WEBVTT

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Welcome everyone To another feature music special

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on the artist first radio network something we've

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been doing for a very long time We have a reoccurring

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guest is that the right words to use reoccurring

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Reappearing might be a better term He's well

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known on the network It's an excellent broadcast.

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You guys should tune in. We'll tell you about

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in a minute Right now let's welcome Dr. Andre

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Jerry. Hey Doctor. Hey Z how's it going man?

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It is going well. How is life in San Juan, Puerto

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Rico? Hey, I'm loving it man. The weather is

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on point today. I even went to the beach this

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morning so I'm filled up. I got my vibes and

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everything so I'm ready to go. What are the beaches

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like in San Juan? Oh man, this past weekend,

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and I think it's because of the Bad Bunny concert,

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but it was like full. This morning, not so much.

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I like to go around 6 .30, 7 o 'clock in the

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morning. The only people you'll see out there

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are the people walking their dogs and the yoga

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instructors and things like that. So it's plenty

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of space and it's just less populated. So that's

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my type of vibe. But yeah, this past weekend,

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it was just completely lit out there. Yeah, that's

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uh people are attracted to beaches I am it's

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been yeah 15 years since I've been on a beach,

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but I look forward to getting there sooner or

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later. Yeah Wonderful time brother. Yeah wonderful

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things but We're gonna have to cover some ground.

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We covered on your first music special with us

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Folks, there's another one up there. Have we

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done one or two previous to this? My brain ain't

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working yet. It feels like we've done two, but

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I think the one that you're referring to is the

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one on my latest book. And then we followed that

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up with a music special. So it feels like we've

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done two music specials, but no, this is actually

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the second one. Both the book special that Dr.

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Andre's talking about and the previous music

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special are up on the archives, of course. You

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guys can check them out. Let's cover a little

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bit of background for the benefit of listeners

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who are hearing about you for the very first

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time. Give us the little thumbnail to tell us

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the story of who is Dr. Andre Jerry, for instance.

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Where'd you grow up? Well, I grew up in Columbus,

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Georgia. For those who are... you know army base

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that's right next to Fort Benning Georgia and

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Fort Benning is the largest military installation

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in the world and I went through some name changes

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but I think at least I hear you know I don't

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watch the news but I've heard that the name has

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been reverted back to its original name which

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is Fort Benning but it was Fort Moore for like

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maybe one or two years but I'm glad it's back

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to Fort Benning I never had any issue with that

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name that's the name I grew up with knowing that

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military base so but yeah that's where I'm from

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I'm a military brat my father was a decorated

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army veteran and he retired at Fort Benning and

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shortly after I came along I think I mentioned

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before that he had me at the ripe age of 51 years

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old so to say I was a surprise is a bit of an

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understatement so yeah army brat grew up in Columbus

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Georgia and end up going into the military myself,

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not the Army, but the Air Force. That was a short

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stint, but then I found my way back into the

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Air Force as a civilian working for the Department

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of the Air Force by way of the Department of

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Defense. And fast forward a decade, I retired

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from the Department of Defense this past March,

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relocated back to San Juan, Puerto Rico, where

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I am now, and life has just been a dream since

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then. Do you regret that you weren't in the service

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long enough to have Pete Hegseth as your commander?

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No, no, I well I did have some regret initially

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like anyone who enlisted to serve I wanted to

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serve and do my time and you know, my plan was

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to retire from the Air Force but Like I mentioned

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on I think we're not a show we talked about this

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a little bit but it was discovered during basic

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training that I had sickle cell trait. And so

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I passed out during one of our PT exercises and

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they ran all types of tests on me and couldn't

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figure out what was happening, what was going

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on with me. They finally ran some blood tests

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and came back and told me that I had sickle cell

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trait and what I experienced passing out was

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a full blown anemic attack. And so unfortunately

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I had to be medically discharged. So I really

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didn't get a very long career in the service,

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but you know things work out the way they're

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supposed to. That's what we like to say folks,

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right? Because we have so little control over

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the world and what happens in our lives that

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we have to sort of just take it as it comes.

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So, but overall you had a positive experience

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in the military. Would you encourage today's

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youth to sign up? Absolutely. I always tell,

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you know, young people especially, if they are

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at that place where they're not really ready

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for college, they don't feel like that's something

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that they want to go right into after high school,

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and you're still kind of struggling to find yourself,

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the military, any of the branches, would be a

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great move. I tell people all the time it's the

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only career where you get to retire when you're,

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you know, 40 years old. You know, those 20 years

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go by so fast, and I always recommend that for

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our young people who don't have a clear direction

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on what they want to do. You know, you don't

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have to do the 20 years. Do the three or the

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four or the six years, but get some experience

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under your belt. Get away from home. That's really

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important. And just get out in the world and

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have a sense of pride knowing that you are serving

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your country. And there are not a lot of people

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lining up to do that right now, this current

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environment, but I still highly recommend that

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to young people who suffering from a lack of

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direction. Now, there's a commercial for you,

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folks. I think that we used to have the greatest

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military in the world with the way things are

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going. I don't know that we can say it that way

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anymore, but I hope we can. Anyway, we're going

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to not be a political program today, folks, as

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much as. The world of politics is encroaching

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on all of us every day now you are a I think

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I can call you a creative person you are You're

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absolutely an artist you do many things in the

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art world. Well one of those would be music one

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of those is Being as literature and being an

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author. You also do some great jobs with that

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with the computer graphics stuff, too Do you

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have you always considered yourself or do you

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consider yourself an artist? That's a good question.

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I've considered myself an artist for a long time.

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I've had the sort of, I don't know if high would

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be the best way. I've had to subvert that part

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of me because I'd elected to, you know, go into

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the federal civil service and pursue other so

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-called professional um you know jobs and what

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have you and um so that part of my um i guess

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personality i've subverted for a long time because

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you know just for the pressure of you know being

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professional or doing what other people expect

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for you to do and so i just kind of pushed it

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in the background but i always had the um the

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yearning to do music the yearning to sing the

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yearning to act in just do all these creative

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things and writing was always something that

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I leaned heavily on. And so, yeah, at the right

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age of 46 years old, almost 47, I'm really finally

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getting a chance to step fully into that. And

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it's just, you know, been the greatest thing

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ever. Well, we've been doing this a number of

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decades now, and we have a sort of unscientific

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poll going. And that would be the debate of a

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person becomes the person they are. Is it nature

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or nurture? And that's the question I'm asking

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you. Are you the type of person, an artistic

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and creative person, because of your background,

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or is that just the way you were born? I think

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I was born with it, you know. I remember doing

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little skits and play acting and doing little

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movies and I've had a camcorder since forever

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and I remember doing little skits and things

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at age five and six with my cousins and you know

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writing little songs and just doing these little

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performances in front of the family and so looking

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back has always been in me and then of course

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you know like with many people you get older

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and you you fall you fall into the whole you

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know, do something professional or, you know,

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do like others are doing type thing. And it's

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not that my parents didn't encourage that type

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of pursuit of artistry or anything like that.

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It was something that I felt I had to subvert.

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And I don't know, you know, I watched my parents

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be entrepreneurs and they were very business

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minded and you know had all types of businesses

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and you know clubs of their own things like that

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and so I just kind of gravitate I would say it's

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a separate part of me there's a side of me that's

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very professional very business minded but then

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there's that other part that I'm just now starting

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to fully nurture and that's that artistic side.

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Well let's get into a piece of Dr. Andre's artistic

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side the first track we're gonna play off the

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new album is called Cognac Conversations. Interesting

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title. Tell them a little bit about what they're

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gonna hear. Yeah, so Cognac Conversations, that's

00:11:19.350 --> 00:11:23.470
a great way to start this music special here

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because it's kind of like if you picture yourself

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on your second pour in a cigar lounge, the lighting

00:11:31.070 --> 00:11:34.570
is dim. and you're just in a deep relaxed conversation

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with friends and you know you got to laughing

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and you know having a great conversation and

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everything is just flowing smoothly just like

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cognac that's this particular track and it's

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just something that you imagine hearing in the

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background while you're really enjoying that

00:11:51.289 --> 00:11:54.110
moment in a cigar lounge this is a great track

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i enjoyed this one a lot let's see what you guys

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think folks here we go Folks that's that track

00:15:19.690 --> 00:15:23.809
is called cognac conversations as I was remarking

00:15:23.809 --> 00:15:28.629
to dr. Andre as the song was playing Having played

00:15:28.629 --> 00:15:32.009
in numerous jazz nightclubs over my career. That

00:15:32.009 --> 00:15:35.250
was a It's a great setup there. That's that's

00:15:35.250 --> 00:15:37.669
exactly what was painted a picture in my mind

00:15:37.669 --> 00:15:41.090
when I first heard the tune so Congratulations,

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dr. Jerry. Well done. Thank you Music's a weird

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thing everybody it is a personal thing you can't

00:15:54.120 --> 00:15:57.919
be told that you like a song you actually have

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to like it although someone might take issue

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with that when you watch how the music industry

00:16:03.240 --> 00:16:06.100
works and tries to pound songs into people's

00:16:06.100 --> 00:16:09.639
heads that's a little different but knowing that

00:16:09.639 --> 00:16:14.779
what what type of music is your favorite style

00:16:14.779 --> 00:16:21.029
of music Well, to be honest with you, EDM electronic

00:16:21.029 --> 00:16:25.389
dance music is my favorite. I would say good

00:16:25.389 --> 00:16:28.789
old -fashioned R &B music would be a close runner

00:16:28.789 --> 00:16:33.370
up to that. It's not like I was a big dancer

00:16:33.370 --> 00:16:35.710
coming up. I don't know why I gravitate so much

00:16:35.710 --> 00:16:40.769
to EDM music, but I just love the instrumentality

00:16:40.769 --> 00:16:43.289
of it. I love the different sounds, syncopated

00:16:43.289 --> 00:16:45.409
sounds and things like that. And I like being

00:16:45.409 --> 00:16:47.450
able to just get on the dance floor and zone

00:16:47.450 --> 00:16:51.990
out to a song. And so that's what really got

00:16:51.990 --> 00:16:55.830
me into being a music artist and developing beats

00:16:55.830 --> 00:16:58.669
and things like that. It's created my own version

00:16:58.669 --> 00:17:01.669
and style of EDM music. So yeah, it definitely

00:17:01.669 --> 00:17:06.910
would have to be EDM. You made the comment in

00:17:06.910 --> 00:17:10.309
the last segment that your parents were. Entrepreneurs

00:17:10.309 --> 00:17:12.529
and and you said if I heard you crooked they

00:17:12.529 --> 00:17:15.269
had a couple clubs. Did you mean nightclubs?

00:17:16.549 --> 00:17:20.829
They did own a nightclub I think maybe two but

00:17:20.829 --> 00:17:23.569
definitely one for sure This is when my dad was

00:17:23.569 --> 00:17:26.390
still enlisted and this was before I was born

00:17:26.390 --> 00:17:29.650
mind you I hear a tale about this from my sisters

00:17:29.650 --> 00:17:34.329
my older sisters, but it was either in Fort Bragg

00:17:34.329 --> 00:17:38.460
as an NCO nightclub or Just outside of the club

00:17:38.460 --> 00:17:43.160
it either rate it was in the Fort Bragg Area

00:17:43.160 --> 00:17:46.779
and it was a nightclub and I can't remember the

00:17:46.779 --> 00:17:50.319
name of it I can't remember a name of I will

00:17:50.319 --> 00:17:53.319
have to ask my sister but yeah, they owned a

00:17:53.319 --> 00:17:56.759
nightclub in conjunction with another married

00:17:56.759 --> 00:18:00.259
couple that they were close with and I believe

00:18:00.259 --> 00:18:02.579
it was the Stinson's or something like that,

00:18:02.599 --> 00:18:07.480
but Yeah, I've seen pictures of my parents in

00:18:07.480 --> 00:18:10.339
that element and they just look like, you know,

00:18:10.420 --> 00:18:14.339
a little celebrity couple. But it was just great

00:18:14.339 --> 00:18:17.319
to hear those stories and just to hear about

00:18:17.319 --> 00:18:19.480
a side of my parents that I didn't get to personally

00:18:19.480 --> 00:18:21.779
see for myself. You know, my older sisters got

00:18:21.779 --> 00:18:24.720
to see that part and experience that. But yeah,

00:18:24.759 --> 00:18:27.440
so that's where I guess I get the love for music

00:18:27.440 --> 00:18:30.480
from. And I think I shared on one of the last

00:18:30.480 --> 00:18:34.220
specials that we did that my father used to sing

00:18:34.220 --> 00:18:36.660
lullabies to me going to sleep, particularly

00:18:36.660 --> 00:18:39.619
when I was young. And he would just make up little

00:18:39.619 --> 00:18:43.660
lullabies on the fly. And so just all those little

00:18:43.660 --> 00:18:48.160
things add up to just make a person appreciate

00:18:48.160 --> 00:18:56.109
music and appreciate the art of music. Place

00:18:56.109 --> 00:18:59.450
that serves alcohol is well, you know could be

00:18:59.450 --> 00:19:02.190
a restaurant but but you know, it's a bar, right?

00:19:02.190 --> 00:19:04.529
I mean for a place where you go in and there's

00:19:04.529 --> 00:19:06.910
a bar and people sit and there might be music

00:19:06.910 --> 00:19:09.769
playing there like on the jukebox or a stereo

00:19:09.769 --> 00:19:13.230
But in my mind what makes a nightclub different

00:19:13.230 --> 00:19:15.869
than a regular bar is they have entertainment

00:19:15.869 --> 00:19:20.789
Would you agree? I Would agree that definitely

00:19:20.789 --> 00:19:25.730
as a different layer to it Sometimes you'll have

00:19:25.730 --> 00:19:28.849
people come and do comedy skits or stand -up

00:19:28.849 --> 00:19:31.029
comedy something like that Sometimes or a lot

00:19:31.029 --> 00:19:34.410
of times there's live music or a live band To

00:19:34.410 --> 00:19:37.250
the point that you were making during the break

00:19:37.250 --> 00:19:42.049
But yeah that definitely distinguishes a nightclub

00:19:42.049 --> 00:19:47.569
from just a regular club environment Well, we're

00:19:47.569 --> 00:19:49.910
segueing into the second track and the title

00:19:49.910 --> 00:19:53.630
is Lounge Godfather You're seeing a seeing a

00:19:53.630 --> 00:19:58.029
trend here folks. Tell us about this one Okay,

00:19:58.150 --> 00:20:03.789
so Lounge Godfather that song It's one that is

00:20:03.789 --> 00:20:07.670
for that quiet confident entrance, you know imagine

00:20:07.670 --> 00:20:13.329
being you know a gentleman that's Walking into

00:20:13.329 --> 00:20:16.309
a lounge. He's walking in owning the room. He

00:20:16.309 --> 00:20:18.930
doesn't feel the need to say a word He's just

00:20:18.930 --> 00:20:21.950
walking in. He's smooth. He's classy and he's

00:20:21.950 --> 00:20:26.369
got presence and He owns the place without having

00:20:26.369 --> 00:20:29.109
to say he owns the place He's the person everyone

00:20:29.109 --> 00:20:32.289
knows and you know, we call him lounge Godfather

00:20:32.289 --> 00:20:38.549
and this would be sort of his I would say What's

00:20:38.549 --> 00:20:41.569
the what his theme music This would be that person's

00:20:41.569 --> 00:20:44.089
theme music. So yes, this is Lounge Godfather.

00:23:57.720 --> 00:24:03.660
Godfather by our guest Dr. Andre Jerry another

00:24:03.660 --> 00:24:07.000
great cut there man I'm like I'm digging this

00:24:07.000 --> 00:24:09.960
yeah man I knew you would like it that's uh the

00:24:09.960 --> 00:24:12.440
one we just listened to is my second favorite

00:24:12.440 --> 00:24:15.759
on the album for sure but all this music is great

00:24:15.759 --> 00:24:18.579
and it just it's just great lounge music great

00:24:18.579 --> 00:24:22.180
cigar lounge music and you know it's just if

00:24:22.180 --> 00:24:25.619
you just want a vibe to something and I intentionally

00:24:25.619 --> 00:24:28.579
didn't use any lyrics for any of these songs

00:24:28.579 --> 00:24:31.500
because I just wanted it to be a vibe and something

00:24:31.500 --> 00:24:34.259
you can just put on sip enjoy your drink enjoy

00:24:34.259 --> 00:24:36.440
your company enjoy your solitude if you want

00:24:36.440 --> 00:24:40.759
but it's uh it's just perfect well and music

00:24:40.759 --> 00:24:43.380
style that you're listening to now listeners

00:24:43.380 --> 00:24:46.940
is I very much enjoy it because it's fun to play

00:24:46.940 --> 00:24:52.259
as a musician but it allows the the audience

00:24:52.259 --> 00:24:57.079
to experience your music and still interact with

00:24:57.079 --> 00:24:59.640
whoever they're with. How many times have you

00:24:59.640 --> 00:25:03.059
gone to a nightclub or a concert venue and it

00:25:03.059 --> 00:25:06.140
is so loud that even the person you're sitting

00:25:06.140 --> 00:25:09.039
right next to, you have to scream at them for

00:25:09.039 --> 00:25:13.819
them to hear you. I think you get listener fatigue

00:25:13.819 --> 00:25:16.960
anyway. And that's all fine and dandy for certain

00:25:16.960 --> 00:25:19.480
venues. And if that's what you want to do, great.

00:25:19.940 --> 00:25:22.259
But these types of songs, these types of clubs

00:25:22.259 --> 00:25:24.950
that this would play in, it's just wonderful

00:25:24.950 --> 00:25:27.109
because you can you get it all you get great

00:25:27.109 --> 00:25:29.569
music you get the layback you get the vibes and

00:25:29.569 --> 00:25:34.869
you get to enjoy the company of your guests so

00:25:34.869 --> 00:25:39.630
right when is or maybe i'm a little late to the

00:25:39.630 --> 00:25:44.109
game here when is the first dr andre jerry concert

00:25:44.109 --> 00:25:48.210
you know i've been asked that a couple of times

00:25:48.210 --> 00:25:53.150
and i have not performed any of my music at any

00:25:53.150 --> 00:25:57.039
venues Maybe because I haven't officially been

00:25:57.039 --> 00:26:00.339
invited to or sought out those opportunities

00:26:00.339 --> 00:26:03.220
I've been so involved with my my previous career

00:26:03.220 --> 00:26:07.140
that I retired from but I'm sure that type of

00:26:07.140 --> 00:26:09.299
Stuff is right around the corner. Something tells

00:26:09.299 --> 00:26:11.700
me is right around the corner and probably right

00:26:11.700 --> 00:26:14.259
here in Puerto Rico So I'm sure you'll be the

00:26:14.259 --> 00:26:17.519
first to know about it Would that be something

00:26:17.519 --> 00:26:21.779
that might intimidate you? Oh For sure I'll be

00:26:21.779 --> 00:26:24.559
nervous, you know uh... i'll get the job done

00:26:24.559 --> 00:26:27.240
like always do but you know that uh... you know

00:26:27.240 --> 00:26:30.859
natural introverted person uh... yeah i got i'm

00:26:30.859 --> 00:26:32.700
definitely gonna have to step outside of myself

00:26:32.700 --> 00:26:36.099
and you know take on a persona to deliver the

00:26:36.099 --> 00:26:37.960
music in a way that the audience is going to

00:26:37.960 --> 00:26:41.160
feel it uh... but i think that both of both the

00:26:41.160 --> 00:26:46.140
thing i've done to that is uh... m c i m c renata's

00:26:46.140 --> 00:26:49.900
uh... annual event that she throws She didn't

00:26:49.900 --> 00:26:51.839
throw one last year because, you know, she got

00:26:51.839 --> 00:26:53.660
married and had a bunch of other stuff going

00:26:53.660 --> 00:26:58.880
on, but I did MC the event the year before, and

00:26:58.880 --> 00:27:02.740
it was a great experience. I got to sort of hone

00:27:02.740 --> 00:27:04.880
a little bit of my comedic chops, which is something

00:27:04.880 --> 00:27:07.779
else I want to venture into is doing a comedy

00:27:07.779 --> 00:27:10.640
album and doing some stand -up comedy, but it

00:27:10.640 --> 00:27:13.720
was a great experience. So I would think MCing

00:27:13.720 --> 00:27:16.299
going from that to actually performing on stage,

00:27:16.919 --> 00:27:19.680
uh wouldn't be such such a stretch you know i

00:27:19.680 --> 00:27:21.660
could do it and have fun with it and you know

00:27:21.660 --> 00:27:24.059
i might get addicted to it like i did with hosting

00:27:24.059 --> 00:27:29.180
a radio show you never know yeah it's a interesting

00:27:29.180 --> 00:27:33.579
way to make a living uh being an artist a musician

00:27:33.579 --> 00:27:38.130
a performer but you know it If you don't get

00:27:38.130 --> 00:27:40.269
nervous before a gig, you need to get out of

00:27:40.269 --> 00:27:42.150
the business, ladies and gentlemen. I've played

00:27:42.150 --> 00:27:44.910
thousands and thousands of gigs, and if you're

00:27:44.910 --> 00:27:48.130
not just a little bit nervous, then the crowd

00:27:48.130 --> 00:27:53.130
doesn't deserve you. I agree, 100%. Your job

00:27:53.130 --> 00:27:56.670
is not to, as a musician, your job is to entertain

00:27:56.670 --> 00:27:59.470
the people. Doesn't mean get up there and make

00:27:59.470 --> 00:28:01.289
a jackass out of yourself, but they're there

00:28:01.289 --> 00:28:03.930
for a reason. They're there to see you. A lot

00:28:03.930 --> 00:28:07.460
of musicians get this ass backwards. They think,

00:28:07.660 --> 00:28:10.420
oh, well, they're here for me. No, no, no. You

00:28:10.420 --> 00:28:13.940
are here for their benefit. You know, it's anyway.

00:28:14.819 --> 00:28:19.440
That's a bad place to start as an artist. Here's

00:28:19.440 --> 00:28:24.500
an oddity. And I'll ask you for your insight.

00:28:25.119 --> 00:28:28.220
Why is it easier to play for an audience of a

00:28:28.220 --> 00:28:32.140
thousand than it is to play for an audience of

00:28:32.140 --> 00:28:37.710
30? Well, I mean, you can With a smaller, more

00:28:37.710 --> 00:28:40.390
intimate audience, you can see every eye, you

00:28:40.390 --> 00:28:43.349
can look into every eye, and you can almost sort

00:28:43.349 --> 00:28:46.390
of feel their connection, their feedback. Sometimes

00:28:46.390 --> 00:28:49.049
it freaks you out even more. When it's a thousand

00:28:49.049 --> 00:28:51.569
people or a large room with people, you can't

00:28:51.569 --> 00:28:55.730
really make a contact with anyone, any one person.

00:28:55.809 --> 00:28:58.710
So you can sort of just look beyond them and

00:28:58.710 --> 00:29:01.509
not get so nervous. But yeah, more intimate settings,

00:29:02.769 --> 00:29:06.210
definitely more nerve -racking. And that's just

00:29:06.210 --> 00:29:10.769
speaking from a public speaking, you know, perspective.

00:29:11.470 --> 00:29:13.789
I've spoken, you know, when I was in management,

00:29:13.890 --> 00:29:16.029
I've had to speak in front of small groups like,

00:29:16.029 --> 00:29:19.109
you know, five or 10 people, maybe 15. And that

00:29:19.109 --> 00:29:23.869
was just a wreck, you know, because I can feel

00:29:23.869 --> 00:29:27.059
every stare. but speaking to an auditorium of

00:29:27.059 --> 00:29:31.099
people is a lot more not relaxing but you know

00:29:31.099 --> 00:29:34.039
not as nerve -racking as the smaller audiences

00:29:34.039 --> 00:29:37.619
so you got a good point there. Well in some of

00:29:37.619 --> 00:29:41.519
the bigger gigs the audience is like 20 feet

00:29:41.869 --> 00:29:44.769
Back from the stage. There's you on a bigger

00:29:44.769 --> 00:29:47.529
gig like five thousand or something ten thousand

00:29:47.529 --> 00:29:50.529
There's gonna be a big space between the first

00:29:50.529 --> 00:29:53.730
row of people at the audience and then the stage

00:29:53.730 --> 00:29:56.609
So they are back way back there. You're exactly

00:29:56.609 --> 00:29:58.390
right there. They're there. They're somewhat

00:29:58.390 --> 00:30:02.569
off but Other gigs the audience could literally

00:30:02.569 --> 00:30:05.220
set their drink on my piano You know, that's

00:30:05.220 --> 00:30:08.579
a no -no, but they're right, right freakin' there.

00:30:08.680 --> 00:30:11.079
I mean, you could literally reach over and touch

00:30:11.079 --> 00:30:14.880
the audience. I like that situation. And people

00:30:14.880 --> 00:30:17.539
are, I think they're more interested in, not

00:30:17.539 --> 00:30:21.000
more, but it's an interesting place to be a spectator

00:30:21.000 --> 00:30:23.859
because you get to actually see what the musicians

00:30:23.859 --> 00:30:26.839
are doing. You're that close, you can see the,

00:30:26.839 --> 00:30:29.740
some of the coolest gigs we played, the Flying

00:30:29.740 --> 00:30:33.960
Pig in Salem, Ohio. They are... literally on

00:30:33.960 --> 00:30:35.720
top of you. You can touch the artist. Anyway,

00:30:35.900 --> 00:30:37.519
okay, I'm tired of reminiscing. Sorry about that.

00:30:37.799 --> 00:30:41.119
Oh man, you know a lot of artists prefer that

00:30:41.119 --> 00:30:44.920
more intimate setting. I know Shantae Moore,

00:30:45.140 --> 00:30:49.000
R &B singer, Shantae Moore enjoys more of the

00:30:49.000 --> 00:30:53.519
intimate flow and you know not such the big venues.

00:30:53.819 --> 00:30:57.640
Erykah Badu is another one who prefers a more...

00:30:57.660 --> 00:31:00.559
closer intimate space when she's performing so

00:31:00.559 --> 00:31:03.240
yeah some that's right up some artists alley

00:31:03.240 --> 00:31:05.460
but then you got others that prefer the bigger

00:31:05.460 --> 00:31:07.799
venue so it's just you know depends on the artist

00:31:07.799 --> 00:31:11.680
of course the downside to playing for a situation

00:31:11.680 --> 00:31:13.680
where the crowds right on top of you is when

00:31:13.680 --> 00:31:16.779
they throw things at you they can probably hit

00:31:16.779 --> 00:31:21.119
you oh god but if they're 30 feet back from the

00:31:21.119 --> 00:31:23.519
stage some of the people can't throw that far

00:31:25.119 --> 00:31:28.640
So what do you do when someone throws something

00:31:28.640 --> 00:31:30.559
at you in your own stage performance? Has that

00:31:30.559 --> 00:31:34.039
happened to you? Is your natural instinct to

00:31:34.039 --> 00:31:36.180
keep playing and the show must go on or does

00:31:36.180 --> 00:31:39.980
it just completely throw you off? Well, one time

00:31:39.980 --> 00:31:43.460
we didn't get stuff thrown at us very often.

00:31:43.619 --> 00:31:47.720
It was very rare. Our bands were good. We were

00:31:47.720 --> 00:31:50.039
good at what we did. One day we're playing this

00:31:50.039 --> 00:31:54.250
gig. It's an indoor gig and Standing there, we're

00:31:54.250 --> 00:31:57.589
playing, and something hits me right in the side

00:31:57.589 --> 00:32:01.390
of the head. I mean, hard. It was like somebody

00:32:01.390 --> 00:32:05.589
hit me with a rock. You know, pow! And I'm like...

00:32:05.589 --> 00:32:09.029
I stand up when I play piano in the dance bands

00:32:09.029 --> 00:32:11.950
I was in, and I grabbed the keyboard. I did not

00:32:11.950 --> 00:32:15.450
go down. I did not go down. And I'm thinking,

00:32:15.490 --> 00:32:19.130
what the hell just happened to me? And, you know,

00:32:19.250 --> 00:32:22.839
we kept playing, and then at the break... One

00:32:22.839 --> 00:32:26.299
of the waitresses came up to me and apologized

00:32:26.299 --> 00:32:29.759
She said I was trying to get your drummer's attention

00:32:29.759 --> 00:32:31.799
of course He's behind me and over to the left

00:32:31.799 --> 00:32:34.819
there But she said what she hit me with was an

00:32:34.819 --> 00:32:38.859
ice ball from out of the the ice bin She grabbed

00:32:38.859 --> 00:32:40.900
this thing about the size of a tennis ball. It

00:32:40.900 --> 00:32:46.440
was a hunk of ice she had a She liked our drummer

00:32:46.440 --> 00:32:48.779
romantically and was trying to get his attention,

00:32:48.819 --> 00:32:51.059
but she threw like a girl and it didn't go that

00:32:51.059 --> 00:32:54.339
far and hit me right in the side of the head.

00:32:55.140 --> 00:32:57.960
But no, we haven't had any bad things thrown

00:32:57.960 --> 00:33:02.400
at us from people. Yep, I did not go down. I

00:33:02.400 --> 00:33:06.420
stayed on my feet. I'm glad you did. What is

00:33:06.420 --> 00:33:08.900
it about the drummer? Why is it always the drummer

00:33:08.900 --> 00:33:13.099
who gets all the action? Oh, you're absolutely

00:33:13.099 --> 00:33:16.460
right. You're absolutely right. Of course, I'm

00:33:16.460 --> 00:33:19.160
kind of ugly. I didn't get any action. You know,

00:33:19.160 --> 00:33:20.960
I don't care what instrument you play, when you

00:33:20.960 --> 00:33:22.940
look like me, you ain't getting no action. But

00:33:22.940 --> 00:33:27.859
yeah, why do chicks dig drummers? And why do

00:33:27.859 --> 00:33:31.119
drummers hang out? Wait, I won't get into it.

00:33:31.119 --> 00:33:32.740
There's a bunch of drummer jokes. What do you

00:33:32.740 --> 00:33:36.980
call people that hang out with musicians? Drummers.

00:33:38.660 --> 00:33:43.460
What? Wow. Think about that. Room 444. Wasn't

00:33:43.460 --> 00:33:46.000
there a TV show in the 70s? Oh no, that was Room

00:33:46.000 --> 00:33:50.099
222, wasn't it? Okay, I'm just showing my age.

00:33:50.940 --> 00:33:53.779
227. I don't know. I haven't heard of that as

00:33:53.779 --> 00:33:57.640
a show. Apparently, there's a room 444 that's

00:33:57.640 --> 00:34:00.099
some type of private club in Morocco or somewhere

00:34:00.099 --> 00:34:04.140
in the Middle East. So I've been told. But this,

00:34:04.319 --> 00:34:08.900
my room 444 is completely imaginary and fictional.

00:34:09.340 --> 00:34:13.480
It's like an imaginary cigar lounge that's, you

00:34:13.480 --> 00:34:15.739
know, that you walk into. It has low lights.

00:34:16.119 --> 00:34:19.559
The seating is velvet. And it just has this sense

00:34:19.559 --> 00:34:24.159
of intimacy. So when you listen to Room 444,

00:34:24.320 --> 00:34:27.159
just close your eyes and just step into that

00:34:27.159 --> 00:34:29.079
world for the next few minutes. It's the room.

00:34:29.199 --> 00:34:33.179
It's my imaginary room, cigar lounge room. Take

00:34:33.179 --> 00:38:35.300
it out. You're listening to a featured music

00:38:35.300 --> 00:38:38.099
special on the Artist First radio network. Our

00:38:38.099 --> 00:38:42.420
guest is Dr. Andre Jerry. He has a program on

00:38:42.420 --> 00:38:45.619
the network called the Dr. Andre Jerry Show.

00:38:45.679 --> 00:38:48.300
Imagine that! He's quite successful at what he

00:38:48.300 --> 00:38:51.460
does. He has fascinating programs and they are

00:38:51.460 --> 00:38:54.639
all available to you as podcasts at the Artist

00:38:54.639 --> 00:38:57.179
First website. I strongly encourage you guys

00:38:57.179 --> 00:39:01.780
to check it out. He's good at what he does. Also

00:39:01.780 --> 00:39:04.579
good at being a radio show host as you guys can

00:39:04.579 --> 00:39:06.940
hear. Dr. Andre Jerry is putting together some

00:39:06.940 --> 00:39:10.840
great great tracks We're gonna move up into the

00:39:10.840 --> 00:39:14.880
next one which is called Grown man perfume now.

00:39:14.880 --> 00:39:16.920
That's an interesting title. Dr. Andre. What

00:39:16.920 --> 00:39:21.219
was going on with this one? Oh Man some songs

00:39:21.219 --> 00:39:24.800
just sound like a scent, you know, so when when

00:39:24.800 --> 00:39:27.019
I put this one together I was like this just

00:39:27.019 --> 00:39:30.159
sounds like a grown man sexy stuff, you know

00:39:31.510 --> 00:39:34.590
Imagine you're headed out, maybe to the club,

00:39:34.730 --> 00:39:37.550
a nightclub, cigar lounge, whatever. You got

00:39:37.550 --> 00:39:41.590
on your fresh attire, you got on your watch that

00:39:41.590 --> 00:39:45.929
everybody likes, and you just look great. And

00:39:45.929 --> 00:39:48.030
last thing you do before you head out the door

00:39:48.030 --> 00:39:51.469
is spray on your perfume, your cologne. They

00:39:51.469 --> 00:39:55.719
call, me and Cole cologne. Perfume in Saudi Arabia

00:39:55.719 --> 00:39:57.780
and other European countries. So yeah, I think

00:39:57.780 --> 00:40:00.260
just in the in the states we we refer to it as

00:40:00.260 --> 00:40:03.760
a woman's fragrance, but Other places call it

00:40:03.760 --> 00:40:06.500
perfume. But yeah when I put this song together

00:40:06.500 --> 00:40:08.480
when I played it I was like, you know what? This

00:40:08.480 --> 00:40:11.099
is what you play when you put that last spritz

00:40:11.099 --> 00:40:13.500
of cologne on before you head out So wherever

00:40:13.500 --> 00:40:15.300
you're going where there's a date or whatever.

00:40:15.820 --> 00:40:19.760
So This is kind of what that vibe is and that's

00:40:19.760 --> 00:40:22.440
why I gave it that title Alright folks, let's

00:40:22.440 --> 00:40:26.679
hear it Crone Man Perfume by Dr. Andre Jerry.

00:45:47.530 --> 00:45:51.110
What do you get when you put a creative person

00:45:51.110 --> 00:45:55.610
and some good music software and some creativity?

00:45:57.070 --> 00:46:00.409
You get this collection of five tracks from Dr.

00:46:00.690 --> 00:46:03.489
Andre Jerry You know something we didn't talk

00:46:03.489 --> 00:46:06.349
about that I'd like to that's if you're looking

00:46:06.349 --> 00:46:08.429
on the artist first home page and you're listening

00:46:08.429 --> 00:46:14.469
to this live You can see the album cover Dr.

00:46:14.610 --> 00:46:16.429
Jerry, for those that can't see it, would you

00:46:16.429 --> 00:46:20.710
please describe the album cover and why you made

00:46:20.710 --> 00:46:25.989
it the way you made it? Yeah, so good question.

00:46:26.090 --> 00:46:30.090
So the album cover actually, I designed it to

00:46:30.090 --> 00:46:34.369
make it look like an old -fashioned vinyl record

00:46:34.369 --> 00:46:36.769
cover, you know. So imagine that you're looking

00:46:36.769 --> 00:46:40.429
at a vinyl record sleeve. That's the vibe I was

00:46:40.429 --> 00:46:44.159
going for with that. And the title of the album

00:46:44.159 --> 00:46:51.139
is called VSOP. And that's more so to do with

00:46:51.139 --> 00:46:55.019
me reclaiming my, VSOP was originally going to

00:46:55.019 --> 00:46:58.559
be my artist name. That was, initially it was

00:46:58.559 --> 00:47:01.400
my pen name that I used for some of my more risqué

00:47:01.400 --> 00:47:04.320
poetry and different little writings that I did.

00:47:04.500 --> 00:47:07.400
And because I was in such an uber professional

00:47:07.400 --> 00:47:09.920
environment, I didn't want to... You know, publish

00:47:09.920 --> 00:47:14.800
any of these risque poems or lyrics under Dr.

00:47:14.940 --> 00:47:17.900
Andre Jerry, or at the time, Andre Jerry. So

00:47:17.900 --> 00:47:20.320
yeah, BSOP was my pen name. And like I said,

00:47:20.320 --> 00:47:24.039
it was going to be my official artist name. And

00:47:24.039 --> 00:47:26.900
I ran into some trademark issues. Apparently

00:47:26.900 --> 00:47:31.119
there's another artist out there going by BSOP.

00:47:31.679 --> 00:47:34.579
And I was going to fight it, but you know, some

00:47:34.579 --> 00:47:36.539
battles you just walk away from. I just said,

00:47:36.539 --> 00:47:40.440
let them have it. And I decided to go with Dr.

00:47:40.619 --> 00:47:43.039
Andre Jerry, which turned out to work pretty

00:47:43.039 --> 00:47:47.659
well for me. But yeah, that whole album cover,

00:47:47.880 --> 00:47:51.500
I wanted it to look like a vintage vinyl record

00:47:51.500 --> 00:47:56.300
cover. And you'll see an image of a hotel door

00:47:56.300 --> 00:48:02.119
that's room 444, and you'll see a rose taped

00:48:02.119 --> 00:48:07.489
to the door. So imagine a lover went... to room

00:48:07.489 --> 00:48:12.909
444 looking for his or her, you know, person

00:48:12.909 --> 00:48:17.289
of the night. Their knocks were unanswered. And

00:48:17.289 --> 00:48:20.070
so instead of just leaving the rose by the door

00:48:20.070 --> 00:48:22.650
on the floor, they just taped it on the door.

00:48:23.230 --> 00:48:25.690
And the person who would see it would know who

00:48:25.690 --> 00:48:28.389
it was from. So it was that whole vibe. I wanted

00:48:28.389 --> 00:48:32.789
to pay an homage to the late night lounge culture

00:48:32.789 --> 00:48:35.670
that I fell in love with when I was over in the

00:48:35.670 --> 00:48:39.090
Middle East. or the Shisha bars that they, you

00:48:39.090 --> 00:48:42.329
know, we would call them hookah bars, but Shisha

00:48:42.329 --> 00:48:44.510
and hookah is very big over in the Middle East.

00:48:44.550 --> 00:48:47.050
And so that's where I kind of fell in love with

00:48:47.050 --> 00:48:50.429
this whole lounge vibe. So this whole album,

00:48:50.469 --> 00:48:54.170
this entire album is sort of an homage to that

00:48:54.170 --> 00:48:56.289
environment that I sort of fell in love with.

00:48:59.010 --> 00:49:04.610
Most people will never write a piece of music

00:49:05.820 --> 00:49:09.280
Even smaller number of those people will never

00:49:09.280 --> 00:49:14.579
record a piece of music and produce it You of

00:49:14.579 --> 00:49:18.340
course have done both and done them well I'd

00:49:18.340 --> 00:49:22.860
like to talk about What's happening to the people

00:49:22.860 --> 00:49:27.340
like you? Who can do this? You know and it's

00:49:27.340 --> 00:49:32.380
not something that I Consider me in this in the

00:49:32.380 --> 00:49:34.179
group. That's not something that we do every

00:49:34.179 --> 00:49:38.579
day And there may be long periods of time where

00:49:38.579 --> 00:49:42.019
you don't write anything. And then maybe there's

00:49:42.019 --> 00:49:44.980
a period of time where there's an explosion of

00:49:44.980 --> 00:49:47.800
creativity that works. Has that happened to you

00:49:47.800 --> 00:49:52.400
and how does that whole thing work? That's exactly

00:49:52.400 --> 00:49:55.400
how it happens. It sort of just ebbs and flows.

00:49:55.900 --> 00:49:59.340
I can go months without working on music or,

00:49:59.340 --> 00:50:02.719
you know, writing lyrics. I'll just be inspired

00:50:02.719 --> 00:50:05.199
by something I see on TV or something I see in

00:50:05.199 --> 00:50:09.559
real life or I'll hear something that I like

00:50:09.559 --> 00:50:13.800
and it'll spark something or sometimes just the

00:50:13.800 --> 00:50:16.119
title of a song would just hit me out the blue

00:50:16.119 --> 00:50:20.579
and I'll go from there but typically what happens

00:50:20.579 --> 00:50:25.239
is that I just I get in this this I guess I call

00:50:25.239 --> 00:50:29.619
it just a vibe and I hear this beat or this line

00:50:29.619 --> 00:50:33.820
of notes in my head. And what I do before, because

00:50:33.820 --> 00:50:36.380
if I don't jump on it instantly, I'll lose it.

00:50:36.559 --> 00:50:39.920
But what I do is I grab my phone and I turn on

00:50:39.920 --> 00:50:43.599
the voice recorder and I hum it or sing whatever

00:50:43.599 --> 00:50:47.420
the tune or the melody is. And that's my way

00:50:47.420 --> 00:50:49.619
of capturing it. And later, once I have some

00:50:49.619 --> 00:50:54.039
time, I'll go back and put some music to it and

00:50:54.039 --> 00:50:57.900
try to make it a full beat. And then from there,

00:50:58.019 --> 00:51:00.440
once I have the beat, typically I write the lyrics

00:51:00.440 --> 00:51:04.280
after. Very rarely do the lyrics come before

00:51:04.280 --> 00:51:06.760
I can hear the beat. I have to get the beat together

00:51:06.760 --> 00:51:09.380
first, then the beat will just inform what the

00:51:09.380 --> 00:51:11.519
lyrics are for me, just depending on my mood.

00:51:13.559 --> 00:51:18.099
Well, in your young and budding career as a recording

00:51:18.099 --> 00:51:21.000
artist, how many songs have you put together

00:51:21.000 --> 00:51:27.590
so far? Damn, that's a good question. I probably

00:51:27.590 --> 00:51:30.590
have now released is a totally different number

00:51:30.590 --> 00:51:33.769
but the total amount of songs I have worked on

00:51:33.769 --> 00:51:39.630
and completed are probably over 30 maybe just

00:51:39.630 --> 00:51:44.730
under 50 I haven't nearly you know released that

00:51:44.730 --> 00:51:48.230
amount of songs or content but yeah there are

00:51:48.230 --> 00:51:51.090
a lot of uncompleted or finished songs I don't

00:51:51.090 --> 00:51:54.630
quite know what to do with yet or that steel

00:51:54.630 --> 00:51:58.409
is missing something, you know, so they're just

00:51:58.409 --> 00:52:01.989
on standby. But I've created a lot of music,

00:52:02.650 --> 00:52:08.630
yes. We had a guy on, oh, way, way back in the

00:52:08.630 --> 00:52:15.409
early days of the station. He did 36 albums in

00:52:15.409 --> 00:52:21.510
36 months. Full length albums. I believe it.

00:52:21.650 --> 00:52:25.639
36 albums. But you know what? It wasn't that

00:52:25.639 --> 00:52:28.719
good. I think he was trying to reach a number

00:52:28.719 --> 00:52:30.659
instead of the quality of the music, you know

00:52:30.659 --> 00:52:32.719
Look how fast I can do this. Well, you know,

00:52:32.920 --> 00:52:35.599
okay, I congratulate him for doing all that but

00:52:35.599 --> 00:52:39.239
it's not really the Quantity in my opinion as

00:52:39.239 --> 00:52:43.360
much as the quality. What do you think? It's

00:52:43.360 --> 00:52:45.820
absolutely about the quality, you know, you can

00:52:45.820 --> 00:52:48.480
get caught up in those ambitious goals and stuff

00:52:48.480 --> 00:52:51.099
like that. Oh, I'm gonna release four albums

00:52:51.099 --> 00:52:53.079
this year and all that type of stuff, but really,

00:52:53.099 --> 00:52:55.559
like you said, it's about the quality. You want

00:52:55.559 --> 00:52:58.519
to just throw a bunch of crap out there. And

00:52:58.519 --> 00:53:01.320
then, you know, because it's going to speak to

00:53:01.320 --> 00:53:04.039
your reputation. If people listen to all the

00:53:04.039 --> 00:53:05.739
wrong crappy stuff, they're going, wow, this

00:53:05.739 --> 00:53:09.400
person's no good. But yeah, just put music out

00:53:09.400 --> 00:53:12.820
when you feel it. You know, I felt like the timing

00:53:12.820 --> 00:53:16.579
was right for this album. It felt like people

00:53:16.579 --> 00:53:20.199
needed to be introduced to this this vibe right

00:53:20.199 --> 00:53:24.719
now in this this summer environment and uh and

00:53:24.719 --> 00:53:27.119
so energetically i was just feeling it and so

00:53:27.119 --> 00:53:28.880
i said you know what it's time to release this

00:53:28.880 --> 00:53:31.480
i've had most of the songs completed i think

00:53:31.480 --> 00:53:35.099
room 444 was the one that i uh finished last

00:53:35.099 --> 00:53:39.440
it just felt incomplete and i went back and added

00:53:39.440 --> 00:53:42.960
some some vocal interpolations in there and that

00:53:42.960 --> 00:53:45.519
gave it really the finished sound that i wanted

00:53:45.849 --> 00:53:48.909
So that's what held up this particular song.

00:53:49.110 --> 00:53:52.210
And the reason why I love Room 444 so much is

00:53:52.210 --> 00:53:55.989
because it blends the jazz and also my EDM music

00:53:55.989 --> 00:53:58.429
that I love. So it's like a mixture of both.

00:53:59.210 --> 00:54:03.110
But yeah, it's definitely quality over quantity.

00:54:04.690 --> 00:54:09.309
When you begin a new piece of music, do you find

00:54:09.309 --> 00:54:13.250
yourself... Getting totally immersed in that

00:54:13.250 --> 00:54:16.610
music at that moment and you stay with it not

00:54:16.610 --> 00:54:20.070
necessarily all the way to the final Take of

00:54:20.070 --> 00:54:22.949
the song, but you know you look up and six or

00:54:22.949 --> 00:54:27.030
seven or eight hours have gone by That's definitely

00:54:27.030 --> 00:54:30.510
happened to me before Sometimes I just can't

00:54:30.510 --> 00:54:33.309
walk away from it until I get it at a place not

00:54:33.309 --> 00:54:36.199
to say it's completed But I have to reach a certain

00:54:36.199 --> 00:54:38.699
point to where I can walk away from it and then

00:54:38.699 --> 00:54:41.840
put maybe the final touches on it later. So I

00:54:41.840 --> 00:54:43.900
definitely get immersed in songs. It doesn't

00:54:43.900 --> 00:54:45.659
happen with all of them, but there's just some

00:54:45.659 --> 00:54:48.500
particular ones, especially on my last album,

00:54:48.539 --> 00:54:52.760
which was a deeply personal album. That one,

00:54:54.139 --> 00:54:57.840
I kind of had that aspect of staying on top of

00:54:57.840 --> 00:55:01.260
it until it was how I really wanted it. But this

00:55:01.260 --> 00:55:04.559
one, I was able to work on it here work on it

00:55:04.559 --> 00:55:07.400
there, you know sort of piece it together until

00:55:07.400 --> 00:55:11.699
I came with The finished product so it just depends

00:55:11.699 --> 00:55:13.860
it depends on my movie depends on the project

00:55:13.860 --> 00:55:17.280
Well, I'm looking at the clock and we got just

00:55:17.280 --> 00:55:20.760
enough time to fit the last track in before the

00:55:20.760 --> 00:55:24.179
top of the hour Where can people pick up your

00:55:24.179 --> 00:55:28.760
music? Where can they support you? Oh man, it's

00:55:28.760 --> 00:55:32.110
easier to Pick it up on YouTube Music. I love

00:55:32.110 --> 00:55:35.150
YouTube Music. They let you preview all the albums

00:55:35.150 --> 00:55:38.230
so you can hear it uninterrupted, but you can

00:55:38.230 --> 00:55:41.369
listen to VSOP anywhere. Spotify, Apple Music,

00:55:41.489 --> 00:55:44.530
Amazon Music. Just search for Dr. Andre Jerry.

00:55:44.550 --> 00:55:47.050
You'll see both of my albums as well as all of

00:55:47.050 --> 00:55:49.190
my singles that I've released. I've released

00:55:49.190 --> 00:55:52.349
more singles than anything else, but definitely

00:55:52.349 --> 00:55:57.610
check out the albums. VSOP and also my first

00:55:57.610 --> 00:56:00.480
album, which was Wish You Were Here. Both are

00:56:00.480 --> 00:56:03.900
very excellent projects. And I concur on that,

00:56:04.219 --> 00:56:07.639
folks. Check it out. We do the motto of our station.

00:56:08.340 --> 00:56:11.159
Remember, the slogan of Artists First is, we

00:56:11.159 --> 00:56:15.159
can lose money better than anyone. Our other

00:56:15.159 --> 00:56:18.400
slogan is, we bring you the best new music you've

00:56:18.400 --> 00:56:20.960
never heard. And that's exactly what we've been

00:56:20.960 --> 00:56:24.139
doing here this evening with our guest, Dr. Andre

00:56:24.139 --> 00:56:26.360
Jerry. We got just enough time to spend this

00:56:26.360 --> 00:56:28.639
before the top of the hour. Your parting thoughts

00:56:28.639 --> 00:56:32.360
as we sign off. Well, I just want to thank you

00:56:32.360 --> 00:56:34.360
again for having me on for this music special,

00:56:34.480 --> 00:56:36.940
music special number two. I'm starting to feel

00:56:36.940 --> 00:56:39.940
like the darling of the network, so thank you

00:56:39.940 --> 00:56:41.940
so much. I really appreciate your support of

00:56:41.940 --> 00:56:45.429
all my music. uh... god you can check out uh...

00:56:45.429 --> 00:56:48.030
the f l p on all the streaming platforms of last

00:56:48.030 --> 00:56:50.170
fall if you don't listen to is build a rhythm

00:56:50.170 --> 00:56:52.550
think of this one of like a late night closer

00:56:52.550 --> 00:56:54.530
this is the phone that you're going to hear toward

00:56:54.530 --> 00:56:57.570
the end of the night uh... if the the phone that's

00:56:57.570 --> 00:57:01.530
going to be winding things down so just listen

00:57:01.530 --> 00:57:04.269
to it to me to take you over his purest move

00:57:04.269 --> 00:57:06.489
and it's hypnotic but thank you so much for your

00:57:06.489 --> 00:57:08.110
time listening tonight i've enjoyed it
