WEBVTT

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They say if you stare into the abyss long enough

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Well after a while that abyss starts staring

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back But what if that abyss weren't some far

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-off idea? What if it was sitting right there

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in your own backyard? Way out yonder in the cold

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misty hills near Ellensburg, Washington There's

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a spot folks whisper about a hole so deep they

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say it'd swallow the sea so dark it had snuffed

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out starlight, and stranger in anything you'd

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ever hear told around a campfire. A fellow by

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the name of Mel Waters claimed he found it, and

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the moment he spoke up, he disappeared. Was it

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the government snatching him up, aliens dragging

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him off, or something older and meaner? Tonight,

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we're taking a slow walk to the edge of that

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hole, into the dark belly of the unknown. This

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here's the story of Mel's Hole. Welcome to Kentucky

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Melodies America's Scariest Stories, where we

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bring you ghostly legends, spooky haints, and

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bone -chilling tales from all over this great

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land. These stories will have you looking over

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your shoulder all night. So pull up a chair,

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dim them lights, and let's dive into the eerie

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and unexplained. Now, if you ain't never heard

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the name Art Bell, let me sit you down and tell

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you about the fella who turned the dead and not

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into a doorway for the dead, the lost, and the

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downright unexplainable. See, back in the late

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80s, there was this old desert rat out in Pahrum,

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Nevada, a loner with a voice like midnight thunder,

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by the name of Art Bell. He weren't no suit and

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tie radio man broadcasting from some fancy city

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station. Nah, sir. He was coming at folks from

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a double wide trailer sitting smack in the middle

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of the Mojave, surrounded by nothing but sand,

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sky, and maybe a UFO or two. Art, he didn't talk

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about the news or the weather like them daytime

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talkers. He opened his lines to them that seen

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things. felt things, stuff most folks would be

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too scared to whisper at the dinner table. He

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had guests rambling on about aliens poking around

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their barns, black -eyed kids knocking at bedroom

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windows, Bigfoot sightings and foggy hollers,

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time travelers, shadow people, and the government

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sticking its fingers in places it didn't belong.

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And Buddy, by the time the early 90s rolled around,

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Art Bell had a whole nation listening. farmers,

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truckers, late shift nurses, insomniacs, and

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folks with too many ghosts in their attic. They

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all tuned in while the rest of the world slept.

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Coast to Coast AM became a lifeline for the strange

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and the scared. It was like a digital campfire

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in the dark, drawing in folks who felt like something

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ain't right in this world, and they needed someone

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who'd believe them. But out of all the tales

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ever told on them airwaves, and Lord knows there

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was thousands, there was one that cracked through

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the static like a voice from the void. A story

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that made even the most skeptical folks lean

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in, hold their breath and start to wonder if

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maybe the devil does have a back door somewhere

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out in them, Washington Hills. That story came

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from a man called Mel Waters, and what he said,

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Well, it chilled the bones of every man, woman

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and beast who heard it. Now, it was on a cold

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February night, back in 1997, when a man named

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Mel Waters first rang up Art Bell's radio show.

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His voice weren't rushed or excited, nah, it

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was slow, matter of fact, like he was just sharing

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something he'd lived with a long while and figured

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folks ought to know. He said he had himself a

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patch of land out yonder near Ellensburg, Washington.

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Kittitas County, to be exact. Real quiet place.

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Pine trees, thick as thieves, them long mountain

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shadows stretching like fingers, and the kind

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of silence that presses on a man's ears like

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cotton. And on that land, tucked back past where

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the fence posts rot and the deer trail disappears,

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was a hole. Now ain't no well ain't no mine shaft

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Just a dang hole Round as a silver dollar near

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nine feet across Rimmed with a ring on old stones

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and rusted metal like it was once marked for

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something Maybe something sacred or something

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cursed Mel didn't dig it said it was there long

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before he ever laid claim to that ground Old

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-timers in them parts had known about it for

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decades maybe longer, but they didn't talk much

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on it. Just called it The Hole, like even giving

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it a real name might wake something that's best

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left sleeping. He said animals wouldn't go near

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it. Dogs would whimper if they got too close.

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Deer gave it a wide berth. And birds, well, they

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just flat out refused to fly over it, like there

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was something wrong with the air above it. Heavy.

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Mean, but here's where it gets real spooky. Mel

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claimed that hole ain't got no bottom. Said he'd

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tried measuring it himself, dropping down reel

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after reel of fish in line with a one pound weight

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tied on the end. He let out 80 ,000 feet of line,

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15 miles, give or take, and still, that weight

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never touched nothing. No clink, no splash. No

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nothing. Just a heavy stillness, like the earth

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had been hollowed out and left to whisper secrets

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into the void. That hole weren't just deep. It

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was impossible. And Mel, well, he was only just

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getting started. Mel, he wasn't no fool. He weren't

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looking to stir up trouble or spin yarns. He

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just couldn't make sense of what he had sitting

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out behind his barn. So, one day, he got to testing

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that hole. Took himself a sturdy old fishing

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pole and tied on a one pound weight, just like

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he was trying to catch something swimming down

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in the belly of the earth. He started lowering

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that line down slow, reel after reel, like he

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was dropping it into the throat of the world

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itself. Ten thousand feet, twenty, forty, eighty

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thousand feet. That's 15 miles, 15, and the line

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just kept going. Never once tugged, never went

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slack, never so much as tickled the bottom. He

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said it was like lowering a line into nothing.

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Ain't natural, ain't even possible, far as any

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man knows. Now Mel wasn't the only one using

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that hole. The locals, well, they'd been tossing

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things down there for years. Old refrigerators,

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busted lawn mowers, barrels of God knows what.

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One fella even dumped a whole Chrysler in there,

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or so the story goes. Folks used it like a dump,

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but what got him uneasy was how nothing ever

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made a sound. No thud, no echo, not even the

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faintest clatter bouncing back up. It was like

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the earth just swallowed it all, like it was

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hungry. But the strangest thing, and I mean bone

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-crawling strange, was what happened with the

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neighbor's dog. Now, this old fella had a hound,

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faithful as the day is long, but it had gone

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and died. Natural, far as he could tell. Instead

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of burying it, he figured he'd send it off down

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the hole. Maybe it was convenience. Maybe he

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didn't want the coyotes digging it up. Who knows?

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So he tosses a dog in. Couple days later, he's

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out walking the ridge at dusk when he sees something

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moving in the tree line. At first, he don't think

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nothing of it. Just a shadow, maybe a fox. But

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then, it steps into the light. It's his dog.

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Same coloring, same limp in the back leg, same

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little nick on the ear where it had tangled with

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a raccoon the summer before. But that dog, it

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looked at him different, like it knew him, but

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didn't want to know him, like it had come back

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wrong. It turned and patted off into the woods,

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tail low, ears back, and it never came near the

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house again. That was the moment Mel said he

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knew. This weren't no ordinary hole, weren't

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just deep or weird. There was something down

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there, something alive. something ancient, and

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maybe something evil. Now, right after Mel went

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on air with Art Bell, spilling them secrets about

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the hole and all them unnatural goings on, things

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started shifting, and not in a good way. He said

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it began subtle, vehicles he didn't recognize

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parked up along the tree line, black trucks with

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no plates. Folks snooping around his fence line,

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taking pictures, leaving boot tracks where no

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boots ought to be. And the wildlife? It went

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dead silent, like the whole forest was holding

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its breath. Then, just a few days after that

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broadcast, the men in black showed up. Not the

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funny kind from the movies, neither. These fellas

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were sharp as razors, dressed head to toe in

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black suits, dark glasses, earpieces, like they

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walked right out of some alphabet agency's nightmare

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playbook. Cold, no emotion, no names. They told

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Mel, right to his face, that he was trespassing

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on federal property. Said the land he'd called

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home for years was now classified, a secured

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site. No room for debate, no chance to argue.

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Next thing he knows, he's handed a document offering

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him a lease buyout. Real official looking. Typed

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in all them fancy legal words that make your

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head hurt. And here's the kicker. Not long after,

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Mel gets shipped off to Australia. Just like

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that. No trial, no press, no nothing. One day,

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he's poking around in a mysterious hole. Next,

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he's half a world away with no answers and no

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land to call his own. And then, just like the

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hole, Mel went silent. Folks that remembered

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his call wondered what had happened. Some thought

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he got paid off. Others figured he was buried

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in the desert somewhere. For a long spell, the

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line went dead. No more Mel. No more talk of

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the hole. But just when folks started thinking

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the story was over, that's when Mel came back.

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He resurfaced in 2000 and again in 2002, calling

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in to Art Bell's show like a voice coming back

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from the grave. But this time, Mel didn't sound

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right. His voice was scratchier, slower. You

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could tell he'd seen some things. And the tale

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he told, well... it was about to get a whole

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lot stranger and a whole lot darker. Now, by

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the time Mel popped back up again, he weren't

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in Washington no more. Nope, he'd wound up in

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Nevada near a tight -knit Basque community out

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in the desert flats, dry land, strange land,

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land where the wind don't carry right and even

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the stars seem to look the other way. Mel said

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he got wind of something familiar, too familiar.

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The locals whispered about a spot they didn't

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go near, a place even the wild dogs avoided.

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Sounded like the same kind of thing he'd found

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back on his own property. Sure enough, nestled

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out there past the scrub and sun -cracked earth

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was another hole. But this one, this one was

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different. It didn't just sit there like a mouth

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waiting to be fed. No, sir. This one was active.

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Mel said sometimes late at night when the desert

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was dead still, you'd see it emit something unnatural,

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a black beam of light. Now I know that don't

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make sense. Light's supposed to shine, right?

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Make things visible. But this weren't like no

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flashlight or car head beam. This light was dark.

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It didn't brighten. It ate. A thick, syrupy blackness

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that reached skyward and seemed to pull the stars

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into it. The locals said they'd tossed injured

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animals into that hole. Things hurt bad, dying,

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beyond help. And not long after, those same critters

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had come crawling back out the brush, looking

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fine as frog hair. Healed. Stronger even. But

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they weren't right. They'd stare too long. They

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didn't bark or bleat no more. Just watched. Like

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they remembered being somewhere else. And maybe

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wishing they'd stayed. And then came the worst

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of it. Mel said he saw something coming up out

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of that pit. Not a shadow. Not a vapor. Something

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with form. He never described it fully. Couldn't,

00:14:39.970 --> 00:14:42.610
maybe. Just said it looked like it shouldn't

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be. like it was built wrong. It rose up slow,

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real quiet, and the second it did, everything

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went dead quiet. Not a single cricket, not a

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breeze, just silence, thick and heavy like water

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in your ears. Then came the blackouts, whole

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towns nearby, lights snuffed out like candles

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in a storm. Radios went to static, power grids

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fried, And when the lights did come back, folks

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felt different, nervous, cold, like something

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had been watching them from inside their own

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heads. Mel didn't stay long after that. He said

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that hole weren't just deep, it was hungry, and

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whatever it had spit out into the desert, it

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weren't done yet. Now, by the time Mel popped

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back up again, he weren't in Washington no more.

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Nope. He'd wound up in Nevada near a tight -knit

00:15:43.289 --> 00:15:47.409
bass community out in the desert flats. Dry land,

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strange land, land where the wind don't carry

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right, and even the stars seem to look the other

00:15:53.990 --> 00:15:58.389
way. Mel said he got wind of something familiar,

00:15:59.350 --> 00:16:03.690
too familiar. The locals whispered about a spot

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they didn't go near, a place even the wild dogs

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avoided. sounded like the same kind of thing

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he'd found back on his own property. Sure enough,

00:16:15.029 --> 00:16:17.769
nestled out there past the scrub and sun -cracked

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earth was another hole. But this one, folks,

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this one was different. It didn't just sit there

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like a mouth waiting to be fed. No, sir, this

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one was active. Mel said sometimes late at night

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when the desert was dead still, You'd see it

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emit something unnatural. A black beam of light.

00:16:41.100 --> 00:16:44.580
Now, I know that don't make sense. Light's supposed

00:16:44.580 --> 00:16:48.840
to shine, right? Make things visible. But this

00:16:48.840 --> 00:16:51.759
weren't like no flashlight or car head beam.

00:16:52.659 --> 00:16:56.919
This light was dark. It didn't brighten. It ate.

00:16:57.519 --> 00:17:00.639
A thick, syrupy blackness that reached skyward

00:17:00.639 --> 00:17:04.130
and seemed to pull the stars into it. The locals

00:17:04.130 --> 00:17:06.549
said they'd tossed injured animals into that

00:17:06.549 --> 00:17:11.509
hole. Things hurt bad, dying beyond help, and

00:17:11.509 --> 00:17:14.509
not long after those same critters had come crawling

00:17:14.509 --> 00:17:18.170
back out the brush, looking fine as frog hair.

00:17:18.829 --> 00:17:22.769
Healed. Stronger even. But they weren't right.

00:17:23.309 --> 00:17:26.849
They'd stare too long. They didn't bark or bleat

00:17:26.849 --> 00:17:31.170
no more. Just watched. Like they remembered being

00:17:31.170 --> 00:17:34.289
somewhere else. and maybe wishing they'd stayed.

00:17:35.390 --> 00:17:39.089
After that mess in Nevada, Mel went dark again,

00:17:39.730 --> 00:17:43.329
didn't call, didn't write, like he'd been swallowed

00:17:43.329 --> 00:17:45.690
up by the very thing he was trying to warn us

00:17:45.690 --> 00:17:50.049
about. Then, out of nowhere, in the dead winter

00:17:50.049 --> 00:17:54.490
of 2002, Mel's voice crackled back across the

00:17:54.490 --> 00:17:59.029
coast to coast airwaves. But this time, something

00:17:59.029 --> 00:18:03.640
was different. He sounded tired. Real tired.

00:18:03.660 --> 00:18:06.940
Weren't just his voice neither. It was like his

00:18:06.940 --> 00:18:09.920
soul had been run through a wringer. He talked

00:18:09.920 --> 00:18:13.779
slow. Like every word was a weight dragging behind

00:18:13.779 --> 00:18:17.380
his tongue. He said he'd been gone for a while.

00:18:17.960 --> 00:18:21.519
Taken. Wouldn't say by who. Claimed there were

00:18:21.519 --> 00:18:25.500
gaps in his memory. Big ones. Weeks. Maybe months.

00:18:25.900 --> 00:18:29.660
Missing. His teeth were falling out. Hair thinning.

00:18:29.799 --> 00:18:33.259
said he was feeling cold even in the heat, like

00:18:33.259 --> 00:18:35.980
whatever he'd been near had stayed inside him.

00:18:36.819 --> 00:18:40.559
He remembered being hooked up to machines, cold

00:18:40.559 --> 00:18:44.339
metal touching bare skin, voices speaking in

00:18:44.339 --> 00:18:47.779
languages he didn't recognize, waking up places

00:18:47.779 --> 00:18:51.720
he didn't fall asleep in, blood drawn, fluids

00:18:51.720 --> 00:18:55.599
tested, dreams, dreams of lights blinking from

00:18:55.599 --> 00:18:59.579
beneath the earth and faces without eyes. Mel

00:18:59.579 --> 00:19:02.720
tried to warn folks, said them holes weren't

00:19:02.720 --> 00:19:06.299
natural, weren't even man -made, said they went

00:19:06.299 --> 00:19:09.900
through the world, tunnels maybe or veins in

00:19:09.900 --> 00:19:13.619
the bone of something older than time, and whatever

00:19:13.619 --> 00:19:17.940
was down there, it was watching, waiting, rising.

00:19:18.720 --> 00:19:21.099
That was the last time anyone ever heard from

00:19:21.099 --> 00:19:25.019
Mel Waters. No more calls, no more sightings,

00:19:25.480 --> 00:19:28.769
no trace. Some folks say he's buried out in that

00:19:28.769 --> 00:19:32.130
desert. Others claim he's still alive, hiding,

00:19:32.710 --> 00:19:35.009
watched by men in black suits with dead eyes

00:19:35.009 --> 00:19:39.569
and colder hands. And a few, just a few, say

00:19:39.569 --> 00:19:42.950
he never existed at all, just a ghost on the

00:19:42.950 --> 00:19:46.869
airwaves. But the hole, the hole is still out

00:19:46.869 --> 00:19:51.349
there, out in Washington, out in Nevada. Maybe

00:19:51.349 --> 00:19:53.890
more of them spread across the land like rot

00:19:53.890 --> 00:19:58.259
beneath the skin of the world. No signs, no fences,

00:19:58.740 --> 00:20:01.200
just waiting for the next poor soul to stumble

00:20:01.200 --> 00:20:05.660
too close. Or maybe listen too hard late at night

00:20:05.660 --> 00:20:10.920
when the radio hums just right. Now, maybe, just

00:20:10.920 --> 00:20:15.619
maybe, Mel's Hole never existed. Maybe it was

00:20:15.619 --> 00:20:18.920
all just smoke and stories, a tale cooked up

00:20:18.920 --> 00:20:21.539
by a man who spent too much time listening to

00:20:21.539 --> 00:20:25.130
the wind out west. But I'll tell you something

00:20:25.130 --> 00:20:28.529
true, folks. Whether that hole was carved in

00:20:28.529 --> 00:20:31.990
the dirt or in the mind, it done tapped into

00:20:31.990 --> 00:20:36.470
something ancient. Something deep. A fear that

00:20:36.470 --> 00:20:39.809
lives down in all of us. Same place we hide the

00:20:39.809 --> 00:20:43.049
dreams that make us wake up sweating. It's the

00:20:43.049 --> 00:20:46.609
fear of the unknown. The kind that makes you

00:20:46.609 --> 00:20:49.210
stop in your tracks when you find a cave you

00:20:49.210 --> 00:20:52.910
ain't never seen before. Makes the hair on your

00:20:52.910 --> 00:20:55.890
neck prickle when you peer into a well and can't

00:20:55.890 --> 00:21:00.049
see nothing but pitch. Makes you whisper instead

00:21:00.049 --> 00:21:03.549
a speak, like maybe something's listening from

00:21:03.549 --> 00:21:07.990
down below. Mel's hole don't gotta be on a map

00:21:07.990 --> 00:21:12.210
to be real, cause stories like that, they plant

00:21:12.210 --> 00:21:15.170
seeds, and once they take root in your head,

00:21:15.650 --> 00:21:19.460
you start seeing holes everywhere. You ever stood

00:21:19.460 --> 00:21:22.619
at the edge of something dark and felt it staring

00:21:22.619 --> 00:21:27.680
back? Yeah. Maybe the story's real because we

00:21:27.680 --> 00:21:32.400
believe it. Or maybe, just maybe. It was never

00:21:32.400 --> 00:21:37.279
a hole at all. Maybe it was a doorway. So come

00:21:37.279 --> 00:21:40.079
back to watch the next one with us here at Kentucky

00:21:40.079 --> 00:21:43.700
Melody if you dare. And just remember, that hole's

00:21:43.700 --> 00:21:47.140
still out there, waiting, watching. so don't

00:21:47.140 --> 00:21:49.759
go poking too deep where the dark runs thick.

00:21:50.359 --> 00:21:53.000
I'll see y 'all in the next one, if something

00:21:53.000 --> 00:21:54.700
don't drag me down first.
