WEBVTT

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Hey, guys, welcome to Good News York. This is

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a super special episode. I'm very excited because

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this is in hats off to our man, Mike, our super

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producer here. I don't know about that. This

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is a phenomenal get. We got an incredible guest.

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I am I am so excited as a as a 90s kid, you know,

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and a musician. This is a band from the 90s and

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the drummer. Mr. Aaron comas is joining us willfully.

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I'm not even talking we like we begged Yeah I

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asked if the if any of the band could do an interview

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and they got back to me and said Aaron would

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like to do this interview which I Made our day.

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Welcome to Good News York, Aaron. We are You

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as well Aaron and by the way, I don't know if

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I even mentioned my name is Matt by the way I

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know you've been interacting with Mike a little

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bit but We're really excited to have you and,

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you know, we're going to talk about a few things,

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including your tour. You got a new album. And

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of course, you've been an absolute rock star

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for as long as we can all remember. And we're

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going to want to hear some stories about that.

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But before we get to the music, I just I want

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to know a little bit about Aaron, like who are

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you just as a human? What are you into aside

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from the stuff that we know you for? Well, you

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know, let's say I've been in New York City and

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moved here in 1988. I'm actually in Buffalo right

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now because we're playing here tomorrow. But

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I grew up in Dallas, Texas. So I spent like my

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high school years in Dallas. So I'm a long time.

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I probably shouldn't say this if this is like

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Aaron in the Buffalo area. But I'm a long time

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Dallas Cowboys fan. I'm a die hard Bills fan,

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Aaron. Come on. They'll give you a pass for the

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day. But you know, I got to tell you, I'm rooting

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for the I'm always rooting for the Bills now

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because it's a great team and they just seem

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to get screwed over every time. Aaron, it is

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it is at this point. In my lifetime it is beyond.

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I mean, it's like this this franchise is cursed

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I'm not sure I believe in curses, but I don't

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know how they don't just lose They find ways

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to lose in these epic fashions that they're almost

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impressive, you know, I mean what happy I just

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last year What was it was that crazy game? Oh,

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please which one? There was wide, right? Well,

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we I'm happy about my Cowboys wins in the 90s,

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but you know, it's been it's been a long 25 years

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since we've done anything they've been they've

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been very dormant and what i mean by that is

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in the off season They're just not, remember

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the days of Dion and all these big stars and

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it gets to free agency and it's like the cowboys

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are just doing nothing. I don't understand. I

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don't get it. Listen, you know how it is. You

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grew up with the team as a child. I'm old enough

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to have been around in the Roger Stalbach era

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and then in the 90s, Tom Landraven, remember

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that. Like you know I stick with my team, but

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I gotta tell you man It's it's getting harder

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and harder, and if it wasn't from Dallas. I because

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there's a lot of things I don't like about the

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Cowboys Yeah, I'll be honest with I stick with

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them. Well you should stick with them. Are you

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in the Jerry Jones? I don't want to get you in

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trouble. Are you in the Jerry Jones needs to

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go camp or Absolutely good me too. I think pretty

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much everybody is in Dallas now He's right come

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on, but go ahead. Sorry What's he done in the

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last 30 years? I mean, he's made millions of

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billions of dollars. But like you said, I mean,

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he has these opportunities to get to do things.

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And it's just what is he doing? He should have

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totally gotten Dion man to coach. Yeah, I thought

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that's exactly what was going to happen. But,

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you know, the thing with Jerry Jones is he's

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riding off of, you know, he came in with a bang,

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brings in this coach from Arkansas. Nobody knows

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why you're bringing in this Jimmy Johnson. And

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they win and they win big. And so because of

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that. Because of that, I think is the only reason

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why he's been able, you know, they've been able

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to hang on because they just haven't done much

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since. They got that name brand and they make

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all that money. That's it. I mean, what? They

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still like the I think the richest sports team

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in the world. They I think they are still I think

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they surpassed once they built a new stadium.

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I think they're worth surpass the Yankees, which

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is like wild. Wow. It's pretty wild. It is wild.

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Considering they haven't been in a Super Bowl

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in 30 years. I know. I look I'm from the camp

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of owners should own coaches should coach players

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play. And I think if Jerry relinquishes that

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that that stronghold over the whole organization,

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I think everyone benefits from it. I agree. Well,

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just just so you know unless the cowboys are

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playing the bills. I do root for the bills 100

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% You know what you guys you guys deserve a Super

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Bowl man. You're gonna get me all choked up over

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here I wish I can say the same. I don't always

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root for the Cowboys. I feel bad I wish I could

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return the favor. So maybe I will know you shouldn't

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Two times in a row in the Super Bowl was enough

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What a team that was anyway, we turned into a

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sports show. This is great. Yeah, it's my wheelhouse.

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I'm in music sports Aaron you said you've been

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in New York since the late 80s. What you know,

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our show is good news York So one of the things

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that we really like to promote is just the things

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that are awesome about our state and all over

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the place Yeah, if you could just real quick,

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what are one of the reasons that you've kind

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of stuck around? What what do you like about?

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the empire state i i love new york i mean i when

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i was younger i always knew i wanted to be a

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professional musician so i kind of got into my

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head from an early age that i was either going

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to move to new york city or to los angeles sure

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because those are you know especially at the

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time the big music capital that's where you had

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to be Yeah. You know, all my favorite musicians

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lived in one of those two cities. And, you know,

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I visited New York. My dad took me up here, you

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know, looking at colleges. And I just loved it.

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Just, you know, a lot of my favorite music came

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from up here. So ultimately, I ended up coming

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up here and going. First, I did a year at Berkeley

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in Boston, and then I moved back to Dallas for

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a year. And when I was at Boston, I would come

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visit some friends in New York. So after one

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year back in Dallas, I decided I'm going to move

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to New York. And I went to the new school for

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a couple years, which is where the band met up,

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actually. Wow. But I've been, you know, I've

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seen, you know, I've seen so many people move.

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And I get it. I mean, New York's a it'll suck

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you in, spit you out kind of place. So it's a,

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you know, I definitely, you know, you kind of

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got to get to a certain level, I think, career

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wise to or you're just going to be like roughing

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out your whole life, you know. Yeah. And a lot

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of people a lot of people do because a lot of

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people put up with that just because the city

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is so cool. You know, sure. I mean, I just love

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the people there, and I love all the culture,

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and I'm a big foodie, and I think it's the best

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food city in the entire world. And I've been

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all over the world. New York City is great. And

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the state, too. I have a place upstate in the

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Catskills. Oh, wow. I just love the whole state.

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It's such a beautiful state. I think a lot of

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people don't know how beautiful New York State

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is unless you get out of the city. I mean, it's

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incredible, man. Yeah. We deal with, you know,

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whenever we, when I would travel outside of New

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York State, if I said I was from New York, they'd

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be like, oh, you're from the city. And then I'd

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go down to the city. And anytime I'm visiting

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people in the city, they'd say, where are you

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from? I'd say upstate. And they'd be like, oh,

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like Newburgh or the Catskills. No, no, no. I

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mean, upstate. I don't think I don't think they

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know that there's life up here. I think they

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think it's just woods and animals. I don't know.

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Yeah, in Canada. Everything north of Poughkeepsie

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is Canada. That's right. I mean, it's interesting.

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I mean, I was reading something the other day.

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I think the Buffalo was like one of the most

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desirable places to buy a home right now or something.

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Yeah. This city is really it's really like kind

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of. Turning around a lot. It is it's on the mend

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and so is Syracuse as well this whole region

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really from Syracuse to Buffalo and honestly

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Albany even is but It's become which is crazy

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because we're been notorious for people leaving

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and now it's exactly the other directions Mike

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Ron is it's good to hear because it's funny how

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like a lot of these Killer cities, you know,

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like you just mentioned Albany Buffalo Syracuse

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Rochester. They never could like kind of even

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get to like Cleveland status. Cleveland's a fucking

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shithole. I'm really happy to see these cities

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grow up in a good way. People are moving here.

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It's because they're great. Yeah. Appreciate

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that. Yeah. So I think that's a great sort of

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segue into why you're in town, why you're in

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Buffalo currently. You're on tour. And you're

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playing at the casino, if I'm not mistaken, right?

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You guys spin doctors playing at the Seneca Niagara

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Resort and Casino tomorrow night, April 18th

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and Saturday, April 19th. And you are promoting

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your new album, Face Full of Cake, which I checked

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out. I already have my favorite songs off the

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record. This is exciting spin doctors. Are going

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to be performing at the Seneca Niagara Resort

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Casino tomorrow night 4 18 and Saturday 4 19

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promoting your new record Faceful of cake and

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I listened to it. I have three favorites off

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the record Can I can I ask one question before

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you get into your show detailed research? I just

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got to ask how much cake was consumed in the

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making of this record. It's a great to make you

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want to know what we consume a lot of during

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the making this record was chili Okay. Oh, I

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love chili. We should we should maybe we should

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have caught a face full of chili. There's this

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place by the studio we worked at in Asbury Park

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called Cardinal Provisions and they just made

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the best chili. So like every day at around two,

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we would reward ourselves after we got to take

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a good song we liked and we'd order a bunch of

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chili. We literally had chili every day. That's

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wild. That is I could eat chili every day. My

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wife thinks it's disgusting. I I love it. And

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I'll tell you what a little little tidbit. So

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my hometown, the small town I was from, the people

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of our town were known as cake eaters. That's

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true. So, you know, when I just hear, I don't

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know. That's all I can think of is back in the

00:09:58.360 --> 00:10:01.340
day being the cake eaters. But anyway, proceed

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with actual questions about the music. I like

00:10:04.100 --> 00:10:07.259
talking about chili. So Faceful of Cake, this

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is your first return since 2013. And the creative

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genesis began after being locked down in COVID.

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And correct. What I love about that is That you

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guys came together and I know this as a musician

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myself and it was almost like it seems like it

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was a fresh start for you and There was no pressure

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and it was almost like that time away from you

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guys It gave you it reinvigorated you and and

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and to me like this is an example of what I talked

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about With people during the pandemic, which

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was like there was a lot of bad during the pandemic

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but there was a lot of good that came from the

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pandemic too. And this is what I, I feel like

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this is an example. Am I right? Yeah. I mean,

00:10:53.629 --> 00:10:55.750
you know, we were, we've been talking about making

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a record for a while because it had been a long

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time and sort of during the lockdown, we sort

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of started talking about, well, let's, you know,

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once this thing blows over a little bit, let's

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get together and do some writing sessions. Cause

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it's been a while since we... got we always sort

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of break off in different groups and write songs.

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And so finally, after like, you know, the things

00:11:14.669 --> 00:11:16.169
were really bad, everybody started to feel a

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little more comfortable getting out. Eric and

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Chris got together. up at Mike Gordon's house.

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He has a studio up in Vermont. Yeah, from Phish.

00:11:26.259 --> 00:11:28.019
Yeah, so they went up there and met and wrote

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a couple songs. And then me and Chris got together

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and wrote some songs. And then me and Eric got

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together. And we just get together in these different

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groups. And we did that a few times. And after

00:11:39.279 --> 00:11:40.899
like, you know, three or four of those writing

00:11:40.899 --> 00:11:43.340
sessions, we had a nice selection of material.

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And we just made some really crappy demos. Like

00:11:47.000 --> 00:11:49.279
a lot of the stuff was just like on our phones.

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Sure. We did a few on my studio, but we weren't

00:11:52.360 --> 00:11:53.759
trying to make it good. We were just like, let's

00:11:53.759 --> 00:11:57.759
just get it down. And then finally it came time

00:11:57.759 --> 00:11:59.980
to, we were like, well, let's go in the studio

00:11:59.980 --> 00:12:02.820
and make some like really good demos. And so

00:12:02.820 --> 00:12:05.019
we have a new bass player, Jack Daly, who he's

00:12:05.019 --> 00:12:08.240
got a really great studio in Asbury Park. So

00:12:08.240 --> 00:12:12.039
we decided to go down there and just. very chill.

00:12:12.379 --> 00:12:13.980
It was like you said, there was absolutely no

00:12:13.980 --> 00:12:16.799
pressure, no label involved. We weren't even

00:12:16.799 --> 00:12:18.980
really thinking of it as a record. We're like,

00:12:19.100 --> 00:12:20.519
let's just go record these songs and see how

00:12:20.519 --> 00:12:23.139
they come out. And I think just because there

00:12:23.139 --> 00:12:25.299
was no pressure, we were just in a really good

00:12:25.299 --> 00:12:26.860
vibe. You know, we hadn't seen each other in

00:12:26.860 --> 00:12:30.179
a while. It just was kind of effortless and the

00:12:30.179 --> 00:12:32.240
songs just everything just came together and

00:12:32.240 --> 00:12:34.419
like after about You know three or four days.

00:12:34.480 --> 00:12:36.039
We're listening back to a couple songs. We're

00:12:36.039 --> 00:12:38.600
like, you know, this is like this is cool I mean,

00:12:38.600 --> 00:12:40.179
I think this might actually be the record, you

00:12:40.179 --> 00:12:42.559
know, forget about the demos, you know And that's

00:12:42.559 --> 00:12:43.980
kind of what happened, you know and two weeks

00:12:43.980 --> 00:12:46.000
later we had we had a record You know one of

00:12:46.000 --> 00:12:49.200
my favorite stories about uh that i've read about

00:12:49.200 --> 00:12:53.299
during this time Is that you you guys have a

00:12:53.299 --> 00:12:56.179
song on the record? I believe it's is it still

00:12:56.179 --> 00:12:58.860
a gorilla. Is that the right name? Yeah. Yeah.

00:12:59.059 --> 00:13:02.899
Yes, and I totally connect with this I read that

00:13:02.899 --> 00:13:05.600
you had had that piece of music for a long time

00:13:05.600 --> 00:13:09.159
and Chris had been writing lyrics and it just

00:13:09.159 --> 00:13:12.019
it just wasn't happening and then something happened

00:13:12.019 --> 00:13:14.019
during this process and you guys like wrote it

00:13:14.019 --> 00:13:17.610
in an hour and I get that because I had a band

00:13:17.610 --> 00:13:20.450
and I had a piece of music that I had had for

00:13:20.450 --> 00:13:22.409
years. And then one day my bass player was in

00:13:22.409 --> 00:13:24.710
rehearsal and he was playing something. And I

00:13:24.710 --> 00:13:27.190
said, that almost fits the riff I have. And sure

00:13:27.190 --> 00:13:31.889
enough, it fit and boom, it happened. Isn't that

00:13:31.889 --> 00:13:34.110
just the best feeling when something like that

00:13:34.110 --> 00:13:37.190
comes together? Oh, totally. I had this music

00:13:37.190 --> 00:13:39.960
laying around. I have my own... instrumental

00:13:39.960 --> 00:13:42.039
group, sort of jazz, rock, whatever you want

00:13:42.039 --> 00:13:45.059
to call it. And I had this song called Gorilla,

00:13:45.120 --> 00:13:47.820
which is this piece of music. And I played it

00:13:47.820 --> 00:13:50.500
in my group. You know, I always saw how, you

00:13:50.500 --> 00:13:52.240
know, for an instrumental track, it just would

00:13:52.240 --> 00:13:54.840
really get a good reaction. So I kind of had

00:13:54.840 --> 00:13:56.720
it in the back of my mind for years. This might

00:13:56.720 --> 00:13:58.580
be a cool song for the spin doctors, you know.

00:13:58.940 --> 00:14:01.500
And about seven or eight years ago, I went over

00:14:01.500 --> 00:14:03.039
to Chris's house and we were doing a writing

00:14:03.039 --> 00:14:05.419
session and nothing really came of it, you know.

00:14:06.340 --> 00:14:09.440
Hello. And nothing came of it. And I think a

00:14:09.440 --> 00:14:11.940
lot of it, I think with our band in particular,

00:14:12.120 --> 00:14:14.759
with writing, everybody's got to be in the same

00:14:14.759 --> 00:14:17.379
frame of mind. We've had periods through our

00:14:17.379 --> 00:14:19.200
career where we would just spit out songs, it

00:14:19.200 --> 00:14:21.639
was effortless. And other times it was kind of

00:14:21.639 --> 00:14:24.559
a struggle. And so that was the end of this song.

00:14:24.659 --> 00:14:26.100
And then when we got, when we started doing these

00:14:26.100 --> 00:14:28.299
other writing sessions, I brought it back in.

00:14:28.720 --> 00:14:30.639
And it still was like, out of all the songs,

00:14:30.779 --> 00:14:33.870
every other song that we brought in, it just

00:14:33.870 --> 00:14:35.570
we'd have a song in like an hour it was just

00:14:35.570 --> 00:14:39.789
so effortless you know and um and with this one

00:14:39.789 --> 00:14:41.850
that even when i brought it back it was like

00:14:41.850 --> 00:14:44.429
okay it was it was cool but it wasn't quite there

00:14:45.280 --> 00:14:47.360
And I remember being kind of bummed about it.

00:14:47.399 --> 00:14:49.100
I think I got to save this song. I know I can

00:14:49.100 --> 00:14:51.100
save this song, you know, and I came up with

00:14:51.100 --> 00:14:52.539
this other side. I was like, it really needs

00:14:52.539 --> 00:14:55.559
a stronger chorus. So I came up with some chords

00:14:55.559 --> 00:14:58.840
that I thought would be nice for chorus. I sent

00:14:58.840 --> 00:15:02.019
him over for Chris and he he came over the next

00:15:02.019 --> 00:15:03.620
day and I figured out how to write with Chris.

00:15:03.679 --> 00:15:05.519
I just invite him over for dinner. Yeah. Come

00:15:05.519 --> 00:15:08.240
over. We'll write some music to get everything

00:15:08.240 --> 00:15:10.679
done. Your wife dinner. Chilly. And I invite

00:15:10.679 --> 00:15:14.129
him over for Chilly Charm. So he came by and

00:15:14.129 --> 00:15:15.970
it just like he said, you know within an hour

00:15:15.970 --> 00:15:18.590
It was just we had it and it was you know It

00:15:18.590 --> 00:15:21.049
was I'm glad that I like kind of like stuck with

00:15:21.049 --> 00:15:22.870
it, you know Because because it was really the

00:15:22.870 --> 00:15:25.049
only song on the record that was sort of troublesome

00:15:25.049 --> 00:15:27.169
and I it ended up being one of the cooler tracks

00:15:27.169 --> 00:15:30.370
You know, yeah, and it's a great track. I uh,

00:15:30.850 --> 00:15:34.250
I have a couple favorites While you're holding

00:15:34.250 --> 00:15:38.399
the moon over me that just makes me want to lay

00:15:38.399 --> 00:15:41.100
on the front lawn on like a summer day and smoke

00:15:41.100 --> 00:15:44.480
a joint. It's phenomenal. OK, thank you. And

00:15:44.480 --> 00:15:47.379
then there's a really interesting review. No,

00:15:47.559 --> 00:15:49.720
it's great. She stands alone. She's got, you

00:15:49.720 --> 00:15:52.039
know, real driving guitars. But the one that

00:15:52.039 --> 00:15:55.700
hooked me was the last track. When you get was

00:15:55.700 --> 00:15:58.500
it when you get turmoil on your mind, it's very

00:15:58.500 --> 00:16:01.679
like it's darker, it's bluesier, like a Hendrix

00:16:01.679 --> 00:16:05.820
and Black Keys type vibe. OK. And the reason

00:16:05.820 --> 00:16:10.679
I'm bringing this up is You can hear how much,

00:16:11.399 --> 00:16:13.679
you know, just kind of the way you guys have

00:16:13.679 --> 00:16:15.779
grown over the years. You can tell that this

00:16:15.779 --> 00:16:18.399
record was done with a different approach creatively

00:16:18.399 --> 00:16:20.740
than the other records. And we kind of talked

00:16:20.740 --> 00:16:22.480
about that. It was the whole reuniting after

00:16:22.480 --> 00:16:28.320
Covid. But I feel like the sound is it's reflected

00:16:28.320 --> 00:16:30.700
on the record that, you know, that that that

00:16:30.700 --> 00:16:33.159
growth and that kind of like, hey, let's just

00:16:33.159 --> 00:16:36.120
fucking do this thing. And you can hear it, man.

00:16:36.440 --> 00:16:38.639
Well, that's good to hear and like and uh, you

00:16:38.639 --> 00:16:42.080
know turmoil in my mind Was a song that eric

00:16:42.080 --> 00:16:43.700
and chris wrote that first session when they

00:16:43.700 --> 00:16:46.220
met up at mike's house And that was and it came

00:16:46.220 --> 00:16:48.940
from I think chris just had like a poem It wasn't

00:16:48.940 --> 00:16:51.679
any kind of melody or lyrics And he read it to

00:16:51.679 --> 00:16:53.659
eric and eric came up with that that music and

00:16:53.659 --> 00:16:55.740
that riff and they sort of like Put it together

00:16:55.740 --> 00:16:58.220
and um, and then and it's great. It's a really

00:16:58.220 --> 00:17:01.620
cool song And then Moon, Holdin' the Moon, that

00:17:01.620 --> 00:17:03.320
was another one where I invited Chris over for

00:17:03.320 --> 00:17:06.940
dinner. I showed him that music, and again, in

00:17:06.940 --> 00:17:09.960
an hour, he'd have lyrics, and then I cooked

00:17:09.960 --> 00:17:12.799
him a nice steak. It's amazing. Aaron, let me

00:17:12.799 --> 00:17:16.299
ask you a question about that. As Mike talked

00:17:16.299 --> 00:17:20.480
about the evolution of your music, you're...

00:17:20.480 --> 00:17:23.500
had massive hits starting in the early 90s that

00:17:23.500 --> 00:17:26.500
are still in regular rotation on the radio. And

00:17:26.500 --> 00:17:28.859
that's got to be an awesome feeling. Right. But

00:17:28.859 --> 00:17:30.920
one of the things that I'm interested in is your

00:17:30.920 --> 00:17:33.119
perspective of having been in the industry so

00:17:33.119 --> 00:17:35.400
long. Where do you feel like sort of music in

00:17:35.400 --> 00:17:38.160
general has gone over these these years that

00:17:38.160 --> 00:17:40.000
you've been in the industry? And do you like

00:17:40.000 --> 00:17:43.359
where it's at today? I mean, I think music is

00:17:43.359 --> 00:17:45.859
as good as good as ever. I mean, there's so much

00:17:45.859 --> 00:17:48.819
I see so much talent, like just from like the

00:17:48.819 --> 00:17:53.420
individual You know musicians and and bands and

00:17:53.420 --> 00:17:55.779
artists and you know, there's so much different

00:17:55.779 --> 00:17:58.599
types of music I feel like I feel like in general

00:17:58.599 --> 00:18:01.200
like musicians and music lovers are more open

00:18:01.200 --> 00:18:03.440
than they ever were because there's just so much

00:18:03.440 --> 00:18:05.400
stuff now and things don't seem to be put in

00:18:05.400 --> 00:18:08.220
as much of a box anymore probably because you

00:18:08.220 --> 00:18:11.380
know There's not labels and radio station right

00:18:11.380 --> 00:18:14.559
to put them such a box, you know, and so I think

00:18:14.559 --> 00:18:18.259
I think artistically it's in great shape but

00:18:18.259 --> 00:18:20.319
from a business point of view and from from like

00:18:20.319 --> 00:18:24.079
a you know young artist musician songwriter band

00:18:24.079 --> 00:18:26.319
trying to make a living it's really difficult

00:18:26.319 --> 00:18:29.400
because Because there's so much out there. It's

00:18:29.400 --> 00:18:31.779
like everything's over saturated and you know,

00:18:31.779 --> 00:18:33.940
it's you know, it's just hard I mean, I've always

00:18:33.940 --> 00:18:36.359
believed the cream rises the top but it's harder

00:18:36.359 --> 00:18:38.839
than ever now man because you know Think about

00:18:38.839 --> 00:18:41.519
how much, every day, I mean, I forgot the number,

00:18:41.660 --> 00:18:44.000
but the amount of songs that come out every day

00:18:44.000 --> 00:18:47.660
is in the thousands. It's just stupid. And back

00:18:47.660 --> 00:18:49.750
when we were growing up, Matt. You know, there

00:18:49.750 --> 00:18:52.549
were only a couple places you went to find new

00:18:52.549 --> 00:18:55.569
music, right? So it would be like MTV. It would

00:18:55.569 --> 00:18:57.829
be the radio. Maybe it would be Rolling Stone

00:18:57.829 --> 00:19:00.250
magazine. And when the Internet came out, it

00:19:00.250 --> 00:19:03.009
wasn't as, you know, hot as it is now. But you

00:19:03.009 --> 00:19:06.750
could find stuff. And now it's the labels and

00:19:06.750 --> 00:19:08.730
society would kind of tell you, hey, this is

00:19:08.730 --> 00:19:11.089
the new hot band. This is the new thing. Now

00:19:11.089 --> 00:19:14.329
people, you know. Betsy from North Carolina can

00:19:14.329 --> 00:19:16.670
find a band and post it on her account and suddenly

00:19:16.670 --> 00:19:18.730
they blow up. I mean, it's yeah, but there's

00:19:18.730 --> 00:19:21.009
so much of it exactly So there's I think this

00:19:21.009 --> 00:19:22.930
is you know, there's a positive side and a negative

00:19:22.930 --> 00:19:25.690
side to it You know, I mean like like you said

00:19:25.690 --> 00:19:28.190
that we were kind of spoon -fed like what what

00:19:28.190 --> 00:19:30.569
to hear in a way But like even with that said

00:19:30.569 --> 00:19:33.710
like think about it like, you know in order to

00:19:33.710 --> 00:19:36.240
make a record You had to get a label, whether

00:19:36.240 --> 00:19:37.920
it was an independent label or a major label,

00:19:38.000 --> 00:19:39.980
or maybe you had rich parents. But you needed

00:19:39.980 --> 00:19:44.799
a label, really. And people like to say, oh,

00:19:45.240 --> 00:19:48.380
it was whatever. But I think the cream rises

00:19:48.380 --> 00:19:51.920
at the top. It's hard to get a label. You had

00:19:51.920 --> 00:19:55.559
to have a good thing going. You had to have a

00:19:55.559 --> 00:19:59.180
good band, good songs. And then for as hard as

00:19:59.180 --> 00:20:02.359
it was, even at that point, to get success, You

00:20:02.359 --> 00:20:04.180
know, but there was an easier formula. I mean,

00:20:04.180 --> 00:20:06.400
I think about us, you know, coming out in the

00:20:06.400 --> 00:20:08.500
early 90s. I mean, it was really in some ways

00:20:08.500 --> 00:20:10.619
the in a lot of ways, I think it was the peak

00:20:10.619 --> 00:20:12.680
of the music of the record industry because you

00:20:12.680 --> 00:20:14.759
had, you know, you had just the CDs were just

00:20:14.759 --> 00:20:17.180
coming out. So labels were making so much money

00:20:17.180 --> 00:20:18.980
because everybody was rebuying all their favorite

00:20:18.980 --> 00:20:23.160
records on CD. And, you know, you had MTV and

00:20:23.160 --> 00:20:25.420
people were just buying CDs by the truckloads,

00:20:25.420 --> 00:20:28.130
you know. And so. You know, for us, I feel really

00:20:28.130 --> 00:20:30.009
fortunate and we, you know, we had to really

00:20:30.009 --> 00:20:32.269
work those couple years to get any attention

00:20:32.269 --> 00:20:34.670
out of our label. But once we got it, you know,

00:20:34.670 --> 00:20:36.170
it was kind of like, yeah, if you got an MTV,

00:20:36.309 --> 00:20:37.549
you got on the radio, you know, you were going

00:20:37.549 --> 00:20:39.769
to sell a lot of records, you know, so. You're

00:20:39.769 --> 00:20:43.089
Aaron, you're you're absolutely right. I I have

00:20:43.089 --> 00:20:45.549
this argument all the time with friends and family

00:20:45.549 --> 00:20:48.660
where I say, you know. Look, my parents always

00:20:48.660 --> 00:20:50.839
told me the 60s and 70s was the best for music.

00:20:51.900 --> 00:20:53.759
Everyone has their point of view, but I'm telling

00:20:53.759 --> 00:20:56.660
you, I said that growing up, I think the 90s

00:20:56.660 --> 00:20:58.839
was the absolute best decade for music because

00:20:58.839 --> 00:21:02.839
every genre was in its peak. Rock, I mean, even

00:21:02.839 --> 00:21:04.839
in pop, you had Whitney Houston, Mariah Carey.

00:21:04.980 --> 00:21:07.279
In country, you had Garth Brooks. I just feel

00:21:07.279 --> 00:21:09.059
like... The biggest names you can think of are

00:21:09.059 --> 00:21:12.200
all... And I preach it, and then people go, well,

00:21:12.200 --> 00:21:13.680
that's because you were a 90s kid. And I go,

00:21:13.759 --> 00:21:16.099
no, but I'm telling you, if you listen... I mean,

00:21:16.099 --> 00:21:18.549
I love the 60s and 70s. 70s stuff. But for me,

00:21:18.670 --> 00:21:21.710
I just and in speaking of some of that, as we

00:21:21.710 --> 00:21:23.430
as we pull it back to your tour here, you're

00:21:23.430 --> 00:21:26.529
actually on tour with another one of my most

00:21:26.529 --> 00:21:30.750
favorite 90s. Yeah, it's a blues traveler and

00:21:30.750 --> 00:21:32.769
the Jim blossoms. You guys are on tour with them

00:21:32.769 --> 00:21:40.420
now. I saw Okay, okay, yeah, and I didn't realize

00:21:40.420 --> 00:21:43.500
that John John popper but before you before spin

00:21:43.500 --> 00:21:47.180
doctors were became spin doctors They I forget

00:21:47.180 --> 00:21:48.819
the name of the band. I got it here somewhere,

00:21:48.819 --> 00:21:52.339
but they You guys had yeah. Yeah, the trucking

00:21:52.339 --> 00:21:55.220
company you guys go way back with John John popper

00:21:55.220 --> 00:21:57.619
That's awesome. John popper was in in in the

00:21:57.619 --> 00:21:59.200
band. They were called the trucking company.

00:21:59.200 --> 00:22:03.490
He went to high school in Princeton with He played

00:22:03.490 --> 00:22:07.460
the Utica Brewery. Many years ago and it was

00:22:07.460 --> 00:22:09.480
on my birthday and if it's the only reason one

00:22:09.480 --> 00:22:11.099
of the reasons I loved to that show so much as

00:22:11.099 --> 00:22:13.380
a friend bought me tickets for my birthday and

00:22:13.380 --> 00:22:16.339
What a great show that I mean to have all three

00:22:16.339 --> 00:22:19.099
of you on on one ticket is gonna be a in awesome

00:22:19.099 --> 00:22:21.140
The last show I ever played with with my band

00:22:21.140 --> 00:22:23.819
we my keyboard player and I opened for John popper

00:22:23.819 --> 00:22:26.019
Wow in Ithaca and it was he's he's an amazing

00:22:26.019 --> 00:22:30.140
guy. I mean Yeah, just amazing John is one of

00:22:30.140 --> 00:22:31.980
the first guys I met in New York because you

00:22:31.980 --> 00:22:35.519
know spin doctors all met at the new school Sorry,

00:22:35.519 --> 00:22:38.059
hello spin doctors all met at the new school

00:22:38.059 --> 00:22:39.680
and and the guys from blue a lot of the guys

00:22:39.680 --> 00:22:41.759
from blues Traveler were going there too and

00:22:41.759 --> 00:22:44.059
the very first day of school They threw a bunch

00:22:44.059 --> 00:22:46.259
of musicians on stage and the auditorium just

00:22:46.259 --> 00:22:48.890
to play and I'm there, you know, I'm on the drums,

00:22:49.190 --> 00:22:51.390
and I look to my left and there's this guy, this

00:22:51.390 --> 00:22:53.490
big guy with the harmonica, just playing like,

00:22:53.569 --> 00:22:55.490
I never heard anybody play a harmonica like that.

00:22:55.710 --> 00:22:57.509
Unbelievable. I was like, who the hell is this

00:22:57.509 --> 00:22:59.170
guy? Right. And then, you know, and then it turned

00:22:59.170 --> 00:23:01.150
out that, like, him and Chris grew up together,

00:23:01.529 --> 00:23:03.450
and, you know, and Eric knew him, and they had

00:23:03.450 --> 00:23:05.950
that band, The Truckin' Company. So once The

00:23:05.950 --> 00:23:08.940
Spin Doctors formed, our very first gig, was

00:23:08.940 --> 00:23:11.200
at a fraternity house in Columbia University

00:23:11.200 --> 00:23:13.700
called Delta Phi. Heck yeah. And then who's there

00:23:13.700 --> 00:23:15.799
to my left again? John Popper. He played it.

00:23:15.799 --> 00:23:17.819
He played our first gig with us. And he's always

00:23:17.819 --> 00:23:19.880
been like an honorary member of the band. For

00:23:19.880 --> 00:23:23.079
sure. He always sits in with us. We have a really

00:23:23.079 --> 00:23:25.619
great history with those guys. So to go out on

00:23:25.619 --> 00:23:27.400
the road with them this summer is going to be

00:23:27.400 --> 00:23:29.460
so much fun. And Jim Blossom's too. We toured

00:23:29.460 --> 00:23:32.880
together back in 94. You know, we've done a lot

00:23:32.880 --> 00:23:34.619
of shows. So it's I think it's going to be a

00:23:34.619 --> 00:23:38.859
really good old pals. You got any crazy stories

00:23:38.859 --> 00:23:40.359
that you guys are going to kind of reminisce

00:23:40.359 --> 00:23:42.299
about? Hey, you guys remember in 94 when we were

00:23:42.299 --> 00:23:44.259
here and we burned a hotel room down or something?

00:23:44.299 --> 00:23:45.880
You got any crazy stories like that from those?

00:23:45.880 --> 00:23:49.319
Yeah, but I can't tell them anything. That's

00:23:49.319 --> 00:23:51.240
the right answer. Statue of limitations, I think.

00:23:52.019 --> 00:23:54.299
And that's, correct me if I'm wrong, Aaron, but

00:23:54.299 --> 00:23:56.119
that's the show. You guys have got a real special

00:23:56.119 --> 00:23:58.140
sort of meet and greet opportunity happening

00:23:58.140 --> 00:24:02.549
too, right? Like a VIP package for folks? Yeah,

00:24:02.650 --> 00:24:05.410
we're doing like that VIP thing You can come

00:24:05.410 --> 00:24:07.269
back and meet the band. I think you get like

00:24:07.269 --> 00:24:09.329
some I don't know exactly what it I think you

00:24:09.329 --> 00:24:12.450
got like a sign I actually can tell you you get

00:24:12.450 --> 00:24:17.170
it if you are going to see spin doctors this

00:24:17.519 --> 00:24:20.119
Well, tomorrow night, April 18th and Saturday

00:24:20.119 --> 00:24:23.259
night, April 19th. Is the VIP for this weekend

00:24:23.259 --> 00:24:26.200
or for the whole tour? Seneca Niagara Resort

00:24:26.200 --> 00:24:29.940
and Casino. You are going to get, if you do the

00:24:29.940 --> 00:24:32.180
VIP meet and greet package on the summer tour,

00:24:32.599 --> 00:24:34.980
it includes concert ticket, meet and greet, photo

00:24:34.980 --> 00:24:37.380
op, sign poster, commemorative VIP laminate.

00:24:38.019 --> 00:24:40.200
They're gonna make Aaron work hard for this they

00:24:40.200 --> 00:24:42.700
are gonna make him very hard and a bowl full

00:24:42.700 --> 00:24:47.200
of chili. No The album is a face full of cake

00:24:47.200 --> 00:24:49.940
available for purchase at spin doctors comm and

00:24:49.940 --> 00:24:53.539
of course on all Streaming platforms now. I gotta

00:24:53.539 --> 00:24:56.160
ask you before we get you out of here now you

00:24:56.930 --> 00:24:59.509
recorded this in Asbury Park, New Jersey with

00:24:59.509 --> 00:25:02.789
Jack Daly, who is from Troy, New York, by the

00:25:02.789 --> 00:25:05.750
way, fun fact. And all these New Yorkers. This

00:25:05.750 --> 00:25:08.410
guy worked with Rob Thomas, Beyonce, Joss Stone,

00:25:08.670 --> 00:25:10.730
Fiverr Fighting, Avril Lavigne, Lenny Kravitz.

00:25:11.680 --> 00:25:16.539
He is also your bass player. So what was that

00:25:16.539 --> 00:25:19.460
like in the creative process to have a member

00:25:19.460 --> 00:25:22.579
of the band also kind of produce it? How do you

00:25:22.579 --> 00:25:25.700
navigate that? Jack didn't produce it, but we

00:25:25.700 --> 00:25:29.000
did it at his studio. OK, OK. He's also a great

00:25:29.000 --> 00:25:32.059
producer, but he Jack. He has a recording studio

00:25:32.059 --> 00:25:34.220
called Doug Deep Productions in Asbury Park,

00:25:34.500 --> 00:25:36.440
and we went to his studio and recorded it. But

00:25:36.440 --> 00:25:39.259
we had a guy named Roman Clune engineer and mix

00:25:39.259 --> 00:25:41.519
it, and we basically self -produced the record.

00:25:41.839 --> 00:25:43.579
I mean, all four of us basically produced the

00:25:43.579 --> 00:25:45.859
record together. We didn't have an outside producer

00:25:45.859 --> 00:25:47.779
on this one. It's so great that you can do that.

00:25:47.799 --> 00:25:49.559
That can go either way, you know, and again,

00:25:50.619 --> 00:25:52.980
the vibes were just right. You know, one of the...

00:25:52.980 --> 00:25:55.599
That's awesome, man. One of the things that impresses

00:25:55.599 --> 00:25:58.799
me about you, you have a great solo career as

00:25:58.799 --> 00:26:04.069
well. And you have an instrumental record called

00:26:04.069 --> 00:26:07.529
Catskills Cry, as well as a bunch of other records.

00:26:08.869 --> 00:26:11.549
So you're brilliant as obviously the drummer

00:26:11.549 --> 00:26:14.170
of Spin Doctors, but you have a great solo career.

00:26:14.549 --> 00:26:17.170
But I've also read you have produced over 200

00:26:17.170 --> 00:26:20.299
albums. I don't know if that's a typo or if that's

00:26:20.299 --> 00:26:25.200
true. I've played on over 200. I've done a lot

00:26:25.200 --> 00:26:27.740
of producing as well. That's amazing. And on

00:26:27.740 --> 00:26:29.940
top of it, there was a time in the band while

00:26:29.940 --> 00:26:32.319
members were kind of interchanging, where you

00:26:32.319 --> 00:26:34.720
did the bass lines on one of the records. Why

00:26:34.720 --> 00:26:38.019
is it that drummers always seem to be able to

00:26:38.019 --> 00:26:39.900
just pick up any other instrument and play it?

00:26:40.440 --> 00:26:43.339
It's always the drummer. How many instruments

00:26:43.339 --> 00:26:46.480
can you play? I mean, I have a kind of an answer

00:26:46.480 --> 00:26:50.440
for that, I think. One of the most important

00:26:50.440 --> 00:26:52.460
things about any music, I mean, you guys are

00:26:52.460 --> 00:26:55.059
musicians, is time, having a good feel and a

00:26:55.059 --> 00:26:58.319
good groove over like technical abilities or

00:26:58.319 --> 00:27:00.599
harmonic knowledge. And I think, as a drummer,

00:27:01.700 --> 00:27:04.599
I'm able to pick up another instrument and just...

00:27:05.049 --> 00:27:07.549
play it played in time, you know, sure. That's

00:27:07.549 --> 00:27:09.990
not the first step of a lot of things. So, you

00:27:09.990 --> 00:27:12.569
know, I've always sort of I've studied music

00:27:12.569 --> 00:27:15.009
for a long time. I've studied music theory and

00:27:15.009 --> 00:27:17.509
I've I've never really taken guitar lessons,

00:27:17.549 --> 00:27:21.670
but I've played guitar for a long time. And so

00:27:21.670 --> 00:27:24.089
I can get around, OK, on other instruments. You

00:27:24.089 --> 00:27:27.009
know, it makes sense. You know, Dave Grohl has

00:27:27.009 --> 00:27:30.019
always said that he was able. To play guitar

00:27:30.019 --> 00:27:31.799
faster because he said he would play it like

00:27:31.799 --> 00:27:34.660
his drums the strumming pattern Exactly. I mean

00:27:34.660 --> 00:27:36.660
think about it. It's it's all like so much of

00:27:36.660 --> 00:27:40.099
it is rhythm and time, you know and uh, and you

00:27:40.099 --> 00:27:42.539
know, i'm always telling other musicians like,

00:27:42.599 --> 00:27:45.160
you know guitar players and whatever you're doing

00:27:45.160 --> 00:27:48.160
centers too. It's like, you know, the time is

00:27:48.160 --> 00:27:51.279
is really just In some ways the most important

00:27:51.279 --> 00:27:53.519
thing, you know sure I think that's why drummers,

00:27:53.700 --> 00:27:55.160
you see often drummers playing other instruments

00:27:55.160 --> 00:27:58.299
quite well. It's true. I'm telling you, every

00:27:58.299 --> 00:28:01.079
time I meet somebody who's like, oh yeah, I play

00:28:01.079 --> 00:28:03.859
guitar, I play bass, I play this, I play drums.

00:28:03.920 --> 00:28:06.140
And it's like these drummers, man, they just

00:28:06.140 --> 00:28:10.400
get it. Master of so many things. Aaron, it's

00:28:10.400 --> 00:28:12.819
been an absolute pleasure to have you join Good

00:28:12.819 --> 00:28:14.759
News York. Thank you so much for your time. We

00:28:14.759 --> 00:28:17.500
hope you have a phenomenal show up there at the

00:28:17.500 --> 00:28:19.880
casino this weekend. Yeah, let me let me. We

00:28:19.880 --> 00:28:21.660
know it's going to be a blast. Let me plug it

00:28:21.660 --> 00:28:25.279
again. Is spin doctors are gonna be playing tomorrow

00:28:25.279 --> 00:28:28.259
night April 18th and Saturday April 19th at the

00:28:28.259 --> 00:28:31.180
Seneca Niagara Resort and Casino in Niagara Falls,

00:28:31.299 --> 00:28:33.940
New York Promoting face full of cake their brand

00:28:33.940 --> 00:28:37.099
new album. It's fantastic You can look for them

00:28:37.099 --> 00:28:38.900
this summer as well with blues traveler in the

00:28:38.900 --> 00:28:41.200
gym blossoms and for the first time ever awesome

00:28:41.200 --> 00:28:44.339
They got a VIP meet -and -greet package if nothing

00:28:44.339 --> 00:28:49.029
else go for the nostalgia I mean, just what a

00:28:49.029 --> 00:28:51.690
lineup. And listen, as you mentioned, that's,

00:28:51.690 --> 00:28:54.289
you know, this period of time, these artists

00:28:54.289 --> 00:28:56.750
are some of the best in all of music. So any

00:28:56.750 --> 00:29:00.279
time that you can see high quality. Live music.

00:29:00.279 --> 00:29:04.819
I I'm a big advocate for that. So all these bands

00:29:04.819 --> 00:29:06.940
really sound great It's not like it's certainly

00:29:06.940 --> 00:29:09.480
a lot of nostalgia there But like it's not like

00:29:09.480 --> 00:29:11.740
we're out just trying to collect a check, you

00:29:11.740 --> 00:29:14.519
know We're really playing at our best, you know

00:29:14.519 --> 00:29:16.299
And I can say that for all three bands on this

00:29:16.299 --> 00:29:18.519
tour now and we you know we can see that with

00:29:18.519 --> 00:29:20.400
things like this new album like Mike's and we've

00:29:20.400 --> 00:29:22.619
we've been kind of playing it to prepare a little

00:29:22.619 --> 00:29:25.559
bit and We can see that and it's cool that you

00:29:25.559 --> 00:29:27.400
still have that passion for it. You know, you're

00:29:27.400 --> 00:29:29.460
not just showing up because it's It's the job.

00:29:29.559 --> 00:29:31.079
It's what I got to do to pay the rent. You know,

00:29:31.339 --> 00:29:33.319
you still have that love for what's crazy is

00:29:33.319 --> 00:29:35.740
there's so many bands out there. I went and saw

00:29:35.740 --> 00:29:38.240
Cinderella years ago, like, I don't know, 10

00:29:38.240 --> 00:29:41.220
years ago on ice. No, not the not the princess,

00:29:41.259 --> 00:29:46.279
the band. Oh, they were unbelievable. And and

00:29:46.279 --> 00:29:49.299
and the Tom Key for the guitar player was just

00:29:49.299 --> 00:29:51.319
like playing. I didn't know he could play that

00:29:51.319 --> 00:29:54.910
well. And then I realized in music. Obviously,

00:29:54.950 --> 00:29:57.309
the longer you play, the better you get. Some

00:29:57.309 --> 00:29:59.490
of these bands have been playing for, yeah, but

00:29:59.490 --> 00:30:01.150
some of these bands, you don't realize, you're

00:30:01.150 --> 00:30:02.809
like, oh, right, they've been touring for 30,

00:30:02.809 --> 00:30:05.569
40 years, and they're better than they were.

00:30:05.670 --> 00:30:07.250
You know, people always say back in their prime,

00:30:07.309 --> 00:30:09.970
it's like, no, their prime is now. You know,

00:30:09.970 --> 00:30:12.269
it's true. You know, I think even going back

00:30:12.269 --> 00:30:13.809
to like when we came out of the 90s, I mean,

00:30:13.829 --> 00:30:16.029
think about it. Rock and roll didn't become a

00:30:16.029 --> 00:30:18.309
big thing until the 60s, really, you know? So

00:30:18.309 --> 00:30:21.029
back then, it was like, oh, if you're over 30,

00:30:21.289 --> 00:30:24.799
you're over the year old, man. But now the music's

00:30:24.799 --> 00:30:26.539
growing up. I mean, you got Mick Jagger kicking

00:30:26.539 --> 00:30:29.940
ass at 81 or whatever. So it's like jazz or blues.

00:30:30.140 --> 00:30:32.420
Nobody ever said, like, you get too old playing

00:30:32.420 --> 00:30:34.119
that. And I think rock has grown up. We've all

00:30:34.119 --> 00:30:35.880
grown up with rock and roll. Absolutely. And

00:30:35.880 --> 00:30:37.799
it's not about the age anymore. And like you

00:30:37.799 --> 00:30:39.359
said, man, you're right. You see some of these

00:30:39.359 --> 00:30:42.480
bands, you think, ah, and they sound better than

00:30:42.480 --> 00:30:44.960
ever. Ever. They've just been playing together

00:30:44.960 --> 00:30:47.859
so long. I mean, it makes sense. Yeah, absolutely.

00:30:47.859 --> 00:30:50.789
It does. Then there's also sometimes you do see

00:30:50.789 --> 00:30:52.730
bad that it's just like, wow. Well, yeah, some

00:30:52.730 --> 00:30:56.369
you go out. Time to hang it up. Hang it up, pal.

00:30:57.849 --> 00:31:00.109
But Aaron, thank you again so much for your time.

00:31:00.509 --> 00:31:04.509
And we look forward to. Yeah. Aaron comas of

00:31:04.509 --> 00:31:07.109
the spin doctor spin doctors dot com. Go see

00:31:07.109 --> 00:31:10.029
him at Seneca, Niagara Resort and Casino. tomorrow

00:31:10.029 --> 00:31:12.769
and Saturday. Hey, man. Thank you so much. Really

00:31:12.769 --> 00:31:16.609
appreciate you guys. Yeah. Take care. How about

00:31:16.609 --> 00:31:19.029
this? How about this? Bill's Cowboys Super Bowl.

00:31:19.369 --> 00:31:21.950
Oh, I don't know if I can handle that again.

00:31:21.950 --> 00:31:25.150
He might. I don't know if I can handle to get

00:31:25.150 --> 00:31:27.170
a medication. I don't think you'll have to because

00:31:27.170 --> 00:31:31.069
the Cowboys won't be there. Yeah. Well, good

00:31:31.069 --> 00:31:33.670
luck. Yeah. Well, good talking here. All right.

00:31:33.670 --> 00:31:34.630
Thank you so much.
