WEBVTT

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From the dungeons of Morningstar, my name is

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Clinton. It's fucking hot in here. And I'm Stretch,

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and this is Prevailing Strange. Welcome back,

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guys, to our week in review, a segment of Prevailing

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Strange where Clint and I get to share some of

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the content that we've checked out this week.

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If you like what we're doing here, guys, please

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follow along, like, comment, subscribe. Tell

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us all the stuff you're listening to, watching,

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and maybe we can chat about it. What have you

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checked out this week? Okay. I watched a show

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that I didn't really want to watch. As a dad,

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it was a fucking hard watch, dude. It was called

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Adolescence on Netflix. I've heard. It was a

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hard watch, man. Four episodes long. Each episode

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goes for about an hour. It's a single take, the

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whole episode. That's wild, isn't it? They say

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a single take. There are cuts, but they're imperceivable.

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You can't find. This was a writing and a directorial

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debut. See, this is why I'm so fucking shit.

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I shouldn't have done this while I was at work.

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It was the actor. Yeah. And he'd been in plenty

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of stuff. He has been. So Stephen Graham, the

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bloke who plays the father in the show, wrote

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with a friend of his and the whole thing was

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his baby. He plays the dad in it. And he does

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an absolutely incredible job. Just incredible,

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dude. You really do feel so hard for him and

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his wife. And it's just, it's a thing that not

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every family is ever going to experience or ever

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think about or ever contemplate. But the bloke

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who plays the young kid, his name's Owen Cooper,

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and this was his first role, dude. Yep. 13 years

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old, and he's done a great job. In the third

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episode, it's just him interacting with his therapist.

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It's a therapist that's there that's got to,

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you know, check out whether he's… Sane or not.

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Yeah. Basically, whether he understands what

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he did was wrong. This little fucker, dude, just…

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Tees off. Just screams at this chick, dude. And

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you fucking dead set believe that this kid's

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a little psychopath. Yeah. Does a great job.

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And he even fucks up his lines. But because it's

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one take and he's in the heat of the moment and

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he starts again, it doesn't matter. It's so visceral

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and real that it doesn't take you out of it.

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It's just him screaming. And when you're emotional

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or you're angry, not every word that comes out

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is going to be sensical. It's not going to make

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any sense. Yeah. And it just added to that whole

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heavy vibe of this show, dude. Will I ever watch

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it again? Absolutely fucking not. Would I recommend

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other people to watch it? No. No. But if you

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do, well done. It is a good show, but I will

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not watch it again. It's on my list to watch.

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It's just. I know what it's about, so I've got

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to be in the right mind. I'll tell you what.

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There's a bloke who plays the detective, D .I.

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Luke, I think his name is. There we go. There

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it is there. D .I. Luke Baskin, played by Ashley

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Walters. Dude, he was sensational in it. He's

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only in two episodes of it. And it doesn't explain

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where he went, what he's doing. It's like he

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does his job and then he leaves. And you don't,

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it's not like any other TV show where it's like,

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oh, what happens after that? You see him at the

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end where it wraps up or anything like that.

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Nope. It just, it follows a linear story and

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it follows the whole, like he does the arrest

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of it and he does the investigation of it and

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then he's gone. He doesn't have anything to do

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with it after that. And it works with the realism.

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Yeah, I won't watch it again. No fucking way.

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So the first things I watched this week was episode

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three and four of It and Welcome to Derry. Dude.

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We see Pennywise for the first time. Yes, at

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the end of it. And it is great. Yeah, I'm enjoying

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this a lot. Yeah, if you hadn't seen the spoilers,

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skip ahead. When the kid comes back. And then

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I was like, oh, this is kind of weird. And then

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that was it. I forgot about it. And then when

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he starts fucking reciting shit, I'm like, oh,

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it's fucking Pennywise. But then you just like

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that little tickle behind his head and then it

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just starts opening up. Yeah. It's like fucking

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creepy. And then when the dad says, you know,

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fucking anything is not meant to be down here,

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shoot it. Yeah, I thought he was going to shoot

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his son. Yeah. It was the outsider that got it.

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Oh, man, that would have fucking been brutal.

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Okay, just quietly, right? This is a problem

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I have with that part of the movie. He runs forward

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and goes like that with the rifles there and

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he goes and puts his hand out. Somehow he gets

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shot in the chest. Somehow he gets shot in the

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chest. Yeah, I get that. Why did you push it

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away and then jump in the middle of it once you've

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pushed the rifle away? Yeah, it bothered me.

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Yeah, that takes you out a little bit. Like you

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would have fucking hit the rifle up or something

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like that. Absolutely. You wouldn't have been

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able to move in front of the bullet before it

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happened. Dude, he's a fucking military man.

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He should have known this. Yeah. But no, little

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things like that you can forget about. Yeah.

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Still enjoying it. 100 % agree. Yeah. The little

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girl's friend with the glasses who was part of

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the patty cakes. The fucking slug scene. Motherfucker.

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And she fucking starts cutting off the eye stalk

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and shit. Oh, fuck. That's pretty wild. Yeah.

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That was good. There's so many other ways you

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can do it. You don't need to use a bandsaw. It's

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fine. Leave it alone. Up there with her fucking

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legs dangling. And she's fucking going for it.

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Do this. Poke them back in. Yeah, she was determined

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to get rid of them. Fucking hell. But yeah, no.

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Jesus Christ. It was hectic. And I think it's

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when we see, what's his name, the bloke with

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the shine? Dick Halloran. When we see Dick Halloran

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come out of that tunnel and he's just a shadow

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of himself, dude. I'm like, holy shit, I want

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to know what was in that chest. Yeah, what's

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in that chest? What's opened up? He's had the

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shine, so what has changed about him now? Do

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you think he put a section of the shine that

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was for dead people? He put that away? Yeah.

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I don't know. Because there is chests in Doctor

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Sleep. The kids put shit in a chest in their

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mind, and they're thinking, so, yeah, I'm thinking,

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what the fuck has been let go of? Yeah. Because,

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like, that was pretty traumatic. His grandmother

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and his grandfather, to begin with, like, fucking

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what's in there? Has he been to war? Yeah. Like,

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has he managed to put all that? Yeah. The thing,

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too, like, it was very, it was a great choice

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to put him on the floor. Mm -hmm. and still be

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in that space of him being a kid, being shorter

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than his pop coming in and his pop fucking just

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looming over the top of him. I thought that was

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a good image, man. Like really put him back in

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that time where he was getting tormented by his

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pop. I thought it was great. I watched The Gorge.

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Right. With Enya Taylor -Joy and Miles Teller.

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Miles Teller. Dude, I really enjoyed that movie.

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Yeah, like I was saying before, I've heard conflicting

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reports. Some people say it's crap. Other people

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are like, it's better than you think it will

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be. I'm going to sell it to you right now. Right.

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Sigourney Weaver's in it. Did I know that? I

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don't think I knew that. If you didn't, now you

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do. And does that change it for you? I mean.

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It's the Sigourney, bro. Dude, I don't know how

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old she is, but I still look at her and I'm going,

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wow, you are fucking beautiful. Hot damn. It's

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something that's, you know, on the watch list.

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It's just not a very high priority. I'll get

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there. It's good, man. I liked it. Yeah, I liked

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it. I will give it my time at some point. I began

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watching The Mighty Nein. Have you watched it

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yet? No. I want to know. Yeah. It's not ASA,

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by the way. Ninety -nine. Nine. So you're familiar

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with the run -through that they did. Yeah. So

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the first two, three episodes, I believe, is

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the backstory before they meet up. This is the

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critical role thing too. You didn't specify.

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Come on, mate. Sorry, mate. Yeah, so in the live

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action play that we listened, watched, they were

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already kind of known to each other. This is.

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This has given us kind of background and their

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background story and shit. And in the third episode,

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they kind of meet up for the first time. Nice.

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Yeah, so it's like it's not just a replay of

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what we've seen. They've changed it up a bit,

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which is fantastic. I like that. Because, yeah,

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the YouTube series, it is so good, man. That

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first campaign they played that went for, what,

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three years? Something like that, yeah. It was

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like 250 episodes or something. It was good.

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It was such a good listen, man. And if you just

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put it on in the TV at the tattoo shop like I

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did, fucking joyful. Yeah. So if you like an

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interstate truck driver or you have a job where

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you like. Yes, dude. You listen to this, it's

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great. Yeah. Yeah. Such a good idea. I watched

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Love and Monsters. You hadn't seen that before?

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No. So when we talked about it the other week,

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you didn't know what it was about? No, I didn't

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know what it was about, but I hadn't watched

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all of it. Such a charming movie. It's a great

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little movie. Such a great movie. Came out of

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nowhere. Came out of nowhere. Yeah. Great cast.

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Great story. I believe it's based on a book.

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Dude. But yeah, good. I want to see more of Michael

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Rooker's character in that little girl fucking

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traversing through the world. I thought that

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was spectacular. I wanted to see more. I really

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wanted to. Am I playing footsies with you? No,

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I don't believe so. That's the table. That's

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the table. I just felt a big ball and I'm like,

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hang on a minute. Never mind. Dude, I loved it.

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I thought it was fantastic. I thought the idea

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that insects and everything had been mutated

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and it was now vicious, like the arthropod and

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shit, like a 12 -foot tall arthropod just coming

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out and biting people. I thought it was sick.

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Great. Great movie. Show me more. He's got a

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dog now. Show me more. The last thing before

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the movie, I've continued watching the last season

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of My Hero Academia. Enjoying it. Never watched

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it. Never seen it. It's fun. It's good. It's

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kind of like, um, think X -Men. So everybody

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has kind of abilities. Um, but put that Japanese

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twist on it. Some of those abilities are just

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fucking dumb and like, like obviously meant to

00:11:07.860 --> 00:11:10.559
be dumb, but yeah, like a dude that can shoot

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elastic tape, like sticky tape out of his fucking

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elbows and a chick who's, um, Why? I don't know.

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What's that tape going to do coming over your

00:11:20.399 --> 00:11:22.860
elbows? I think you can kind of control it a

00:11:22.860 --> 00:11:26.539
little bit and wrap things up and stuff. So you'd

00:11:26.539 --> 00:11:28.360
be handy at a big W Christmas store, wouldn't

00:11:28.360 --> 00:11:31.759
you? Probably. There's a girl who had her earlobes,

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earphone jacks, and she can create music and

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listen to things. It's fucking weird. I thought

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you said it was hero academia. It is. They're

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heroes. They're heroes in training, but they're

00:11:41.340 --> 00:11:45.690
not like. Can I ask what somebody with. Headphone

00:11:45.690 --> 00:11:48.110
jacks for earlobes would bring to a party. Well,

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she's like a recon type person. She can fucking

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tap into things and hear long distances and stuff.

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Nothing has headphones anymore. Nothing has headphone

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jacks. She doesn't have to connect it. She can

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plug it into the ground and she can hear vibrations

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and shit. Yeah. Yeah. It's dumb. I watched all

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the Godzilla and Kong movies this week. Oh, yeah.

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The new age ones. Yeah. It is so good. And I

00:12:15.409 --> 00:12:18.350
watch Pacific Rim. All right. It's been. It's

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cloud you week? No, monster week. Oh. So we've

00:12:21.009 --> 00:12:23.690
got two A4 sheets of paper at the shop. Mm -hmm.

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One page has themes. Mm -hmm. The other page

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has movies in those themes. So you come in on

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Monday and we vote what theme we're going to

00:12:34.730 --> 00:12:36.889
have for the week. Mm -hmm. And then once that

00:12:36.889 --> 00:12:39.269
theme is organized on Monday, then you get to

00:12:39.269 --> 00:12:41.190
pick movies in that category and then you watch

00:12:41.190 --> 00:12:44.210
them through. Dude, monster week's been so fucking

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cool. Nobody picked the, what was it called?

00:12:48.549 --> 00:12:56.509
The dreaded claw. And then I watched. That's

00:12:56.509 --> 00:12:59.309
worth fucking skimming over. Is it really? Oh,

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man. What is it? I'm pretty sure. Is it the claw

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or is it the dreaded claw? The dreaded claw.

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I'll look it up right here. Not like the dreaded

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pirate Roberts. No, not the dreaded claw. Is

00:13:09.269 --> 00:13:12.009
it just the claw? So it's just the claw. Might

00:13:12.009 --> 00:13:14.559
be. I'm trying to fucking find it. Does it have

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little green aliens in it and is it animated?

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No. Because that's Toy Story. No, it's black

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and white. It's an old movie. Why the fuck do

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I want to watch that? In case you didn't notice,

00:13:27.700 --> 00:13:30.360
I didn't even watch one scene of Justice League

00:13:30.360 --> 00:13:34.100
Grey. You never watched any of the old fucking

00:13:34.100 --> 00:13:38.100
King Kong or fucking Godzilla movies? I'm not

00:13:38.100 --> 00:13:40.820
90, regardless of how I fucking look to you,

00:13:40.899 --> 00:13:45.629
Jeremy. I'm 43. Man, I've watched them as a kid.

00:13:45.730 --> 00:13:47.889
That's fucking one of the things that kind of

00:13:47.889 --> 00:13:51.309
got me into cinema was the old boy fucking and

00:13:51.309 --> 00:13:55.649
me watching fucking old kaiju movies. The only

00:13:55.649 --> 00:13:58.070
black and grey film I've ever watched is Werewolf

00:13:58.070 --> 00:14:02.309
by Night. Anyway, The Claw. And, oh. Sin City?

00:14:03.110 --> 00:14:05.090
Sin City's not black and white, but. You should

00:14:05.090 --> 00:14:07.090
watch The Lighthouse. It's black and white and

00:14:07.090 --> 00:14:09.370
it's fucking sensational. Fuck, fuck, fuck, fuck,

00:14:09.389 --> 00:14:11.289
fuck, fuck Schindler's List is the only black

00:14:11.289 --> 00:14:12.710
and white film I've watched. Never watched it.

00:14:13.929 --> 00:14:21.549
The giant claw. That's the monster bite. I've

00:14:21.549 --> 00:14:26.230
seen the fucking shorts of that. I am not watching

00:14:26.230 --> 00:14:29.769
that. That's on the same level as the Asylum

00:14:29.769 --> 00:14:32.710
movies and you refuse to watch those? The giant

00:14:32.710 --> 00:14:36.570
claw was an American make when Japan was producing.

00:14:37.470 --> 00:14:39.009
Fucking Godzilla and shit. I don't want to hear

00:14:39.009 --> 00:14:40.490
it. And for the most part of the time you see

00:14:40.490 --> 00:14:42.629
this fucking, just a giant claw coming from the

00:14:42.629 --> 00:14:45.029
top of the fucking frame and like picking planes

00:14:45.029 --> 00:14:51.610
out of the sky and shit. It's fucking bad. Anyway.

00:14:52.370 --> 00:14:57.389
And you haven't seen Schindler's List. No. Dude,

00:14:57.529 --> 00:15:00.190
every person in the world should watch Schindler's

00:15:00.190 --> 00:15:02.850
List. I don't want to cry. You will fucking fall.

00:15:03.090 --> 00:15:06.039
The fact that every year. these people still

00:15:06.039 --> 00:15:08.519
make a pilgrimage to Oskar Schindler's grave.

00:15:08.720 --> 00:15:11.919
It's fucking heartbreaking. They go there and

00:15:11.919 --> 00:15:13.759
they put a rock on his grave every fucking year.

00:15:15.480 --> 00:15:21.840
Heartbreaking. Heart -wrenching. And the fact

00:15:21.840 --> 00:15:23.519
that right at the end he's bankrupted himself

00:15:23.519 --> 00:15:25.240
and he's handing himself over to the Soviets

00:15:25.240 --> 00:15:28.460
because he's a war criminal. Regardless of how

00:15:28.460 --> 00:15:29.960
many people he saved, he's still getting arrested.

00:15:31.240 --> 00:15:34.000
And at the end, he's... Wearing his clothes,

00:15:34.080 --> 00:15:36.519
he's about to get into a car and he's still crying

00:15:36.519 --> 00:15:38.820
with all these Jews around him and the ones that

00:15:38.820 --> 00:15:41.019
he set free. He's sitting there crying. He goes,

00:15:41.100 --> 00:15:44.279
I could have saved more. He saved thousands,

00:15:44.460 --> 00:15:47.700
dude. And he's like, this watch could have bought

00:15:47.700 --> 00:15:50.220
two of you. The car I'm about to get in could

00:15:50.220 --> 00:15:52.440
have bought three. The fact that a car could

00:15:52.440 --> 00:15:55.000
buy three people, dude. And the car back in the

00:15:55.000 --> 00:15:57.840
day was only worth five grand. And it was a Mercedes.

00:15:58.259 --> 00:16:00.919
Of course they were. Mercedes loved the Nazis.

00:16:04.049 --> 00:16:08.470
That whole thing that he's marching, he's going

00:16:08.470 --> 00:16:10.090
to his death, he knows he's going to die, and

00:16:10.090 --> 00:16:11.610
the last thing he's thinking of is what he's

00:16:11.610 --> 00:16:12.970
wearing and the fact that it could have saved

00:16:12.970 --> 00:16:15.750
more people. Heartbreaking. Heartbreaking and

00:16:15.750 --> 00:16:17.289
incredible story, dude. You need to watch it.

00:16:17.289 --> 00:16:20.789
Give it your time. Monster movie. There you go.

00:16:22.129 --> 00:16:24.169
Oh, did you hear that Adolf Hitler's just won

00:16:24.169 --> 00:16:27.809
the, you didn't know this, did you? The fellow

00:16:27.809 --> 00:16:30.789
over in South Africa. Yeah. His name's Adolf

00:16:30.789 --> 00:16:38.480
Hitler. And he's now a leader. Not a leader battle

00:16:38.480 --> 00:16:41.740
angel, like a leader. Yeah, I did hear something

00:16:41.740 --> 00:16:46.279
about this. Jesus. Dude, come on, guys. Don't

00:16:46.279 --> 00:16:48.600
name your kids Adolf Hitler. The funny thing

00:16:48.600 --> 00:16:50.820
is a lot of people, you'll write stories or come

00:16:50.820 --> 00:16:52.679
up with ideas and people go, that's stupid, that'll

00:16:52.679 --> 00:16:55.820
never happen. And this is the world we live in.

00:16:56.340 --> 00:17:00.620
Yeah. Fuck off. Oh, shit. Well, let's watch the,

00:17:00.700 --> 00:17:04.619
oh, no, we'll save that for Renton Sundry. I'm

00:17:04.619 --> 00:17:06.980
not watching that. I'm not watching The Claw,

00:17:07.019 --> 00:17:09.079
Jeremy. No, fair enough. At all. Yeah, no, that's

00:17:09.079 --> 00:17:10.900
fair. I probably wish I didn't see it as well.

00:17:11.140 --> 00:17:16.240
Thank the Lord. Who? Exactly. Now, are we up

00:17:16.240 --> 00:17:18.220
to the movie that we checked out this week? Yeah.

00:17:18.380 --> 00:17:20.539
Okay. Let's give it a go. So we didn't mention

00:17:20.539 --> 00:17:22.619
it last week, but I did put it in the thing.

00:17:23.579 --> 00:17:26.680
What thing? I put it down here. When? I asked

00:17:26.680 --> 00:17:29.359
you. Yeah, you did. Yeah, and then I edited it

00:17:29.359 --> 00:17:33.559
in later. Yes, we watched The Woman in the Yard.

00:17:33.950 --> 00:17:38.210
This had some hectic jump scares in it. A rather

00:17:38.210 --> 00:17:40.650
incredible story that I liked. I didn't mind

00:17:40.650 --> 00:17:43.150
it. It was a very short film. It was short. It's

00:17:43.150 --> 00:17:45.029
a new film. It's only just come out this year.

00:17:45.190 --> 00:17:47.430
Was it this year? I thought it was last year.

00:17:47.569 --> 00:17:50.589
Okay. Yeah, I think it even had recently added

00:17:50.589 --> 00:17:55.450
on Netflix. Yeah, right. A Blumhouse production.

00:17:57.049 --> 00:17:59.089
They're always a good time. They really are,

00:17:59.150 --> 00:18:03.690
dude. Is it A24 and Blumhouse are leading the

00:18:03.690 --> 00:18:06.710
way, man. Neon. Neon does good too. Oh, hang

00:18:06.710 --> 00:18:09.450
on. You have seen some stuff from Neon? I did

00:18:09.450 --> 00:18:12.150
see one the other day. Anyway, they do good stuff.

00:18:12.369 --> 00:18:15.650
Did they do that other movie we watched the other

00:18:15.650 --> 00:18:21.390
week? They did. Which movie? The Marabone. Did

00:18:21.390 --> 00:18:24.509
they? No, that was an A24. It was an A24. Fuck.

00:18:24.710 --> 00:18:27.049
Okay. Trust me, Neon's done some good stuff.

00:18:27.089 --> 00:18:28.750
I can't think of anything off the top of my head

00:18:28.750 --> 00:18:31.039
at the moment. But, yeah, it came out this year.

00:18:32.019 --> 00:18:36.559
No name cast. Yeah. All set in one location.

00:18:37.099 --> 00:18:39.779
It just set in a house, man. Oh, there's a couple

00:18:39.779 --> 00:18:42.619
of shots where they're in a restaurant. A couple

00:18:42.619 --> 00:18:44.079
of flashbacks, yeah. Yeah, it's all set in a

00:18:44.079 --> 00:18:46.039
house. Yeah. I was surprised that you wanted

00:18:46.039 --> 00:18:47.920
to choose this movie. You're not a big horror

00:18:47.920 --> 00:18:50.859
fan. Because it's scary? Mm -hmm. I like horror.

00:18:50.960 --> 00:18:55.380
I just get scared. Fair. I'm a pussy. And this

00:18:55.380 --> 00:18:57.440
fuckwit wants to make me do streaming with horror

00:18:57.440 --> 00:19:00.440
games. He thinks it's good content. It would

00:19:00.440 --> 00:19:04.099
be great content. It would be. You think the

00:19:04.099 --> 00:19:06.319
joke's off? Wait until we get you shitting your

00:19:06.319 --> 00:19:12.500
pants. Imagine that. And then there's just a

00:19:12.500 --> 00:19:14.839
set of jeans hanging up on the back of the wall.

00:19:15.480 --> 00:19:19.480
But, yeah, so twisty kind of movie. Not very.

00:19:20.960 --> 00:19:23.660
Still not sure. Still not sure about it. Like

00:19:23.660 --> 00:19:28.640
the ending was different. Different, yeah. So

00:19:28.640 --> 00:19:31.440
if you haven't watched it, check it out. Come

00:19:31.440 --> 00:19:33.400
back later because I don't want to spoil the

00:19:33.400 --> 00:19:34.599
shit out of this. Oh, we're spoiling the fuck

00:19:34.599 --> 00:19:36.779
out of this. I don't think you can really talk

00:19:36.779 --> 00:19:38.299
about this movie without talking about the ending.

00:19:39.119 --> 00:19:42.039
There's set up, but the premise isn't kind of

00:19:42.039 --> 00:19:46.240
massive. Yeah. The cast isn't massive. But they

00:19:46.240 --> 00:19:48.339
don't really explain much to it either. Yeah,

00:19:48.380 --> 00:19:51.380
the acting isn't great. Yeah. But it suffices.

00:19:51.869 --> 00:19:53.990
So it starts with this lady in a black garb.

00:19:54.009 --> 00:19:55.690
She's just sitting in a chair in the front of

00:19:55.690 --> 00:19:58.210
this yard. It's across the road and it's just

00:19:58.210 --> 00:20:01.950
she's looking at the house. Lady walks out. Oh,

00:20:01.990 --> 00:20:03.609
is there any way we can help you? And she says

00:20:03.609 --> 00:20:06.450
a couple of weird things like, your daughter

00:20:06.450 --> 00:20:10.210
looks tasty. Yeah. And she says some things like,

00:20:10.210 --> 00:20:12.730
I'm drowning. How did I get here? And it's a

00:20:12.730 --> 00:20:15.089
very distorted voice in that. But then slowly

00:20:15.089 --> 00:20:18.230
as the day goes on, the chair moves closer and

00:20:18.230 --> 00:20:21.559
closer to the house. We get some things happening.

00:20:21.640 --> 00:20:24.460
We get some looks into the back story. The husband

00:20:24.460 --> 00:20:27.240
wanted this place. She didn't want to be there.

00:20:27.279 --> 00:20:30.680
We find that out. Well, she did, but now she's

00:20:30.680 --> 00:20:32.920
been there. He's like, we can't keep moving every

00:20:32.920 --> 00:20:35.119
couple of weeks, babe. We have to make this work

00:20:35.119 --> 00:20:37.240
because this is what you wanted. You hated the

00:20:37.240 --> 00:20:40.400
city. We moved to the country. He's no longer

00:20:40.400 --> 00:20:43.000
in the picture. She's obviously still grieving.

00:20:45.460 --> 00:20:48.059
she's still injured from what has happened to

00:20:48.059 --> 00:20:51.299
take him away from his family. And everyone's

00:20:51.299 --> 00:20:54.339
kind of dealing with it in their own way. The

00:20:54.339 --> 00:20:57.700
kids obviously will always bounce back. Yeah.

00:20:57.880 --> 00:21:01.279
For the most part, quicker than an adult. She's

00:21:01.279 --> 00:21:04.900
obviously wallowing and neglecting everything.

00:21:05.420 --> 00:21:09.180
Pellets off, fucking bills are piling up. The

00:21:09.180 --> 00:21:11.680
kids, there's no milk in the fridge or something

00:21:11.680 --> 00:21:14.250
like that, yeah. But this is what. See, this

00:21:14.250 --> 00:21:16.869
is where the confusion comes, right? Because

00:21:16.869 --> 00:21:19.470
at the end of this film, when they walk back

00:21:19.470 --> 00:21:22.369
into the house, the power comes on. I want to

00:21:22.369 --> 00:21:26.549
get to that in a minute. I think I'll save my

00:21:26.549 --> 00:21:29.569
thoughts for the end. We will get to that. So,

00:21:29.589 --> 00:21:32.849
you know, all that kind of shit's going on. She's

00:21:32.849 --> 00:21:35.250
getting short with the kids, snapping, the kids

00:21:35.250 --> 00:21:38.089
are getting frustrated with her and each, you

00:21:38.089 --> 00:21:40.269
know. There's a lot of shit going on. And then

00:21:40.269 --> 00:21:42.730
this fucking figure rocks up in the yard. And

00:21:42.730 --> 00:21:47.130
that's weird. And the kids are seeing it as well,

00:21:47.250 --> 00:21:50.930
which we'll touch on later. But, yeah. Yeah,

00:21:50.950 --> 00:21:53.009
it's not like she's having a mental break. This

00:21:53.009 --> 00:21:56.450
is like it's an actual person or entity that's

00:21:56.450 --> 00:21:59.329
there. Yeah. And then it's just throughout the

00:21:59.329 --> 00:22:01.410
day they're kind of waiting it out, it seems

00:22:01.410 --> 00:22:06.029
to be. And it pretty much comes to the fruition

00:22:06.029 --> 00:22:10.180
where this. Lady reveals her face. And she's

00:22:10.180 --> 00:22:12.599
beautiful. God, she's stunning, dude. That chick

00:22:12.599 --> 00:22:16.400
is strikingly beautiful. She reminds me of Ghostbusters.

00:22:16.940 --> 00:22:21.700
Grace Jones was her name, Grace Jones. Are you

00:22:21.700 --> 00:22:24.759
talking about the, are you the key maker? You're

00:22:24.759 --> 00:22:29.359
the key holder or? Hang on. No, it's key something.

00:22:29.660 --> 00:22:32.799
Key maker. It's a key maker, yeah. No, it's.

00:22:33.230 --> 00:22:37.450
Do you have the key or key holder or key bearer?

00:22:37.750 --> 00:22:40.750
Are you the key master? No, stop. That's it.

00:22:40.829 --> 00:22:43.529
Fuck, I was wrong. I'm like, no, that doesn't

00:22:43.529 --> 00:22:48.329
sound right. Yeah, so she reveals something to

00:22:48.329 --> 00:22:52.430
the son and then the son confronts the mum about

00:22:52.430 --> 00:22:55.789
the night that the father died. Yeah. And then

00:22:55.789 --> 00:22:57.730
the story starts coming out because a lot of

00:22:57.730 --> 00:23:00.529
that first kind of part is setting up. It's like

00:23:00.529 --> 00:23:04.470
she's. She's hiding something. Absolutely. Like,

00:23:04.470 --> 00:23:06.670
what's she not telling? Yeah. And then, like,

00:23:06.750 --> 00:23:09.230
you think about the past, what's she not telling?

00:23:09.349 --> 00:23:11.769
But then she's blatantly doing things and then

00:23:11.769 --> 00:23:13.829
coming back into the house and lying to the kids.

00:23:14.390 --> 00:23:17.470
Yeah, I don't. It's kind of a weird setup. I

00:23:17.470 --> 00:23:20.170
think the whole movie was kind of based on this,

00:23:20.250 --> 00:23:23.049
the third act, everything that kind of goes down

00:23:23.049 --> 00:23:25.049
and shit starts going supernatural. And you see,

00:23:25.170 --> 00:23:30.109
I think it's as the sun goes down, she gets closer

00:23:30.109 --> 00:23:34.289
to the house. Because this woman in black in

00:23:34.289 --> 00:23:37.009
the yard ends up playing with the shadows and

00:23:37.009 --> 00:23:39.430
moving shit around. Like when a young bloke goes

00:23:39.430 --> 00:23:41.789
out the front and you see the hand sort of come

00:23:41.789 --> 00:23:43.470
up on the side of the house and hit the wind

00:23:43.470 --> 00:23:46.250
chimes. Yeah. I did think that was cool. Yes,

00:23:46.250 --> 00:23:49.630
dude. The shadow play and the way that her powers

00:23:49.630 --> 00:23:52.390
kind of worked. I think it was really exceptional

00:23:52.390 --> 00:23:54.349
when they went into the attic and there was a

00:23:54.349 --> 00:23:57.049
lot of dark, but just when the light spinning

00:23:57.049 --> 00:23:59.430
around. That spun for a long time. Yes, sir.

00:23:59.529 --> 00:24:07.059
You know. You get that. Yeah, and then you get

00:24:07.059 --> 00:24:09.299
that kind of scene that happens and shit goes

00:24:09.299 --> 00:24:13.220
down and then this is where it all kind of gets

00:24:13.220 --> 00:24:16.980
fucking weird because they get up to the attic,

00:24:17.160 --> 00:24:20.299
the woman kind of confronts, takes the daughter,

00:24:20.400 --> 00:24:24.799
then the mother goes down into the safe. No,

00:24:24.819 --> 00:24:27.359
no, no, that's not the bit that weirded me out.

00:24:27.460 --> 00:24:30.440
The fact that... The mother just disappears and

00:24:30.440 --> 00:24:32.839
then you can see her hitting the wall as a shadow

00:24:32.839 --> 00:24:35.420
in the background. It's like, has she absorbed

00:24:35.420 --> 00:24:37.359
her into a shadow realm? What the fuck's going

00:24:37.359 --> 00:24:42.039
on here? So to kind of further explain this whole

00:24:42.039 --> 00:24:49.019
thing, she's suicidal in her grief. Yeah. I think

00:24:49.019 --> 00:24:52.500
it's death. that is haunting her, how she goes,

00:24:52.640 --> 00:24:55.160
you know, you've prayed for the strength. You're

00:24:55.160 --> 00:24:56.900
not praying for the strength to overcome. You're

00:24:56.900 --> 00:24:58.220
not praying for the strength of your children

00:24:58.220 --> 00:25:01.579
or to be a good parent. You've got this gun in

00:25:01.579 --> 00:25:03.279
your possession and you've thrown away every

00:25:03.279 --> 00:25:05.539
bullet except for one. I know what you're praying

00:25:05.539 --> 00:25:08.480
for. See, I don't think it was death. I think

00:25:08.480 --> 00:25:11.880
it was a dark part of her because she's the one

00:25:11.880 --> 00:25:15.380
that I think may have potentially caused the

00:25:15.380 --> 00:25:19.279
accident because she was in the back seat. Yep.

00:25:19.680 --> 00:25:22.380
And then. On the road behind, yeah. Yeah, on

00:25:22.380 --> 00:25:26.400
the road behind. I think I agree with you there

00:25:26.400 --> 00:25:28.839
because when she's in the attic and she's like,

00:25:28.880 --> 00:25:31.559
old love is on her knees and she's crying and

00:25:31.559 --> 00:25:34.519
she's walking over to her, half of her face is

00:25:34.519 --> 00:25:41.710
missing. So I think, I think that. I'll tell

00:25:41.710 --> 00:25:43.549
you my thoughts at the end because I'll keep

00:25:43.549 --> 00:25:45.269
jumping towards the end and I can't do that.

00:25:45.289 --> 00:25:46.990
That's not the way you review a movie. No, but

00:25:46.990 --> 00:25:48.890
the end is kind of the important part. The last

00:25:48.890 --> 00:25:51.210
act is where it all come in, isn't it? Yeah.

00:25:53.029 --> 00:25:55.109
So then it has this whole kind of sequence in

00:25:55.109 --> 00:25:58.190
the attic where the kid, the eldest son, just

00:25:58.190 --> 00:26:01.970
watches this fucking figure that he's been fighting

00:26:01.970 --> 00:26:05.569
in the past take the daughter and then he snaps

00:26:05.569 --> 00:26:08.569
out of it and then we get a replay of it later

00:26:08.569 --> 00:26:12.259
on. And it's the mother in place takes the daughter,

00:26:12.380 --> 00:26:15.599
but does she take the daughter? And that whole

00:26:15.599 --> 00:26:17.740
kind of sequence of going down the stairs into

00:26:17.740 --> 00:26:21.960
the gun safe is where she kind of ventured into

00:26:21.960 --> 00:26:27.039
to come back to that, man, very ambiguous movie.

00:26:27.500 --> 00:26:30.539
And this is another thing where I was a bit bothered

00:26:30.539 --> 00:26:33.460
too. Like you can see where she's holding a daughter,

00:26:33.559 --> 00:26:39.220
but then, no, she's holding a pillow. And then

00:26:39.220 --> 00:26:41.740
she stabs the pillow and looks in the mirror

00:26:41.740 --> 00:26:43.619
and she's holding her daughter and she's just

00:26:43.619 --> 00:26:47.259
stabbed her daughter. And then the lady at the

00:26:47.259 --> 00:26:50.880
front's got blood all over her hands and she's

00:26:50.880 --> 00:26:54.420
holding her past child in the attic. And I'm

00:26:54.420 --> 00:26:58.140
like, it was still confusing me at that point.

00:26:58.180 --> 00:27:01.259
I'm like, what the fuck is happening here? Yeah,

00:27:01.359 --> 00:27:04.240
I think it's kind of weird. It's up until the

00:27:04.240 --> 00:27:06.319
point where she tells the kids to go to the neighbours.

00:27:06.759 --> 00:27:11.150
Yeah. So I think the daughter and the son survive

00:27:11.150 --> 00:27:15.069
whatever this is and that's when things start

00:27:15.069 --> 00:27:17.769
going down. So she obviously confronts this darker

00:27:17.769 --> 00:27:20.609
side of herself, gets the gun out and, like,

00:27:20.609 --> 00:27:25.269
tells the kids to piss off basically and is heading

00:27:25.269 --> 00:27:28.990
to do the deed. Okay. So that's your thoughts?

00:27:29.710 --> 00:27:31.769
To this point. Give me your thoughts on the wrap.

00:27:31.829 --> 00:27:34.430
You finish off. You wrap up and then I'll come

00:27:34.430 --> 00:27:37.619
back. Okay. So she goes into the... The shed,

00:27:37.799 --> 00:27:41.859
she's got the gun, she's, you know, fighting

00:27:41.859 --> 00:27:45.539
with this dark part of herself. You never hear

00:27:45.539 --> 00:27:49.599
a shot. Nope. So has she done it? Has she not

00:27:49.599 --> 00:27:52.740
done it? Whatever. The fact that she comes out

00:27:52.740 --> 00:27:56.960
of the shed, miraculously the kids are coming

00:27:56.960 --> 00:28:00.279
back. They're kind of happy, not where'd she

00:28:00.279 --> 00:28:03.180
go, whatever. There is a, well, we'll deal with

00:28:03.180 --> 00:28:05.799
that another day. And we'll be ready. Up the

00:28:05.799 --> 00:28:10.359
stairs, the dog comes back and then the lights

00:28:10.359 --> 00:28:14.259
miraculously come on. Then we get the zoom into

00:28:14.259 --> 00:28:17.880
her studio and the name's written backwards,

00:28:18.000 --> 00:28:20.420
which she's fucking berated her daughter about,

00:28:20.599 --> 00:28:23.819
writing the R backwards. So it's like, is this

00:28:23.819 --> 00:28:27.720
some kind of mirror dimension? Is she dead? Is

00:28:27.720 --> 00:28:30.839
that your? We will hash over other things, but

00:28:30.839 --> 00:28:34.359
now you. Okay. I think she's killed her kids.

00:28:35.579 --> 00:28:37.779
Right. So I believe that she's killed her kids

00:28:37.779 --> 00:28:41.700
and then she's committed suicide. She's now in

00:28:41.700 --> 00:28:45.059
purgatory because when she's having that dream

00:28:45.059 --> 00:28:47.420
or she meets her husband and he's like, I just

00:28:47.420 --> 00:28:51.380
had the most miraculous dream. We love this place.

00:28:51.440 --> 00:28:53.200
We've finished all the work to it. The house

00:28:53.200 --> 00:28:55.420
looks amazing. And we've got the sign at the

00:28:55.420 --> 00:28:57.700
front of the name. She goes, naming a place is

00:28:57.700 --> 00:29:00.559
stupid. We're not naming this place. We're not

00:29:00.559 --> 00:29:02.259
going to be here forever. It's a stupid idea.

00:29:02.759 --> 00:29:06.079
And he's like, no. Every farm, every ranch has

00:29:06.079 --> 00:29:08.539
a name. We need to name it. After everything

00:29:08.539 --> 00:29:10.519
we've been through here. Yeah, we need to name

00:29:10.519 --> 00:29:17.039
it. So we see her daughter die. We see her with

00:29:17.039 --> 00:29:20.099
bloody hands. The kids disappear and come back

00:29:20.099 --> 00:29:23.680
happy. All of a sudden the power's on. The dog

00:29:23.680 --> 00:29:26.359
that died earlier on is back. The house looks

00:29:26.359 --> 00:29:28.819
fantastic. Everything is finished. She has a

00:29:28.819 --> 00:29:30.660
studio. She's got all the shit that she's ever

00:29:30.660 --> 00:29:32.200
wanted to do and there's a finished painting.

00:29:33.039 --> 00:29:36.200
The finished painting has Ramona backwards. I

00:29:36.200 --> 00:29:38.819
think she's dead. And she's killed her kids.

00:29:38.940 --> 00:29:41.619
She killed the dog. And now she's stuck in that

00:29:41.619 --> 00:29:45.380
house forever. The whole thing with her going,

00:29:45.519 --> 00:29:47.039
like, putting the gun in her mouth and going,

00:29:47.200 --> 00:29:48.859
come on, we haven't got all day. We haven't got

00:29:48.859 --> 00:29:52.720
all day. And then in the attic, when the kid's

00:29:52.720 --> 00:29:57.799
gone, she's got half a face missing. Potential

00:29:57.799 --> 00:29:59.380
controlling. The death character. Potential.

00:29:59.720 --> 00:30:01.680
Gunshot wound. It's a double barrel shotgun.

00:30:02.000 --> 00:30:04.119
She'd done the Kurt Cobain. Well, Kurt Cobain

00:30:04.119 --> 00:30:07.640
didn't do it, but that's another story. We'll

00:30:07.640 --> 00:30:09.960
get to that when we talk about Jeremy's moon

00:30:09.960 --> 00:30:17.359
landing. So I think she's killed her kids. That

00:30:17.359 --> 00:30:19.980
thing at the front was her because we see her

00:30:19.980 --> 00:30:23.380
sitting in that chair, talking to herself that's

00:30:23.380 --> 00:30:26.519
come out from earlier on in the film. And she's

00:30:26.519 --> 00:30:28.319
talking and saying the same thing. I don't know.

00:30:29.210 --> 00:30:31.890
When she says, I think I'm drowning, I'm drowning,

00:30:32.069 --> 00:30:34.390
I think that's her drowning in the emotions of

00:30:34.390 --> 00:30:37.150
what's going on, the fact that she was the cause

00:30:37.150 --> 00:30:40.730
of her husband dying, the fact that she keeps

00:30:40.730 --> 00:30:43.930
the car. The car is at the house. Why would you

00:30:43.930 --> 00:30:48.910
do that? And then there's the she's injured,

00:30:49.029 --> 00:30:53.029
but he's been dead for a long time. No, no, no.

00:30:53.130 --> 00:30:55.809
No, no, no, no. This is weeks after. Like she's

00:30:55.809 --> 00:30:57.150
still recovering from the injury. I thought it

00:30:57.150 --> 00:31:00.519
was months after. You can be in a cast for fucking

00:31:00.519 --> 00:31:04.839
six months. Six weeks. I think it's a recent

00:31:04.839 --> 00:31:07.579
thing. Yeah. But, yeah, that's what I think.

00:31:07.619 --> 00:31:09.660
I think so when they're going back in and they're

00:31:09.660 --> 00:31:11.420
all happy, everybody's happy, and they're like,

00:31:11.519 --> 00:31:12.960
what happens when she comes back? Don't worry,

00:31:13.099 --> 00:31:15.480
we'll be ready. Let's go in and let's all play

00:31:15.480 --> 00:31:17.660
video games. We'll eat all this food that they

00:31:17.660 --> 00:31:20.720
haven't had. They didn't even have fucking milk.

00:31:21.690 --> 00:31:23.230
And all of a sudden we're going to, you know,

00:31:23.230 --> 00:31:24.630
have a movie night. We're going to play video

00:31:24.630 --> 00:31:26.049
games. Everything's going to be great. The lights

00:31:26.049 --> 00:31:28.009
come on. The name's there. The dog comes back.

00:31:28.130 --> 00:31:30.910
No one questions how the dog come back. No one

00:31:30.910 --> 00:31:34.210
questions how the house was automatically rejuvenated

00:31:34.210 --> 00:31:38.130
and now looks beautiful. And the fact that Ramona

00:31:38.130 --> 00:31:40.289
is written in reverse, I think she did. I think

00:31:40.289 --> 00:31:42.289
she killed her family. I don't think the kids

00:31:42.289 --> 00:31:45.410
died. Only because you don't see anything kind

00:31:45.410 --> 00:31:47.470
of happen to the son like you do the daughter.

00:31:48.250 --> 00:31:50.190
But the whole thing is the other house was 10

00:31:50.190 --> 00:31:52.329
kilometres away. And she still sent her kids

00:31:52.329 --> 00:31:58.269
away. So that just might be her. I don't want

00:31:58.269 --> 00:32:02.109
you to see what happens here. It could be her

00:32:02.109 --> 00:32:04.029
approximation of a child's soul or something,

00:32:04.109 --> 00:32:05.769
like her kids are there forever now and they're

00:32:05.769 --> 00:32:08.990
always going to stay that age. And now that they've

00:32:08.990 --> 00:32:12.609
gone, I still believe that she killed her daughter

00:32:12.609 --> 00:32:15.509
because she literally had blood on her hands

00:32:15.509 --> 00:32:16.730
when she's sitting out the front. She's like,

00:32:16.849 --> 00:32:19.470
what is this? What is this? I think it was more

00:32:19.470 --> 00:32:21.940
she was worried about. She might have had thoughts

00:32:21.940 --> 00:32:27.079
about hurting the kids. Now, I'm going to do

00:32:27.079 --> 00:32:29.240
something different this week, right? So we're

00:32:29.240 --> 00:32:32.079
going to do our little idea and our spit forward

00:32:32.079 --> 00:32:35.720
of like an approximate sort of synopsis and then

00:32:35.720 --> 00:32:36.980
we're going to go through and we're going to

00:32:36.980 --> 00:32:42.619
see what the Google says. Right. Yeah, I think

00:32:42.619 --> 00:32:44.940
she died at the end. I don't think the kids died.

00:32:45.200 --> 00:32:49.059
You think that's just her, that's her keeping

00:32:49.059 --> 00:32:52.359
that? that her husband apparently had alive.

00:32:53.000 --> 00:32:56.160
Yeah. Well, see, that's the thing. If she went

00:32:56.160 --> 00:32:58.480
into the house and they go, Dad, that would have

00:32:58.480 --> 00:32:59.880
fixed everything and I would have gone, hang

00:32:59.880 --> 00:33:01.420
on a minute, now I know what the problem is.

00:33:01.440 --> 00:33:04.900
But they don't. So I don't know whether the husband

00:33:04.900 --> 00:33:08.160
is still in that house as a dream spirit ghosty

00:33:08.160 --> 00:33:13.160
thing. But, yeah, I think I didn't mind it. I

00:33:13.160 --> 00:33:15.640
didn't hate this movie. I thought it was. I thought

00:33:15.640 --> 00:33:18.839
it was the antithesis of Cargo that we watched

00:33:18.839 --> 00:33:23.670
last week. The complete opposite. I agree. Mother,

00:33:23.789 --> 00:33:26.329
father. Would do anything. Would do anything.

00:33:26.890 --> 00:33:28.930
Doesn't want to do fuck all. Drowning and doesn't

00:33:28.930 --> 00:33:32.130
want to do fuck all. Literally day and night.

00:33:32.450 --> 00:33:36.410
Yeah. I think so too. Yeah. Yeah. Or at least

00:33:36.410 --> 00:33:38.250
watching them back to back, it kind of felt that

00:33:38.250 --> 00:33:41.730
way. Yeah. I thought the imagery of it was great,

00:33:41.930 --> 00:33:44.930
dude. Like just having this house in the middle

00:33:44.930 --> 00:33:48.910
of fucking nowhere and just having. that you

00:33:48.910 --> 00:33:52.109
can see where nothing is within eye shot. And

00:33:52.109 --> 00:33:55.250
then this lady just in complete black. Yeah.

00:33:55.750 --> 00:33:58.369
Just sitting there. Yeah. Some of the camera

00:33:58.369 --> 00:34:01.869
angles were, like, pretty cool. Yes, yes. The

00:34:01.869 --> 00:34:04.490
phone didn't work. The car didn't work. Mm -hmm.

00:34:06.190 --> 00:34:11.610
Nothing worked until the end. Yeah. She dead.

00:34:12.429 --> 00:34:15.210
Oh, yeah. I think she's dead. I definitely think

00:34:15.210 --> 00:34:16.730
she's dead. Yeah. I don't think the kids are.

00:34:16.869 --> 00:34:21.079
It might be. Okay. What would you give it? I'd

00:34:21.079 --> 00:34:23.699
give Cargo three and a half, and I really like

00:34:23.699 --> 00:34:29.960
that. I'm going to give this a 3 .2. Mate, we

00:34:29.960 --> 00:34:33.139
should have had it out of 100 because then it

00:34:33.139 --> 00:34:35.980
would have been better. Consider all the movies

00:34:35.980 --> 00:34:38.679
we're about to watch in our next 50 years of

00:34:38.679 --> 00:34:49.090
doing this show. Yeah, 50. Yeah. I think we need

00:34:49.090 --> 00:34:51.869
to do it more than five. Two and a half for me.

00:34:52.809 --> 00:34:56.230
That's solid. Yeah. I agree. Right down the middle.

00:34:56.329 --> 00:35:00.090
Very fast. Not mind -blowing. No. It was like,

00:35:00.210 --> 00:35:03.050
here's some stuff. That's as much as we're going

00:35:03.050 --> 00:35:05.010
to explain it better. Here's some stuff. That's

00:35:05.010 --> 00:35:07.110
all we're going to talk about. It was, yeah.

00:35:07.769 --> 00:35:10.989
It had, there was so much room to improve in

00:35:10.989 --> 00:35:15.710
that. I thought, yeah. Three point. No, three.

00:35:15.789 --> 00:35:18.889
Let's go three. We got three. Boom. There we

00:35:18.889 --> 00:35:21.289
go. Cool. Now we're going to do the Googles.

00:35:21.289 --> 00:35:23.849
You do the Google. Let's go Woman in the Yard

00:35:23.849 --> 00:35:27.809
Explained. See what pops up. So this is AI's

00:35:27.809 --> 00:35:32.010
answer. The Woman in the Yard is a 2025 horror

00:35:32.010 --> 00:35:34.809
film. It is a personification of the protagonist

00:35:34.809 --> 00:35:37.130
Ramona's grief, guilt, and suicidal thoughts

00:35:37.130 --> 00:35:40.130
following her husband's death. She's a dark passenger

00:35:40.130 --> 00:35:42.610
or shadow self that represents Ramona's inner

00:35:42.610 --> 00:35:45.280
turmoil. appearing during her darkest moments

00:35:45.280 --> 00:35:47.980
and urging her to end her life. The film explores

00:35:47.980 --> 00:35:49.840
the effects of grief and trauma and the woman

00:35:49.840 --> 00:35:52.420
in the yard acts as a guide into a symbolic or

00:35:52.420 --> 00:35:55.000
a literal mirror realm, leading to an ambiguous

00:35:55.000 --> 00:35:57.119
ending that questions whether Ramona overcomes

00:35:57.119 --> 00:35:59.659
her depression or succumbs to it. The video explains

00:35:59.659 --> 00:36:01.599
the symbolism of the woman in the yard and the

00:36:01.599 --> 00:36:05.119
film's ambiguous ending. Let's go down to the

00:36:05.119 --> 00:36:07.199
ambiguous ending. The film ends ambiguously with

00:36:07.199 --> 00:36:10.199
conflicting interpretations of what the final

00:36:10.199 --> 00:36:12.769
scenes mean. Some viewers believe Ramona overcomes

00:36:12.769 --> 00:36:14.550
a demon while others see it as coming to the

00:36:14.550 --> 00:36:16.510
woman and being trapped in a cycle of despair.

00:36:19.809 --> 00:36:23.429
We're both fucking right. I just don't understand

00:36:23.429 --> 00:36:27.869
why they saw this kind of entity in the yard,

00:36:27.909 --> 00:36:31.889
the kids. Yep. If the mum had kind of kept them

00:36:31.889 --> 00:36:34.670
away from the windows. Right. The entire movie.

00:36:34.809 --> 00:36:39.329
Don't look outside. So they were like. So she

00:36:39.329 --> 00:36:41.510
only saw the dark side of herself. They didn't.

00:36:43.409 --> 00:36:46.309
I think it could have been done better, but I

00:36:46.309 --> 00:36:49.949
didn't hate it. Just, yeah, it isn't really that

00:36:49.949 --> 00:36:53.909
clear. The fact that everything fixes at the

00:36:53.909 --> 00:36:57.949
end, it says this view argues that Ramona succumbs

00:36:57.949 --> 00:36:59.750
to her grief and takes her own life with the

00:36:59.750 --> 00:37:01.730
final bullet and the subsequent happy scene is

00:37:01.730 --> 00:37:03.750
either the hallucination or her view of an afterlife.

00:37:06.110 --> 00:37:09.579
Yeah. Yeah, I agree with that. All right. You

00:37:09.579 --> 00:37:12.639
haven't seen the movie Midnight Special? Never

00:37:12.639 --> 00:37:18.480
even fucking heard of it. It stars Joel Edgerton,

00:37:18.719 --> 00:37:21.340
Michael Shannon, Kirsten Dunst, Adam Driver.

00:37:21.820 --> 00:37:25.139
Oh, shit. Roy Tomlin makes desperate efforts

00:37:25.139 --> 00:37:27.380
to protect his eight -year -old son, Alton, who

00:37:27.380 --> 00:37:31.440
possesses special powers from the religious sect

00:37:31.440 --> 00:37:33.900
and officials of the FBI who are on a quest to

00:37:33.900 --> 00:37:38.260
capture him. Came out in 2016. Yeah, that sounds

00:37:38.260 --> 00:37:41.039
not bad. Yeah, for sure. Midnight Special. Let's

00:37:41.039 --> 00:37:43.380
go. That's one. Watch it this week, guys, and

00:37:43.380 --> 00:37:46.420
watch along on Wednesday next week and see if

00:37:46.420 --> 00:37:50.280
you agree with our thoughts on the movie. Not

00:37:50.280 --> 00:37:53.619
Wednesday next week at all. We don't film until

00:37:53.619 --> 00:37:55.940
Friday. Yeah. It'll be the Wednesday after next.

00:37:56.179 --> 00:37:58.360
Or the Wednesday after you see this episode.

00:37:58.400 --> 00:37:59.960
Next week. Next week. There you go. Next week.

00:38:02.300 --> 00:38:03.840
That's so hard for me to get my fucking head

00:38:03.840 --> 00:38:06.659
around. We'll see you then. Thanks for joining

00:38:06.659 --> 00:38:08.320
us, guys. Please like, comment, subscribe, follow

00:38:08.320 --> 00:38:10.099
along. Like we said, join us on Wednesday for

00:38:10.099 --> 00:38:12.639
this episode because otherwise we're just talking

00:38:12.639 --> 00:38:14.820
to ourselves, which isn't a bad thing. We'll

00:38:14.820 --> 00:38:16.800
do it anyway. Yeah. I'm sitting here in underwear.

00:38:17.079 --> 00:38:19.380
We've got a fan. Everything's sweet. Love, peace,

00:38:19.440 --> 00:38:20.440
chicken grease. Bye.
