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Shall I compare thee to a summer's day?

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Mr. and Mrs. Dursley of number four, Privet Drive, were proud to say that they were perfectly

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normal.

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Thank you very much.

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Oh, Captain, my Captain, our fearful trip is done.

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My name is Ken Mears.

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And I'm Melissa Fales.

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And welcome to Writer's World.

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Have you ever thought of how you learn to talk?

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Just like how we learn to talk from our parents, people in England and Australia learn to talk

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from their parents with an accent.

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People in Elizabethan times had something similar.

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The poor lowly people would learn from their parents a certain way to talk, which was different

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from how the Queen learned to talk.

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And these two different ways of speaking is called poetry and prose.

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In the images I will give you, you'll understand why I said the Queen and the lowly people.

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But poetry is a collection of lines that follow a regular rhyming pattern.

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It is the umbrella in which couplets, quatrains, sonnets, iambic pentameter, and so forth lay

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under.

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It's something that the Queen would be educated enough that she could speak it and she would

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understand it.

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Prose is a form of language that has no regular pattern.

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It is quote, a form or technique of language that exhibits a natural flow of speech and

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grammar structure.

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According to Wikipedia, the word prose first appeared in English in the 14th century.

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It is derived from the old French prose, which in turn originates in the Latin expression,

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which literally means straightforward or direct speech.

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And kind of how I'm thinking of it is if you are poor in mind and you don't have a lot

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to say, it'll be more straightforward and direct.

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Ken, why would someone consider using poetry or prose in their writing?

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Well, prose is just a generally good thing to use because it gives a pattern and regularity

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to your writing.

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Prose could, in my opinion, even though I'm not the most educated on the topic, it could

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also kind of be defined as your style, your writing prose will be fairly different than

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mine.

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So having prose of your own in your writing will be wise if you want to be recognizable

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through your text.

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Now with poetry, you may want to use this if you want to be a bit more rhythmic or flowery

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with your words.

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Usually poetry is reserved as its own little thing while prose is used for literally everything

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from articles to novels.

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Yeah, prose is the way we speak to each other in everyday language.

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Poetries have it and you want to have your own distinct voice or prose and it's very,

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very common and interesting to study.

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Poetry on the other hand is heightened language.

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For example, Shakespeare uses poetry in prose wordplay in his stories to number one, add

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emphasis when a character is speaking, I pray you leave me is a way to be clear and get

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a point across.

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Number two, to create comic effect in a Midsummer's Night's Dream, which I'm sure some of you

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are familiar with, there is a group of commoners who go to act out a play for the Duke and

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while they are giving this play, they are talking in higher fancier language and it's

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kind of funny because they're giving this comic relief trying to talk like fancy people

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and they're doing a bad job.

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And number three, to suggest a character's mental instability.

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If I suddenly only talked in a southern accent, my mom would think I was crazy.

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Now imagine if a prince started talking like a commuter, the people around him would think

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he was crazy and you get to see this in Shakespeare's Hamlet.

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Hamlet, the main protagonist, starts to talk in prose and the people around him think he

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is loony.

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Ken, what has been your experience with poetry and prose?

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Do you use them in your writing?

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Well, of course I use prose because prose is writing itself, so I use it literally every

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time I write.

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When it comes to poetry, I don't use it quite as often, but I have written a fair amount.

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I'll share a couple of my favorite poems I've written.

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Excuse how long these are.

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The first one is called Death Rides at Midnight and I wrote it during my Writetober challenge

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last year.

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Death rides at midnight, filling the land with blight.

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He casts a frightful image as he rides through the village.

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His frightful scythe gleams, wet with the blood of unrealized dreams.

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The cold, hard metal is uncaring enough to unsettle.

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Beneath his dark hood lies nothing good, only the husk of a man who signals the end of a

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lifespan.

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His skeletal horse he rides along his dutiful course, whinnying as he stops to kill the

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farmer's crops.

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It's all him and his duty to take away life's beauty.

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Unbearable to a living man, the underworld's ghastly helmsman.

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The pistol is his herald and his black cloak appareled.

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Weapons of war bring him to the door.

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His job is made no easier, nor and breezier, by mankind's love of violence or vile fraudulence.

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All the thousands of young souls, lives lost without completing their goals, brought to

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a swift end by death only to attend.

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Death rides at midnight, filling the land with blight.

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He casts a frightful image as he rides through the village, searching for souls to pillage.

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And then this other one is a bit more recent.

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It's called You're Crazy, and I wrote it after a chat with my parents about how crazy all

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the stuff I do is.

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You're crazy, they say.

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Am I crazy?

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I hope so, I pray.

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Am I crazy for having a bit of ambition?

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Am I crazy for finding my life's mission?

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Am I crazy because I have a purpose?

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Am I crazy because I may seem multi-purpose?

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Am I crazy because I want to inspire others?

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Am I crazy because my life seems to be another's?

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Am I crazy because I stand for what I believe?

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Am I crazy because I am not afraid to achieve?

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Am I crazy because I try and do?

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Am I crazy because I went and flew?

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Am I crazy because I took that pain and hurt?

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Am I crazy because that put me on the outskirt?

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Am I crazy because I choose to care?

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Am I crazy because I do not wilt under another's glare?

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No, I am not crazy because I stand alone, because I am not lazy and do not live as a

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clone.

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If that makes me crazy, then I believe I am proud to be known as crazy because I am willing

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to be loud.

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I suppose I am crazy because I speak the truth.

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I do not live life hazy, but always in youth.

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You're crazy, they say.

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Am I crazy?

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I hope so, I pray.

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That was amazing.

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I loved it.

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Very good.

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Ken, we live in the 21st century.

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Is poetry still useful today, and your poetry was beautiful?

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I was just wondering, do you think that it's still useful today?

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I definitely think poetry is still very, very useful in our modern 21st century.

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If anything, it's more useful than ever.

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We live in a world that is fairly disconnected.

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Many people are numb and not really in touch with their emotions.

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Honestly, at times it feels a little bit like Fahrenheit 51, which is kind of scary.

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But poetry has an odd way of connecting in a way most other forms of writing struggle

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to accomplish.

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Maybe it's the rhythm or the rhyming or the fancier words.

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Whatever it is, it helps us snap out of what numbs us in our 21st century culture.

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Very interesting point, throwing it old school because I can.

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In fact, Shakespearean texts, you can tell because prose has run on lines, no rhyme or

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metric schemes, and the quality is of everyday language.

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While poetry with most poetry, each line begins with a capital letter and each line has a

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defined length.

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For modern and Shakespearean text, how to tell the difference between poetry and prose,

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your biggest clue is using the power of your ear.

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The reason I'm bringing up Shakespeare is his name is the bard, which literally means

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the poet and the best.

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I'm going to read off some famous texts to you, Ken, and we will see if you can tell

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the difference between prose and poetry.

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I would highly recommend if you don't look at our show notes to look at the show notes

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to see how these examples are written, which is a huge help in figuring out the difference

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between the two.

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So Ken, your first challenge.

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I do not like green eggs and ham.

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I do not like them in a box.

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I do not like them with a fox.

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I will not eat them in a house.

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I do not like them with a mouse.

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I do not like them here or there.

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I do not like them anywhere.

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Is that poetry or prose?

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Clearly that is poetry.

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Yes.

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Okay.

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Ready to take it up?

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Look, I don't want to be half-blood.

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If you're reading this because you think you might be one, my advice is close this book

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right away.

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Believe whatever lie your mom or dad told you about your birth and try to live a normal

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life.

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Is that poetry or prose?

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That would be prose.

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Okay.

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Long ago, a great and powerful wizard trained two apprentices.

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The apprentices were best friends, both with incredible natural abilities and harnessing

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magic from the world around them.

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Poetry or prose?

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It's prose and not only is it prose, it's my own prose.

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I was reading your book this weekend and I was like, well, this is the perfect opportunity.

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Yeah.

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So it's kind of clear to see and Ken was right on all of them, but it's kind of easy to see

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like how prose is a certain way and poetry is another way.

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But I just thought I wanted to make it a little bit clear.

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Now that we have addressed the difference and you kind of have an idea of the difference

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between the two, I think we can address another point.

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Ken, how does one write poetry?

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That's hard to exactly say.

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Honestly, you write poetry from the heart.

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You pour out your emotions and find words to fit them in a rhythmic way.

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When I write poetry, I usually pull up the website Rhyme Zone and use that to find words

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that rhyme or fit with what I'm trying to portray.

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My usual form of poetry is pretty simple in four-sentence stanzas or sections with alternating

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rhyming words at the end of sentences.

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Really poetry is a hard topic to teach and I wish I could better explain how to do it.

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And there's a lot of options and there's a lot of ways that you can do it.

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And before we cover how to write prose, I wanted to briefly talk about why powerful

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prose is important.

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I think the best way to do this is to tell the story and then just hand over the time

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to Ken to talk about how to write good prose.

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This story is told by the author of The Chosen in an interview.

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He says, quote, I went to the public library and browsed around for a while and by sheer

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chance found Brideshed revisited by Evely Wing.

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I have no idea what attracted me to it.

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Maybe it was the fact that it was about upper-class English Catholics.

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I took the book home and at first found it difficult to get into.

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But once I grew accustomed to the prose, I became utterly enchanted by the world and

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by the prose.

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It was really the first time in my life that I understood the importance of language in

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the writing of a story.

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Most of the time, I wouldn't want the language to interfere with the story.

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Reading the novel gave me a very vivid sense of the rhymes of the English language, its

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texture, the way sentences can be constructed to obtain certain effects.

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I remember that as I was reading it, I found myself thinking about the characters during

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the times I was away from the book.

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I would try to anticipate what their thoughts and feelings might be when I returned to the

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book.

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I was utterly taken by the characters of the mother, her tendencies, her odd personalities,

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her faith.

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I remember closing the book when I finished reading it and feeling bereaved because all

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the people I had read about were gone.

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I remember sitting there saying to myself, what power there is in this kind of creativity,

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end quote.

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Ken, how do you write good prose?

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I would say probably just simply by keeping it consistent.

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Your prose should be distinctly your own because it is a part of your style, which should be

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distinct.

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If you tend to be very solemn in your prose, do it that way.

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If you tend to be more lighthearted, do likewise.

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All in all, the best thing I can say with writing good prose is keep consistency.

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We hope today's episode was helpful.

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If you like our podcast, please share it with your friends and family.

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For resources in the transcript, visit writersworldpodcast.weebly.com and our Instagram is writersworldpodcastofficial.

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Yes, a mouthful, but worth it.

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Our Patreon is patreon.com slash writersworldpodcast and if you want your questions answered.

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Our email is writersworldpodcast at gmail.com.

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Until next time, I've been Ken Mears.

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And I've been Melissa Fales with Writers World.

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And keep on writing.

