help us lift

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the car. Oh, Ken is in a good spot to help us.

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Fine. Where is he? He's under the car too. For

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goodness sakes, how did this accident happen?

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I bumped into one of the car rabbit. Boy, that

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driver was mad at me He said, for two cents,

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I'd punch in the nose And what happened? He ran

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up a bill of eight dollars You were silly to

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argue with the driver Why didn't you call a policeman?

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I didn't have to I hit one You hit a policeman?

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I hit a policeman You hit a policeman in uniform?

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Nope, I hit him in the nose Oh, this is liable

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to spoil our whole trip to the Andrews Sisters

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ranch Did the cop recognize you? Yep Could he

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swear to you? Yep And I sweared right back at

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him I said, oh... Oh, you David Copperfield,

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you tale of two cities, you Oliver Twist. What

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did you say that for? I was giving him the dickens.

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That's... Ah, this is a fine thing. Now I have

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to straighten you out with that policeman. Where

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is he? He's under the car, too. What are they

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all doing under the car? Have you looked for

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an apartment lately? Uh -oh, uh -oh, here comes

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Mr. and Mrs. Niles. Better beat it, Costello.

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fat -headed, slabby, car -flipping fool! Do you

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realize you left me out there under the car holding

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up my rumble seat? Don't stand there like an

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idiot! What have you got to say? Good morning,

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Mrs. Niles. Oh, good morning me! Good night,

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Mrs. Niles. That day went fast, didn't it? No.

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Costello, why did you leave Mrs. Niles under

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the back seat of her car? Well, isn't that where

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they always keep the crank? Well, all right.

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Just a minute now, you worm. Don't you... Please.

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Go ahead, go ahead. Pull me out, kid. All right.

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You're supposed to... Don't you try to wiggle

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out of this. What about me? Look at my suit.

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I'm a mess. Niles, without looking at your suit,

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you're a mess. But look at the spots all over

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my suit. Well, throw away the suit and wear the

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spots. Oh Costello, I've had enough. We're going

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out to get the policeman and sue you for damages.

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Damages? But Mrs. Niles, did you get hurt? Did

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I get hurt? I have a big scratch on my crazy

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bone. Put your hat on and nobody will notice

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it. Oh, come Kenneth. Hey, come on, have a think

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fast. I gotta get out of here before they come

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back with the cop. Oh, you can cause more trouble.

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We were going to the eights of the bar ranch

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to ask the Andrew sisters to appear on our show

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next week. And you wrecked the car we were going

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to use. Well, now we'll have to rent a car. Well,

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let's get another car. We'll have to. Well, where

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can we get one? Now you drive. Me drive? No,

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you drive. I said I drive. You don't drive it,

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I drive it. Drive what? A you drive. Why should

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I drive when you wanna drive? I'm going to drive.

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Look, Costello, I'm renting a you drive and I

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drive it. Oh, then we both drive it. No, we do

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nothing of the kind. I drive. When I say you

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drive, I don't mean you drive. I mean that I

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drive, although it's a you drive. When you say

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you drive, you don't mean me drive? No. You mean

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you drive because I don't drive? Now you've got

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it. Now I, I don't even know - That's what I'm

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talking about! Now look, Abbot, you go to a place

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and you're gonna rent a car. Yes. You are driving

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the car? Yes. Where am I sitting? You are sitting

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right next to me. Is there a steering wheel in

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front of me? No. And you're positive that I am

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not driving? I'm positive. And you are driving

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the car? Yes. All right, what kind of a car are

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you driving? You drive. Somebody better be driving!

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No, no, no, look, please. I'm trying to explain

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this. We go and rent a car. Right, now where

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are we gonna get it? You drive company. Now I

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drive company. I thought we were going alone.

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You don't understand. It hurts you drive. Well,

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if it hurts, you drive. That is right. That's

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right. This is getting worse. Don't you see?

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The head of the company's hurts. That's too bad.

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What hurts him? Nothing hurts him. Look, every

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company... has to have a head. Naturally. Now,

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this company's heads hurts. Oh, why don't we

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take an aspirin? Listen. It's hurts you drive

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all over the country. Well, if it hurts to drive

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all over the country, why should I drive and

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get hurt? You don't get hurt. I'm not gonna get

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hurt. You don't get hurt, Castle. And nobody's

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gonna hurt for me. That's right, you're not gonna

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get hurt. I'm not fool to get hurt. You're not

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going to get hurt. It's the hurts company. Oh,

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the hurts company. All right, look at it. I don't

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wanna hurt nobody. Will you listen to me, please?

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The man's name is... Look, no, please. Now look,

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take it easy. The man's name is Hertz. He rents

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cars. U Drive. It's the U Drive all over the

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country. You drive all over the country! Yeah!

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Not with that OPA, brother! What are you talking

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about? That's why I can't go! OPA! What do you

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mean, OPA? Only... Ramel presents Will Osburn

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with the arrangement of one of your favorites.

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My dreams are getting better all the time. Captain

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and Costello are driving their rented car over

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the desert to the Andrews Sisters Ranch. We find

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them on the road, their motor merrily hammering

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away as they head for the ranch. Let's listen

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to these hammerheads. Well, Costello, no matter

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how you drive, the pedestrians always manage

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to get across the road somehow. Yeah, sneaky

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devils, ain't they? I wish I was a truck driver.

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Why do you want to be a truck driver? Oh, they

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run into so many interesting people. Castella,

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you're a dope. Hey. Huh? Hey. Castella. Castella!

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There's something wrong. What's wrong here? What's

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wrong with this? What's the matter with this

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car? Out of gas. Hello. Hello, fellas. Have an

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accident? No, thanks. We just had one. Quiet,

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Castellus. Hey, mister. Could you pull us to

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the nearest town? Nope, but the horse can. It's

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10 miles to Palm Springs. I'll tow you there

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for $30. Here, just hook the rope on. Okay? Here

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we go. a horse's horse. You know, Costella, that

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guy is a gyp. Imagine charging us $30 to pull

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us 10 miles. Don't worry, Evan. I'm getting even

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with him. How? I got our brakes on. Okay, Costella,

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here's the hotel. I'll ring for the clerk. Oh,

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clerk! Oh, church! Clerk! Oh, church! Just a

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moment, please. This is a very high class hotel

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and I'll have you understand I'm not a jerk.

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You're not even a vibration. Costello, will you

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act like a gentleman, please? Hey, clerk, we'd

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like a room. All I have left is the bridal chamber.

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Do you want that, Mr. Abbott? I do. Do you want

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it, Mr. Costello? I do. I now pronounce you room

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and bath. Five dollars. Mr. Clark, just a minute.

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You don't understand. We were here on our way

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to the 8th of the Ball Ranch and our car broke

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down. We're going to see the Andrew Sisters.

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Ah, yes, the Andrew Sisters. They are so sweet.

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Every time I see them, I want to kiss them. My

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mind says no, my heart says yes. And what do

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you hear from your liver? Well, Mr. Costello,

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if you'll just sign the register, I'll have the

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boy show you to your suite. My what? Your suite,

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your suite. You're cute too. I like... Come on,

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Clark, what about our rooms? All right, Mr. Costello,

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it's on the 10th floor. Here's the key, 10 -06.

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Now get going. Okay, I'll see you later. Okay.

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Wrong! All right. Wrong! All right! I know you

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are. Now listen, Clark, we want to get up early.

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We're going to the... Hey, wait a minute, 10th

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floor? 10th floor? Wait a minute, you sent Costello

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to the 10th floor. There's only one floor in

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this hotel. You haven't got a 10th floor. Good

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heavens, man, you're right! Oh, this is serious.

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Oh, Mr. Costello, there's no 10th... Now Stella,

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speak to me, are you all right? What can I do

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for you? Send a boy up for my bags. Hey, come

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on Abba, let's get out of this place. I have

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never been so humidity in all my life. Humidity?

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Yes, he humiditied me. Humidity means damp. Well,

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let's get out of this damp hotel. Banana? Yeah,

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look. Look, you can't check out. You just checked

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in. Oh, it's the gypsy and me. Oh, shut up. You're

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going right to bed. Now, we've got to see the

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Andrews sisters in the morning. Oh, here's our

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room. Come on. Oh, I wonder who that can be.

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Nobody knows we're in town. I'll take it. Go

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ahead. Hello. Yes, this is Lou Costello. No,

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no, I'm sorry. I'd like to, but I just can't.

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No, no, I won't tell you. Who was that? Boulevard.

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They wanted to know what time it was. You're

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crazy. Now get to bed. Come on, hurry up. We've

00:14:07.519 --> 00:14:09.620
got to get up early, you understand? To get to

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the ranch. What's this? Pardon me, boys. I'm

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the chambermaid. I heard you two clowns had checked

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in. I thought you might like to hear a funny

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story. How about it, Abbott? This chambermaid

00:14:22.360 --> 00:14:24.220
might have something. We could use a good joke.

00:14:24.860 --> 00:14:26.679
We haven't had one on three pages. All right,

00:14:26.740 --> 00:14:31.990
go ahead. Well... Did you ever hear the story

00:14:31.990 --> 00:14:35.509
about the double band? Nope. I just made it.

00:14:40.269 --> 00:14:46.990
Oh, this kid is gonna lay eight! Oh, how dare

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you! I've never been so humiliated in my life!

00:14:49.909 --> 00:14:51.769
Now, you see, Addit? She said the same thing,

00:14:51.789 --> 00:14:54.269
humidity. She thinks it's a damp hotel too. Oh,

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dampness has nothing to do with it. She said

00:14:56.629 --> 00:14:59.710
humiliate. Conjugate it from the Latin, humilius.

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Humiliate. Humili -ium. I humiliate. She humiliates.

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They humiliate. Now, do you understand? Yes,

00:15:05.350 --> 00:15:07.990
sir. Everybody in the joint is damp. No, no,

00:15:08.169 --> 00:15:10.110
no, no. Say, miss, if you're so smart, maybe

00:15:10.110 --> 00:15:11.750
you could tell me something. Our car broke down

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and we got to get to the Andrews Sisters Ranch.

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Now, how can we get there? On a jackass. Did

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you ever ride a jackass? No. Then you better

00:15:18.350 --> 00:15:22.889
get on to yourself. Ha ha ha ha! Ha ha ha ha!

00:15:24.950 --> 00:15:28.190
Hmm. How do you like that? That's a very funny

00:15:28.190 --> 00:15:30.539
joke. If you ask me, then I'll ask me. I think

00:15:30.539 --> 00:15:32.899
it's a funny joke. I think I'll try that one

00:15:32.899 --> 00:15:36.340
on Abbott. Hey, Abbott! Yes? Did you ever ride

00:15:36.340 --> 00:15:44.460
a jackass? No. Then hop on my back! Okay. Out

00:15:44.460 --> 00:15:54.159
of 50 pounds of seawater comes one single precious

00:15:54.159 --> 00:15:57.000
ounce of magnesium, that miracle metal for airplanes.

00:15:57.320 --> 00:15:59.639
Sort of a parallel to the job of getting the

00:15:59.639 --> 00:16:02.279
precious tobacco for camel cigarettes. You see,

00:16:02.559 --> 00:16:04.820
oceans of leaf tobacco are produced in the United

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States each year, about a billion and a half

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pounds. But only a fraction of this enormous

00:16:10.059 --> 00:16:13.000
production is good enough for camels. Then those

00:16:13.000 --> 00:16:15.720
choicer, costlier tobaccos are properly aged

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and blended in the time -honored camel way. Why,

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camels just wouldn't be camels if they were made

00:16:21.120 --> 00:16:24.639
of green, insufficiently cured tobaccos. So ask

00:16:24.639 --> 00:16:27.509
for camels when you buy cigarettes. Their full,

00:16:27.809 --> 00:16:30.370
rich flavor and cool mildness make them worth

00:16:30.370 --> 00:16:36.509
asking for every time. C -A -M -E -L -S Camels.

00:16:36.730 --> 00:16:48.090
War or peace, camels are still camels. Lovely

00:16:48.090 --> 00:16:50.269
Connie Hain sings for her camel fans, one of

00:16:50.269 --> 00:16:52.529
the most popular songs of the day. I'm beginning

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to see the light. I never cared much for moonlit

00:17:00.080 --> 00:17:06.059
skies I never went back at fireflies But now

00:17:06.059 --> 00:17:10.380
that the stars are in your eyes I'm beginning

00:17:10.380 --> 00:17:18.180
to see the light I never went in for afterglow

00:17:18.180 --> 00:17:23.619
A candlelight on the mistletoe But now when you

00:17:23.619 --> 00:17:30.170
turn the lamp down I'm beginning to see the light.

00:17:31.730 --> 00:17:37.069
Used to ramble through the park. Shadow boxing

00:17:37.069 --> 00:17:43.309
in the dark. Then you came and caught the spark.

00:17:43.390 --> 00:17:49.809
That's a four alarm fire now. I never made love

00:17:49.809 --> 00:17:57.279
by lantern shine. I never saw rainbows. But now

00:17:57.279 --> 00:18:01.619
that your lips are burning mine, I'm beginning

00:18:01.619 --> 00:18:08.839
to see the light. Used to ramble through the

00:18:08.839 --> 00:18:16.160
park, shadow boxing in the dark. Then you came

00:18:16.160 --> 00:18:22.140
and caused the sparks, and the ball on fire now.

00:18:26.680 --> 00:18:32.799
I never saw rainbows in my wine, but now that

00:18:32.799 --> 00:18:37.099
your lips are burning mine, I'm beginning...

00:19:11.440 --> 00:19:13.279
We've got to check out of this hotel and find

00:19:13.279 --> 00:19:15.339
the Andrews Sisters ranch. Gee Abbott, I hate

00:19:15.339 --> 00:19:17.559
to leave this lovely hotel room. I know. But

00:19:17.559 --> 00:19:19.259
I can't get it into my suitcase. What do you

00:19:19.259 --> 00:19:22.000
mean? My suitcase is full of towels. Costello!

00:19:22.500 --> 00:19:24.559
I'm surprised at you, stealing towels from a

00:19:24.559 --> 00:19:28.480
hotel. What could be smaller? Wash rags. Now!

00:19:31.279 --> 00:19:34.990
Come in. Pardon this unwarranted intrusion, gentlemen,

00:19:35.049 --> 00:19:37.529
but I'm looking for Abbott and Costello. Oh,

00:19:37.630 --> 00:19:39.549
that's Abbott over there and I'm Costello. You?

00:19:39.589 --> 00:19:41.930
No, no, it couldn't be. I'm sure, sir. I'm sure

00:19:41.930 --> 00:19:44.410
that Luke Costello does not look like a sawed

00:19:44.410 --> 00:19:47.190
-off, pot -bellied, imbecilic, flea -bitten bum.

00:19:47.269 --> 00:19:54.250
Oh, yeah? You wanna bet? What did I say? Just

00:19:54.250 --> 00:19:56.029
a minute, neighbor. Who are you, anyway? Oh,

00:19:56.069 --> 00:19:58.329
pardon me. My name is Melon Head. I'm sorry.

00:19:58.710 --> 00:20:02.150
Well, with that head, you should be sorry. Look

00:20:02.150 --> 00:20:03.970
at that scalp, Abbott. His forehead goes all

00:20:03.970 --> 00:20:06.529
the way back to Santa Monica. Just a minute,

00:20:06.710 --> 00:20:09.589
Costello. I resent your remarks. I have plenty

00:20:09.589 --> 00:20:12.609
of hair. I mean on your head and foot in your

00:20:12.609 --> 00:20:15.829
shirt. Costello, Costello, before you insult

00:20:15.829 --> 00:20:18.210
this man anymore, please. Before you insult him,

00:20:18.250 --> 00:20:21.809
let's find out what he wants. Go ahead. Find

00:20:21.809 --> 00:20:23.730
out what he wants. Well, go ahead. All right,

00:20:23.849 --> 00:20:25.930
melonhead. Tell us what you want so I can insult

00:20:25.930 --> 00:20:28.069
you again. Gentlemen, I'm a theatrical agent

00:20:28.069 --> 00:20:31.049
specializing in television. Here's my card. Hey,

00:20:31.089 --> 00:20:32.549
there's nothing on the card. Well, television

00:20:32.549 --> 00:20:36.690
isn't here yet. Now, let's get down to business,

00:20:37.029 --> 00:20:38.569
Costello. Let's get down to business. I understand

00:20:38.569 --> 00:20:40.589
you boys are here to engage the Andrews sisters

00:20:40.589 --> 00:20:43.009
to appear on your radio show. That's right. Now,

00:20:43.049 --> 00:20:44.890
Mr. Costello, if I could save you a lot of money.

00:20:45.150 --> 00:20:50.549
Look, if you found $14 ,987 .50 in your pocket,

00:20:50.910 --> 00:20:53.369
what would you think? I'd think I'd had on somebody

00:20:53.369 --> 00:20:56.190
else's pants. Oh, no, no, no. Now, gentlemen,

00:20:56.230 --> 00:20:58.839
my proposition is very simple. The Andrews sisters

00:20:58.839 --> 00:21:02.920
would cost you $15 ,000, but I happen to represent

00:21:02.920 --> 00:21:06.480
the original Andrews Brothers. The Andrews Brothers?

00:21:06.579 --> 00:21:10.259
Who are they? A great act. And the Andrews Brothers.

00:21:10.480 --> 00:21:14.160
The Andrews Brothers will only cost you $12 .50.

00:21:14.819 --> 00:21:17.200
Do you know what that means? Yes, that means

00:21:17.200 --> 00:21:21.059
they must be lousy. Will you shut up, Castello?

00:21:21.099 --> 00:21:23.460
Mr. Melonhead, how can you afford to sell the

00:21:23.460 --> 00:21:26.059
Andrews Brothers so cheap? Oh, I was caught by

00:21:26.059 --> 00:21:29.299
the price ceiling. Uh, you see, think of it,

00:21:29.359 --> 00:21:32.559
boys. The three Andrews brothers for $12, and

00:21:32.559 --> 00:21:35.160
that's less than $5 a brother. Where can you

00:21:35.160 --> 00:21:37.160
buy brothers cheaper than that? I can buy the

00:21:37.160 --> 00:21:39.279
Smith brothers for a nickel. All right, Costello.

00:21:40.759 --> 00:21:43.339
Stop, stop. And they got more hair as a beard

00:21:43.339 --> 00:21:45.680
than you got on your head. Yeah, all right. Can

00:21:45.680 --> 00:21:48.680
you stop quibbling with Mr. Melonhead? Well...

00:21:48.619 --> 00:21:50.599
I mean, he quibbled on me first. Well, so what?

00:21:50.799 --> 00:21:52.079
I mean, after all, I don't go around quibbling

00:21:52.079 --> 00:21:53.700
on anybody unless they quibble on me first. All

00:21:53.700 --> 00:21:55.259
right, we'll forget about it. I got a good mind

00:21:55.259 --> 00:21:56.759
to let them have it some more. I'll quibble them

00:21:56.759 --> 00:21:58.440
with both barrels. Now, never mind the quibbling.

00:21:58.619 --> 00:22:00.460
I guarantee I can quibble further than he can.

00:22:00.519 --> 00:22:02.660
All right, we do want more quibbling. Quiet.

00:22:02.660 --> 00:22:03.920
We might as well stop right here. We ain't got

00:22:03.920 --> 00:22:05.519
no place for it. All right, Mr. Mellonhead. Yeah?

00:22:06.259 --> 00:22:08.700
When can we hear the Andrews brothers? When you

00:22:08.700 --> 00:22:11.279
can hear them right now. All right. Come in,

00:22:11.460 --> 00:22:34.980
boys, and sing for Rabbit and Costello. Well,

00:22:35.119 --> 00:22:38.180
Costello, what do you think of the three Andrews

00:22:38.180 --> 00:22:40.220
brothers? Well, they could be worse. How could

00:22:40.220 --> 00:22:44.119
they be worse? There could be four of them. Now,

00:22:44.119 --> 00:22:46.200
wait a minute, Costello. Let's not pass judgment

00:22:46.200 --> 00:22:48.420
until we hear the boys sing something else. Do

00:22:48.420 --> 00:22:51.380
you boys know Apple Blossom Time? Do they? Of

00:22:51.380 --> 00:22:54.180
course they, boys! Go ahead, hit it. Sing the

00:22:54.180 --> 00:23:15.349
medley. like apple cider time. I'll be with you

00:23:15.349 --> 00:23:21.230
and change your name to mine. They'll have to

00:23:21.230 --> 00:23:22.569
change more than their names if they want to

00:23:22.569 --> 00:23:49.809
get on this program. Hit it, Roy! Will you be

00:23:49.809 --> 00:23:55.509
quiet? I mean, you and I... Ah, Deborah! I wondered

00:23:55.509 --> 00:24:00.589
what happened to that guy. I mean, that's not

00:24:00.589 --> 00:24:03.730
funny. That guy not only rolled out the barrel,

00:24:03.910 --> 00:24:07.029
he emptied it. All right, all right. Well, Abbott

00:24:07.029 --> 00:24:09.329
and Costello, didn't I tell you the Andrews brothers

00:24:09.329 --> 00:24:12.849
were out of this world? They ain't out far enough.

00:24:14.059 --> 00:24:16.200
Let's not quibble, Costello. Look, where can

00:24:16.200 --> 00:24:18.359
you find a better bargain than these three wonderful

00:24:18.359 --> 00:24:21.119
singers? Think of it. Three brothers for $12

00:24:21.119 --> 00:24:25.539
.50. Now, why that, you cost that much for three

00:24:25.539 --> 00:24:28.200
goats. Yeah, but look at the difference. Nothing

00:24:28.200 --> 00:24:30.140
doing, nothing doing, Melonhead. Your prices

00:24:30.140 --> 00:24:32.940
are too high. Too high, Costello? Before I'll

00:24:32.940 --> 00:24:35.779
sell the Andrews brothers for less than $12 .50,

00:24:36.039 --> 00:24:39.839
I'll drown myself. Okay, you asked for it. Put

00:24:39.839 --> 00:25:06.720
that salsa bottle down. Hey! Stella will be back

00:25:06.720 --> 00:25:14.259
for candle cigarettes in just a moment. Thanks

00:25:14.259 --> 00:25:17.259
to the angst of the week, tonight we salute Lieutenant

00:25:17.259 --> 00:25:20.140
John Battenfield Mitchell of Brentwood, Pennsylvania,

00:25:20.980 --> 00:25:23.339
engineer with the 9th Armored Division who risked

00:25:23.339 --> 00:25:26.720
his life to disconnect wiring from the explosives

00:25:26.720 --> 00:25:28.799
which would have blown up the Ray Morgan bridge

00:25:28.799 --> 00:25:32.910
over the Rhine in just 10 more minutes. His action

00:25:32.910 --> 00:25:35.549
made possible the tank dash to the Rhine's eastern

00:25:35.549 --> 00:25:39.130
bank. In your honor, Lieutenant Mitchell, the

00:25:39.130 --> 00:25:41.450
makers of camels are sending to our fighters

00:25:41.450 --> 00:26:13.339
overseas 500 ,000 camel cigarettes. Here are

00:26:13.339 --> 00:26:15.539
Bud Abbott and Lou Costello with the final word.

00:26:16.079 --> 00:26:18.279
Well, Costello, what have you planned to do next

00:26:18.279 --> 00:26:20.660
week with the Andrews sisters? I'm going to show

00:26:20.660 --> 00:26:23.839
them up, Abbott. I am going to sing. Well, that

00:26:23.839 --> 00:26:26.880
should be of interest to music lovers all over

00:26:26.880 --> 00:26:29.720
the world. Have you chosen a song? Yes, Abbott.

00:26:29.880 --> 00:26:32.940
I'm singing that popular ballad entitled, Who

00:26:32.940 --> 00:26:37.519
Spilled the Beer on the Stove or Foam on the

00:26:37.519 --> 00:26:51.869
Rains. Good night, folks. Good night. Yes, folks,

00:26:52.029 --> 00:26:53.970
be sure to tune in next week for another great

00:26:53.970 --> 00:26:56.410
Abaddon Costello show brought to you by Camel

00:26:56.410 --> 00:26:59.670
Cigarettes. And remember, camels are worth asking

00:26:59.670 --> 00:27:03.230
for every time. See for yourself how camel's

00:27:03.230 --> 00:27:05.730
mildness, coolness, and flavor clicks with you.
