WEBVTT

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Welcome. I'm E .G. Marshall. Those of you who

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have attended performances in the Mystery Theater

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know that there are certain tales that particularly

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entrance and intrigue me. They deal with the

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unusual, the unfamiliar, the unexplainable. So

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I have turned today to that master of mystery,

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Wilkie Collins, who has a habit of coming up

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with a story that always makes me say, why, that's

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not possible. Or is it? Xavier! Xavier Yardley

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Zenith! Can you hear me? Yes, I can, Uncle. It's

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me, Xavier. Are you a ghost? Why didn't Father

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Daly bless my coffin? I wanted him to, Uncle.

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But he refused. Absolutely refused. Because he

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said you didn't die a natural death. You must

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make him bless the grave, Xavier. I... I cannot

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rest until he does. Our mystery drama. Shadows

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from the Grave, adapted from a story by Wilkie

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Collins, was written especially for the Mystery

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Theater by James Agate, Jr. and stars Christopher

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Tabori. I'll be back shortly with Act One. One

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invariably associates the mysterious with lonely

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old houses, strange small inbred towns, peculiar

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characters, and I have to admit this story follows

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that pattern. The man who told it to me is one

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XYZ -ness. You can imagine the kind of comments

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this poor fellow has gone through life with.

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Nevertheless, he didn't seem to mind when I said,

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XYZ, would you tell us about your extraordinary

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adventure yourself? Having been christened Xavier

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Yardley Zenith and suffered with those initials

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all through school in California, I decided that

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when I got to the job age and became very good

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in photography to open up a studio of my own.

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Call it Zenith of Hollywood. Not an unusual word

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in Hollywood. where everything is the top, the

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best, the ultimate, the zenith. Two things occurred

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in April of this year which totally changed my

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life. One, I planned to marry. And two, I got

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a note from my Uncle George who lived in Fresno

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to come see him on what he called a matter of

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some importance. Hello up there. Uncle George,

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it's me Xavier. What are you doing up in that

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tree? Xavier. Welcome, my boy. I've just about

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sealed up this hole in the tree. Here, give me

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a hand. Steady. Pretty spry for a man of my age,

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don't you think? You've never been up this way

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before, have you, Xavier? Not since I was a child,

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Uncle George. Oh, that's right. I remember now.

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This beautiful house hasn't changed. My father

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built it in memory of Queen Victoria. What happened

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to this big old oak, struck by lightning? No,

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it's the woodpeckers and squirrels that make

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all these holes. I've just had it with the noisy

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beggars. They jump from this tree to the top

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of the porch and then they run along my bedroom

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window making the most infernal racket you can

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imagine. So I've just been sealing up a few of

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their nesting places. Let them find apartments

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elsewhere. I say. What about that big hole on

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the other side of the tree? Maybe tomorrow I'll

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mix up some more cement. Say, boy, do you always

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go around with two cameras hanging around your

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neck? Photography is my business, so I'm always

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prepared just in case. Is there living in it?

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You sell your pictures? I used to do better.

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Took shots of movie stars on location. Did a

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lot of newspaper and magazine work. But work

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is thinned out. I have a proposition to make

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you Since I gather the picture taking business

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isn't too profitable these days. I think you

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may be interested Are you married? I'm just about

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to be this coming Saturday matter of fact good

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Then what I have in mind might make an excellent

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wedding present I'm not a rich man Xavier, but

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comfortably off 59 acres orchards gardens this

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house, and a private family vault on the premises.

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You're joking. You own a mausoleum? Death is

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not a joke, Xavier. I am going to die in a week.

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You? No, you're not. You look fit as a fiddle.

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An ill -tuned fiddle. No, death is only a few

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days off for me. I've known it would come to

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this for some time, so it's no surprise. I'd

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like to show you where I'm going to be buried.

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Here we are. That's Carrara Marble and Vermont

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Granite. Those two locks on the bronze door are

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an invention of mine. Mind if I take a picture

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of it? Not at all. There's no one in your private

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mausoleum now, is there? No. There was. No. No

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one. Now Xavier, I want you to pay particular

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attention. Two keyholes and two separate brass

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keys. There is a very good reason for the two

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locks. When I am laid to rest inside this vault,

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Xavier, I don't expect I shall be trying to get

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out. But I do not wish anyone else to get in.

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But why would a person want to? It's not necessary

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for me to explain all that to you now, my boy.

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I turn the handle, and so... Not spacious, but

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not crowded. My final home. Uncle, if you don't

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mind, could we go back to the house now? I'm

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not at my best in mausoleums. All right. I've

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shown you everything. We'll sit ourselves on

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the porch, and I'll tell you what's on my mind.

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Have you ever sat in a porch swing, Xavier? Comfortable?

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I love these old swings. Xavier, I have no choice.

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You are my only living kin. There is no one else.

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I'm leaving all my worldly possessions, this

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house, the contents, the grounds, everything

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to you on one condition. You must live here and

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every day, every single day, mind you, you must

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go to that mausoleum and make certain there's

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been no one tampering with the locks. And that's

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the only condition, Uncle? The only one. I certainly

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appreciate your generosity. Can I think it over

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and let you know I I'd like to talk it over with

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Catherine absolutely not You're going to agree

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right now, but under but what? You can have your

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Zenith of Hollywood office right here. This place

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is plenty big enough You can turn the solarium

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into a studio if you like. I don't care. I won't

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be here It's all decided then hmm. Hmm good I'll

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have Henley take you to the top of the hill a

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good view and you can see most the property Have

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a tug at that bell pole, will you, Xavier? My

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dear boy, you don't know what a relief this is.

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My fate lies in your hands. Wait just a moment,

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Uncle. I haven't agreed to this inheritance yet.

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But if I do, and I find someone's been at the

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locks of that mausoleum, what should I do? In

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my desk in the library, bottom right -hand drawer

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is a letter of instructions. The envelope has

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one word on it. Joshua. Did you say Joshua? But,

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unless someone's been trying to break in, that

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letter must never be read. You rang, sir? Yes,

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Henley. This is my nephew, Xavier Yardley Zenith.

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He's going to be living here. I want you to acquaint

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him with the property. Very well, sir. Goodbye,

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Xavier. I shall not be seeing you again. Have

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a good walk. Well, my dear Joshua, your old friend

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George Zenith has found a way to outwit you.

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Do you hear me, Joshua? That's exactly what he

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said, Catherine. He stood looking out of the

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window at the tree he'd been cementing, talking

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to someone called Joshua, who of course wasn't

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in the tree. It was most uncanny. And then I

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left the room with Henley the butler. How well

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do you know your Uncle George? Only slightly,

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I'd say. So then you have no idea what he meant

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by, Joshua, I'm going to outwit you now. Not

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the vaguest. But the important thing is, Katherine,

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do we want to spend the rest of our lives in

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a Victorian white elephant with a cook and a

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butler? Our lives? Well, that's the deal, if

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I accept. I have to guard that mausoleum. Every

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single day. Darling, let's forget about this

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crazy Uncle George of yours. We're getting married

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Saturday. That's enough to think about for now.

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If your uncle wants to leave us his big old house

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in Fresno, fine. I love old houses. Especially

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when it's a free gift. You didn't promise anything,

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did you? No, I didn't. Saturday, Katherine and

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I tied the knot. Nothing fancy just a few friends

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at the registrar's office on Hollywood Boulevard

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About a dozen of us drove out to Laguna Beach

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for a wedding breakfast And we just got around

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to toasting one another in California champagne

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When my service tracked me down and left a message

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that uncle George Had died and would I come back

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to Fresno? I'm father daily mr. Zenith your uncle

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came occasionally to our church father daily.

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This is my wife Catherine. How do you do? I'm

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sorry this sad occasion has brought us together.

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Not a very auspicious first married week, is

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it? It's hard to believe. He seemed so healthy.

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And when he talked about being dead in a week...

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Did he? Yes. I thought it was his macabre sense

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of humor. How do you suppose he knew? Well, if

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he intended to take his own life, then quite

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naturally he would know. Well, surely no one

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thinks... My son, no one knows. When is the funeral

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service? Well, there isn't going to be one, in

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the strict sense of the word. No funeral? But

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why not, Father? I'm afraid Mr. Zenith's uncle

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may not have died a natural death. The medical

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examiner said an overdose of sleeping pills.

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Oh, but couldn't that have been an accident?

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I mean, he told me he had a lot of trouble sleeping.

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Well, of course it could have. Which is what

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the coroner decided, death by accident. But so

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long as there's the slightest suspicion, which

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you have rather confirmed just now for me, I

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cannot bless the grave. I could bite my tongue

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for telling you what he said, that he'd be dead

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in a few days. Had you kept your uncle's intentions

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secret, that indeed would have been a mortal

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sin. Yes, Henley. You wish to see me? I do, sir.

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Cook and I want to leave. You wish to leave this

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house? But why? While your uncle was alive, there

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were some very peculiar things going on. But

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out of loyalty, we just couldn't go. Peculiar

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things that frightened you? Oh, yes, indeed,

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sir. Strange voices and goings -on and awful

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shrieks. Like someone being attacked. Terrifying,

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if you ask me. I quite agree with you. Have you

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heard such noises since my uncle passed away?

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No, Mr. Zenith. Well, then I suggest to you the

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noises died with him. Now, I'll double your salary,

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Cook's also, and I don't want to hear any more

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about your leaving. You put it that way, sir.

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We'll be happy to stay on. Every day, I'd go

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out and check the locks on the family vault.

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Katherine and I started making over the solarium

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into a studio, and I ordered equipment for a

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dock room. But then, one night, I had a strange

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dream. Xavier! Xavier Yardley Zenith! Is that

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you, Uncle George? Why didn't Father Daly bless

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my coffin? I wanted him to, Uncle, but he wouldn't.

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He said there was... Some question as to how

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you died Uncle George am I really talking to

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you or am I imagining things in my sleep? To

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sleep, says Hamlet, perchance to dream. Aye,

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there's the rub. For in that sleep of death,

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what dreams may come when we have shuffled off

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this mortal coil, must give us pause. Our friend

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Xavier Yardley Zenith has surely been given pause.

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His uncle dies mysteriously, then appears in

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a dream giving orders, exacting promises. Where

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will it leave? Where will it end? I shall return

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shortly with act two. It has been an enigma for

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thousands of years. Are ghosts an illusion, a

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projection of what one wishes to see, or do they

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represent some ephemeral link between the world

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of the dead and the world of the living? The

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problem that faces Savior Zenith is to persuade

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a member of the ministry to bless the remains

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of a man who may have committed murder. For indeed,

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that is how the Church regards suicide. Catherine,

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I tell you, Uncle George's ghost said it as clearly

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as I say this to you. Father Daly must give me

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his blessing. I cannot rest until he does. Honey,

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can I say something? I appreciate this inheritance,

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the house, the grounds, money to run it and have

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a butler and a cook. I never in my wildest dreams

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did I ever think I'd have that. But on the minus

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side, there's all this infatuation with death.

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That mausoleum which has to be guarded as though

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it were Tutankhamen's tomb. And now you having

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nightmares about your uncle. Savior, it's not

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healthy. What am I to do? I gave my word. Well,

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what about your career? You're a little young

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to retire to a gingerbread house in Fresno and

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play nursemaid to ghoulies and ghosties. Oh,

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we're gonna make a great studio out of the solarium,

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and then that enormous closet, turning it into

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a dark room, it'll be great. You don't understand

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me, do you? You've got to get out into the world

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and take pictures, Mr. Zenith of Hollywood. But

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having always to be one night away from this

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place so you can check the locks on a dead man's

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tomb is going to hold you back. I told you all

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this before we married, so don't throw it in

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my face now. What's the matter with you, Xavier?

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Have you no will of your own? Why, a month ago,

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if I told you that a ghost came to me in my sleep,

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you would have laughed right out loud. I'm not

00:17:35.539 --> 00:17:38.359
laughing now. You really believe you saw him,

00:17:38.400 --> 00:17:40.720
don't you? Of course I do. I was there. He was

00:17:40.720 --> 00:17:42.779
there. I heard him. And you've decided to stick

00:17:42.779 --> 00:17:44.660
it out here for the rest of your life. Is that

00:17:44.660 --> 00:17:48.079
it? If I have to, I will. I think I'd better

00:17:48.079 --> 00:17:51.440
leave you alone until you cool off. I'm not letting

00:17:51.440 --> 00:17:54.480
any dead uncle get in the way of my life. And

00:17:54.480 --> 00:18:01.660
I mean it. Katherine did mean it. Next thing

00:18:01.660 --> 00:18:04.359
I knew, she'd lit out and went back to LA. I

00:18:04.359 --> 00:18:07.500
knew where to find her, all right. At her mother's.

00:18:07.759 --> 00:18:09.720
But I was darned if I'd go running after her.

00:18:10.019 --> 00:18:13.980
My dear Mr. Zenith, my hands are tied. The church

00:18:13.980 --> 00:18:17.140
simply cannot acknowledge any untoward death.

00:18:17.380 --> 00:18:20.720
Father Daly. For three nights running uncle George

00:18:20.720 --> 00:18:24.240
has appeared to me at night saying Help me lie

00:18:24.240 --> 00:18:28.339
in rest. I cannot until father daily blesses

00:18:28.339 --> 00:18:32.079
my coffin Xavier May I call you Xavier? I wish

00:18:32.079 --> 00:18:37.160
you would my boy You and I are both modern men

00:18:37.160 --> 00:18:41.079
at the edge of the 21st century For you to tell

00:18:41.079 --> 00:18:44.440
me that you're being visited by your uncle's

00:18:44.440 --> 00:18:48.000
ghost While I won't discount it as a possibility,

00:18:48.960 --> 00:18:51.819
it's much more likely to be your own conscience

00:18:51.819 --> 00:18:54.680
worrying you to such an extent that you can convince

00:18:54.680 --> 00:18:58.180
yourself that you've seen him. You tell me it

00:18:58.180 --> 00:19:01.700
happens when you're asleep. I say to you, yes,

00:19:01.819 --> 00:19:05.440
it could, but that still doesn't make it any

00:19:05.440 --> 00:19:10.130
more than a dream. Last night... He said I should

00:19:10.130 --> 00:19:12.089
read some of the books in his library, and I

00:19:12.089 --> 00:19:14.809
would understand. Go read your uncle's books.

00:19:15.589 --> 00:19:18.650
And if this brings you peace of mind, then you'll

00:19:18.650 --> 00:19:21.769
know whether his appearances are fact or fancy.

00:19:22.809 --> 00:19:31.970
That's just what I aim to do, Father. You rang

00:19:31.970 --> 00:19:35.069
for me, sir? Yes, I did, Henley. Come into the

00:19:35.069 --> 00:19:38.950
library and shut the door behind you. Did you

00:19:38.950 --> 00:19:41.269
know my uncle was greatly interested in black

00:19:41.269 --> 00:19:44.329
magic? Well, I did tell you I was aware something

00:19:44.329 --> 00:19:48.849
strange was going on. He and Mr. Tree, they did

00:19:48.849 --> 00:19:52.589
some kind of... I don't know what you'd call

00:19:52.589 --> 00:19:57.049
it. Mr. Tree? A friend of your uncle's. They

00:19:57.049 --> 00:20:00.089
spent a lot of time together, and then, a year

00:20:00.089 --> 00:20:03.109
ago, Mr. Tree went away. Can you be more specific

00:20:03.109 --> 00:20:08.480
than something strange? Oh, well, sir... be a

00:20:08.480 --> 00:20:12.640
lot of candles, hundreds, in fact, that have

00:20:12.640 --> 00:20:16.079
them all burning, and there'd be incense and

00:20:16.079 --> 00:20:19.660
chanting right here in the library, Mr. Zenith.

00:20:20.160 --> 00:20:22.819
I've been reading these books, and what amazed

00:20:22.819 --> 00:20:26.180
me was how many of them deal with the power of

00:20:26.180 --> 00:20:29.759
black magic. I remember him asking me to bring

00:20:29.759 --> 00:20:32.700
home a cup of holy water from the church. And

00:20:32.700 --> 00:20:36.160
I said to him, I said, well, sir, you're supposed

00:20:36.160 --> 00:20:39.519
to go to church in person and bless yourself

00:20:39.519 --> 00:20:43.359
with holy water, not bring the holy water here.

00:20:43.940 --> 00:20:46.539
And your uncle said, getting the holy water is

00:20:46.539 --> 00:20:51.819
the easy task. I have to get the blood of a child

00:20:51.819 --> 00:20:56.109
to mix with the water. Henley, did you ever find

00:20:56.109 --> 00:21:00.230
out what it was for? No, I didn't. I didn't ask.

00:21:00.829 --> 00:21:03.069
And I didn't steal the holy water from the church

00:21:03.069 --> 00:21:06.809
either. Henley, you strike me as a sensible man.

00:21:07.250 --> 00:21:09.789
Will you do me a favor tonight? I generally take

00:21:09.789 --> 00:21:12.650
a walk in the garden after dark. Perhaps you'd

00:21:12.650 --> 00:21:22.269
walk with me. Certainly, sir. I see you brought

00:21:22.269 --> 00:21:25.640
your camera, Mr. Zenith. Can you take pictures

00:21:25.640 --> 00:21:28.940
with only moonlight? Oh, yes. Filming so fast

00:21:28.940 --> 00:21:31.539
nowadays, I could get a picture of you at 20

00:21:31.539 --> 00:21:35.299
feet by the light of one match. Now this part

00:21:35.299 --> 00:21:37.799
here, where we're walking, is this also part

00:21:37.799 --> 00:21:42.200
of my uncle's property? I should say your property,

00:21:42.619 --> 00:21:46.759
sir. This is all part of it. And that brook,

00:21:46.900 --> 00:21:49.519
too. Let's walk to the other side across this

00:21:49.519 --> 00:21:54.359
footbridge. The path seems to continue downstream.

00:21:54.859 --> 00:21:57.380
Over there, over there. What's that little stone

00:21:57.380 --> 00:22:01.640
building? Oh, that's the mausoleum, sir. Oh,

00:22:01.640 --> 00:22:05.220
so it is. By moonlight, I'm afraid I'm a little

00:22:05.220 --> 00:22:09.519
discombobulated. Oh, wait. That's a good shot

00:22:09.519 --> 00:22:12.200
from this side of the brook. The mausoleum reflected

00:22:12.200 --> 00:22:18.220
in the water. Yeah, I think I got it. Henley,

00:22:18.559 --> 00:22:24.140
Henley. What's that? What's what sir figure of

00:22:24.140 --> 00:22:27.980
a man I just saw him in my viewfinder then he

00:22:27.980 --> 00:22:34.700
disappeared Again can't you see it Yes, there

00:22:34.700 --> 00:22:37.259
was someone he's moving away from the mausoleum

00:22:37.259 --> 00:22:41.259
you see him He's wearing a long cap almost to

00:22:41.259 --> 00:22:45.099
the ground. Can you see how long keep? Oh, no,

00:22:45.099 --> 00:22:49.079
no, no Excuse me, mr. Zenith, but I must go now.

00:22:49.079 --> 00:22:51.210
I know it's just a minute. What is sir? Will

00:22:51.210 --> 00:22:53.890
you please let go of my arm? Yeah, I will when

00:22:53.890 --> 00:22:58.690
you tell me now. Do you know that man? He's come

00:22:58.690 --> 00:23:04.250
back. Oh, I never thought we'd see him again.

00:23:06.690 --> 00:23:08.869
Henley ran off. I followed the man in the cape,

00:23:09.130 --> 00:23:11.750
keeping my distance across the brook. He seemed

00:23:11.750 --> 00:23:15.309
to glide over the earth. I ran across the footbridge

00:23:15.309 --> 00:23:19.430
towards him, and then he disappeared. I turned

00:23:19.430 --> 00:23:21.579
back to the house. And suddenly, there he was,

00:23:21.839 --> 00:23:26.400
standing against a big oak tree. And then...

00:23:26.400 --> 00:23:34.579
he seemed to melt right into it. I do apologize,

00:23:34.759 --> 00:23:37.680
Mr. Zenith, for my behavior last night, leaving

00:23:37.680 --> 00:23:40.819
you like that. Yeah, sounds rather puzzled. You're

00:23:40.819 --> 00:23:45.220
a photographer, sir. And so I... I have something

00:23:45.220 --> 00:23:50.849
to show you. This snapshot. Do you see that man?

00:23:51.730 --> 00:23:54.930
Yes. It's very like the thing I saw last night.

00:23:55.250 --> 00:23:59.009
A hunched over man with a long cape. It looks

00:23:59.009 --> 00:24:01.529
like he's talking to someone. Someone out of

00:24:01.529 --> 00:24:04.950
camera range possibly. That's the peculiar part

00:24:04.950 --> 00:24:09.069
of it. He was talking to someone. I took a picture

00:24:09.069 --> 00:24:12.349
of the two of them. But the other man's not in

00:24:12.349 --> 00:24:15.869
the picture. Are you saying this person we can't

00:24:15.869 --> 00:24:18.450
see was there but didn't register on the film?

00:24:18.720 --> 00:24:21.759
I don't think I understand. Perhaps it's better

00:24:21.759 --> 00:24:25.420
that you don't, Mr. Zenith. What about the man

00:24:25.420 --> 00:24:28.559
whose picture you've got? Do you know him? It's

00:24:28.559 --> 00:24:32.400
Mr. Joshua Tree, sir, when he used to live here.

00:24:32.900 --> 00:24:36.380
And now he's come back. That's why I must pay

00:24:36.380 --> 00:24:38.759
you for your understanding and indulgence, Mrs.

00:24:39.019 --> 00:24:41.799
Henley, and I simply cannot stay for a moment

00:24:41.799 --> 00:24:44.420
longer. But even if it is Mr. Tree who's come

00:24:44.420 --> 00:24:48.480
back, why must you leave, Henley? I... Can't

00:24:48.480 --> 00:24:51.400
say anymore, I really can't. But if you want

00:24:51.400 --> 00:24:55.460
my advice, Mr. Xavier, if you value your life,

00:24:56.200 --> 00:25:05.380
you leave here also. When I developed the shots

00:25:05.380 --> 00:25:09.279
I took of the Cape figure, they were identical

00:25:09.279 --> 00:25:13.839
to Henley's snapshot. That night, from the darkened

00:25:13.839 --> 00:25:17.640
library, I watched the oak tree. At midnight,

00:25:18.339 --> 00:25:20.920
the figure in the cape appeared. I crept out

00:25:20.920 --> 00:25:22.599
of the house, following it to the door of the

00:25:22.599 --> 00:25:26.099
mausoleum. This is what Uncle George must have

00:25:26.099 --> 00:25:29.599
meant. I reached forward to stop the man. Something

00:25:29.599 --> 00:25:33.000
hit me on the head from behind. I blacked out.

00:25:38.880 --> 00:25:43.799
Savior? Savior, are you all right? Catherine,

00:25:44.740 --> 00:25:47.740
what are you doing here? Am I dreaming? Don't

00:25:47.740 --> 00:25:50.180
ask so many questions. That's quite a bump on

00:25:50.180 --> 00:25:53.039
your head. Here, let me help you. I can make

00:25:53.039 --> 00:25:58.880
it all right. Whoever hit me wasn't kidding.

00:25:59.079 --> 00:26:01.519
Just stop talking and lean on me and we'll walk

00:26:01.519 --> 00:26:05.380
slowly back to the house. Catherine, this gets

00:26:05.380 --> 00:26:07.859
more mysterious every minute. But the biggest

00:26:07.859 --> 00:26:10.640
mystery is how you just happened to show up.

00:26:10.940 --> 00:26:13.619
I'm your wife, remember? I decided I was being

00:26:13.619 --> 00:26:17.230
stupid, so I came back. No, darling, you don't

00:26:17.230 --> 00:26:19.130
have to hold me up. I can make it all right.

00:26:19.470 --> 00:26:21.490
You're not gonna trip and fall again while I'm

00:26:21.490 --> 00:26:27.230
around Catherine I didn't fall Somebody hit me

00:26:27.230 --> 00:26:30.390
Maybe or what are you talking about? I saw you

00:26:30.390 --> 00:26:32.230
at the mausoleum when I came out of the house

00:26:32.230 --> 00:26:35.549
I saw you step back and fall over there wasn't

00:26:35.549 --> 00:26:38.730
a soul in sight You didn't see anyone near me.

00:26:38.930 --> 00:26:41.609
It's after two in the morning when we get back

00:26:41.609 --> 00:26:43.990
to the house to bed You go and not a peep out

00:26:43.990 --> 00:26:46.859
of you You don't believe that I was hit from

00:26:46.859 --> 00:26:51.059
behind. I believe my eyes, and they didn't see

00:26:51.059 --> 00:27:03.539
a thing. Father Daley, who is Joshua Tree? Where

00:27:03.539 --> 00:27:06.180
did you hear that name? Henley told me, but not

00:27:06.180 --> 00:27:12.220
much else. Joshua Tree. He was a man who, to

00:27:12.220 --> 00:27:16.089
the bottom of his heart, if he had one, was basically

00:27:16.089 --> 00:27:19.349
evil. How did my uncle come to know him? Well,

00:27:19.349 --> 00:27:22.950
he just turned up about two years ago. Your uncle

00:27:22.950 --> 00:27:25.430
took a fancy to him and saw a good deal of him,

00:27:26.049 --> 00:27:28.750
which I am afraid was the most unfortunate thing

00:27:28.750 --> 00:27:31.009
he ever did in his life. Why do you say that,

00:27:31.190 --> 00:27:35.029
Father? Joshua Tree was the very spirit of the

00:27:35.029 --> 00:27:37.569
devil himself. I show you a photograph I took

00:27:37.569 --> 00:27:39.930
near my uncle's vault the day before yesterday.

00:27:41.089 --> 00:27:47.160
Is that Joshua Tree? Hmm. All right. I can't

00:27:47.160 --> 00:27:51.319
really make out the face. But the cape and the

00:27:51.319 --> 00:27:55.380
angle of the head is very similar, I'd say. But

00:27:55.380 --> 00:27:58.599
of course, how could it be? He disappeared a

00:27:58.599 --> 00:28:01.700
year ago. Father, here's another picture. Is

00:28:01.700 --> 00:28:06.140
that the man? Yes. That's him. You didn't take

00:28:06.140 --> 00:28:09.180
this picture, did you? No. It was given to me

00:28:09.180 --> 00:28:11.799
by Henley. He took it. Now, if that's Joshua

00:28:11.799 --> 00:28:15.210
Tree, you notice... He appears to be talking

00:28:15.210 --> 00:28:18.269
to someone, but there's no one there. Oh, yes,

00:28:18.269 --> 00:28:22.349
there is. But the camera can't record an apparition.

00:28:22.809 --> 00:28:25.069
You mean Joshua Tree was talking to someone,

00:28:25.109 --> 00:28:28.049
but we can't see him? Because, my dear young

00:28:28.049 --> 00:28:32.630
lady, that invisible thing is a familiar. What's

00:28:32.630 --> 00:28:37.349
that? A familiar is an evil spirit visible to

00:28:37.349 --> 00:28:41.730
very few. The devil can see him, as can a sorcerer's

00:28:41.730 --> 00:28:47.210
apprentice. So you were saying, Joshua Tree was

00:28:47.210 --> 00:28:57.869
such an apprentice. Xavier, are you in here?

00:28:58.990 --> 00:29:01.910
There's nothing here. I'll try this drawer. What

00:29:01.910 --> 00:29:05.230
are you doing? Nothing, nothing, nothing. What

00:29:05.230 --> 00:29:07.809
do you mean, nothing? I mean there's nothing

00:29:07.809 --> 00:29:10.690
in any of my uncle's desk drawers. He told me

00:29:10.690 --> 00:29:13.769
there was. Xavier, why don't you answer me? Because

00:29:13.769 --> 00:29:16.730
I don't have any answer. Let me see if I can

00:29:16.730 --> 00:29:20.009
get under this desk. Knock the wood. Maybe there's

00:29:20.009 --> 00:29:25.190
a secret drawer. Ah, yes, it's hollow here. Listen,

00:29:26.250 --> 00:29:30.170
one of these drawers is short. Behind it, there

00:29:30.170 --> 00:29:34.609
must be. I'll pull this drawer out. I'll put

00:29:34.609 --> 00:29:41.599
it on the floor. Then I reach back inside. I

00:29:41.599 --> 00:29:46.200
feel something. An envelope. Well, here she'd

00:29:46.200 --> 00:29:49.000
be. How did you know it was back there? Before

00:29:49.000 --> 00:29:52.960
he died. Last time I saw him alive. Uncle George

00:29:52.960 --> 00:29:54.839
told me that if somebody was tampering with his

00:29:54.839 --> 00:29:57.500
mausoleum, I'd find my instructions in a letter

00:29:57.500 --> 00:30:01.579
with the word Joshua written on it. To whom it

00:30:01.579 --> 00:30:12.380
may concern... Oh, no. Oh, no! Murdered! He killed

00:30:12.380 --> 00:30:21.599
him! Lord in heaven, what are we to do now? The

00:30:21.599 --> 00:30:25.500
ghost in the play Hamlet says, I am thy father's

00:30:25.500 --> 00:30:28.839
spirit doomed for a certain term to walk the

00:30:28.839 --> 00:30:32.740
night till the foul crimes done in my days of

00:30:32.740 --> 00:30:37.539
nature are burnt and purged away. Is it so with

00:30:37.539 --> 00:30:40.660
our Uncle George? Is he also doomed to eternal

00:30:40.660 --> 00:30:44.259
unrest until his sins are purged and burnt away?

00:30:45.279 --> 00:30:48.099
With the end of uncertainty, I shall bring you

00:30:48.099 --> 00:31:02.460
Act Three, when I return shortly. It's all very

00:31:02.460 --> 00:31:05.859
well to poo -poo the occult, ghostly apparitions,

00:31:06.200 --> 00:31:08.529
phantoms that haunt. the deceased who cannot

00:31:08.529 --> 00:31:11.690
find peace until they find love, or are forgiven

00:31:11.690 --> 00:31:15.250
their earthly sins, etc., etc. But the fact remains

00:31:15.250 --> 00:31:17.589
that time and again psychic researchers have

00:31:17.589 --> 00:31:21.509
agreed there are manifestations that defy and

00:31:21.509 --> 00:31:25.369
disobey nature's laws. And whether we like it

00:31:25.369 --> 00:31:33.769
or not, the unexplained does exist. I shall never

00:31:33.769 --> 00:31:37.029
forget that evening, for even as I stood there,

00:31:37.000 --> 00:31:39.240
The letter of confession in my hand, Catherine

00:31:39.240 --> 00:31:42.359
waiting for me to read on. We were both suddenly

00:31:42.359 --> 00:31:44.960
so overcome by the cold, I had to light a fire.

00:31:46.259 --> 00:31:49.599
And this was late July, mind you. We needed a

00:31:49.599 --> 00:31:53.900
fire, we lit candles. Something compelled us

00:31:53.900 --> 00:31:57.259
to light dozens and dozens of candles. I feel

00:31:57.259 --> 00:32:00.599
warmer now. It's seeing the flames, I think.

00:32:01.440 --> 00:32:04.259
Go on, Xavier, read your uncle's letter. To whom

00:32:04.259 --> 00:32:07.839
it may concern... Especially you, my dear nephew

00:32:07.839 --> 00:32:12.259
Xavier. I fear they have come to get me. They've

00:32:12.259 --> 00:32:15.099
appeared at the door of my mausoleum. Or else

00:32:15.099 --> 00:32:20.240
you would not be reading this letter. Stop. Uncle

00:32:20.240 --> 00:32:25.700
George! Catherine, do you see him? Yes. Is he...

00:32:25.700 --> 00:32:38.549
is that your uncle? Don't be alarmed. Am I really

00:32:38.549 --> 00:33:33.140
hearing this? Joshua Tree's body is hidden somewhere.

00:33:34.160 --> 00:33:37.779
How can I find it? We will try anything to help

00:33:37.779 --> 00:33:41.660
you, Uncle. Persuade Father Daly to bless my

00:33:41.660 --> 00:33:49.460
grave. Help me, Xavier. Help me, me, me, me,

00:33:49.460 --> 00:33:53.460
me, me. I'm glad you finally saw him too, Captain.

00:33:54.799 --> 00:33:56.759
Oh, those heavy summer storms. We better check

00:33:56.759 --> 00:33:58.940
the library window. I'll do the ones on the side,

00:33:59.119 --> 00:34:00.420
Catherine. You make sure the ones facing the

00:34:00.420 --> 00:34:02.799
front will have the show. Look! The fire in the

00:34:02.799 --> 00:34:05.240
fireplace. It's going out. How strange. It must

00:34:05.240 --> 00:34:07.660
be the downdraft blowing down the chimney. Now

00:34:07.660 --> 00:34:09.500
the fire's gone out. All the candles are going

00:34:09.500 --> 00:34:12.179
out. Must be some strange air circulating in

00:34:12.179 --> 00:34:14.199
this room. Let me get the electric lights. The

00:34:14.199 --> 00:34:18.219
switch is by the door. Well, that's funny. Nothing's

00:34:18.219 --> 00:34:23.300
happened. Can't you turn the lights on? No way.

00:34:25.420 --> 00:34:27.260
That happens often in the country. You get a

00:34:27.260 --> 00:34:29.460
big storm and the electricity just shuts off.

00:34:29.760 --> 00:34:31.760
I'll look out the front library windows and see

00:34:31.760 --> 00:34:33.039
if there are lights in the other houses down

00:34:33.039 --> 00:34:37.679
the road. Xavier, come here. There's someone

00:34:37.679 --> 00:34:41.199
out there. Look. Pressed against the big oak

00:34:41.199 --> 00:34:46.039
man in the cave. And next to him, a tall kind

00:34:46.039 --> 00:34:48.800
of man. They're both huddling against the trunk

00:34:48.800 --> 00:34:52.659
of the tree trying to keep out of the rain. Catherine.

00:34:54.159 --> 00:34:57.860
The tall one. It's turning around from the tree.

00:34:58.599 --> 00:35:01.000
It's looking right this way. Can it see us? Oh,

00:35:01.079 --> 00:35:05.219
what a hideous face. Like death. The eyes. Do

00:35:05.219 --> 00:35:07.380
you see those eyes? Now it's beckoning to the

00:35:07.380 --> 00:35:10.360
man in the cape. I see him. Is that Joshua Tree?

00:35:10.519 --> 00:35:14.039
In spirit. For I'm sure now where his body is.

00:35:14.139 --> 00:35:17.260
Where? In that tree. That's why Uncle George

00:35:17.260 --> 00:35:20.159
was so haunted. Oh, it's all clear to me now.

00:35:20.800 --> 00:35:23.559
At that time, I followed Joshua Tree to the mausoleum.

00:35:23.820 --> 00:35:25.760
They were trying to get at the corpse of Uncle

00:35:25.760 --> 00:35:29.659
George. It was the familiar who knocked me down.

00:35:30.000 --> 00:35:33.559
Am I imagining it? But the both of them have

00:35:33.559 --> 00:35:39.699
come much closer to our picture window. Hello?

00:35:41.199 --> 00:35:44.440
Father Daley, is that you? Yes. This is Xavier.

00:35:45.300 --> 00:35:46.679
You've got to come over to my uncle's house.

00:35:46.880 --> 00:35:48.940
You've simply got to. My boy, you sound quite

00:35:48.940 --> 00:35:52.130
upset. Father, I implore you. Come now. Catherine

00:35:52.130 --> 00:35:55.190
and I are here alone. Only you can save us. Give

00:35:55.190 --> 00:35:58.269
me that phone. Father Daly, this is Catherine

00:35:58.269 --> 00:36:02.110
Zenith. There are two creatures outside the library

00:36:02.110 --> 00:36:04.989
window right now. They're not real people, Father.

00:36:05.670 --> 00:36:08.090
I have a very strong feeling they are not human.

00:36:21.460 --> 00:36:24.820
Quickly! Help us! Help us! They're raising their

00:36:24.820 --> 00:36:27.900
hands now and pounding at the glass! They're

00:36:27.900 --> 00:36:32.679
coming after us! We ran out the back door into

00:36:32.679 --> 00:36:35.079
the raging stormy night, lashed by rain, not

00:36:35.079 --> 00:36:37.360
knowing which way to escape. The only path through

00:36:37.360 --> 00:36:39.500
the garden led right to the mausoleum, and before

00:36:39.500 --> 00:36:41.579
we could stop ourselves, we were practically

00:36:41.579 --> 00:36:44.940
on top of it. It's there! It's standing at the

00:36:44.940 --> 00:36:47.280
door of the vault! Grab my hand, Catherine. Hold

00:36:47.280 --> 00:36:49.239
on. We'll run for the brook. Where are we going?

00:36:49.340 --> 00:36:51.960
Into the water. Come on! It's not deep, Catherine.

00:36:52.360 --> 00:36:54.840
We can walk it. Stay in the middle of the brook

00:36:54.840 --> 00:36:57.480
with me. You see, these evil spirits cannot follow

00:36:57.480 --> 00:36:59.980
humans into water. If we just keep moving, it'll

00:36:59.980 --> 00:37:02.940
give up. I'm sure of it. Oh, I hope you're right.

00:37:03.559 --> 00:37:11.340
It's got to give up before I do. I was right.

00:37:12.219 --> 00:37:15.219
The thing gave up, finally. And by the time we'd

00:37:15.219 --> 00:37:17.880
climbed to shore, it had gone. There we stood.

00:37:18.349 --> 00:37:21.969
The rain beating down on us from above, and our

00:37:21.969 --> 00:37:25.449
legs and clothes soaked from the brook. Somehow,

00:37:26.530 --> 00:37:29.389
we found the main road to town and ran towards

00:37:29.389 --> 00:37:33.010
it. Oh, there's a car coming. I see headlights.

00:37:33.349 --> 00:37:35.110
Let's stand at the wayside of the road. After

00:37:35.110 --> 00:37:36.489
staying alive this long, I don't want to be hit

00:37:36.489 --> 00:37:42.550
by a car. Xavier! Catherine! What are you doing

00:37:42.550 --> 00:37:45.230
out here? Oh, Father Daly! Oh, don't answer me.

00:37:45.369 --> 00:37:47.289
Just get in. We've got to get back to the house.

00:37:47.550 --> 00:37:49.349
All right, all right, all right. Close that door

00:37:49.349 --> 00:37:52.510
and let's go. Now, tell me, you two, what are

00:37:52.510 --> 00:37:54.409
you doing standing in the road wet from head

00:37:54.409 --> 00:37:57.030
to toe? We ran from the house to get away from

00:37:57.030 --> 00:38:00.030
them. They actually broke through a plate glass

00:38:00.030 --> 00:38:04.730
window. That's most peculiar. Peculiar? It was

00:38:04.730 --> 00:38:08.110
horrifying. Why do you say that, Father? Because

00:38:08.110 --> 00:38:12.670
the spirit of Joshua Tree and his familiar...

00:38:12.670 --> 00:38:15.429
are not after either of you. Well, they certainly

00:38:15.429 --> 00:38:17.889
gave a good imitation. You don't seem to understand.

00:38:18.010 --> 00:38:21.710
These creatures, the dead and the spirit they've

00:38:21.710 --> 00:38:25.369
called up, they're satanic twin, in fact. They're

00:38:25.369 --> 00:38:28.969
not after living persons. They're on the constant

00:38:28.969 --> 00:38:31.449
lookout for the newly dead. Wait till you see

00:38:31.449 --> 00:38:33.670
the broken library window, and then tell me if

00:38:33.670 --> 00:38:37.090
there aren't exceptions. Where are they now?

00:38:37.429 --> 00:38:41.139
It's time I wrestled with the devil. What will

00:38:41.139 --> 00:38:44.980
you do? I shall quiet the demons with my crucifix.

00:38:45.579 --> 00:38:48.619
There's only one way to drive out Satan, and

00:38:48.619 --> 00:38:56.960
the Church has been doing it for centuries. Father,

00:38:57.059 --> 00:38:59.179
look. The vault door's open. Someone's coming

00:38:59.179 --> 00:39:05.059
out. Not someone, but some things that are carrying

00:39:05.059 --> 00:39:09.400
out your uncle's coffin. Stop! I charge you,

00:39:09.400 --> 00:39:12.800
archfiends of Hades! Thou hast entertained familiarity

00:39:12.800 --> 00:39:17.440
with Satan, the grand enemy of God! I charge

00:39:17.440 --> 00:39:23.800
you! Put down that body and begone! Father Daly

00:39:23.800 --> 00:39:26.440
advanced upon the two creatures holding his crucifix

00:39:26.440 --> 00:39:28.980
in front of him. The familiar and the spirit

00:39:28.980 --> 00:39:31.300
of the murdered Joshua Tree halted, released

00:39:31.300 --> 00:39:33.920
the coffin and ran. Father Daly and I carried

00:39:33.920 --> 00:39:36.179
Uncle George back inside the vault and closed

00:39:36.179 --> 00:39:40.599
the doors. It came to me in a flash. The big

00:39:40.599 --> 00:39:44.019
oak tree. It was there we would find the source

00:39:44.019 --> 00:39:49.340
of the evil. You were right, Savior. I can see

00:39:49.340 --> 00:39:53.320
their shadows. I'll hold them back with my crucifix.

00:39:53.599 --> 00:39:58.179
Somewhere inside this oak are the remains of

00:39:58.179 --> 00:40:00.639
the man my uncle killed. When we find them, I

00:40:00.639 --> 00:40:03.000
suspect they'll be wrapped in that long, capy

00:40:03.000 --> 00:40:06.199
war. There's a sizable hole on the far side.

00:40:06.409 --> 00:40:09.570
When I first came here last April, my uncle was

00:40:09.570 --> 00:40:12.369
up there cementing up some holes. Since he knew

00:40:12.369 --> 00:40:15.130
Joshua Tree's body had been taken from the mausoleum

00:40:15.130 --> 00:40:18.530
by the familiar, your uncle might have suspected

00:40:18.530 --> 00:40:22.610
it was in this tree. I don't look forward to

00:40:22.610 --> 00:40:26.030
finding a pile of decomposed bones. What do we

00:40:26.030 --> 00:40:29.590
do with them, Father? Burn them. I'm glad Catherine's

00:40:29.590 --> 00:40:32.150
in the house. Don't know how she would react

00:40:32.150 --> 00:40:39.340
to a funeral pyre. We have no choice. The familiar.

00:40:40.079 --> 00:40:44.500
It's still there. Its minutes on Earth are numbered.

00:40:45.579 --> 00:40:48.760
Once we have destroyed the body of Joshua Tree,

00:40:49.800 --> 00:40:52.519
what held it here no longer exists, and the familiar

00:40:52.519 --> 00:40:56.599
must return to the black beyond. And Uncle George

00:40:56.599 --> 00:40:59.320
must have known that his body could be invaded

00:40:59.320 --> 00:41:03.380
after death. And he would have had to walk the

00:41:03.380 --> 00:41:07.000
Earth forever with this familiar. When I find

00:41:07.000 --> 00:41:10.210
the remains... I shall light the fire to them

00:41:10.210 --> 00:41:14.010
and hold high the cross. But what about Uncle

00:41:14.010 --> 00:41:18.550
George? I shall go back into the mausoleum and

00:41:18.550 --> 00:41:29.210
bless the coffin. Requiescat in pace. The flames

00:41:29.210 --> 00:41:32.869
consume the phantoms from the grave. The good

00:41:32.869 --> 00:41:35.969
father returns to the tomb and blesses the coffin.

00:41:36.619 --> 00:41:40.860
Will there be deliverance for the uncle? Yes,

00:41:41.300 --> 00:41:44.420
released from wandering the earth. But in the

00:41:44.420 --> 00:41:46.920
dimension of the beyond, will the spirit of the

00:41:46.920 --> 00:41:51.340
murdered sorcerer allow his murderer to exist

00:41:51.340 --> 00:41:56.039
in peace? Or will Uncle George discover his eternal

00:41:56.039 --> 00:42:00.699
torture is just beginning? I shall return shortly.

00:42:12.010 --> 00:42:16.050
The ghost of his father is real to Hamlet. Banquo's

00:42:16.050 --> 00:42:20.409
ghost is real to Macbeth. And even if you or

00:42:20.409 --> 00:42:24.170
I cry out as they did, hence, horrible shadow,

00:42:24.610 --> 00:42:29.750
unreal mockery, hence, can we make specters disappear?

00:42:31.190 --> 00:42:33.949
Defend ourselves from the unknown as we may try

00:42:33.949 --> 00:42:38.550
to. The battle of angels and devils goes on.

00:42:39.190 --> 00:42:44.219
So close not your eyes. Remember, all is possible.

00:42:45.199 --> 00:42:47.639
Our cast included Christopher Tabore, Fred Gwin,

00:42:47.820 --> 00:42:51.360
Betsy Beard, and Court Benson. The entire production

00:42:51.360 --> 00:42:58.360
was under the direction of Hyman Brown. And now,

00:42:58.659 --> 00:43:02.159
a preview of our next tale. Our little mouse

00:43:02.159 --> 00:43:06.579
has jumped at the chance. We move in? For a week

00:43:06.579 --> 00:43:11.539
or two. That doesn't give us quite enough time.

00:43:11.539 --> 00:43:16.760
Oh, there will be ways to prolong our stay. The

00:43:16.760 --> 00:43:19.760
sicker she gets, the more she needs nursing.

00:43:20.820 --> 00:43:24.300
How long will it take? One can never be quite

00:43:24.300 --> 00:43:29.380
sure. The young have more resistance. And we

00:43:29.380 --> 00:43:33.519
must take care. Oh, still I should imagine within

00:43:33.519 --> 00:43:38.269
six weeks. And we'll be rich again. Forever,

00:43:38.590 --> 00:43:42.010
my love. Once little Amy joins the Commodore

00:43:42.010 --> 00:43:46.969
in, if you'll excuse the pleasantry, Davy Jones'

00:43:47.050 --> 00:43:53.230
locker, you and I will be set for life. This

00:43:53.230 --> 00:43:56.090
is E .G. Marshall inviting you to return to our

00:43:56.090 --> 00:43:59.289
mystery theater for another adventure in the

00:43:59.289 --> 00:44:05.099
macabre. Until next time, pleasant. Dreams?
