WEBVTT

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I thought about you watching this movie because

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even I was a little put off by how, I mean, obviously

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the spiders are real, like the little ones and

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they're everywhere and they're, they're creepy.

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They're crawly. Yeah, it is. It is not for people

00:00:17.859 --> 00:00:21.260
like you. Right. I don't want to admit that to

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Bill, to Mr. Robain. I don't want to admit my

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arachnophobia. So we'll just keep that between

00:00:25.339 --> 00:00:27.399
you and me. And I guess everybody listening to

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this episode right now. I'm going to sell you

00:00:29.500 --> 00:00:47.740
out 100%. Hello and welcome to Camp Kaiju Monster

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Movie Podcast. We're your hosts, Vince and Hannum.

00:00:51.070 --> 00:00:53.390
And Matt Levine. And we're talking about all

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our favorite monster movies, the good, the bad,

00:00:55.890 --> 00:00:58.630
and the downright campy, and asking if they stand

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the test of time. Traditional kaiju, creature

00:01:01.729 --> 00:01:04.629
features, space invaders, the supernatural, and

00:01:04.629 --> 00:01:07.230
everything in between. All strange beasts welcome

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here. Camp Kaiju is brought to you by Zack Linder

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and the Zack Pack, powered by Coldwell Banker

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Realty. Whether you're looking for your dream

00:01:15.609 --> 00:01:18.230
home, a savvy investment property, or expert

00:01:18.230 --> 00:01:21.170
guidance in home rehab and flipping, the Zach

00:01:21.170 --> 00:01:23.890
Pack has you covered. Reach out today for top

00:01:23.890 --> 00:01:25.969
-tier real estate services and explore exciting

00:01:25.969 --> 00:01:28.769
investment opportunities. Don't forget to follow

00:01:28.769 --> 00:01:30.689
the Zach Pack on social media for the latest

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updates and insights. Check the link in the show

00:01:33.189 --> 00:01:42.150
notes for more information. In a small Wisconsin

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town, something was about to happen that would

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send shock waves around the world. from another

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world to destroy the Earth. It was the giant

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spider invasion. It could be an abortive strike

00:03:02.490 --> 00:03:07.750
from an unfriendly power. Oh, come on. You don't

00:03:07.750 --> 00:03:10.409
think a missile landed here? I told you something

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landed here last night. Look, it's full of them.

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I'm very concerned. Well, frankly speaking, Doctor,

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so is the United States government. by myself.

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They're hell -bent on destroying that beast.

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The crowd's beginning to take over. We'll call

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the National Guard back. Tell them we need some

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heavy equipment. Guns, tanks, anything. They

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came by the hundreds, by the thousands, killing

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and crippling, creeping, crawling creatures determined

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to destroy the Earth. Could anything stop them?

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Could anything stop the giant spider invasion?

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There has never been a film like this before.

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Matt, what an episode we got tonight. Indeed.

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Yeah, we'll be talking about the giant spider

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invasion. With none other than the man behind

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it, Bill Robain, the producer and director of

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this movie celebrating its 50th anniversary.

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Yeah, so cool. And Bill, I'm sure we'll talk

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to him about this a little bit, but he actually

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shot new footage for the movie, which he's planning

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on incorporating into the film and then re -releasing

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next year, which is very exciting. And that's

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what I really wanted to talk to him about, among

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other things, but is now that we have access

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to technology with computer graphics and whatnot,

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how is he incorporating new technological aspects?

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into a very 1970s picture. And this movie is

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low budget. It doesn't detract from the movie,

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but it's clearly a low budget movie. So I'd love

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to see how that translates 50 years later with

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new footage. Yeah, yeah, totally. It'll be cool

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to watch the new version. And I would also like

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to ask him just like, why now? I know it's the

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50th anniversary of it, but are there other reasons

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to revisit this project and re -release it? So

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I'm sure we'll talk to him about that soon. Yeah,

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yeah. Let's get to some quick nuts and bolts

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while we're waiting for Mr. Rubain. So thanks

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for hanging out with us, friends. Truly, truly,

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truly. We couldn't do this show without you.

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All your support, listener comments. I'm getting

00:07:00.139 --> 00:07:02.339
them. I'm responding. I love the back and forth.

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That's what I love about Camp Kaiju, that we

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have this platform to talk to you all, engage

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with listeners, and just talk about monster movies.

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You can leave a rating and review of this here

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reviews, merchandise. Zoom happy hours, you name

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it. We're really going to lean hard into the

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listener experience beyond the show in 2026.

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Get in touch with us. Let us know your thoughts,

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what you're looking forward to at campkaiju at

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gmail .com, campkaijupodcast .com, Instagram,

00:07:40.160 --> 00:07:43.540
or even our voicemail number. Our hotline is

00:07:43.540 --> 00:07:48.449
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current Patreon members and supporters, Jason,

00:07:51.910 --> 00:07:54.629
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And if you all out there want to make the jump

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to a paid supporter of the show at patreon .com

00:08:02.470 --> 00:08:05.649
slash campkaiju, if you sign up before 2026,

00:08:05.949 --> 00:08:08.689
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00:08:08.689 --> 00:08:11.050
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and well worth, what, $5 a month? So... All that

00:08:16.180 --> 00:08:18.860
and more and eternal thanks first and foremost.

00:08:19.920 --> 00:08:23.300
Absolutely. Yeah. All right. Coming up on Camp

00:08:23.300 --> 00:08:26.660
Kaiju, it might be the addiction. The addiction

00:08:26.660 --> 00:08:29.339
might come out before this episode. Unsure yet.

00:08:29.759 --> 00:08:32.059
But Matt, let's talk about the addiction as if

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it's our next episode. Yeah, The Addiction, directed

00:08:35.669 --> 00:08:39.230
by Abel Ferrara from 1995, a vampire movie starring

00:08:39.230 --> 00:08:41.850
Lily Taylor. Black and white, a little artsy,

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very philosophical. Frank Olsen was the guest

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star on that episode. Great to talk to him and,

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of course, to you, Vincent, about that movie.

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Really fascinating. One of the better vampire

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movies that I've seen, I would say, personally.

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So yeah, fun conversation. Please check out that

00:08:55.970 --> 00:08:58.909
episode if you haven't already. 100%. And then

00:08:58.909 --> 00:09:01.519
following that... Sean Childers will join the

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podcast and we're going to break down Guillermo

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del Toro's Pacific Rim from 2013. So I think

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I think, you know, was that 12 years? That's

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enough hindsight, you think, to gauge a movie's

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lasting impact? Yeah, yeah, I think so. I think

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like definitely in the context of del Toro's

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career. and maybe just the monster movies that

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have come out since then, like all the Godzilla

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X -Kong movies and all that. Yeah, it'll be interesting

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to talk about. Yeah, for sure. Following that,

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December is jam -packed, and it's a great problem

00:09:36.820 --> 00:09:40.019
to have here in the editing room. But after that,

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we will announce our Season 6 lineup. First six

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months of Season 6 in 2026. There's like a 666

00:09:48.320 --> 00:09:52.480
theme going on here. Yeah, but... We'll have

00:09:52.480 --> 00:09:55.419
some guest hosts, some previous guests from the

00:09:55.419 --> 00:09:58.980
podcast joining us for about an hour. Just to

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have some fun, drink some eggnog, talk about

00:10:01.740 --> 00:10:07.519
all the good times from 2025. Can't wait. Honestly,

00:10:07.740 --> 00:10:10.200
the reveal of our upcoming titles for the next

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season is probably my favorite episode of the

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entire year, so I'm looking forward to it. It's

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fun. Yeah. Man, we've been doing this such a

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long time now that, yeah, we do have a bit of...

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We have like our own traditions on the show.

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Yeah, totally. Yeah. So the giant spider invasion,

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we'll have Bill talk about it, obviously. But

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it is about a meteor that crash lands on Earth

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in rural Wisconsin behind a farmhouse. And the

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meteor spews these like little geodes, they're

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called, little balls of rocks. That happened

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to contain tarantulas. And the tarantulas dosed

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with high levels of radiation because apparently

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they were born out of a dying star and there's

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a black hole element to the story. But some of

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these spiders do grow to gigantic proportions

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and eat and terrorize the townspeople. Yeah,

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it's it gets to be a little bit gruesome at times.

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But I would say like the giant spider is not

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really all that scary, although it does look

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pretty cool. But as I think I mentioned during

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our arachnophobia episode, I do actually have

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arachnophobia. I'm very scared of spiders. So

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like the small like normal size tarantulas freaked

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the hell out of me in this movie. I thought about

00:11:33.669 --> 00:11:37.409
you watching this movie because even I was a

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little put off by how. I mean, obviously the

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spiders are real, like the little ones. And they're

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everywhere. And they're creepy, they're crawly.

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Yeah, it is not for people like you. Right. I

00:11:52.759 --> 00:11:54.919
don't want to admit that to Bill, to Mr. Rubain.

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I don't want to admit my arachnophobia. So we'll

00:11:57.259 --> 00:11:59.139
just keep that between you and me. And I guess

00:11:59.139 --> 00:12:00.720
everybody listening to this episode right now.

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I'm going to sell you out 100%. That's fair.

00:12:05.179 --> 00:12:08.059
But I do want to talk to him about... using the

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live animals on set were they easy to wrangle

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we talked about that in our episode about arachnophobia

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now i'm not going to talk to bill about this

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but i mean i could i guess but let me ask you

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did you i didn't i didn't see any maybe like

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overt or obvious signs of harm to the spiders

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There is one shot where we see a tarantula on

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top of like a dresser and then it cuts to the

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young girl. I forget the character's name in

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the movie. And she is screaming. She's very scared.

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And then she like crushes it with an iron and

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we do see blood splatter. So I think maybe they

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killed the spider in that shot, but I don't totally

00:12:48.259 --> 00:12:50.299
know. But I need to look it up because there

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was so much. It was like a blood pop. Yeah. And

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I don't know if a real tarantula would pop like

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that. And the cut was so quick. Maybe we ask

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them about it. Should we ask them about it? Yeah,

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yeah. Were any animals harmed during the making

00:13:06.090 --> 00:13:10.049
of the movie? And look, despite how I may feel

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about it, I don't want harm to come to any animals

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in the movie. But I'm not going to ask that question

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from a place of judgment. Right. I'm a filmmaker.

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I'm just curious how it was done 50 years ago.

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Yeah. Right. On a very low budget also. Yeah.

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Maybe they couldn't afford to kill a tarantula.

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Or maybe they had to like actually kill a tarantula

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because they didn't have special effects for

00:13:35.870 --> 00:13:38.929
it. I felt like it could go either way, but I'd

00:13:38.929 --> 00:13:41.370
be curious to hear that too. Okay, let's ask

00:13:41.370 --> 00:13:43.570
him. Or we could, you know, like you said, we

00:13:43.570 --> 00:13:45.110
could just ask him what it was like working with

00:13:45.110 --> 00:13:47.669
the animals and how they were, you know? Yeah,

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yeah. Listeners, I've spoken to Bill on the phone

00:13:50.730 --> 00:13:55.730
a little bit. He's a very sincere sounding, genuine

00:13:55.730 --> 00:14:00.710
man and individual. Me and Matt are here just

00:14:00.710 --> 00:14:03.590
to generally learn from him about the making

00:14:03.590 --> 00:14:07.429
of this movie, his career. He worked apparently

00:14:07.429 --> 00:14:11.159
with Herschel Gordon -Lewis. Can you speak a

00:14:11.159 --> 00:14:14.580
little bit more to that director? Yeah. I actually

00:14:14.580 --> 00:14:17.500
haven't seen the movie that they worked on sort

00:14:17.500 --> 00:14:20.240
of together. Although I think actually Bill Robain

00:14:20.240 --> 00:14:22.179
shot footage for it and then Herschel Gordon

00:14:22.179 --> 00:14:24.000
-Lewis kind of took it over. So I don't know

00:14:24.000 --> 00:14:25.840
how much they actually worked together on it.

00:14:25.899 --> 00:14:28.600
But let me just pull up a list of his filmography

00:14:28.600 --> 00:14:29.980
real quick because I don't want to get any of

00:14:29.980 --> 00:14:32.220
the names wrong. Yeah. I think the movie you're

00:14:32.220 --> 00:14:34.100
thinking about, we're talking about is called

00:14:34.100 --> 00:14:38.580
Monster A Go -Go from the early 60s. Yes. And

00:14:38.580 --> 00:14:40.620
I have not seen that one, unfortunately. But

00:14:40.620 --> 00:14:43.460
Herschel Gordon Lewis, one of his nicknames is

00:14:43.460 --> 00:14:46.440
the Godfather of Gore. So he was one of the,

00:14:46.440 --> 00:14:50.799
you know, pioneers of low budget kind of schlocky

00:14:50.799 --> 00:14:54.440
shock horror cinema. The Gore Gore Girls is an

00:14:54.440 --> 00:14:56.279
example of one of his movies. And that title

00:14:56.279 --> 00:14:59.039
kind of says it all. The Wizard of Gore. I have

00:14:59.039 --> 00:15:01.799
seen that one's a lot of fun. Let's see here.

00:15:02.429 --> 00:15:04.870
Color Me Blood Red. I actually highly recommend

00:15:04.870 --> 00:15:07.350
that movie. And that's about a painter who uses,

00:15:07.549 --> 00:15:10.669
you know, human blood for his masterpieces. That

00:15:10.669 --> 00:15:13.529
one's good. Blood Feast is another good one.

00:15:13.970 --> 00:15:16.549
So yeah, Herschel Gordon -Lewis kind of just,

00:15:16.750 --> 00:15:18.830
The Wizard of Gore is another nickname that he

00:15:18.830 --> 00:15:22.309
had. Very like influential for the giallo genre

00:15:22.309 --> 00:15:26.519
and other horror movies as well. An unknown species

00:15:26.519 --> 00:15:30.259
of horror is born as science fiction becomes

00:15:30.259 --> 00:15:36.220
science fact. If you find any problems out there

00:15:36.220 --> 00:15:38.460
at the Colby place, just keep it to yourself.

00:15:44.240 --> 00:15:46.399
He's over at Colby's. He's found another 20 or

00:15:46.399 --> 00:15:53.250
30 hills just like the one we burned. I mean,

00:15:53.269 --> 00:15:55.970
this right here is scientific phenomenon. As

00:15:55.970 --> 00:15:58.669
you know, all species of megalomorphs are cannibalistic.

00:15:58.870 --> 00:16:00.970
If you put them together, they'll kill each other

00:16:00.970 --> 00:16:03.409
off. They just don't colonize like ants or bees

00:16:03.409 --> 00:16:10.289
do. An army of deadly predators, searching, destroying

00:16:10.289 --> 00:16:17.490
anything in their path. Why did they come? What

00:16:17.490 --> 00:16:20.679
do they want? In the tradition of the great science

00:16:20.679 --> 00:16:23.899
fiction thrillers, Dimension Pictures presents

00:16:23.899 --> 00:16:28.639
Kingdom of the Spiders. Starring William Shatner,

00:16:28.799 --> 00:16:33.019
Tiffany Pauling, Woody Strode, and introducing

00:16:33.019 --> 00:16:36.620
Althavise Davis. The spiders in this area have

00:16:36.620 --> 00:16:38.779
organized themselves into an aggressive army.

00:16:39.039 --> 00:16:40.840
I've never seen anything like it. One minute

00:16:40.840 --> 00:16:42.360
they weren't there, the next minute they were

00:16:42.360 --> 00:16:53.120
everywhere. Jump out of there! and just thousands

00:16:53.120 --> 00:16:54.980
of them out there will never make it. Why haven't

00:16:54.980 --> 00:16:56.820
we heard from the sheriff? He must know we're

00:16:56.820 --> 00:16:58.399
trapped in here. I'm telling you, I don't think

00:16:58.399 --> 00:17:08.180
we should chance it. Your nightmares will never

00:17:08.180 --> 00:17:12.599
be the same. Kingdom of the Spiders. The next

00:17:12.599 --> 00:17:44.190
victim could be you. But what if circumstances

00:17:44.190 --> 00:17:47.950
were to magnify one of them in size and strength,

00:17:48.150 --> 00:17:50.809
took it out of its primitive world and turned

00:17:50.809 --> 00:17:53.890
it loose in ours? Then expect something that's

00:17:53.890 --> 00:17:56.670
fiercer, more cruel and deadly than anything

00:17:56.670 --> 00:17:59.470
that ever walked the Earth. Even science was

00:17:59.470 --> 00:18:01.930
stunned. The new atomic miracle should have been

00:18:01.930 --> 00:18:05.710
mankind's greatest boon. Instead, when such power

00:18:05.710 --> 00:18:08.289
to cause phenomenal growth proved dangerously

00:18:08.289 --> 00:18:11.490
unstable, man was confronted with his most shocking

00:18:11.490 --> 00:18:15.509
blunder. The isotope triggered our nutrients

00:18:15.509 --> 00:18:18.670
into a nightmare. A blunder that transformed

00:18:18.670 --> 00:18:22.369
a tiny insect into the 100 -foot spider that

00:18:22.369 --> 00:18:24.589
was now ravaging the panic -stricken countryside.

00:19:10.730 --> 00:19:13.230
The Jennings family has just moved to the small

00:19:13.230 --> 00:19:19.369
town of Kanaima. Oh, Ross, smell that air. Oh,

00:19:19.450 --> 00:19:22.910
God. In search of a simpler life. Wanna blow

00:19:22.910 --> 00:19:26.130
up a bullfrog? Okay. It's the perfect place.

00:19:26.450 --> 00:19:29.170
Goodbye crime, goodbye grime. Except for one

00:19:29.170 --> 00:19:31.549
pesty little problem. Come with me and look at

00:19:31.549 --> 00:19:35.109
the web. The web? I have terrible fear of spiders.

00:19:35.470 --> 00:19:37.549
Come on, we live in the country now. It's time

00:19:37.549 --> 00:19:40.609
to work through this irrational, paralyzing terror.

00:19:41.170 --> 00:19:46.750
It's not irrational. Hollywood Pictures and Amblin

00:19:46.750 --> 00:19:49.650
Entertainment present Jeff Daniels. Honey, we're

00:19:49.650 --> 00:19:51.650
in the living room. We need you to kill a spider.

00:19:51.890 --> 00:19:54.470
And John Goodman. Don't pretend to talk infestation

00:19:54.470 --> 00:19:57.450
here. Oh, my God, it's just a spider. Would anybody

00:19:57.450 --> 00:20:01.109
object if I tore this floor out? I would. False

00:20:01.109 --> 00:20:03.329
alarm, then leave on. There's no spider here.

00:20:03.430 --> 00:20:06.150
Every so often in a little town somewhere, there

00:20:06.150 --> 00:20:08.410
is a health scare. There's a rumor going around

00:20:08.410 --> 00:20:10.710
that some kind of spider might have killed Sam

00:20:10.710 --> 00:20:14.029
Metcalf. Doubtful. Spiders make convenient culture.

00:20:15.089 --> 00:20:17.829
There's no spider here. I think one of your Venezuelan

00:20:17.829 --> 00:20:19.750
spiders hitched a ride here. There may be some

00:20:19.750 --> 00:20:22.549
spiders around here that are very dangerous.

00:20:22.789 --> 00:20:25.769
Dad, chill out. Just run. They spread out from

00:20:25.769 --> 00:20:28.529
a central nest in a web -like pattern and dominate

00:20:28.529 --> 00:20:32.490
the entire area. When that happens... This town

00:20:32.490 --> 00:20:36.910
is dead. Better record my private stock. Rock

00:20:36.910 --> 00:20:45.390
and roll! Hollywood Pictures and Amblin Entertainment

00:20:45.390 --> 00:20:51.529
present Arachnophobia. Eight legs, two fangs,

00:20:51.569 --> 00:20:54.670
and an attitude. Perk up, Lloyd. If we find the

00:20:54.670 --> 00:20:57.369
spider that did this, you can arrest him. Arachnophobia.

00:20:57.690 --> 00:21:05.890
A thrill -omedy. What? You know what? This episode

00:21:05.890 --> 00:21:10.650
is the giant spider invasion of Camp Kaiju episodes.

00:21:11.289 --> 00:21:14.109
Where there's a will, there's a way. Yeah. Okay,

00:21:14.150 --> 00:21:16.529
listeners, so here's what happened. We had Bill

00:21:16.529 --> 00:21:19.549
Rubain on the call through no fault of his own,

00:21:19.589 --> 00:21:22.130
through no fault of anyone's. You know, the gremlins

00:21:22.130 --> 00:21:25.549
were at play in the machines here, and we had

00:21:25.549 --> 00:21:28.410
trouble getting Zoom to work. Said, okay, we'll

00:21:28.410 --> 00:21:32.900
pivot. I threw Riverside at... Matt and Bill.

00:21:33.220 --> 00:21:36.599
And that was able to work. But as we were just

00:21:36.599 --> 00:21:39.220
saying, just like the bandwidth capabilities

00:21:39.220 --> 00:21:42.680
of the technology wasn't exactly what we wanted.

00:21:43.039 --> 00:21:47.500
So our interview with Bill Rubain is extremely

00:21:47.500 --> 00:21:50.559
truncated. I've salvaged what I could in the

00:21:50.559 --> 00:21:54.039
editing room. I've bumped up the audio as much

00:21:54.039 --> 00:21:57.759
as I can. So listeners, just be forgiving, but

00:21:57.759 --> 00:22:01.700
know that Bill. as a sweetheart. And we really,

00:22:01.740 --> 00:22:04.359
really did get some great insight out of him.

00:22:05.000 --> 00:22:09.720
Unfortunately, here's the last bit of news. Unfortunately,

00:22:10.000 --> 00:22:13.680
the recording on Riverside literally only got

00:22:13.680 --> 00:22:20.200
12 % of his audio. So there is 88 % of his audio

00:22:20.200 --> 00:22:23.259
that we did not pick up. Lost to time, which

00:22:23.259 --> 00:22:26.400
is sad. But what we do have is great. And Matt,

00:22:26.500 --> 00:22:27.920
you and I are going to fill in a little bit.

00:22:28.349 --> 00:22:39.329
what that conversation was. Yeah, totally. Hi,

00:22:45.069 --> 00:22:48.529
Bill. This is Vincent Hannum with the Camp Kaiju

00:22:48.529 --> 00:22:57.089
podcast. Good. Yeah. Oh, sure. Yeah. No, we're

00:22:57.089 --> 00:22:58.970
getting it ourselves here in the Twin Cities.

00:22:59.970 --> 00:23:03.130
Is now still a good time for you to chat about

00:23:03.130 --> 00:23:07.950
the movie? Definitely. Yes, absolutely. I'll

00:23:07.950 --> 00:23:12.029
be online with the Zoom link. Okay. Yeah, take

00:23:12.029 --> 00:23:14.170
your time, sir. I'll be here waiting for you.

00:23:14.990 --> 00:23:17.670
I totally understand. Yeah. All right. Thank

00:23:17.670 --> 00:23:22.849
you, sir. You got it. Bye -bye. Bill's getting

00:23:22.849 --> 00:23:25.430
a heavy snowstorm. He's on the North Shore of

00:23:25.430 --> 00:23:30.890
Wisconsin, and he is bringing in outdoor furniture

00:23:30.890 --> 00:23:36.289
right now. Oh, okay. You know, that's cool. We're

00:23:36.289 --> 00:23:38.549
supposed to get snow here, too, so I understand

00:23:38.549 --> 00:23:41.990
that. Yep, but he said he'll be on in five minutes.

00:23:42.250 --> 00:23:45.390
Okay, cool. Just to get one more chair in. Thank

00:23:45.390 --> 00:23:49.109
you, man, for doing this with me. Yeah, no problem.

00:23:50.210 --> 00:23:53.480
Hope he's able to join. yeah yeah we'll get it

00:23:53.480 --> 00:23:57.539
we'll get it yeah i mean it's exciting but you

00:23:57.539 --> 00:24:01.440
know talking to a like legitimate filmmaker here

00:24:01.440 --> 00:24:15.680
yeah yeah for sure hi bill i just sent you the

00:24:15.680 --> 00:24:22.250
email link okay here's what i will Do I have

00:24:22.250 --> 00:24:26.170
a plan B, but I'll need to just send you another

00:24:26.170 --> 00:24:28.930
link and I'll give you a call back in about five

00:24:28.930 --> 00:24:33.549
minutes. Is that OK? OK, OK. Thank you, sir.

00:24:33.710 --> 00:25:28.140
I'll be in touch. OK, thank you. I think we've

00:25:28.140 --> 00:25:33.980
got you. Yes. We did it. All right. Thank you,

00:25:33.980 --> 00:25:36.259
sir. I'll hang up the phone and talk to you on

00:25:36.259 --> 00:25:38.839
the computer. All right. Hey, we're here. We're

00:25:38.839 --> 00:25:45.240
met. We'll make it work. Yeah, I wish. You know,

00:25:45.259 --> 00:25:48.480
getting old sucks. Getting old sucks big time.

00:25:49.720 --> 00:25:53.059
You make it look good. I mean, you're on your

00:25:53.059 --> 00:25:55.839
feet all the time. I was watching. clips of you

00:25:55.839 --> 00:25:59.680
on the news just a month ago. You're running

00:25:59.680 --> 00:26:03.559
this new restoration of the giant spider invasion.

00:26:06.400 --> 00:26:13.680
Oh yeah. What a nightmare that was. Could you

00:26:13.680 --> 00:26:16.200
talk a little bit about how the last year has

00:26:16.200 --> 00:26:22.619
been with this new project? Yeah. It's been pretty

00:26:22.619 --> 00:26:28.200
strange. And you know I sold the negative in

00:26:28.200 --> 00:26:35.759
the original picture to a friend in La La Land.

00:26:37.180 --> 00:26:40.759
And at that time I was already either working

00:26:40.759 --> 00:26:44.220
on the 50th anniversary version, so I made a

00:26:44.220 --> 00:26:49.859
deal with the owner. I have three other copyrights

00:26:49.859 --> 00:26:53.220
on the picture, by the way, for the retrospective.

00:26:53.279 --> 00:26:57.240
the 30th anniversary cut, and now the 50th anniversary.

00:27:00.779 --> 00:27:08.339
So I have a lot of materials, but I've filmed

00:27:08.339 --> 00:27:13.160
Jeffrey Epstein in Hollywood. I think it's real

00:27:13.160 --> 00:27:16.720
pain to cut a deal where we'll join forces and

00:27:16.720 --> 00:27:34.140
find to, he has the remake. I mean, congratulations

00:27:34.140 --> 00:27:37.920
on the new footage and the re -release. It's

00:27:37.920 --> 00:27:40.460
such good news that it's going to receive a wider

00:27:40.460 --> 00:27:43.119
audience and a new generation of people to love

00:27:43.119 --> 00:27:46.059
the movie. It's great news. But Bill, Mr. Rubain,

00:27:46.279 --> 00:27:49.920
we'll let you go. We got snow here. I've got

00:27:49.920 --> 00:27:53.569
furniture. I know I should have brought in out

00:27:53.569 --> 00:27:58.250
in the back. But with that said, if you want

00:27:58.250 --> 00:28:01.490
to come back at all and just shoot the breeze

00:28:01.490 --> 00:28:05.670
about your movies or other movies, we don't have

00:28:05.670 --> 00:28:09.289
to talk shop all the time, but we value your

00:28:09.289 --> 00:28:13.869
time and your insights and would just love to

00:28:13.869 --> 00:28:15.950
continue the conversation another time if you're

00:28:15.950 --> 00:28:36.710
open to that. Go, go to this theater to see the

00:28:36.710 --> 00:28:39.369
science fiction picture to end all science fiction

00:28:39.369 --> 00:28:42.950
pictures. Did he or didn't he? Is he a monster

00:28:42.950 --> 00:28:46.289
or isn't he? Only his space agency knows for

00:28:46.289 --> 00:28:49.240
sure, and they won't tell. When the capsule comes

00:28:49.240 --> 00:28:52.279
down without the astronaut, everyone is on the

00:28:52.279 --> 00:28:56.160
go, including who or what did come down. Monster,

00:28:56.279 --> 00:28:59.200
a go -go. Here's the picture that grabs the screen

00:28:59.200 --> 00:29:01.480
and shakes it. The picture that makes you wonder

00:29:01.480 --> 00:29:03.700
if the Earth is coming to an end right in the

00:29:03.700 --> 00:29:06.259
theater in front of you. Never in your life have

00:29:06.259 --> 00:29:09.460
you seen such a combination of happy, sad, good,

00:29:09.559 --> 00:29:12.420
bad, rock 'em, sock 'em action. When you walk

00:29:12.420 --> 00:29:14.980
out, you wonder what you've seen because never

00:29:14.980 --> 00:29:18.299
has there been a motion picture like this. Monster

00:29:18.299 --> 00:29:21.400
a -go -go, with a genuine 10 -foot tall monster

00:29:21.400 --> 00:29:24.599
to give you the whim -whams. Monster a -go -go,

00:29:24.720 --> 00:29:27.180
with astronauts and space capsules and pretty

00:29:27.180 --> 00:29:30.000
girls, and cosmic radiation and pretty girls,

00:29:30.180 --> 00:29:32.900
and screams and pretty girls. There's something

00:29:32.900 --> 00:29:35.140
for everyone in the picture they're all talking

00:29:35.140 --> 00:29:38.960
about. The picture with go. Monster a -go -go.

00:29:54.440 --> 00:29:55.980
and they have claimed the lives of some five

00:29:55.980 --> 00:29:58.980
thousand people. Scientists and medical experts

00:29:58.980 --> 00:30:00.880
from all over the globe have not been able to

00:30:00.880 --> 00:30:03.579
diagnose the disease and they are unable to get

00:30:03.579 --> 00:30:18.019
within 100 miles of the affected area. Deadly

00:30:18.019 --> 00:30:21.079
disease. Strengths, disappearances, and panic

00:30:21.079 --> 00:30:24.400
in the streets. Has the world gone mad? Or is

00:30:24.400 --> 00:30:57.509
it extraterrestrial beings? Like that. A motion

00:30:57.509 --> 00:31:00.230
picture to penetrate the inner boundaries of

00:31:00.230 --> 00:31:09.470
your mind. The Alpha Incident. I've never seen

00:31:09.470 --> 00:31:12.269
anything like this before. That's a reasonable

00:31:12.269 --> 00:31:17.390
remark. Cut the crap, Jim. We've got final clearance

00:31:17.390 --> 00:31:21.609
on this stage of the project. You, me, and Fielder.

00:31:22.710 --> 00:31:27.920
Does he know? No. Where is he? He's getting the

00:31:27.920 --> 00:31:32.079
animals ready. Alpha 795. A frightening story

00:31:32.079 --> 00:31:35.299
of four men and one woman caught in the nightmare

00:31:35.299 --> 00:31:38.160
of secrecy, forced to face their own worst fears.

00:31:38.799 --> 00:31:41.000
If you had any sense, you'd be fast asleep. The

00:31:41.000 --> 00:31:43.299
Alpha Incident. Why did you get around those

00:31:43.299 --> 00:31:45.299
lasers? You know, I was falling for the intellectual

00:31:45.299 --> 00:31:50.619
type. What the hell happened here? The Alpha

00:31:50.619 --> 00:31:58.339
Incident. God, the shock to the system must be

00:31:58.339 --> 00:32:08.319
unbearable. Mama. Mama! The Alpha Incident. The

00:32:08.319 --> 00:32:11.059
only time I stay in one spot this long is when

00:32:11.059 --> 00:32:13.400
I'm in bed with a chick or when I'm just sleeping.

00:32:13.960 --> 00:32:18.619
The Alpha Incident. A most unusual science fiction

00:32:18.619 --> 00:32:32.549
thriller. That wasn't a wild animal out there.

00:32:32.750 --> 00:32:37.390
We can't fall asleep. If we do, we die. Where

00:32:37.390 --> 00:32:40.589
does science fiction end and science fact begin?

00:32:40.950 --> 00:32:46.609
You will never know until you see The Alpha Incident.

00:32:47.250 --> 00:32:50.869
Only a handful of people knew the truth. And

00:32:50.869 --> 00:32:57.349
there was only one ultimate solution. The Alpha

00:32:57.349 --> 00:33:02.160
Incident. A drama so horribly close to the truth,

00:33:02.339 --> 00:33:09.559
it will blow your mind. What a guy. What a gentleman.

00:33:10.339 --> 00:33:14.880
First of all, how impressive it is that he made

00:33:14.880 --> 00:33:17.599
all these low -budget movies just out of sheer

00:33:17.599 --> 00:33:20.440
love for the art form and having fun with it,

00:33:20.480 --> 00:33:23.119
like you said, and just being creative, and it's

00:33:23.119 --> 00:33:25.420
still going strong. It's all amazing. So cool.

00:33:26.079 --> 00:33:27.940
So where do we begin? I mean, I'm assuming...

00:33:28.650 --> 00:33:31.509
The 12 % is the beginning. Bill was talking about

00:33:31.509 --> 00:33:35.769
the restoration efforts he's been leading. Did

00:33:35.769 --> 00:33:39.400
you pick up much on that? Little bit. I, you

00:33:39.400 --> 00:33:41.299
know, I'm excited to see when new stuff has been

00:33:41.299 --> 00:33:43.240
added. He didn't really talk about that too much,

00:33:43.299 --> 00:33:45.579
but he said that they'll have some kind of like

00:33:45.579 --> 00:33:47.599
sneak preview screenings coming up in Wisconsin.

00:33:48.180 --> 00:33:51.099
Hopefully more theatrical screenings later in

00:33:51.099 --> 00:33:54.960
2026 and, you know, streaming in Blu -ray sometime

00:33:54.960 --> 00:33:57.299
thereafter. So not a lot of specific information,

00:33:57.299 --> 00:34:01.259
but more on the horizon, you know? Yeah. And

00:34:01.259 --> 00:34:05.220
Bill is, he lives and is based in Northern Wisconsin.

00:34:06.759 --> 00:34:10.780
And he was talking about getting the film screened

00:34:10.780 --> 00:34:14.599
in local theaters around that neck of the woods,

00:34:14.780 --> 00:34:17.599
including Duluth, Minnesota. So all of our Minnesota

00:34:17.599 --> 00:34:20.340
listeners, all of our Midwest listeners, you

00:34:20.340 --> 00:34:23.099
all in Chicago, especially, you're within driving

00:34:23.099 --> 00:34:26.679
distance. And Matt, you know, northern Wisconsin

00:34:26.679 --> 00:34:29.780
is beautiful on the shores of Lake Superior,

00:34:30.219 --> 00:34:34.039
very woodsy. Yeah, totally. I think he was saying

00:34:34.039 --> 00:34:35.840
that one of the screenings might be in Minocqua.

00:34:36.329 --> 00:34:38.849
Or maybe he was talking about the shooting of

00:34:38.849 --> 00:34:40.630
the movie was around Minocqua. But either way,

00:34:40.670 --> 00:34:42.750
Minocqua is a very, very beautiful town. Yeah,

00:34:42.769 --> 00:34:46.750
I love that area of the country. So it's exciting,

00:34:46.869 --> 00:34:49.369
though. Like I do, I think on December 13th,

00:34:49.369 --> 00:34:51.730
he mentioned there is going to be a showing.

00:34:51.969 --> 00:34:55.170
I'll have those links in the show notes. But

00:34:55.170 --> 00:34:58.010
I'm serious. I mean, if it lines up, if I have

00:34:58.010 --> 00:35:00.750
a weekend, I'll drive up. I'd love to meet the

00:35:00.750 --> 00:35:04.519
guy in person. Yeah, definitely. What did we

00:35:04.519 --> 00:35:07.599
ask him? We asked him about the casting of the

00:35:07.599 --> 00:35:10.480
movie. I was very interested in that. This is

00:35:10.480 --> 00:35:12.880
a strong, you know, if we're talking good, bad,

00:35:12.880 --> 00:35:15.360
and the campy, one of my good elements with this

00:35:15.360 --> 00:35:18.940
film is the cast of the picture, the veteran

00:35:18.940 --> 00:35:22.440
casts. A lot of TV actors supporting roles in

00:35:22.440 --> 00:35:26.699
Hollywood, but long careers. Bill talked about

00:35:26.699 --> 00:35:29.519
his friendship with Steve Brody, who plays Dr.

00:35:29.679 --> 00:35:32.750
Vance, the NASA scientist. called in to investigate

00:35:32.750 --> 00:35:37.530
the goings -on. Opposite him is Barbara Hale

00:35:37.530 --> 00:35:42.269
as Dr. Langer, the local physicist. And what

00:35:42.269 --> 00:35:44.530
I mentioned to Bill, what I had to commend him

00:35:44.530 --> 00:35:48.090
on was the chemistry of those two actors. And

00:35:48.090 --> 00:35:52.130
Robert Eastman, who wrote the script, but Robert

00:35:52.130 --> 00:35:56.570
Eastman plays the philandering alcoholic redneck

00:35:56.570 --> 00:36:02.699
who adds a lot of camp to the film. But you wouldn't

00:36:02.699 --> 00:36:06.099
know it. Robert Eastman is a noted dialect coach

00:36:06.099 --> 00:36:11.960
and longtime veteran actor in Hollywood. So there

00:36:11.960 --> 00:36:15.820
are some names in the cast. Yeah, and I'm not

00:36:15.820 --> 00:36:18.059
sure if you mentioned Alan Hale of Gilligan's

00:36:18.059 --> 00:36:21.059
Island fame, who's also in the movie as the maybe

00:36:21.059 --> 00:36:23.880
lovable, maybe not lovable, sort of like boisterous

00:36:23.880 --> 00:36:27.480
sheriff of the town. Yeah, I asked Bill about

00:36:27.480 --> 00:36:30.340
Alan Hale. Because I had read, and this is what's

00:36:30.340 --> 00:36:32.920
so great, I mean, what a treat to get the actual

00:36:32.920 --> 00:36:35.579
director and producer of the film on Camp Kaiju.

00:36:35.619 --> 00:36:38.659
Because you and I, we read our notes and resources,

00:36:39.019 --> 00:36:42.380
but sometimes apparently they differ from the

00:36:42.380 --> 00:36:45.440
real experiences. So I had read that Alan Hale

00:36:45.440 --> 00:36:49.579
improvised a lot of his lines. For example, towards

00:36:49.579 --> 00:36:52.000
the end of the film, when the spider's running

00:36:52.000 --> 00:36:57.090
rampant in the city, he... He makes a Jaws reference

00:36:57.090 --> 00:36:59.409
as the sheriff. He's like, that spider is as

00:36:59.409 --> 00:37:06.489
big as Jaws. Yeah. And this, so this came out

00:37:06.489 --> 00:37:09.329
in 1975, right? Which was the same year as Jaws.

00:37:09.369 --> 00:37:12.730
So that was a very timely reference. Yeah. So

00:37:12.730 --> 00:37:15.230
anyways, I'm sure that was improvised. But I

00:37:15.230 --> 00:37:18.030
asked Bill Rubain, you know, did Alan Hale improvise

00:37:18.030 --> 00:37:20.969
a lot of his lines? And Bill said no. Alan was

00:37:20.969 --> 00:37:25.119
a professional. Now, Bill did crack a joke saying

00:37:25.119 --> 00:37:27.840
that the script, there was hardly a script at

00:37:27.840 --> 00:37:29.760
all. Like, they didn't really finish one, which

00:37:29.760 --> 00:37:35.119
I had read anecdotally. A lot of collaboration

00:37:35.119 --> 00:37:39.480
with the actors on the script. And Bill did talk

00:37:39.480 --> 00:37:43.519
about Robert Eastman in particular having ideas

00:37:43.519 --> 00:37:48.280
of camp to bring a more campy vibe to the picture.

00:37:50.019 --> 00:37:52.940
Yeah. Which is kind of strange because like,

00:37:53.119 --> 00:37:55.420
you know, we were talking about this a little

00:37:55.420 --> 00:37:57.039
bit at the beginning of the episode or like before

00:37:57.039 --> 00:37:59.679
maybe before we started recording. But, you know,

00:37:59.679 --> 00:38:01.920
it's campy and also like a little bit sad at

00:38:01.920 --> 00:38:04.039
times. Like there's alcoholism. There's like,

00:38:04.039 --> 00:38:06.079
you know, there's a brief reference to like a

00:38:06.079 --> 00:38:08.559
baby that died and like a couple sort of having

00:38:08.559 --> 00:38:10.900
marital strife after that. So, yeah, it's strange.

00:38:11.019 --> 00:38:14.619
It's it's campy and it's kind of sad and bleak

00:38:14.619 --> 00:38:16.679
at the same time, at least in certain moments,

00:38:16.760 --> 00:38:20.559
you know? Yeah. But sorry, just on the casting

00:38:20.559 --> 00:38:22.780
note, I wanted to ask about I asked Bill about

00:38:22.780 --> 00:38:25.000
the extras in the movie, too, because one of

00:38:25.000 --> 00:38:28.320
my favorite things about it is just you like.

00:38:28.920 --> 00:38:31.599
You feel that the supporting characters, like

00:38:31.599 --> 00:38:34.980
the townspeople, were just walking on the streets

00:38:34.980 --> 00:38:37.300
of small town Wisconsin and walked into this

00:38:37.300 --> 00:38:39.360
movie. And that's one of my favorite things about

00:38:39.360 --> 00:38:43.340
it. There's a scene where a bunch of guys who

00:38:43.340 --> 00:38:46.519
were just drinking at the bar get their shotguns

00:38:46.519 --> 00:38:48.599
and they're ready to go kill the spider. Similar

00:38:48.599 --> 00:38:51.440
to a scene in Jaws, I guess. And just the people

00:38:51.440 --> 00:38:53.599
in that scene, they have so much character and

00:38:53.599 --> 00:38:56.199
personality. I love the kind of like the background

00:38:56.199 --> 00:38:58.460
flavor. And I feel like you would know that this

00:38:58.460 --> 00:39:01.579
was shot in a small town somewhere, if not specifically

00:39:01.579 --> 00:39:03.400
Wisconsin, even without knowing that backstory,

00:39:03.539 --> 00:39:06.780
you know? I do. And I love that aspect. And I

00:39:06.780 --> 00:39:10.780
mean, Bill's the real deal. He's just a Midwest

00:39:10.780 --> 00:39:15.380
guy. Listeners, he was smoking a cigar, multiple

00:39:15.380 --> 00:39:17.980
cigars when we were talking to him. He was talking

00:39:17.980 --> 00:39:20.300
about driving through the snow during a blizzard.

00:39:21.179 --> 00:39:24.949
It's like, if you live in this area, you know

00:39:24.949 --> 00:39:28.769
what it's like to drive 25 miles an hour to get

00:39:28.769 --> 00:39:31.050
to a destination. And it takes three hours to

00:39:31.050 --> 00:39:34.829
get there because the snow is sideways and nobody's

00:39:34.829 --> 00:39:37.469
plowed the roads. I've been there. It's awful.

00:39:38.590 --> 00:39:41.449
Yeah. Yeah. He's a true Midwesterner. And it

00:39:41.449 --> 00:39:44.030
was cool to hear him talk about, he didn't talk

00:39:44.030 --> 00:39:46.369
a lot about his origins in Chicago, but that's,

00:39:46.369 --> 00:39:48.309
I think where he and his family moved at a very

00:39:48.309 --> 00:39:49.829
young age. And then he kind of like made his

00:39:49.829 --> 00:39:51.869
way up to Wisconsin from there. So it was kind

00:39:51.869 --> 00:39:55.130
of cool to hear about that backstory. Yeah. Yeah.

00:39:55.190 --> 00:39:59.670
Very easy to talk to. Very down to earth. He

00:39:59.670 --> 00:40:01.690
said, I don't know if this is kept in the 12

00:40:01.690 --> 00:40:05.170
% we got, but I asked him sort of tongue in cheek,

00:40:05.389 --> 00:40:07.309
you know, what's more brutal driving in that

00:40:07.309 --> 00:40:11.489
blizzard or making any of his movies, which I

00:40:11.489 --> 00:40:13.869
didn't mean as a knock. And I don't think he

00:40:13.869 --> 00:40:16.449
took it that way, but he could naturedly said,

00:40:16.670 --> 00:40:21.139
you know, he. The number one thing he kept in

00:40:21.139 --> 00:40:23.159
mind when making movies was to always have fun,

00:40:23.300 --> 00:40:27.460
which I appreciate. So if anything, I think his

00:40:27.460 --> 00:40:31.000
movies do have a sense of fun if you get to see

00:40:31.000 --> 00:40:34.599
other ones. Yeah, sadly, Giant Spider Invasion

00:40:34.599 --> 00:40:36.539
is the only one I've seen so far. But I do think

00:40:36.539 --> 00:40:38.420
there is a sense of fun involved, even if some

00:40:38.420 --> 00:40:40.920
elements are surprisingly a little bit downbeat

00:40:40.920 --> 00:40:42.420
every once in a while. There's still like an

00:40:42.420 --> 00:40:46.019
air of, yeah, creativity, imagination, like just

00:40:46.019 --> 00:40:48.579
having a good time. You did ask him about the

00:40:48.579 --> 00:40:52.820
spiders. Yeah. Yeah. So, well, there's a lot

00:40:52.820 --> 00:40:56.480
to say about both the real animal spiders, actual

00:40:56.480 --> 00:40:58.340
tarantulas that were used in the filming of the

00:40:58.340 --> 00:41:02.400
movie, and then the titular giant spider of the

00:41:02.400 --> 00:41:05.320
movie. But yeah, I asked him about the real live

00:41:05.320 --> 00:41:07.159
tarantulas, because there are a lot of them that

00:41:07.159 --> 00:41:10.820
are seen in the movie. And I mentioned this briefly

00:41:10.820 --> 00:41:12.840
earlier, but I am actually scared of spiders.

00:41:12.900 --> 00:41:14.880
So some of those scenes were a little bit hard

00:41:14.880 --> 00:41:18.699
to watch. You know, I missed some of what he

00:41:18.699 --> 00:41:20.940
said, but I think he was saying that like, you

00:41:20.940 --> 00:41:23.519
know, his friend loved tarantulas and like they

00:41:23.519 --> 00:41:25.679
were kept in Bill's basement like during the

00:41:25.679 --> 00:41:27.199
making of the movie, which he didn't enjoy very

00:41:27.199 --> 00:41:30.739
much. But yeah, I mean, I like that element and

00:41:30.739 --> 00:41:32.780
he didn't really talk too much about like how

00:41:32.780 --> 00:41:35.280
difficult they were to work with. But I assume

00:41:35.280 --> 00:41:38.460
his friend who was like a lover of spiders and

00:41:38.460 --> 00:41:40.500
a spider handler kind of took care of that element.

00:41:41.280 --> 00:41:46.329
Yeah, that was the special effects. The man behind

00:41:46.329 --> 00:41:48.730
the special effects on the movie. Yeah. Friends

00:41:48.730 --> 00:41:51.530
with Bill. Let me see if I can find that name

00:41:51.530 --> 00:41:55.750
and pull it up. Is it Bob Millay? Yes. Millay.

00:41:56.469 --> 00:42:01.250
Yep. Yep. It's pretty good. I do, too. I mean,

00:42:01.250 --> 00:42:03.769
there are and we didn't talk to Bill about this,

00:42:03.849 --> 00:42:06.750
but well, I did mention to him again, a genuine

00:42:06.750 --> 00:42:10.769
general praise that I have for was is the giant

00:42:10.769 --> 00:42:14.940
spider itself. He Bob Millay. rigged this thing

00:42:14.940 --> 00:42:19.260
up to a Volkswagen Beetle. And Bill did talk

00:42:19.260 --> 00:42:23.900
about, you know, he was working with the executive

00:42:23.900 --> 00:42:27.360
producer. What was the name? I forget the names,

00:42:27.420 --> 00:42:31.739
but this guy came to Bill to make a movie about

00:42:31.739 --> 00:42:36.199
a spider. And the guy told Bill, we need it bigger,

00:42:36.380 --> 00:42:39.679
bigger, bigger, bigger, bigger. And Bob Millay

00:42:39.679 --> 00:42:42.619
rigged this thing up to a Volkswagen Beetle.

00:42:43.050 --> 00:42:49.070
It looks like the legs are puppet -like. So honestly,

00:42:49.190 --> 00:42:52.329
I don't know how they rigged this thing up. I

00:42:52.329 --> 00:42:54.949
don't know exactly either. From what I read online

00:42:54.949 --> 00:42:56.489
and a little bit of what he was saying in the

00:42:56.489 --> 00:42:58.889
interview, I think there were two people inside

00:42:58.889 --> 00:43:01.809
of the Beetle, the VW Beetle, who were like,

00:43:01.849 --> 00:43:03.849
like one of them was driving in and I think the

00:43:03.849 --> 00:43:07.949
other one was like operating the legs, like puppetry

00:43:07.949 --> 00:43:09.550
or animatronics or whatever you want to call

00:43:09.550 --> 00:43:11.829
it. But yeah, it must have been extremely difficult

00:43:11.829 --> 00:43:15.130
to do. Like to drive, like to do both those things

00:43:15.130 --> 00:43:19.230
at the same time, you know? Yeah. And now it's

00:43:19.230 --> 00:43:22.429
just me and you just talking as reviewers. I

00:43:22.429 --> 00:43:28.389
found the fact that the giant spider was on a

00:43:28.389 --> 00:43:33.090
car gave it a kind of fluidity, a fluid forward

00:43:33.090 --> 00:43:37.150
movement that I thought really worked. Yeah.

00:43:37.650 --> 00:43:40.130
And like it didn't look clunky. And you know

00:43:40.130 --> 00:43:44.610
what? I think the film, the spider itself, objectively

00:43:44.610 --> 00:43:48.730
is goofy looking. But I was noticing the way

00:43:48.730 --> 00:43:53.809
it was shot. Long, shot at a distance. Shot very

00:43:53.809 --> 00:43:59.190
up close. Shot from like angles. All these techniques

00:43:59.190 --> 00:44:03.530
to hide the fact that it does look goofy. You

00:44:03.530 --> 00:44:06.150
know what I mean? Yeah. I think that works especially

00:44:06.150 --> 00:44:08.559
well in the scene where the spider... arrives

00:44:08.559 --> 00:44:10.579
at a little league game and like all hell breaks

00:44:10.579 --> 00:44:12.679
loose and all the kids and the adults are like

00:44:12.679 --> 00:44:14.699
screaming of course and running away from this

00:44:14.699 --> 00:44:18.039
thing i that scene is pretty exciting and like

00:44:18.039 --> 00:44:21.079
it at least looks very striking and unique you

00:44:21.079 --> 00:44:22.659
know because we see this giant spider in the

00:44:22.659 --> 00:44:24.300
background but like you said we never get a good

00:44:24.300 --> 00:44:26.440
look at it and there's like all this chaos in

00:44:26.440 --> 00:44:29.280
the scene it works pretty well and the scene

00:44:29.280 --> 00:44:31.980
where the spider's on top of the roof of the

00:44:31.980 --> 00:44:34.360
house and it's and it's breaking in to get at

00:44:34.360 --> 00:44:38.260
the the young woman i mean that scene Again,

00:44:38.320 --> 00:44:42.300
as goofy as the crop may look, the giant spider,

00:44:42.579 --> 00:44:46.260
it's shot well. And you have the arms coming

00:44:46.260 --> 00:44:48.659
in through the walls. There's a lot of shaking

00:44:48.659 --> 00:44:52.079
happening. Dishes are falling off the furniture.

00:44:53.239 --> 00:44:56.159
I mean, I think he did as good a job as he could

00:44:56.159 --> 00:45:00.030
with the budget he was working with. Yeah. Absolutely.

00:45:00.210 --> 00:45:02.389
And Bill was saying there was a different giant

00:45:02.389 --> 00:45:05.030
spider that was used for the scenes where humans

00:45:05.030 --> 00:45:08.269
are actually eaten by the spider. And I was surprised

00:45:08.269 --> 00:45:10.650
how gory those scenes were. Like you see a human

00:45:10.650 --> 00:45:12.789
like sucked up into the spider and it's like

00:45:12.789 --> 00:45:15.789
blood pouring out everywhere. And like you see

00:45:15.789 --> 00:45:17.730
some of the corpses afterwards and they're all

00:45:17.730 --> 00:45:19.670
like mangled and they have like tooth marks in

00:45:19.670 --> 00:45:22.489
them or fang marks, I guess. It's like maybe

00:45:22.489 --> 00:45:25.389
not scary, but like definitely gross and a lot

00:45:25.389 --> 00:45:27.469
more just gruesome than I thought it would be.

00:45:28.240 --> 00:45:32.260
Which helps this movie so much when they can

00:45:32.260 --> 00:45:35.260
get a little shock value out of it. Yeah. Right.

00:45:36.599 --> 00:45:38.760
Yeah. I didn't expect people to get chewed up

00:45:38.760 --> 00:45:44.039
in the beginning. There are mutilated bodies

00:45:44.039 --> 00:45:46.360
of cattle that are strewn about, which looks

00:45:46.360 --> 00:45:49.619
like bill went to the butcher shop and purchased

00:45:49.619 --> 00:45:52.699
a bunch of meat. So it's like all very real.

00:45:52.760 --> 00:45:55.400
And I love it for that. It's got that real, like

00:45:55.400 --> 00:46:00.869
seventies. grit to the to the overall aesthetic

00:46:00.869 --> 00:46:04.690
of it right yeah that's kind of one of the reasons

00:46:04.690 --> 00:46:06.869
i feel like it's both campy and kind of like

00:46:06.869 --> 00:46:10.150
sleazy and i don't necessarily mean that in a

00:46:10.150 --> 00:46:12.650
totally negative critical way but just like yeah

00:46:12.650 --> 00:46:16.250
it's it's gritty it's like kind of unseemly or

00:46:16.250 --> 00:46:18.690
like on yeah unseemly it's a better word than

00:46:18.690 --> 00:46:21.050
unsettling but there's just like something yeah

00:46:21.050 --> 00:46:23.090
gritty is a perfect word for it include something

00:46:23.090 --> 00:46:27.800
gritty about yeah it's like low budget but taken

00:46:27.800 --> 00:46:32.099
very seriously and and and most you know mostly

00:46:32.099 --> 00:46:36.000
done really well i mean i what else do we talk

00:46:36.000 --> 00:46:38.440
to bill about we talked to him we went a little

00:46:38.440 --> 00:46:41.039
off tangent and are on a tangent and talked to

00:46:41.039 --> 00:46:44.059
him about like his favorite movies he's a fan

00:46:44.059 --> 00:46:48.099
of the producers the mel brooks film uh which

00:46:48.099 --> 00:46:53.519
i love yeah and musicals also which was cool

00:46:53.519 --> 00:46:56.590
cool to hear donald o 'connor in particular Yep,

00:46:56.670 --> 00:46:59.690
I asked him, are you Fred Astaire or a Gene Kelly

00:46:59.690 --> 00:47:03.690
fan? And he said Donald O 'Connor. I love that.

00:47:03.769 --> 00:47:07.010
Yeah, unexpected. He worked with Donald O 'Connor,

00:47:07.130 --> 00:47:10.409
he mentioned. I heard that, but I couldn't quite

00:47:10.409 --> 00:47:13.610
hear what movie that was. Were you able to hear

00:47:13.610 --> 00:47:19.590
that? Yep, Miracle in the Manger. Does not sound

00:47:19.590 --> 00:47:22.789
like a horror movie. No, Bill said he was not

00:47:22.789 --> 00:47:26.510
initially drawn to horror films. That was not

00:47:26.510 --> 00:47:31.230
his favorite genre, you know, but for what it's

00:47:31.230 --> 00:47:35.170
worth, that's where he's made his legacy. I was

00:47:35.170 --> 00:47:38.409
going to ask him what made him go in that direction,

00:47:38.469 --> 00:47:41.610
like sci -fi and horror. And, you know, like

00:47:41.610 --> 00:47:43.110
you said, Vincent, we were kind of having some

00:47:43.110 --> 00:47:45.409
recording issues and kind of didn't really get

00:47:45.409 --> 00:47:47.849
to that question, but I'd be curious about that.

00:47:47.949 --> 00:47:49.690
Like, was it just like a budget issue? Was it

00:47:49.690 --> 00:47:52.050
like, that's what they could make on a low budget,

00:47:52.090 --> 00:47:54.170
but still make a lot of money off of it? Or was

00:47:54.170 --> 00:47:58.150
it, you know? Were there other reasons for it?

00:47:58.190 --> 00:47:59.750
I'd be curious to know that, but we didn't really

00:47:59.750 --> 00:48:03.170
get a chance to ask him that. Yeah, same. But

00:48:03.170 --> 00:48:04.809
it sounds like he's had a long, varied career.

00:48:05.230 --> 00:48:09.070
Yeah. But clearly most known for his horror movies.

00:48:09.909 --> 00:48:12.750
So there's a box set called Weird Wisconsin from

00:48:12.750 --> 00:48:16.210
Arrow Video with a number of his films. Monster

00:48:16.210 --> 00:48:19.710
Go -Go, Invasion from Inner Earth, Twister's

00:48:19.710 --> 00:48:22.150
Revenge, which is apparently about a killer truck

00:48:22.150 --> 00:48:26.059
that comes to life. all this stuff that we love,

00:48:26.199 --> 00:48:30.199
but I brought it up and he made us laugh. Cause

00:48:30.199 --> 00:48:35.139
he said, I'm not going to talk about that. I

00:48:35.139 --> 00:48:37.119
couldn't tell if there was a sore spot for him

00:48:37.119 --> 00:48:39.119
or if he was just like done with the interview,

00:48:39.260 --> 00:48:45.940
you know, it was hard to sell. So you've seen

00:48:45.940 --> 00:48:47.559
a couple of movies from that box set, right?

00:48:47.659 --> 00:48:50.179
Or just one, maybe just one invasion from inner

00:48:50.179 --> 00:48:53.619
earth. Great title. The movie starts off very

00:48:53.619 --> 00:48:58.000
strong. Shot on his, so he bought this property

00:48:58.000 --> 00:49:00.800
out in Wisconsin. He dubbed it the shooting ranch.

00:49:01.440 --> 00:49:03.719
Not at first, he said it was like the funny farm,

00:49:03.860 --> 00:49:07.280
Green Acres. He's a big Green Acres fan, we've

00:49:07.280 --> 00:49:10.880
learned. But yeah, so he shot a number of his

00:49:10.880 --> 00:49:16.300
movies there on the ranch. An Invasion from Inner

00:49:16.300 --> 00:49:20.460
Earth is about a group of young people. shacked

00:49:20.460 --> 00:49:24.780
up in a cabin during a snowstorm but there are

00:49:24.780 --> 00:49:28.139
aliens that have apparently invaded unclear if

00:49:28.139 --> 00:49:30.099
it's from inside the earth or outside the earth

00:49:30.099 --> 00:49:35.000
but there's like a mass hysteria like the the

00:49:35.000 --> 00:49:38.079
aliens have infected the the greater population

00:49:38.079 --> 00:49:41.579
i mean there's not much more to the plot than

00:49:41.579 --> 00:49:44.920
that but to me it's it struck me as a combination

00:49:44.920 --> 00:49:49.750
of night of the living dead With the unexplained

00:49:49.750 --> 00:49:54.949
mass hysteria and people turning into zombies,

00:49:55.050 --> 00:49:58.389
if you will, meets the thing from another world

00:49:58.389 --> 00:50:02.829
because you have this small party of people snowbound

00:50:02.829 --> 00:50:07.449
in a cabin. So it's like a great concept. It

00:50:07.449 --> 00:50:11.869
doesn't totally keep you on the edge of your

00:50:11.869 --> 00:50:15.369
toes to the end. But it's a strong start, like

00:50:15.369 --> 00:50:18.629
a really strong first third of the picture. Yeah,

00:50:18.629 --> 00:50:22.429
you can find it for free if you're curious. I

00:50:22.429 --> 00:50:24.869
am. Yeah, I would love to watch it. Sounds a

00:50:24.869 --> 00:50:26.969
little bit like The Evil Dead maybe, but maybe

00:50:26.969 --> 00:50:28.570
that's just like where my mind is going, you

00:50:28.570 --> 00:50:32.670
know? Yeah, I mean, Evil Dead. Can we get Sam

00:50:32.670 --> 00:50:36.730
Raimi on this podcast? Well, that might take

00:50:36.730 --> 00:50:38.449
a little, you know, that might take some work,

00:50:38.530 --> 00:50:41.349
but we'll see, possibly. But yeah, I do want

00:50:41.349 --> 00:50:43.010
to see more of his movies. Twister's Revenge

00:50:43.010 --> 00:50:44.789
sounds kind of cool. I hope it's better than

00:50:44.789 --> 00:50:48.659
Killdozer though. I hope so. It's from 1988.

00:50:48.980 --> 00:50:51.820
So I think it, it might. And so it's post spider

00:50:51.820 --> 00:50:55.739
invasion. And, you know, honestly, spider invasion

00:50:55.739 --> 00:50:58.719
bait. Cause I, cause I was watching invasion

00:50:58.719 --> 00:51:00.360
from an earth, which came out the year before.

00:51:00.380 --> 00:51:04.159
And it's so low budget that honestly, I was surprised

00:51:04.159 --> 00:51:07.800
at how high budget in giant spider invasion was.

00:51:08.519 --> 00:51:13.239
So I'm hoping anything post that film kind of

00:51:13.239 --> 00:51:16.360
continues on a little bit of more polished track.

00:51:16.900 --> 00:51:21.659
Yeah. It helps as a viewer sometimes. Yeah. Yeah,

00:51:21.719 --> 00:51:26.239
for sure. Yeah. What else do we talk about or

00:51:26.239 --> 00:51:28.739
anything else that we, that we want to talk about?

00:51:29.639 --> 00:51:32.039
I mean, I liked some of the other special effects

00:51:32.039 --> 00:51:34.159
in the movie too. Like the opening credits are

00:51:34.159 --> 00:51:37.179
against a shot of like the cosmos, like the night

00:51:37.179 --> 00:51:39.440
sky or whatever. And then you see like the, the

00:51:39.440 --> 00:51:42.360
meteor, I like streaking through the sky. That

00:51:42.360 --> 00:51:44.980
was a cool way to open the movie. Yeah. Okay.

00:51:45.059 --> 00:51:47.409
That reminds me, I think. what Bill was talking

00:51:47.409 --> 00:51:51.030
about at the end was this new footage. I think

00:51:51.030 --> 00:51:57.289
he's trying to, to bring out the, the alien connection

00:51:57.289 --> 00:52:01.250
a little bit more because we know that the spiders

00:52:01.250 --> 00:52:05.050
came from outer space from a black hole, but

00:52:05.050 --> 00:52:08.429
beyond the initial meteor crash, like there's

00:52:08.429 --> 00:52:11.070
nothing to do with, there's nothing that happens

00:52:11.070 --> 00:52:15.210
with extraterrestrials or anything. Right. That's

00:52:15.210 --> 00:52:17.449
cool. I hope the new footage kind of goes more

00:52:17.449 --> 00:52:19.070
into that because I like that element of it.

00:52:19.469 --> 00:52:21.110
There's one kind of cool moment where there's

00:52:21.110 --> 00:52:24.489
like a helicopter hovering over the crater where

00:52:24.489 --> 00:52:26.949
like the spiders come out of. And it looks kind

00:52:26.949 --> 00:52:29.429
of blurry and weird. And I couldn't totally tell,

00:52:29.510 --> 00:52:31.250
but I feel like the guy on the chopper was like,

00:52:31.329 --> 00:52:33.989
you know, it's like a black hole. I can't tell

00:52:33.989 --> 00:52:35.489
what's going on down there. And I was like, oh,

00:52:35.510 --> 00:52:37.829
that's a cool idea. I like that. So maybe they'll

00:52:37.829 --> 00:52:39.489
go more into that in the new footage. That would

00:52:39.489 --> 00:52:44.440
be interesting. I'd like to see that. Yeah. I

00:52:44.440 --> 00:52:47.500
liked. Yeah, let's do like a quick breakdown.

00:52:48.519 --> 00:52:50.840
Oh, there was actually one jump scare that got

00:52:50.840 --> 00:52:55.239
me. It was the the alcoholic wife. I think her

00:52:55.239 --> 00:52:58.719
name was Evie. She's in bed in her bedroom and

00:52:58.719 --> 00:53:01.579
she's these tarantulas are everywhere like these

00:53:01.579 --> 00:53:05.760
live tarantulas. And this is where it gets kind

00:53:05.760 --> 00:53:08.119
of sad because her husband thinks she's seeing

00:53:08.119 --> 00:53:11.840
pink elephants. You know, the. The DTs, when

00:53:11.840 --> 00:53:14.300
you're an extreme alcoholic, you start to envision

00:53:14.300 --> 00:53:17.679
nightmare things. And she's seeing these tarantulas.

00:53:18.559 --> 00:53:22.000
Anyways, she wakes up. The scene is very calm.

00:53:22.500 --> 00:53:25.639
She goes to her dresser drawer. She opens the

00:53:25.639 --> 00:53:30.280
drawer. And a giant, fuzzy puppet spider jumps

00:53:30.280 --> 00:53:34.599
out at her. As goofy as it looks, it got me a

00:53:34.599 --> 00:53:38.539
little bit. yeah agreed the suspense in that

00:53:38.539 --> 00:53:40.300
scene is actually sort of well done because you

00:53:40.300 --> 00:53:42.500
keep on thinking that she's gonna like see one

00:53:42.500 --> 00:53:44.199
of the actual tarantulas or it's gonna crawl

00:53:44.199 --> 00:53:46.380
on her or something but it's not that it's the

00:53:46.380 --> 00:53:48.760
giant like spider in the dresser you know yeah

00:53:48.760 --> 00:53:52.559
yeah it's a good gotcha moment it got me i'll

00:53:52.559 --> 00:53:57.039
say that yeah you know nothing really like i

00:53:57.039 --> 00:53:59.920
didn't hate anything in this movie sure some

00:53:59.920 --> 00:54:02.500
of the more you know the sexually exploitive

00:54:02.500 --> 00:54:06.639
moments for what it is but You know, I kind of

00:54:06.639 --> 00:54:09.059
lost the plot a little bit towards the end. Yeah.

00:54:09.239 --> 00:54:13.039
Like, was there a black hole in the area on Earth?

00:54:13.639 --> 00:54:17.920
Like, the physics escaped me. And knowing that

00:54:17.920 --> 00:54:21.460
the script was half -baked, you know, I guess

00:54:21.460 --> 00:54:23.679
that comes with the territory. Yeah, makes sense.

00:54:26.380 --> 00:54:29.679
Yeah. One good thing, if I could add a good thing

00:54:29.679 --> 00:54:31.780
real quick. You and I talked about this earlier.

00:54:31.820 --> 00:54:33.860
We didn't really ask Bill about this, but there's

00:54:33.860 --> 00:54:36.190
like this priest. character, like this preacher,

00:54:36.329 --> 00:54:38.230
preacher is a better word for it, who is like

00:54:38.230 --> 00:54:41.869
talking about sin and how like, you know, people

00:54:41.869 --> 00:54:44.429
committing sin that will like, you know, experience

00:54:44.429 --> 00:54:46.750
their comeuppance and have to atone before God

00:54:46.750 --> 00:54:48.969
and all this stuff. And that's like kind of like

00:54:48.969 --> 00:54:51.070
a through line during the movie. Like that's

00:54:51.070 --> 00:54:53.389
I like there's an early scene and a late scene

00:54:53.389 --> 00:54:55.969
featuring that preacher. And he also appears

00:54:55.969 --> 00:54:58.230
like certain moments throughout. And I don't

00:54:58.230 --> 00:55:00.170
really know exactly what that has to do with

00:55:00.170 --> 00:55:02.969
the spider storyline, but it is kind of like

00:55:02.969 --> 00:55:06.179
an interesting. structure to just have that guy

00:55:06.179 --> 00:55:08.380
reappear every once in a while. And it makes

00:55:08.380 --> 00:55:10.960
for kind of like, like just, I don't know. There

00:55:10.960 --> 00:55:12.679
are some scenes that kind of drag and get a little

00:55:12.679 --> 00:55:14.380
bit boring. And then suddenly that guy appears

00:55:14.380 --> 00:55:16.300
and he's like screaming at you. And it's like,

00:55:16.360 --> 00:55:18.599
Oh, that's like an, an effective way to like

00:55:18.599 --> 00:55:21.139
regain your interest, you know? So I like that

00:55:21.139 --> 00:55:23.739
guy. I don't, I would not like that guy in real

00:55:23.739 --> 00:55:25.920
life, but like as featured in the movie, that's

00:55:25.920 --> 00:55:29.400
a good element. I like that. Agreed. And Alan

00:55:29.400 --> 00:55:32.260
Hale, he was campy. I was saying this to Bill

00:55:32.260 --> 00:55:35.360
too, that. He seemed to just, well, Bill said

00:55:35.360 --> 00:55:38.960
that Alan was just being himself. He's kind of

00:55:38.960 --> 00:55:41.920
a good -natured sheriff, a little larger than

00:55:41.920 --> 00:55:45.380
life, kind of yucking it up. But it works for

00:55:45.380 --> 00:55:47.320
him, and he knows what he's doing. He breaks

00:55:47.320 --> 00:55:49.059
the fourth wall at one point. He looks at the

00:55:49.059 --> 00:55:57.239
camera, which I found so funny. And someone has

00:55:57.239 --> 00:56:02.179
a line. There's a campy line about... Oh, because

00:56:02.179 --> 00:56:05.679
the doctors, Dr. Langer and Dr. Vance, are trying

00:56:05.679 --> 00:56:11.639
to explain the physics to the sheriff. And Dr.

00:56:11.880 --> 00:56:15.360
Langer, Barbara Hale, she says, well, sheriff,

00:56:15.639 --> 00:56:18.460
you remember your physics, right? And he says

00:56:18.460 --> 00:56:21.960
something like, I used to take physics, but now

00:56:21.960 --> 00:56:26.179
I take prunes. Something like that. What does

00:56:26.179 --> 00:56:33.289
that even mean? yeah you know to be honest some

00:56:33.289 --> 00:56:35.650
of the sheriff stuff did grow kind of old in

00:56:35.650 --> 00:56:38.550
my opinion and i think some of those stock characters

00:56:38.550 --> 00:56:42.590
maybe i would put more in the bad category like

00:56:42.590 --> 00:56:44.949
there's some good stuff too but like the sheriff

00:56:44.949 --> 00:56:48.329
and then like you know like the young kid who's

00:56:48.329 --> 00:56:51.949
like dating the attractive sister -in -law of

00:56:51.949 --> 00:56:54.670
Evie, the alcoholic wife. That storyline gets

00:56:54.670 --> 00:56:57.969
a little bit old. And also the moment where Dr.

00:56:58.269 --> 00:57:00.510
Langer and Dr. Vance first meet each other. And

00:57:00.510 --> 00:57:03.650
Dr. Vance is surprised to see a woman in the

00:57:03.650 --> 00:57:06.610
planetarium or the research facility. And he's

00:57:06.610 --> 00:57:08.949
like, oh, Dr. Langer must be your dad or your

00:57:08.949 --> 00:57:10.809
brother or your husband. And she's like, nope,

00:57:10.869 --> 00:57:13.250
that's me. And I kind of rolled my eyes and was

00:57:13.250 --> 00:57:14.849
like, oh, of course they have to have a moment

00:57:14.849 --> 00:57:17.929
like this. So some of that gets a little bit...

00:57:18.409 --> 00:57:21.170
dull and boring but then like i said there's

00:57:21.170 --> 00:57:24.050
like you know a giant spider or some like gross

00:57:24.050 --> 00:57:25.809
weird thing that kind of like captures your interest

00:57:25.809 --> 00:57:31.829
again yeah it's it's something i i'm glad i watched

00:57:31.829 --> 00:57:35.230
it i'm glad i connected with bill yeah i'd like

00:57:35.230 --> 00:57:38.750
to make this work again at some point i don't

00:57:38.750 --> 00:57:41.769
know we'll see i hope so and maybe we'll go to

00:57:41.769 --> 00:57:44.309
a screening in person that'd be great maybe honestly

00:57:44.309 --> 00:57:49.380
i think I think in person might be the way to

00:57:49.380 --> 00:57:54.599
go with Bill. Yeah. Yeah. Sorry. He mentioned

00:57:54.599 --> 00:57:58.340
this. He wants to start like a workshop thing

00:57:58.340 --> 00:58:02.079
for Wisconsin filmmakers, which sounds amazing.

00:58:02.219 --> 00:58:03.739
I think he was saying that he wants to have that

00:58:03.739 --> 00:58:06.159
in his house, which is pretty cool and such a

00:58:06.159 --> 00:58:08.679
great idea. I wish, you know, I just wish there

00:58:08.679 --> 00:58:10.940
were more film workshops and libraries and resources

00:58:10.940 --> 00:58:13.420
just like everywhere. That'd be amazing. Yeah,

00:58:13.500 --> 00:58:18.719
definitely in touch with his community. his his

00:58:18.719 --> 00:58:21.880
state what was he saying like you're saying something

00:58:21.880 --> 00:58:24.300
about madison and or milwaukee like the film

00:58:24.300 --> 00:58:27.380
societies correct me if i'm wrong but they want

00:58:27.380 --> 00:58:31.480
to do screenings down in those cities and he'd

00:58:31.480 --> 00:58:35.920
rather do things up north yeah i think that's

00:58:35.920 --> 00:58:40.139
what he was saying yeah and maybe like My takeaway

00:58:40.139 --> 00:58:41.900
from that is just like he was saying that like

00:58:41.900 --> 00:58:44.000
that's where the film organizations are located,

00:58:44.219 --> 00:58:46.699
you know, many wishes that it was like in more

00:58:46.699 --> 00:58:50.320
remote rural northern areas. But yeah, I think

00:58:50.320 --> 00:58:53.099
he was saying that organizations in those cities

00:58:53.099 --> 00:58:55.579
want to want to screen the film as well. Yeah,

00:58:55.579 --> 00:58:58.699
there's a lot of interest for it. Deservedly

00:58:58.699 --> 00:59:01.400
so. You know, I think because I think it does.

00:59:01.460 --> 00:59:03.760
It's that perfect. So bad. It's good type of

00:59:03.760 --> 00:59:07.900
movie. Yeah, agreed. Like. Just to be totally

00:59:07.900 --> 00:59:09.500
candid, you can cut this out of the episode if

00:59:09.500 --> 00:59:12.519
you want, but for me, I feel like Troll 2, for

00:59:12.519 --> 00:59:15.539
example, is the height of So Bad It's Good, where

00:59:15.539 --> 00:59:18.480
it's so surreal, so bizarre. Every moment is

00:59:18.480 --> 00:59:21.639
like, how did this happen? And there are moments

00:59:21.639 --> 00:59:24.840
in Giant Spider Invasion that, like I said, do

00:59:24.840 --> 00:59:27.440
kind of get a little dull. But yeah, I mean,

00:59:27.460 --> 00:59:29.760
certainly this movie is in the So Bad It's Good

00:59:29.760 --> 00:59:32.699
pantheon, and there are so many moments that

00:59:32.699 --> 00:59:35.869
are like... and fun to watch and really striking

00:59:35.869 --> 00:59:38.010
and unique. And just the fact that it was shot

00:59:38.010 --> 00:59:41.150
for like $300 ,000 and I think made like 23 million

00:59:41.150 --> 00:59:44.750
worldwide is amazing. It's incredible. Yeah.

00:59:44.849 --> 00:59:48.250
There was something about it. Yeah. It's in the

00:59:48.250 --> 00:59:52.849
Pantheon. I like that. Yeah. You know, Plan 9

00:59:52.849 --> 00:59:55.070
from Outer Space, most Ed Wood movies, like,

00:59:55.070 --> 00:59:58.590
yeah. For sure. Yeah, because that's, it was

00:59:58.590 --> 01:00:02.050
made so earnestly, I feel like. Like there's,

01:00:02.050 --> 01:00:06.139
like, That's to me like a true campy movie where,

01:00:06.219 --> 01:00:09.679
yeah, it's rough around the edges. The effects

01:00:09.679 --> 01:00:13.199
are bad, but the actors aren't playing it tongue

01:00:13.199 --> 01:00:16.559
in cheek. Even Alan Hale, like he does drop it

01:00:16.559 --> 01:00:18.739
in at times. And like when he's on the phone,

01:00:18.900 --> 01:00:21.639
you know, he's doing some real acting. He's not

01:00:21.639 --> 01:00:26.340
phoning it in. No pun intended. So, you know,

01:00:26.380 --> 01:00:29.139
like Edwards, like Plan 9, like Troll 2, like

01:00:29.139 --> 01:00:32.489
they're a mess. don't tell the directors that

01:00:32.489 --> 01:00:35.829
to them. They were making a real movie. Absolutely.

01:00:35.869 --> 01:00:38.489
Yeah. And I think if you have that love for movies

01:00:38.489 --> 01:00:41.110
and just like the creative drive, then like that

01:00:41.110 --> 01:00:43.050
will make the movie worth watching no matter

01:00:43.050 --> 01:00:46.269
what, you know? Yeah. Yeah. So I'm happy to end

01:00:46.269 --> 01:00:50.889
this conversation on that note. Cool. I love

01:00:50.889 --> 01:00:54.030
it. I think, yeah, we can make something out

01:00:54.030 --> 01:00:56.769
of that and then add some bill quotes to something,

01:00:56.849 --> 01:00:59.329
social media or something. I don't know. And,

01:00:59.329 --> 01:01:02.610
you know, I'll add trailers and things. Cool.

01:01:02.989 --> 01:01:06.730
Yeah. Well, yeah, you know, good job just like

01:01:06.730 --> 01:01:09.610
trying to make that work on the fly. Sorry, maybe

01:01:09.610 --> 01:01:12.110
the audio didn't quite work out. But, you know,

01:01:12.130 --> 01:01:15.949
I think it worked out okay in general. We made

01:01:15.949 --> 01:01:19.170
it happen. We made it happen on a wing and a

01:01:19.170 --> 01:01:23.610
prayer. Thank you for rolling with it. Thank

01:01:23.610 --> 01:01:26.650
you. I feel like you made that work. So yeah,

01:01:26.750 --> 01:01:28.949
glad we talked to him. And I think we'll be able

01:01:28.949 --> 01:01:31.230
to pull something fun out of that. I think so

01:01:31.230 --> 01:01:35.030
too. Dearest listeners, thank you so much for

01:01:35.030 --> 01:01:38.349
going on that journey with us. It was truly a

01:01:38.349 --> 01:01:43.690
memorable experience, and we hope we did salvage

01:01:43.690 --> 01:01:46.469
enough to make this an enjoyable listening experience

01:01:46.469 --> 01:01:49.789
for you. Do check out The Giant Spider Invasion.

01:01:49.809 --> 01:01:52.590
It's on Tubi. It's widely available on streaming.

01:01:52.809 --> 01:01:56.230
If you want to buy the DVD, I'm sure those proceeds

01:01:56.230 --> 01:02:00.030
go to Bill Urbane and his company, so you can't

01:02:00.030 --> 01:02:04.670
go wrong there. It really is a a movie you should

01:02:04.670 --> 01:02:07.489
experience for yourself. But let us know what

01:02:07.489 --> 01:02:09.469
you think of it. Please, please let us know what

01:02:09.469 --> 01:02:13.090
you think about this episode, about whether or

01:02:13.090 --> 01:02:14.809
not you'd like to hear more from Bill Urbane.

01:02:15.030 --> 01:02:16.829
Honestly, we would have him back on the show

01:02:16.829 --> 01:02:19.849
in a heartbeat. You can leave a rating and review

01:02:19.849 --> 01:02:23.849
of this podcast, Camp Kaiju, on your favorite

01:02:23.849 --> 01:02:26.650
streamers, on your favorite podcast apps. Visit

01:02:26.650 --> 01:02:29.989
patreon .com slash campkaiju for more reviews

01:02:29.989 --> 01:02:32.789
and special content. You can get in touch with

01:02:32.789 --> 01:02:37.170
us there on CampKaijuPodcast .com, CampKaiju

01:02:37.170 --> 01:02:40.530
at gmail .com, on Instagram. Leave us a voicemail

01:02:40.530 --> 01:02:46.530
number. Join the ranks of Bill. Be a brief voice

01:02:46.530 --> 01:02:49.980
that will live on in eternity. on the airwaves

01:02:49.980 --> 01:02:54.639
at 612 -470 -2612. Now Camp Kaiju is recorded

01:02:54.639 --> 01:02:57.000
in Minneapolis, St. Paul with Menia's Mailbox

01:02:57.000 --> 01:02:59.639
music by Ben Cook -Felts. We'll get back to Menia's

01:02:59.639 --> 01:03:02.179
Mailbox and our regular programming next time

01:03:02.179 --> 01:03:05.340
with The Addiction. So join us with that one.

01:03:05.519 --> 01:03:07.920
Thank you, thank you for listening. And until

01:03:07.920 --> 01:03:29.619
next time, stay campy. Ever see the movie Jaws?

01:03:29.719 --> 01:03:32.340
Well, it makes that shark look like a goldfish!

01:03:32.960 --> 01:03:42.860
I know, I know. Vance, I have a feeling the sheriff's

01:03:42.860 --> 01:03:45.340
putting you on. I'm sure he's taking physics.

01:03:45.739 --> 01:03:48.760
Oh, I used to take physics. But now I find that

01:03:48.760 --> 01:03:50.079
prunes do the better job.
