WEBVTT

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Welcome to Art Unframed. I'm Vulcan, and together

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with my Cohost Kafani, we dive into the raw side

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of creativity. This podcast is about art without

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limits, art that questions, art that pushes back,

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art that shows us who we are. Every episode,

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we sit with artists from around the world to

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talk about their journey, their struggles, and

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the stories behind their work. It's not just

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about galleries and pretty pictures. It's about

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freedom, vulnerability, and the power of creating.

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Welcome to Art and Friend, Season 2, Episode

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4. And today, we'll be talking about the myth

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of the perfect artist. You ever meet that one

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artist who's got their life figured out? They've

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got the perfect feed. Perfect lighting. Every

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post they make look like a magazine cover shot

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from Vogue. Even their messy studio looks so

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curated and perfect. And then there's us. We're

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just trying to find our sketchbook under a pile

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of clothes, eating cold rice and wondering if

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that one drawing we posted last week failed because

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of the algorithm or because it just actually

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sucked. welcome to the myth of the perfect artist

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spoiler alert that artist doesn't exist finding

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a perfect artist is just like looking for bigfoot

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with an art degree hey if you find bigfoot with

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an art degree do let me know you know where this

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myth starts um it starts the moment someone says

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wow you're so talented that's One sentence ruins

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lives. You know, because before that you were

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free. You just drew things that look like potatoes

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and called them people. You wrote weird poetry

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about moods and heartbreak. You didn't care.

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Then one person said, you're good at this. And

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suddenly you're no longer playing. You're performing.

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Now you're the talented one. You can't make mistakes

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anymore. Now every line feels like a test. You're

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not creating art anymore. You're defending your

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reputation. And that's how the perfect artist

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is born. Not out of skill, but out of fear. You

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know what's funny? The more we learn, the more

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scared we become. When we didn't know anatomy,

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we would draw... People with six fingers, with

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so much confidence and be proud of what we did.

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Now that we know human propulsion and lighting,

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we are terrified of drawing anything at all.

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Knowledge makes us cautious. It makes us think

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before we feel. It's like dancing. When you didn't

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know how to dance, we are so free. You move,

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you wiggle. you're having fun but once you start

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learning the steps suddenly your body freezes

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and then you become stiff you're like wait does

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it start with the left foot or the right foot

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and then the joy is sucked out of you heart the

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same way you start worrying about balance perspectives

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rules and then poof the magic disappears because

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basically perfection kills instinct the internet

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made it worse you know if we talk about the internet

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the monster under every creative bed wake up

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we open instagram or x and boom someone's already

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posted a masterpiece A digital oil painting that

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looks like Michelangelo came back from the dead

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just to flex. And you're there, zooming into

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your own drawing like, hmm, this eyebrow looks

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off. We used to compare our hearts to what we

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made last year. Now, we compare it to 10 million

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strangers in real time. And you know what? That's

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not even fair. You're comparing your work in

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progress to someone's highlight reel. They are

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comparing your messy process to their finished

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edit. It's like comparing your kitchen while

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cooking to someone else's finished food photography

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that is well packaged with lighting and ring

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light of course. Of course the look of their

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food is going to be cleaner and they've already

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washed the dishes. Let's talk about their algorithms

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for a second. those mysterious god of social

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media that decide if you matter today you can

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spend a week on a piece that means everything

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to you pour your heart into it post it and then

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you get nothing and then when you decide to just

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sneeze to do the cat on a napkin post it as a

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joke it goes viral so then you have like a million

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views or 10 ,000 views or something like that

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and you're just like really this and it's just

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like the internet just said yeah we take the

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crumbs and leave the bread that's the moment

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you realize that the algorithm doesn't really

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care about your art it just wants content but

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you you're not a content machine you're just

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a human being like you're a person So let me

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tell you about one of the dumbest thing I've

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ever done When I was in 200 level at uni We had

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this quick approach and then I had this design

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lecturer that I looked up to and he told me that

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I had potential and suddenly when he kept saying

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that to me it got to me when i was doing the

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quick approach and then when i was drawing doing

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my design like i kept i kept deliberating over

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one particular drawing i stored i was shading

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doing different things to that particular drawing

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i was making sure i got the detail to the like

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every little detail and Just then I realized

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that time has gone and I was literally doing

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nothing. I was shading nothing. And it was just

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then that it hit me that sometimes perfection

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is not about discipline, about wanting everything

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to be detail -orientated, paying attention to

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details. It's just the fear of, it's just our

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fear, I mean, pretending to be hard work. Because

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the truth is, We are not scared of making bad

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art. We are scared of people seeing us make it.

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That's what perfection is. It's public fear in

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private clothes. You know, every artist you admire,

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the greats, the geniuses, the legends, they all

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live in this messy middle. That part of creation

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where nothing makes sense. Where you hate everything

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you're making. and you convince yourself you've

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lost it you know that feeling when you start

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a new piece and halfway through it looks ugly

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suddenly you want to quit that's the doorway

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and you know that's where our style begins you

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keep going through that ugly face enough times

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and eventually you start making something that

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feels like you And that's not the absence of

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mistake. That's our identity. Those mistakes

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are our signature. They are fingerprints on our

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hearts. You can't erase them without erasing

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a part of yourself. You know, there's something

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called an ego problem. And I think every artist

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struggles with our ego. If we talk about ego

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for a second. Every artist have one. Even though

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we pretend we don't. We can say stuff like, I

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just do it for the love of art. Really? If you

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did it for the love of art, why did you refresh

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your notifications 20 times today? I mean, we

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crave validation. We want to be seen, heard.

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We want to be appreciated. That's not bad. and

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you know that's totally human our ego becomes

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poison when you start deciding what you make

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you know when you're not creating because it

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feels right you're creating because it might

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trend and then you stop taking risks you start

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repeating yourself doing things because it was

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successful before you suddenly become predictable

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And that's when our hearts die. Not from failure,

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but from the fear of failure. The real juice

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of creation isn't in the final piece. It's in

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the process. It's in that messy, chaotic, what

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the hell am I doing stage. That's where the fun

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is. That's where discoveries hide. Because...

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when you're too focused on the finish line you

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forget to live in the journey um every masterpiece

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that you look at and say started as a masterpiece

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it first started as a mess as a mistake every

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great artist has a photo of disasters they will

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never show everyone you don't get to skip that

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part you just keep making messing making mistakes

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um laughing learning and repeats just keep on

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doing it over and over again it's a loop so remember

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when you were a kid you didn't draw to impress

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anybody you just drew it because you felt like

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it i mean you could draw a cup you could draw

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a car and You didn't say, I'm not good at art.

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You can just be like, look, it's a cup. It's

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a car. It's a dragon. And even though it looked

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nothing like a dragon, you believed it. We're

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so fearless. We didn't need followers or algorithms

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or fancy tools. We just needed a pencil or crayons

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or virus to draw different type of messages.

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And somewhere, Along that line, we've lost that

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kid. We've replaced curiosity with judgment.

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We've started chasing approval instead of wonder.

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But that kid's still there. You just have to

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unmute them. One of the things that I've figured

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out, you know what's funny? The older I get,

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the less I know what I'm doing. the more okay

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I am with that. I used to think being an artist

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meant being in control. Now I realize it's about

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being available. Being available to ideas, mistakes,

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being available to accidents, being available

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to change. And some days we are going to make

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trash. Some days we are going to make gold and

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most days it will be rebuilt and that's fine.

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That's our heartbeat. Perfection isn't the goal.

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What's really important about everything is our

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presence. Being able to be there no matter what.

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Being able to push forward no matter what. even

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during the mess even no matter how bad it gets

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how crazy it can suck so bad because when you're

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truly in that moment uh uh brush moving whatever

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tools we are using cameras clicking uh pencils

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scratching and uh mind quiet to write or just

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using our voices We don't care about being perfect.

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What we care about is the truth. And that's what

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people feel when they see your heart, the truth.

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They don't care if your lines are off. They don't

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care if the feeling is real. Sorry, I meant they

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care if the feeling is real. So if you're listening

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to this right now and you've been stuck and you've

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been doubting your work, comparing yourself to

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strangers on the internet. Take a deep breath.

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You're not behind. You're just human. And humans

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create in chaos. There is no perfect artist.

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There's just the artist who shows up anyway.

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So show up. Make the weird thing. Post the awkward

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thing. Laugh even if it feels. And remember,

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you don't need to be perfect to be worth something.

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Because maybe, and just maybe, your imperfections

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are the thing that makes your heart unforgettable.

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This is Art Unframed, and I'm Vulcan. And if

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your heart looks messy today, good. That just

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means it's alive. Thank you for listening.
