WEBVTT

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Hi, everybody, and welcome to the Messenger Mic'd

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Up. My name is Jennifer Smith, and I am a student

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here at Johnson County Community College, and

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I am thrilled to welcome you to our very first

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episode of Student Stories. Joining me in the

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studio today is a student musician. And we're

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so excited to have him here. Friend, would you

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like to introduce yourself to our listeners?

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Well, hello, Jen. Thanks. Thanks for having me.

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First of all, my name is Robert Freeman. I perform

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under Stance and that's kind of how everybody

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knows me on campus. So if you go between Robert

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and Stance, I don't mind. So tell us a little

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bit about you, Stance. Hmm, well, I grew up in

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Olathe, so Kansas City, born and bred. I guess

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a lot of people wouldn't agree with that because

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it's the suburbs. Sorry, y 'all. But, you know,

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graduated from Olathe North, basically went into

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the Marine Corps right after high school, did

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my four years and out, had one tour to Afghanistan

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as an aviation supply Marine. My main duty station

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was out in San Diego, MCAS Miramore. I was stationed

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with the Marine Aviation Logistics Squadron 11,

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and we supported fixed -wing aircraft like F

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-18s, and then we also had a squadron of C -130s

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to support. Very, very cool. Very, very cool.

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What are you studying here at JCCC? I am in the

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Recording Arts Program. Big surprise! I mean,

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I've been making music for a while, but I felt

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like it was time to come back to school, kind

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of hone my craft. you know once i'm out of here

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feel a little bit more official a little bit

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more confident that's a perfect segue into my

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next question is what made you choose jccc and

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and why here well um i mean i hope i don't like

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step on other questions by saying this but after

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the marine corps i was in a music program at

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university of california san diego and due to

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some mental health trouble i ended up dropping

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out and i've taken the last few years to kind

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of get my mind right And when I first came home

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from California back in 2018, I actually toured

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the recording arts program here at Johnson County

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Community College. And it was crazy because from

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what I was told, even though Mr. Moreland might

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say differently, I was told at that time that

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the program was only in its like second year.

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You know, like the studio upstairs, third floor

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OCB, that's where most of the classes went. And

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then the studio first floor OCB wasn't even finished

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yet. It was crazy. Like they just had that blanket

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up. I don't know if you've been in there. There's

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a blanket for sound dampening and you have to

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close the sliding doors. The sliding doors are

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pretty new. Blankets always been in there swapped

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out or, you know, there was no like real definition

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between the control room and the recording room.

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They've come a long ways. So that definitely

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brought me back. It's a really cool room. And

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how cool that you, you know, you came here on

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a tour, probably never thinking in a million

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years that you would be a student here. So how

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cool to see that come full circle for you. When

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we were off the air, Stance and I were talking

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about both being music students here and both

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loving music and both having taken many music

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composition, although we took it with different

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professors. I'm in with Dr. Olvera right now.

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But shout out Mr. Moreland. Yeah, Mr. Moreland,

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you want to talk a little bit about? your class

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with MIDI music? Yeah um because I took it in

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conjunction with a couple other music classes

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so MIDI music composition kind of tied it all

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together so like I was in music theory as well

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piano class so MIDI music composition was kind

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of my practice to figure out like chord progressions

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and Mr. Moreland kind of focused on like the

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final product. Like, you know, you start with

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one chord progression, then you got to differentiate

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between another chord progression for a chorus

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or a hook. So you have a verse chord progression

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and you have a hook chord progression. You might

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want to even throw in a bridge there. So it was

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more, I mean, it's in the title of Class Midi

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Music Composition, but he definitely gives you...

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a very, very good foundation for how you should

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arrange your compositions. There's a good emphasis

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in that. Yeah, we're coming to that part of music

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right now. And it's really enjoyable. Did you

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guys use Pro Tools? Yes. Oh, you did. I didn't

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know if you used Ableton or if you used Pro Tools.

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That's what we're using as well. What would you

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say your favorite class has been here at JCCC

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and why? I know that's a hard one, right? That

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is very hard. You can say more than one. It's

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fine. No, because honestly... If Dr. Heinlein

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listens to this, he might have my throat during

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one of our rehearsals. But I absolutely hated

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jazz band at first. Wow. Because I had no jazz

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drumming experience coming into it. And Mr. Moreland

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sent me down for the tryout. He said, hey, you're

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a drummer, right? Doesn't matter the experience.

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Go down there and try out. So I did. Dr. Heinlein

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gave me the part. And I just like feeling at

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least a little bit confident going into something.

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I didn't really have that going into jazz. You

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had to have, again. Props to Dr. Heinlein, but

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don't murder me for saying this. Saying what

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I've said so far, but props to Dr. Heinlein because

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he is very, very patient. He is so patient. And

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that's kind of what gave me the confidence to

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start actually studying jazz, I guess jazz drumming.

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What's the word? Genres, I guess. Because you

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got Brazilian bossa, you got blues. There's a

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whole bunch of different sub -genres. And I ended

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up exploring that on my own outside of class.

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And so now, like coming into this semester, I

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think jazz is the jazz band is my favorite class.

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That's amazing. Sometimes you have to be pushed

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off a diving board, I think, you know, to see

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if you can really swim. And it's really cool

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to be surrounded by faculty and friends and other

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students who see potential in you that you might

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not see in yourself. Right. Right. And then you

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take a chance on something you might never have

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tried and then boom, you're in love with it.

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So that's really wonderful that you've had that

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experience here. We were also talking a little

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bit. before we came into the studio, just about

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how kind JCCC is and welcoming as it is of students

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that are non -traditional, that might not be

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18, 19, 20 years old. And so I was really heartened

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to hear that you had a very similar experience

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and in the music department, which is my department

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as well. We have had some really great conversations

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over the last four or five weeks, just getting

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to know each other. And again, thank you for

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being our first guest here on the show today.

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So with my notes, I had that you were a veteran

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and thank you for sharing that story with us.

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And thank you for your service. Again, offline,

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we were talking about the fact that I come from

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a military family as well. My father was in the

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Army, but I spent the first 15 years of my career

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working with the Marine Corps. So I started.

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army girl, and I'm still an army girl, but I

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love Misa Marie. So thank you again for your

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service. Proudly served. It's definitely a community

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that's a wonderful group to be a part of. Just

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love and appreciation for those, Harry. Absolutely.

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Love and appreciation. We appreciate that. Absolutely.

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So we've spoken today and then you and I multiple

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times about our shared love of music, about your

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work as a performer. You've also shared a little

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bit with me offline about your work as a producer.

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Can you talk a little bit about instrumentaling?

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Instrumentaling, that's not a word. Being an

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instrumentalist versus being a producer, what

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you love about both of them? Is there one that

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kind of shines more brightly than the other?

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Definitely my producing as of right now shines

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brighter than the other. I mean, unless you want

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to count my voice as an instrument, I'm not sure.

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Because I can rap and sing, but as far as playing

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instruments goes, I mean, I'm a drummer, like

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I said. I play a little bit of bass guitar. I

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mean, so for the most part, especially not having

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quick access to musicians you absolutely need,

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you know, I work with a lot of samples, whether

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I drop them straight in, I might manipulate them

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a little bit, but I can always create a production

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that I feel sounds unique because I can do some

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sample matching. You know, I'm not pulling all

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the samples from one sample folder per se. You

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know, I'll pull from different folders and I'll

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have to key match, I'll have to beat match, and

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I just can come up with something completely

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unique. And then I allow that to speak to me

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and then lyrics flow. And yeah, it's crazy. Definitely

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producing over instrumentation. How long would

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you say you've been producing? I guess my first

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little taste of it was back in 2015. Okay. Oh,

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wow. So quite some time. Yeah, it's been some

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time. It's crazy. I'm coming up on 10 years,

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but I've taken it seriously, more seriously,

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I should say, last. maybe three maybe four years

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okay because when i started it was just an idea

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i was playing soccer out of san diego mesa college

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before i transferred to ucsd and one of the forwards

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jose he was like yo dude's like did you listen

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to drake's new track i was like no bro like no

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no he's like um well do you think we could do

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something like that because i've heard of people

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having home studios and just cooking up and stuff

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i didn't even wasn't familiar even with the term

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cooking up literally thought he was talking about

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cooking in a kitchen and uh yeah he got me interested

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and i ended up downloading like a trial version

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of fl studio you know some people know it as

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fruity loops we started messing around at my

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place after practice and i definitely developed

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a love for it you know, from the very, very first

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jump. It's kind of weird seeing it come off full

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circle now. It's really cool. The whole creative

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process and to come in at the very beginning

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like that and then see the end product. That's

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really, really cool. On the topic of end product,

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where could our listeners hear some of the music

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that you've produced? I am on all major streaming

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platforms. A lot of independent artists use their

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own distribution services now. Those are available.

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I use DistroKid and it gets me into Spotify,

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Apple Music. People still use like Deezer and

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Napster. Napster, wow. Yeah, and it puts me into

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a... Like, you know, you can shoot Snapchat videos

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and tag, like, actual music for the video. So

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it puts me in Snapchat, puts me in Instagram,

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TikTok, things like that. So what that means

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is that, like, if I were to make a TikTok video,

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let's say, I could use your music. I could type

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your name in. Oh, that's cool. That's very cool.

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On the topic of your music, you and I were talking

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offline in one of our gazillions of conversations.

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I have so loved meeting you. I'm so grateful

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for the podcast for bringing us together. Where

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can we hear? you in the city as a performer?

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Where can we hear you? Oh, most definitely. So

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shout out to Lila Jewel. I don't know if anybody

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out there knows her. Don't think she's currently

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a student here, but she was last year. She put

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together a performing arts series that's going

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on now through May once a month. um big rip brewing

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company if anybody's familiar it's in north kansas

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city um i performed at the february 22nd show

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um the march show is full currently but i'll

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be out there again april and in may and then

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i'd be posting on the story a lot about the open

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mic so any musicians producers even slam poets

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singer songwriters y 'all got to join me at the

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open mic at the rhino in north casey that's monday

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and tuesday nights i'm out there a lot even if

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you guys want to just pull up and watch me you

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know energize the stage go crazy do you have

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a social media presence where folks can follow

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you and stay up to date on your yes most most

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definitely um i know on snapchat if you haven't

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gotten me uh stance underscore beats um let's

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see on most social media platforms like ig tick

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tock it's the rise of stance all one word Um,

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if people are still into Twitter or, you know,

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X, um, that would be stance underscore music.

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Um, am I forgetting one? I think, no, I think,

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yeah, I think I got them all. Cause I mean, there's

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sound, SoundCloud for streaming, but yeah, that's,

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that's a weird one. That's we the stance, soundcloud

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.com slash we the stance. It's all. All one word.

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Love that. So about singing on the music topic,

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where would you say your love for music came

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from? Were your parents musicians? Maybe you

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had other musicians in your family? Or did the

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bug just bite you? I would say it's kind of a

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blend of both, really. Because my mom's Jamaican,

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so a lot of reggae. And I don't know, she was

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really into R &B, too. But my dad grew up here

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in Kansas City. So jazz, R &B, blues. I mean,

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he touched his hand on a lot of stuff, even like

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alternative rock, kind of like the slower rock

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stuff. So I kind of had a very diverse influence

00:12:33.710 --> 00:12:36.250
coming from my parents. But then as I picked

00:12:36.250 --> 00:12:38.309
up, wanted to start picking up instruments, you

00:12:38.309 --> 00:12:40.269
know, I got comfortable with bass guitar first,

00:12:40.450 --> 00:12:43.110
even though I didn't practice my scales. And

00:12:43.110 --> 00:12:44.710
then I went right on to drumming. And that's

00:12:44.710 --> 00:12:47.070
kind of where I started developing a love for.

00:12:47.840 --> 00:12:49.879
even multiple genres of music because i was listening

00:12:49.879 --> 00:12:51.799
to the different drum patterns trying to pick

00:12:51.799 --> 00:12:54.500
up on those and then that kind of evolved into

00:12:54.500 --> 00:12:57.039
producing telling myself i could be like the

00:12:57.039 --> 00:12:59.320
people you hear on the radio what advice would

00:12:59.320 --> 00:13:01.960
you have for other folks who were interested

00:13:01.960 --> 00:13:04.320
in becoming producers interested in becoming

00:13:04.320 --> 00:13:09.019
musicians definitely grant yourself grace i'm

00:13:09.019 --> 00:13:10.559
going to say that first and foremost because

00:13:10.559 --> 00:13:13.000
i can't ask for confidence right out the gate

00:13:13.000 --> 00:13:15.590
because could probably assure you nobody has

00:13:15.590 --> 00:13:18.850
like 100 % confidence trying something new. So

00:13:18.850 --> 00:13:21.210
you definitely got to grant yourself grace. It's

00:13:21.210 --> 00:13:23.429
a huge learning curve. Don't overload yourself

00:13:23.429 --> 00:13:25.990
and just try and stay as positive as possible.

00:13:26.190 --> 00:13:28.549
I know positivity definitely changed my workflow.

00:13:29.049 --> 00:13:31.730
It's literally like a natural foundation of confidence.

00:13:31.990 --> 00:13:33.889
Like if you're positive about it, no matter what

00:13:33.889 --> 00:13:36.389
problem you come up in in your workflow or in

00:13:36.389 --> 00:13:38.490
your process, you're like, okay, hey, I got this.

00:13:38.570 --> 00:13:40.289
What can I try? And you immediately reach into

00:13:40.289 --> 00:13:42.710
your toolbox with a calm mind because you're

00:13:42.710 --> 00:13:44.409
being positive about it. If you're being negative

00:13:44.409 --> 00:13:46.629
about it, you won't even see your toolbox. Right,

00:13:46.629 --> 00:13:49.350
right. And you'll shut down. Yeah, oh yeah. And

00:13:49.350 --> 00:13:51.450
I think a lot of people in the creative world,

00:13:51.490 --> 00:13:53.470
and I'm speaking of myself as well because I'm

00:13:53.470 --> 00:13:56.169
very much this way, the minute you hit a roadblock,

00:13:56.350 --> 00:14:00.230
it paralyzes you. Instead, see it as an opportunity,

00:14:00.370 --> 00:14:02.549
like you said, to pull into your toolbox, to

00:14:02.549 --> 00:14:04.590
reach out to a resource, a professor, a fellow

00:14:04.590 --> 00:14:07.610
friend that's a fellow musician. There are always

00:14:07.610 --> 00:14:09.649
opportunities to learn and grow, and definitely

00:14:09.649 --> 00:14:12.669
in this community, I've seen kindness and willingness

00:14:12.669 --> 00:14:14.889
to. you know hey let me help you with that you

00:14:14.889 --> 00:14:18.210
know um so that's definitely props to the music

00:14:18.210 --> 00:14:21.250
department here um if you could collaborate with

00:14:21.250 --> 00:14:24.049
anyone this is like i saw this question i saw

00:14:24.049 --> 00:14:28.149
this question oh yes um and you're not deluded

00:14:28.149 --> 00:14:31.129
to one but if if you could think of a collaborator

00:14:31.129 --> 00:14:34.809
or collaborators living or dead who would you

00:14:34.809 --> 00:14:38.809
like to collaborate with and why okay two people

00:14:38.809 --> 00:14:42.700
first immediate right out the gate kyle I've

00:14:42.700 --> 00:14:44.700
met the guy before, actually, in San Diego when

00:14:44.700 --> 00:14:47.100
I lived there. He's a guy that does I Spy with

00:14:47.100 --> 00:14:50.019
Lil Yacht. I spy with my little eye. A girlie

00:14:50.019 --> 00:14:51.980
I can get because she don't get too many likes.

00:14:52.200 --> 00:14:56.200
So he does that. He just got his actual plaque

00:14:56.200 --> 00:14:59.080
for that one billionth Spotify stream. Nice.

00:14:59.080 --> 00:15:00.960
He just posted that yesterday. I was all over

00:15:00.960 --> 00:15:02.899
that. But if I could collab with him, he kind

00:15:02.899 --> 00:15:05.399
of... taught me he influences my music so much

00:15:05.399 --> 00:15:07.740
because he is just so unapologetically himself

00:15:07.740 --> 00:15:10.779
on the mic and i felt that even when i met him

00:15:10.779 --> 00:15:12.379
he gave me like the greatest big hug and the

00:15:12.379 --> 00:15:15.620
biggest smile and he just felt so genuine it's

00:15:15.620 --> 00:15:16.940
like that that's what i want to be i don't ever

00:15:16.940 --> 00:15:19.759
want to put up some fake stuff like you know

00:15:19.759 --> 00:15:21.240
even if i have money i'm probably not gonna be

00:15:21.240 --> 00:15:23.019
putting money in the camera i have stacks of

00:15:23.019 --> 00:15:25.360
bands everywhere i'm not gonna be running cars

00:15:25.360 --> 00:15:27.860
you know we've been doing donuts in parking lot

00:15:27.860 --> 00:15:30.519
for music videos like that's that's not me more

00:15:30.519 --> 00:15:32.100
on some like mental health kind of take care

00:15:32.100 --> 00:15:34.840
of yourself because that's who i am i love putting

00:15:34.840 --> 00:15:36.860
that in the music who did you say did you say

00:15:36.860 --> 00:15:40.159
you had a second person yes um being half jamaican

00:15:40.159 --> 00:15:43.789
bob marley That would be, I recently watched

00:15:43.789 --> 00:15:46.070
that, his movie One Love. Took my mom to the

00:15:46.070 --> 00:15:48.710
theaters for that. She was grooving in the seat

00:15:48.710 --> 00:15:52.730
to every song, every song. But obviously, I feel

00:15:52.730 --> 00:15:55.610
like he was the pinnacle of showing the world

00:15:55.610 --> 00:15:58.090
love. The world needs more love. Absolutely.

00:15:58.190 --> 00:16:01.490
Especially now. I'm saying. He's probably turning

00:16:01.490 --> 00:16:03.289
in his grave with how the world's been turning

00:16:03.289 --> 00:16:06.059
lately. But he's that embodiment of positivity

00:16:06.059 --> 00:16:09.100
and loving everybody. And just in a very different

00:16:09.100 --> 00:16:11.559
way. Because, like, no offense to Kyle, Kyle

00:16:11.559 --> 00:16:13.559
can touch. I mean, he's touched people in the

00:16:13.559 --> 00:16:15.799
world, sure. But I feel like he's got a big influence

00:16:15.799 --> 00:16:19.120
in America. Bob was global. Yeah. Like, instantly.

00:16:20.480 --> 00:16:22.799
That's amazing. And he was able to channel that

00:16:22.799 --> 00:16:24.580
to bring so much positivity and connect people

00:16:24.580 --> 00:16:27.570
with his music. And that's one of the most powerful

00:16:27.570 --> 00:16:29.389
things to me and one of the most beautiful things

00:16:29.389 --> 00:16:31.809
about music to me is that it lives on long after

00:16:31.809 --> 00:16:34.429
you're gone. And lucky us, you know, to be the

00:16:34.429 --> 00:16:36.850
beneficiaries of that beautiful music and our

00:16:36.850 --> 00:16:38.549
children and their children. You know, I mean,

00:16:38.549 --> 00:16:40.789
that's something that to this day, young people

00:16:40.789 --> 00:16:44.970
talk about. You know, I grew up in the 80s and

00:16:44.970 --> 00:16:47.470
the 90s. And when Prince died and Michael Jackson

00:16:47.470 --> 00:16:50.309
died, you know, they were so instrumental in

00:16:50.309 --> 00:16:52.370
my youth. And I remember thinking that both of

00:16:52.370 --> 00:16:54.509
these men were larger than life. You know, they

00:16:54.509 --> 00:16:56.940
would never. you know and then of course it happens

00:16:56.940 --> 00:16:59.620
and it breaks your heart but i just thought thank

00:16:59.620 --> 00:17:01.899
you thank you for letting me live in this space

00:17:01.899 --> 00:17:04.220
with them most definitely and and for folks like

00:17:04.220 --> 00:17:06.539
bob marley who passed you know before my time

00:17:06.539 --> 00:17:09.539
um thank you for the opportunity to to be in

00:17:09.539 --> 00:17:11.500
that space even though i'm not it's you know

00:17:11.500 --> 00:17:13.799
i have this wonderful second best gift in his

00:17:13.799 --> 00:17:18.180
music so um yeah that's pretty amazing Let's

00:17:18.180 --> 00:17:21.079
pivot for a second, if that's okay. So when do

00:17:21.079 --> 00:17:25.099
you anticipate graduating from JCCC? I will be

00:17:25.099 --> 00:17:27.660
graduating this spring, actually. So I'll have

00:17:27.660 --> 00:17:30.660
the recording arts certificate. And I guess with

00:17:30.660 --> 00:17:33.160
all my bouncing around in colleges, I'll be walking

00:17:33.160 --> 00:17:35.660
with two associate's degrees, the Associate of

00:17:35.660 --> 00:17:37.859
Arts and the Associate of Fine Arts. Nice. Very

00:17:37.859 --> 00:17:41.220
good. So years down the road then, when JCCC

00:17:41.220 --> 00:17:44.539
is long in your rearview mirror, when you look

00:17:44.539 --> 00:17:48.000
back at that, what do you... What will be your

00:17:48.000 --> 00:17:50.259
greatest memories? What will be the things that

00:17:50.259 --> 00:17:52.339
you'll take with you in your heart? What will

00:17:52.339 --> 00:17:56.119
you tell people about your time at JCCC? I know

00:17:56.119 --> 00:17:57.859
one thing I'll definitely immediately remember

00:17:57.859 --> 00:18:01.880
is how I've actually touched the lives of some

00:18:01.880 --> 00:18:04.140
students here on campus because they've reached

00:18:04.140 --> 00:18:07.359
out and they've told me that. And it's a great

00:18:07.359 --> 00:18:08.960
feeling. I'm getting a little emotional, like,

00:18:09.019 --> 00:18:11.460
because that's what I want to be here for. You

00:18:11.460 --> 00:18:13.619
know, I wanted to come be that positive light

00:18:13.619 --> 00:18:16.180
here on campus. I felt like I got my foot in

00:18:16.180 --> 00:18:20.599
the door with the, it was karaoke. I think it

00:18:20.599 --> 00:18:22.579
was right before this semester started. I think

00:18:22.579 --> 00:18:23.940
it was the end of last semester or something

00:18:23.940 --> 00:18:26.240
like that. In the last semester, there's karaoke.

00:18:26.359 --> 00:18:29.200
And then it was the beginning of, sorry, in just

00:18:29.200 --> 00:18:31.099
last spring semester. And then the beginning

00:18:31.099 --> 00:18:35.690
of the fall semester. So I came back. as a student

00:18:35.690 --> 00:18:37.069
for the second because the first one I just kind

00:18:37.069 --> 00:18:38.670
of popped up I was getting you know enrollment

00:18:38.670 --> 00:18:40.930
and stuff handled and it was just there so I

00:18:40.930 --> 00:18:43.970
went and then I came back as a student and I

00:18:43.970 --> 00:18:46.490
just I just put some good vibes out there and

00:18:46.490 --> 00:18:47.769
then I started posting the story and like oh

00:18:47.769 --> 00:18:49.990
my god you're that guy doing karaoke you're running

00:18:49.990 --> 00:18:51.490
through the crowd and getting everybody hyped

00:18:51.490 --> 00:18:53.950
up and like yo I love seeing your love seeing

00:18:53.950 --> 00:18:56.230
your stories and I've heard it even taken as

00:18:56.230 --> 00:18:59.450
far as like I literally wake up to see your story

00:18:59.450 --> 00:19:02.849
on on the campus story like it makes my day oh

00:19:02.849 --> 00:19:08.920
wow Thank you. I'm here for you. I don't know

00:19:08.920 --> 00:19:10.980
what to say, but obviously I'm eternally grateful

00:19:10.980 --> 00:19:13.140
I can have that influence. Do you want to tell

00:19:13.140 --> 00:19:15.400
our listeners again how they can get in on that

00:19:15.400 --> 00:19:19.559
Snapchat with you? Yeah, I mean, obviously, if

00:19:19.559 --> 00:19:22.579
you're a student, you should be submitting your

00:19:22.579 --> 00:19:24.519
student email and then you get like the Johnson

00:19:24.519 --> 00:19:27.119
County Community College badge on your public

00:19:27.119 --> 00:19:29.339
profile. And if you've made one, that's quick

00:19:29.339 --> 00:19:32.279
and easy couple steps. And then it'll sync you

00:19:32.279 --> 00:19:33.839
with all the current Johnson County Community

00:19:33.839 --> 00:19:35.880
College stories. It's like me personally, since

00:19:35.880 --> 00:19:40.630
I'm graduating. 2025 I'm on the 2025 story but

00:19:40.630 --> 00:19:43.329
you can tap into that and see like the stories

00:19:43.329 --> 00:19:46.089
people posted 24 people are posting 26 right

00:19:46.089 --> 00:19:47.849
now I think even people are starting to post

00:19:47.849 --> 00:19:51.109
a 27 if I'm not mistaken yeah yeah and then obviously

00:19:51.109 --> 00:19:53.529
you can just add me if you're not a student somehow

00:19:53.529 --> 00:19:56.009
listening to this you can still add me uh stance

00:19:56.009 --> 00:19:58.769
underscore beats I still post my story same way

00:19:58.769 --> 00:20:00.569
I posted the Johnson County Community College

00:20:00.569 --> 00:20:03.069
campus story awesome I will definitely be following

00:20:03.069 --> 00:20:05.390
you on all things social and maybe even stealing

00:20:05.390 --> 00:20:10.079
some of your songs I can produce some instrumentals

00:20:10.079 --> 00:20:15.319
too. So I want to dip back to something you said

00:20:15.319 --> 00:20:19.680
a moment ago. You said that... Your most treasured

00:20:19.680 --> 00:20:21.720
memory or one of them would be the influence

00:20:21.720 --> 00:20:24.740
that you've had on other folks. Without, of course,

00:20:24.779 --> 00:20:26.960
revealing anything too confidential or private,

00:20:27.059 --> 00:20:29.240
could you share something with us maybe that

00:20:29.240 --> 00:20:33.740
someone said to you? I mean, I did tip on it

00:20:33.740 --> 00:20:36.700
a little bit. It was just like, wow, I wake up.

00:20:37.099 --> 00:20:39.319
I'm just looking forward to your story. Like,

00:20:39.319 --> 00:20:42.589
I need to see that story. And then other people

00:20:42.589 --> 00:20:44.869
hit me up. He's like, hey, I'm so glad you posted

00:20:44.869 --> 00:20:46.430
this story. I've actually been having a crap

00:20:46.430 --> 00:20:48.829
day. You put a smile on my face today. It's like,

00:20:48.910 --> 00:20:52.190
wow. And then there was some weird stuff going

00:20:52.190 --> 00:20:54.809
around where they were taking pictures of me

00:20:54.809 --> 00:20:57.130
from afar and posting it to the story. And they're

00:20:57.130 --> 00:20:58.930
like, stance sighting. Stance sighting number

00:20:58.930 --> 00:21:01.549
one. Stance sighting number two. Stance in its

00:21:01.549 --> 00:21:05.269
natural habitat. I was like, guys, say hi, please.

00:21:05.369 --> 00:21:07.130
Come up and say hi at least. You can still post

00:21:07.130 --> 00:21:09.029
a picture. But come say hi. I'd love for you

00:21:09.029 --> 00:21:12.519
all to say hi. I am a person. I speak English.

00:21:12.660 --> 00:21:15.359
You can come say that to me. It's fine. That's

00:21:15.359 --> 00:21:17.660
hilarious. So, like, you're the celebrity of

00:21:17.660 --> 00:21:19.779
the campus then, you know, with your little paparazzi

00:21:19.779 --> 00:21:23.599
and TMZ. Yeah, I'm almost uncomfortable, like,

00:21:23.660 --> 00:21:25.400
taking it that far, but, like, everybody tells

00:21:25.400 --> 00:21:27.740
me that. Like, yo, how's it feel being, you know,

00:21:27.740 --> 00:21:29.519
just, like, well -known on campus, like, celebrity

00:21:29.519 --> 00:21:32.720
status? I'm like, the word celebrity makes me

00:21:32.720 --> 00:21:35.880
cringe low -key, but... I mean, I feel like I'm

00:21:35.880 --> 00:21:38.079
still doing the good work, so I can't knock it

00:21:38.079 --> 00:21:40.640
necessarily. You are. And it circles back to

00:21:40.640 --> 00:21:42.740
what you were saying about authenticity. You

00:21:42.740 --> 00:21:44.079
know, you're not trying to be something that

00:21:44.079 --> 00:21:45.940
you're not. Your heart is in mental health, which

00:21:45.940 --> 00:21:48.059
we've shared that offline with each other. Your

00:21:48.059 --> 00:21:49.779
heart is in making people happy and bringing

00:21:49.779 --> 00:21:52.420
joy. That's what our editor, Zach, said to me.

00:21:52.480 --> 00:21:55.839
He's just good vibes. And it is so true. It's

00:21:55.839 --> 00:22:00.190
so true. And I think. People who are inauthentic,

00:22:00.190 --> 00:22:02.049
you can spot it a mile away. You know what I

00:22:02.049 --> 00:22:04.529
mean? And I think people gravitate toward you

00:22:04.529 --> 00:22:07.650
because you are so authentic and kind and you

00:22:07.650 --> 00:22:11.390
lead with love. I mean, even just to go off that

00:22:11.390 --> 00:22:13.450
a little bit, the inauthenticity. So obviously

00:22:13.450 --> 00:22:15.769
with all the love I've gotten, I've had some

00:22:15.769 --> 00:22:19.150
very hateful message come across as well. Some

00:22:19.150 --> 00:22:20.690
people have posted to the story. Some people

00:22:20.690 --> 00:22:23.109
have just sent it on the side. But I feel like

00:22:23.109 --> 00:22:25.130
that is also an opportunity to show some more

00:22:25.130 --> 00:22:27.809
love. Absolutely. So every time it came at me,

00:22:27.829 --> 00:22:29.650
it was just like, hey, like, are you having,

00:22:29.710 --> 00:22:31.730
like, a bad day? Do you need someone to talk

00:22:31.730 --> 00:22:34.210
to? Like, what's going on? I'm not going to say

00:22:34.210 --> 00:22:37.329
any names, obviously. But one reached out. And,

00:22:37.430 --> 00:22:39.529
I mean, he basically chewed me out for no reason.

00:22:39.650 --> 00:22:41.349
No, no, I hate seeing your story. It puts me

00:22:41.349 --> 00:22:43.269
in a bad mood. Nobody wants to see that. Blah,

00:22:43.269 --> 00:22:45.289
blah, blah. And I was like, bro, like, are you

00:22:45.289 --> 00:22:48.069
having a bad day? Do you need to talk to somebody?

00:22:48.509 --> 00:22:51.059
Like, I'm just here for y 'all. Like, hey, man,

00:22:51.180 --> 00:22:53.819
if you need to talk, always here. And he just

00:22:53.819 --> 00:22:55.740
kind of left me on read for a little bit. And

00:22:55.740 --> 00:22:57.759
then not even half hour later, he came back and

00:22:57.759 --> 00:23:00.000
he was like, oh, so you consider yourself a producer?

00:23:00.079 --> 00:23:03.579
Like, who have you produced? I'm like, I didn't

00:23:03.579 --> 00:23:05.059
even respond to that because I already said what

00:23:05.059 --> 00:23:06.880
I had to say. Right. And then like it was like

00:23:06.880 --> 00:23:09.640
four or five days later, message on Snapchat

00:23:09.640 --> 00:23:11.259
comes across from him. I was like, does he have

00:23:11.259 --> 00:23:13.660
something else to say? What is up with this guy?

00:23:14.720 --> 00:23:17.500
Right, right. Like, my heart low -key kind of

00:23:17.500 --> 00:23:19.579
sucked because it's just like, in that moment,

00:23:19.700 --> 00:23:22.859
I had already had a bad day. I had a D to D of

00:23:22.859 --> 00:23:26.599
that. But it was actually an apology. Nice. That

00:23:26.599 --> 00:23:28.940
same guy who came across with some super hateful

00:23:28.940 --> 00:23:30.599
stuff, he came back around for an apology. I

00:23:30.599 --> 00:23:32.480
respect him so much for that. Yeah. And he's

00:23:32.480 --> 00:23:34.779
like, man, I was having a bad day. He's like,

00:23:34.819 --> 00:23:37.160
and honestly, seeing somebody else so happy when

00:23:37.160 --> 00:23:39.619
I was feeling so crummy, that's what got to me.

00:23:40.019 --> 00:23:41.880
I was like, bro, that's completely understandable.

00:23:42.180 --> 00:23:44.579
I've been there plenty of times, man. been there

00:23:44.579 --> 00:23:46.119
plenty of times you know we just had a little

00:23:46.119 --> 00:23:48.299
conversation on the side and okay i haven't talked

00:23:48.299 --> 00:23:50.640
to him since but i hopefully everything i'm putting

00:23:50.640 --> 00:23:52.160
out there is putting a smile on his face now

00:23:52.160 --> 00:23:54.519
instead of you know harboring some you know,

00:23:54.519 --> 00:23:56.720
whatever's going on in his life. Yeah. You know,

00:23:56.740 --> 00:23:58.740
there's that old phrase about people who need

00:23:58.740 --> 00:24:01.640
love the most, you know, are the worst. They're

00:24:01.640 --> 00:24:04.799
the most unkind and the most unfriendly. And

00:24:04.799 --> 00:24:07.779
it's really wonderful that you're able to see

00:24:07.779 --> 00:24:09.960
that for what it is. You know what I mean? And

00:24:09.960 --> 00:24:12.319
to meet that with love, because we don't know,

00:24:12.339 --> 00:24:14.440
as you said, what that person was going through.

00:24:14.500 --> 00:24:16.079
I mean, he did say he was not, you know, doing

00:24:16.079 --> 00:24:19.799
well, but you, and I know it sounds like a Hallmark

00:24:19.799 --> 00:24:22.680
card, like don't judge me, but you really don't

00:24:22.680 --> 00:24:25.160
know the love. that you shine on somebody else.

00:24:25.400 --> 00:24:27.539
And then maybe they may turn right around and

00:24:27.539 --> 00:24:29.839
do that to somebody else, you know, be that light

00:24:29.839 --> 00:24:32.119
for someone else. So it's the whole, you know,

00:24:32.119 --> 00:24:33.920
pay for your coffee and the guy behind you at

00:24:33.920 --> 00:24:35.640
Starbucks, you know, and then you hope that they

00:24:35.640 --> 00:24:37.279
pay for the car behind you. You know what I mean?

00:24:37.359 --> 00:24:39.960
Yeah, paying it forward. I should be a big proponent

00:24:39.960 --> 00:24:42.380
in everybody's life. Yeah, absolutely. It takes

00:24:42.380 --> 00:24:45.619
so little to be kind. And one moment of kindness

00:24:45.619 --> 00:24:48.799
can make such a difference. I think especially

00:24:48.799 --> 00:24:53.789
today, you know, let me see. Looking at my questions.

00:24:54.029 --> 00:24:59.289
Okay. So a fun question to close out our first

00:24:59.289 --> 00:25:03.309
podcast episode today. Let's say that time and

00:25:03.309 --> 00:25:06.309
money were no object. You have no classes, no

00:25:06.309 --> 00:25:08.750
work, nothing going on. You have gajillions of

00:25:08.750 --> 00:25:12.410
dollars. It's the weekend. What are you doing?

00:25:12.569 --> 00:25:15.869
How are you spending this unlimited budget and

00:25:15.869 --> 00:25:19.269
time? May I ask what time of year it is? You

00:25:19.269 --> 00:25:22.740
pick. It's not like it is now where it's, you

00:25:22.740 --> 00:25:27.160
know, 90 mile an hour winds and snow. Unless

00:25:27.160 --> 00:25:30.460
that's what you want. Well, the snow I do actually,

00:25:30.559 --> 00:25:33.940
definitely. Oh, okay. For the weekend. I mean,

00:25:33.960 --> 00:25:37.019
my dream vacation is Switzerland. I want to snowboard

00:25:37.019 --> 00:25:40.200
in the Swiss Alps. Nice. And I'd love to have,

00:25:40.400 --> 00:25:43.240
if I could like stay right off the slopes so

00:25:43.240 --> 00:25:46.450
I can have an office. over overlooking the mountains

00:25:46.450 --> 00:25:49.529
and stuff exactly it's it's a lot of inspiration

00:25:49.529 --> 00:25:52.730
for good production yeah i've taken advantage

00:25:52.730 --> 00:25:54.710
of something like that before went to a bachelor

00:25:54.710 --> 00:25:59.170
party um for for a wedding um and we had some

00:25:59.170 --> 00:26:01.109
hotel suite and overlooked the ocean who were

00:26:01.109 --> 00:26:04.049
in south carolina and i woke up before everybody

00:26:04.049 --> 00:26:05.930
next morning you know everybody got plastered

00:26:05.930 --> 00:26:09.589
you know they i they kept sleeping i woke up

00:26:09.589 --> 00:26:11.410
and i was really bored so i just whipped on my

00:26:11.410 --> 00:26:14.630
laptop and i i started producing and uh I don't

00:26:14.630 --> 00:26:16.789
know if anybody knows my catalog, but the beat

00:26:16.789 --> 00:26:19.049
for Weed Em Out, that's what I produced that

00:26:19.049 --> 00:26:20.430
day. I was just overlooking the ocean. I was

00:26:20.430 --> 00:26:22.710
hearing the waves crash. There's some seagulls

00:26:22.710 --> 00:26:25.809
flying here and there. It was a vibe. Wow. It

00:26:25.809 --> 00:26:28.349
was a vibe. Very cool. Talking about the vibe

00:26:28.349 --> 00:26:31.650
and getting into the vibe, how do you get centered

00:26:31.650 --> 00:26:33.630
and ready to go? Do you have any rituals before

00:26:33.630 --> 00:26:39.289
you go into the studio? Honestly, I don't know

00:26:39.289 --> 00:26:43.170
about rituals. It's just making sure that...

00:26:43.450 --> 00:26:46.369
I have a positive mindset going in because I'm

00:26:46.369 --> 00:26:49.349
definitely less inclined to have even a studio

00:26:49.349 --> 00:26:52.029
session if I feel like I've had a crappy day,

00:26:52.089 --> 00:26:54.049
haven't turned it around yet. If there's like

00:26:54.049 --> 00:26:56.509
no positive thoughts flowing at all, I'm not

00:26:56.509 --> 00:26:58.210
going to want to sit there and make music. I've

00:26:58.210 --> 00:26:59.690
got to turn that around before I get in there.

00:26:59.849 --> 00:27:02.509
So that's the first and foremost thing, positive

00:27:02.509 --> 00:27:05.069
mental attitude going into a studio session or

00:27:05.069 --> 00:27:07.660
to sit down and produce. And is that the same

00:27:07.660 --> 00:27:09.480
advice that you would give to someone, let's

00:27:09.480 --> 00:27:12.099
say, that's a songwriter that's a creative rut?

00:27:12.180 --> 00:27:14.680
Like, oh, I can't get the, the words aren't coming

00:27:14.680 --> 00:27:16.680
out or the lyrics aren't coming. Could you, is

00:27:16.680 --> 00:27:18.259
that what you would say to them too? Yes, most

00:27:18.259 --> 00:27:21.019
definitely. And then with talking about the creative

00:27:21.019 --> 00:27:22.720
rut, I know what's personally gotten me out of

00:27:22.720 --> 00:27:25.660
creative ruts is just listening, whether that's

00:27:25.660 --> 00:27:27.759
listening to different music, like outside of

00:27:27.759 --> 00:27:29.839
a genre you're currently trying to write or produce,

00:27:29.980 --> 00:27:33.000
or, I mean, even tapping into your favorite artists

00:27:33.000 --> 00:27:35.400
or artists like them. like me personally i like

00:27:35.400 --> 00:27:38.000
to what we call reverse engineer stuff so when

00:27:38.000 --> 00:27:40.599
i get what we call beat block you know you can't

00:27:40.599 --> 00:27:43.339
can't get any production done you're stuck i

00:27:43.339 --> 00:27:47.160
go find a track i know i'm in love with or somebody

00:27:47.160 --> 00:27:49.140
showed it to me and i saved my spotify library

00:27:49.140 --> 00:27:50.500
i was like oh i got to go back to that track

00:27:50.500 --> 00:27:53.519
because then i will mimic the bpm the beats per

00:27:53.519 --> 00:27:55.819
minute and i'll mimic the key and then i'll just

00:27:55.819 --> 00:27:57.619
see if i can come up with something that's got

00:27:57.619 --> 00:28:00.059
kind of similar bounce similar vibe you know

00:28:00.059 --> 00:28:02.380
but it's it's obviously what i make sometimes

00:28:02.380 --> 00:28:04.700
it takes a completely different turn and i like

00:28:04.700 --> 00:28:07.359
that too i love that i call them happy accidents

00:28:07.359 --> 00:28:09.000
shooting for one thing i definitely caught something

00:28:09.000 --> 00:28:11.500
completely different i'm rolling with it though

00:28:11.500 --> 00:28:13.859
because it sounds good absolutely so that creative

00:28:13.859 --> 00:28:16.559
rut can be destroyed time and time again just

00:28:16.559 --> 00:28:19.430
searching for that inspo within other music Thank

00:28:19.430 --> 00:28:21.609
you for that, because I, as a musician as well,

00:28:21.630 --> 00:28:24.170
find myself in that, you know, I can't get it

00:28:24.170 --> 00:28:25.710
out. I know what I want to say, but I can't get

00:28:25.710 --> 00:28:27.789
it out or I'm struggling to come up with the

00:28:27.789 --> 00:28:30.430
words. And I love that advice. Thank you. And

00:28:30.430 --> 00:28:32.609
I would imagine that that advice probably works

00:28:32.609 --> 00:28:35.230
for lots of other being stuck, you know, not

00:28:35.230 --> 00:28:38.369
just musically. I'm saying writing or anything

00:28:38.369 --> 00:28:40.809
where you're writing is a great example, because

00:28:40.809 --> 00:28:43.589
obviously us being musicians, we're writing lyrics

00:28:43.589 --> 00:28:46.130
and stuff, even getting lyrically stuck. You

00:28:46.130 --> 00:28:48.400
can kind of do the same. process, but you're

00:28:48.400 --> 00:28:49.799
obviously paying attention to different things.

00:28:49.880 --> 00:28:51.440
So tap into those favorite artists, tap into

00:28:51.440 --> 00:28:53.759
something different. See how, see what their

00:28:53.759 --> 00:28:57.039
cadence is like with their lyrics. See even their

00:28:57.039 --> 00:28:59.539
rhyme schemes or, you know, obviously their subject

00:28:59.539 --> 00:29:02.660
material, you know, see how they tie everything

00:29:02.660 --> 00:29:05.359
together for one subject between verse, hook,

00:29:05.440 --> 00:29:08.420
verse, bridge, hook, and then the rest of it,

00:29:08.460 --> 00:29:11.400
you know? Yeah. Very, very cool. Speaking about

00:29:11.400 --> 00:29:13.940
Spotify, what's on your Spotify playlist? What

00:29:13.940 --> 00:29:18.160
are you listening to right now? What's the evil

00:29:18.160 --> 00:29:22.359
laugh? Because I guess I was just like that laugh,

00:29:22.400 --> 00:29:24.500
like I'm so glad she asked me this. Hopefully

00:29:24.500 --> 00:29:27.460
I put some people on to something. I don't know

00:29:27.460 --> 00:29:30.400
if people have heard of Jameson. It's J -M -S

00:29:30.400 --> 00:29:33.339
-N. J -M -S -N. And I still need to do some research,

00:29:33.400 --> 00:29:36.420
but just from listening, he's got a crazy amazing

00:29:36.420 --> 00:29:38.779
producer and props to him if he does that himself.

00:29:39.740 --> 00:29:42.039
My girlfriend showed me a song. It's called Bout

00:29:42.039 --> 00:29:44.599
It. It's by Jameson. And honestly, just going

00:29:44.599 --> 00:29:46.319
on to SoundCloud and listening to those mixes

00:29:46.319 --> 00:29:48.359
they throw at you or be like, oh, hey, this is

00:29:48.359 --> 00:29:50.859
for you. Give it a listen. It's usually packed

00:29:50.859 --> 00:29:52.940
with like newer artists who aren't discovered

00:29:52.940 --> 00:29:55.400
yet and they've got some fire stuff. Nice. So

00:29:55.400 --> 00:29:58.180
Jameson's not too, too big. He's not huge. I

00:29:58.180 --> 00:30:00.380
think he's got, I mean, 200 ,000 monthly listeners

00:30:00.380 --> 00:30:02.980
on Spotify sounds like a lot. But, you know,

00:30:02.980 --> 00:30:04.579
the bigger artists we know are obviously in the

00:30:04.579 --> 00:30:06.599
millions. Right. So he's kind of well -known,

00:30:06.640 --> 00:30:09.509
not too well -known, but it's like this. I don't

00:30:09.509 --> 00:30:11.769
even know how to describe it. It's definitely

00:30:11.769 --> 00:30:14.569
a pop feel, but it's got some jazz intonations

00:30:14.569 --> 00:30:17.769
for sure. And it's a crazy different drum pattern

00:30:17.769 --> 00:30:20.670
that I've never heard anybody play. And so I'm

00:30:20.670 --> 00:30:23.450
like, bro, even if you didn't make this beat

00:30:23.450 --> 00:30:25.549
or what, like who was the drummer? Just forget

00:30:25.549 --> 00:30:27.950
everything else. Who was the drummer? I've been

00:30:27.950 --> 00:30:31.029
trying to drum cover it even. It's just so different.

00:30:31.170 --> 00:30:32.849
And obviously Jameson's got some pipes on him.

00:30:32.910 --> 00:30:36.759
He can sing. He can sing. So I wrote that down.

00:30:36.980 --> 00:30:41.039
Yeah. JMSN. Check that out. About it by Jameson.

00:30:41.079 --> 00:30:45.700
Love that. Love that. So do you have you shared

00:30:45.700 --> 00:30:47.700
some really wonderful advice points with us about

00:30:47.700 --> 00:30:50.940
being positive, about leading with love? What

00:30:50.940 --> 00:30:53.240
is a piece of advice that's been given to you

00:30:53.240 --> 00:30:57.019
that is impactful or meaningful to you or maybe

00:30:57.019 --> 00:30:58.920
even something that you've shared with someone

00:30:58.920 --> 00:31:04.009
else? I don't remember who. told it to me, which

00:31:04.009 --> 00:31:05.829
is kind of weird. I normally remember that thing.

00:31:05.970 --> 00:31:07.710
I mean, I know it's been reinforced by my mom.

00:31:08.230 --> 00:31:10.769
Love you, mom. But just remember that you're

00:31:10.769 --> 00:31:13.109
blessed. You know, a lot of people say, say lucky,

00:31:13.190 --> 00:31:14.589
and that kind of almost rubs me the wrong way

00:31:14.589 --> 00:31:17.500
now. Because, yeah, they say luck is like opportunity

00:31:17.500 --> 00:31:20.099
meets preparation or whatever. But in the instance,

00:31:20.160 --> 00:31:22.799
in the context of lucky over blessed, I definitely

00:31:22.799 --> 00:31:24.819
prefer blessed because it's like no matter what

00:31:24.819 --> 00:31:27.140
situation you're going through, you want that.

00:31:27.200 --> 00:31:28.920
It's to reinforce your positive mental attitude,

00:31:29.019 --> 00:31:30.720
right? Tell yourself you're blessed at the end

00:31:30.720 --> 00:31:33.039
of the day, no matter what you go through. Because

00:31:33.039 --> 00:31:35.220
I've been real big. I even have a song called

00:31:35.220 --> 00:31:39.519
Blessed. Got some cuss words, not clean, but

00:31:39.519 --> 00:31:42.259
it's definitely on the, you know, I'm flexing

00:31:42.259 --> 00:31:45.059
on my haters because I feel so good. You're hating

00:31:45.059 --> 00:31:47.279
on me because I feel good. I feel great about

00:31:47.279 --> 00:31:49.599
myself. And what side am I on? Right. What side

00:31:49.599 --> 00:31:52.619
are you on? I'm saying, I'm saying. When I was

00:31:52.619 --> 00:31:54.960
in high school and in college, the first time

00:31:54.960 --> 00:31:59.640
back in the 90s, I had a performing arts instructor

00:31:59.640 --> 00:32:03.150
who said to me, Jennifer, talent is cheap. but

00:32:03.150 --> 00:32:06.369
character is priceless. And that, I mean, I thought

00:32:06.369 --> 00:32:08.529
of him. Yeah, like the minute that you started

00:32:08.529 --> 00:32:11.450
talking about authenticity and being your true

00:32:11.450 --> 00:32:13.569
self, I'm like, oh, I hear Paris Goodroom's words

00:32:13.569 --> 00:32:16.509
in my head. Shout out to Mr. Goodroom. I'm not

00:32:16.509 --> 00:32:19.230
sure if he's still living or not. But yeah, talent

00:32:19.230 --> 00:32:21.809
is cheap, but character is priceless. Never stop

00:32:21.809 --> 00:32:24.730
being who you are. Right. And the right people

00:32:24.730 --> 00:32:29.559
will flock to you because of who you are. I used

00:32:29.559 --> 00:32:32.940
to feel, I used to suffer by comparison as an

00:32:32.940 --> 00:32:35.240
artist. Talk about that. Comparison is a thief

00:32:35.240 --> 00:32:38.900
of joy, right? Yeah. And I used to think, well,

00:32:38.940 --> 00:32:41.400
I'm not as good as. Well, nobody's as good as

00:32:41.400 --> 00:32:43.740
the best, right? We're all growth and we're all,

00:32:43.779 --> 00:32:45.720
you know, getting better and getting stronger.

00:32:45.920 --> 00:32:49.579
But there's a voice for everyone. So, you know,

00:32:49.579 --> 00:32:52.359
you may love Artist X. And I might be like, eh,

00:32:52.559 --> 00:32:54.920
not my thing. That's okay because a million people

00:32:54.920 --> 00:32:57.140
love Artist X. They don't need Jack. Right, right.

00:32:57.420 --> 00:33:00.559
They got Jack and they got Stan. So there are

00:33:00.559 --> 00:33:02.299
voices for everyone. And I think that's something

00:33:02.299 --> 00:33:04.920
really beautiful about music. You might find

00:33:04.920 --> 00:33:06.940
folks that say, yeah, I'm not really a jazz person.

00:33:07.240 --> 00:33:08.900
But you're never going to find somebody that

00:33:08.900 --> 00:33:11.000
says, I'm not a music person. Right. You know

00:33:11.000 --> 00:33:12.539
what I mean? Like every, it's like the universal.

00:33:12.740 --> 00:33:14.619
I don't think I've ever heard that in my life,

00:33:14.619 --> 00:33:16.660
low key. Yeah. I've never heard somebody who's

00:33:16.660 --> 00:33:18.299
like, oh, I don't listen to music. I just don't.

00:33:18.670 --> 00:33:20.390
I don't think I've ever. That's like saying you

00:33:20.390 --> 00:33:24.529
don't eat food. Yeah, right. Okay. And how do

00:33:24.529 --> 00:33:27.369
you sustain yourself, sir? I'm saying. No food.

00:33:28.049 --> 00:33:32.230
You're weird. Sorry, no judgment over here, guys.

00:33:32.250 --> 00:33:37.369
No judgment. No judgment. I'm looking through

00:33:37.369 --> 00:33:39.029
my questions. Is there anything else that you'd

00:33:39.029 --> 00:33:42.609
like to share with our listeners? I don't think

00:33:42.609 --> 00:33:45.390
so. I think I hit all the positive, you know,

00:33:45.390 --> 00:33:47.690
mountaintops I wanted to conquer. for everyone

00:33:47.690 --> 00:33:50.049
definitely remember to tell yourself you're blessed

00:33:50.049 --> 00:33:53.230
spread out those good vibes good love because

00:33:53.230 --> 00:33:55.329
the world needs more of it compliment somebody

00:33:55.329 --> 00:33:58.069
you know throughout the day just one compliment

00:33:58.069 --> 00:34:00.470
and obviously pay it forward because that was

00:34:00.470 --> 00:34:02.829
a big thing in this talk definitely pay it forward

00:34:03.799 --> 00:34:06.079
Doesn't that feel good when you are the one that

00:34:06.079 --> 00:34:08.760
says something kind to somebody? Yeah. I was

00:34:08.760 --> 00:34:11.760
at a coffee shop and I won't go into the story,

00:34:11.800 --> 00:34:13.960
but I will just say somebody was very unkind

00:34:13.960 --> 00:34:17.559
to me and my daughter. And, you know, those of

00:34:17.559 --> 00:34:19.840
you that are parents or well, and you guys that

00:34:19.840 --> 00:34:22.619
have parents, when somebody insults somebody

00:34:22.619 --> 00:34:25.179
that you love, you know, like you're just and

00:34:25.179 --> 00:34:26.980
my daughter was mad and I was mad and it was

00:34:26.980 --> 00:34:28.579
a bad situation. But I thought, you know what?

00:34:28.840 --> 00:34:32.570
I'm just I can carry that with me. Or I can choose

00:34:32.570 --> 00:34:35.429
to let it go. And I saw a girl, young woman,

00:34:35.530 --> 00:34:38.070
I shouldn't call her a girl, at the coffee shop.

00:34:38.090 --> 00:34:39.869
And she just looked kind of downtrodden. She

00:34:39.869 --> 00:34:42.090
just didn't look good. I walked up to her and

00:34:42.090 --> 00:34:44.489
I said, excuse me. Hi, my name is Jennifer. And

00:34:44.489 --> 00:34:46.730
I said, I don't think you're pretty. And I don't

00:34:46.730 --> 00:34:48.550
think you're gorgeous. I think you're stunning.

00:34:48.909 --> 00:34:51.730
And shame on the world if nobody has told you

00:34:51.730 --> 00:34:54.440
that today. No kidding, you guys. bawled right

00:34:54.440 --> 00:34:56.699
in front of me. She's like, I am having the worst

00:34:56.699 --> 00:34:59.440
day. And I couldn't tell you the last time somebody

00:34:59.440 --> 00:35:01.659
told me that I was beautiful. And thank you.

00:35:01.699 --> 00:35:03.320
And I'm like, well, number one, you are. Number

00:35:03.320 --> 00:35:05.980
two, shame on the world. You know, it just, and

00:35:05.980 --> 00:35:08.840
I hope she felt the authenticity behind it because

00:35:08.840 --> 00:35:12.059
I was so sad and hurt by what had happened. I

00:35:12.059 --> 00:35:13.340
thought, you know what? I'm going to turn around

00:35:13.340 --> 00:35:16.119
and try to make this positive for somebody else.

00:35:16.260 --> 00:35:17.980
I'm pretty sure she felt that if she bawled her

00:35:17.980 --> 00:35:20.260
eyes out in front of you. Yeah, she did. She

00:35:20.260 --> 00:35:22.179
was smiling pretty good after I left. I'm like,

00:35:22.260 --> 00:35:29.320
okay, well, haven't I? but those random encounters

00:35:29.320 --> 00:35:31.519
make make people's day that's what the world

00:35:31.519 --> 00:35:34.519
needs more of exactly exactly and i think you

00:35:34.519 --> 00:35:36.480
know going back to authenticity you know when

00:35:36.480 --> 00:35:39.079
it's fake you know when it's real and that just

00:35:39.079 --> 00:35:43.639
feels really really good um yeah I am over the

00:35:43.639 --> 00:35:46.440
moon, just selfishly grateful to the messenger

00:35:46.440 --> 00:35:48.539
that I got to meet you because of this. I'm not

00:35:48.539 --> 00:35:50.199
sure that I would have met you, even though we're

00:35:50.199 --> 00:35:52.559
in the same department. I think we take classes

00:35:52.559 --> 00:35:55.119
at different times. So I am over the moon that

00:35:55.119 --> 00:35:58.780
I got to meet you. Any other parting thoughts?

00:35:58.940 --> 00:36:00.179
I don't know. Your last parting thoughts were

00:36:00.179 --> 00:36:02.219
pretty good. Anything else that you'd like to

00:36:02.219 --> 00:36:04.300
add? I don't think I can top that. Just thank

00:36:04.300 --> 00:36:05.960
you for having me here. I feel blessed and honored

00:36:05.960 --> 00:36:08.460
to be here. You know, share a little bit. Absolutely.

00:36:08.559 --> 00:36:10.199
And hopefully I touched somebody out there. Yeah.

00:36:10.300 --> 00:36:12.400
One more time, in case folks didn't get it, how

00:36:12.400 --> 00:36:14.659
can we reach you on social? All right. Social

00:36:14.659 --> 00:36:17.820
media. I mean, streaming services, you can probably

00:36:17.820 --> 00:36:20.340
search up Stance and find me. But just to pinpoint

00:36:20.340 --> 00:36:23.809
it a little bit more. The newest single is It's

00:36:23.809 --> 00:36:26.530
Likely. So It's Likely by Stance. That'll pop

00:36:26.530 --> 00:36:28.170
up. It's kind of like a cartoon drawing of me.

00:36:29.070 --> 00:36:31.590
As far as the rest of the socials go, IG and

00:36:31.590 --> 00:36:35.429
TikTok is The Rise of Stance, all one word. Snapchat,

00:36:35.809 --> 00:36:39.809
Stance underscore beats. X, formerly Twitter.

00:36:40.750 --> 00:36:47.380
Stance underscore music. And SoundCloud. It's

00:36:47.380 --> 00:36:50.199
soundcloud .com slash wethestance. All right.

00:36:50.380 --> 00:36:53.320
All one word. I think that covers them all, hopefully.

00:36:53.599 --> 00:36:55.960
Perfect. Well, thank you so much, Stance, for

00:36:55.960 --> 00:36:58.739
being our first student story here at the Messenger

00:36:58.739 --> 00:37:01.639
Mic'd Up at Johnson County Community College.

00:37:02.239 --> 00:37:05.099
Everybody, thank you for tuning in, and we will

00:37:05.099 --> 00:37:06.760
talk to you next time. We're on vacation ceremony,

00:37:06.960 --> 00:37:09.340
y 'all. Y 'all take care. Bye, everybody.
