WEBVTT

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So I broke down and listened to J. Cole's song,

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What If, along with a few snippets from some

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of the other songs on his new album, The Fall

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Off. Look, if you know me, you know that I will

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listen to almost anything at least once, as long

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as somebody is recommending it to me, even if

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I'm not particularly enthused about the artist.

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Someone really wants to have a meaningful discussion

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about the music because I don't want to be uninformed.

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And I do genuinely want to make an attempt to

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understand someone else's perspective, their

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aesthetic tastes. The only time I will not listen

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to an artist is for like ethical reasons. Like

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namely, if I think that I'm funding through the

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streams or ads, some artists that I find to be

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like morally abhorrent, like Drake or, you know,

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P Diddy. Um, so yes, I heard some, uh, I at least

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heard one of J Cole's song almost all the way

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through. Um, I, I, I lied. Uh, I heard large

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chunks of it, but I just honestly got too pissed

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off at some point. There were a few songs that

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I skimmed, um, because, uh, honestly, let's be

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honest. I was like more or less, the fall off

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was more or less same old J Cole. I want to be

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clear about something. Yes, I find J. Cole's

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music to be completely uninteresting on multiple

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levels, but this is not a music review. If you

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like his music, you like his music. Stand on

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it. I don't care. Different people connect to

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different music, and I won't get on your case

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for having your own opinion, even if we disagree.

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Our disagreement doesn't mean that you can't

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enjoy an artist. Okay. Also, I want to be clear

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about something. I'm not doubling back on J.

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Cole here because of J. Cole himself. No, it's

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actually because of everyone else who listens

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to his music and has told me that Cole is deep,

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introspective, in touch with his feelings, mature

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or something in this vicinity. If you buy that

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image that J. Cole is selling, then you and I

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need to have a discussion about how you assess

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other people. I started this series on how not

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to be a bitch because I believed from my own

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experience that too many people do not have clarity

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in seeing bitches for bitches. If you haven't

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been listening to my other episodes, what I mean

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by bitch here is someone that... is in the body

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of a grown adult, but who has the maturity of

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a child. That to me is a bitch. And my concern

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is that if you see J. Cole as this deep, introspective,

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mature guy, then you don't have a good eye for

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seeing people. Because J. Cole to me is clearly

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a bitch. He lacks all the things that you say

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he has. He's the furthest thing from being mature.

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He's a 20 -year -old in a 40 -year -old man's

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body. And I think the song What If really demonstrates

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my point. I really need to drive this point home

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because I personally believe that it is very

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difficult to identify a mature grown adult when

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you are not that already yourself. Which is why

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it is at least important to help people see who...

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they should be looking to as a genuine role model

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of a mature person. My concern is that if you

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think that J. Cole is that mature person, you're

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going to be on a path to bitchdom. Why am I talking

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about this now? Because honestly, I didn't give

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two shits about J. Cole for his entire career.

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I never bothered with him. I never paid attention

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to him. He was always an afterthought for me,

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again, because I didn't connect with his music.

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And because I never paid attention to him, I

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didn't really have an opinion on who he was as

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a person, right? Like, why would I? Like, I don't

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even, like, the idea of him as a person or his

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music, none of it just ever crosses my mind,

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right? I just knew that I found his music to

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be the dictionary definition of meh. But since

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the battle with Kendrick, I started paying attention

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to what he put out there in the world, as I'm

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sure a lot of people started paying more attention

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because of what went down. And I didn't have

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clarity on exactly who he was at first, but I

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got the sense that he was a bitch. But I didn't

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want, I wouldn't confirm or deny it, at least

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in the beginning. After actually listening to

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what he says and does in interviews and in his

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music, because I've been trying to understand

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why people like J. Cole and people will give

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me recommendations for things to listen to, it

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has become crystal clear to me just how much

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of a bitch he is. And so this one is really for

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the J. Cole fans out there or people who view

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J. Cole in a certain way. that maybe are blinded

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by his music or the impression that he gives

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off. Look, if he was meaningful, his music was

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meaningful for you and moved you and helped you

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get through some shit, that's fine. That's what

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music is supposed to do. What I want here is

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for you to open your fucking eyes without the

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blinders of fandom or whatever the hell is going

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on and start being honest about who J. Cole is

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as a person. based off of at least what he's

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thrown out to the public, okay? I hope I can

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give you at least some reason to revisit his

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work and then see what it is that I'm picking

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up on that really clearly demonstrates to me

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that J. Cole is a certified bitch, okay? Now,

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to be clear, my position here is not grounded

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just in this one song, What If. There are plenty

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of instances in the past where J. Cole presented

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himself to be a passive -aggressive, cowardly

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bitch. I'm talking moments when he would sneak

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diss other rappers but then deny it or what I

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think is a fake apology afterwards, right? We'll

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return to this fake apology stuff, I think, at

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some point. Or just straight gaslighting people.

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He's done this a lot, I think. He's been throwing

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rocks and hiding hands for years. But I'm just

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using What If, the song What If, as a way to

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discuss J. Cole's bitchness because this song

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fucking pissed me off. And I think J. Cole needs

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to apologize to Biggie and Tupac immediately.

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And I'll explain why later. So let's take a look

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at what J. Cole is doing in this particular song.

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First off, I'm not going to let J. Cole do his

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usual, oh, that's not what I was saying bullshit,

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okay? I think J. Cole knows exactly what he's

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doing. J. Cole does this often with his music

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where he uses other people to express how he

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feels. But then because it's one removed, there's

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like plausible deniability. Yeah, he's a storyteller,

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all right. A cowardly one where he usually tells

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these stories of, you know, other people instead

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of himself. Right? What if it's just another

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instance of this? Where he uses a story of someone

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he knows. I don't even know if some of these

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people are real when he talks about them, but

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he uses other people as a mouthpiece to say what

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it is that he really wants to say himself. So

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What If is just another instance of this. It's

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a fan fiction about what might have happened

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if Biggie and Tupac got together and talked it

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out. heard each other and understood each other

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better um hugged it out you know maybe they wouldn't

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be dead today he does this by rapping in the

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style of each of these iconic rappers again we

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could side note is for like those of you who

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are interested in you know talking about music

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itself um i didn't think he did a good job of

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either uh but you know that's up for discussion

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like we could talk about it uh i honestly don't

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think that this was creative in the least bit

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if you think that this This approach, this concept

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was creative. I question your taste in music

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and your ability to detect what's creative. Look,

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this is the first thing from being, furthest

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thing from being creative. The entire concept

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reeks of some shit a high schooler would have

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come up with and then gasses it up as if it was

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something really cool and novel and shit, okay?

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Like, that's not what this was, all right? But

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let's set that aside. What is J. Cole up to here?

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It's pretty obvious to me, and I'm not going

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to let him get away with it, okay? He's hinting

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at his own decision to apologize and drop out

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of the battle against Kendrick. What if is his

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indirect way of saying what he already said in

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Port Antonio? OK, he's trying to say he did what

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maybe Biggie and Pac should have done, that he

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saw that things are going to get violent like,

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you know, it did for them and chose not to go

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down that route. Right. He says he always presents

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himself as some peacekeeper, doesn't want to

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actually be violent, you know, takes jazz, but

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they're not meant to be like, you know. actually

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violent or scathing and hurtful in some deep

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way. He's essentially providing a justification

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for his decision not to battle Kendrick. Plain

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and simple. That's essentially what he's doing.

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What is this then that he's really providing

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us? It's an excuse. It's J. Cole's excuse. And

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it's a shit excuse. As I've said before, J. Cole

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doesn't need to defend his bowing out of the

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battle. I don't think he owes anybody an explanation

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for that, honestly. I mean, he did give one,

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which was fine. He doesn't need to explain himself

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for deciding not to battle, okay? I don't know

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who it is that's in his inner circle, but whoever

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it is, I need them to get this through to him.

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I need you to get it through his head. He doesn't

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need to make an excuse for or justify his decision

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not to battle. I could give two shits about that,

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okay? He has his reasons, good or bad. And the

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only one that needs to be at peace with those

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reasons is honestly him. No one else. Okay? But

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his talking about why he didn't battle in this

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indirect way tells me that he's hung up on this

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shit. Okay? I'm not. He is. Okay? Or maybe the

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internet is. And maybe he lives on the internet.

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But if that's the case, you need to get off the

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internet because the internet is full of some

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bullshit. J. Cole, I'm talking directly to you

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here right now, okay? Look, don't worry about

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the apology or dropping out of the battle, okay?

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Here's what I think real men are actually asking

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of you, okay? Speak to why the fuck you talk

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a big talk, why you continuously sneak diss both

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before and after the whole K. Drake battle. That's

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what you need to speak on. You need to speak

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on the things that you're... you actually need

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to be held accountable for. And by held accountable

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for, I'm talking about your own words and actions,

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right? Look, before the battle, you were taking

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a lot of sneaky shots at Kendrick and talking

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a lot of big talk about being the best, which

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honestly seemed like you were speaking, when

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I heard it, I honestly, it sounded like somebody

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who was speaking words of affirmation into a

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mirror, like some insecure bitch, because I'm

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pretty sure no one in hip hop who actually cares

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about hip -hop or deep in it saw you at least

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a majority probably didn't see you as a goat

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of okay nobody thought you were that that guy

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okay what your backing out of the battle demanded

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was not you know an explanation of your backing

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out of the battle right it was You're needing

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to take accountability for all the shit you said

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before that led up to your being put in that

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situation where you had to make an apology. Right?

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Look, if you're going to talk big shit and then

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not stand on it, then you need to be held accountable

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for all that shit talking you've been doing this

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whole time. Either acknowledge that you were

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full of shit and lying the whole time, which

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is what a man would do. Or acknowledge that you

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used to think that big shit, but then when push

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comes to shove, you realize that you were wrong

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and realize that soon enough that you were able

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to just drop out of the battle instead of engaging

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and then regretting it later, okay? Again, that's

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something that a man would do, is acknowledge

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the shit, okay? The thing about being a man is

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that it doesn't require you to never make mistakes,

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right? I think it's a mistake to think that...

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Being a man means that you have somehow developed

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into the kind of person where you don't ever

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make mistakes. Like, no, that's not what it is,

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right? It demands that if you screwed up, you

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take ownership of your mistakes. You acknowledge

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it. You be honest about it and make a genuine

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effort to be better. That's what it is to be

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a man, right? What makes you a bitch is hiding

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from the consequences of your own action. And

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that's what you're doing when you're not speaking

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on all that shit you were talking before the

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beef. Because let's be honest, you were doing

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a lot of shit talking. You also need to speak

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on all the big shit you're talking after the

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beef, right? Look, in the previous episode, I

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predicted because, look, I told you from experience,

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I know this, right? Like personal experience,

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I know this, right? Bitches don't become men

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overnight. It takes years of work to learn and

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to grow and to really change who you are from

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the inside out. I said I didn't expect you to

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stop talking all that big talk. And from just

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the little snippets that I've heard, yeah, you

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continue to talk all that big talk. Okay? Which,

00:14:30.409 --> 00:14:33.909
look, here's one other thing. Maybe it'll be

00:14:33.909 --> 00:14:36.049
a conversation for the Discord. Look, what the

00:14:36.049 --> 00:14:37.830
fuck are you doing talking all that big talk

00:14:37.830 --> 00:14:40.690
still in poor thing? All right? That song rings

00:14:40.690 --> 00:14:43.590
completely hollow after you dropped out of the

00:14:43.590 --> 00:14:46.879
battle. Again, it's about accountability. It's

00:14:46.879 --> 00:14:49.019
about integrity. It's about you continuing to

00:14:49.019 --> 00:14:52.379
do the same shit talking, talking all that big

00:14:52.379 --> 00:14:56.299
talk, except now we know that you aren't going

00:14:56.299 --> 00:14:59.419
to back up any of that talk, which honestly,

00:14:59.639 --> 00:15:02.240
if I had been paying attention, I would have

00:15:02.240 --> 00:15:04.539
known long ago that this is kind of who you were.

00:15:04.860 --> 00:15:08.259
Also, why are you picking on someone smaller

00:15:08.259 --> 00:15:11.559
than you, you bully? You're talking all this

00:15:11.559 --> 00:15:15.059
punk bitch to some dude that is like, not at

00:15:15.059 --> 00:15:17.120
the same level as you, let's be honest, right?

00:15:17.240 --> 00:15:19.620
And like all bullies, like when you're doing

00:15:19.620 --> 00:15:21.639
this, you're just showing your insecurities,

00:15:21.799 --> 00:15:25.000
you bitch, okay? If you're going to stand against

00:15:25.000 --> 00:15:27.740
someone on the mic, choose a peer, right? Like

00:15:27.740 --> 00:15:30.360
just go up against, I don't know, at this point,

00:15:30.379 --> 00:15:33.379
your peer seems more like Drake's punk ass, okay?

00:15:34.500 --> 00:15:38.559
So to quickly summarize, look, what if is a sad,

00:15:38.600 --> 00:15:41.460
indirect, passive -aggressive way to try to justify

00:15:41.460 --> 00:15:43.159
your apology and dropping out of the battle?

00:15:43.759 --> 00:15:46.179
Something that I honestly didn't need an explanation

00:15:46.179 --> 00:15:49.820
or excuse for. But you do so by using Biggie

00:15:49.820 --> 00:15:54.259
and Tupac, their situation, as an explanation

00:15:54.259 --> 00:15:57.740
for why it was better not to duke it out with

00:15:57.740 --> 00:16:00.820
diss tracks, but instead to try to hug it out

00:16:00.820 --> 00:16:04.879
instead. And as I've been saying, you're focusing

00:16:04.879 --> 00:16:07.500
on the wrong thing because what you need to do

00:16:07.500 --> 00:16:11.389
and what you seem to be ducking is... Not the

00:16:11.389 --> 00:16:14.049
accountability for the apology. The apology was

00:16:14.049 --> 00:16:17.429
fine. It's all the other shit around it that

00:16:17.429 --> 00:16:21.190
you have not addressed at all and continue to

00:16:21.190 --> 00:16:24.610
not address. That's the lack of accountability

00:16:24.610 --> 00:16:27.309
that I'm fucking pissed at. That's what's revealing

00:16:27.309 --> 00:16:29.710
what kind of a bitch you are. All this sneak

00:16:29.710 --> 00:16:32.190
dissing and big talk about being the best bullshit,

00:16:32.289 --> 00:16:35.789
that's what needs to get talked about. The apology

00:16:35.789 --> 00:16:39.500
merely exposed you for who you are. That's all

00:16:39.500 --> 00:16:42.100
it did. Hopefully it gave people a reason to

00:16:42.100 --> 00:16:44.840
start digging into what it is that you actually

00:16:44.840 --> 00:16:49.100
say and to really take the time to evaluate what

00:16:49.100 --> 00:16:51.120
kind of a person you really are, at least in

00:16:51.120 --> 00:16:54.679
what you present in your music. You can start

00:16:54.679 --> 00:16:56.840
being honest with yourself and accept it, in

00:16:56.840 --> 00:17:00.259
which case all that braggadocious talk needs

00:17:00.259 --> 00:17:04.519
to just stop. Or you can just keep trying to

00:17:04.519 --> 00:17:06.019
lie to everyone. I don't know. You could go in

00:17:06.019 --> 00:17:07.819
either direction. Maybe your fans still rock

00:17:07.819 --> 00:17:09.559
with it, but I want to be clear about something.

00:17:09.880 --> 00:17:12.500
I ain't no bitch that is going to just accept

00:17:12.500 --> 00:17:17.140
your lies. Authenticity matters to me. Authenticity

00:17:17.140 --> 00:17:22.099
matters to hip -hop. If you talk shit that you

00:17:22.099 --> 00:17:25.099
aren't really about, then you're a bitch in my

00:17:25.099 --> 00:17:29.730
eyes. Period. End of story. There's one more

00:17:29.730 --> 00:17:31.309
thing that J. Cole needs to take accountability

00:17:31.309 --> 00:17:35.809
for, and that's using Tupac and Biggie in this

00:17:35.809 --> 00:17:39.109
way. When I heard What If, I was fucking pissed.

00:17:39.970 --> 00:17:43.809
I am not sure how others felt, but if you really

00:17:43.809 --> 00:17:46.769
love hip -hop, if you were around during the

00:17:46.769 --> 00:17:50.049
Tupac -Biggie deaths like I was, then I wouldn't

00:17:50.049 --> 00:17:52.430
be surprised if you found yourself feeling at

00:17:52.430 --> 00:17:55.869
least a little offended on behalf of these iconic

00:17:55.869 --> 00:17:59.190
rappers, right? I wouldn't be surprised if Kendrick

00:17:59.190 --> 00:18:01.109
heard this track, got angry, and then recorded

00:18:01.109 --> 00:18:05.829
something scathing for J. Cole. This is what

00:18:05.829 --> 00:18:08.289
I've realized about J. Cole. His, let's hug it

00:18:08.289 --> 00:18:11.009
out, we should be about peace, hey guys, let's

00:18:11.009 --> 00:18:14.309
not fight bullshit, shows me that he doesn't

00:18:14.309 --> 00:18:19.009
actually understand genuine love and conflict.

00:18:19.930 --> 00:18:22.450
For all of you who are on the same boat as J.

00:18:22.490 --> 00:18:24.789
Cole in preaching this peacemaker shit in the

00:18:24.789 --> 00:18:27.529
way that he does, I'm about to tell you some

00:18:27.529 --> 00:18:30.569
shit you really need to think about, okay? I'm

00:18:30.569 --> 00:18:32.130
not expecting you to agree. I just want you to

00:18:32.130 --> 00:18:37.970
think about this, okay? There is no love without

00:18:37.970 --> 00:18:42.250
the fight to protect that love. Love and hate

00:18:42.250 --> 00:18:47.309
go hand in hand. There is no such thing as loving

00:18:47.309 --> 00:18:51.289
something without hating something else. This

00:18:51.289 --> 00:18:53.930
seems to be something that J. Cole doesn't understand.

00:18:54.440 --> 00:18:57.019
And this is why I say he's really not that deep.

00:18:57.599 --> 00:19:00.019
He doesn't have emotional maturity because he

00:19:00.019 --> 00:19:01.640
doesn't seem to understand this point. Look,

00:19:01.720 --> 00:19:05.720
I love hip -hop, okay? Which is why I'm out here

00:19:05.720 --> 00:19:09.000
crashing out over this shit. I believe in gatekeepers

00:19:09.000 --> 00:19:12.240
in hip -hop. Even though I'm not black myself,

00:19:12.539 --> 00:19:18.420
I understand I am not the person to be demanding

00:19:18.420 --> 00:19:21.049
anything. But if you ask me whether or not I

00:19:21.049 --> 00:19:22.970
support there being gatekeepers in hip -hop,

00:19:23.029 --> 00:19:25.529
I would say absolutely yes. Why? Because if you

00:19:25.529 --> 00:19:27.630
really love something, like if something really

00:19:27.630 --> 00:19:30.190
matters to you and you treasure it, you protect

00:19:30.190 --> 00:19:32.690
it. And that means that you protect it against

00:19:32.690 --> 00:19:35.130
vultures, people who want to take the thing that

00:19:35.130 --> 00:19:38.410
you love and twist it or use it for their own

00:19:38.410 --> 00:19:40.849
personal gain to make it something that it's

00:19:40.849 --> 00:19:44.970
not, okay? You can't be about love if you aren't

00:19:44.970 --> 00:19:47.990
also about hate. You need to hate the things

00:19:47.990 --> 00:19:50.849
that threaten the things that you love. I love

00:19:50.849 --> 00:19:54.250
humanity and love the best of what I see in humanity.

00:19:54.349 --> 00:19:56.990
To protect that, I need to jump out and hate

00:19:56.990 --> 00:19:59.390
on all the bitch assetry I see that threatens

00:19:59.390 --> 00:20:03.509
what is good. If you know anything about Tupac

00:20:03.509 --> 00:20:06.369
and Biggie's legacy, yes, it was filled with

00:20:06.369 --> 00:20:08.029
contradictions and the things that they rapped

00:20:08.029 --> 00:20:10.309
about, but it was also filled with a genuine

00:20:10.309 --> 00:20:12.410
love for hip hop and a love for their communities.

00:20:12.970 --> 00:20:18.579
And so, also, They're filled with hate, I believe,

00:20:18.680 --> 00:20:20.779
against those things that threaten what it is

00:20:20.779 --> 00:20:22.799
that they loved. I mean, this is especially true

00:20:22.799 --> 00:20:24.859
of Tupac. Tupac was a lot more explicit about

00:20:24.859 --> 00:20:29.400
this. Look, because love comes hand in hand with

00:20:29.400 --> 00:20:33.059
hate, you cannot truly love something without

00:20:33.059 --> 00:20:37.500
engaging in conflict. It is natural. Look, I

00:20:37.500 --> 00:20:40.259
love my kid. If someone threatens her in any

00:20:40.259 --> 00:20:43.059
way, there will be conflict. I will be throwing

00:20:43.059 --> 00:20:45.480
hands if I have to. I will be using whatever

00:20:45.480 --> 00:20:48.119
means at my disposal to protect what I love deeply.

00:20:48.680 --> 00:20:53.019
Conflict is not the enemy. Conflict is that natural

00:20:53.019 --> 00:20:56.960
consequence of love. Here's the thing. You can't

00:20:56.960 --> 00:21:01.559
resolve real conflict by hugging it out. I learned

00:21:01.559 --> 00:21:04.319
this from my own failures in married life, okay?

00:21:04.980 --> 00:21:07.740
Conflicts cannot be resolved by just saying I

00:21:07.740 --> 00:21:11.039
love you and hugging it out. That shit is a shallow

00:21:11.039 --> 00:21:13.559
understanding of the human condition, of human

00:21:13.559 --> 00:21:16.539
emotions, which is why I think J. Cole has the

00:21:16.539 --> 00:21:19.940
emotional maturity of a 20 -year -old. And honestly,

00:21:20.039 --> 00:21:23.160
that might be giving him too much credit. Real

00:21:23.160 --> 00:21:26.200
conflict can only be resolved by unpacking a

00:21:26.200 --> 00:21:29.220
whole lot of shit, both between the individuals

00:21:29.220 --> 00:21:32.799
involved and within each individual. This whole

00:21:32.799 --> 00:21:35.839
bullshit of if only Biggie and Tupac had a heart

00:21:35.839 --> 00:21:38.839
-to -heart combo, maybe they'll still be alive

00:21:38.839 --> 00:21:45.960
today. It's a whole lot of cap. It would have

00:21:45.960 --> 00:21:49.380
taken a lot more to resolve what was going on

00:21:49.380 --> 00:21:52.059
between them. And you would know that if you

00:21:52.059 --> 00:21:54.880
had grown up yourself, you 40 -year -old bitch.

00:21:55.680 --> 00:21:59.279
Some conflicts are big enough that talking it

00:21:59.279 --> 00:22:02.029
out... once or sending each other some heartfelt

00:22:02.029 --> 00:22:06.309
letter ain't going to do it. Instead, you might

00:22:06.309 --> 00:22:09.309
need years of rebuilding a relationship, a broken

00:22:09.309 --> 00:22:12.109
relationship. Or in this case, like, I mean,

00:22:12.109 --> 00:22:13.769
it required some transformation of an entire

00:22:13.769 --> 00:22:17.329
industry to address the conflict. Your shallow

00:22:17.329 --> 00:22:20.250
analysis of the situation tells me that you're

00:22:20.250 --> 00:22:22.009
a bitch that doesn't understand what it is to

00:22:22.009 --> 00:22:25.109
love something deeply. This is why the peacemaker

00:22:25.109 --> 00:22:27.369
types, like the way that Cole presents himself,

00:22:28.000 --> 00:22:31.579
always pisses me off. It seems like they have

00:22:31.579 --> 00:22:34.359
no real understanding of what the conflict is,

00:22:34.440 --> 00:22:37.700
where it's coming from, why it exists, why it's

00:22:37.700 --> 00:22:40.519
a genuine conflict where the resolution is not

00:22:40.519 --> 00:22:43.799
going to be as simple as hugging it out. The

00:22:43.799 --> 00:22:46.140
attempt to gloss over it with a, hey, everyone,

00:22:46.240 --> 00:22:48.180
let's be all mature here and see the bigger picture,

00:22:48.279 --> 00:22:52.160
is what leads to conflicts never truly getting

00:22:52.160 --> 00:22:55.019
addressed and instead just simmering underneath

00:22:55.019 --> 00:22:59.220
the surface. Maturity requires that you understand

00:22:59.220 --> 00:23:02.720
and embrace conflict as a means to something

00:23:02.720 --> 00:23:05.740
bigger and better. But only if you walk through

00:23:05.740 --> 00:23:09.059
that fire, only if you work through that actual

00:23:09.059 --> 00:23:11.339
conflict, you need to deal with the conflict

00:23:11.339 --> 00:23:14.240
head on. Saying a few nice things and clearing

00:23:14.240 --> 00:23:17.039
up a few misunderstandings doesn't actually address

00:23:17.039 --> 00:23:20.900
deep conflicts. For those Cole fans who think

00:23:20.900 --> 00:23:23.740
that Cole is deep, I need you to at least consider

00:23:23.740 --> 00:23:26.140
what I'm saying here, okay? The shit that Cole

00:23:26.140 --> 00:23:29.039
is saying is not deep. It's not introspection.

00:23:29.200 --> 00:23:32.000
It's not a reflection of maturity. It's fake

00:23:32.000 --> 00:23:34.900
maturity, right? It's a completely inaccurate

00:23:34.900 --> 00:23:38.579
portrayal of what love, hate, and conflict really

00:23:38.579 --> 00:23:41.559
is, okay? Here's an example for you to ponder,

00:23:41.640 --> 00:23:43.279
okay? Have you ever had a real conflict with

00:23:43.279 --> 00:23:44.960
somebody that you cared about? Like somebody

00:23:44.960 --> 00:23:46.740
who were in a real relationship, like a deep,

00:23:46.759 --> 00:23:49.420
committed, romantic relationship, or like a best

00:23:49.420 --> 00:23:51.900
friend, right? And you got into a heated fight.

00:23:52.000 --> 00:23:54.140
Maybe you felt betrayed by them for some reason

00:23:54.140 --> 00:23:57.140
or another. Or you're disappointed by your friend.

00:23:57.339 --> 00:24:00.400
Okay? Suppose they come to you and said, like,

00:24:00.440 --> 00:24:03.180
hey, let's not fight. I love you. Let's hug it

00:24:03.180 --> 00:24:06.759
out. Really think about it. Like, if that was

00:24:06.759 --> 00:24:10.000
their response. Do you really feel all that much

00:24:10.000 --> 00:24:13.819
better? Do you think whatever led to your feeling

00:24:13.819 --> 00:24:17.759
hurt or disappointed won't happen again? Maybe

00:24:17.759 --> 00:24:19.759
the first or second time you're like, okay, I'm

00:24:19.759 --> 00:24:22.079
going to let it go. Not a big deal. We'll move

00:24:22.079 --> 00:24:25.759
on from it, right? But by the third or fourth

00:24:25.759 --> 00:24:28.599
time, you're going to start realizing that nothing

00:24:28.599 --> 00:24:30.480
underneath the surface was really addressed.

00:24:30.660 --> 00:24:32.859
And you'll know this because every time that

00:24:32.859 --> 00:24:35.180
similar, something similar happens, you're going

00:24:35.180 --> 00:24:37.200
to be thinking about all the other times that

00:24:37.200 --> 00:24:40.299
person did that to you. Why is that? It's because

00:24:40.299 --> 00:24:43.579
a real conflict. isn't actually addressed. To

00:24:43.579 --> 00:24:46.119
address the real conflict, you need to have hard

00:24:46.119 --> 00:24:49.099
talks about why you were upset or hurt. You need

00:24:49.099 --> 00:24:51.839
to actually have a real heart -to -heart, not

00:24:51.839 --> 00:24:54.180
just clear up some misunderstandings. It requires

00:24:54.180 --> 00:24:57.019
you to really take some time to empathize with

00:24:57.019 --> 00:24:58.799
the other person, even if it's difficult for

00:24:58.799 --> 00:25:00.500
you to do because you feel the way that you do.

00:25:01.039 --> 00:25:04.319
It requires multiple conversations. It requires

00:25:04.319 --> 00:25:06.759
people taking it upon themselves to make real

00:25:06.759 --> 00:25:08.599
changes in their lives, which it doesn't happen

00:25:08.599 --> 00:25:12.740
overnight. But it'll take multiple instances

00:25:12.740 --> 00:25:15.519
of engaging with the other person in a way to

00:25:15.519 --> 00:25:17.740
show that you really thought about what it is

00:25:17.740 --> 00:25:19.700
that they said and to show that you're truly

00:25:19.700 --> 00:25:22.500
sorry. One apology ain't going to cut it for

00:25:22.500 --> 00:25:25.880
real conflict. Cole shows zero understanding

00:25:25.880 --> 00:25:29.200
of any of this shit. And it's evident by all

00:25:29.200 --> 00:25:32.619
his continued big talk that he does afterwards,

00:25:32.740 --> 00:25:36.660
after the apology. And it shows in the way that

00:25:36.660 --> 00:25:38.660
he has portrayed what happened between Biggie

00:25:38.660 --> 00:25:42.170
and Pop. He's fake. He's shallow. He's the guy

00:25:42.170 --> 00:25:44.829
that says, let's not fight so that you don't

00:25:44.829 --> 00:25:46.950
have to address why it is that people are fighting

00:25:46.950 --> 00:25:51.289
in the first place. That's what Cole shows to

00:25:51.289 --> 00:25:56.130
me in this track. Finally, Cole needs to apologize

00:25:56.130 --> 00:26:00.150
to Biggie and Tupac now. Look, you have no idea

00:26:00.150 --> 00:26:03.130
what Biggie and Tupac meant to me. I mean, they're

00:26:03.130 --> 00:26:05.470
not on the same level for me personally as much

00:26:05.470 --> 00:26:08.109
as figures like DMX and Eminem. I've talked about

00:26:08.109 --> 00:26:10.410
this before, about what, you know, hip -hop has

00:26:10.410 --> 00:26:13.190
meant for me. But still, I grew up with, you

00:26:13.190 --> 00:26:15.609
know, their music. One of the few albums that

00:26:15.609 --> 00:26:17.869
I actually bought. I mean, I was broke, so I

00:26:17.869 --> 00:26:19.670
had to be picky in what I actually bought or

00:26:19.670 --> 00:26:23.690
maybe I would just steal the music. But Biggie's

00:26:23.690 --> 00:26:26.309
Life After Death was one of the few albums that

00:26:26.309 --> 00:26:29.150
I actually purchased. So, look, all this to say,

00:26:29.170 --> 00:26:31.369
I take this shit seriously. Look, you, Cole,

00:26:31.549 --> 00:26:35.730
seem to have manipulated history. Or maybe you

00:26:35.730 --> 00:26:38.470
didn't actually understand the situation at all.

00:26:39.059 --> 00:26:41.440
Which, if that's the case, you need to go study

00:26:41.440 --> 00:26:45.119
what actually happened. You who say that you're

00:26:45.119 --> 00:26:48.900
a student of hip -hop. Tupac didn't die because

00:26:48.900 --> 00:26:53.480
Biggie and Tupac didn't talk it out. That's not

00:26:53.480 --> 00:26:56.380
why Tupac died. There were bigger issues at play.

00:26:56.500 --> 00:26:59.920
Other players. Industry shit. A whole lot of

00:26:59.920 --> 00:27:02.700
other players involved. And Tupac's death wasn't

00:27:02.700 --> 00:27:05.539
a result of some back -and -forth raps between...

00:27:06.299 --> 00:27:07.920
Tupac and Biggie. Yes, there were some diss tracks

00:27:07.920 --> 00:27:10.039
back and forth, but it wasn't because of that.

00:27:12.019 --> 00:27:14.440
I mean, the way that you portrayed what happened

00:27:14.440 --> 00:27:16.220
between them, it makes me question whether or

00:27:16.220 --> 00:27:17.720
not you're really a student of hip -hop, like

00:27:17.720 --> 00:27:20.960
you say you are. If so, if you really do understand

00:27:20.960 --> 00:27:23.200
the situation, then you just twisted what happened

00:27:23.200 --> 00:27:25.599
then to fit your own fucking narrative, you bitch.

00:27:26.660 --> 00:27:28.759
The fact that you're even implying that Biggie

00:27:28.759 --> 00:27:31.380
and Tupac might still be alive today if they

00:27:31.380 --> 00:27:33.400
were just mature enough to step back and talk

00:27:33.400 --> 00:27:36.849
it out. It's insulting to both Biggie and Tupac.

00:27:37.089 --> 00:27:40.089
It shows just how immature you are, Cole, you

00:27:40.089 --> 00:27:42.990
bitch. You do this shit all the time. By using

00:27:42.990 --> 00:27:45.710
others in this way as a mouthpiece for you, you're

00:27:45.710 --> 00:27:50.549
implying shit that you, I honestly believe this,

00:27:50.609 --> 00:27:52.569
you are responsible for implying this shit. Whether

00:27:52.569 --> 00:27:54.569
or not you meant it or not, here's what you're

00:27:54.569 --> 00:27:56.769
implying. You're implying that if Biggie and

00:27:56.769 --> 00:27:58.990
Tupac saw things the way that you did and just

00:27:58.990 --> 00:28:01.730
hugged it out, shit wouldn't have gone sideways.

00:28:02.799 --> 00:28:05.940
You fucking dumb fuck. All you're showing is

00:28:05.940 --> 00:28:09.220
just how immature that you are and how much you

00:28:09.220 --> 00:28:13.440
don't carry the spirit of Biggie or Tupac. If

00:28:13.440 --> 00:28:15.839
either were alive to hear the shit that you're

00:28:15.839 --> 00:28:19.700
saying, they'd probably both slap the shit out

00:28:19.700 --> 00:28:22.480
of you, especially Tupac, knowing how he is.

00:28:22.759 --> 00:28:25.380
He wouldn't have let that shit slide. Seeing

00:28:25.380 --> 00:28:28.180
as how you don't seem to really understand either

00:28:28.180 --> 00:28:30.359
of them, you need to apologize for putting out

00:28:30.359 --> 00:28:32.819
this piece of shit song. That insults both their

00:28:32.819 --> 00:28:35.920
legacies. Make it seem as if all they needed

00:28:35.920 --> 00:28:38.019
to do was hug this shit out, as if they didn't

00:28:38.019 --> 00:28:41.019
understand that kind of shallow -ass shit that

00:28:41.019 --> 00:28:44.700
you're spewing here. Jesus Christ, I'm so fucking

00:28:44.700 --> 00:28:47.759
upset right now. I'm going to go listen to Reincarnated

00:28:47.759 --> 00:28:50.960
to channel the real spirit of Tupac. I swear,

00:28:51.099 --> 00:28:53.160
I hope Kung Fu Kenny pops out and smacks the

00:28:53.160 --> 00:28:56.079
shit out of you for doing this to Tupac. J. Cole,

00:28:56.220 --> 00:28:58.960
you look more and more like Drake with everything

00:28:58.960 --> 00:29:03.089
that you continue to put out. Someone who has

00:29:03.089 --> 00:29:06.430
never understood the culture. I mean, I can't

00:29:06.430 --> 00:29:07.829
believe I'm saying this. I ain't even black.

00:29:08.170 --> 00:29:10.390
I'm the child of two Korean immigrants. Like,

00:29:10.450 --> 00:29:13.990
what the fuck is that? Cole, seriously, get your

00:29:13.990 --> 00:29:16.910
shit together. And for all you people who want

00:29:16.910 --> 00:29:19.329
to tell me that Cole is some deep, introspective,

00:29:19.329 --> 00:29:21.569
insightful, thoughtful, emotionally mature person,

00:29:21.670 --> 00:29:24.809
I hate to break it to you, but you're way off.

00:29:25.309 --> 00:29:30.089
Way off. And just like Drake, time will reveal.

00:29:30.809 --> 00:29:33.609
Cole's bitch assetry to the public if it hasn't

00:29:33.609 --> 00:29:36.630
already. I just hope that you get ahead of it

00:29:36.630 --> 00:29:39.150
because the longer you see Cole as this kind

00:29:39.150 --> 00:29:42.089
of a role model for anything or as a reflection

00:29:42.089 --> 00:29:44.450
of something deep and insightful and emotionally

00:29:44.450 --> 00:29:47.430
mature, the deeper you're going to fall into

00:29:47.430 --> 00:29:51.490
this bitch assness. I'm saying this in all honesty.

00:29:51.710 --> 00:29:54.750
Don't become a bitch like Cole. Please.
