WEBVTT 00:00:00.000 --> 00:00:02.439 From the Dungeons of Morningstar, my name's Stretch. 00:00:03.120 --> 00:00:05.240 And I'm Clint, and this is Prevailing Strange. 00:00:17.239 --> 00:00:19.660 Welcome back, guys, to our Week in Review, a 00:00:19.660 --> 00:00:21.199 segment where we get to talk about some of the 00:00:21.199 --> 00:00:25.079 content that we've checked out this week. That's 00:00:25.079 --> 00:00:28.579 in my notes, and I don't even know why. This 00:00:28.579 --> 00:00:31.089 cunt people. I don't even know why it started 00:00:31.089 --> 00:00:34.670 playing. Oh, fuck. I'm just reading. And all 00:00:34.670 --> 00:00:40.409 of a sudden it's like. Anyway. Just keep rolling. 00:00:40.729 --> 00:00:43.689 Anyway, on the road to the Oscars, we've been 00:00:43.689 --> 00:00:47.729 checking out the Best Picture nominations. Nominations, 00:00:47.729 --> 00:00:49.890 mind you. Nominations, yes. Not Best Fucking 00:00:49.890 --> 00:00:54.750 Picture, trust me. I chose last week, which I'm 00:00:54.750 --> 00:00:57.270 sure Clint will remind you all about plenty of 00:00:57.270 --> 00:01:02.820 times. Marty Supreme. Unbeknownst to me, the 00:01:02.820 --> 00:01:05.579 director is the same director that did Uncut 00:01:05.579 --> 00:01:08.459 Gems, which I was not a fan of and I don't think 00:01:08.459 --> 00:01:10.980 Clint was a fan of either. No, I liked Uncut 00:01:10.980 --> 00:01:14.840 Gems, but I don't think it was Josh Safdie's 00:01:14.840 --> 00:01:16.480 direction that carried it. I think it was Adam 00:01:16.480 --> 00:01:19.359 Sandler's portrayal of that character that carried 00:01:19.359 --> 00:01:23.980 that show. There were at least some redeeming 00:01:23.980 --> 00:01:28.030 qualities in that show. I don't know what it 00:01:28.030 --> 00:01:32.090 is about Josh Safdie, but he's getting all these 00:01:32.090 --> 00:01:35.430 unlikable fucking characters and trying to get 00:01:35.430 --> 00:01:39.329 you to champion for him. This movie is one of 00:01:39.329 --> 00:01:42.890 them exact same things. He definitely has a style, 00:01:42.989 --> 00:01:45.890 at least I think it has a lot to do with the 00:01:45.890 --> 00:01:48.829 writers. I think the same writers did. Well, 00:01:48.829 --> 00:01:51.250 it was him and his brother. No, he directed it. 00:01:51.269 --> 00:01:53.689 He didn't write it. Oh, did he? No, no. There's 00:01:53.689 --> 00:01:57.780 a couple. I forget what the names are. She did 00:01:57.780 --> 00:02:02.439 recently If I Had Legs I'd Kick You and he did 00:02:02.439 --> 00:02:05.439 this. Anyway, so yeah, Marty Supreme came out 00:02:05.439 --> 00:02:08.240 last year. It's been nominated for Best Picture, 00:02:08.379 --> 00:02:13.919 the Oscars and the Gold Globes. It's also been 00:02:13.919 --> 00:02:17.360 nominated for Best Actor for Timothee Chalamet. 00:02:17.580 --> 00:02:20.520 He does a great job in it. There's no doubt about 00:02:20.520 --> 00:02:24.039 it. The kid's got chops. It's a fever pitch fucking 00:02:24.039 --> 00:02:28.270 effort, man. You fucking hate him. I fucking 00:02:28.270 --> 00:02:30.770 hated the character the whole way through it. 00:02:30.930 --> 00:02:34.169 Yeah, 100%. It's also been nominated for Best 00:02:34.169 --> 00:02:37.409 Casting, which I thought it did well, did a good 00:02:37.409 --> 00:02:45.050 cast. Cinematography, Costume Design, Directing, 00:02:45.069 --> 00:02:50.389 Editing, Production Design, and Original Screenplay. 00:02:51.689 --> 00:02:53.949 So it didn't get nominated for what I think is 00:02:53.949 --> 00:02:56.110 the best part of this movie. Which is? Sound. 00:02:56.849 --> 00:03:00.009 It didn't get a nomination for sound. I thought 00:03:00.009 --> 00:03:02.349 whoever done the sound engineering for this was 00:03:02.349 --> 00:03:05.150 fucking phenomenal. The soundtrack was great. 00:03:06.189 --> 00:03:10.210 The beats hit at exactly the right time. And 00:03:10.210 --> 00:03:13.689 music has a way of bringing you in and out of 00:03:13.689 --> 00:03:15.990 a scene. And he's done it fucking flawlessly. 00:03:16.169 --> 00:03:19.449 I thought the sound was the best part of this 00:03:19.449 --> 00:03:21.520 movie. Interesting. We'll touch on that in a 00:03:21.520 --> 00:03:23.960 minute. Oh, my God. I thought I just deleted 00:03:23.960 --> 00:03:27.479 everything. So the synopsis for Marty Supreme, 00:03:27.680 --> 00:03:29.960 if you haven't seen it, is Marty Meza, a young 00:03:29.960 --> 00:03:33.000 man with a dream no one respects, goes to hell 00:03:33.000 --> 00:03:38.139 and back in pursuit of greatness. Okay. I'd like 00:03:38.139 --> 00:03:42.080 you to read your review on this and then I'll 00:03:42.080 --> 00:03:44.919 read you mine. Okay. And then we'll meet in the 00:03:44.919 --> 00:03:48.099 middle. Right. We'll dock in the middle. I'll 00:03:48.099 --> 00:03:53.719 go on. You mentioned that Josh Safdy. Safdy, 00:03:53.719 --> 00:03:57.340 yeah. Safdy is the director. He also did Uncut 00:03:57.340 --> 00:04:01.039 Gems and Good Time with Robert Pattinson. And 00:04:01.039 --> 00:04:04.340 he also made an attempt at acting in Happy Gilmore 00:04:04.340 --> 00:04:06.740 2. He was the villain in Happy Gilmore 2. No, 00:04:06.740 --> 00:04:08.340 that was his brother, wasn't it? No, it was Josh 00:04:08.340 --> 00:04:11.199 Safdy. Was it? Okay. I haven't watched it. It 00:04:11.199 --> 00:04:15.969 stars Timothee Chalamet, Gwyneth Paltrow. Fran 00:04:15.969 --> 00:04:19.149 Drescher, which I did not recognise her to begin 00:04:19.149 --> 00:04:21.829 with until like towards the end. I'm like, holy 00:04:21.829 --> 00:04:25.129 fuck, that's Fran Drescher. Anyway, Taylor, the 00:04:25.129 --> 00:04:28.209 creator, in his first acting appearance as Wally, 00:04:28.350 --> 00:04:33.730 his friend, and Odessa Zion, her name is. She's 00:04:33.730 --> 00:04:36.089 just kind of popped up out of nowhere lately, 00:04:36.290 --> 00:04:40.209 been in a lot of different things. Right. Played 00:04:40.209 --> 00:04:43.529 Rachel, which I thought was a great part. I thought 00:04:43.529 --> 00:04:46.319 she was a good part in this. I'm going to come 00:04:46.319 --> 00:04:48.759 back and say you're 100 % correct. The villain 00:04:48.759 --> 00:04:51.939 in Happy Gilmore was his brother, Benny Safdie. 00:04:52.040 --> 00:04:54.920 Thank you. Sorry. So, yeah, I thought this was 00:04:54.920 --> 00:05:03.800 frantic, fanatic comedy of errors. I think, yeah, 00:05:03.860 --> 00:05:06.300 like I said, Timothy Chalamet gave a fever pitch 00:05:06.300 --> 00:05:09.399 effort. I can understand why he's been nominated 00:05:09.399 --> 00:05:11.860 for Best Actor. Dude, even Gwyneth Paltrow fucking 00:05:11.860 --> 00:05:16.680 done a great job. She did. I did really like 00:05:16.680 --> 00:05:21.259 Odessa Zion's support role in it. Yeah, she played 00:05:21.259 --> 00:05:24.379 Rachel. She played Rachel, yeah. I liked her 00:05:24.379 --> 00:05:27.379 part more than Gwyneth Paltrow's. 100%. Yeah, 00:05:27.399 --> 00:05:31.019 like she played his game throughout this entire 00:05:31.019 --> 00:05:35.040 movie. Yeah. They were made for each other. I 00:05:35.040 --> 00:05:37.579 think the narrative is persistent, it's snappy, 00:05:37.740 --> 00:05:42.699 but oftentimes it's exasperating and it's just... 00:05:43.000 --> 00:05:46.279 There were so many. If I wasn't ADHD as fuck 00:05:46.279 --> 00:05:48.879 and I had to finish it, I would have turned this 00:05:48.879 --> 00:05:53.399 off so many times. I get that. I think the cinematography 00:05:53.399 --> 00:05:57.120 of New York in particular, the city streets, 00:05:57.360 --> 00:06:00.860 the dive bars, the hangouts was fucking spot 00:06:00.860 --> 00:06:02.920 on. Of the time too, man. Very plausible. It 00:06:02.920 --> 00:06:05.279 looked so good. It did, yeah. I thought the synth 00:06:05.279 --> 00:06:08.519 -laden kind of soundtrack was a bit jarring. 00:06:09.040 --> 00:06:12.629 It's meant to be the 30s. 50s. It was the 50s. 00:06:12.649 --> 00:06:14.649 He was born in the 30s. Yeah, yeah. So it was 00:06:14.649 --> 00:06:16.550 50s, but it was very synth -laden. I thought, 00:06:16.569 --> 00:06:19.449 oh, that's kind of modern. Out of the time. On 00:06:19.449 --> 00:06:22.149 reflection, I didn't hate it. It just took me 00:06:22.149 --> 00:06:26.790 out in the time. Gotcha. Watching it. Overall, 00:06:27.029 --> 00:06:28.490 I thought it was a well -put -together movie. 00:06:29.730 --> 00:06:32.509 It was just the fact that I do not like this 00:06:32.509 --> 00:06:37.769 manic kind of fraught protagonist at all. I want 00:06:37.769 --> 00:06:40.589 to feel and care for someone in the show. In 00:06:40.589 --> 00:06:47.600 this? I cared more about a dog. Yeah. Yeah. I 00:06:47.600 --> 00:06:51.420 think he was unlikable. Yeah. He was disagreeable. 00:06:52.180 --> 00:06:57.399 And I think that, you know, when we do eventually 00:06:57.399 --> 00:07:01.160 get some kind of redemption, it's too little 00:07:01.160 --> 00:07:04.220 too late. It's fucking over. Yeah. It finishes. 00:07:04.519 --> 00:07:06.199 That's it. It's over. You don't get to see if 00:07:06.199 --> 00:07:07.959 he turns his light now. It's loosely based on 00:07:07.959 --> 00:07:11.170 a real story of a guy. Yep. Every time I think 00:07:11.170 --> 00:07:13.149 of Marty Supreme, all I think about is that tag 00:07:13.149 --> 00:07:15.449 that says Supreme. I don't know if it's got anything 00:07:15.449 --> 00:07:17.730 to do with it. It's fucking to be a table tennis 00:07:17.730 --> 00:07:20.750 man. Come on. There's so many other people you 00:07:20.750 --> 00:07:23.149 could have made a movie about. This guy does 00:07:23.149 --> 00:07:25.709 not deserve to have his story told at all. He 00:07:25.709 --> 00:07:28.870 had one good idea. Let's paint some balls orange. 00:07:29.029 --> 00:07:33.610 That was his idea. I'm sorry I interrupted. That's 00:07:33.610 --> 00:07:36.529 pretty much my kind of review over with. Okay. 00:07:37.209 --> 00:07:39.470 Do you want to wait till later for the stars? 00:07:40.120 --> 00:07:42.800 No, wait. Okay. So mine's a bit long -winded 00:07:42.800 --> 00:07:44.079 because there was so much that I didn't like 00:07:44.079 --> 00:07:50.019 about it and I had some stuff to say. Mate, I 00:07:50.019 --> 00:07:52.100 finally watched Mighty Supreme last night. I 00:07:52.100 --> 00:07:54.279 finished it this morning and honestly, I don't 00:07:54.279 --> 00:07:56.639 get the hype. So the movie's called Mighty Supreme, 00:07:56.839 --> 00:07:58.439 directed by Josh Safdie, and you can definitely 00:07:58.439 --> 00:08:01.459 feel the chaotic uncut gems energy all over it. 00:08:02.000 --> 00:08:04.420 But this time it just didn't land for me. It's 00:08:04.420 --> 00:08:06.959 about this 1950s table tennis hustler, Marty 00:08:06.959 --> 00:08:13.420 Mouser, played by Timothy Chalamet. Anyway. And 00:08:13.420 --> 00:08:15.339 look, he's talented as shit, there's no doubt 00:08:15.339 --> 00:08:18.560 about it, but the character is exhausting, not 00:08:18.560 --> 00:08:20.300 in a fun, love to hate him kind of way. He's 00:08:20.300 --> 00:08:22.300 just fucking draining. The bloke's arrogant, 00:08:22.459 --> 00:08:24.860 smug, constantly scheming, and I never really 00:08:24.860 --> 00:08:27.379 found out the reason to care whether he won or 00:08:27.379 --> 00:08:30.319 lost. The whole thing feels loud for the sake 00:08:30.319 --> 00:08:31.959 of being loud, and I should know because that's 00:08:31.959 --> 00:08:36.379 me. Fast -talking, frantic music, dramatic close 00:08:36.379 --> 00:08:39.909 -ups. The close -ups made me feel uncomfortable 00:08:39.909 --> 00:08:45.830 because he was always sweaty. No air conditioning 00:08:45.830 --> 00:08:48.370 back in the day. Just pimples everywhere. It 00:08:48.370 --> 00:08:50.970 just made you uncomfortable. Had that 4K fucking 00:08:50.970 --> 00:08:53.129 camera and that detail sort of gets right in 00:08:53.129 --> 00:08:58.509 there. Apparently, Gwyneth Paltrow had suggested 00:08:58.509 --> 00:09:01.610 off -camera to… Can you film me in 480p, please? 00:09:01.690 --> 00:09:04.809 No, to Timothee Chalamet that maybe you should 00:09:04.809 --> 00:09:08.919 get some… or something for his acne scars. Yeah, 00:09:08.940 --> 00:09:10.940 right. She thought it was legit. Oh, right. Yeah, 00:09:11.019 --> 00:09:13.019 the makeup was that good. They'd done a good 00:09:13.019 --> 00:09:15.659 job. Like, them acne scars look fucking real. 00:09:15.720 --> 00:09:18.240 And the scars and the freckles, yeah. Yeah, right. 00:09:18.700 --> 00:09:20.860 They looked great. There's no doubt about it. 00:09:22.720 --> 00:09:25.879 Where are we? It's trying too hard to feel intense 00:09:25.879 --> 00:09:28.620 that it actually forgets to tell a story that 00:09:28.620 --> 00:09:31.659 you can latch on to. It's like two hours or something 00:09:31.659 --> 00:09:33.960 of shaking you by the collar going, isn't this 00:09:33.960 --> 00:09:36.169 mental? And I'm sitting there like, oh, yeah, 00:09:36.370 --> 00:09:40.090 okay, I fucking get it. You've also got Gwyneth 00:09:40.090 --> 00:09:44.450 Paltrow playing herself, an aging movie star 00:09:44.450 --> 00:09:47.009 trying to reinvent herself, and that whole subplot 00:09:47.009 --> 00:09:49.690 felt so half -baked. It was a bit of an interesting 00:09:49.690 --> 00:09:52.269 idea, yeah, but it never really goes anywhere 00:09:52.269 --> 00:09:55.789 meaningful. And then random appearances from 00:09:55.789 --> 00:09:57.529 Tyler, the creator, and others just make you 00:09:57.529 --> 00:10:00.490 look, oh, look who we can get in a movie. There's 00:10:00.490 --> 00:10:05.169 no real substance to any of it. It's produced 00:10:05.169 --> 00:10:08.350 by A24. Let's face it, they really miss. They're 00:10:08.350 --> 00:10:11.029 doing fucking great things, which makes sense 00:10:11.029 --> 00:10:12.889 because it looks absolutely incredible. The production 00:10:12.889 --> 00:10:14.929 designs are beautiful. The costumes are on point. 00:10:15.029 --> 00:10:18.370 The 1955 is spot on. It gives all that visually, 00:10:18.549 --> 00:10:21.970 and it's impressive. The score is intense as 00:10:21.970 --> 00:10:24.129 hell, and that's one thing that I took away from 00:10:24.129 --> 00:10:26.710 this. The score was great. I really enjoyed it. 00:10:26.789 --> 00:10:28.590 Which is funny because it didn't get nominated 00:10:28.590 --> 00:10:33.120 at all. At all. At all. How? I thought the score 00:10:33.120 --> 00:10:35.000 was good. I just thought it was contradictory 00:10:35.000 --> 00:10:37.279 to the theme. I thought it was the best part 00:10:37.279 --> 00:10:39.120 of the film. So if it's the best part of the 00:10:39.120 --> 00:10:43.539 film that I thought, how the fuck did it get? 00:10:43.779 --> 00:10:46.840 Anyway, I digress. But that's kind of the problem. 00:10:46.940 --> 00:10:48.960 It's style over substance. I kept waiting for 00:10:48.960 --> 00:10:51.080 it to slow down and give me something real, some 00:10:51.080 --> 00:10:53.360 emotional punch, some reason to carry out Marty 00:10:53.360 --> 00:10:56.299 beyond the he's ambitious. But it just kept on 00:10:56.299 --> 00:11:00.129 sprinting. And all the critics are fucking blowing 00:11:00.129 --> 00:11:02.190 this thing like it's going out of fashion, man. 00:11:02.470 --> 00:11:04.309 Everybody's loving it. I'm just like, and that's 00:11:04.309 --> 00:11:07.350 why I don't believe the fucking Rotten Tomatoes 00:11:07.350 --> 00:11:09.610 or the IMDBs or the Critics' Choices and all 00:11:09.610 --> 00:11:15.389 that sort of shit. Fuck them. But it just keeps 00:11:15.389 --> 00:11:18.590 sprinting. Calling it bold, daring, and one of 00:11:18.590 --> 00:11:21.649 Chalamet's best performances, I agree, was one 00:11:21.649 --> 00:11:24.389 of his best. But at the same time, I didn't like 00:11:24.389 --> 00:11:27.759 it. It just felt really messy. It wanted to be 00:11:27.759 --> 00:11:29.559 this grand character study, but it never actually 00:11:29.559 --> 00:11:32.340 dug deep enough for it. By the end, I wasn't 00:11:32.340 --> 00:11:35.259 moved. I wasn't inspired. I was just tired. It's 00:11:35.259 --> 00:11:37.659 not terrible. It's clearly fucking well made. 00:11:37.879 --> 00:11:40.299 Let's face it. It's well made. Them set designs 00:11:40.299 --> 00:11:43.200 from New York City were absolutely bonkers, dude. 00:11:43.320 --> 00:11:45.879 So good. Even when you're going into them ping 00:11:45.879 --> 00:11:48.440 pong fucking underground dens and shit. Dives 00:11:48.440 --> 00:11:50.059 and stuff, yeah. Come on, man. They all look 00:11:50.059 --> 00:11:52.960 so good. None of that exists now. And they made 00:11:52.960 --> 00:11:54.700 it, and it looked so fucking authentic. It looked 00:11:54.700 --> 00:11:58.399 great. Yeah, it wasn't for me, man. If you love 00:11:58.399 --> 00:12:00.379 chaotic, high -stress character pieces, maybe 00:12:00.379 --> 00:12:02.240 you'll vibe with it. But for me, I reckon I tried 00:12:02.240 --> 00:12:04.980 too hard and forgot to make me care. Yeah, 100%. 00:12:04.980 --> 00:12:09.620 I agree with you there. It's just I did not resonate 00:12:09.620 --> 00:12:12.620 with him. I kind of want to feel something from 00:12:12.620 --> 00:12:15.440 a character, whether it's a resonation or like. 00:12:17.519 --> 00:12:19.379 Good people doing bad things, bad people doing 00:12:19.379 --> 00:12:22.919 good things. This is just a dude doing bad things 00:12:22.919 --> 00:12:24.200 and you didn't care for him at all. Constantly. 00:12:24.200 --> 00:12:27.779 The only time I thought, hang on a minute, this 00:12:27.779 --> 00:12:29.840 could get good is at the end when the baby's 00:12:29.840 --> 00:12:32.740 born and he fucking cries. He loses it. Too little, 00:12:32.799 --> 00:12:36.600 too late. Too late, dude. And then credits. Spoiler 00:12:36.600 --> 00:12:40.360 alert. So you said about A24, this is their most 00:12:40.360 --> 00:12:43.200 expensive movie they've ever made with a budget 00:12:43.200 --> 00:12:47.000 of $70 million roughly. Okay. Massive cast. Massive 00:12:47.000 --> 00:12:50.220 cast. Huge cast. And they did some really good 00:12:50.220 --> 00:12:55.139 jobs on the set pieces. It was $147 to $155 million 00:12:55.139 --> 00:13:01.179 worldwide it grossed. It's done the best for 00:13:01.179 --> 00:13:04.120 any A24 movie as well as being the most expensive. 00:13:05.370 --> 00:13:09.750 As for the critics, it's 93 % from 344 reviews 00:13:09.750 --> 00:13:12.909 on Rotten Tomatoes. Shut up. Shut the fuck up. 00:13:12.909 --> 00:13:17.330 7 .9. No, you shut the fuck up. I'm talking 7 00:13:17.330 --> 00:13:23.350 .9 out of 10 on IMDb and 4 .2 out of 5 on Letterboxd. 00:13:23.409 --> 00:13:26.070 I want to know, what is your rating out of 5? 00:13:26.470 --> 00:13:30.990 2. I gave it 2 .5. God, you're fucked. Mainly 00:13:30.990 --> 00:13:32.870 because it was such a well put together movie. 00:13:33.960 --> 00:13:36.259 But it's also in the same place because I just 00:13:36.259 --> 00:13:41.379 didn't like him. Dude. I really wanted to, though. 00:13:41.460 --> 00:13:43.539 That's the whole point. Like, I like Timothee 00:13:43.539 --> 00:13:45.740 Chalamet. I did, yeah. But that's the good thing. 00:13:45.799 --> 00:13:48.419 He's done such a great job. I hate him. How can 00:13:48.419 --> 00:13:51.120 you say that this is the most successful one? 00:13:51.279 --> 00:13:54.279 Like, you think A24, they've done. Well, it's 00:13:54.279 --> 00:13:56.139 the biggest box office out of any of them. Oh, 00:13:56.139 --> 00:14:00.759 okay. Because Ex Machina didn't go to cinema, 00:14:00.860 --> 00:14:03.750 did it? No. Because that was incredible. Have 00:14:03.750 --> 00:14:05.649 you ever seen Ex Machina? No, I haven't. Oh, 00:14:05.649 --> 00:14:09.009 my God. I'm just stating the facts. It's their 00:14:09.009 --> 00:14:10.950 biggest budget and it's their biggest return. 00:14:12.549 --> 00:14:14.409 And did you ever see the other movie they made 00:14:14.409 --> 00:14:17.470 called Swiss Army Man? Daniel Radcliffe. I haven't 00:14:17.470 --> 00:14:18.529 seen it. I don't know what you're talking about. 00:14:18.669 --> 00:14:20.730 You need to watch that film. It is absolutely 00:14:20.730 --> 00:14:24.409 incredible. I do love what A24 is doing, man. 00:14:24.529 --> 00:14:27.629 They're just pumping out. Fucking sick films. 00:14:27.889 --> 00:14:30.159 Sick films. And even when I. I don't like them. 00:14:30.159 --> 00:14:33.379 I appreciate what they're doing. Yes. Even this, 00:14:33.480 --> 00:14:35.639 I don't like the movie. I appreciate what they've 00:14:35.639 --> 00:14:39.259 done here. It looks sensational. I think if the. 00:14:39.639 --> 00:14:43.480 Hereditary was A24 as well. Yeah. Yeah. I think 00:14:43.480 --> 00:14:48.620 if the soundtrack had more like brass, big band 00:14:48.620 --> 00:14:52.740 style. Yes. Yep. Probably would have been better, 00:14:52.799 --> 00:14:57.090 but the synth took me out. I'm like, oh. Oh, 00:14:57.110 --> 00:14:59.730 why are we getting modern music? But here's a 00:14:59.730 --> 00:15:02.730 couple of things I read. They did The Lighthouse. 00:15:03.129 --> 00:15:07.590 Yeah. I think they've done all of fucking Eggers 00:15:07.590 --> 00:15:12.129 movies. Yeah, dude. Watch Eggers movies. Don't 00:15:12.129 --> 00:15:15.899 tell me what to do. So the first paramedics that 00:15:15.899 --> 00:15:18.100 were ever established in New York, in the Bronx 00:15:18.100 --> 00:15:21.059 specifically, was in 1974, despite the fact that 00:15:21.059 --> 00:15:22.840 they say, get the ambulance here for our mate 00:15:22.840 --> 00:15:25.899 when he fell through the fucking roof, which 00:15:25.899 --> 00:15:27.879 was fucking gnarly. I did not expect that to 00:15:27.879 --> 00:15:31.480 happen. Fucking poor dog. Another inconsistency 00:15:31.480 --> 00:15:35.500 was the menu at the Ritz in London should have 00:15:35.500 --> 00:15:38.720 been in pounds, shillings and pence. It wasn't. 00:15:38.720 --> 00:15:42.070 It was in decimals or whatever it's called. And 00:15:42.070 --> 00:15:45.090 when he says, I'll rip your unibrow off in the 00:15:45.090 --> 00:15:48.450 pool hall or whatever it is, unibrow was coined 00:15:48.450 --> 00:15:54.429 in the 80s. So some inconsistencies that were 00:15:54.429 --> 00:15:57.230 only, I didn't realise them in the time I found 00:15:57.230 --> 00:15:58.470 this out. I wouldn't have realised that either. 00:15:59.409 --> 00:16:04.009 Look, I love that Drift King sticker. I don't, 00:16:04.009 --> 00:16:09.350 I love this for art's sake. When you go to an 00:16:09.350 --> 00:16:10.690 art gallery and you look at things, you're like, 00:16:10.730 --> 00:16:12.549 oh, that looks incredible. You go to something 00:16:12.549 --> 00:16:14.330 else, you're like, oh, that looks weird. But 00:16:14.330 --> 00:16:16.029 you look closer and you see the brush strokes 00:16:16.029 --> 00:16:17.970 and the way it's been built up and see all that 00:16:17.970 --> 00:16:21.629 sort of shit. 100%. You might not like what it's 00:16:21.629 --> 00:16:24.110 about, but you like what effort's been put in. 00:16:24.129 --> 00:16:25.970 Exactly. That's what I'm like with this film. 00:16:26.169 --> 00:16:29.409 I will never watch it again. Unless Steph wants 00:16:29.409 --> 00:16:35.090 to watch it. Oh, the way I – mother effer. We're 00:16:35.090 --> 00:16:37.350 going to talk about it after. But the way I watched 00:16:37.350 --> 00:16:41.049 Frankenstein. So Rachel was watching something 00:16:41.049 --> 00:16:42.769 in bed. I'm like, fuck, I don't want to watch 00:16:42.769 --> 00:16:44.809 it. I hate watching true crime about kids. I 00:16:44.809 --> 00:16:46.850 fucking hate it. So I'm like, babe, I'm going 00:16:46.850 --> 00:16:48.909 to go to my room and I'm going to watch Frankenstein. 00:16:50.309 --> 00:16:53.649 Do not regret it. That movie is fucking amazingly 00:16:53.649 --> 00:16:56.350 beautiful, gorgeous, sexy, fucking the whole 00:16:56.350 --> 00:16:58.230 shebang deal. We'll talk about it in a sec. Let 00:16:58.230 --> 00:17:00.450 me, is there anything I want to say about this 00:17:00.450 --> 00:17:03.639 before we go on to that? That's about as much 00:17:03.639 --> 00:17:05.559 time as I'm willing to kind of put on this movie. 00:17:05.900 --> 00:17:08.440 Agreed. Yeah, agreed. It's good. If he's going 00:17:08.440 --> 00:17:10.460 to watch it, great. Go ahead. Tell us what you 00:17:10.460 --> 00:17:12.700 think about it. We really want to hear what fucking 00:17:12.700 --> 00:17:14.319 other people think about the movies as well because 00:17:14.319 --> 00:17:16.319 I look at things with a completely different 00:17:16.319 --> 00:17:17.599 eye than you, so I want to hear what you've got 00:17:17.599 --> 00:17:20.059 to say. Yeah, it's good. It's not great. That's 00:17:20.059 --> 00:17:23.059 a personal opinion. I don't like that frantic 00:17:23.059 --> 00:17:25.700 kind of energy that they did with Uncut Gems. 00:17:25.740 --> 00:17:29.640 I didn't like that either. And that's the thing 00:17:29.640 --> 00:17:31.759 too. It's fucking bang, bang, bang, bang, bang, 00:17:31.759 --> 00:17:33.279 bang, bang. It's going to happen over the space 00:17:33.279 --> 00:17:36.460 of a 48 -hour period. This happens over the space 00:17:36.460 --> 00:17:38.980 of like eight weeks or something. Yeah. So many 00:17:38.980 --> 00:17:41.880 things go wrong. Such a short period of time. 00:17:42.099 --> 00:17:45.380 And it's just everything goes wrong. Yeah. Okay. 00:17:45.519 --> 00:17:47.940 You kind of get bored of it. Even to the point 00:17:47.940 --> 00:17:51.220 when he's stealing a necklace. Yeah. It's fucking 00:17:51.220 --> 00:17:53.680 costume jewelry, bro. She's an actor. Deal with 00:17:53.680 --> 00:17:55.019 it. That was pretty funny. It's actually hilarious. 00:17:55.819 --> 00:18:00.420 But yeah, give it a watch. I reckon it's worth 00:18:00.420 --> 00:18:02.420 a watch. Oh, I'm not recommending people watch 00:18:02.420 --> 00:18:07.579 it. If you like uncut gems, watch it. Yeah, I 00:18:07.579 --> 00:18:09.920 don't want people to hate me. I like uncut gems. 00:18:10.680 --> 00:18:13.519 That's the weird thing. You hated it. I did, 00:18:13.559 --> 00:18:17.500 yeah. I didn't mind uncut gems. But I think, 00:18:17.519 --> 00:18:22.799 like I said, I love Adam Sandler. Even when he 00:18:22.799 --> 00:18:26.259 did Jack and Jill, I could see what he was trying 00:18:26.259 --> 00:18:28.720 to do. Yeah. Failed miserably because that movie 00:18:28.720 --> 00:18:31.279 is just a whole fucking stealing me a pile of 00:18:31.279 --> 00:18:37.619 crap. But this had no redeeming qualities. No, 00:18:37.660 --> 00:18:41.359 that's true. So Frankenstein, it is another best 00:18:41.359 --> 00:18:44.019 nominated picture for the Oscars. If it don't 00:18:44.019 --> 00:18:48.880 win, if fucking Marty Supreme wins over Frankenstein, 00:18:48.880 --> 00:18:53.019 because let's face it, the set designs in that 00:18:53.019 --> 00:18:58.369 fucking thing. They build that ship. Bro. Bro, 00:18:58.529 --> 00:19:02.990 that castle, holy shit. That laboratory, holy 00:19:02.990 --> 00:19:08.089 shit. The costume, holy shit. That ship, holy 00:19:08.089 --> 00:19:11.829 shit. That whole movie was me going, wow. Okay, 00:19:11.930 --> 00:19:15.430 so a few facts if you don't know. Hang on! I 00:19:15.430 --> 00:19:19.750 made sure, I started watching it on me TV. I'm 00:19:19.750 --> 00:19:22.609 like, fuck this. I went out and got me meta headset, 00:19:22.869 --> 00:19:26.599 put that on. 300 -meter fucking screen, dude, 00:19:26.660 --> 00:19:29.940 and I watched it with an erection. You can continue 00:19:29.940 --> 00:19:33.000 in a second. It was stunning. Directed by Guillermo 00:19:33.000 --> 00:19:37.099 del Toro. Guillermo del Toro. Netflix bankrolled 00:19:37.099 --> 00:19:38.819 it, I think, or at least bought it. Netflix original. 00:19:39.819 --> 00:19:43.279 It stars Oscar Isaac, Jacob Elordi, or is it 00:19:43.279 --> 00:19:48.059 Elodie? Elodie. Elodie. Mia Gough. Mia Gough. 00:19:48.480 --> 00:19:53.220 Okay. Okay. This movie sold me on Mia Gough, 00:19:53.240 --> 00:19:58.160 man. Now, she was great in Marabone, but this, 00:19:58.160 --> 00:20:00.799 mate, she fucking shows chops. When she slaps 00:20:00.799 --> 00:20:02.839 Oscar Isaac and she says, get out of my room, 00:20:03.059 --> 00:20:05.759 you fucking felt that shit, that anger, that 00:20:05.759 --> 00:20:14.160 hatred. This movie done for me what Marty Supreme 00:20:14.160 --> 00:20:17.339 failed to do. The main antagonist is a fucking 00:20:17.339 --> 00:20:21.900 prick. Isn't he? And you hate his guts. But. 00:20:22.819 --> 00:20:24.960 there's parts where you want to champion for 00:20:24.960 --> 00:20:28.099 him. True. And you feel a way about him. You're 00:20:28.099 --> 00:20:29.759 not just, oh, fuck, this bloke's annoying as 00:20:29.759 --> 00:20:31.420 shit and want to fucking stab yourself in the 00:20:31.420 --> 00:20:34.720 eye with a pen. So in the book, you know, he 00:20:34.720 --> 00:20:38.000 has a complex relationship with the monster. 00:20:38.079 --> 00:20:40.940 He kind of, his whole life works up to this. 00:20:41.099 --> 00:20:45.440 He makes this monster for creation. Turns out 00:20:45.440 --> 00:20:49.140 he thinks it's a monster. It's not quite as abrupt, 00:20:49.359 --> 00:20:53.299 his dislike for this thing. in the books. But 00:20:53.299 --> 00:20:56.559 in the movie, it's almost instantaneous. As soon 00:20:56.559 --> 00:20:58.779 as he locks him downstairs. Yeah. That's what 00:20:58.779 --> 00:21:01.279 I like about Oscar Isaac. He plays a great lovable 00:21:01.279 --> 00:21:05.119 character and, man, he can be a cunt. I agree. 00:21:05.279 --> 00:21:07.480 And that's why he's in Ex Machina, which will 00:21:07.480 --> 00:21:09.380 bring me back around to this. In Ex Machina, 00:21:09.500 --> 00:21:12.299 it's very much Victor Frankenstein. Oh, really? 00:21:12.420 --> 00:21:15.900 Yeah, okay. Because he's taken this android and 00:21:15.900 --> 00:21:18.319 he's given it AI and he's given it feelings and 00:21:18.319 --> 00:21:20.420 he's given it emotion and he's given it reasoning 00:21:20.420 --> 00:21:22.779 and all that sort of shit. And again, it's locked 00:21:22.779 --> 00:21:25.900 up in a fucking glass cage and a reporter comes 00:21:25.900 --> 00:21:29.819 to do a report on this thing. Very similar movie 00:21:29.819 --> 00:21:33.920 but a more modern realisation. Speaking about 00:21:33.920 --> 00:21:35.859 Mia Goth, I like that they put eyebrows on her 00:21:35.859 --> 00:21:38.500 and she's almost unrecognisable as the mother. 00:21:38.619 --> 00:21:42.059 She is absolutely beautiful, dude. I thought 00:21:42.059 --> 00:21:44.980 she was so weird looking but she is absolutely 00:21:44.980 --> 00:21:48.910 stunning and can fucking... Yeah, man. You watch 00:21:48.910 --> 00:21:57.750 ex -Maxine Pearl. Yeah. Yeah. She is good. Yeah, 00:21:57.750 --> 00:22:03.329 right. Yeah, Marabone, like I'd seen, I'd heard 00:22:03.329 --> 00:22:05.769 about her. She didn't have much to do in Marabone. 00:22:05.809 --> 00:22:08.549 She didn't say much. She was really muted. No, 00:22:08.769 --> 00:22:10.910 but she played a really good part. Like she played 00:22:10.910 --> 00:22:14.250 that part. She stuck in her lane. Yep. And like 00:22:14.250 --> 00:22:18.049 fulfilled that role. Yeah. Yeah, I think she's 00:22:18.049 --> 00:22:20.890 really good. Oh, dude, got chops. Yeah. But, 00:22:20.930 --> 00:22:23.710 yeah, this movie sold me on me a golf, man. Fuck 00:22:23.710 --> 00:22:30.250 me dead. So good. Jacob Elody, man. The first 00:22:30.250 --> 00:22:34.750 scene you see is just him screaming, Victor! 00:22:35.650 --> 00:22:38.529 And you're like, they put a reverberation in 00:22:38.529 --> 00:22:41.710 it in post. Yep. And it gets that real gah, that 00:22:41.710 --> 00:22:45.000 guttural fucking scream. And it sounded so. Haunting 00:22:45.000 --> 00:22:47.619 dude. Fuck yeah. Like he was so heartbroken. 00:22:47.619 --> 00:22:49.920 He's just like, I'm going to destroy you. Yeah. 00:22:50.960 --> 00:22:54.700 And just the power. The power of it was so fucking 00:22:54.700 --> 00:23:00.259 good. Yeah. Just Elodie's presence in this was 00:23:00.259 --> 00:23:05.240 sensational. Fucking graphic. Yeah. Graphic. 00:23:05.240 --> 00:23:08.480 Yeah. All the anatomy stuff. All the anatomy 00:23:08.480 --> 00:23:11.839 stuff. And it looks so fucking good. And it was 00:23:11.839 --> 00:23:15.710 all there. Like that was. The body with its back 00:23:15.710 --> 00:23:18.230 spread open, fucking pinned down and shit, that 00:23:18.230 --> 00:23:20.349 was fucking gnarly. Like when he's filleting 00:23:20.349 --> 00:23:22.130 the hand and he's pulling on the tendons and 00:23:22.130 --> 00:23:26.849 the fingers are like. Mm -hmm. It's just even 00:23:26.849 --> 00:23:30.509 everything down to the hand -drawn anatomy books, 00:23:30.630 --> 00:23:34.650 man. Yep. Gorgeous. Stunning. He don't, Guillermo 00:23:34.650 --> 00:23:37.710 del Toro does not miss. No, he doesn't. Gorgeous. 00:23:37.869 --> 00:23:39.630 Stunning. I can't say enough good things about 00:23:39.630 --> 00:23:44.450 this movie, man. And if it gets beaten. by fucking 00:23:44.450 --> 00:23:48.430 Marty Supreme. I still don't think either of 00:23:48.430 --> 00:23:49.930 them are going to get Best Picture. I think it's 00:23:49.930 --> 00:23:54.369 going to Sinners. No. No way. I suppose he is 00:23:54.369 --> 00:24:00.630 of that persuasion. No, I just mean as a picture 00:24:00.630 --> 00:24:02.829 as a whole, I think it is a better well put together 00:24:02.829 --> 00:24:05.609 picture. You think Sinners is better than Frankenstein? 00:24:05.750 --> 00:24:09.849 Yeah. No, fuck off. Yeah. No, you're wrong. You're 00:24:09.849 --> 00:24:11.769 so fucking wrong. Frankenstein was beautiful, 00:24:11.910 --> 00:24:14.990 but at points it felt a little bit rushed and 00:24:14.990 --> 00:24:20.130 then almost like it was the cut was a little 00:24:20.130 --> 00:24:22.630 abrupt in the way it was put together at the 00:24:22.630 --> 00:24:28.430 end. It wasn't horrible. It was long. It could 00:24:28.430 --> 00:24:30.269 have been longer. It could have been longer. 00:24:30.309 --> 00:24:32.609 I do agree with you there that it seemed rushed. 00:24:32.710 --> 00:24:36.589 Like you see like chapter one is the creator's 00:24:36.589 --> 00:24:41.119 tale. And then chapter two is the creation's 00:24:41.119 --> 00:24:44.619 tale. The creation's tale goes for 15 minutes. 00:24:46.099 --> 00:24:48.380 The creator's tale goes for an hour and 40 minutes. 00:24:48.559 --> 00:24:53.400 Yeah. I wanted to hear more about what the creation 00:24:53.400 --> 00:24:56.079 had been doing. And that, dude, that scene with 00:24:56.079 --> 00:24:58.420 the blind man, that whole fucking storyline with 00:24:58.420 --> 00:25:00.859 the blind man. It was beautiful. Gorgeous. Just 00:25:00.859 --> 00:25:05.759 absolutely gorgeous. Yeah. It fucking broke my 00:25:05.759 --> 00:25:08.640 heart. Legit broke my heart when the wolves came. 00:25:08.740 --> 00:25:10.319 As soon as he walked back and you see the wolves, 00:25:10.420 --> 00:25:13.640 my heart just sank. And I'm like, oh, no. And 00:25:13.640 --> 00:25:19.000 Jacob Elliott, he does such a great fucking job 00:25:19.000 --> 00:25:21.599 under all that prosthetic, under all that makeup. 00:25:21.700 --> 00:25:25.119 Sometimes his face is covered by a shawl. But 00:25:25.119 --> 00:25:27.259 just the emotion that he's conveying in his eyes, 00:25:27.359 --> 00:25:29.240 man, and that little glint he always gets in 00:25:29.240 --> 00:25:33.700 the left eye. It's like it's a hollow eye or 00:25:33.700 --> 00:25:35.299 something but there's a glint in it and it's 00:25:35.299 --> 00:25:37.039 just this tiniest touch but it happens every 00:25:37.039 --> 00:25:39.480 once in a while and it's just enough to go, hang 00:25:39.480 --> 00:25:41.700 on a minute, he's really looking deep into the 00:25:41.700 --> 00:25:46.539 person that he's talking to. I could blow this 00:25:46.539 --> 00:25:50.740 movie all day, man. I could just blow Guillermo 00:25:50.740 --> 00:25:54.779 del Toro, man, legit. Elordi, I think he has 00:25:54.779 --> 00:25:59.029 chops, man. The size and the scale of him too 00:25:59.029 --> 00:26:03.430 was really cool. I think he's 6 '5". Yeah. And 00:26:03.430 --> 00:26:06.029 I loved how it was a different take. Like it 00:26:06.029 --> 00:26:07.329 wasn't, oh, we're going to chop the head off 00:26:07.329 --> 00:26:09.009 somebody and then put a head on. We're not going 00:26:09.009 --> 00:26:10.910 to chop an arm off and put an arm on. It was 00:26:10.910 --> 00:26:13.450 like different muscle fibres were taken from 00:26:13.450 --> 00:26:16.930 a different person. Yeah. He had hundreds of 00:26:16.930 --> 00:26:18.789 bodies there, man, just cutting bits and pieces 00:26:18.789 --> 00:26:21.130 off them. Just sending them down the fucking 00:26:21.130 --> 00:26:23.910 hole in the middle. It was a fucking churnal 00:26:23.910 --> 00:26:28.039 fucking house downstairs. Fucking went on my 00:26:28.039 --> 00:26:30.859 Christoph Waltz falls down that funnel. Oh, dude. 00:26:31.099 --> 00:26:33.200 And then he picks his head up off the floor. 00:26:33.259 --> 00:26:37.400 I'm like, oh, my God. Stuck there. Fucking what? 00:26:37.720 --> 00:26:42.460 Fuck it before it gets cold. But, dude, I really, 00:26:42.539 --> 00:26:45.539 really loved this movie. I got so emotional. 00:26:48.180 --> 00:26:51.819 I really, really, really, really, I just, I could 00:26:51.819 --> 00:26:54.980 watch, I could watch. Jake Abelity walk around 00:26:54.980 --> 00:26:57.259 in that costume and just watch what he does with 00:26:57.259 --> 00:27:02.200 his adventures. It was gorgeous. And I don't 00:27:02.200 --> 00:27:04.019 know why it took me so fucking long to watch 00:27:04.019 --> 00:27:07.279 it. What would you give it out of five? Five, 00:27:07.279 --> 00:27:11.720 man. Whoa. Five. Five. That's big. It's perfect. 00:27:12.180 --> 00:27:15.299 The performances, brilliant. The writing, brilliant. 00:27:15.500 --> 00:27:17.859 The sound, brilliant. The special effects, brilliant. 00:27:17.940 --> 00:27:22.200 The set design, brilliant. The only weak thing 00:27:22.200 --> 00:27:25.440 I could say. Is it, I wish it was more 50 -50 00:27:25.440 --> 00:27:27.980 The Creator's Tale, 50 -50 The Creation's Tale? 00:27:28.240 --> 00:27:34.059 Mm -hmm. Yeah. I gave it three and a half. I 00:27:34.059 --> 00:27:37.180 thought it was great. I did. You do realise you 00:27:37.180 --> 00:27:39.019 just give a movie that we didn't like two and 00:27:39.019 --> 00:27:44.359 a half. No, I did. Your score is so fucked. Like 00:27:44.359 --> 00:27:46.799 I said. I think we need to do it at ten. No. 00:27:46.940 --> 00:27:52.579 I didn't hate Mighty Supreme. I hated the character. 00:27:53.079 --> 00:27:56.680 The movie was well done. That's why it's right 00:27:56.680 --> 00:28:00.759 down the middle. But the movie last week was 00:28:00.759 --> 00:28:02.839 right down the middle. No, I gave it three last 00:28:02.839 --> 00:28:04.180 week. That's right down the middle. No, it's 00:28:04.180 --> 00:28:05.779 not. Two and a half is right down the middle. 00:28:06.319 --> 00:28:09.079 It was slightly above average last week. I reckon 00:28:09.079 --> 00:28:10.920 we should move it to ten stars. No. People, do 00:28:10.920 --> 00:28:12.259 you think we should go to ten stars? Comment 00:28:12.259 --> 00:28:13.779 down below. Let us know. We started on five. 00:28:13.859 --> 00:28:16.180 We can't go moving the fucking goalpost now. 00:28:16.279 --> 00:28:19.079 We can. No. Season two will go to ten stars. 00:28:19.160 --> 00:28:23.049 Ten stars, season two. No. Fuck, man. Why do 00:28:23.049 --> 00:28:26.869 I always get zicked on this? Zicked. Next. Because 00:28:26.869 --> 00:28:28.589 I think I came up with it and we're not changing 00:28:28.589 --> 00:28:31.529 it. I think it's shit, though. Five stars is 00:28:31.529 --> 00:28:34.849 terrible. That's not. Can we at least go .75s 00:28:34.849 --> 00:28:38.750 and shit and .9s? No. Fuck! It gives you something 00:28:38.750 --> 00:28:40.470 to work with. Yeah, okay. I'm going to give you 00:28:40.470 --> 00:28:42.230 something to work with. I want you to mute out 00:28:42.230 --> 00:28:43.569 every swear word that comes up on the show. No, 00:28:43.569 --> 00:28:45.369 that's not going to happen. Fuck you. Fuck you. 00:28:46.359 --> 00:28:49.539 This is something. The whole fucking show is 00:28:49.539 --> 00:28:54.920 like, Frankenstein. Frankenstein. Yeah, I thought 00:28:54.920 --> 00:28:57.559 it was a great show, but it was just like, I 00:28:57.559 --> 00:29:00.339 think the final cut was slightly disjointed. 00:29:00.519 --> 00:29:05.859 Yeah. And that's where Marty Supreme kind of 00:29:05.859 --> 00:29:07.519 flowed throughout the whole thing, even though 00:29:07.519 --> 00:29:12.519 I did not like the franticness of it, but it 00:29:12.519 --> 00:29:15.779 flowed. and it was well pieced together. This 00:29:15.779 --> 00:29:18.400 was kind of missing that. It was a good story, 00:29:18.480 --> 00:29:23.240 just wasn't kind of executed as well as I thought 00:29:23.240 --> 00:29:26.240 it should be. And then some of the pieces, the 00:29:26.240 --> 00:29:31.660 set pieces, either didn't look quite finished 00:29:31.660 --> 00:29:37.140 or they were, I don't know, it was missing a 00:29:37.140 --> 00:29:41.079 little bit of grit to it or some of them weren't. 00:29:41.500 --> 00:29:46.119 Some of it looked like a sci -fi movie or a - 00:29:46.119 --> 00:29:48.920 How else are you going to fucking convey someone's 00:29:48.920 --> 00:29:52.059 harnessing lightning to bring somebody back from 00:29:52.059 --> 00:29:56.640 the dead? No, that was good. That was good. How 00:29:56.640 --> 00:30:00.799 do I put it? It kind of looked like a CW. Thank 00:30:00.799 --> 00:30:05.759 you. You know how the CW was kind of like went 00:30:05.759 --> 00:30:09.079 dark but it was like really light in colours 00:30:09.079 --> 00:30:14.109 and you could see everything? The contrast needed 00:30:14.109 --> 00:30:15.970 to be pumped right up so there was a lot more 00:30:15.970 --> 00:30:18.849 darkness to hide some of the imperfections of 00:30:18.849 --> 00:30:23.670 some of the set pieces. It was like the brightness 00:30:23.670 --> 00:30:26.190 was turned up in it. Maybe it could have been 00:30:26.190 --> 00:30:29.630 your TV. I don't think it was. If you go into 00:30:29.630 --> 00:30:32.130 your TV settings, there's these settings called 00:30:32.130 --> 00:30:37.730 like… brightness settings and contrast settings 00:30:37.730 --> 00:30:39.230 and stuff. If you fuck around with that, you 00:30:39.230 --> 00:30:43.509 can make it look however you want. Mine's on 00:30:43.509 --> 00:30:48.549 default for every movie, so I don't. It just 00:30:48.549 --> 00:30:51.670 wasn't quite perfect. I'm going to say something 00:30:51.670 --> 00:30:53.089 to you and you're probably going to hate it. 00:30:53.910 --> 00:30:57.930 I agree. It was bright. Yeah. It was quite bright. 00:30:58.069 --> 00:31:00.109 Yeah. I mean, I don't hate you for saying that. 00:31:00.190 --> 00:31:02.690 But if you really resonated with this, I can 00:31:02.690 --> 00:31:04.329 understand why you like it a lot more than I 00:31:04.329 --> 00:31:08.569 do. I really loved it. I do agree with you. It 00:31:08.569 --> 00:31:11.730 was very bright. Even the shit, the scenes in 00:31:11.730 --> 00:31:15.829 the dark at night, that room was so well fucking 00:31:15.829 --> 00:31:18.490 lit, bro. Yeah. There was a lot of ambient light. 00:31:18.549 --> 00:31:20.589 Yeah. It probably shouldn't have been that well 00:31:20.589 --> 00:31:24.349 lit. Yeah, I don't know. I think. We watched 00:31:24.349 --> 00:31:27.769 a movie the other week and I said that the person 00:31:27.769 --> 00:31:30.470 used actual lighting for it. What movie was that? 00:31:30.670 --> 00:31:33.190 So they did that for Marrowbone and they did 00:31:33.190 --> 00:31:35.609 it for the movie we watched last week, which 00:31:35.609 --> 00:31:39.910 was Begonia. Begonia. I think if you use just 00:31:39.910 --> 00:31:42.509 natural light, candle light, he needed to be 00:31:42.509 --> 00:31:46.789 walking around with a candle more. I don't think 00:31:46.789 --> 00:31:48.569 I've ever seen him walking around with a fucking 00:31:48.569 --> 00:31:51.430 candle. It was like they had solar power or there 00:31:51.430 --> 00:31:54.549 was a Tesla plugged in down the shed. They had 00:31:54.549 --> 00:31:57.529 power. Yeah. There was no candles. There was 00:31:57.529 --> 00:31:59.970 no blah, blah, blah. There was nothing like vampires 00:31:59.970 --> 00:32:01.750 don't see, blah, blah, blah. There was nothing 00:32:01.750 --> 00:32:03.990 like that. Yeah, give me more shadow work. Yeah. 00:32:03.990 --> 00:32:09.430 Oi! Now we're talking. Watch Nosferatu. Look, 00:32:09.490 --> 00:32:11.369 I love, and that's the thing I love about the 00:32:11.369 --> 00:32:12.930 old black and grey movies, the old black and 00:32:12.930 --> 00:32:17.759 white movies. Werewolf by Night killed it with 00:32:17.759 --> 00:32:19.720 that. Yeah. Like the shadow playing that was 00:32:19.720 --> 00:32:22.720 sensational. I think that's what silver screen 00:32:22.720 --> 00:32:26.420 movies really, really, really aced. Yeah. 100%. 00:32:26.420 --> 00:32:29.680 But this movie, this movie I will watch again. 00:32:29.819 --> 00:32:32.180 Yeah. I will watch it again. I'll watch it again. 00:32:32.279 --> 00:32:36.359 Yeah. It was good. Yeah. Okay. Maybe it was a 00:32:36.359 --> 00:32:39.059 bit, maybe I was a bit. Heavy handed with the 00:32:39.059 --> 00:32:40.880 five stars. Let's go four and a half. We'll go 00:32:40.880 --> 00:32:43.900 four and a half. I can accept that. We'll get 00:32:43.900 --> 00:32:45.839 four and a half. Dollar back to four and a half. 00:32:45.880 --> 00:32:47.920 Cut that five. We'll get four and a half. No, 00:32:47.980 --> 00:32:50.240 we'll have this discussion and we'll get you 00:32:50.240 --> 00:32:54.079 back down there. It's fine. What? I'll maintain 00:32:54.079 --> 00:32:56.539 this discussion. You can say five and then we'll 00:32:56.539 --> 00:32:57.900 get back down to four and a half. Then it makes 00:32:57.900 --> 00:32:59.980 me look like a liar. No, it doesn't. No, it doesn't. 00:33:00.700 --> 00:33:08.799 Look, I don't know whether it was because of. 00:33:09.450 --> 00:33:13.609 my fucking fandom of Guillermo del Toro, but 00:33:13.609 --> 00:33:15.990 I think I looked at this with rose -coloured 00:33:15.990 --> 00:33:22.589 glasses a little bit. I really loved the concept 00:33:22.589 --> 00:33:28.579 that they did with the creature. Yeah. He was 00:33:28.579 --> 00:33:32.700 fantastic. And, like, even what a body brought 00:33:32.700 --> 00:33:35.980 to it with the hand movements. Yeah, it was always. 00:33:36.279 --> 00:33:38.119 Kind of interesting, like he wasn't comfortable 00:33:38.119 --> 00:33:40.920 in his own body. Every body part was doing its 00:33:40.920 --> 00:33:44.400 own little thing because it's just them little 00:33:44.400 --> 00:33:47.019 fucking nuances, them little touches that just 00:33:47.019 --> 00:33:49.640 elevate it and made it great. His dreams of dead 00:33:49.640 --> 00:33:51.839 men and not being comfortable in his own body. 00:33:51.920 --> 00:33:53.880 And they were always different dreams. Yeah. 00:33:54.319 --> 00:33:57.500 Fuck yeah. I really loved it. I can look past 00:33:57.500 --> 00:33:59.700 its imperfections and still really enjoy this 00:33:59.700 --> 00:34:03.799 movie. Yeah. Oh, dude, I'm the same with – there's 00:34:03.799 --> 00:34:06.039 movies that have lots of problems, like Ready 00:34:06.039 --> 00:34:08.300 Player One. I'll still watch Ready Player One 00:34:08.300 --> 00:34:12.340 every week. Even though there's so many glaring 00:34:12.340 --> 00:34:14.639 holes in it, there's so much – because I love 00:34:14.639 --> 00:34:18.000 the book so much, I find so many holes in it. 00:34:19.559 --> 00:34:21.699 I still watch it every week. I'd rather listen 00:34:21.699 --> 00:34:23.920 to that book once a week than watch the movie. 00:34:23.960 --> 00:34:33.079 100%. I do too, but 16 and a half hours or an 00:34:33.079 --> 00:34:37.719 hour and 45 minutes. Well, that's what I thought 00:34:37.719 --> 00:34:41.559 about Marty Supreme. Yep. Well, you got two for 00:34:41.559 --> 00:34:43.800 one this week. Oh, dude, I've been wanting to 00:34:43.800 --> 00:34:45.619 talk to you about Frankenstein since I watched 00:34:45.619 --> 00:34:49.849 it. Good. Fuck, dude. All right, guys. Thanks 00:34:49.849 --> 00:34:51.670 for joining us this week for Week in Review. 00:34:52.469 --> 00:34:55.050 Please like, comment, subscribe. Get into Jeremy's 00:34:55.050 --> 00:34:56.929 ears about the 10 -star system. I think we should 00:34:56.929 --> 00:35:00.449 really implement that coming into Season 2. We 00:35:00.449 --> 00:35:01.489 were actually talking about it earlier. We've 00:35:01.489 --> 00:35:02.949 got some big surprises coming for Season 2, so 00:35:02.949 --> 00:35:04.570 everybody tune in. It's going to be fun as shit. 00:35:04.949 --> 00:35:06.309 Love, peace, chicken grease. Bye.