1
00:00:00,000 --> 00:00:01,280
Welcome to the deep dive.

2
00:00:01,280 --> 00:00:03,400
We're doing something a little different today.

3
00:00:03,400 --> 00:00:05,640
It's a deep dive that's been put together just for you

4
00:00:05,640 --> 00:00:07,360
based on the material you gave us.

5
00:00:07,360 --> 00:00:08,200
Very cool.

6
00:00:08,200 --> 00:00:09,020
Yeah.

7
00:00:09,020 --> 00:00:12,520
And we're gonna be looking into the Turkish rap scene.

8
00:00:12,520 --> 00:00:13,360
Okay.

9
00:00:13,360 --> 00:00:17,280
Focusing on a song that's really making waves right now.

10
00:00:17,280 --> 00:00:20,960
Düşmez Kalkmaz by Can Bay and Volker.

11
00:00:20,960 --> 00:00:22,160
It's a great choice.

12
00:00:22,160 --> 00:00:25,120
And we've got a really interesting mix

13
00:00:25,120 --> 00:00:26,720
of sources to work with here.

14
00:00:26,720 --> 00:00:27,560
Yeah.

15
00:00:27,560 --> 00:00:28,800
We've got the lyrics of the song itself.

16
00:00:28,800 --> 00:00:29,640
Uh-huh.

17
00:00:29,640 --> 00:00:32,440
We've got a transcript from the music video on YouTube.

18
00:00:32,440 --> 00:00:33,280
Okay.

19
00:00:33,280 --> 00:00:35,360
A music review that I thought was really insightful.

20
00:00:35,360 --> 00:00:38,600
And even a Wikipedia entry on the history of Turkish rap

21
00:00:38,600 --> 00:00:40,680
just to give us a bit of that bigger picture.

22
00:00:40,680 --> 00:00:41,520
I love it.

23
00:00:41,520 --> 00:00:42,340
That's awesome.

24
00:00:42,340 --> 00:00:43,760
I have to admit my Turkish is a little rusty.

25
00:00:43,760 --> 00:00:44,600
Yeah.

26
00:00:44,600 --> 00:00:47,360
But even just listening to Düşmez Kalkmaz,

27
00:00:47,360 --> 00:00:49,240
the energy is undeniable.

28
00:00:49,240 --> 00:00:50,080
Oh yeah.

29
00:00:50,080 --> 00:00:51,840
There's this driving beat, a little bit dark,

30
00:00:51,840 --> 00:00:55,800
a little bit edgy, but the rhythm is just so catchy.

31
00:00:55,800 --> 00:00:56,640
It gets you.

32
00:00:56,640 --> 00:00:58,640
It doesn't fall, it doesn't rise.

33
00:00:58,640 --> 00:01:00,440
That's the translation of the title, right?

34
00:01:00,440 --> 00:01:01,280
That's it.

35
00:01:01,280 --> 00:01:02,120
Mm-hmm.

36
00:01:02,120 --> 00:01:04,400
And even if we don't catch every single word,

37
00:01:04,400 --> 00:01:06,160
that title alone kind of hints

38
00:01:06,160 --> 00:01:08,520
at these really powerful themes.

39
00:01:08,520 --> 00:01:10,300
Resilience overcoming obstacles,

40
00:01:10,300 --> 00:01:12,080
the idea that you have to go through the tough times

41
00:01:12,080 --> 00:01:14,800
to really come out stronger on the other side.

42
00:01:14,800 --> 00:01:15,640
Absolutely.

43
00:01:15,640 --> 00:01:17,280
And you know, getting right into it.

44
00:01:17,280 --> 00:01:19,680
The song opens with this repeated line,

45
00:01:19,680 --> 00:01:21,000
Düşmez Kalkmaz bir Allah.

46
00:01:21,000 --> 00:01:21,840
Yeah.

47
00:01:21,840 --> 00:01:23,080
It doesn't fall, it doesn't rise, but Allah.

48
00:01:23,080 --> 00:01:23,920
Yeah.

49
00:01:23,920 --> 00:01:26,560
So I'm curious, what's the significance of bringing in,

50
00:01:26,560 --> 00:01:28,880
you know, that element of faith right from the get-go?

51
00:01:28,880 --> 00:01:31,000
I think it immediately kind of sets this tone

52
00:01:31,000 --> 00:01:33,760
that's both street-smart and spiritual, you know?

53
00:01:33,760 --> 00:01:35,640
You get the sense that this song is about

54
00:01:35,640 --> 00:01:37,440
facing challenges head-on,

55
00:01:37,440 --> 00:01:40,120
but also this belief in something bigger than yourself,

56
00:01:40,120 --> 00:01:41,440
like a higher power,

57
00:01:41,440 --> 00:01:43,200
that might be the only constant thing

58
00:01:43,200 --> 00:01:44,800
in a really unpredictable world.

59
00:01:44,800 --> 00:01:46,080
Yeah, I can definitely hear that,

60
00:01:46,080 --> 00:01:48,320
especially when the lyrics go on to describe this world

61
00:01:48,320 --> 00:01:50,720
of fake smiles and cash deals,

62
00:01:50,720 --> 00:01:52,600
where like, everyone's brother is a mafia.

63
00:01:52,600 --> 00:01:53,440
Yeah.

64
00:01:53,440 --> 00:01:54,360
It paints a picture of street life

65
00:01:54,360 --> 00:01:56,440
that feels so raw and real.

66
00:01:56,440 --> 00:01:58,440
And that's where things get really interesting.

67
00:01:58,440 --> 00:02:00,600
I think, you know, rap music

68
00:02:00,600 --> 00:02:03,000
often comes from these marginalized communities,

69
00:02:03,000 --> 00:02:07,000
and it has this power to act as social commentary.

70
00:02:07,000 --> 00:02:08,560
Artists use their platform

71
00:02:08,560 --> 00:02:11,240
to kind of reflect the realities that they see,

72
00:02:11,240 --> 00:02:13,960
critique the systems, and give a voice to these experiences

73
00:02:13,960 --> 00:02:15,800
that might otherwise go unheard.

74
00:02:15,800 --> 00:02:17,320
So it's not just about the catchy beat,

75
00:02:17,320 --> 00:02:19,640
it's also about using the music

76
00:02:19,640 --> 00:02:21,920
to shine a light on these social dynamics,

77
00:02:21,920 --> 00:02:24,600
the anxieties, maybe even injustices.

78
00:02:24,600 --> 00:02:25,440
You got it.

79
00:02:25,440 --> 00:02:28,440
Juhschme's Kalkmaz seems to tap into that vein,

80
00:02:28,440 --> 00:02:31,280
suggesting this world where you need to be tough,

81
00:02:31,280 --> 00:02:34,480
resourceful, maybe even a little cynical to survive.

82
00:02:34,480 --> 00:02:36,440
And there's also a line about returning home

83
00:02:36,440 --> 00:02:38,240
and a Danurian stripped bear,

84
00:02:38,240 --> 00:02:40,160
almost like you've lost everything in the process.

85
00:02:40,160 --> 00:02:41,720
It kind of creates a stark contrast

86
00:02:41,720 --> 00:02:43,160
with the confidence from earlier in the song.

87
00:02:43,160 --> 00:02:44,000
It's a powerful phrase,

88
00:02:44,000 --> 00:02:47,000
and a Danurian carries a lot of weight in Turkish culture.

89
00:02:47,000 --> 00:02:48,840
You know, it evokes vulnerability.

90
00:02:48,840 --> 00:02:50,040
Being stripped of all pretense

91
00:02:50,040 --> 00:02:52,800
is almost like a return to your most basic self,

92
00:02:52,800 --> 00:02:55,400
you know, connecting that to the song's themes.

93
00:02:55,400 --> 00:02:57,400
It's almost like saying even when you face hardships,

94
00:02:57,400 --> 00:02:58,520
you lose everything.

95
00:02:58,520 --> 00:03:00,520
That stripping away can ultimately lead

96
00:03:00,520 --> 00:03:01,760
to a kind of rebirth.

97
00:03:01,760 --> 00:03:04,240
Wow, that adds a whole other layer of meaning.

98
00:03:04,240 --> 00:03:05,080
Yeah.

99
00:03:05,080 --> 00:03:06,040
And speaking of layering,

100
00:03:06,040 --> 00:03:08,840
I noticed that the song references a classic Turkish song

101
00:03:08,840 --> 00:03:10,160
by Orhan Ginsbe.

102
00:03:10,160 --> 00:03:11,000
Yeah.

103
00:03:11,000 --> 00:03:11,840
Senedersin Dey.

104
00:03:11,840 --> 00:03:13,560
It seems like a very deliberate choice

105
00:03:13,560 --> 00:03:15,960
to kind of bridge the old and the new.

106
00:03:15,960 --> 00:03:18,720
It is, and that's something we see a lot across music,

107
00:03:18,720 --> 00:03:19,760
especially in rap.

108
00:03:19,760 --> 00:03:22,360
Artists often pay homage to their roots.

109
00:03:22,360 --> 00:03:24,240
You know, they might sample older tracks,

110
00:03:24,240 --> 00:03:26,120
blend traditional instruments or rhythms

111
00:03:26,120 --> 00:03:27,400
into this modern sound.

112
00:03:27,400 --> 00:03:28,240
Right.

113
00:03:28,240 --> 00:03:30,280
It's a way of honoring where you come from

114
00:03:30,280 --> 00:03:32,520
while still pushing the genre forward.

115
00:03:32,520 --> 00:03:33,600
So it's not just innovation,

116
00:03:33,600 --> 00:03:35,560
it's about that conversation between generations

117
00:03:35,560 --> 00:03:37,400
keeping the past alive and the present.

118
00:03:37,400 --> 00:03:39,320
Exactly, and visually,

119
00:03:39,320 --> 00:03:42,400
the music video actually reinforces that idea

120
00:03:42,400 --> 00:03:43,960
because it's set in Mardin,

121
00:03:43,960 --> 00:03:46,160
which is a region in Southeastern Turkey

122
00:03:46,160 --> 00:03:48,920
that's known for its ancient history and diverse cultures.

123
00:03:48,920 --> 00:03:49,760
Yeah.

124
00:03:49,760 --> 00:03:52,240
And specifically, they chose Dara.

125
00:03:52,240 --> 00:03:53,080
Okay.

126
00:03:53,080 --> 00:03:53,920
A village with ruins,

127
00:03:53,920 --> 00:03:55,920
they go all the way back to Roman times.

128
00:03:55,920 --> 00:03:58,480
I can definitely see how that choice of location

129
00:03:58,480 --> 00:03:59,960
adds another dimension.

130
00:03:59,960 --> 00:04:01,160
You know, these ancient ruins,

131
00:04:01,160 --> 00:04:03,080
they've witnessed centuries of change,

132
00:04:03,080 --> 00:04:05,160
empires rising and falling,

133
00:04:05,160 --> 00:04:06,680
and yet they still stand.

134
00:04:06,680 --> 00:04:09,160
It's like a visual metaphor for the song's message

135
00:04:09,160 --> 00:04:11,280
of resilience and enduring through time.

136
00:04:11,280 --> 00:04:12,880
It is, and Dara itself,

137
00:04:12,880 --> 00:04:15,320
with its mix of cultures and religions,

138
00:04:15,320 --> 00:04:18,120
really embodies that idea of resilience

139
00:04:18,120 --> 00:04:19,200
and adaptation.

140
00:04:19,200 --> 00:04:20,720
It's a place where different communities

141
00:04:20,720 --> 00:04:22,280
have lived together for centuries,

142
00:04:22,280 --> 00:04:24,440
a testament to the enduring human spirit.

143
00:04:24,440 --> 00:04:26,480
Yeah, that's a powerful image.

144
00:04:26,480 --> 00:04:28,960
So we've got this song about facing challenges,

145
00:04:28,960 --> 00:04:30,560
overcoming obstacles with lyrics

146
00:04:30,560 --> 00:04:33,280
that hint at a pretty complex social reality,

147
00:04:33,280 --> 00:04:35,080
a musical nod to tradition,

148
00:04:35,080 --> 00:04:37,480
and then this visually stunning setting

149
00:04:37,480 --> 00:04:40,960
that speaks to endurance and the passage of time.

150
00:04:40,960 --> 00:04:42,280
It's a lot to take in.

151
00:04:42,280 --> 00:04:43,120
It is.

152
00:04:43,120 --> 00:04:45,360
And this is really just the beginning of our deep dive.

153
00:04:45,360 --> 00:04:47,320
To understand where Duzmez Kalkma's

154
00:04:47,320 --> 00:04:49,920
fits in the bigger picture of Turkish rap,

155
00:04:49,920 --> 00:04:51,120
let me just step back and look at how

156
00:04:51,120 --> 00:04:52,760
the genre itself has evolved.

157
00:04:52,760 --> 00:04:53,600
I'm ready.

158
00:04:53,600 --> 00:04:54,440
Let's do it.

159
00:04:54,440 --> 00:04:55,280
I'm already hooked,

160
00:04:55,280 --> 00:04:57,360
and I definitely want to learn more about this music scene.

161
00:04:57,360 --> 00:04:59,880
It's really interesting how Duzmez Kalkma's

162
00:04:59,880 --> 00:05:01,480
makes us think about resilience,

163
00:05:01,480 --> 00:05:02,680
not just for individuals,

164
00:05:02,680 --> 00:05:04,520
but for like whole society.

165
00:05:04,520 --> 00:05:05,360
Yeah.

166
00:05:05,360 --> 00:05:07,360
We were just talking about Dara and its history,

167
00:05:07,360 --> 00:05:10,840
and it makes you wonder if that feeling of

168
00:05:10,840 --> 00:05:12,280
getting through tough times

169
00:05:12,280 --> 00:05:14,280
is somehow like built into Turkish culture.

170
00:05:14,280 --> 00:05:15,280
It's a great point.

171
00:05:15,280 --> 00:05:18,200
It's almost as if the song is connecting to the shared memory,

172
00:05:18,200 --> 00:05:21,720
a history of overcoming obstacles and adapting to change.

173
00:05:21,720 --> 00:05:23,080
Yeah, exactly.

174
00:05:23,080 --> 00:05:24,800
And I think that's where understanding

175
00:05:24,800 --> 00:05:28,200
the history of Turkish rap can really shed light

176
00:05:28,200 --> 00:05:29,840
on what we're hearing in the song.

177
00:05:29,840 --> 00:05:30,680
Okay.

178
00:05:30,680 --> 00:05:32,680
Our trusty Wikipedia article actually breaks it down

179
00:05:32,680 --> 00:05:36,040
into these three distinct waves of Turkish rap.

180
00:05:36,040 --> 00:05:36,880
Okay.

181
00:05:36,880 --> 00:05:38,840
Each with its own unique style and context.

182
00:05:38,840 --> 00:05:39,680
Cool.

183
00:05:39,680 --> 00:05:40,520
Let's dive into that.

184
00:05:40,520 --> 00:05:41,640
I'm all ears.

185
00:05:41,640 --> 00:05:43,440
What was going on in that first wave?

186
00:05:43,440 --> 00:05:45,440
So picture the late 20th century.

187
00:05:45,440 --> 00:05:47,240
A time when there was a lot of migration

188
00:05:47,240 --> 00:05:49,080
from Turkey to Germany.

189
00:05:49,080 --> 00:05:51,040
It was in those Turkish communities in Germany

190
00:05:51,040 --> 00:05:53,800
that we saw the very beginnings of Turkish rap.

191
00:05:53,800 --> 00:05:54,640
Oh, wow.

192
00:05:54,640 --> 00:05:57,280
Young people were exposed to American hip hop culture

193
00:05:57,280 --> 00:06:00,800
and they started experimenting, rapping in Turkish,

194
00:06:00,800 --> 00:06:02,880
blending those Western influences

195
00:06:02,880 --> 00:06:04,920
with their own cultural heritage.

196
00:06:04,920 --> 00:06:07,720
So it started as this kind of like cultural exchange,

197
00:06:07,720 --> 00:06:10,720
a mix of styles born out of migration

198
00:06:10,720 --> 00:06:12,520
and being exposed to new sounds.

199
00:06:12,520 --> 00:06:13,360
Exactly.

200
00:06:13,360 --> 00:06:15,840
And you can't forget the social context either.

201
00:06:15,840 --> 00:06:18,560
You know, these were often communities facing

202
00:06:18,560 --> 00:06:20,960
marginalization discrimination.

203
00:06:20,960 --> 00:06:24,600
A sense of not fully belonging either in their new country

204
00:06:24,600 --> 00:06:25,440
or in their homeland.

205
00:06:25,440 --> 00:06:26,280
Right.

206
00:06:26,280 --> 00:06:29,080
Rap gave them a way to channel that frustration,

207
00:06:29,080 --> 00:06:32,080
to find their own voice, to create a sense of identity.

208
00:06:32,080 --> 00:06:35,160
It's amazing how music can become such a powerful tool

209
00:06:35,160 --> 00:06:37,560
for empowerment, for creating a sense of community,

210
00:06:37,560 --> 00:06:38,880
especially in situations like that.

211
00:06:38,880 --> 00:06:39,720
Absolutely.

212
00:06:39,720 --> 00:06:41,600
And as Turkish rap started to get more popular.

213
00:06:41,600 --> 00:06:42,440
Yeah.

214
00:06:42,440 --> 00:06:43,960
It eventually made its way back to Turkey,

215
00:06:43,960 --> 00:06:46,120
leading to what we call the second wave.

216
00:06:46,120 --> 00:06:48,400
This is when artists like Ceza and Segova Kajmer

217
00:06:48,400 --> 00:06:49,520
came onto the scene.

218
00:06:49,520 --> 00:06:50,680
They really shaped the genre

219
00:06:50,680 --> 00:06:52,000
and brought it into the mainstream.

220
00:06:52,000 --> 00:06:52,840
Cool.

221
00:06:52,840 --> 00:06:53,680
They were pioneers,

222
00:06:53,680 --> 00:06:55,880
developing their own distinct Turkish rap styles

223
00:06:55,880 --> 00:06:56,880
and lyrical themes.

224
00:06:56,880 --> 00:06:59,000
That's where things start to get exciting.

225
00:06:59,000 --> 00:07:00,960
Right, remember the Wikipedia article mentioned

226
00:07:00,960 --> 00:07:04,760
those epic rap battles between Ceza and Segova Kajmer.

227
00:07:04,760 --> 00:07:05,600
Oh, yeah.

228
00:07:05,600 --> 00:07:06,880
Disstracks, feuds, the whole thing.

229
00:07:06,880 --> 00:07:07,880
Yeah, you got it.

230
00:07:07,880 --> 00:07:09,440
That competitive spirit,

231
00:07:09,440 --> 00:07:12,520
the art of the diss track that's a part of rap culture

232
00:07:12,520 --> 00:07:15,200
worldwide, it can get pretty intense,

233
00:07:15,200 --> 00:07:16,600
even controversial sometimes.

234
00:07:16,600 --> 00:07:17,440
Right.

235
00:07:17,440 --> 00:07:20,240
But it also pushes artists to be more creative,

236
00:07:20,240 --> 00:07:21,240
to sharpen their skills.

237
00:07:21,240 --> 00:07:24,160
And in the end, it creates some really groundbreaking music.

238
00:07:24,160 --> 00:07:26,360
It's like they say, iron sharpens iron.

239
00:07:26,360 --> 00:07:27,200
Yeah.

240
00:07:27,200 --> 00:07:28,640
But in this case, it's rappers sharpening rappers,

241
00:07:28,640 --> 00:07:30,520
pushing each other to reach new levels.

242
00:07:30,520 --> 00:07:32,920
So where does the third wave fit into all of this?

243
00:07:32,920 --> 00:07:36,280
The third wave, which is where Duzmez Kalkmaz comes in,

244
00:07:36,280 --> 00:07:38,520
sees Turkish rap getting even deeper,

245
00:07:38,520 --> 00:07:40,280
more introspective and more politically

246
00:07:40,280 --> 00:07:41,280
and socially charged.

247
00:07:41,280 --> 00:07:42,120
Okay.

248
00:07:42,120 --> 00:07:43,160
Artists like Essel,

249
00:07:43,160 --> 00:07:45,480
who's known for his thought provoking lyrics,

250
00:07:45,480 --> 00:07:47,600
really started addressing things like inequality,

251
00:07:47,600 --> 00:07:50,040
censorship, the struggles of everyday people

252
00:07:50,040 --> 00:07:51,400
in a more direct way.

253
00:07:51,400 --> 00:07:54,160
So it's building on what those earlier ways established,

254
00:07:54,160 --> 00:07:56,800
but becoming more complex, more nuanced,

255
00:07:56,800 --> 00:07:59,400
more willing to tackle tough subjects head on.

256
00:07:59,400 --> 00:08:00,240
You nailed it.

257
00:08:01,120 --> 00:08:03,200
And there's a musical evolution happening too.

258
00:08:03,200 --> 00:08:04,040
Yeah.

259
00:08:04,040 --> 00:08:06,520
The third wave is where you see a lot more experimentation

260
00:08:06,520 --> 00:08:09,520
with sound blending, traditional Turkish instruments

261
00:08:09,520 --> 00:08:13,720
and rhythms with trap beats, electronic influences.

262
00:08:13,720 --> 00:08:14,560
Right.

263
00:08:14,560 --> 00:08:17,160
Creating this sonic tapestry that's both fresh

264
00:08:17,160 --> 00:08:19,560
and deeply rooted in Turkish musical heritage.

265
00:08:19,560 --> 00:08:20,400
Whoa, okay.

266
00:08:20,400 --> 00:08:22,720
I'm starting to see where Duzmez Kalkmaz fits into all this.

267
00:08:22,720 --> 00:08:24,760
It's got that tough streetwise edge,

268
00:08:24,760 --> 00:08:28,320
that sense of resilience in the face of hardship,

269
00:08:28,320 --> 00:08:30,360
but it's also musically sophisticated.

270
00:08:30,360 --> 00:08:31,200
Yeah.

271
00:08:31,200 --> 00:08:33,440
Referencing the past while still pushing boundaries.

272
00:08:33,440 --> 00:08:35,880
It's like a microcosm of this third wave, wouldn't you say?

273
00:08:35,880 --> 00:08:36,840
I think you're absolutely right.

274
00:08:36,840 --> 00:08:40,200
It embodies this meeting point, the social commentary,

275
00:08:40,200 --> 00:08:42,280
musical innovation and a strong connection

276
00:08:42,280 --> 00:08:44,720
to Turkish cultural identity.

277
00:08:44,720 --> 00:08:46,400
And what's so captivating is that it's resonating

278
00:08:46,400 --> 00:08:48,880
with audiences, not just in Turkey, but all over the world.

279
00:08:48,880 --> 00:08:49,720
I'm not surprised at all.

280
00:08:49,720 --> 00:08:51,560
We were saying earlier how some of the themes

281
00:08:51,560 --> 00:08:53,920
in Duzmez Kalkmaz, you know, that struggle,

282
00:08:53,920 --> 00:08:56,080
need for resilience, those are universal.

283
00:08:56,080 --> 00:08:56,920
Right.

284
00:08:56,920 --> 00:08:59,640
It's as if those experiences go beyond cultural boundaries,

285
00:08:59,640 --> 00:09:02,280
even if the specific circumstances might be different.

286
00:09:02,280 --> 00:09:03,120
It's so true.

287
00:09:03,120 --> 00:09:05,960
And it makes me think how exploring music

288
00:09:05,960 --> 00:09:08,800
from different cultures can actually help us connect

289
00:09:08,800 --> 00:09:10,960
with those shared human experiences.

290
00:09:10,960 --> 00:09:11,800
Yeah.

291
00:09:11,800 --> 00:09:14,000
You know, broaden our understanding of the world

292
00:09:14,000 --> 00:09:16,240
and maybe even challenge some of our own assumptions

293
00:09:16,240 --> 00:09:17,080
in the process.

294
00:09:17,080 --> 00:09:17,920
Totally agree.

295
00:09:17,920 --> 00:09:19,240
It's like we're always learning,

296
00:09:19,240 --> 00:09:21,840
always broadening our perspectives.

297
00:09:21,840 --> 00:09:23,680
Okay, so we have this incredible song

298
00:09:23,680 --> 00:09:25,440
that's both catchy and makes you think.

299
00:09:25,440 --> 00:09:26,280
Yeah.

300
00:09:26,280 --> 00:09:28,160
And we've looked at the evolution of Turkish rap

301
00:09:28,160 --> 00:09:30,080
to see where it fits in,

302
00:09:30,080 --> 00:09:32,280
but there's one piece missing, right?

303
00:09:32,280 --> 00:09:34,960
That music review we talked about before.

304
00:09:34,960 --> 00:09:36,200
That's right.

305
00:09:36,200 --> 00:09:39,280
It's time to bring in the view of a music critic,

306
00:09:39,280 --> 00:09:41,880
someone who's really immersed in the world of music

307
00:09:41,880 --> 00:09:44,240
and can offer a professional opinion

308
00:09:44,240 --> 00:09:46,800
on what makes Duzmez Kalkmaz so special.

309
00:09:46,800 --> 00:09:47,640
Let's do it.

310
00:09:47,640 --> 00:09:49,480
I'm curious to hear what they picked up on

311
00:09:49,480 --> 00:09:50,720
that we might've missed.

312
00:09:50,720 --> 00:09:52,120
Okay, let's get to that music review.

313
00:09:52,120 --> 00:09:54,480
What did the critic have to say about Duzmez Kalkmaz?

314
00:09:54,480 --> 00:09:56,200
Well, they were really impressed

315
00:09:56,200 --> 00:09:59,000
by how well can Bey and Wolker work together,

316
00:09:59,000 --> 00:10:00,840
you know, praising their synergy.

317
00:10:00,840 --> 00:10:04,160
And they called it a masterclass in catchy 98 rhythms,

318
00:10:05,240 --> 00:10:07,040
which sounds pretty technical,

319
00:10:07,040 --> 00:10:11,120
but it really highlights how the track manages to be modern

320
00:10:11,120 --> 00:10:14,040
and also rooted in those traditional Turkish sounds.

321
00:10:14,040 --> 00:10:15,280
I can definitely hear that.

322
00:10:15,280 --> 00:10:16,400
It's got that driving beat

323
00:10:16,400 --> 00:10:17,600
that you can't get out of your head.

324
00:10:17,600 --> 00:10:18,440
Right.

325
00:10:18,440 --> 00:10:20,400
But there's something about the rhythm that's familiar too.

326
00:10:20,400 --> 00:10:21,240
Yeah.

327
00:10:21,240 --> 00:10:22,080
Almost like a folk song.

328
00:10:22,080 --> 00:10:24,560
It makes you wanna move, but also makes you think.

329
00:10:24,560 --> 00:10:25,560
Totally.

330
00:10:25,560 --> 00:10:28,880
And the critic also pointed out the depth of the lyrics.

331
00:10:28,880 --> 00:10:31,800
You know how can Bey and Wolker which-vin

332
00:10:31,800 --> 00:10:35,200
that social commentary without losing the song's energy?

333
00:10:35,200 --> 00:10:37,840
They even compared it to the arabesque genre

334
00:10:37,840 --> 00:10:38,800
of Turkish music.

335
00:10:38,800 --> 00:10:39,640
Oh, interesting.

336
00:10:39,640 --> 00:10:41,560
Which is known for its melancholic melodies

337
00:10:41,560 --> 00:10:43,440
and themes of love, loss, and longing.

338
00:10:43,440 --> 00:10:44,280
Arabesque.

339
00:10:44,280 --> 00:10:45,600
Now, I've heard that term before,

340
00:10:45,600 --> 00:10:46,840
but could you give me a quick rundown?

341
00:10:46,840 --> 00:10:48,880
I feel like understanding that connection

342
00:10:48,880 --> 00:10:51,360
could really help me appreciate the song even more.

343
00:10:51,360 --> 00:10:52,360
Sure thing.

344
00:10:52,360 --> 00:10:54,840
Arabesque came about in the 60s and 70s,

345
00:10:54,840 --> 00:10:57,480
and it often reflected the experiences of people

346
00:10:57,480 --> 00:11:01,160
who moved from rural areas to the big cities in Turkey.

347
00:11:01,160 --> 00:11:02,000
Okay.

348
00:11:02,000 --> 00:11:04,480
You know, facing those social and economic challenges.

349
00:11:04,480 --> 00:11:06,360
It's a genre that's really connected to themes

350
00:11:06,360 --> 00:11:08,200
of displacement, hardship,

351
00:11:08,200 --> 00:11:10,440
and kind of a yearning for something better.

352
00:11:10,440 --> 00:11:11,280
Ah.

353
00:11:11,280 --> 00:11:12,120
I see the link now.

354
00:11:12,120 --> 00:11:14,280
Those themes definitely come through in Dues Miscocke Mas.

355
00:11:14,280 --> 00:11:15,120
Yeah.

356
00:11:15,120 --> 00:11:16,720
Especially in those lines about struggling,

357
00:11:16,720 --> 00:11:19,800
facing betrayal, and coming home empty handed.

358
00:11:19,800 --> 00:11:22,640
It's like they're tapping into that same emotional well,

359
00:11:22,640 --> 00:11:24,640
but giving it a modern rap twist.

360
00:11:24,640 --> 00:11:25,720
Exactly.

361
00:11:25,720 --> 00:11:28,160
That's what makes this song so captivating.

362
00:11:28,160 --> 00:11:30,800
It's drawing on these deep cultural undercurrents,

363
00:11:30,800 --> 00:11:32,560
bridging the gap between generations,

364
00:11:32,560 --> 00:11:35,680
and reflecting a complex social reality

365
00:11:35,680 --> 00:11:38,640
through music that's both catchy and makes you think.

366
00:11:38,640 --> 00:11:40,320
So it's more than just a popular song.

367
00:11:40,320 --> 00:11:41,840
It's a reflection of Turkish culture,

368
00:11:41,840 --> 00:11:44,280
history, and even social anxieties.

369
00:11:44,280 --> 00:11:46,760
This deep dive has really opened my ears.

370
00:11:46,760 --> 00:11:47,840
I'm wondering though,

371
00:11:47,840 --> 00:11:49,960
how does Dues Miscocke Mas stack up

372
00:11:49,960 --> 00:11:52,040
against other rap music globally?

373
00:11:52,040 --> 00:11:54,040
We've talked about its Turkish context.

374
00:11:54,040 --> 00:11:54,880
Right.

375
00:11:54,880 --> 00:11:56,560
Are there any similarities with what's happening

376
00:11:56,560 --> 00:11:59,080
in hip hop scenes in other parts of the world?

377
00:11:59,080 --> 00:12:00,400
That's a great question.

378
00:12:00,400 --> 00:12:01,760
And it really gets to the core

379
00:12:01,760 --> 00:12:04,440
of what makes rap music so powerful.

380
00:12:04,440 --> 00:12:06,800
You know, whether you're listening to artists from the US,

381
00:12:06,800 --> 00:12:09,320
a lot of France, Senegal, or Brazil,

382
00:12:09,320 --> 00:12:11,000
there are these universal themes

383
00:12:11,000 --> 00:12:12,440
that run through the genre.

384
00:12:12,440 --> 00:12:16,240
Stories of struggle, resilience, social critique,

385
00:12:16,240 --> 00:12:18,160
the desire to be heard.

386
00:12:18,160 --> 00:12:21,320
It's like each rap scene reflects its own unique setting,

387
00:12:21,320 --> 00:12:24,360
but with these shared human experiences connecting us all.

388
00:12:24,360 --> 00:12:26,000
It's like a global conversation,

389
00:12:26,000 --> 00:12:27,600
everyone adding their voice to the mix.

390
00:12:27,600 --> 00:12:28,440
Precisely.

391
00:12:28,440 --> 00:12:31,200
And think about the role of language in rap music.

392
00:12:31,200 --> 00:12:32,440
It's more than just words.

393
00:12:32,440 --> 00:12:35,360
It's about identity, about taking back your voice,

394
00:12:35,360 --> 00:12:37,120
about expressing yourself in a way

395
00:12:37,120 --> 00:12:39,400
that feels authentic and strong.

396
00:12:39,400 --> 00:12:42,600
You know, Turkish rap with its distinct sound and lyrics

397
00:12:42,600 --> 00:12:45,440
is adding its voice to that global conversation.

398
00:12:45,440 --> 00:12:47,160
And it's resonating with people

399
00:12:47,160 --> 00:12:48,960
who might not even understand the language,

400
00:12:48,960 --> 00:12:52,200
but can still feel the energy and emotion behind it.

401
00:12:52,200 --> 00:12:53,920
It makes you wonder if exploring music

402
00:12:53,920 --> 00:12:55,840
from other cultures, especially rap music,

403
00:12:55,840 --> 00:12:58,600
could help break down barriers and connect people.

404
00:12:58,600 --> 00:13:00,280
You know, we might not understand every word,

405
00:13:00,280 --> 00:13:02,200
but we can still connect on a human level

406
00:13:02,200 --> 00:13:05,080
through those shared experiences that the music expresses.

407
00:13:05,080 --> 00:13:07,560
I think you've hit on something really important.

408
00:13:07,560 --> 00:13:11,480
Music has this incredible ability to go beyond borders,

409
00:13:11,480 --> 00:13:14,000
languages, even beliefs.

410
00:13:14,000 --> 00:13:15,960
It lets us step into someone else's shoes,

411
00:13:15,960 --> 00:13:17,720
see the world from their perspective,

412
00:13:17,720 --> 00:13:20,400
and find common ground even when we're different.

413
00:13:20,400 --> 00:13:22,640
This deep dive has been an amazing journey.

414
00:13:22,640 --> 00:13:25,720
We started with just one song, Düsme Kalkmaz,

415
00:13:25,720 --> 00:13:27,960
and ended up exploring a whole genre,

416
00:13:27,960 --> 00:13:30,040
its history, its social context,

417
00:13:30,040 --> 00:13:32,920
its place in the worldwide landscape of hip hop culture.

418
00:13:32,920 --> 00:13:34,680
It's been great unpacking this with you.

419
00:13:34,680 --> 00:13:36,080
And I hope this has inspired you

420
00:13:36,080 --> 00:13:37,880
to check out more Turkish rap,

421
00:13:37,880 --> 00:13:39,760
maybe even explore other musical worlds

422
00:13:39,760 --> 00:13:41,080
you haven't discovered yet.

423
00:13:41,080 --> 00:13:42,920
Thanks for joining us on the deep dive.

424
00:13:42,920 --> 00:13:45,760
We'll be back with another custom-made exploration soon.

425
00:13:45,760 --> 00:13:47,720
Until then, keep those ears open

426
00:13:47,720 --> 00:13:49,760
and keep exploring the world through music.

427
00:13:49,760 --> 00:13:54,760
Happy listening.