WEBVTT 00:00:00.000 --> 00:00:01.879 From the dungeons of Morningstar, my name is 00:00:01.879 --> 00:00:04.940 Clint. And I'm Stretch, and this is Prevailing 00:00:04.940 --> 00:00:19.140 Strange. Welcome back guys to our week in review, 00:00:19.339 --> 00:00:21.140 a segment of Prevailing Strange where we get 00:00:21.140 --> 00:00:22.839 to talk about some of the content that we've 00:00:22.839 --> 00:00:24.839 checked out this week. If you like what we're 00:00:24.839 --> 00:00:26.399 doing here, guys, please like, comment, subscribe, 00:00:26.559 --> 00:00:28.379 follow along, share us around to your friends, 00:00:28.440 --> 00:00:31.120 family, and loved ones. Love, peace, drink, grace. 00:00:31.239 --> 00:00:34.159 So this week we checked out Train Dreams, which 00:00:34.159 --> 00:00:38.140 is on Netflix. We're kind of going on the Oscar 00:00:38.140 --> 00:00:40.259 -nominated best pictures at the moment, a little 00:00:40.259 --> 00:00:45.700 bit of a run. So this is not only nominated for 00:00:45.700 --> 00:00:48.619 best picture, it's also nominated for best cinematography. 00:00:49.219 --> 00:00:53.079 Dude. It's also nominated for, I've got it written 00:00:53.079 --> 00:00:57.840 down here, Best Adapted Screenplay and Best Original 00:00:57.840 --> 00:01:01.979 Song for Train Dreams by Nick Cave. It is directed 00:01:01.979 --> 00:01:05.959 by Clint Bentley. He's only got one other movie 00:01:05.959 --> 00:01:08.079 out besides this called Jockey, which was his 00:01:08.079 --> 00:01:11.319 debut. I don't know anything about it. But it 00:01:11.319 --> 00:01:15.060 stars Joel Edgerton as Robert Grainer, Felicity 00:01:15.060 --> 00:01:19.340 Jones as his wife, Gladys, William H. Macy. Yeah. 00:01:20.150 --> 00:01:24.209 Carrie Condon, sorry, as Claire, and Will Patton 00:01:24.209 --> 00:01:27.450 as the narrator. Is it just me or could you listen 00:01:27.450 --> 00:01:30.709 to Will Patton talk? I could. All the time. The 00:01:30.709 --> 00:01:34.549 first time I ever seen him in a movie was in 00:01:34.549 --> 00:01:39.329 Remember the Titans. Yep, as a side coach. Yeah. 00:01:39.370 --> 00:01:42.769 He's been in heaps of TV too. So much. His voice 00:01:42.769 --> 00:01:47.340 is so. It's just so relaxing, dude. Dulcet tones. 00:01:47.579 --> 00:01:50.920 And as the narrator, man, he just kills it. And 00:01:50.920 --> 00:01:53.040 you can pick it as soon as he started talking, 00:01:53.140 --> 00:01:55.879 you know, Will Patton. So this is based on the 00:01:55.879 --> 00:02:00.040 novella by… Dennis Johnson. Dennis Johnson, yes. 00:02:00.140 --> 00:02:03.219 And the audio book is actually read by Will Patton. 00:02:03.359 --> 00:02:07.640 Oh, really? Dude, great idea. That's a good thing, 00:02:07.640 --> 00:02:10.259 putting them, you know, crossing those two mediums. 00:02:10.340 --> 00:02:14.680 Yeah. I thought this movie was… Absolutely stunning. 00:02:15.259 --> 00:02:17.719 Wasn't it? So beautiful. The Vistas, man, were 00:02:17.719 --> 00:02:20.139 incredible. I thought it would be a bit divisive. 00:02:20.139 --> 00:02:22.199 I didn't know whether you would have liked it. 00:02:23.219 --> 00:02:25.780 Because I never read anything about it, I didn't 00:02:25.780 --> 00:02:28.340 watch the trailer, I went in completely blind 00:02:28.340 --> 00:02:31.300 with it. Same. I'm like, hang on a minute, what 00:02:31.300 --> 00:02:34.199 the fuck's going on here? And they opened up 00:02:34.199 --> 00:02:35.919 with, oh, you know, Greener was a logger. I'm 00:02:35.919 --> 00:02:37.379 like, oh, fuck, this is going to be boring as 00:02:37.379 --> 00:02:39.810 shit. That was one of the first notes I wrote 00:02:39.810 --> 00:02:41.849 down. Oh, no, what have I done as a narrator? 00:02:43.349 --> 00:02:46.949 This movie was stunning. Gorgeous. The story 00:02:46.949 --> 00:02:51.330 was a bit hit and miss for me, but at the same 00:02:51.330 --> 00:02:54.090 time I didn't want to turn it off. Last night 00:02:54.090 --> 00:02:56.729 I was so tired and I fell asleep about 25 minutes, 00:02:56.810 --> 00:03:00.129 30 minutes from the end, and I re -watched it 00:03:00.129 --> 00:03:03.229 today whilst I was tattooing. But the fact that 00:03:03.229 --> 00:03:05.550 Will Patton does such a great job narrating, 00:03:05.569 --> 00:03:08.319 you don't need to watch it. To know what's happening 00:03:08.319 --> 00:03:10.960 on the screen. Not really. Especially when, you 00:03:10.960 --> 00:03:13.599 know, like there's not a lot of dialogue, especially 00:03:13.599 --> 00:03:15.740 for the main character. At all. Exactly right. 00:03:15.819 --> 00:03:18.300 Because he's alone in a lot of this and it's 00:03:18.300 --> 00:03:23.419 just him living and reacting and being in his 00:03:23.419 --> 00:03:26.780 grief. Yeah. And some of those scenes, man, where 00:03:26.780 --> 00:03:29.780 he's just in his grief are heavy as shit. Aren't 00:03:29.780 --> 00:03:37.259 they? As dads. Mm -hmm. It hit really hard. You 00:03:37.259 --> 00:03:39.159 know, he was a logger. He's away from his family 00:03:39.159 --> 00:03:42.259 for months at a time. Spoilers, by the way, people. 00:03:42.539 --> 00:03:45.199 Yeah. He's away from his family months at a time. 00:03:45.259 --> 00:03:48.080 So when he gets back and he's like, he doesn't 00:03:48.080 --> 00:03:50.580 want to be away. No. But the fact that he is 00:03:50.580 --> 00:03:54.360 and it's the only way he can earn money, it's 00:03:54.360 --> 00:03:57.319 relatable, dude. Because, you know, we don't 00:03:57.319 --> 00:03:58.439 want to be away from our families all the time. 00:03:58.439 --> 00:04:00.259 Yeah, we don't want to spend time away from our 00:04:00.259 --> 00:04:03.719 kids. No, especially months. And you sit there 00:04:03.719 --> 00:04:06.030 and you look. And when they're doing the work 00:04:06.030 --> 00:04:07.710 that he's doing on his way, I'm like, man, I 00:04:07.710 --> 00:04:10.210 couldn't have lasted back then. No. Like they're 00:04:10.210 --> 00:04:12.830 cutting down trees bigger than this table by 00:04:12.830 --> 00:04:16.430 hand. Big redwoods. Yeah. When we spoke about 00:04:16.430 --> 00:04:18.389 it being a beautiful movie, it's not just the 00:04:18.389 --> 00:04:21.930 writing, the performances, the music, the scenery 00:04:21.930 --> 00:04:25.569 in this thing just chews it up. It is so beautiful. 00:04:25.930 --> 00:04:28.490 It's one of the heavy lifters, I think, is the 00:04:28.490 --> 00:04:31.269 scenery in this, just the cinematography. And 00:04:31.269 --> 00:04:33.879 that's the thing too. Clint Bentley used. All 00:04:33.879 --> 00:04:36.699 natural lighting. Yep. So the candles that we 00:04:36.699 --> 00:04:38.740 used, that was his form of lighting. They used 00:04:38.740 --> 00:04:42.980 real fire all the time. Like them scenes of things 00:04:42.980 --> 00:04:45.100 burning in his dreams and that were all real, 00:04:45.180 --> 00:04:47.800 man. Like they set fire to shit. So they actually 00:04:47.800 --> 00:04:50.379 used a digital medium because they only had a 00:04:50.379 --> 00:04:53.759 shoot of 29 days. Really? With a $10 million 00:04:53.759 --> 00:04:57.120 budget. Yep. So using film would have kind of 00:04:57.120 --> 00:04:59.620 chewed up a lot of time. Yep. A lot of resources. 00:05:00.060 --> 00:05:02.339 So they went digitally, which I think you can 00:05:02.339 --> 00:05:04.879 see. Because when I was watching it, I'm like, 00:05:04.980 --> 00:05:10.300 this is so clear. It's like a clear day after 00:05:10.300 --> 00:05:13.660 rain. This whole movie, it was fucking gorgeous. 00:05:14.980 --> 00:05:17.500 You're not bloody wrong. There's parts in it 00:05:17.500 --> 00:05:21.860 where I'm like, what is going on? There's that 00:05:21.860 --> 00:05:25.800 scene where the Asian man is. And I'm like, hang 00:05:25.800 --> 00:05:29.439 on a minute. why do you have that guilty conscience? 00:05:29.579 --> 00:05:31.459 Was it the fact that you didn't do enough to 00:05:31.459 --> 00:05:34.160 protect him, to save him or do any of that? Because 00:05:34.160 --> 00:05:36.699 through the whole movie, he's suffering grief 00:05:36.699 --> 00:05:39.680 in one form or another. Yeah. It's either mourning 00:05:39.680 --> 00:05:41.519 that dude and then mourning the fact that he 00:05:41.519 --> 00:05:44.720 didn't do enough or it's what happens later on 00:05:44.720 --> 00:05:47.879 in the film. But he does it, Joel Edgerton does 00:05:47.879 --> 00:05:51.100 it so well. Oh, yeah. And you're like, you sit 00:05:51.100 --> 00:05:53.160 there listening to him, you're like, oh, okay. 00:05:53.339 --> 00:05:56.319 You can literally hear it in his voice. I reckon 00:05:56.319 --> 00:05:58.420 he's such an underrated actor, dude. Definitely, 00:05:58.519 --> 00:06:03.199 definitely. He's really good in this. So the 00:06:03.199 --> 00:06:06.240 story kind of deals a lot with the themes of 00:06:06.240 --> 00:06:13.019 loss, hardship and regret, but also love, wonder 00:06:13.019 --> 00:06:16.620 and healing too, in a way. It's quite balanced, 00:06:16.800 --> 00:06:19.860 even though those hits are fucking hard hits. 00:06:19.860 --> 00:06:24.519 Oh, they hit you hard, bro. Yeah. I did get a 00:06:24.519 --> 00:06:28.019 bit confused towards the end with the timing. 00:06:28.680 --> 00:06:30.920 Yeah. Like it would have been nice to kind of 00:06:30.920 --> 00:06:35.319 have like how many years had passed or when things 00:06:35.319 --> 00:06:37.759 were happening because it was just kind of jumbled 00:06:37.759 --> 00:06:41.000 up towards the end. It was like, okay, we're 00:06:41.000 --> 00:06:43.519 going to show this time and it's going to be, 00:06:43.519 --> 00:06:45.779 you know, 45 minutes the movie is going to be 00:06:45.779 --> 00:06:48.639 shown over a six -year period. And then the other 00:06:48.639 --> 00:06:51.660 45 minutes the movie is going to be. 60 -year 00:06:51.660 --> 00:06:53.680 period, and you don't know when that changes 00:06:53.680 --> 00:06:58.040 up. No. There's a scene in it where I was like, 00:06:58.220 --> 00:07:06.600 oh, shit, they're still alive. Fuck off. And 00:07:06.600 --> 00:07:09.639 it was the scene prior to that which I thought 00:07:09.639 --> 00:07:12.279 was so gorgeously written when he's having the 00:07:12.279 --> 00:07:14.079 conversation with the lady that he's taking to 00:07:14.079 --> 00:07:18.079 the fire, the tower. Yep. And he's in there and 00:07:18.079 --> 00:07:21.149 he's like. I'm sorry if I get choked up here, 00:07:21.189 --> 00:07:23.089 but it's fucking heavy. This movie is beautiful. 00:07:23.850 --> 00:07:27.829 And he's like, sometimes I hear their voices 00:07:27.829 --> 00:07:30.350 and I don't want to turn because I don't want 00:07:30.350 --> 00:07:33.189 to scare them away. So I just sit in silence 00:07:33.189 --> 00:07:36.029 and listen. I can get that. I get that shit. 00:07:36.629 --> 00:07:41.629 And the way he performs it in that, it's not 00:07:41.629 --> 00:07:43.769 Joel Edgerton. It's a bloke telling a story of 00:07:43.769 --> 00:07:47.449 this fucking immense loss that he feels. And 00:07:47.449 --> 00:07:51.300 I think. In that part as well, because it is 00:07:51.300 --> 00:07:55.259 a real location, the sound designer, his name 00:07:55.259 --> 00:07:59.680 is Lee Sullivan, absolutely nailed it because 00:07:59.680 --> 00:08:05.100 it's not – we talk about the music in the movie 00:08:05.100 --> 00:08:06.819 we watched last week, which is One Battle After 00:08:06.819 --> 00:08:09.360 Another. Yep. One Battle After Another. One Battle 00:08:09.360 --> 00:08:11.500 After Another, you got it. And it's just that 00:08:11.500 --> 00:08:15.019 unrelenting piano just beating you over the fucking 00:08:15.019 --> 00:08:20.360 head. The sounds in this, it's not you hear the 00:08:20.360 --> 00:08:22.720 wind, you hear the trees, you hear the grass 00:08:22.720 --> 00:08:24.920 rustling, you hear the crunching of the leaves 00:08:24.920 --> 00:08:27.720 when they're walking. The sound isn't what does 00:08:27.720 --> 00:08:30.199 it because he wants you to feel that isolation. 00:08:30.360 --> 00:08:32.279 He wants you to feel that aloneness and that 00:08:32.279 --> 00:08:35.659 despair that he's feeling. So all you hear is 00:08:35.659 --> 00:08:39.419 what he hears. Music is very far between in this. 00:08:40.700 --> 00:08:44.659 The silence does the work. And I think the sound 00:08:44.659 --> 00:08:48.830 engineer... Sullivan really just nailed it, dude, 00:08:48.950 --> 00:08:52.990 especially the dream sequences. They were harrowing. 00:08:54.509 --> 00:09:00.610 Yeah, I think Joel Edgerton was stoically sublime 00:09:00.610 --> 00:09:04.350 in this. He did so well with very little words. 00:09:05.809 --> 00:09:09.110 Felicity Jones was enchanting. She was so good. 00:09:09.149 --> 00:09:11.129 Not in it for a whole lot, but when she was in 00:09:11.129 --> 00:09:14.110 it, you're, like, captivated. Yeah. Same as William 00:09:14.110 --> 00:09:17.649 H. Macy. He can do no wrong. Very little to do. 00:09:17.870 --> 00:09:20.210 Yep. Except get hit on the head by a fucking 00:09:20.210 --> 00:09:23.950 branch. But, dude, whenever he's on screen, you 00:09:23.950 --> 00:09:25.909 just had to listen to what he was saying. Yep. 00:09:25.970 --> 00:09:28.809 Because you couldn't pull away from it because 00:09:28.809 --> 00:09:32.710 it was so well written. And if this is Clint 00:09:32.710 --> 00:09:36.549 Bentley's second, second movie, holy shit. Yeah. 00:09:36.669 --> 00:09:39.110 Because you could very well go into this and 00:09:39.110 --> 00:09:41.070 shit the bed with it completely. Oh, absolutely, 00:09:41.250 --> 00:09:44.929 yeah. So easily. I think you really, really knocked 00:09:44.929 --> 00:09:47.409 it out of the park. And, like, there's so many 00:09:47.409 --> 00:09:49.649 location shots in it, like Washington State, 00:09:49.870 --> 00:09:54.710 Spokane, Toccoa, Seattle, North Bend, a heap 00:09:54.710 --> 00:09:58.730 of places up in Canada. But they were all real 00:09:58.730 --> 00:10:03.629 locations. They did build sets, which was the 00:10:03.629 --> 00:10:07.809 cabin and the fire tower. But, dude, they used 00:10:07.809 --> 00:10:09.750 all the locally sourced timber in the region 00:10:09.750 --> 00:10:13.309 to make it blend in with that. because you're 00:10:13.309 --> 00:10:15.350 not going to bring in trees from elsewhere to 00:10:15.350 --> 00:10:17.370 build the cabin. You're going to use trees that 00:10:17.370 --> 00:10:21.490 are there. So that's what they did. And you can 00:10:21.490 --> 00:10:24.149 tell just by looking at the beautiful scenery, 00:10:24.250 --> 00:10:26.190 dude, the mountainscapes in the background, just 00:10:26.190 --> 00:10:28.629 when he's riding a horse, yourself, it's gorgeous. 00:10:29.169 --> 00:10:31.190 And another thing about the scenery and the trees 00:10:31.190 --> 00:10:34.330 being about a logger, they only felled two to 00:10:34.330 --> 00:10:37.250 three trees in this entire movie. Yeah. The rest 00:10:37.250 --> 00:10:40.549 of them were either practical effects or pre 00:10:40.549 --> 00:10:43.409 -cut timber. from lumberyards and whatnot. Exactly. 00:10:43.409 --> 00:10:46.070 Well, even when he's like, when she's like, you 00:10:46.070 --> 00:10:47.549 know, you don't have to be away. We can start 00:10:47.549 --> 00:10:49.230 our own lumberyard. And I'm like, oh, shit, here 00:10:49.230 --> 00:10:51.789 we go. Here's William H. Macy's story about the 00:10:51.789 --> 00:10:54.190 trees always remember and they always take back. 00:10:54.649 --> 00:10:58.509 Yeah. You could tell something's about to turn. 00:10:58.750 --> 00:11:01.370 I was just waiting for it to happen. I was waiting 00:11:01.370 --> 00:11:03.429 for it to happen. And then when it did happen, 00:11:03.470 --> 00:11:10.879 I'm like, oh, shit. Mm -hmm. 100%. That returning 00:11:10.879 --> 00:11:16.240 home to seeing the smoke and it was petrifying 00:11:16.240 --> 00:11:19.720 to watch him walk into the fire like that. Yeah. 00:11:19.840 --> 00:11:24.000 Oh, man. And you're like, oh, okay, is he going 00:11:24.000 --> 00:11:26.279 to survive this or whatnot? And he does. And 00:11:26.279 --> 00:11:32.220 all he finds is the ashes of his cabin. No sign 00:11:32.220 --> 00:11:36.019 of them. He held out hope, and I think as a viewer, 00:11:36.100 --> 00:11:38.299 I held out hope too. I held out hope, dude. I 00:11:38.299 --> 00:11:40.059 held out hope. I'm like, when she showed up, 00:11:40.120 --> 00:11:41.960 and I'm like, oh, it's another dream, but then 00:11:41.960 --> 00:11:44.259 the leg's broken. I'm like, oh, shit, she's injured. 00:11:44.600 --> 00:11:48.940 He's set in the leg. This could be real. There 00:11:48.940 --> 00:11:52.679 are spoilers, guys. And then he wakes up and 00:11:52.679 --> 00:11:54.299 goes for another walk to try to find her again. 00:11:54.820 --> 00:11:56.980 See, that's the part of the movie, the third 00:11:56.980 --> 00:11:59.120 act, that I got a little bit confused with. Yeah. 00:11:59.820 --> 00:12:04.009 So Claire comes to town. He's giving her a ride 00:12:04.009 --> 00:12:09.669 to the lookout. Pretty interesting. When she 00:12:09.669 --> 00:12:12.090 came on, I'm like, oh, she's a decent actor. 00:12:12.210 --> 00:12:14.669 Like, okay, she's going to play a decent role 00:12:14.669 --> 00:12:17.029 in this. I'm like, oh, is this going to be a 00:12:17.029 --> 00:12:19.909 new love interest, a new flame, if you would. 00:12:21.389 --> 00:12:26.269 But then she's working the fire lookout, which 00:12:26.269 --> 00:12:29.350 is a direct correlation to something that has 00:12:29.350 --> 00:12:32.399 claimed his family. Yeah. in the years past and, 00:12:32.460 --> 00:12:38.279 like, okay, that's a thing. And then he goes 00:12:38.279 --> 00:12:41.360 and he talks to her. No, sorry. First he gets 00:12:41.360 --> 00:12:47.139 sick. He gets sick and gets feverish. And then 00:12:47.139 --> 00:12:50.919 he has some nightmares and it's fucking pretty 00:12:50.919 --> 00:12:54.360 harrowing to watch. Oh, God, yeah. But then he 00:12:54.360 --> 00:13:01.639 wakes up refreshed to a new snow. gets up, chucks 00:13:01.639 --> 00:13:03.299 the axe on his shoulder and goes walking out 00:13:03.299 --> 00:13:06.740 into the snow. Now, we were told the last time 00:13:06.740 --> 00:13:09.659 he was away, when there was a time skip and they 00:13:09.659 --> 00:13:11.179 were using chainsaws all of a sudden and everything 00:13:11.179 --> 00:13:14.039 was different, that that was the end of him being 00:13:14.039 --> 00:13:17.519 a logger. So where was he going? There was the 00:13:17.519 --> 00:13:19.860 snow and then all of a sudden he's at the base 00:13:19.860 --> 00:13:24.480 of the tower. Chainsaws didn't come in until 00:13:24.480 --> 00:13:28.679 after then. It was like 10 years after. That 00:13:28.679 --> 00:13:31.289 was it? Yeah. No, he did the chainsaw thing. 00:13:31.870 --> 00:13:34.169 Then he came back and then he went up to the 00:13:34.169 --> 00:13:36.629 tower to see her because he quit logging and 00:13:36.629 --> 00:13:39.370 was doing the horse and cart thing afterwards. 00:13:39.789 --> 00:13:41.610 No, but he went back to logging because that's 00:13:41.610 --> 00:13:44.389 when he met up with old mate who was, he was 00:13:44.389 --> 00:13:48.269 like, oh, you know, I was here with Peoples, 00:13:48.429 --> 00:13:51.230 William H. Macy's character, and like I was friends 00:13:51.230 --> 00:13:54.470 with Peoples. And that was when he, that was 00:13:54.470 --> 00:13:56.409 his last bit because that was when the chainsaw 00:13:56.409 --> 00:13:57.669 and all that was there and he's like, I can't 00:13:57.669 --> 00:13:59.830 keep up with these young fellas anymore. So he 00:13:59.830 --> 00:14:02.870 left and went and did the, and that's when he 00:14:02.870 --> 00:14:06.409 went back. No, I watched it today, man. So did 00:14:06.409 --> 00:14:09.190 I. That's not how it happened. He went away, 00:14:09.350 --> 00:14:11.450 couldn't do the logging anymore, came back, got 00:14:11.450 --> 00:14:14.309 sick. Have a look how your notes go. No, you 00:14:14.309 --> 00:14:17.830 wait. And then he went through the snow and then 00:14:17.830 --> 00:14:20.029 all of a sudden he's at the base of the fire 00:14:20.029 --> 00:14:22.769 tower. Maybe he was just, maybe it's just a habit 00:14:22.769 --> 00:14:25.529 though of like taking the axe whenever he goes 00:14:25.529 --> 00:14:28.200 for a walk into the forest. It definitely looked 00:14:28.200 --> 00:14:30.399 like because he went up into the mountains and 00:14:30.399 --> 00:14:34.639 stuff. Yeah, it was after he was sick because 00:14:34.639 --> 00:14:36.899 I remember it's like, okay, he's woken up from 00:14:36.899 --> 00:14:39.559 being sick and there's new snow. I'm like, okay, 00:14:39.720 --> 00:14:41.700 is this a new beginning, the beginning of the 00:14:41.700 --> 00:14:45.679 third act? Is he going to kind of see her and 00:14:45.679 --> 00:14:49.259 whatever spark up a relationship? Goes through 00:14:49.259 --> 00:14:52.460 the snow but then he rocks up directly after 00:14:52.460 --> 00:14:54.639 going to the top of this mountain in the snow 00:14:54.639 --> 00:14:59.149 to the fire. Look out. Tower, yeah. Wearing different 00:14:59.149 --> 00:15:02.590 clothes, no gear. Don't know why he was carrying 00:15:02.590 --> 00:15:06.350 the axe. Anyway, pardon me. And then he has that 00:15:06.350 --> 00:15:09.269 D &M with her, deep and meaningful, which I was 00:15:09.269 --> 00:15:12.090 like, okay, he's being really kind of open with 00:15:12.090 --> 00:15:14.490 her, which he's not like that in any other time. 00:15:14.649 --> 00:15:16.730 No, it's very much the very first time he ever 00:15:16.730 --> 00:15:18.669 talks to anyone about the loss of his wife and 00:15:18.669 --> 00:15:21.149 kid. So you have that and then it kind of skips 00:15:21.149 --> 00:15:25.470 over that. see if anything happens. But the time 00:15:25.470 --> 00:15:28.049 jumping is. It does get a bit despondent in the 00:15:28.049 --> 00:15:31.070 arse end of it. Yeah, because he's getting a 00:15:31.070 --> 00:15:33.350 bit of grey in him, but this is meant to be over 00:15:33.350 --> 00:15:35.730 80 years. He's definitely not 80 by the end of 00:15:35.730 --> 00:15:38.269 it. But then. But then even like when they go, 00:15:38.350 --> 00:15:40.309 he looks into the mirror for the first time in 00:15:40.309 --> 00:15:43.549 over a decade. And he's in town and he sees the 00:15:43.549 --> 00:15:45.809 space flight and then he gets in a plane himself 00:15:45.809 --> 00:15:52.000 right at the end. Very. Alaska King vibes at 00:15:52.000 --> 00:15:55.460 the end there. Alaska King. I don't know, what 00:15:55.460 --> 00:15:57.659 was it called? Sky King. Sky King, sorry. It 00:15:57.659 --> 00:16:00.320 was, yeah, it was like my whole life's done this 00:16:00.320 --> 00:16:04.120 to me and I've lived. He didn't really live after 00:16:04.120 --> 00:16:07.340 his wife and daughter perished. Like he didn't 00:16:07.340 --> 00:16:08.899 want to leave the cabin in case they ever come 00:16:08.899 --> 00:16:12.580 back. So he never left it. Yeah. But towards 00:16:12.580 --> 00:16:14.799 the end when he's like, they're really gone, 00:16:14.960 --> 00:16:18.600 I need to go and do some shit. And then he sort 00:16:18.600 --> 00:16:22.139 of. feels content right at the arse. So he's 00:16:22.139 --> 00:16:24.460 in the plane and he finally feels connected to 00:16:24.460 --> 00:16:26.820 it all, the narrator says. But then it says that 00:16:26.820 --> 00:16:29.519 he died in his home peacefully. Yeah. And then 00:16:29.519 --> 00:16:32.659 you go back to the cabin and it is rotted and 00:16:32.659 --> 00:16:38.279 overgrown and I'm wondering whether he died from 00:16:38.279 --> 00:16:40.759 that illness. Before he went and seen all of 00:16:40.759 --> 00:16:43.200 them in the cabin. Before you get the snow, which 00:16:43.200 --> 00:16:46.820 is kind of weird. That's a brilliant take that 00:16:46.820 --> 00:16:48.659 I never thought of. Yeah, and then you get. Like 00:16:48.659 --> 00:16:52.159 he talks to her openly and he sees the world, 00:16:52.279 --> 00:16:55.139 which he probably always thought he would after 00:16:55.139 --> 00:16:58.360 talking to all these loggers over the time. I'm 00:16:58.360 --> 00:17:01.379 going to listen to that book, man. I think that 00:17:01.379 --> 00:17:03.620 might explain it a bit because that's a great 00:17:03.620 --> 00:17:07.519 take. Yeah. That's a fantastic take. I think 00:17:07.519 --> 00:17:09.160 that's what happened because I don't see that 00:17:09.160 --> 00:17:13.619 cabin rotting the way it did. If he was to return 00:17:13.619 --> 00:17:15.859 home from the city to the cabin to let it rot. 00:17:16.559 --> 00:17:19.450 No, no, no. The cabin burned down and he rebuilt 00:17:19.450 --> 00:17:22.369 it and then he left. Yeah, and then right at 00:17:22.369 --> 00:17:25.109 the end it's all decrepit and there's holes in 00:17:25.109 --> 00:17:28.029 it and the bed's all overgrown. Yeah. And it 00:17:28.029 --> 00:17:31.950 looks like he could, because he died in his bed. 00:17:32.329 --> 00:17:34.009 Yeah, but he could have died in his bed at the 00:17:34.009 --> 00:17:39.210 house that he bought, you know, in Spokane. That's 00:17:39.210 --> 00:17:41.690 how I'll take it. He died in the bed. At the 00:17:41.690 --> 00:17:45.000 cabin. Yeah, in the cabin. But they also said 00:17:45.000 --> 00:17:48.119 he died at 88, like he died in his sleep peacefully. 00:17:48.799 --> 00:17:51.900 Like he wasn't 88 when he got sick. Well, no, 00:17:51.960 --> 00:17:55.859 it was in 68. 68, that's right. He died in 68. 00:17:56.079 --> 00:17:58.980 Yeah. Yeah, I don't know. Dude, that's a great 00:17:58.980 --> 00:18:01.700 tale. I never thought of that. I didn't think 00:18:01.700 --> 00:18:03.460 about that at all. And, like, I've read a couple 00:18:03.460 --> 00:18:07.680 of things, but it doesn't say that, yeah, he 00:18:07.680 --> 00:18:12.609 died in his bed that was at the cabin. But, dude, 00:18:12.609 --> 00:18:15.470 that's a great take. I'd like to read the book 00:18:15.470 --> 00:18:19.529 to see if we get any kind of more insight. Now, 00:18:19.549 --> 00:18:21.589 if you're going into this movie thinking that 00:18:21.589 --> 00:18:26.470 you're going to see an epic adventure or a violent, 00:18:26.650 --> 00:18:31.970 you know, what was it? The revenant sort of story 00:18:31.970 --> 00:18:33.970 where they're fighting bears. You see one bear 00:18:33.970 --> 00:18:35.630 and he just walks on by like he's having the 00:18:35.630 --> 00:18:39.250 best time of his life. I would recommend this 00:18:39.250 --> 00:18:42.369 movie. Yeah. I would. It's a beautiful watch. 00:18:42.410 --> 00:18:46.410 I would preface it as it's not a whole lot happens 00:18:46.410 --> 00:18:48.849 action -wise. No, it's good, no. A lot of the 00:18:48.849 --> 00:18:49.829 time you're sitting there looking and going, 00:18:49.950 --> 00:18:54.029 wow. Yeah. It's definitely like a slice of life 00:18:54.029 --> 00:18:59.430 type movie. Very autobiographical, even though 00:18:59.430 --> 00:19:03.650 it's not about an actual person. But going back 00:19:03.650 --> 00:19:07.890 to the dream sequences, they were spectacular. 00:19:08.410 --> 00:19:11.460 Gorgeous, man. The lights moving through the 00:19:11.460 --> 00:19:14.420 trees where they're walking down the path, the 00:19:14.420 --> 00:19:19.500 flames in slow motion. I thought when he arrived 00:19:19.500 --> 00:19:21.680 home on that train and there was smoke everywhere 00:19:21.680 --> 00:19:24.380 and he sort of stepped off and you can see these 00:19:24.380 --> 00:19:27.200 massive redwood trees towering above everything 00:19:27.200 --> 00:19:29.960 else, but you can still see the flames above 00:19:29.960 --> 00:19:33.400 these trees, man. That was horrific. Oh, yeah. 00:19:33.859 --> 00:19:39.119 And just walking through going. Just walking 00:19:39.119 --> 00:19:42.319 with him knowing that this is that thing. This 00:19:42.319 --> 00:19:44.180 is the fucking flip in the story where you've 00:19:44.180 --> 00:19:47.480 met the woman who he's loved more than anything 00:19:47.480 --> 00:19:50.279 in the world. Now he even says how much he loves 00:19:50.279 --> 00:19:52.839 this woman and how perfect she was and blah, 00:19:52.880 --> 00:19:54.819 blah, blah, blah, blah. And you see that interaction 00:19:54.819 --> 00:19:58.740 with the pair. And they are perfect. And you 00:19:58.740 --> 00:20:03.039 know that this dick punch is coming. 100%. And 00:20:03.039 --> 00:20:05.940 then when it gets there and the. The point is 00:20:05.940 --> 00:20:09.440 he's got nothing to mourn. It's just Ash. Yeah. 00:20:10.259 --> 00:20:13.279 There's no bodies of his loved ones. There's 00:20:13.279 --> 00:20:15.720 no cabin. There's no lounge. There's no photographs. 00:20:15.839 --> 00:20:18.859 There's no paintings or anything of his kid or 00:20:18.859 --> 00:20:21.440 his wife has ever existed. Wiped off the planet. 00:20:22.220 --> 00:20:24.680 Yeah. So he's not just mourning that. He's mourning 00:20:24.680 --> 00:20:26.759 memories that he'll never, ever have except what 00:20:26.759 --> 00:20:31.589 he's got. And then the waiting. Like he waits 00:20:31.589 --> 00:20:34.930 around and sleeps in the ash for years. Yeah, 00:20:34.950 --> 00:20:38.549 it's not until Ignatius Jack rocks up and kind 00:20:38.549 --> 00:20:41.569 of prods him along to. He was so cool too, that 00:20:41.569 --> 00:20:44.829 guy. Yeah, to get to work. No, that was the first 00:20:44.829 --> 00:20:47.130 person he happened, he's hard to, that fella. 00:20:47.329 --> 00:20:50.630 Yeah, he has a moment with him. And then they 00:20:50.630 --> 00:20:54.029 build the walls to the cabin again and hunt and, 00:20:54.089 --> 00:20:58.349 you know, puts him back to work to kind of, you 00:20:58.349 --> 00:21:02.430 know. To move on. And then he meets the dogs. 00:21:02.630 --> 00:21:04.950 The dogs that she always wanted. Oh, the dogs. 00:21:04.970 --> 00:21:06.789 And, of course, they're fucking border collies. 00:21:08.509 --> 00:21:12.930 I'm like, oh, man, come on. You didn't have to 00:21:12.930 --> 00:21:16.190 do that. Yeah. But it was beautiful, man. And 00:21:16.190 --> 00:21:21.869 I think the whole production from the story to 00:21:21.869 --> 00:21:24.869 the people who they cast in it to the music to 00:21:24.869 --> 00:21:29.660 the. Just the vistas, man. The camera work. I 00:21:29.660 --> 00:21:33.900 will watch this again. I will because I want 00:21:33.900 --> 00:21:35.880 to pick up that part that you did. I want to 00:21:35.880 --> 00:21:38.119 look at that through that prism and go, hang 00:21:38.119 --> 00:21:42.420 on a minute, he's right. I hope it wins cinematography. 00:21:42.660 --> 00:21:46.799 I don't know if it's got best picture in it. 00:21:47.059 --> 00:21:49.599 I don't think it does. It is beautiful. I think 00:21:49.599 --> 00:21:52.160 Sinners has taken that so far. We haven't seen 00:21:52.160 --> 00:21:54.119 Begonia yet, but I think Sinners is. Well, that's 00:21:54.119 --> 00:21:57.869 what we're watching. Next week. Next week. That 00:21:57.869 --> 00:22:02.789 one is my choice and I'm going to delve into 00:22:02.789 --> 00:22:04.910 that one as well. But, dude, I think you nailed 00:22:04.910 --> 00:22:06.490 it with this one. It was such a beautiful movie. 00:22:07.150 --> 00:22:09.509 It's funny. The book club I'm in, they talked 00:22:09.509 --> 00:22:12.710 about it and I had nothing about it, heard nothing 00:22:12.710 --> 00:22:14.349 about it. And they're like, oh, it's beautiful. 00:22:14.529 --> 00:22:18.069 I'm like, mm -hmm, I'll give it a go. I'd give 00:22:18.069 --> 00:22:21.789 it a four and a half. Solid. Same. The thing 00:22:21.789 --> 00:22:23.970 that pissed me off too, last night when I was 00:22:23.970 --> 00:22:26.279 looking for it, Now, this is an Academy Award 00:22:26.279 --> 00:22:29.619 nominated film. I was looking for it on Netflix. 00:22:29.720 --> 00:22:33.799 I had to write in train DRE before it even showed 00:22:33.799 --> 00:22:36.819 the cover. And I'm like, what the hell? Well, 00:22:36.859 --> 00:22:39.299 actually, when I went looking for it, there was 00:22:39.299 --> 00:22:46.039 two down nominated to do with the – there was 00:22:46.039 --> 00:22:48.160 a whole section of movies to do with the awards 00:22:48.160 --> 00:22:52.619 season. And it was the second one across. Yeah, 00:22:52.680 --> 00:22:54.599 no, I just went searching for it. But I give 00:22:54.599 --> 00:22:57.460 this a four and a half stars, mate. It is gorgeous. 00:22:58.019 --> 00:23:01.680 It is something that I'll remember. It's much 00:23:01.680 --> 00:23:09.660 like Mary Bone. Much like that. Surprising. Looked 00:23:09.660 --> 00:23:14.480 fantastic. Heartfelt. Yeah. And it's funny coming 00:23:14.480 --> 00:23:18.099 from a pop culture podcast that's about comics 00:23:18.099 --> 00:23:21.710 and superheroes and all that kind of stuff. Special 00:23:21.710 --> 00:23:25.650 effects, explosions. Yeah, no, this is fantastic. 00:23:26.009 --> 00:23:28.150 Fantastic movie. Yeah, I agree with you, mate. 00:23:28.269 --> 00:23:31.289 You've done well, dude. Thank you. I really rate 00:23:31.289 --> 00:23:33.410 this and I thought it was absolutely gorgeous 00:23:33.410 --> 00:23:36.349 and I'm excited to see what Clint Bentley does 00:23:36.349 --> 00:23:41.029 next. I really do believe that Joel Edgerton, 00:23:41.170 --> 00:23:44.690 he deserves something big for this because he 00:23:44.690 --> 00:23:47.670 does a kick -ass job. I thought he did a great 00:23:47.670 --> 00:23:49.390 job. He hasn't been nominated for Best Actor 00:23:49.390 --> 00:23:51.470 this year. So he didn't get even a nomination 00:23:51.470 --> 00:23:54.150 for it? No, it was cinematography, best picture, 00:23:54.349 --> 00:24:00.390 the soundtrack and screen adaption from a book. 00:24:00.450 --> 00:24:02.049 So something that's been adapted from a book, 00:24:02.069 --> 00:24:04.990 yeah. We know which movie should win an Academy 00:24:04.990 --> 00:24:08.829 Award for screen adaptation. Next year, we'll 00:24:08.829 --> 00:24:11.490 see. Should be this year. They should give it 00:24:11.490 --> 00:24:13.829 to him anyway. So do you want to hear my notes 00:24:13.829 --> 00:24:16.869 as I wrote them? Oh, hang on. I've got news. 00:24:17.850 --> 00:24:20.269 Have you seen the cast for fucking... Sorry, 00:24:20.450 --> 00:24:22.809 let's keep going. No, sorry, I'm ADHD as fuck. 00:24:23.490 --> 00:24:25.410 Yes, I want to read your notes as you wrote them 00:24:25.410 --> 00:24:28.329 down. Okay. To begin with. You know that I didn't 00:24:28.329 --> 00:24:30.970 do this this week because I thought I'd be mature 00:24:30.970 --> 00:24:32.630 and do what you did and you've gone and done 00:24:32.630 --> 00:24:35.910 what I did. You fucking child. You told me to 00:24:35.910 --> 00:24:39.190 last week. You child! I had good notes as well, 00:24:39.190 --> 00:24:41.910 thank you. Okay, good. I did both. Interesting 00:24:41.910 --> 00:24:44.930 ratio. The ratio wasn't quite widescreen. There 00:24:44.930 --> 00:24:48.069 was that little sliver on the edge. It was very 00:24:48.069 --> 00:24:52.130 kind of reminiscent of The Lighthouse. It's a 00:24:52.130 --> 00:24:53.950 very similar ratio. Watch the air. It's good. 00:24:55.089 --> 00:24:58.910 Oh, no, what have I done? It's narrated. I thought 00:24:58.910 --> 00:25:01.910 Clint's going to hate me. Couldn't remember the 00:25:01.910 --> 00:25:04.170 name of the voice, but, like, I could see his 00:25:04.170 --> 00:25:07.349 face. I know it. Well, it sure looks fantastic. 00:25:08.529 --> 00:25:12.529 What's with the boots on the tree? That was because 00:25:12.529 --> 00:25:14.250 that was how they. I'll get to that. Oh, sorry. 00:25:14.829 --> 00:25:17.730 This is as I watch it. Oh, okay. I'll stop interrupting 00:25:17.730 --> 00:25:19.950 you. You should. Crazy that people can go their 00:25:19.950 --> 00:25:22.049 entire life without seeing the ocean. They were 00:25:22.049 --> 00:25:25.009 talking about that. Wild. Even to this day. Yeah. 00:25:26.690 --> 00:25:29.250 That's a gnarly looking bridge. Yeah. The building 00:25:29.250 --> 00:25:32.470 bridge. What did he do? Fuck, that was brutal. 00:25:33.250 --> 00:25:37.130 Yeah. I want to know what he did. Yeah. That 00:25:37.130 --> 00:25:39.210 was wild because he's like, what do you do? And 00:25:39.210 --> 00:25:40.789 then he goes to help him, and then he gets kicked, 00:25:40.930 --> 00:25:43.569 and then he doesn't, and then that whole thing 00:25:43.569 --> 00:25:48.670 happens. Yes, we're good bridge builders, but 00:25:48.670 --> 00:25:49.970 we're going to send a train across with nobody 00:25:49.970 --> 00:25:53.150 in it just to make sure it holds. It's not even 00:25:53.150 --> 00:25:55.450 a train. It was a cabin. Yeah, or it was a loco. 00:25:56.509 --> 00:25:59.349 Speaking about cabins, I want a cabin after he 00:25:59.349 --> 00:26:02.890 comes back to the cabin built. This is gorgeous. 00:26:03.170 --> 00:26:08.180 It's so clear. The Nightmare images are very 00:26:08.180 --> 00:26:10.759 compelling. Is this just going to be a very slice 00:26:10.759 --> 00:26:14.599 of life kind of movie? Man, it would be hard 00:26:14.599 --> 00:26:17.980 to leave home like this. Ah, the type of cunts 00:26:17.980 --> 00:26:24.700 you have to work with. Not you. I'm pretty sure 00:26:24.700 --> 00:26:28.609 he got the message. Which message? And the black 00:26:28.609 --> 00:26:32.069 fella comes looking for his message and then 00:26:32.069 --> 00:26:34.349 he shoots him. Like, oh, fair enough, he deserves 00:26:34.349 --> 00:26:36.049 it. Anybody else have an issue with what I just 00:26:36.049 --> 00:26:40.990 did? Sort it out now. William H. Macy. Sure loves 00:26:40.990 --> 00:26:45.710 a tall tale. Has obviously got a degree in work 00:26:45.710 --> 00:26:50.269 avoidance. Oh, that's what happens with the boots. 00:26:51.829 --> 00:26:54.769 Look at all them chickens. His daughter's talking 00:26:54.769 --> 00:26:58.420 about all the chickens. Man, every shot of this 00:26:58.420 --> 00:27:02.299 is beautiful. It's like a music video is what 00:27:02.299 --> 00:27:05.900 I was thinking. It was like a screen saver to 00:27:05.900 --> 00:27:08.960 me of an awesome scene. Ah, shit, something bad's 00:27:08.960 --> 00:27:12.819 going to happen. Yep, there it is. Fuck that. 00:27:14.019 --> 00:27:17.619 The glistening snot in the morning sun. They've 00:27:17.619 --> 00:27:23.539 killed the buck. The newness of the experience 00:27:23.539 --> 00:27:27.569 when they're talking about the wolf pups. and 00:27:27.569 --> 00:27:31.849 the newness of the experience. That night train 00:27:31.849 --> 00:27:34.650 shot when he's going back to work for the first 00:27:34.650 --> 00:27:37.309 time when everything's changed, going over the 00:27:37.309 --> 00:27:40.950 bridge in the dark was fucking fantastic. What, 00:27:41.029 --> 00:27:43.390 they have chainsaws now? What year is it? How 00:27:43.390 --> 00:27:46.390 much time has passed? It's the thing, they never 00:27:46.390 --> 00:27:49.349 told you what year you're in. Crazy old coot 00:27:49.349 --> 00:27:53.769 when he's forgotten people's has died. Oh, yeah, 00:27:53.809 --> 00:27:56.069 I know that water's cold when he gets into the... 00:27:56.250 --> 00:27:59.549 The lake there. Oh, the light moving through 00:27:59.549 --> 00:28:01.410 the trees in the dream sequence. That was fucking 00:28:01.410 --> 00:28:04.009 cool. That's a big -ass pumpkin. And he's got 00:28:04.009 --> 00:28:07.049 the... Magic pumpkin. What the fuck? And then 00:28:07.049 --> 00:28:09.630 I was like, oh, it's Rebecca Ferguson. No, it's 00:28:09.630 --> 00:28:13.329 the Irish lady, Kerry Colden. New love interest? 00:28:13.549 --> 00:28:17.109 Question mark. Oh, look, a fire lookout. Hang 00:28:17.109 --> 00:28:20.210 on. Potential new flame. Works at a fire lookout. 00:28:20.529 --> 00:28:23.660 Probably has to do with correlation to... Potential 00:28:23.660 --> 00:28:26.079 flame, dude? New flame. Potential new flame. 00:28:26.299 --> 00:28:29.839 Bad word usage. It was all to do with fire. Yeah. 00:28:29.859 --> 00:28:33.980 And it was on purpose. Yeah, and a direct correlation 00:28:33.980 --> 00:28:36.859 to the fire that claimed his family. Fuck, I 00:28:36.859 --> 00:28:40.700 hate being sick. Oh, fever dream. Oh, goddamn. 00:28:41.079 --> 00:28:44.299 That was when the flashback of how the fire hit. 00:28:44.859 --> 00:28:47.700 Waking from a nightmare to new snow. New beginning, 00:28:47.859 --> 00:28:51.880 question mark. Hang on, what? An axe? I thought 00:28:51.880 --> 00:28:56.970 he was done with. Being a logger. Wait, where's 00:28:56.970 --> 00:28:58.789 the snow now? He's at the lookout. Did he die? 00:28:59.490 --> 00:29:01.230 He's been pretty open with her. Is this still 00:29:01.230 --> 00:29:05.190 a dream? The world needs a hermit in the forest 00:29:05.190 --> 00:29:06.890 as much as it needs a preacher in the pulpit. 00:29:07.349 --> 00:29:11.069 Lol. Take from that what you will. Probably doesn't 00:29:11.069 --> 00:29:13.750 need either, but anyway. What the hell? A little 00:29:13.750 --> 00:29:15.529 late for a side story. That can't be his daughter. 00:29:16.710 --> 00:29:19.490 Hang on, how much time has passed? Where'd the 00:29:19.490 --> 00:29:22.880 girl go? We've got some Sky King vibes going 00:29:22.880 --> 00:29:26.740 on here. Even the music is similar. So did he 00:29:26.740 --> 00:29:29.880 die in his sleep when he was sick? Was that all 00:29:29.880 --> 00:29:33.059 a dream? He felt connected to it all. Did he 00:29:33.059 --> 00:29:34.839 actually die? Is that why he feels connected 00:29:34.839 --> 00:29:37.660 to it all? And then at the end I was like, well, 00:29:37.779 --> 00:29:40.880 I think this is going to be divisive. I love 00:29:40.880 --> 00:29:43.500 the movie, dude. Not divisive at all. I think 00:29:43.500 --> 00:29:47.619 he survived and he just. The last couple of years 00:29:47.619 --> 00:29:49.500 of his life he just went in and experienced things 00:29:49.500 --> 00:29:51.420 that he didn't because he knew for a fact that 00:29:51.420 --> 00:29:54.259 his wife and child were now perished. I kind 00:29:54.259 --> 00:29:56.619 of hope that's the case. Yeah. And that maybe 00:29:56.619 --> 00:29:59.119 he did have a on and on, on again, off again 00:29:59.119 --> 00:30:01.819 relationship with old love. I don't think that 00:30:01.819 --> 00:30:03.619 happened at all. I think they had that conversation 00:30:03.619 --> 00:30:06.519 and he left. Maybe. I mean, there's kind of, 00:30:06.519 --> 00:30:09.680 it's open to a lot of kind of interpretation. 00:30:10.119 --> 00:30:12.059 Anything could have kind of happened in those 00:30:12.059 --> 00:30:16.799 years, but yeah. No. I think this movie's going 00:30:16.799 --> 00:30:18.759 to stick with me for a while. I think so too. 00:30:18.859 --> 00:30:20.180 There's a lot of stuff to think about as well. 00:30:20.420 --> 00:30:23.539 Yeah. Yeah, four and a half, man. I'd thoroughly 00:30:23.539 --> 00:30:25.759 recommend it to anybody. Even if you're just 00:30:25.759 --> 00:30:27.299 sitting at home and there's nothing for you to 00:30:27.299 --> 00:30:29.140 watch and it's a rainy day and it's always a 00:30:29.140 --> 00:30:33.420 bit light, put your phone down and watch it. 00:30:33.720 --> 00:30:36.940 Just watch it for the views. It is so gorgeous. 00:30:37.400 --> 00:30:39.779 You'll feel things. It looks sensational and 00:30:39.779 --> 00:30:41.599 I think you'll have something to mull on later. 00:30:41.930 --> 00:30:44.029 And it doesn't go fucking ages, man. It's an 00:30:44.029 --> 00:30:46.230 hour and 47 minutes, including credits. Yeah. 00:30:46.970 --> 00:30:50.289 It's a quick watch. It's a slow, beautiful burn, 00:30:50.450 --> 00:30:53.670 but I recommend it, man. Listen, if you've watched 00:30:53.670 --> 00:30:55.289 to the end of this episode, let us know what 00:30:55.289 --> 00:30:57.930 you think about it in the comments. Absolutely. 00:30:58.069 --> 00:31:01.109 Give us your thoughts on it. It is, like you 00:31:01.109 --> 00:31:02.349 said, it is a movie that's going to stick with 00:31:02.349 --> 00:31:06.769 me, man. It was gorgeous. It's not as great as 00:31:06.769 --> 00:31:09.170 Marabone, and I think of Marabone every day. 00:31:09.519 --> 00:31:12.359 And I'll think of this one for a few times every 00:31:12.359 --> 00:31:15.279 day for a while. I think Marabone has that sixth 00:31:15.279 --> 00:31:18.940 sense kind of gut punch, like, whoa, hang on, 00:31:19.000 --> 00:31:23.599 where this is on a similar level. I agree. But, 00:31:23.599 --> 00:31:25.960 yeah. Again, tip of the hat, Joel Edgerton. You 00:31:25.960 --> 00:31:30.839 absolutely killed it, my friend. That's all I've 00:31:30.839 --> 00:31:33.200 got. Thanks for joining us again, guys, for Week 00:31:33.200 --> 00:31:35.619 in Review. Please, guys, like, comment, subscribe. 00:31:35.799 --> 00:31:37.700 Tune in next week where we're going to talk about. 00:31:38.720 --> 00:31:42.200 Begonia. And, yeah, we'll go in -depth again. 00:31:42.900 --> 00:31:44.400 Love, Peace, Chicken Grease. See you.