WEBVTT

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Welcome. I'm E .G. Marshall. I have the lunch

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all packed and I'm ready to take you on a picnic

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in the woods. There's a beautiful little glade

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deep in the forest. Birds singing. That wonderful

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clean aroma of fresh growth mixed with leaf mold

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and last year's pine needles. The cool touch

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of grass to your bare feet if you care to take

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your shoes off. Doesn't sound very mysterious?

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Doesn't frighten you? Well, stay with us. It

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will. Lou, I can't stand it, thinking about them

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two nice young folks out there, lost in the woods.

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I feel bad about it too, Sarah, but I don't know

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what I can do. It's raining cats and dogs out

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there, and it's turning down my code. Now we've

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got to do something. I called the sheriff over

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at Fenebeck. Sheriff Larkin? You think for one

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minute he's gonna go into them woods, looking

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for Ronnie and Peg? I'll get somebody else to

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go. No, surely the truth will do. Then I'd have

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to be out of his mind to go on them woods night

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like this. And the other time for that matter.

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Well, what are you going to do about it? You're

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going to just sit there? Eh? I reckon that's

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about all there is to do. One thing's sure, I

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aim to stay out of Dutchman's woods. Our mystery

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drama, Stay Out of Dutchman's Woods, was written

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especially for the Mystery Theatre by Field and

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Farrington and stars Paul Hecht. I'll be back

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shortly with Act One. I think you'll agree there's

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nothing more delightful than that first day of

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vacation. You've shut off all your cares. Your

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freedom is still new and exhilarating. Your inevitable

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return to workaday things is too far in the future

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to dampen your high spirits. Of course, vacations,

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like other pleasant seeming prospects, may take

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unpredictable turns. You just can't look more

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than a few seconds into the future without facing

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an uncertainty. Ronnie and Peg Andrews have driven

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all day to get to their chosen vacation spot

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in the Maine Northwoods. But are they tired?

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How about down by the old mill stream? I think

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I can even do a pretty good tenner on part of

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that one. Uh, down by the old mill... Oh, Ronnie,

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I love you dearly, for better or worse, like

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I told the man. But if you hit one more sour

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note, I'm going to get out of this car and walk

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the rest of the way. You know what your trouble

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is, Peg? You got a tin ear. How far do you think

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we are from the inn? Can't be more than a few

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miles now. You tired? Not really. I don't know.

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We've been driving through this forest for miles.

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So it gives me the creeps. So dark and gloomy.

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The creeps? You're kidding. It's absolutely beautiful.

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In a way. I look so... I don't know. Brooding.

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Contrast. That's all. The sun's so bright, where

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it gets through to the road, it makes the woods

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seem dark. What are you doing? I just want to

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show you. Ten steps into the woods and you'll

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see there's nothing gloomy about it. It's just

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the contrast. I don't want to go in there, Ronnie.

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Oh, well. Okay. We can come back another day.

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Maybe tomorrow. It really is a beautiful forest.

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We could bring a picnic lunch. Well, okay. Maybe

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it'll look better to me tomorrow. Oh, I love

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it, Ronnie. I just love it. It really looks the

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way a cliffside inn ought to look. Even nicer

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than Bill and Edna said. Isolated, that's for

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sure. Now, you'd be Mr. and Mrs. Andrews, wouldn't

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you? That's right. We have reservations. Good

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thing you made him, too. He might just have closed

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down. End of season for us. Are we the only guests?

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Only ones. My name's Lou Griffin. I'm the proprietor.

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Sarah? Coming. I was just putting up a fresh

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pot of coffee. Figured we'd be wanting some.

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Long trip and all. I thought I smelled coffee.

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Just what I need. Now, I hope you ain't disappointed

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in the place, Miss Andrews. Disappointed? I adore

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it. It's even nicer than Bill and Edna told us.

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Bill and Edna White. They were up here earlier

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in the summer. White? Oh, yes. They're the couple

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with the two young boys, huh? Ken and Eddie,

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yes. Never did say two youngins could be in so

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many different places at one time. I've been

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thinking some about seeing if I can't get hold

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of some hex -signs to keep young 'uns out next

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season. I noticed the hex -signs outside and

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even in here. Yeah? Anything we got plenty of,

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it's hex -signs. Are they just for decoration

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or do you really mean them to keep evil spirits

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away? They're just for what you call color. And

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it don't hurt to be on the safe side. What do

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you mean? Maybe there's evil spirits, maybe there

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ain't. Maybe they want to get in. Maybe they

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don't. But I never heard of a hex sign doing

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any harm. Morning, Mr. Griffin. Morning. Uh,

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Sarah, you can put the eggs on now. Lou and Sarah,

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what we like to be called. Friendlier that way.

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Okay, we're Peg and Ronnie. I brought your coffee

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out. Eggs won't be ready for a minute or so.

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I brought you a cup too, Lou. Fine. As long as

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these good folks don't mind me sitting down with

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them. Oh, no, no. Please do. I'll be right out

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with the rest. Already, but they... How are you

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folks planning to spend the day? Well... Well,

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we had a discussion about that, and I won. He

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wants to take a hike into the woods. Dutchman's

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Woods? Oh, is that what they're called? I wouldn't

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go in there if I was you. You wouldn't? Folks

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get lost in there. Been a lot of that. Oh, we

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won't get lost. I have a very good sense of direction.

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But all the same, you take my advice. You stay

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out of Dutchman's woods. See, Ronnie? Oh, that's

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ridiculous. We can take care of ourselves. We're

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not gonna get lost. Nobody aims to a cause. Folks

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do it, though. Yeah, I was going to ask you if

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Mrs. Griffin, oh, Sarah, would be willing to

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put up a picnic lunch for us. Oh, she'll fix

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you up something for lunch. No trouble about

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that. Only thing is... We'll be very careful.

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Well, I'll just go to talk to Sarah about the

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lunch then. Thanks. But if I was you, I'd stay

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out of Dutchman's Woods. Oh, Ronnie, I'm hungry

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and I'm tired. Some kind of bug bit me on the

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arm. And I want a sandwich and then I want to

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go home. This place gives me the creep I can't

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understand you pay we've taken hikes in the woods

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before You never acted like this. I know I don't

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really understand it either There's just something

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about this place Can't explain it any better

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than that. Hey, hey look up ahead. Hey, there's

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a clearing up there Sunlight. Oh, I didn't think

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I'd ever live to see it again. Oh, don't be a

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nut Maybe it's a good place to stop for lunch.

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Come on Hey Hey, it's like a garden, isn't it?

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It's pretty, all right. Especially after all

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that glue. And if we can spread the cloth Sarah

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gave us on that flat rock, huh? All the comforts

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of home. And then after we eat, we go home, right

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back the way we came. Except that you're pointing

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in the wrong direction, Peg. I am not. We just

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came right out between those two bushes. Between

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those two bushes. All I can say is it's a good

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thing you married a man who can find his way

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around. Ronnie, I'm sure. I'm nearly just as

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sure as can be. Yeah, well, don't worry about

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a thing. They don't call me Ron the Pathfinder

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for nothing. Well, come on, let's eat. Okay,

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but I could have sworn. Lou Griffin, do you mean

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to sit there and tell me you let them two wander

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off into Dutchman's woods? Wasn't a matter of

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letting them, sir. Dead set on it. They were

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he was in here. Oh if I'd known where them two

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was fixing to go I never would have put up that

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lunch for them. I tried to talk them out of it

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She didn't much want to go in the first place

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But he wouldn't budge an inch you could have

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told him the truth about that place and got nothing

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from her trouble But laughter telling a tale

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like that No, sir comes to talk about Dutchman's

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wards. I'm on my own business Ronnie, Ronnie,

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will you stop and listen to me? Oh, all right.

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Ronnie, the underbrush wasn't this thick before.

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It didn't come this way. Well, I have to admit

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I don't remember it being quite this overgrown

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before. But I know we're going in the right direction.

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I'm very sure of that now, Peg. You're not sure

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at all, are you, Ronnie? Well, maybe I am just

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a little disoriented. Lost, I think, would be

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the word. All right, I'm lost. You like it better

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that way? It's not as if we were lost in an African

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jungle or something with wilderness for miles

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around. We're in a tame woods in Maine. There's

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no cause to panic. I'm not panicking, Ronnie.

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I just... Let's go back, shall we? See if we

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can find the clearing where we had lunch. All

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right. Ronnie, I think it's over this way. I'm

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sure we weren't coming from that direction before.

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All right! All right! I've got to stop and catch

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my breath, Ronnie. We can't be far from the crane

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now, can we? Well, I wouldn't think so. I believe

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we passed that row and tree over there when we

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came this way before. That's west, Ronnie, right

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into the sun. Where? Is it so? Don't you think

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we ought to keep walking east? I mean, the road

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is east of here. We know that. It doesn't really

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matter where we come out on the road, does it?

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As long as we do come out. Oh, okay. Well, you...

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Do you feel rested now? Oh, enough. That you,

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Lou? It's me. Oh, did you see anything of them?

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Seen their car park there alongside the woods.

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They're lost all right. Well, why didn't you

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keep on looking? Did you go into the woods? Oh,

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a few steps here and there. Not very far, eh?

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Well, land sakes, how do you expect to find somebody

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that's lost in the woods if you don't go into

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the woods? Well, do you think he was aiming to

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get rid of me or something? The way you keep

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trying to run me off into them woods. Well, them

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young folks is our responsibility, Lou. Honey.

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Is it late enough to start getting dark? No,

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not yet. It's not quite five yet. Then why is

00:11:56.409 --> 00:12:01.029
it getting dark? Maybe it's going to rain, Peg.

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Oh, Lord, that's all we need. The worst of it

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is, without the sun to guide us, we can't be

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sure we're still going east. It's getting cold,

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too. Yeah. Ronnie? Yeah. I'm scared. Don't be

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frightened, Peg. There's really no reason to

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be. Sure, we're lost. It's going to be inconvenient

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as hell. If it starts raining, we're going to

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get drenched and be damned uncomfortable, but

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there's nothing to be scared of. I am scared

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all the same. Oh, now come on, let's keep moving.

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The underbrush has thinned out some, at least,

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and I'm pretty sure we're still going east. You

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were right about that. If we keep going on east,

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we can't miss the road. So, we're really not

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in such bad shape as we... Hey! Hey, Peg! There's

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a clearing up ahead. What do you want to bet

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it's ours? Peg? Hey, where are you? Peg? Isn't

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that a clearing over there, Ronnie? Oh, and bless

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me. It's lighter in there. Ronnie? Ronnie, don't

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play games with me. I'm scared enough already.

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Ronnie Peg Peg is that you over this way Ronnie?

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That's right Ronnie over this way. Yes, that's

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fine. Keep on just the way you're going Yeah

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Hello, Ronnie you're You you aren't peg of course.

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I'm not but won't I do? Don't you think I'm as

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beautiful as she is? Well, I was I was looking

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for don't you Ronnie well, I I Think you're the

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most beautiful woman I've ever seen Sirens abound

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in legend and folklore and if I may say so without

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starting a controversy they're not unheard of

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even in real life. Few men, no matter how virtuous,

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are completely siren proof. So, if there's a

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siren operating deep in a Maine woods, it shouldn't

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surprise us too much. The question is, will she

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lead, or try to lead, Ronnie Andrews to his destruction?

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We'll investigate further when I return with

00:14:45.850 --> 00:15:00.929
Act Two. of their stay at Lou Griffin's Cliffside

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Inn, Ronnie and Peg Andrews decided to take a

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picnic lunch and go exploring Dutchman's Woods.

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As Lou had warned them, this turned out to be

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a mistake. First, they lost their way, and then

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they became mysteriously separated. In searching

00:15:17.149 --> 00:15:21.070
for Peg, Ronnie has come upon a strange and extraordinarily

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beautiful woman. In fact, almost his first words

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to her were, I think. You're the most beautiful

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woman I've ever seen. Thank you. And you must

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be as good as you are beautiful, so I'm sure

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you'll help me. Of course. My wife and I, Peg,

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Peg, my wife and I, we lost our way in the woods

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earlier in the day, and we've been wandering

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around in circles, I guess, all afternoon. People

00:15:45.809 --> 00:15:48.330
do get lost in Dutchman's Woods. Didn't anybody

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tell you? Oh, yeah, yeah, yeah, but... Well,

00:15:50.769 --> 00:15:54.690
you see, I wanted to come anyway. It was... I

00:15:54.690 --> 00:15:57.570
don't know, it was as if the woods... Drew me.

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I understand. Yeah, and then somehow Peg and

00:16:00.970 --> 00:16:05.070
I got separated. Oh, now I can't find her. Do

00:16:05.070 --> 00:16:08.850
you know the woods well? I know every tree, every

00:16:08.850 --> 00:16:12.789
stone, every flower, every path. Oh, yes. I know

00:16:12.789 --> 00:16:15.470
Dutchman's Wood. Great, great. Will you please

00:16:15.470 --> 00:16:18.809
help me find my wife? My name's Katrina. Last

00:16:18.809 --> 00:16:20.509
names aren't important, are they? We'll just

00:16:20.509 --> 00:16:23.450
be Ronnie and Katrina. Yeah, well, I'm very glad

00:16:23.450 --> 00:16:27.200
to know you, Katrina. It wasn't far from here,

00:16:27.360 --> 00:16:29.659
the place where my wife and I got separated.

00:16:29.940 --> 00:16:33.740
Ronnie and Katrina. Would you like to see my

00:16:33.740 --> 00:16:38.080
house? House? Oh, you mean you have a house in

00:16:38.080 --> 00:16:40.940
the middle of this jungle? A very beautiful house,

00:16:41.100 --> 00:16:43.960
yes. Come, I'll show it to you. Oh, thanks very

00:16:43.960 --> 00:16:47.360
much. Maybe Peg and I could see it together.

00:16:47.659 --> 00:16:50.210
After we found her, I... Well, I just can't go

00:16:50.210 --> 00:16:52.450
wandering off with you while Peg's lost somewhere

00:16:52.450 --> 00:16:54.330
and probably looking for me right this minute.

00:16:54.330 --> 00:16:56.029
You must be hungry. You can have dinner with

00:16:56.029 --> 00:16:58.690
me, Ronnie. And I'll give you some of my special

00:16:58.690 --> 00:17:01.389
wine. Aren't you listening to me? My wife is

00:17:01.389 --> 00:17:03.909
lost. I can't just leave her out there. I gotta

00:17:03.909 --> 00:17:05.470
find her. Will you please stop talking about

00:17:05.470 --> 00:17:08.029
that woman? It's very rude of you talking to

00:17:08.029 --> 00:17:11.650
me about another woman. I won't have it. Look,

00:17:11.890 --> 00:17:16.430
I don't think you understand. My wife and I got

00:17:16.430 --> 00:17:20.190
separated somehow in the woods. I'm not looking

00:17:20.190 --> 00:17:23.349
for her. Oh, you can't mean that you I've offered

00:17:23.349 --> 00:17:25.730
you my hospitality I said I'd give you dinner

00:17:25.730 --> 00:17:29.109
and I've I've even asked you to have my wine

00:17:29.109 --> 00:17:34.309
I'm very angry with you Ronnie. Please I'm begging

00:17:34.309 --> 00:17:37.789
you Why won't you help me if you wish to come

00:17:37.789 --> 00:17:39.890
with me? Perhaps I'll help you find your wife

00:17:39.890 --> 00:17:42.029
later on you'll never find her without my help.

00:17:42.029 --> 00:17:48.150
I promise you that Well, I must be going You're

00:17:48.150 --> 00:17:51.029
making a very stupid mistake, but if you don't

00:17:51.029 --> 00:17:54.009
know any better Okay, Katrina. Wait. Are you

00:17:54.009 --> 00:17:58.650
coming with me? Oh, well Oh, yes. All right.

00:17:58.710 --> 00:18:41.299
I'll come with you Them two ain't back yet. What

00:18:41.299 --> 00:18:45.920
do we... Oh, we're... We knew they was lost.

00:18:46.140 --> 00:18:49.000
It's still raining. It's turned cold as winter

00:18:49.000 --> 00:18:53.440
just about. Them two lost out there. Only thing

00:18:53.440 --> 00:18:57.240
she ain't back yet. Did not expect him. But you

00:18:57.240 --> 00:18:59.279
think... If you think I'm gonna let you go back

00:18:59.279 --> 00:19:01.579
to sleep again, you got another thing coming.

00:19:02.519 --> 00:19:05.299
Turn that lamp on, will you? I'm gonna get up.

00:19:05.839 --> 00:19:08.369
Maybe put on a pot of fresh coffee. Does that

00:19:08.369 --> 00:19:11.930
sound good to you? Yeah? Well, I expect a glass

00:19:11.930 --> 00:19:13.829
of apple, Jack. We're doing a lot more good.

00:19:14.009 --> 00:19:18.029
Lou, all you had to do was just tell them. You

00:19:18.029 --> 00:19:20.349
think he'd believe a tale like that, fed up in

00:19:20.349 --> 00:19:23.769
the city? That frightened my face, he would have.

00:19:23.829 --> 00:19:27.170
Well, I wish you'd told him. Sarah, we don't

00:19:27.170 --> 00:19:31.309
even know if it's cool. We know men get lost,

00:19:31.549 --> 00:19:34.490
that we do know. But we don't know why they get

00:19:34.490 --> 00:19:41.670
lost. I couldn't tell that story as gospel. Who's

00:19:41.670 --> 00:19:47.130
that? Lou! Sarah! Somebody help me! We're coming,

00:19:47.410 --> 00:19:52.369
Peg. Now, now, now, ballin' about it ain't gonna

00:19:52.369 --> 00:19:55.829
do no good. Guess what happened? I can't find

00:19:55.829 --> 00:19:59.029
him. I can't find him anywhere. Somebody has

00:19:59.029 --> 00:20:01.950
to help. Yes, sir. Happens every time I didn't

00:20:01.950 --> 00:20:03.849
hear. He was standing right there together and

00:20:03.849 --> 00:20:06.009
then... All of a sudden, he just wasn't there.

00:20:06.150 --> 00:20:08.210
He wasn't there. You better come back in the

00:20:08.210 --> 00:20:10.569
kitchen and have a nice cup of hot coffee, Peg.

00:20:11.109 --> 00:20:15.250
There's no time. We have to find Ronnie. Louie,

00:20:15.369 --> 00:20:18.470
will you help me look for him? Will somebody

00:20:18.470 --> 00:20:21.609
have to help me? Yes, I'll go with you. I would

00:20:21.609 --> 00:20:25.769
appreciate it. What if you get lost? Women don't.

00:20:26.150 --> 00:20:28.009
Peg found a way home, all right, didn't she?

00:20:28.170 --> 00:20:32.009
And I've been in them woods before. I just can't

00:20:32.009 --> 00:20:34.640
understand it. And I thought at first he was

00:20:34.640 --> 00:20:38.200
hiding from me, playing some silly kind of game.

00:20:38.799 --> 00:20:42.920
And he was there, and then he wasn't. Two seconds

00:20:42.920 --> 00:20:45.359
later. I told him not to go into them woods.

00:20:46.119 --> 00:20:49.579
You gotta admit I told him. Man just ain't safe

00:20:49.579 --> 00:20:57.019
in Dutchman's woods. You see that big boulder

00:20:57.019 --> 00:20:59.619
just ahead, Ronnie? The one shaped sort of like

00:20:59.619 --> 00:21:02.289
a boat? Yes. Just when you go around to the left

00:21:02.289 --> 00:21:05.829
of it, you can see the house. Take my hand. Oh,

00:21:06.069 --> 00:21:10.970
all right. Uh, Katrina. Yes? We are going to

00:21:10.970 --> 00:21:14.130
look for Peg, aren't we? I mean, afterwards.

00:21:14.450 --> 00:21:17.170
After I've seen your house and had some of this

00:21:17.170 --> 00:21:20.250
wine of yours. You can be so tiresome. Well,

00:21:20.250 --> 00:21:27.589
I'm sorry. Just a minute now. There. I don't

00:21:27.589 --> 00:21:31.529
believe it. I knew you'd be surprised. The others

00:21:31.529 --> 00:21:34.210
always have to... Others? Well, you don't think

00:21:34.210 --> 00:21:36.109
you're the first guest I've ever had, do you?

00:21:36.369 --> 00:21:39.029
All I meant was nobody ever expects to find a

00:21:39.029 --> 00:21:40.910
house like this out in the middle of the woods.

00:21:41.250 --> 00:21:44.329
Gee, it isn't a house at all. It's a castle.

00:21:44.430 --> 00:21:47.529
It really is. A perfect replica of one, anyway.

00:21:48.289 --> 00:21:50.549
My husband had it built exactly like a castle

00:21:50.549 --> 00:21:52.670
in... Oh, I don't remember. Somewhere in Holland.

00:21:52.910 --> 00:21:58.109
Your husband? You're so chumpy. He's been dead

00:21:58.109 --> 00:22:00.990
for years. I can't figure out how we missed seeing

00:22:00.990 --> 00:22:04.670
this place from the road when we drove in yesterday.

00:22:05.890 --> 00:22:12.930
Peg, you feel like you're up to it. Back into

00:22:12.930 --> 00:22:16.109
them woods and all. Oh, yes. I think we ought

00:22:16.109 --> 00:22:18.710
to go right now. I mean the longer we wait...

00:22:18.710 --> 00:22:21.269
I think maybe we'd better take this with us.

00:22:21.829 --> 00:22:25.210
Pec -Sign? What's it supposed to do? It's a strong

00:22:25.210 --> 00:22:28.450
one this year. meant to ward off witches and

00:22:28.450 --> 00:22:31.730
evil spirits and, well, just about anything else

00:22:31.730 --> 00:22:35.509
that walks the night. Well, like Lou says, it

00:22:35.509 --> 00:22:38.849
don't hurt to be on the safe side. Come, let's

00:22:38.849 --> 00:22:41.230
get out of here. Never find that man of yours

00:22:41.230 --> 00:22:43.750
standing around here telling old wives tales.

00:22:49.210 --> 00:22:52.089
Here you are, honey. A glass of the most unusual

00:22:52.089 --> 00:22:54.650
wine you've ever tasted. Aren't you having any?

00:22:54.859 --> 00:22:58.240
Oh, no. Not just now. Well, don't sip it, Ronnie.

00:22:58.559 --> 00:23:06.759
Drink it right down. Doesn't really taste like

00:23:06.759 --> 00:23:09.660
wine after all. You don't like my wine. No, no,

00:23:09.660 --> 00:23:13.859
no. I didn't mean that. It's just that... Oh.

00:23:14.380 --> 00:23:19.619
Oh, yeah. Now it does. Hey, it leaves a very

00:23:19.619 --> 00:23:22.779
pleasant aftertaste. Exactly. You can have another

00:23:22.779 --> 00:23:25.369
glass when we go in for dinner. You know. Well,

00:23:25.390 --> 00:23:27.910
what I really ought to do is... The thing that

00:23:27.910 --> 00:23:30.549
makes my wine so different is a special ingredient.

00:23:31.450 --> 00:23:33.269
I'm not sure you can find it anywhere at all

00:23:33.269 --> 00:23:36.150
except right here in Dutchman's Wood. It grows

00:23:36.150 --> 00:23:39.970
wild like the grapes. All the ingredients I use

00:23:39.970 --> 00:23:44.690
to make the wine grow wild. I have to go out

00:23:44.690 --> 00:23:49.750
later and find Peg. I can't just leave Peg wandering

00:23:49.750 --> 00:23:53.200
around out there. Of course not. But would you

00:23:53.200 --> 00:23:56.339
like to come inside now, Ronnie? Sure. Sure,

00:23:56.339 --> 00:24:07.400
why not? Can you point out where it was you stopped

00:24:07.400 --> 00:24:10.859
the car and went into the woods, Peg? I'm not

00:24:10.859 --> 00:24:14.480
sure. It all sort of looks alike. Well, no matter.

00:24:15.579 --> 00:24:17.700
You mustn't think ill of Lou because he didn't

00:24:17.700 --> 00:24:19.500
want to come out and help you look for your husband,

00:24:19.720 --> 00:24:23.740
Peg. It did seem odd. See, he knows I'm safe

00:24:23.740 --> 00:24:27.440
enough. It's only men that get lost in Dutchman's

00:24:27.440 --> 00:24:31.400
woods. That doesn't make sense. Well, it does

00:24:31.400 --> 00:24:34.599
if you know the story. Katrina's got no interest

00:24:34.599 --> 00:24:38.539
in women. Katrina? Choose the cause of it all,

00:24:38.680 --> 00:24:42.519
if there's any truth in the tale they tell. When

00:24:42.519 --> 00:24:45.900
men get lost in there, in the woods, they don't

00:24:45.900 --> 00:24:50.450
just disappear, do they? I mean, they... They're

00:24:50.450 --> 00:24:53.490
found eventually, aren't they? Oh, they're found,

00:24:53.490 --> 00:24:56.130
all right. What's left of them. What do you mean?

00:24:56.130 --> 00:24:57.930
Well, I shouldn't have said that, but the truth

00:24:57.930 --> 00:25:02.730
is... they're found dead. Dead? Now it's going

00:25:02.730 --> 00:25:04.869
to be different with brownie pig, and you've

00:25:04.869 --> 00:25:09.009
got to believe that. Dead of what? Oh, exposure.

00:25:10.049 --> 00:25:12.769
Sometimes starvation. Whatever it is that kills

00:25:12.769 --> 00:25:15.910
people lost in the woods. Though if you ask me,

00:25:15.910 --> 00:25:23.750
there's a whole lot more to it than that. You

00:25:23.750 --> 00:25:26.910
like my house, Ronnie? Oh, yeah. It's extraordinary,

00:25:27.170 --> 00:25:30.329
Katrina. This is the most extraordinary house

00:25:30.329 --> 00:25:33.829
I ever saw. At first, I didn't like it. Can you

00:25:33.829 --> 00:25:36.890
believe that? I thought it was too far away from

00:25:36.890 --> 00:25:38.970
everybody and everything, and I hated my husband

00:25:38.970 --> 00:25:41.210
for making me live in it. Oh, yeah, your husband.

00:25:42.150 --> 00:25:44.930
He's dead, did you say? Oh, yes, a long time

00:25:44.930 --> 00:25:49.869
ago. My wife is alive. She's lost in the woods.

00:25:50.059 --> 00:25:53.079
But she's alive. Drink your wine, Ronnie. Oh,

00:25:53.160 --> 00:25:56.660
yeah, I'm so sleepy. Wait until you see the banquet

00:25:56.660 --> 00:25:58.380
hall. Do you know I could seat over a hundred

00:25:58.380 --> 00:26:01.779
people if I wanted to? But I like to entertain

00:26:01.779 --> 00:26:06.099
one at a time. Just one at a time. Three -sicker.

00:26:07.180 --> 00:26:09.980
What is it? What is it? Three is. Oh, a crowd.

00:26:10.380 --> 00:26:14.099
Exactly. We're going to like each other, aren't

00:26:14.099 --> 00:26:19.390
we, Ronnie? Are you sleepy, Ronnie? You know

00:26:19.390 --> 00:26:23.490
you're quite handsome. I used to call me a witch

00:26:23.490 --> 00:26:26.589
a long time ago. People believed in things more

00:26:26.589 --> 00:26:32.269
then. Oh yes, you're very handsome. I may keep

00:26:32.269 --> 00:26:36.450
you for quite a long time. Several weeks even.

00:26:37.390 --> 00:26:47.960
Oh yes, that would be nice. Oblique. rainy night

00:26:47.960 --> 00:26:51.380
in a dense forest that already has an evil reputation.

00:26:52.299 --> 00:26:55.619
A good time and place for unnatural goings on.

00:26:56.180 --> 00:26:59.559
Well, there's a good deal going on in Dutchman's

00:26:59.559 --> 00:27:04.180
woods that seems unnatural, if you accept Webster's

00:27:04.180 --> 00:27:07.660
definition of natural. Occurring in conformity

00:27:07.660 --> 00:27:10.460
with the ordinary course of nature, Webster says.

00:27:11.400 --> 00:27:14.099
The abrupt and unexplained separation of Ronnie

00:27:14.099 --> 00:27:17.779
from Peg. Doesn't seem to qualify as natural

00:27:17.779 --> 00:27:21.460
according to that definition. I'll be back shortly

00:27:21.460 --> 00:27:35.720
with act three A beautiful woman named Katrina

00:27:35.720 --> 00:27:39.400
has lured Ronnie Andrews into her castle -like

00:27:39.400 --> 00:27:42.680
stronghold and plied him with wine which she

00:27:42.680 --> 00:27:47.089
herself describes as most unusual. Peg, Ronnie's

00:27:47.089 --> 00:27:49.789
wife, along with Sarah Griffin, had gone into

00:27:49.789 --> 00:27:52.869
Dutchman's woods looking for Ronnie. Peg still

00:27:52.869 --> 00:27:55.150
thinks of Ronnie as simply lost in the woods

00:27:55.150 --> 00:27:58.390
on a miserable rainy night. But Sarah obviously

00:27:58.390 --> 00:28:01.829
knows, or suspects, a lot more than she's telling.

00:28:02.670 --> 00:28:05.190
When you shine your flashlight round about, Peg,

00:28:05.589 --> 00:28:07.930
I'll keep mine straight ahead so I can see where

00:28:07.930 --> 00:28:11.369
we're going. All right. Ronnie! All I don't know

00:28:11.369 --> 00:28:13.549
is it'll do much good to keep on calling for

00:28:13.549 --> 00:28:16.940
him. Sarah, what did you mean when you said somebody

00:28:16.940 --> 00:28:20.000
called Petrina was the cause of it all? That's

00:28:20.000 --> 00:28:22.539
a long story, that one. You don't seem like a

00:28:22.539 --> 00:28:24.559
very good time to go into it right now. I want

00:28:24.559 --> 00:28:27.599
to know. Well, yes, I guess you would. Sarah,

00:28:27.619 --> 00:28:30.319
tell me. I guess I ought to, yes, now that I've

00:28:30.319 --> 00:28:32.740
gone this far. Hey, keep on flashing your light

00:28:32.740 --> 00:28:35.980
around. Yes, I will. Well, it starts back a long

00:28:35.980 --> 00:28:38.640
while ago. Not much after the revolution was

00:28:38.640 --> 00:28:41.140
over. The American Revolution? That's the one.

00:28:41.390 --> 00:28:43.890
Seems there was this man, Dutch trader, named

00:28:43.890 --> 00:28:47.509
Hans Groot. And he fell head over teakettle in

00:28:47.509 --> 00:28:49.549
love with this young girl that was taxing around

00:28:49.549 --> 00:28:53.150
New York society at the time. Her name was Katrina.

00:28:54.069 --> 00:28:57.349
Katrina? But that was around the time of the

00:28:57.349 --> 00:28:59.289
revolution, you see. Just keep on shining your

00:28:59.289 --> 00:29:02.130
light around now. Must have been filthy rich,

00:29:02.250 --> 00:29:04.670
this Hans Groot. There was no spring chicken

00:29:04.670 --> 00:29:06.869
at that time, and yet Katrina agreed to marry

00:29:06.869 --> 00:29:09.309
him without so much as a maybe. And her hardly

00:29:09.309 --> 00:29:12.440
out of her teens yet. So they had a big, fancy

00:29:12.440 --> 00:29:14.779
wedding and settled down in a house he'd bought

00:29:14.779 --> 00:29:17.599
in New York. Think if we find Ronnie, he'll already

00:29:17.599 --> 00:29:20.279
be... Oh, stop worrying, honey. Well, anyway,

00:29:21.019 --> 00:29:23.299
they didn't exactly live happy ever after there

00:29:23.299 --> 00:29:26.660
in that house. Katrina was a wanton. Only word

00:29:26.660 --> 00:29:29.200
that suits her, wanton, pure and simple. Got

00:29:29.200 --> 00:29:30.759
so she would spend more of her time with the

00:29:30.759 --> 00:29:32.940
young blades around town than she was with her

00:29:32.940 --> 00:29:35.660
own husband. and it didn't take him long to get

00:29:35.660 --> 00:29:38.000
good and sick of it. I can't see what all this

00:29:38.000 --> 00:29:39.859
has to do with... Well, now you ask me to tell

00:29:39.859 --> 00:29:44.319
you a thing. All right. I'm... I'm sorry. But

00:29:44.319 --> 00:29:47.240
he was still as stuck on Katrina as ever, so

00:29:47.240 --> 00:29:49.259
he got a hold of this great big wooded acreage

00:29:49.259 --> 00:29:51.680
up here in Maine, reminded me of all woods anyway,

00:29:51.740 --> 00:29:54.660
them days, and he built such a house on it as

00:29:54.660 --> 00:29:57.759
you wouldn't believe if you was to see it. Regular

00:29:57.759 --> 00:30:00.200
castle it was, right out there, in the middle

00:30:00.200 --> 00:30:02.319
of the woods, millions of miles from nowhere.

00:30:02.849 --> 00:30:04.910
And he brought Katrina up here and put her in

00:30:04.910 --> 00:30:07.069
that house, and that was that way he figured.

00:30:07.750 --> 00:30:10.190
Here? You mean right here in this forest? Mmm,

00:30:10.289 --> 00:30:13.170
Dutchman's Woods, it's called. Hans Groot was

00:30:13.170 --> 00:30:15.710
the Dutchman. Trouble was, you see, that Dutchman

00:30:15.710 --> 00:30:17.809
himself couldn't spend his whole time in his

00:30:17.809 --> 00:30:20.269
castle. He still had his business affairs in

00:30:20.269 --> 00:30:23.130
New York. And even some interests overseas are

00:30:23.130 --> 00:30:26.309
same. So he had to leave Katrina alone in that

00:30:26.309 --> 00:30:29.130
big old house now and again. And that Katrina,

00:30:29.470 --> 00:30:32.529
oh, she must have been a resourceful one. She

00:30:32.529 --> 00:30:35.150
found her men all right. Wasn't no stopping her.

00:30:35.430 --> 00:30:37.470
Even shut up in the house? The castle? Well,

00:30:37.470 --> 00:30:39.730
she wasn't exactly shut up in it. Just didn't

00:30:39.730 --> 00:30:42.650
have no means of travel. She took to roaming

00:30:42.650 --> 00:30:45.569
around the woods. You see, there was plenty of

00:30:45.569 --> 00:30:48.430
poaching went on in them days. Lots of it. So

00:30:48.430 --> 00:30:51.069
Katrina had run across a poacher hunting on her

00:30:51.069 --> 00:30:53.589
husband's property. And she'd taken him home

00:30:53.589 --> 00:30:57.730
with her and... Might as well have left her in

00:30:57.730 --> 00:30:59.970
New York for all the good it done Hans Groot.

00:31:00.470 --> 00:31:05.160
Yes, sir. Castle still standing. No, not properly

00:31:05.160 --> 00:31:08.380
speaking. Anyway, Hans Groot come home and caught

00:31:08.380 --> 00:31:11.220
Katrina with one of them poachers. And he killed

00:31:11.220 --> 00:31:14.640
them both. Katrina along with a man. And you

00:31:14.640 --> 00:31:16.680
think the same Katrina? That's the way the story

00:31:16.680 --> 00:31:19.680
goes. If you're superstitious enough to believe

00:31:19.680 --> 00:31:24.140
it, Katrina still walks Dutchman's woods. And

00:31:24.140 --> 00:31:39.839
any man that comes her way is fair game. How

00:31:39.839 --> 00:31:44.339
did I get into a place like this? Oh, yeah. Yeah,

00:31:44.339 --> 00:31:46.839
I remember. You fell asleep, Ronnie. Oh, I'm

00:31:46.839 --> 00:31:49.000
sorry. I must have been more tired than I realize.

00:31:50.160 --> 00:31:53.259
I still feel sort of sluggish. You were tired.

00:31:53.319 --> 00:31:55.519
Hey, look, we've got to get moving. We've got

00:31:55.519 --> 00:31:59.299
to find Peg. Peg. Peg, Peg, Peg. That's all I

00:31:59.299 --> 00:32:02.140
hear from you. My name is Katrina, not Peg. I'm

00:32:02.140 --> 00:32:04.079
not accustomed to having my guests talk about

00:32:04.079 --> 00:32:06.079
other women. Well, we... We ought to go out and

00:32:06.079 --> 00:32:08.660
see if we can find Peg. You'll only lose yourself

00:32:08.660 --> 00:32:10.720
again if you go out there. But you promised you'd

00:32:10.720 --> 00:32:13.799
help me. I didn't promise at all. She'll find

00:32:13.799 --> 00:32:15.500
her way home. She's probably back at the inn

00:32:15.500 --> 00:32:18.759
right now, safe and sound. She's a woman. I don't

00:32:18.759 --> 00:32:20.940
enjoy another woman's company. I don't want women

00:32:20.940 --> 00:32:24.599
here. Can't you understand that? Are... are you

00:32:24.599 --> 00:32:27.940
saying that... that you cause people to get lost?

00:32:28.519 --> 00:32:32.460
You aren't lost, Ronnie. You're here. Right in

00:32:32.460 --> 00:32:39.680
this room with me. There's a clearing up ahead.

00:32:40.440 --> 00:32:42.880
I don't think it's the place where we had lunch,

00:32:43.119 --> 00:32:46.119
though. No, Peg. No, it's the ruins. The ruins?

00:32:46.160 --> 00:32:48.279
Yeah, the place the old castle used to stand.

00:32:48.799 --> 00:32:50.940
Ain't much left now but rubble where the masonry

00:32:50.940 --> 00:32:54.240
fell down. Mostly overgrown with weeds and vines

00:32:54.240 --> 00:32:56.799
and the like. The old foundation's still there.

00:32:57.000 --> 00:32:59.140
You can't see it too well after dark, of course.

00:32:59.299 --> 00:33:02.079
And you think this is where? Yes, if there is

00:33:02.079 --> 00:33:05.059
a Katrina. And if she's dragged your young man

00:33:05.059 --> 00:33:07.920
off somewhere. I'd say this is the most likely

00:33:07.920 --> 00:33:10.940
place. Ronnie! Now, what my opinion, it won't

00:33:10.940 --> 00:33:14.519
do a lick of good yelling for him. There's just

00:33:14.519 --> 00:33:22.779
go hunting through the rubble. I feel funny,

00:33:22.920 --> 00:33:27.319
Katrina. Fuzzy, yeah. Must be that wine of yours

00:33:27.319 --> 00:33:31.259
again. It's partly the wine, I'm sure. But also

00:33:31.259 --> 00:33:34.740
partly just me. Oh Ronnie, we're going to be

00:33:34.740 --> 00:33:37.859
very happy. Happier than you've ever been. I

00:33:37.859 --> 00:33:41.359
promise you that is it raining outside. I can't

00:33:41.359 --> 00:33:44.059
tell It look like you're not listening to me.

00:33:44.079 --> 00:33:47.880
Oh, yes. I am you were talking about Happiness,

00:33:47.900 --> 00:33:51.019
you've never been happy Ronnie. I mean wildly

00:33:51.019 --> 00:33:54.200
happy happy with nothing to intrude You've never

00:33:54.200 --> 00:33:57.339
been happy that way. Have you Ronnie what? You're

00:33:57.339 --> 00:34:01.900
you're very beautiful It's all for you right

00:34:01.900 --> 00:34:05.259
now Not forever. I don't promise that but right

00:34:05.259 --> 00:34:09.460
now You're my only reason for being beautiful.

00:34:10.440 --> 00:34:16.219
Very beautiful. What? What was that? We'll belong

00:34:16.219 --> 00:34:19.900
to each other. I'll be completely yours. Listen.

00:34:21.239 --> 00:34:27.739
Somebody called me. I have a feeling, Sarah.

00:34:28.159 --> 00:34:30.380
I have this crazy feeling that he heard me. It's

00:34:30.380 --> 00:34:32.619
no crazier than anything else. Maybe he did.

00:34:41.840 --> 00:34:46.179
Not just an old heap of... It's a castle. Sarah,

00:34:46.179 --> 00:34:52.400
can you see it? Sarah? Sarah, where are you?

00:34:53.880 --> 00:35:04.139
Oh no, she's... Dear Lord, help me. Mommy! It

00:35:04.139 --> 00:35:14.050
was Peg. It was Peg calling me. Can you hear

00:35:14.050 --> 00:35:16.889
me? I can! I can hear you, Mommy! This way, Peg!

00:35:17.349 --> 00:35:19.510
Come toward my voice! Stop talking to that woman!

00:35:20.070 --> 00:35:22.630
Don't come and hear you, I forbid it! Oh, Mommy!

00:35:22.989 --> 00:35:25.809
Oh, I looked everywhere, and I... Oh, I thought

00:35:25.809 --> 00:35:28.389
I'd never... I thought I'd never see you again.

00:35:28.570 --> 00:35:30.889
Come on, take your hands off that woman. Who

00:35:30.889 --> 00:35:34.909
is this? Oh, uh, Katrina. Her name's Katrina.

00:35:35.090 --> 00:35:37.230
She found me in the woods. I... I think she...

00:35:37.230 --> 00:35:39.610
You'll find out soon enough who I am, you little

00:35:39.610 --> 00:35:42.630
fool. What are you doing here? I came here looking

00:35:42.630 --> 00:35:44.849
for my husband. Your husband doesn't want to

00:35:44.849 --> 00:35:47.789
see you. Get out! I'm not going to leave without

00:35:47.789 --> 00:35:50.449
him. He doesn't want to go with you. Do you,

00:35:50.590 --> 00:35:51.929
Ronnie? You don't want to leave with her. Tell

00:35:51.929 --> 00:35:54.170
her! You do want to come with me, don't you,

00:35:54.170 --> 00:35:55.690
Ronnie? Well, I... Ronnie, wouldn't you like

00:35:55.690 --> 00:35:58.469
another glass of wine? I don't... I don't think...

00:35:58.469 --> 00:36:01.889
Wine? Has he been... He doesn't drink. No, Peg,

00:36:01.929 --> 00:36:03.570
you don't... Had you seen, he doesn't want to

00:36:03.570 --> 00:36:06.110
talk to you. Why don't you leave? How can you

00:36:06.110 --> 00:36:08.789
stay where you're not wanted? I don't know who

00:36:08.789 --> 00:36:12.900
you are. Or what you are. Whether you're a ghost

00:36:12.900 --> 00:36:17.300
or a witch Or maybe both I don't know and I don't

00:36:17.300 --> 00:36:19.400
care much you're not going to take my husband

00:36:19.400 --> 00:36:23.599
away from me how very brave she is and What if

00:36:23.599 --> 00:36:27.960
I tell you I am a ghost and I am a witch and

00:36:27.960 --> 00:36:30.880
I can destroy you both What if I tell you that

00:36:30.880 --> 00:36:33.679
first I have to call you a liar because I've

00:36:33.679 --> 00:36:38.000
never believed in such things and then If it

00:36:38.000 --> 00:36:41.239
should turn out you're not a liar I'd have to

00:36:41.239 --> 00:36:45.599
say, go ahead and destroy us. Both of us, though.

00:36:46.000 --> 00:36:51.380
Not just one, both. A liar! I'll... I'll... Ronnie,

00:36:51.559 --> 00:36:55.059
tell her to get out of here! Peg... Well, Ronnie...

00:36:55.059 --> 00:36:57.780
Katrina, I can't... What kind of a spineless

00:36:57.780 --> 00:37:02.380
creature are you? Tell her! Peg... I... I want

00:37:02.380 --> 00:37:07.239
to come with you. Yes, Peg, I... I want to leave

00:37:07.239 --> 00:37:11.619
here and go with you. No! All right, you witch,

00:37:11.980 --> 00:37:15.480
ghost, harlot, whatever you are. Stop us if you

00:37:15.480 --> 00:37:17.679
think you can. I think I'm all right now, Peg.

00:37:17.860 --> 00:37:19.820
I don't know what she did to me, but... Stop

00:37:19.820 --> 00:37:22.699
this! You stop this, both of you! Don't you know

00:37:22.699 --> 00:37:26.360
who I am? I'm Katrina! You idiots, I can bring

00:37:26.360 --> 00:37:28.800
this castle down in a heap on top of you. Don't

00:37:28.800 --> 00:37:31.639
you know that? It's already down in a heap. I

00:37:31.639 --> 00:37:36.599
saw it. I'll show you. I'll show you! Peg! Peg,

00:37:36.599 --> 00:38:02.820
here! Under this table! The whole house! It's

00:38:02.820 --> 00:38:05.880
Ronnie. Oh, help me with him, will you? We've

00:38:05.880 --> 00:38:08.280
got to get him up off this wet ground. Ronnie!

00:38:09.619 --> 00:38:14.639
Is that you, Peg? Yes, Ronnie. Can you stand

00:38:14.639 --> 00:38:19.500
up? Well, I think so. Oh, I feel sort of dizzy.

00:38:20.559 --> 00:38:22.199
I don't understand what's going on. How do you

00:38:22.199 --> 00:38:25.880
get here, anyhow? We must walk past this spotter

00:38:25.880 --> 00:38:31.510
half a dozen times. I'm not quite sure. He was

00:38:31.510 --> 00:38:33.309
all right just a minute ago. I was with him in

00:38:33.309 --> 00:38:36.050
the house, the castle. He was all right except

00:38:36.050 --> 00:38:38.369
for the effects of the wine. And it seemed to

00:38:38.369 --> 00:38:40.530
be wearing out. Now just hold on a minute. You

00:38:40.530 --> 00:38:43.469
know, you ain't making no kind of sense. I'm

00:38:43.469 --> 00:38:46.730
so cold. Oh, he's soaked to the skin. The rain

00:38:46.730 --> 00:38:48.489
stopped, thank goodness, but we'd better get

00:38:48.489 --> 00:38:50.469
him inside. He was perfectly dry a minute ago.

00:38:50.969 --> 00:38:53.090
And then the house actually did just crumble

00:38:53.090 --> 00:38:55.489
around us the way she said it would. Only of

00:38:55.489 --> 00:38:57.739
course it wasn't real or we'd both be... How

00:38:57.739 --> 00:38:59.780
did he get that wet? I hope you know what you're

00:38:59.780 --> 00:39:02.380
talking about. I sure don't. Oh, I feel stiff.

00:39:02.860 --> 00:39:04.920
And I ache all over. We've got to get you home

00:39:04.920 --> 00:39:08.099
and into a nice, warm, dry bed before you catch

00:39:08.099 --> 00:39:16.519
your death. The house fell down all around us,

00:39:16.760 --> 00:39:19.139
Sarah. Just the way she said it would. Only,

00:39:19.159 --> 00:39:21.639
I didn't think it could hurt us because, oh,

00:39:21.639 --> 00:39:23.699
you see, I knew the house had already fallen

00:39:23.699 --> 00:39:26.539
down. Well, I'm out. We must have imagined the

00:39:26.539 --> 00:39:29.340
whole thing. I must have been lying there on

00:39:29.340 --> 00:39:31.960
the ground and in the ruins the whole time. All

00:39:31.960 --> 00:39:35.099
I know is we walked past there a half dozen times,

00:39:35.139 --> 00:39:39.059
and you wasn't there. You just wasn't. So I don't

00:39:39.059 --> 00:39:42.320
see how we can say it was all imagination. It

00:39:42.320 --> 00:39:45.400
was real, all right. While it blasted, it was

00:39:45.400 --> 00:39:48.739
real. Here's the car. Now once we get you in

00:39:48.739 --> 00:39:50.179
there with the heater turned on, you'll feel

00:39:50.179 --> 00:39:52.659
a lot better, Ronnie. I feel a lot better already.

00:39:55.690 --> 00:40:00.050
What in the world was that? That... That was

00:40:00.050 --> 00:40:04.530
your Katrina. I wouldn't be surprised. Katrina?

00:40:04.769 --> 00:40:07.070
I left my Hicks sign back there in them ruins.

00:40:08.309 --> 00:40:10.889
Reckon if it works as well as the superstitious

00:40:10.889 --> 00:40:15.030
folks claim it works, we won't be having no more

00:40:15.030 --> 00:40:29.340
trouble with Katrina. Katrina certainly was.

00:40:29.739 --> 00:40:32.039
Any woman who was killed by her jealous husband

00:40:32.039 --> 00:40:35.340
in the 18th century and shows up again in 1975

00:40:35.340 --> 00:40:38.980
must be considered a ghost. But is it really

00:40:38.980 --> 00:40:43.280
fair to call her a siren and a witch? By Ronnie's

00:40:43.280 --> 00:40:46.300
admission, one thing is certain. Whether Katrina

00:40:46.300 --> 00:40:50.679
was a siren, a ghost, a witch, or all three,

00:40:51.440 --> 00:40:53.980
Ronnie was lucky to get out of that one alive.

00:40:54.659 --> 00:41:08.360
I'll be back in a few moments. Ronnie and Peg

00:41:08.360 --> 00:41:10.760
spent the remainder of their vacation in Maine.

00:41:11.119 --> 00:41:14.320
It's a beautiful state, why shouldn't they? But

00:41:14.320 --> 00:41:17.860
they gave Dutchman's Woods a wide berth. To this

00:41:17.860 --> 00:41:20.679
day, when Ronnie Andrews sees more than three

00:41:20.679 --> 00:41:23.519
trees forming a clump, he crosses to the other

00:41:23.519 --> 00:41:26.579
side of the road. So between now and our next

00:41:26.579 --> 00:41:29.639
look into the nature of things, stay away from

00:41:29.639 --> 00:41:32.800
all suspicious -looking forests. We're saving

00:41:32.800 --> 00:41:37.000
you for another and quite different kind of jeopardy.

00:41:37.650 --> 00:41:40.690
Our cast included Paul Hecht, Jada Rowland, Santos

00:41:40.690 --> 00:41:44.230
Ortega, Joan Loring and Mary Jane Higby. The

00:41:44.230 --> 00:41:46.170
entire production was under the direction of

00:41:46.170 --> 00:41:53.409
Hyman Brown. And now, a preview of our next tale.

00:42:06.030 --> 00:42:09.250
William, what are you doing? I've got a little

00:42:09.250 --> 00:42:11.730
bit of hay here. I was saving it to give to my

00:42:11.730 --> 00:42:16.469
horse. You're not lighting it! Of course I am!

00:42:16.769 --> 00:42:19.090
Now, let's add a little something. Let's see

00:42:19.090 --> 00:42:21.190
what we've got here. Here's a few pages from

00:42:21.190 --> 00:42:23.510
the London Tattoo. That'll do the trick. Oh,

00:42:23.510 --> 00:42:27.849
God, you stop it! You brute! You brute! I don't

00:42:27.849 --> 00:42:30.610
move him, all right! He doesn't want his feet

00:42:30.610 --> 00:42:34.190
burnt to a crisp! All right, move, boy! I can't

00:42:34.190 --> 00:42:48.280
bear it! I can't! This is EG Marshall inviting

00:42:48.280 --> 00:42:51.199
you to return to our mystery theater for another

00:42:51.199 --> 00:42:57.139
adventure in the macabre until next time pleasant

00:42:57.139 --> 00:43:10.219
dreams This is KOIN in Portland. It's 12 midnight.
