1 00:00:00,000 --> 00:00:05,000 Kuiper Belt Productions presents Kingdom by Phil McMurtry. 2 00:00:05,000 --> 00:00:08,000 Episode 6 3 00:00:10,000 --> 00:00:17,000 Samson, the Egyptian centurion, having mistaken Robert and Kimberly for Cleopatra and Mark Anthony, 4 00:00:17,000 --> 00:00:22,000 has appropriated the best chariot he can find, press-ganged a squad of legionnaires, 5 00:00:22,000 --> 00:00:30,000 and together they are escorting their Queen and King through the streets of Cairo towards the Royal Palace. 6 00:00:31,000 --> 00:00:37,000 Smile, Kim! They love us! Look at these flowers, do you know their names? 7 00:00:37,000 --> 00:00:39,000 We're royalties for these people. 8 00:00:39,000 --> 00:00:43,000 No, sorry, not sure what they're called. 9 00:00:43,000 --> 00:00:47,000 I'm not sure about all of them loving us, Rob. Look at those folks over there. 10 00:00:47,000 --> 00:00:49,000 They're showing their fists. 11 00:00:49,000 --> 00:00:53,000 They don't like us much, I guess. Anyhow, not so loud. 12 00:00:53,000 --> 00:00:58,000 We should start to call one another by our alias names, Mark Anthony and Cleopatra, 13 00:00:58,000 --> 00:01:01,000 so as not to raise any suspicions. Do you agree? 14 00:01:01,000 --> 00:01:06,000 They are completely fooled by this technology. Well, to them it would be magic. 15 00:01:06,000 --> 00:01:10,000 It's such a believable optical illusion. 16 00:01:10,000 --> 00:01:15,000 It is. Dan is a true genius, and he has made all of this an incredible success so far. 17 00:01:15,000 --> 00:01:20,000 But perhaps we throw too much belief in him. He's bound to make a mistake sooner or later. 18 00:01:20,000 --> 00:01:22,000 I mean, he's only human after all. 19 00:01:22,000 --> 00:01:28,000 Making mistakes are alien to Dan. Never. Not for a moment. 20 00:01:28,000 --> 00:01:33,000 I want to believe you. I hope you're right. But what if the time machine were to break down? 21 00:01:33,000 --> 00:01:35,000 What would happen to us then? 22 00:01:35,000 --> 00:01:39,000 Well, I guess three things could happen, but it's all theoretical. 23 00:01:39,000 --> 00:01:45,000 I remember discussing this with Dan a few years ago. We could just remain in this period, 24 00:01:45,000 --> 00:01:51,000 as Mark Anthony and Cleopatra, which is one scenario. It's not too risky. 25 00:01:51,000 --> 00:01:58,000 Two, we could remain in this period, but transform back to our original DNA cells. 26 00:01:58,000 --> 00:02:02,000 That is, Asron and Kim. That would be very risky. 27 00:02:02,000 --> 00:02:06,000 Our Egyptian friends, I'm assuming, would not tolerate this, 28 00:02:06,000 --> 00:02:11,000 and we most likely would be executed for being the evil spirits in their eyes. 29 00:02:11,000 --> 00:02:17,000 I mean, who would expect people to transform into another form of themselves? 30 00:02:17,000 --> 00:02:22,000 Surely we would be perceived as devils. Not a great option. 31 00:02:22,000 --> 00:02:26,000 And finally, we would just teleport back to the present day, 32 00:02:26,000 --> 00:02:30,000 as the past would have happened exactly in the same way any happened, 33 00:02:30,000 --> 00:02:33,000 so no distortion would have occurred. 34 00:02:33,000 --> 00:02:39,000 However, these are all just theories. We could die too, I guess. 35 00:02:39,000 --> 00:02:43,000 A bit like the life power supply being severed. 36 00:02:43,000 --> 00:02:46,000 So all are mostly rubbish scenarios then? 37 00:02:46,000 --> 00:02:47,000 Yep. 38 00:02:47,000 --> 00:02:51,000 Anyhow, this soldier has put us in a rather nice chariot, don't you think? 39 00:02:51,000 --> 00:02:56,000 Yes. Apart from the suspension, of course, or should I say, lack of it. 40 00:02:56,000 --> 00:03:02,000 Indeed. But we're not going any faster than, say, 10 kilometres an hour, so it's manageable. 41 00:03:02,000 --> 00:03:04,000 Absolutely. It is. 42 00:03:06,000 --> 00:03:14,000 Meanwhile, back in the future, Dr Daniel Scott and the Computer are discussing the current scene of events. 43 00:03:16,000 --> 00:03:20,000 Computer, give me the status of Rob and Kim's activities. 44 00:03:20,000 --> 00:03:23,000 Both smiling together. The Plebians love them. 45 00:03:23,000 --> 00:03:27,000 They're in a chariot on their way to Mark Anthony and Cleopatra's palace. 46 00:03:27,000 --> 00:03:32,000 Risk probability less than 1%. All is good, Dan. 47 00:03:32,000 --> 00:03:36,000 Great. Fire up the 3D holographic projection, please. 48 00:03:36,000 --> 00:03:38,000 Now going live. 49 00:03:38,000 --> 00:03:41,000 Hmm. You're right. They do look happy. 50 00:03:41,000 --> 00:03:47,000 I'll hold back for another 48 hours, unless of course they get themselves into a little bit of a pickle. 51 00:03:47,000 --> 00:03:55,000 Robert and Kimberly are still in the chariot about to enter the palace gates. 52 00:03:55,000 --> 00:04:01,000 Look, Kim, all those soldiers in front of the palace. We're nearly here. 53 00:04:01,000 --> 00:04:06,000 Look at their swords, Rob. They are very well polished. You wouldn't want to pick a fight with this lot. 54 00:04:06,000 --> 00:04:13,000 Nope, Samson. Please drop us off at the palace gardens. We want to walk the last 300 metres. 55 00:04:13,000 --> 00:04:19,000 300 what, my King? Metres, did you say? 56 00:04:19,000 --> 00:04:26,000 Er, nothing, Samson. Don't worry about it. It's just a saying that I want to be next to the one whom I love. 57 00:04:26,000 --> 00:04:30,000 Hmm. As you wish, my King. 58 00:04:33,000 --> 00:04:41,000 Here we are. We've arrived. I'll just hop off the chariot and kneel down so you can exit the chariot safely. 59 00:04:41,000 --> 00:04:43,000 Hang on. 60 00:04:43,000 --> 00:04:45,000 Thank you, Samson. Have a good day. 61 00:04:45,000 --> 00:04:47,000 Yes, thank you. 62 00:04:47,000 --> 00:04:51,000 It's an honour to serve my King and Queen. 63 00:04:53,000 --> 00:05:00,000 Okay, this is where we are at. Mark, Anthony and Cleopatra will look at us as their doppelgangers. 64 00:05:00,000 --> 00:05:07,000 This is going to be a massive shock to both, and we need to minimise this distress as much as possible. 65 00:05:07,000 --> 00:05:19,000 I kind of understand why Dan did this. If we'd tried to enter the palace as strangers, then we surely would have failed and been rejected at the palace entrance. 66 00:05:19,000 --> 00:05:21,000 They will be shocked! 67 00:05:21,000 --> 00:05:26,000 Perhaps we should find the two of them and just try to convince them. With the help of the IMT monitor, of course. 68 00:05:26,000 --> 00:05:34,000 No, I'm not so sure. I think a small bite of the cherry. I suggest that I meet Cleopatra first. 69 00:05:34,000 --> 00:05:40,000 She is the non-warrior kind, and is also more likely to be the less aggressive one. 70 00:05:40,000 --> 00:05:46,000 Good point. Okay, let's do this. Let's go. Hang on, let me contact Dan first. 71 00:05:48,000 --> 00:05:49,000 Dan? 72 00:05:49,000 --> 00:05:59,000 Well, this is a little more sudden than what I had originally anticipated. How are both of you doing? I mean, I'm a fly on the wall anyhow, but I'm talking psychologically. 73 00:05:59,000 --> 00:06:06,000 We're both good, Dan. I guess you transformed our DNA to emulate Mark Antony's and Cleopatra's to get us into the palace, right? 74 00:06:06,000 --> 00:06:12,000 Right. I thought I would leave you some element of surprise. View it as a challenge. 75 00:06:12,000 --> 00:06:21,000 Don't forget, you will never come to any harm's way there as you could be automatically teleported back to 3021 in a nanosecond. 76 00:06:21,000 --> 00:06:27,000 Well, although we're in the palace at the moment, it's sort of creating more problems and solving things for us now. 77 00:06:27,000 --> 00:06:35,000 What happens when the servants and family see two sets of Mark Antony and Cleopatra? This would spout mayhem for them, surely. 78 00:06:35,000 --> 00:06:47,000 I've already thought of that, Kim. If anyone else sees you with the real Mark Antony and Cleopatra, they will see you as servants, and they won't challenge you as you look familiar to them. 79 00:06:47,000 --> 00:06:52,000 That's how the algorithm works, within a nanosecond. Clever, eh? 80 00:06:52,000 --> 00:06:58,000 Very. But we still have a lot of convincing to do when Cleopatra and Antony eventually meet us. 81 00:06:58,000 --> 00:07:00,000 You'll do it, Kim. You'll do it. 82 00:07:00,000 --> 00:07:04,000 Okay. But we can take control of the entire time machine, right? 83 00:07:04,000 --> 00:07:09,000 Absolutely. You have the power to override the time machine at any point in time. 84 00:07:09,000 --> 00:07:14,000 Good. Okay. Rob's going to confront Cleopatra. Where is she in the palace? 85 00:07:14,000 --> 00:07:27,000 For some strange reason, she's showing up only as an entity in the palace, rather than showing up in a specific place. No idea why. The same with Mark Antony. I'll have to review this code. 86 00:07:27,000 --> 00:07:30,000 Okay. I guess we'll just have to find her then the old-fashioned way. 87 00:07:30,000 --> 00:07:32,000 Mm-hmm. Sorry. 88 00:07:32,000 --> 00:07:34,000 Speak soon. 89 00:07:34,000 --> 00:07:36,000 Until then, Kim. 90 00:07:36,000 --> 00:07:46,000 Their physical resemblance to Cleopatra and Mark Antony is allowing Robert and Kim further and further into the Royal Palace without challenge. 91 00:07:46,000 --> 00:07:52,000 But they cannot ask for directions as everyone they meet believes they are Cleopatra and Mark Antony. 92 00:07:52,000 --> 00:07:59,000 And so, still unchallenged, they proceed deeper and deeper into a maze of halls and corridors. 93 00:07:59,000 --> 00:08:08,000 At this rate, the war will be over and done with us being defeated again. Where is she? 94 00:08:08,000 --> 00:08:19,000 If only we knew. Perhaps she's down this way. Look. It looks like it's the bathing area down this corridor. Let's go there now. You never know. We'll have to try. 95 00:08:19,000 --> 00:08:23,000 Look! Is that her there, approximately 50 meters away? 96 00:08:23,000 --> 00:08:33,000 Oh my! Is she? Oh yes, she is. She's naked. Oh no! What should we do? 97 00:08:33,000 --> 00:08:43,000 We've got to break the ice sometime. I guess we both just need to get on with it, yes? It's going to be a shock, but the sooner we do it, the sooner it will be done. Come on! 98 00:08:43,000 --> 00:08:47,000 Wait! No! She thinks I'm Mark Antony, right? 99 00:08:47,000 --> 00:08:49,000 Right. 100 00:08:49,000 --> 00:08:58,000 Well, unless she is on bad terms with Mark Antony, this should be a piece of cake for me to just talk with her and tell her the entire story. 101 00:08:58,000 --> 00:09:12,000 Hang on. You want to enter a room with a beautiful naked woman? A queen who fancies you head to toe? Am I missing something here? What part of this do you think is reasonable? 102 00:09:12,000 --> 00:09:25,000 Darling, you are the only one for me, you know that. Yes, she is naked and, yes, won't be an ugly sight for me if I'm honest, but this is just business. You must trust me, okay? 103 00:09:25,000 --> 00:09:31,000 What if you fall in love with her though? She is so beautiful. 104 00:09:31,000 --> 00:09:36,000 You are more beautiful in my eyes. I never let my sweetness down. 105 00:09:36,000 --> 00:09:51,000 Oh, you always say such lovely things to me, don't you? All right, you cheeky little fox, but only because it's business. If anything goes awry, let me know immediately, won't you? 106 00:09:51,000 --> 00:09:56,000 I promise. Scout's honor. 107 00:09:56,000 --> 00:10:14,000 Trying to appear normal, Robert takes a deep breath and walks towards Cleopatra. As he approaches, he becomes aware that this bathroom is part of the Queen's private quarters and she is therefore assisted by two scantily clad maids. 108 00:10:14,000 --> 00:10:18,000 Well, you took an incredible amount of time, Antony. Where were you? 109 00:10:18,000 --> 00:10:22,000 You always make me laugh, Cleopatra. 110 00:10:22,000 --> 00:10:25,000 Well, don't beat around the bush. Well? 111 00:10:25,000 --> 00:10:29,000 I was, well, I was somewhat... 112 00:10:29,000 --> 00:10:33,000 Oh, Antony, stop this, please, just tell me. 113 00:10:33,000 --> 00:10:38,000 In Alexandria, yes, I was delayed. 114 00:10:38,000 --> 00:10:42,000 Delayed? Where? With whom? Answer me right now. 115 00:10:42,000 --> 00:10:52,000 Just some annoying plebeians. They stole some fruit, yes, yes, were very irksome and annoying, yes. Look. 116 00:10:52,000 --> 00:10:58,000 Stole some fruit? It's hardly the crime of the century, Antony. Are you hiding something from me? 117 00:10:58,000 --> 00:11:13,000 Hiding? No, no, no, why do you think that? Anyhow, I would like to meet you in the lounge when you are ready, alone. Send the maids away. I have something to discuss with you which is of great importance. 118 00:11:13,000 --> 00:11:18,000 Antony, you promised me the trade. Are you now going against your word to me? 119 00:11:18,000 --> 00:11:25,000 Er, trade, yes, sorry, but it's been a long day. I've kind of forgotten what you mean. 120 00:11:25,000 --> 00:11:38,000 Forgotten? Have you gone completely insane? You are truly acting very strange. We've been discussing this for weeks. Antony, have the gods removed your spirit from your body and replaced it with a, a sponge? 121 00:11:38,000 --> 00:11:42,000 Do you mean the trade of goods in and out of Alexandria? 122 00:11:42,000 --> 00:11:57,000 This behaviour, Antony, is not very funny. I don't know what you are thinking or where my lover has gone, but you are just not making any sense. The trade of us making love so that we can have our next son together. For the love of Osiris, how could you forget that? 123 00:11:57,000 --> 00:12:10,000 I've just been busy. Sometimes I forget things. Look, sorry, you don't understand. We can't make love, not us. It will all become clear once we talk. 124 00:12:10,000 --> 00:12:13,000 Okay, stop. What's going on? 125 00:12:13,000 --> 00:12:31,000 Cleopatra, you're not going to believe a word of what I'm about to tell you, but this is the full truth. But before that, you must get dressed. If you don't get dressed, then this is only going to make matters more confusing, as you are making it very difficult for me to think clearly. 126 00:12:31,000 --> 00:12:41,000 This may be a shock for you, so please prepare yourself. I will meet you over by that outside table in the shade with the grapes, over there in a few moments. 127 00:12:41,000 --> 00:12:48,000 Antony, you're scaring me. What's going on? Are my sons okay? Have you been injured in any way? 128 00:12:48,000 --> 00:12:53,000 Just get dressed and meet me over there. 129 00:12:53,000 --> 00:12:55,000 Well, I'm listening. 130 00:12:55,000 --> 00:12:58,000 I'm not Mark Antony. I know I looked. 131 00:12:58,000 --> 00:13:01,000 Who? Sorry, you're not Mark Antony. 132 00:13:01,000 --> 00:13:07,000 No, I'm not Mark Antony. My name is Robert Pine and I'm from the future. 133 00:13:07,000 --> 00:13:22,000 What? Right, this is preposterous. Antony, or whoever you think that you have suddenly become, I'm going to call the physicians in a minute if you don't start to explain yourself very quickly. This is a stupid joke. Or please just make love to me right now and stop playing these silly games. 134 00:13:22,000 --> 00:13:39,000 This is no joke. I do not and would not joke about something like this. I am from the year 3021. That is 3,051 years ahead of your time. This time. I mean now. And I'm not going to make love to you. My wife and I… 135 00:13:39,000 --> 00:13:48,000 Your wife? What do you mean your wife? I'm your wife. Or do you mean Octavian's bit sister? Isn't she in Rome? She better be. 136 00:13:48,000 --> 00:13:59,000 No, no, no, no, no. Look, you must trust me. We are not here to harm you. We are here to support you. We already know your future and it doesn't look good. 137 00:13:59,000 --> 00:14:02,000 What future? And what do you mean we? 138 00:14:02,000 --> 00:14:24,000 You must let me and my wife, Kimberly, support you for the next five years. Yes, that's right. The next five years. Or else you and the love of your life, Mark Antony, will be dead in a few days' time. Cleopatra, we know that you and Mark Antony will die when Augustus wins the war against both of you. 139 00:14:24,000 --> 00:14:32,000 I have heard some far-fetched stories in my time, but this… this sounds like something that children made up. I'm now going to call the guards. Guards? 140 00:14:32,000 --> 00:14:35,000 Kim! Come quickly, I need you now! 141 00:14:35,000 --> 00:14:51,000 Here I am, Rob. Oh, by Isis, this is… this is impossible. This woman looks exactly like me. She could be my twin. I must be dreaming. Or hallucinating. I don't understand, I am very confused. 142 00:14:51,000 --> 00:14:57,000 Have I been drinking? Have I banged my head on the bath? How is this even possible? 143 00:14:57,000 --> 00:15:13,000 Cleopatra, listen to me. I am the wife of this man and we are from the future. Robert is my husband in the future. Our magic allows us to travel through time and because we are magicians, it can make us look like you and your husband. 144 00:15:13,000 --> 00:15:31,000 I don't expect you to take in all of this straight away, but please, please, you must at least try to believe that we are here to help you. Please believe us. We are on your side. You are an intelligent woman and it's my belief that I was born exactly like you in the future. 145 00:15:31,000 --> 00:15:40,000 I don't know, all of this seems so far-fetched. Magicians? It's very difficult for me to take you seriously. Are you gods? 146 00:15:40,000 --> 00:15:57,000 No, no, we're not gods. See this? This is called an IMT monitor. It is a link between the present and the future. Look, this is Daniel. He is a scientist. I can talk to him on this device. Daniel, are you there? 147 00:15:57,000 --> 00:16:01,000 Hey Kim, and hey Cleopatra. Yes, I'm here. 148 00:16:01,000 --> 00:16:04,000 You are gods. Where are you, Dan? 149 00:16:04,000 --> 00:16:15,000 I'm from the future, Cleopatra. This magic machine allows us to travel through time and we can bring anybody from our time to your time. 150 00:16:15,000 --> 00:16:29,000 This is sorcery. Are you gods or devils or am I mad? No, you shall all be executed as sorcerers. Leave immediately and I'll spare all your lives. Leave now before I change my mind. 151 00:16:29,000 --> 00:16:36,000 Look Cleopatra, here. You take the IMT monitor, see that arrow on it, press it and you will travel to the future. 152 00:16:36,000 --> 00:16:39,000 Travel to the future? What does that even mean? 153 00:16:39,000 --> 00:16:48,000 You will travel to tomorrow, or a few more tomorrows, but don't worry about that. Will you please press this little arrow? Go on, just press it. 154 00:16:48,000 --> 00:16:57,000 I don't believe anything you tell me sorcerer. Okay, there is only one way to find out. Nothing will happen anyhow. 155 00:16:57,000 --> 00:17:06,000 Cleopatra presses the arrow and sees her story appear in front of her eyes. Augustus has won the war. 156 00:17:06,000 --> 00:17:19,000 She witnesses the end of the Roman Empire, the formation of the European countries, two world wars, technology, space travel and finally she is in the time machine pod with Dan. 157 00:17:19,000 --> 00:17:30,000 What? Where am I? This is witchcraft. What devil are you? Oh I'm going mad. What is this place? 158 00:17:30,000 --> 00:17:37,000 I'm Dan. You are absolutely not mad. All of this is true. Do you believe us now? 159 00:17:37,000 --> 00:17:51,000 This is amazing. I think I must be dreaming. Yes, that's it. I'm dreaming. Okay, Dream. Yes, I believe you. So where are my children? My palace, my servants, oh gods of Egypt. 160 00:17:51,000 --> 00:18:00,000 I'll send you back to the past where Rob and Kim are in your palace. In 5, 4, 3, 2, 1. 161 00:18:00,000 --> 00:18:16,000 So, my dream companions. Magicians, please follow me. We must leave immediately from my quarters. Otherwise the servants will be confused seeing two Antony's and two Cleopatra's. 162 00:18:16,000 --> 00:18:31,000 That's not really a problem. If anyone apart from you or Mark Antony sees us, to them we look like ordinary servants. The technology, I mean the magic, does it? Please don't worry. 163 00:18:31,000 --> 00:18:41,000 Listen, not Mark Antony, magician. You always have an answer for everything. So let us try it out. Cornelius? Cornelius? 164 00:18:41,000 --> 00:18:57,000 Yes, my queen. What is your command? Who are these people? Here, this man and woman? My queen, this is Paul and this is Mary, your servants. Why do you ask, oh majesty? 165 00:18:57,000 --> 00:19:05,000 No reason. I just forgot their names. Yes, my queen. Is that all, majesty? That is all for now. Thank you. My queen. 166 00:19:05,000 --> 00:19:17,000 Cleopatra, you must tell the exact same story to Mark Antony when you two are alone. When you have convinced him, then you are to approach me and Robert. Is that all perfectly clear? 167 00:19:17,000 --> 00:19:25,000 Yes, that is clear. So it appears that I must believe you. The real Antony will have to believe me. Do not worry about that. 168 00:19:25,000 --> 00:19:41,000 And now, inevitably, the real Mark Antony has entered the palace and is making his way to Cleopatra's private quarters, unprepared for what awaits him. He greets Cleopatra, who is again bathing, naked. 169 00:19:41,000 --> 00:19:57,000 Cleopatra, my love. I have had a great day and I have fabulous news to tell you. It is something that will keep us the rulers of Egypt for our entire lives. By the way, you look as stunning as ever. 170 00:19:57,000 --> 00:20:01,000 Mark Antony, you're back. You're the real Mark Antony. 171 00:20:01,000 --> 00:20:08,000 I should hope so, indeed. As real as anything. There is only one Mark Antony. Everybody knows that. 172 00:20:08,000 --> 00:20:16,000 Well, picture this. What if there was an identical twin that looked the same as you? How would you feel about that? Tell me your thoughts. 173 00:20:16,000 --> 00:20:29,000 The same, eh? Well, I would ask him to fight and he must demonstrate the same amount of fighting skills as I possess for me to be convinced. He must be as educated as I and he must be as handsome as well. 174 00:20:29,000 --> 00:20:30,000 And as modest? 175 00:20:30,000 --> 00:20:32,000 Goes without saying. 176 00:20:32,000 --> 00:20:47,000 What if he had none of those skills? Apart from being handsome, of course. Would you still be convinced? Imagine if there was someone, say, from the future, who would have had your every feature but with a different personality. Would you still despise that person? 177 00:20:47,000 --> 00:21:00,000 What a strange, lovely woman you are. Despise him? No. Why would I think that? I might pity him a little and then I would go about asking what business he had here. 178 00:21:00,000 --> 00:21:07,000 Come to me then, my handsome king. Now remove all of your clothing and armour and make love to me. 179 00:22:00,000 --> 00:22:07,000 Yes. 180 00:22:07,000 --> 00:22:21,000 You are so beautiful, la-da-di. 181 00:22:21,000 --> 00:22:29,000 You changed my life 182 00:22:29,000 --> 00:22:47,000 You are the one for me 183 00:22:47,000 --> 00:23:02,000 I see your hope, you are always by my side 184 00:23:02,000 --> 00:23:20,000 As time passes by, I learn about you each and every day 185 00:23:20,000 --> 00:23:30,000 When I'm close or far away 186 00:23:30,000 --> 00:23:37,000 I love you 187 00:23:37,000 --> 00:23:50,000 I'm dreaming of your body next to mine 188 00:23:50,000 --> 00:24:01,000 For all of time 189 00:24:01,000 --> 00:24:13,000 You are so beautiful 190 00:24:13,000 --> 00:24:22,000 You changed my life 191 00:24:22,000 --> 00:24:30,000 Yes you did, you changed my life 192 00:24:30,000 --> 00:24:46,000 You are the one for me 193 00:24:46,000 --> 00:25:10,000 You were always standing by me 194 00:25:10,000 --> 00:25:24,000 I love you 195 00:25:24,000 --> 00:25:39,000 I love you 196 00:25:39,000 --> 00:25:54,000 I love you 197 00:25:54,000 --> 00:26:08,000 I love you 198 00:26:08,000 --> 00:26:18,000 I love you 199 00:26:38,000 --> 00:26:48,000 I love you 200 00:27:08,000 --> 00:27:18,000 I love you 201 00:27:38,000 --> 00:27:48,000 I love you 202 00:28:08,000 --> 00:28:18,000 I love you 203 00:28:38,000 --> 00:28:48,000 I love you 204 00:29:08,000 --> 00:29:18,000 I love you 205 00:29:38,000 --> 00:29:48,000 I love you 206 00:30:08,000 --> 00:30:18,000 I love you 207 00:30:38,000 --> 00:30:48,000 I love you 208 00:31:08,000 --> 00:31:18,000 I love you