WEBVTT

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Thanks for tuning in. HamTalk Live will be on

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the air shortly. Please stand by. Thanks for

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tuning in. HamTalk Live will be on the air shortly.

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Please stand by. This episode of HamTalk Live

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is brought to you by Tower Electronics. For cables,

00:00:43.149 --> 00:00:48.570
connectors, and more, call 920 -435 -2973 or

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visit pl -259 .com and by the ham station get

00:00:53.880 --> 00:00:58.079
your new radio or antenna by calling 800 -729

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-4373 or go to hamstation .com Good evening,

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everyone. It's HamTalk Live, episode number 62,

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The Spurious Emissions Band, recorded live on

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Thursday, April 27th, 2017. I'm your host, Neil

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Rapp, WB9 VPG. Thanks for tuning in to this episode

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of HamTalk Live. Tonight we continue our Dayton

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Hamvention preview, as we'll be joined By the

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spurious emissions band and we'll take your calls

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live in just a few minutes. Last week on our

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second preview show, Carol Perry, WB2MGP was

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here to talk about the upcoming youth forum at

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the Dayton Hamvention. And if you missed that

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show, you can listen anytime at HamTalkLive .com

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or on iTunes, Stitcher, Google Play, TuneIn,

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SoundCloud, or on YouTube. And so tonight does

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continue our official countdown to Dayton as...

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We have a series of previews of upcoming events

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at Hamvention and around Hamvention. And Radio

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Waves has graciously allowed us to give away

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a DX80 off -center fed dipole to one lucky winner

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each week. So later in the show, I'll give you

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a chance to call in and win. So be sure to listen

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to the show live whenever you can, and congratulations

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to last week's winner. It was JD N0IRS. So he'll

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be receiving his DX80 direct from RadioWave.

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So congratulations JD, and thanks again for calling

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in last week. Well, there's a lot going on on

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Hamvention Weekend that we're not going to have

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time to do shows about. may schedule some of

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these next year but the QRP community has four

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days in May prior to Hamvention and then there's

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Contest University that you heard about two weeks

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ago. that takes place the day beforehand, Vincent,

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but let me do a couple of quick plugs here. First,

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Carol Perry mentioned last week, and we ran out

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of time to talk about it, that the forums, especially

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hers, they have to start right on time. And since

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it's a new venue, new buildings, and new traffic

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patterns and everything, it may take a little

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longer to get to things on time. So you want

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to plan early and get there early so that you

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can get there when they start because they will

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have to start right on time. And there's so much

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to do in such a little time, you know, that she's

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got to do that. So make sure you leave a little

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early. And also we want to mention again the

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open house at the Voice of America Museum of

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Broadcasting. on Friday night and Saturday afternoon

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and evening. Check out voamuseum .org for that

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information or wc8voa .org and they'll tell you

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all about that. Also, we have that on our social

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media site so that's a great evening activity

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to go to as well as many others that are listed

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over at contestsupersweet .com. There's some

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contesting and DXing events going on. So you

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can find all that information there. So make

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sure you check that out. And one of the things

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going on in the super suite is a concert. And

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that's going to be given by our guests tonight,

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the Spurious Emissions Band. So get your questions

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ready to go. We're going to do the interview

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with the entire band. And we actually pre -recorded

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that. A few weeks ago when they were all together

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rehearsing so a little different tonight part

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of the show is pre -recorded but Couple of the

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members are here live and I hear one of them

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in the background high ward I haven't even had

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time to say hi to you But anyway, they're they're

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waiting here. So as soon as we finish playing

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the interview and take our break We'll come back

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and then we'll give you a chance to talk to Ward

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silver and Kirk Pickering They're here tonight

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And ask your questions and you'll also have a

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chance to win one of those dipoles. So the phone

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number So you can get your dialing fingers ready.

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It's 812 -NET -HAM -1. That's 812 -638 -4261.

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Or you can call us on Skype. It's just HamTalk

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Live on Skype. You can also tweet us. Our Twitter

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handle is at HamTalk Live. So get a hold of us

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and we'll give you a chance to call in and win

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in just a little bit back. So I'll be back with

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the spurious emissions band right after this

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word from Tower Electronics right here on HamTalk

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Live. This episode of HamTalk Live is brought

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to you in part by Tower Electronics. Tower Electronics

00:06:45.180 --> 00:06:48.399
has been the Ham's Dime Store since 1978. When

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you need connectors, mobile and handheld antennas,

00:06:51.399 --> 00:06:54.579
cables or adapters, visit Scott or Jill at a

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HamFest near you. Or you can order online at

00:06:57.899 --> 00:07:05.660
PL -259 .com or call 920 -435 -2973. Stock up

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on those supplies like PL -259 and end connectors,

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SMA adapters, audio cables, soldering supplies,

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mobile antennas, and hamsticks. Their silver

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-plated end connectors are even used on the International

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Space Station. Tower Electronics carries MFJ,

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Comet, Daiwa, OPEC, Workman, and HamPro products.

00:07:26.300 --> 00:07:29.860
And don't miss their 0 % off sale going on now.

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Tower Electronics online at PL -259 .com. Proud

00:07:34.459 --> 00:07:38.860
to sponsor this episode of HamTalk Live. All

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ham, all the time. HamTalk Live. Thanks to Scott

00:08:01.129 --> 00:08:03.129
and Jill at Tower Electronics for sponsoring

00:08:03.129 --> 00:08:06.889
the show tonight to help bring you HamTalk Live.

00:08:07.389 --> 00:08:10.209
They're at Gainesville, Florida on Saturday.

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May 6th, they'll be in Cedarburg, Wisconsin and

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May 7th in Sandwich, Illinois. And of course

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May 19th through the 21st they will be at the

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Dayton Hamvention. Or you can give them a call

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at 920 -435 -2973 or visit their website pl -259

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.com and tell them you heard it on HamTalk Live.

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We're on the air every Thursday night 9 p .m.

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Eastern Time right here at HamTalkLive .com and

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if you missed the show We have an archive. You

00:08:41.549 --> 00:08:44.429
can go to HamTalkLive .com and listen anytime

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or you can download it from most of the popular

00:08:47.889 --> 00:08:51.629
podcasting websites. Well, a few weeks ago, the

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Spuri Submissions Band met for their annual rehearsal

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in preparation for their concert at the Dayton

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Hamvention. After the break, we'll be joined

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by some of the band members to take your questions

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live. But first, the interview segment tonight

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was pre -recorded as the band was rehearsing,

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so we could bring you all the band members at

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once. So thanks to Sean Kutsko, KX9X, who is

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the drummer in the band for taking care of the

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Skype duties and making the recordings at the

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rehearsal so we could get some better sound quality

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for you and you'll have a chance to listen to

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a song or two maybe. Pink Floyd, The Rolling

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Stones, Peter Frampton, and The Eagles are all

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but a few of the famous bands that haven't been

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the opening act for the Spurious Emissions band.

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So let's go ahead and get to that interview and

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we'll be back in just a little bit. welcome back

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to ham talk live tonight our guests are the spurious

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emissions band members uh normally i read a bio

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of everybody but it wouldn't be a true band interview

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unless we weren't around let everybody introduce

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themselves so guys uh let's let's find out who

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the members of the spurious emissions band are

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hi i'm inky I'm thinking. I'm not. Is this on?

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Yeah. This award in 0AX. Hi, I'm Sean KX9X. Scott

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W4PA. Kirk K4RO. Okay, now tell us a little bit

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about the day jobs here a little bit so people

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can associate those call signs with who you are.

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OK, well, N0AX and editor for the ARL, handbook,

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antenna book, ham radio for dummies, license

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manuals, Mr. Guilty Party when it comes to information.

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So that's what I do. That's my day job and I'm

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glad to do it. Sean, KX9X, I'm the media and

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public relations manager at ARRL, creator of

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the National Parks on the Air program last year,

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avid backpack QRP 'er, and satellite operator.

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Hey, I'm Scott, W4PA, I'm the owner of VibroPlex

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and International Radio and Venture and Vintage

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Manuals Incorporated, and we distribute several

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other lines of amateur radio equipment in the

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United States, in addition to the ones we manufacture.

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And I'm Kirk. I don't know what to say here.

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I'm a 30 -year IT veteran and still do a lot

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of Unix system administration for a day job.

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And I'm a huge fan of old -time string band music.

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I play fiddle and mandolin and banjo and other

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things like that, pursuing that love. Very good.

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Well, let's talk about the weekend job here.

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The Spurry Submissions Band that you guys started

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up back in... 2010, if I read correctly here.

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Tell us how the band got started and how it came

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about. Oh, this is Ward, N0AX. Kirk and I were

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just playing around at the Dayton Hamvention.

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Kirk brought his mandolin a couple times. I started

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playing mandolin, and so we just started hacking

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around together. And then Scott brought a...

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guitar and we started playing in a hotel room

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and we all like bluegrass, Grapefruit Dead, rock

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and roll and at some point the idea of playing

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some songs in the super suite hatched and nobody

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stubbed it out quickly enough and so it sort

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of got legs and I wrote a couple of songs, little

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song lyrics, mangled some song lyrics for your

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lion eyes by the Beatles and stuff like I mean

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by the Eagles and Beatles tune or two and so

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we just kind of wandered into the super suite

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one time and banged on a beer bottle until we

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cleared out enough sonic space had an audience

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of about eight and and played away and that that

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was the start of it and now we play once a year

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Friday night Crowne Plaza Hotel we have our annual

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rehearsal someplace. It's been at my house and

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this year it's at Kirk's and we're having a good

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time and when it stops being a good time we'll

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probably stop doing it but for now it's fun.

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All right, next question here for you guys. How

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do you come up with the lyrics and who does that?

00:13:24.279 --> 00:13:27.519
Well, mostly it's me, but Sean's done one or

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two or five, and Kirk's done a couple, and people

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contribute some. We've played songs by K1DG,

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and Andy, N2NT was the guy who really gave me

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the idea back in the 70s. He was... doing, he

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was mangling songs like Feelings became Feel

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Day and Simon Garfunkel's The Sound of Silence

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became The Sound of DX, which we've done. But

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the guys, you know, everybody pitches in and

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I throw something out there and they help modify

00:13:59.289 --> 00:14:02.289
it, actually get the chords right and that sort

00:14:02.289 --> 00:14:04.269
of thing. I'm doing all the talking here, why

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don't you jump in Sean? Well it's been a... I've

00:14:08.450 --> 00:14:11.389
always had an interest in changing lyrics to

00:14:11.389 --> 00:14:13.629
songs since I was a kid, and I think that that's

00:14:13.629 --> 00:14:16.110
something that you're either predisposed to or

00:14:16.110 --> 00:14:19.370
not. So the idea of coming up with new lyrics

00:14:19.370 --> 00:14:22.929
for existing songs, I think a lot of us here

00:14:22.929 --> 00:14:24.990
in the group have been doing that for quite some

00:14:24.990 --> 00:14:27.809
time. The transition to doing it for ham radio

00:14:27.809 --> 00:14:31.179
stuff, I didn't. pick up on that until I was

00:14:31.179 --> 00:14:33.299
asked to play drums with this group. And after

00:14:33.299 --> 00:14:37.100
that, it became pretty easy to hear songs that

00:14:37.100 --> 00:14:40.179
I liked and changing the lyrics around to reflect

00:14:40.179 --> 00:14:43.539
ham radio topics. It's pretty addictive. It is.

00:14:44.200 --> 00:14:49.000
And it's fun. It's fun to take existing songs

00:14:49.000 --> 00:14:52.240
and change the lyrics around to reflect this

00:14:52.240 --> 00:14:56.059
community a little bit. It provides a way to

00:14:56.059 --> 00:14:59.659
have some comedy and make some commentary on

00:14:59.659 --> 00:15:02.320
some things that are going on that we may not

00:15:02.320 --> 00:15:04.600
necessarily have the ability to do in other venues.

00:15:05.139 --> 00:15:07.519
I .e. we'd be chased out of the room if we said

00:15:07.519 --> 00:15:17.480
it seriously. And maybe also whether or not you're

00:15:17.480 --> 00:15:21.690
a fan of Weird Al Yankovic or not. Oh yeah, Weird

00:15:21.690 --> 00:15:23.509
Al. Does that figure into that? He's kind of

00:15:23.509 --> 00:15:26.389
the godfather of all of that. Tom Lehrer. Tom

00:15:26.389 --> 00:15:30.929
Lehrer. Tom Lehrer, yes. I have a fondness for

00:15:30.929 --> 00:15:34.730
Tom Lehrer because of the element song. It's

00:15:34.730 --> 00:15:39.490
just the names of the chemical elements. Yeah,

00:15:40.409 --> 00:15:45.250
sounds great. Maybe we can get Weird Al to pick

00:15:45.250 --> 00:15:48.120
up one of your songs? You think that would work?

00:15:48.679 --> 00:15:51.080
I think his audience would find us kind of limiting.

00:15:51.220 --> 00:15:54.000
Yeah, I think that would be detrimental to his

00:15:54.000 --> 00:16:01.240
career. Alright, so can you tell me what, can

00:16:01.240 --> 00:16:03.000
you give me a little sneak peek here on this

00:16:03.000 --> 00:16:05.350
year, what new songs you're working on? Well,

00:16:05.549 --> 00:16:07.190
normally, we like to keep that stuff kind of

00:16:07.190 --> 00:16:09.809
close to the vest. We like to make sure that

00:16:09.809 --> 00:16:12.289
we keep our audience guessing as much as possible.

00:16:12.590 --> 00:16:15.789
But we're working on, I don't know, we're reviewing

00:16:15.789 --> 00:16:18.889
about 14 or 15 new songs this weekend. Oh, we'll

00:16:18.889 --> 00:16:21.450
see. We can say the group. So we have some little

00:16:21.450 --> 00:16:25.370
feet numbers. We have Gordon Lightfoot in the

00:16:25.370 --> 00:16:31.330
can, Jimi Hendrix, the band. Bob Dylan. This

00:16:31.330 --> 00:16:34.470
is Scott, W4PA. Let me interject something about

00:16:34.470 --> 00:16:38.049
how we do this. The formula that we've settled

00:16:38.049 --> 00:16:42.789
on is to play half of stuff that we've done previously

00:16:42.789 --> 00:16:45.690
and half new tunes. But the new tunes aren't

00:16:45.690 --> 00:16:47.889
necessarily agreed on in advance. Like we have

00:16:47.889 --> 00:16:51.799
a bunch of songs we've been playing. but only

00:16:51.799 --> 00:16:53.860
a few of them will actually end up being the

00:16:53.860 --> 00:16:56.799
ones we really play at the show because they

00:16:56.799 --> 00:16:59.419
either work or they don't work. And we found

00:16:59.419 --> 00:17:01.659
after having done this for several years in a

00:17:01.659 --> 00:17:03.240
row that we don't know which those are until

00:17:03.240 --> 00:17:05.799
we actually get together and play them as an

00:17:05.799 --> 00:17:07.700
ensemble. I mean sometimes we have an idea that

00:17:07.700 --> 00:17:10.119
sounds like it's hilarious and a great idea and

00:17:10.119 --> 00:17:12.059
then we try to play it and can't do it or it

00:17:12.059 --> 00:17:14.740
just doesn't work. So what we'll do is we'll

00:17:14.740 --> 00:17:18.759
play these 14 or 15 songs. And then half of those,

00:17:18.759 --> 00:17:20.500
perhaps, will be half of the set, and then the

00:17:20.500 --> 00:17:22.960
rest of it will be ones that we thought were

00:17:22.960 --> 00:17:25.599
really good from times past. So we don't play

00:17:25.599 --> 00:17:28.059
the same thing over and over again. Keeps it

00:17:28.059 --> 00:17:31.519
fresh for everybody. Like Kirk is fond of saying,

00:17:31.880 --> 00:17:33.960
there ain't no money to be made above the first

00:17:33.960 --> 00:17:37.000
fret. So we have to keep things simple. Because

00:17:37.000 --> 00:17:40.619
we only play twice a year, once for a rehearsal

00:17:40.619 --> 00:17:44.400
and once at Dayton. It's got to be simple. Kirk's

00:17:44.400 --> 00:17:49.480
our sanity monitor here. And so, you know, we

00:17:49.480 --> 00:17:53.079
keep things straightforward and, you know, they

00:17:53.079 --> 00:17:55.660
sound good and everybody laughs, then we'll put

00:17:55.660 --> 00:17:58.059
them in the book. This is rock and roll. I'm

00:17:58.059 --> 00:18:07.740
only here for the money and the girls. All right.

00:18:07.980 --> 00:18:12.329
Now, speaking of the girls. Are we getting some

00:18:12.329 --> 00:18:16.349
guest vocalists again this year? We are. We have

00:18:16.349 --> 00:18:19.670
several guest vocalists that sit in with us from

00:18:19.670 --> 00:18:25.029
time to time. A couple years ago, Becky Schoenfeld,

00:18:25.329 --> 00:18:29.069
W1BXY, the managing editor of QST joined us for

00:18:29.069 --> 00:18:32.890
a couple of tunes and did background vocals and

00:18:32.890 --> 00:18:35.309
she will be returning to Dayton this year and

00:18:35.309 --> 00:18:38.690
she will be doing background vocals with us and

00:18:38.690 --> 00:18:42.339
working on at least a couple of tunes that feature

00:18:42.339 --> 00:18:44.380
her in the lead vocal spot. So you'll have to

00:18:44.380 --> 00:18:49.640
come out and check that out. Katie Allen, WY7YL,

00:18:49.740 --> 00:18:52.859
has joined us in the past. She's done a couple

00:18:52.859 --> 00:18:56.279
of Jimmy Buffett things and some Neil Young stuff

00:18:56.279 --> 00:18:59.559
on the background vocals. So there are guest

00:18:59.559 --> 00:19:02.299
artists that join us from time to time. We have

00:19:02.299 --> 00:19:05.180
two or three people that might show up. that

00:19:05.180 --> 00:19:07.539
can't play with the band all the time, K -Zero

00:19:07.539 --> 00:19:11.500
BJ and Five -O -T and his wife Cathy, Cookie

00:19:11.500 --> 00:19:16.980
Scholl, Val Hodgfeld, NB9L. You know, it's sort

00:19:16.980 --> 00:19:20.160
of a Sly and the Family Stone kind of thing.

00:19:21.019 --> 00:19:24.319
Like, whoever shows up and can make the bus to

00:19:24.319 --> 00:19:26.339
the venue, you know, is in the band, you know,

00:19:26.339 --> 00:19:28.640
it's the kind of thing. So anyway, it's a bit

00:19:28.640 --> 00:19:31.480
of a pick -up, but yeah, it should be fun and

00:19:31.480 --> 00:19:33.559
everybody has a good time and then goes and eats

00:19:33.559 --> 00:19:39.440
pizza. Life is good. So for people who haven't

00:19:39.440 --> 00:19:44.799
been to one of your concerts, can we fill people

00:19:44.799 --> 00:19:49.099
in on how they can attend this? Sure, it's free

00:19:49.099 --> 00:19:56.180
to get in five dollars to get out. No, it's held

00:19:56.180 --> 00:19:59.700
at the main ballroom at the Crown Plaza in downtown

00:19:59.700 --> 00:20:01.960
Dayton. It's at 10 o 'clock Friday night at the

00:20:01.960 --> 00:20:04.000
weekend at the Hamfest. And there is no admission

00:20:04.000 --> 00:20:07.079
charge. Just walk through the door and into the

00:20:07.079 --> 00:20:10.839
lobby and off to the left. Requests are taken

00:20:10.839 --> 00:20:14.880
on $100 bills and we do ignore them. The request,

00:20:15.079 --> 00:20:19.720
not the $100 bill. Right. Yes, I have one of

00:20:19.720 --> 00:20:22.539
my liners on the show here is that at HamTalk

00:20:22.539 --> 00:20:25.900
Live, we have the million dollar request guarantee

00:20:25.900 --> 00:20:29.339
that if you give us a million dollars, we'll

00:20:29.339 --> 00:20:34.660
take care of your request guaranteed. We'll try

00:20:34.660 --> 00:20:37.180
to work it in. All right, very good. Well, free

00:20:37.180 --> 00:20:43.519
admission, $5 to get out. May be worth the money.

00:20:43.579 --> 00:20:47.819
I'm not sure and so We'll see how that goes if

00:20:47.819 --> 00:20:50.140
you don't if you don't like what you hear your

00:20:50.140 --> 00:20:53.519
money will be cheerfully refunded Well anything

00:20:53.519 --> 00:20:56.279
else you want to tell us here before we take

00:20:56.279 --> 00:21:00.640
a break? Just like to get in is we like to say

00:21:00.640 --> 00:21:03.519
thanks to DX engineering for sponsoring the stage

00:21:03.519 --> 00:21:06.640
they're responsible for the Providing the sound

00:21:06.640 --> 00:21:08.700
equipment and the stage for making this happen.

00:21:08.700 --> 00:21:11.059
I think this is the third year that they've done

00:21:11.059 --> 00:21:13.559
this now? Yeah. For the sound equipment, so thank

00:21:13.559 --> 00:21:16.039
you very much. Yeah, Tim Duffy has been a big

00:21:16.039 --> 00:21:18.359
fan of the band and it's encouraged us to keep

00:21:18.359 --> 00:21:23.140
coming back and really put in a lot of energy

00:21:23.140 --> 00:21:27.640
into making all this happen, so thank you Tim.

00:21:29.079 --> 00:21:32.539
All right. Well, we're gonna listen in to a song

00:21:32.539 --> 00:21:36.019
or two from the practice session So it's the

00:21:36.019 --> 00:21:39.259
spree submissions band right here on ham talk

00:21:39.259 --> 00:21:49.859
live Guys this is going on ham talk live. This

00:21:49.859 --> 00:21:52.420
is gonna be a big record contract for us on thriving

00:21:52.420 --> 00:22:00.359
on the line. We got to make this good We're just

00:22:00.359 --> 00:22:02.619
hoping for that big game one of these years where

00:22:02.619 --> 00:22:04.720
we're going to have money to buy Scott new strings

00:22:04.720 --> 00:25:20.890
for his bass. Guys, thanks so much for coming

00:25:20.890 --> 00:25:23.230
on the show and sharing your talents with us

00:25:23.230 --> 00:25:25.950
tonight and have a great time with the rest of

00:25:25.950 --> 00:25:28.210
the practice. It sounds like it's off to a good

00:25:28.210 --> 00:25:31.450
start and have a great show again at Dayton this

00:25:31.450 --> 00:25:34.470
year. Seventy threes. Thanks, Neil. Appreciate

00:25:34.470 --> 00:25:38.309
it. Bye -bye. All right, we'll be back to take

00:25:38.309 --> 00:25:41.490
your calls live with some of the members of the

00:25:41.490 --> 00:25:45.009
Sparee Submissions Band right after this on HamTalk

00:25:45.009 --> 00:25:47.799
Live. You're listening to our Dayton Hamvention

00:25:47.799 --> 00:25:50.799
preview shows here on HamTalk Live. Every show

00:25:50.799 --> 00:25:53.700
from now until our live audience show on Hamvention

00:25:53.700 --> 00:25:56.960
Eve, we're giving away a DX80 off -center fed

00:25:56.960 --> 00:26:00.119
dipole courtesy of Radio Waves. So be sure to

00:26:00.119 --> 00:26:02.019
listen to the show live each week and listen

00:26:02.019 --> 00:26:05.339
for instructions on how you can call in and win

00:26:05.339 --> 00:26:08.839
from Radio Waves and HamTalk Live. Check out

00:26:08.839 --> 00:26:11.279
the custom built antennas and pre -made antennas

00:26:11.279 --> 00:26:17.039
at radiowaves .com. That's radiowaves .com. And

00:26:17.039 --> 00:26:19.680
thanks to Radiowaves for their gracious donation

00:26:19.680 --> 00:26:23.849
of prizes to the show. This episode of Ham Talk

00:26:23.849 --> 00:26:27.250
Live is brought to you by The Ham Station. For

00:26:27.250 --> 00:26:30.430
over 37 years, The Ham Station has sold new and

00:26:30.430 --> 00:26:33.569
used radios, antennas, accessories, and equipment

00:26:33.569 --> 00:26:37.390
to hams everywhere. Give Dan or Jeff a call at

00:26:37.390 --> 00:26:43.910
800 -729 -4373 or order online at hamstation

00:26:43.910 --> 00:26:47.470
.com. Hamstation carries all the major brands

00:26:47.470 --> 00:26:51.269
like Icom, Yezu, and Kenwood, and they have a

00:26:51.269 --> 00:26:55.089
wide selection of radio scanners, MFJ accessories,

00:26:55.410 --> 00:26:58.529
Heil sound products, amplifiers by Mirage and

00:26:58.529 --> 00:27:01.990
Ameritron, Cushcraft antennas, and more. Easy

00:27:01.990 --> 00:27:05.390
online ordering is at HamStation .com or call

00:27:05.390 --> 00:27:11.029
1 -800 -729 -4373 to place an order and talk

00:27:11.029 --> 00:27:14.069
it over with the experts. The HamStation, proud

00:27:14.069 --> 00:27:18.730
to sponsor this episode of HamTalk Live. Let's

00:27:18.730 --> 00:27:24.190
have an eyeball QSO in Dayton. You're listening

00:27:24.190 --> 00:27:30.480
to HamTalk Live with Neil Rapp. Join the conversation,

00:27:30.799 --> 00:27:34.259
call us on voice with Skype at HamTalk Live or

00:27:34.259 --> 00:27:38.759
give us a call at 812 -NET -HAM -1. That's 812

00:27:38.759 --> 00:27:45.539
-638 -4261. Now here's more HamTalk Live. And

00:27:45.539 --> 00:27:49.200
welcome to Rock Minute with Ian St. Ian. Oh,

00:27:49.200 --> 00:27:53.039
wait a minute. That's the wrong show. Welcome

00:27:53.039 --> 00:27:56.259
back to HamTalk Live. The HamStation has you

00:27:56.259 --> 00:27:59.000
covered for both new and used equipment. Give

00:27:59.000 --> 00:28:03.420
Dan or Jeff a call. 800 -729 -4373 is the number

00:28:03.420 --> 00:28:07.039
to call. Or go over to HamStation .com and tell

00:28:07.039 --> 00:28:10.599
them you heard it on HamTalk Live. Make sure

00:28:10.599 --> 00:28:12.859
you listen every Thursday night at 9 p .m. Eastern

00:28:12.859 --> 00:28:16.539
Time right here at HamTalkLive .com. Check out

00:28:16.539 --> 00:28:18.480
our Facebook page, Twitter feed, and Instagram.

00:28:18.619 --> 00:28:22.039
Just search HamTalk Live. You'll find us there.

00:28:22.900 --> 00:28:29.589
Well... It's our game show music. Yes, it's time

00:28:29.589 --> 00:28:33.509
for our giveaway and we've added a bonus to the

00:28:33.509 --> 00:28:36.190
call -in segment We're giving away a radio waves

00:28:36.190 --> 00:28:40.710
DX 80 off center fed dipole compliments of radio

00:28:40.710 --> 00:28:43.890
waves this week We're giving away the DX 80 to

00:28:43.890 --> 00:28:47.150
the first person to call into the show with the

00:28:47.150 --> 00:28:54.309
correct answer to this question What song is

00:28:54.309 --> 00:28:56.630
generally regarded as the spurious emissions

00:28:56.630 --> 00:29:00.900
band's signature song? which was the song we

00:29:00.900 --> 00:29:04.319
just played before the break. So now it's time

00:29:04.319 --> 00:29:07.319
for your calls. If you have a question for the

00:29:07.319 --> 00:29:10.279
Spurious Emissions Band, call 812 -NAT -HAM -1.

00:29:10.299 --> 00:29:16.400
That's 812 -638 -4261. And if you know the name

00:29:16.400 --> 00:29:20.440
of the song, you could win one of those dipoles.

00:29:20.440 --> 00:29:22.839
Or you can Skype us at HamTalk Live. You can

00:29:22.839 --> 00:29:26.339
do that as well. Or if you'd rather not play

00:29:26.339 --> 00:29:30.819
along, but China in you can tweet us at HamTalk

00:29:30.819 --> 00:29:36.619
Live and tonight we have with us live from the

00:29:36.619 --> 00:29:43.000
band Ward Silver N0AX on mandolin and Kirk Pickering

00:29:43.000 --> 00:29:47.480
K4RO on fiddle mandolin and banjo so guys thanks

00:29:47.480 --> 00:29:51.599
for coming on and being with us live tonight.

00:29:52.980 --> 00:29:55.220
Good evening. Glad to be here. Good evening.

00:29:56.519 --> 00:29:59.279
So give us a call here. We've got another song

00:29:59.279 --> 00:30:02.079
we may play here in a little bit but give us

00:30:02.079 --> 00:30:06.519
a call and and ask some questions about the band

00:30:06.519 --> 00:30:11.119
and their concert coming up at Hamvention and

00:30:11.119 --> 00:30:14.880
Saturday I actually had a chance to drive over

00:30:14.880 --> 00:30:20.420
and was on Facebook live and recorded the drive

00:30:20.420 --> 00:30:24.240
from the south side of Dayton over to the Green

00:30:24.240 --> 00:30:26.920
County fairgrounds and so if you want to see

00:30:26.920 --> 00:30:30.640
what that looks like go over to Facebook and

00:30:30.640 --> 00:30:33.859
get on the ham talk live page or put that over

00:30:33.859 --> 00:30:37.200
on YouTube as well so you can you can see that

00:30:37.200 --> 00:30:40.779
and we do have a caller so let's see who we have

00:30:40.779 --> 00:30:47.299
on the line Well, good evening. This is W5 MRR

00:30:47.299 --> 00:30:51.920
from Louisiana. All right, and what's your first

00:30:51.920 --> 00:30:58.220
name? Marvin. Marvin. Okay, Marvin. W5 MRR from

00:30:58.220 --> 00:31:01.579
Louisiana. Thanks for giving us a call. And do

00:31:01.579 --> 00:31:05.519
you know the name of the signature tune of the

00:31:05.519 --> 00:31:10.769
Spurious Emissions Band? I know. I would listen

00:31:10.769 --> 00:31:14.829
to it, just tuned in to the podcast just a bit

00:31:14.829 --> 00:31:18.670
ago. I just found your podcast about a week ago.

00:31:19.170 --> 00:31:22.069
So I'm not a long time listener. I just thought

00:31:22.069 --> 00:31:26.910
I'd call in and find out, you know, how long

00:31:26.910 --> 00:31:30.589
the guy that has had their tickets, you know,

00:31:31.509 --> 00:31:35.930
and if another thing is did being musicians,

00:31:37.359 --> 00:31:39.900
help you get your tickets. I know it did mine

00:31:39.900 --> 00:31:47.299
back in the CW days. Yeah, I've noticed a definite

00:31:47.299 --> 00:31:51.359
correlation between that and the CW. So, Ward,

00:31:51.480 --> 00:31:54.779
do you want to start off and then Kirk? Sure.

00:31:55.279 --> 00:32:01.289
Well, I got my license in 72 and I think Scott

00:32:01.289 --> 00:32:05.069
got licensed in the early 80s and Sean maybe

00:32:05.069 --> 00:32:08.990
in the mid 70s. What about you, Kirk? I got my

00:32:08.990 --> 00:32:13.529
ticket in 1976. So we're all about that same

00:32:13.529 --> 00:32:17.829
period. Yeah, that same year I got mine. Well,

00:32:17.869 --> 00:32:21.210
very good. Well, thanks, and you guys are doing

00:32:21.210 --> 00:32:23.970
a great job. I'd love to be able to make it to

00:32:23.970 --> 00:32:29.269
Dayton, but that's a long way from rural Louisiana.

00:32:31.620 --> 00:32:34.880
Yeah, it is, but it's, it's well worth it. Go

00:32:34.880 --> 00:32:37.680
ahead. I'll take the, I'll take the second part

00:32:37.680 --> 00:32:40.700
of your question about music and radio, which

00:32:40.700 --> 00:32:44.220
I think is kind of an interesting question. It

00:32:44.220 --> 00:32:46.539
turns out there are quite a few musicians who

00:32:46.539 --> 00:32:49.680
are also ham radio nuts, um, including a few,

00:32:49.900 --> 00:32:52.039
including, including a few very well known ones

00:32:52.039 --> 00:32:57.119
like Joe Walsh, for example. Um, I actually was

00:32:57.119 --> 00:33:01.420
into the radio thing before music. Um, I really

00:33:01.420 --> 00:33:04.180
didn't start playing music. I guess I really

00:33:04.180 --> 00:33:07.440
started playing music probably within a year

00:33:07.440 --> 00:33:09.759
or two of getting my ham license, but the radio

00:33:09.759 --> 00:33:12.819
actually came first and has kind of been with

00:33:12.819 --> 00:33:18.980
me the whole time. I think that the fact that

00:33:18.980 --> 00:33:22.619
music is a form of waves, of course everything's

00:33:22.619 --> 00:33:25.640
waves to me, but music and the fascination with

00:33:25.640 --> 00:33:29.430
how it's made and how it sounds. how it's amplified

00:33:29.430 --> 00:33:32.589
and everything about it has a lot of parallels

00:33:32.589 --> 00:33:35.250
that dovetails nicely to the ham radio hobby.

00:33:35.970 --> 00:33:40.130
And I've also heard from more than one decent

00:33:40.130 --> 00:33:44.289
Morse code operator that being musically rhythmic

00:33:44.289 --> 00:33:49.650
can be helpful for learning Morse code. Yeah,

00:33:50.670 --> 00:33:54.089
a friend of mine, a mentor, he used to send CW

00:33:54.089 --> 00:34:00.950
with a banjo. So anyway, I don't want to take

00:34:00.950 --> 00:34:04.730
up all the time, but guys, thanks again. Thanks

00:34:04.730 --> 00:34:08.570
for doing the podcast and 70 degrees to all from

00:34:08.570 --> 00:34:13.730
Louisiana. See you, Marvin. Thanks, Marvin. Thanks

00:34:13.730 --> 00:34:17.460
for calling in. Well, we've got the phones lighting

00:34:17.460 --> 00:34:20.320
up again, so we're going to open up the line

00:34:20.320 --> 00:34:24.460
now. So if you are trying to call, give us a

00:34:24.460 --> 00:34:28.800
call right now. It's 812 -NATAM -1. 812 -638

00:34:28.800 --> 00:34:34.659
-4261. And we will take the next call here as

00:34:34.659 --> 00:34:42.760
soon as that comes up. 812 -638 -4261. There

00:34:42.760 --> 00:34:45.860
we have our next call. So who do we have on the

00:34:45.860 --> 00:34:50.179
line now? My name is Ruth and my call sign is

00:34:50.179 --> 00:34:55.880
PAM4LAO. Hi Ruth! It's good to hear you. I'm

00:34:55.880 --> 00:35:00.840
glad you called in. So did you catch the signature

00:35:00.840 --> 00:35:05.719
tune of the band? Yes I did. I think it's the

00:35:05.719 --> 00:35:10.829
cover of the NTJ. We have a winner. We have a

00:35:10.829 --> 00:35:14.469
winner. That's it. Yes the cover of the NCJ so

00:35:14.469 --> 00:35:17.150
They're going to buy some copies for their mothers.

00:35:17.730 --> 00:35:20.489
So Congratulations, Ruth. Thanks for calling

00:35:20.489 --> 00:35:25.650
in appreciate it and Do you have a question for

00:35:25.650 --> 00:35:29.469
the guys here tonight? Not too much. I just wanted

00:35:29.469 --> 00:35:32.809
to call in I enjoyed listening to the listening

00:35:32.809 --> 00:35:34.489
to the interview and I can't wait to hear you

00:35:34.489 --> 00:35:38.239
all at Dayton Yeah, and Ruth's gonna be speaking

00:35:38.239 --> 00:35:43.159
at the the contest dinner, so That's gonna be

00:35:43.159 --> 00:35:44.920
pretty cool. She's gonna talk about her trip

00:35:44.920 --> 00:35:49.159
to Saba and I had a chance to interview her a

00:35:49.159 --> 00:35:52.480
few weeks ago for Newsline, so Thanks for calling

00:35:52.480 --> 00:35:55.000
in Ruth. Appreciate it and best of luck with

00:35:55.000 --> 00:35:58.739
the with the talk at the dinner Thank you very

00:35:58.739 --> 00:36:04.610
much We'll be looking for you there's Generally

00:36:04.610 --> 00:36:07.409
a crowd that comes over from the collegiate dinner

00:36:07.409 --> 00:36:11.750
and takes up a couple of tables up by stage Stage

00:36:11.750 --> 00:36:16.369
right so plow in there. We'll see ya Alright

00:36:16.369 --> 00:36:19.349
sounds good. I'll see you all then yep, and that's

00:36:19.349 --> 00:36:22.110
and that's the DX dinner dr. Scott right straighten

00:36:22.110 --> 00:36:24.409
me out It's the DX dinner not the contest dinner,

00:36:25.329 --> 00:36:28.449
but it's the Southwest Ohio DX Association dinner,

00:36:28.469 --> 00:36:32.769
so Got that right. All right. Well 812 Nat Ham

00:36:32.769 --> 00:36:38.489
1 is the phone number 812 -638 -4261. If you

00:36:38.489 --> 00:36:44.369
want to give us a call we will take it and we

00:36:44.369 --> 00:36:48.289
have a note here from Greg Marcos as greetings

00:36:48.289 --> 00:36:52.650
boys. So thanks for listening and we've got another

00:36:52.650 --> 00:36:57.610
call. Oh here comes the chicken with fries. Good

00:36:57.610 --> 00:37:00.760
evening Marty. Good evening Neil, it's Marty

00:37:00.760 --> 00:37:06.059
KC1CWF. Good evening everybody. Hi Marty. Hi.

00:37:06.260 --> 00:37:09.760
I have a question for y 'all. And my question

00:37:09.760 --> 00:37:11.599
is, I might have missed this earlier, but I'll

00:37:11.599 --> 00:37:14.840
ask it. How do you guys come up with your ideas

00:37:14.840 --> 00:37:20.320
and lyrics for your songs? Alcohol. That always

00:37:20.320 --> 00:37:24.780
works well. That was a joke. You'll have to ask

00:37:24.780 --> 00:37:29.409
the songmaster himself, Ward. Well, I tell you,

00:37:29.570 --> 00:37:34.070
it's just every once in a while a line just occurs

00:37:34.070 --> 00:37:36.909
to me and when it occurs to me, I know I better

00:37:36.909 --> 00:37:39.909
go get on it. So, sometimes I write them down

00:37:39.909 --> 00:37:43.110
in a little notebook and I got one going today.

00:37:43.150 --> 00:37:48.409
I was working on one with Jeff Stye, WK6I out

00:37:48.409 --> 00:37:51.610
on the West Coast. He wanted me to do Dylan's

00:37:51.610 --> 00:37:54.010
Don't Think Twice It's Alright and then he got

00:37:54.010 --> 00:37:56.920
started. and took a whack at it, and I need to

00:37:56.920 --> 00:37:58.920
sand it down a little bit, so we're gonna go

00:37:58.920 --> 00:38:01.559
back and forth, and we got lots of stuff in the

00:38:01.559 --> 00:38:04.619
book, Marty. Well, it's gonna be exciting to

00:38:04.619 --> 00:38:08.260
see you perform in Dayton. Excellent. Have you

00:38:08.260 --> 00:38:11.579
been to one of the shows before? Yeah, I was

00:38:11.579 --> 00:38:13.539
there last year. You were there last year. Okay,

00:38:13.820 --> 00:38:16.840
yeah. Well, you've been before, and you're actually

00:38:16.840 --> 00:38:20.969
gonna come back? Yeah, it must have been... I

00:38:20.969 --> 00:38:23.650
don't know what sort of 3D glasses or something

00:38:23.650 --> 00:38:27.550
I was wearing, but. You have to pay your $5 to

00:38:27.550 --> 00:38:31.650
get out again. Yeah, exactly. Free to get in

00:38:31.650 --> 00:38:36.170
five bucks to get out. Best money move we ever

00:38:36.170 --> 00:38:40.590
made. Probably more profitable. Yeah, we got

00:38:40.590 --> 00:38:43.369
nine new songs this year, Marty, so you won't

00:38:43.369 --> 00:38:46.429
have heard anything, any of them before. It's

00:38:46.429 --> 00:38:49.489
good. All right. Well, thanks for taking my question.

00:38:50.239 --> 00:38:53.380
Thanks for calling Marty. See you Neil. See you

00:38:53.380 --> 00:38:56.280
later. All right. We've got a couple of tweets

00:38:56.280 --> 00:38:58.840
here from, from Dr. Scott Wright. So we'll get

00:38:58.840 --> 00:39:02.980
those. Um, already says you're making the rounds

00:39:02.980 --> 00:39:05.820
on ham radio media this week. Who's your booking

00:39:05.820 --> 00:39:10.559
agent and what's coming up next? Uh, gee, I don't

00:39:10.559 --> 00:39:14.000
see, I should pay that guy more. I don't know.

00:39:14.280 --> 00:39:17.139
Um, I think the next thing is actually Dayton.

00:39:17.480 --> 00:39:20.920
I've got a little downtime here and work on my

00:39:20.920 --> 00:39:23.719
practice stuff. I've got a brand new instrument

00:39:23.719 --> 00:39:28.000
to play and we'll see you in Dayton with it.

00:39:28.679 --> 00:39:32.860
And he also wants to know, for Kirk and for Ward,

00:39:32.900 --> 00:39:36.820
what's your favorite contest? Go for it, Kirk.

00:39:37.639 --> 00:39:41.820
Oh boy. You know, I'd probably have to say that

00:39:41.820 --> 00:39:45.360
the one that's closest to my heart is sweepstakes.

00:39:46.639 --> 00:39:49.940
I really love CQ worldwide code, especially.

00:39:50.739 --> 00:39:52.599
But I tell you, my favorite these days is getting

00:39:52.599 --> 00:39:55.380
on a couple of times a day on Wednesdays for

00:39:55.380 --> 00:39:58.820
the CWOPS one -hour sessions. Those things are

00:39:58.820 --> 00:40:02.940
pure fun. So highly recommended. Yeah, I'm going

00:40:02.940 --> 00:40:05.340
to have to start. CWOPS .org. Uh -oh, there's

00:40:05.340 --> 00:40:10.829
a plug. Oh, we do plugs. That's all right. They're

00:40:10.829 --> 00:40:12.389
a good group, and they're really doing a lot

00:40:12.389 --> 00:40:15.329
to promote CW. So I always like to give them

00:40:15.329 --> 00:40:18.849
a plug. I'm going to give that a try as soon

00:40:18.849 --> 00:40:22.630
as I get done with the handbook edition. And

00:40:22.630 --> 00:40:26.070
I think I'm with Kirk. CW Sweepstakes has been

00:40:26.070 --> 00:40:29.989
my favorite for, oh, geez, the first year I got

00:40:29.989 --> 00:40:33.650
my license. I was active in that. But if you're

00:40:33.650 --> 00:40:35.849
at a big station, there's nothing better than

00:40:35.849 --> 00:40:40.989
CQ Worldwide CW. All right, thanks a lot for

00:40:40.989 --> 00:40:43.750
for answering those dr. Scott right k0md. Thanks

00:40:43.750 --> 00:40:51.949
for tweeting in Yeah Let me let me ask you here

00:40:51.949 --> 00:40:56.610
too. We've got about two minutes left here so

00:40:56.610 --> 00:41:00.309
after we recorded that you guys were going through

00:41:00.309 --> 00:41:03.929
all the songs how did everything go did you got

00:41:03.929 --> 00:41:08.550
everything ready and picked out and Brady great

00:41:08.550 --> 00:41:14.909
role Well Kirk go ahead Well, there were no fights.

00:41:14.929 --> 00:41:19.590
No hospitalization was required. So I Think it

00:41:19.590 --> 00:41:21.409
actually was pretty productive. There's there's

00:41:21.409 --> 00:41:25.670
a lot of new material particularly that I'm just

00:41:25.670 --> 00:41:28.210
not really used to playing certain styles that

00:41:28.210 --> 00:41:31.760
so I'm gonna have to Buckle down. I think it'll

00:41:31.760 --> 00:41:34.880
be a good fun set and You know the fact that

00:41:34.880 --> 00:41:37.119
we were able to crank out so many new songs in

00:41:37.119 --> 00:41:41.179
such a short period of time Was was nice, you

00:41:41.179 --> 00:41:42.760
know, we've been doing this a while. I don't

00:41:42.760 --> 00:41:44.760
know how many years we've been doing it now But

00:41:44.760 --> 00:41:47.019
I think we might dare I say starting to be able

00:41:47.019 --> 00:41:49.599
to get I get the hang of it But it is important

00:41:49.599 --> 00:41:53.260
I think that we get together in person to work

00:41:53.260 --> 00:41:55.360
things out and see how they go because his ward

00:41:55.360 --> 00:41:57.480
or someone mentioned in the interview initial

00:41:57.480 --> 00:42:00.960
interview We don't know whether a tune is gonna

00:42:00.960 --> 00:42:03.559
work until we try to play it together Something

00:42:03.559 --> 00:42:05.820
sometimes things sound good on paper and then

00:42:05.820 --> 00:42:07.880
we sit down and try to play it and it's a disaster

00:42:07.880 --> 00:42:10.599
So and then oftentimes there are great surprises

00:42:10.599 --> 00:42:12.400
that come out of nowhere to that when we get

00:42:12.400 --> 00:42:17.000
together It's true. I found out that I cannot

00:42:17.000 --> 00:42:23.280
sing anything ever done by Marvin Gaye But they

00:42:23.280 --> 00:42:25.760
tolerated it, you know, maybe if I did the Barry

00:42:25.760 --> 00:42:29.940
White version, you know Yeah, it's like, you

00:42:29.940 --> 00:42:33.559
know, we get together and we've got a fistful

00:42:33.559 --> 00:42:38.699
of lyrics and mostly the right chords and then

00:42:38.699 --> 00:42:42.679
we all have to kind of know it. This will be,

00:42:42.679 --> 00:42:46.239
I think, the 16th time we've played together.

00:42:47.739 --> 00:42:50.960
It's eight years of concerts and we typically

00:42:50.960 --> 00:42:55.900
only have one little session beforehand. actually

00:42:55.900 --> 00:42:57.960
getting together rehearsed for a weekend and

00:42:57.960 --> 00:43:03.239
that's a real hoot last few years and and then

00:43:03.239 --> 00:43:05.739
we just kind of touch it up a little bit on Thursday

00:43:05.739 --> 00:43:08.900
night and then Friday we jump into the blender

00:43:08.900 --> 00:43:13.000
and see what comes out so it's So far everybody's

00:43:13.000 --> 00:43:15.480
left at mostly the right places and we're happy

00:43:17.000 --> 00:43:19.559
Well, we're we're laughing and we're enjoying

00:43:19.559 --> 00:43:22.019
it here and I'd hope to play climber John but

00:43:22.019 --> 00:43:24.960
we're out of time tonight so we may sneak in

00:43:24.960 --> 00:43:26.920
just a little bit at the end here if we have

00:43:26.920 --> 00:43:31.199
time but That's a wrap for this week's ham talk

00:43:31.199 --> 00:43:34.469
live. Thanks guys for coming on the Spurry Submissions

00:43:34.469 --> 00:43:37.170
Band, and everyone out there in cyberspace for

00:43:37.170 --> 00:43:39.030
listening and calling in. And we'll invite you

00:43:39.030 --> 00:43:42.050
back next Thursday night at 9 p .m. when Michael

00:43:42.050 --> 00:43:44.889
Coulter, W8CI, the official spokesperson for

00:43:44.889 --> 00:43:47.710
the Dayton Hamvention, and Ron Kramer, KD8ENJ,

00:43:47.730 --> 00:43:50.789
will be here, the chairman, to talk about the

00:43:50.789 --> 00:43:54.130
latest updates from the Dayton Hamvention. And

00:43:54.130 --> 00:43:56.489
for a list of all of our upcoming guests, visit

00:43:56.489 --> 00:43:59.969
HamTalkLive .com. So for now, this is Neil Rapp,

00:44:00.150 --> 00:44:04.849
WB9VPG. saying seven three seven five and may

00:44:04.849 --> 00:44:07.510
the good dx be yours and we'll send you out with

00:44:07.510 --> 00:44:11.730
a little bit of climber john all right here we

00:44:11.730 --> 00:44:16.969
go this one's dedicated to all of the tower climbers
