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Hello and welcome to Deep Roots, the podcast brought to you from

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Oak Hill College where we have conversations about theology and

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ministry. My name is Tim Ward and I'm one of the lecturers here

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and I'm joined today by Dr. Sydney Tooth and David Shaw who

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both teach New Testament and Greek here. And we're talking

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John's Gospel which I've preached on from time to time

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but both of you teach courses on it here. So it's going to be

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great to hear from you lots about John's Gospel. Now of

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course, John's Gospel, there is so much we could talk about. We

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could have multiple episodes on this. Just tell us which

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particular topics we're going to focus in on today.

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We are going to spend some time looking at characterisation in

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John and get into a bit of reading John alongside the

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Johannine Epistles as well.

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We, Tim, we threw out a few different topics. You liked the

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thought of characterisation and thought that would be a helpful

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thing given how we sometimes approach John.

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Yeah, that's true. Here's a question at a rehearsal, David,

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I was going to ask you and you thrown back at me. Nice move. I

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can see you coming. But it's fine. Yeah.

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Characterisation. It's true, isn't it? In the last 30, 40

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years in Gospel scholarship, but actually scholarship right

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across biblical narrative, there's been quite a move to

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think about how characters work within the narrative. I guess

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within the broad heading of narrative criticism. Is that

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true? That's been a move in the last 30, 40 years.

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Yeah. So Alan Culpepper, Anatomy of the Fourth Gospel is

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probably the kind of, I think that's the first big salvo. And

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that's a bit of a move away from trying to think about John's

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Gospel as a historical text to try and think about how we take

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apart the text and think about the communities that were behind

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it. And instead to read the text as a literary artifact and to

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think about some of those categories of plot and character.

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Yeah. And the way, I guess, preaching and teaching and

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ministry from Gospels is sometimes thought about in regard

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to the characters is you've kind of got two choices. You can do

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character study or you can do, well, I'm just going to expand

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this text as the text that it is. I'm interested in your

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comments from each of you on this. I mean, my sense is that

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thinking about how characters work actually within the warp

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and woof of the narrative itself can help just kind of cut

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through that and show that it's not necessarily one or the

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other. And actually to expand the text without paying good

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attention to character, if the characters are strongly part of

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the narrative, seems like a false choice.

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Oh, yeah, absolutely. And I think that's if you're just

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focusing on it as character study, you're missing actually

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how John has woven in each of the characters. And what's he

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doing with them? What is what does he trying to get out of his

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reader by having these different characters and actually by

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focusing on characterization, you can see the development of

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his narrative, you can see where he's what responses he might be

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trying to get us to have to each character and how they're

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portrayed.

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Yeah, that's right. I think the John very often is doing, there

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are passages in John where so much of the work that he's doing

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in thinking how to form us how to help us understand the

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significance of Jesus is by presenting really quite close

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character studies. It is where John's gospel stands out in some

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ways, one of the ways in which it stands out from the other

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gospels there, the way in which he will do lengthy scenes where

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you've got Jesus interacting with a particular individual or

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an individual on their own interacting with with others and

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Jesus absent even for a time. So yeah, that seems that seems

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significant. I suppose one of the concerns about the thought of

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just doing character study that people might raise would be that

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it you know, there's that famous Tim Keller clip that used to do

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the rounds a lot that the that the gospel isn't about you. It's

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not about you putting yourself in the shoes of this character

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or that character and being the hero or being the villain or

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something. It's not about you. It's about God. So preach God.

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Right. There's something surely helpful in that there's

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something really helpful in not just thinking where do I fit in

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this story without without thinking about what story this is

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telling about God and his his relation to us and so on. And

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there are certainly I think parts of parts of the gospels or

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other other places where to be too preoccupied with which

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character I'm supposed to be identifying with here would be a

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distraction. And yet, in so much narrative, John's gospel in

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particular, that's, that's really the the way in which we're

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invited to read, it seems to me.

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Yeah, there's a quote I really like on this from a man called

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Daniel Doriani, he's written a nice book on application. He's

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actually thinking in context just talking about application

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for scripture as a whole, but I think it applies quite nicely

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here, where he says, in a narrative, look for the action

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of God and the responses of people to that action of God as

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it comes into their reality and into their lives. And that it

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seems to me, I mean, it's a simple thing to say, but it

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nicely shows you if we are preaching what the text says

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about God, we are also going to be preaching what the text shows

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us about human reactions and responses to that divine action

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in the text, because that's how God has chosen to narrate it to

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us.

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Yeah, and I think, as you said, David, it is distinctive in John

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that you have these long individual scenes with

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characters as well. And you introduced me to a book chapter

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by Bochum about individualism within John's gospel.

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This is Richard Bochum.

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Yes. Yeah. Really, really helpful chapter just actually

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looking at what it means that Jesus meets each of these

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characters in their own context and situation, and what that

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means for the reader too, about thinking about how do we

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individually encounter Jesus as well?

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Would you recommend that book if someone wanted to chase these

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things up further?

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Yeah, absolutely. So it's a collection of essays called

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Gospel of Glory. And inside there, there's a chapter called

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individualism. Yeah, it's one of my favourite reads on John.

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Really helpful. If you hear individualism, it's a

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pretty negative thing. We want to avoid individualism.

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Bochum is quite helpful to say there's a right kind of

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individualism that comes through actually, to see Jesus'

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encounters with individual people, says individuals matter

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to Jesus, you see him interacting countlessly with

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with men and women in different circumstances. There's something

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there of God's individual care, where he knows his sheep by

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name, you see that worked out in the way that he interacts with

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individuals. And so it's a really good book. And I think

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that's something that's really important to look at, is that

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there's a way that God interacts with people, and he

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interacts with people in a way that he doesn't just leave us

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out in the way that he interacts with individuals. But then the

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gospel doesn't just leave us as individuals, it does, it does

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provide, the gospel provides the power to draw us out from any

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sort of isolated, egotistical sort of individualism into a

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community of love, but one in which we don't lose our

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individuality, I think.

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That's tremendous. Anything I read Richard Bourkeham having

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written about, he's always thought about it way harder than

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most other people, even if you don't agree with him. Yeah,

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terrific. Okay, well, if that's characterization in general,

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David, you just got there a little bit into some of the

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specifics of John's characterization. So let's dive

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in. Sydney, you wanted particularly to talk about

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chapter four, didn't you?

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Yes. Yeah.

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Kick us off with that.

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I mean, there's so many different characters you could

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have, I'm trying to remember how many individual interactions

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there are. But the Samaritan woman is one of the, I think,

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most distinctive ones. So in John four, you have Jesus

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meeting the Samaritan woman by the well. I think why I wanted

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to talk about it and think about it a bit is actually thinking

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about history of interpretation. So how have we treated that? I

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don't know what your experiences of hearing it taught and

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churches are. But mine has been quite often, it's just got this

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very sinful past and

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Yeah, it's all climaxing in you've had a lot of blokes in

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your life. This is the problem.

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I think what's helpful in going through it and actually seeing

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how is Jesus responding to her? What's John pulling out, as

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well as he's portraying it. It's helpful to step back and think,

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well, what are we reading in that's not there? And I think

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thinking about this idea of her being sinful or having all these

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husbands, that is that doesn't seem to be Jesus's focus. And it

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doesn't seem to be John's focus. It's just even thinking about

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the cultural background of it is well, if a woman has had all

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these husbands in that time period, it's likely she's been

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abandoned, rather than that she's just a loose woman,

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flitting from one man to another. And so starting to get

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behind that a bit, I think is really helpful. But also just

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thinking what images are there, so you've got the image of the

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well, and that kind of touches into some of John pulling out

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Old Testament imagery and things too. But wells have this

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betrothal scene idea behind them, you have Jacob's well is

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probably in view here. And it's picking up on language we've

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already had in John as well. You've had John to the wedding at

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Cana, you have in John 329. John the Baptist has just said, I'm

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like the bridegroom's friend preparing the way and so this is

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sort of preparing us preparing the way for us to start seeing

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some further betrothal bridegroom, Jesus as the

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bridegroom imagery. So how that works with the Samaritan woman

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is if she's representing Samaria, and Jesus is a man

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from Judea coming, and this is a betrothal scene of the two of

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them coming together. This is Mary Callow's done a lot of work

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on this of actually this is the uniting of the two kingdoms

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again, the north and the south coming together, Jesus making

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his people one.

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The dialogue does end with her stressing doesn't it? You Jews

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and we Samaritans worship here, that's quite strong towards the

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end.

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Yeah, that's right. So there are lots of clues that build up to

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that sort of characterization of Jesus as the bridegroom. So by

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the time you get to John for in the ways that Sydney said, he's

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been developed as the bridegroom to then to have that scene set up

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with the well and the seeking after water. If you're familiar

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with lots of those narratives from Genesis of people seeking

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seeking brides, then you'd see some parallels there in

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particular to a noonday scene. So that's particularly reminiscent

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of the Jacob narrative. And so there are some hints there that

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that's how these characters might be functioning. When you

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set the woman next to Nicodemus in John three, you've got some

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interesting comparison and contrast. Again, it's one of the

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ways that John will help you work out what do I make of this

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character to set at least some characters up in pairs. Nicodemus

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the insider of the kind of heart of the temple and Jerusalem

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establishment, the Samaritan woman on the edge of things.

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You've got a you've got a man and a woman you've got a night

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time scene with Nicodemus and a noonday scene with the woman.

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So you'll be invited to see them in in their contrasting

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responses to Jesus, but also in that in their social status. So

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the the fact that this is a woman, the fact that this is a

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Samaritan, those things are being highlighted for us as part

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of the significance. So yeah, that that sort of builds that

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picture.

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Yeah, and I mean, I guess it's setting the scenes there is sort

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of what's happening in John four, if we're if we want to go back

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to characterization, think about that. More specifically, I think

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the other things that are really interesting is the woman's

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clearly trustworthy, that she goes back to the town tells the

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townspeople I've found this man who's told me everything I've

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ever done come see him and they all come out. And so there is, I

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think that that pushes back at some of this idea that she's

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she's very untrustworthy or anything, but actually, she is

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someone that they want to listen to. And then thinking about how

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characterization works for us as the readers, she seems to be set

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forward in contrast in academia, as actually, this is this is a

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good example of discipleship is she's she's heard this, she may

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not have the full picture, but she's certainly grasped a lot of

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Jesus's identity, gone back and told people about it and they

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come and there is quite a great response among the Samaritans

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after that.

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So I suppose one that is this helpful to say in some ways,

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everyone is going to do characterization, and I think

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everyone is going to do characterization, everyone is

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everyone is going to read these texts and find some way to draw

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some conclusions, you just, you have to in John's Gospel to, to

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come away with some sense of what is what is the role of this

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woman. And as we've said, that the history of interpretation

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is, it's just really mixed in it. Calvin, for example, says,

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well, she's had five husbands, clearly, then she's

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argumentative and difficult to live with. As if, as if that's

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the only kind of way that you might, you might interpret that

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situation, the ways in which she would be far more vulnerable in

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the ways that that sin is expressed, would be just as easy,

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good, just as plausible ways to kind of explain her

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circumstances. But you, you read it in the context of John, and

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you realize here in some ways is a is a model response to Jesus,

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you see, as we said, him interacting with her, her going

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away from that and telling her townspeople and being a kind of

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model witness. So there's the something going which he's just

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a model disciple. And that's something that others in

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historical readings of John have picked up on. John Chrysostom

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in his sermons on on her, praises her as a great model of

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faith. It's a really, really distinctive emphasis in his

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stuff. But then as we've we've said, it's, it also as well as

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just giving you a model response to Jesus, it does also build

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this picture of Jesus as the one who's come together, not just,

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not just Judah, but Samaria. And, and so that, that openness to

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to a variety of meanings and significances to a story. Yeah,

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yeah, challenging. I Yeah, it's one of the things I most love

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about John's gospel. It's one thing having been having

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teaching it for some years now, still feel slightly out of

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grasp slightly. There's just always more.

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Well, yeah, particularly, that's a lot of people's

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experience, particularly with John's, particularly with

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John's gospel. Yes, I've lately been reading Augustine sermons

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on John and he, he's also very strong on the Samaritan now

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represents the foreigner. So, so this is in effect the marriage

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of Christ and, and the church drawn from all nations. That's

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he doesn't particularly make much of the bridegroom imagery

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on the surface, but that's clearly in the background for

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the way he's interpreting this. You know, I thought this

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occurring to me as we're talking about this. So we're talking

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about potentially some uncertainties around

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interpretation and characterisation. Is it this? Is it

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that? Or is it explicitly ambiguous? And I mean, just on

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practic, some practicalities of ministry, someone preparing a

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Bible study on this, or even just having a quiet time on it,

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or a sermon or something, is often needing to get something

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or they feel they need to get something definite in a very

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limited number of hours. But with characters, it can often

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feel like, yet, to what extent is the woman? It might be that

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she has been abused by others. But yet she does say everything

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I've ever done. And there is a strange, strange tradition that

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says no, there is an element in which she's not entirely

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exemplary, although she then becomes an exemplary witness. So

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there are all these ambiguities around. How does someone who is

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not writing a PhD on this passage, but is they've got a

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small number of hours in which to produce some word ministry

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in which they can't really stand there and go, well, on the one

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hand and on the other hand, but I don't really know. That's a

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massive question. But how are we going to go about that kind of

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thing? Yeah, so I think in in John's Gospel, a close reading

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without a PhD still helps you work out, I think, the

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significance of the vast majority of characters in the

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way that there is clearly some intentional pairing between

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Nicodemus and the Samaritan woman, the blind man in John

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nine being a really clear model witness under fire testifying to

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what Jesus has done for him. So not not every character is so

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laden with ambiguity that it's just very hard to make a

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judgment about it. Yeah. Some of the characters I think are and

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that's, that's really the point. It's, it's not a shortcoming

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of us and our prep that we haven't been able to clearly

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identify somebody. So the one of the one of the criticisms that

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sometimes made about John's Gospel is, is that it's very

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black and white. There's light and the darkness. There's

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there's, there's good and there's evil. There's life and

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there's death. And John does God's your father or the devil's

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your father. Exactly, exactly. It all seems very black and

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white. And actually what a lot of this characterization does

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is, is soften that and acknowledge that actually,

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particular people, particular points in their life are going

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to be somewhere on that spectrum are going to be moving a little

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more towards the light or, or a little bit more towards the

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darkness. And that, that's okay. I think there's, and that's

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just true to life. So the example would be Nicodemus who,

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at least in in John three, is clearly in his response to Jesus

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he, he's not able to grasp the things that a teacher of Israel

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ought to be able to grasp. And, and something of, there's

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something of the night about him in the sense that he is, he's

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left in the dark. But come John chapter seven, Nicodemus is

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there and he's now the voice pushing back a little bit on the

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other Jewish leaders and their plans for Jesus and

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understanding of him. Come chapter 19, he's there and he's

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maybe doing more than he knows, but, but, but providing some

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sort of signal of Jesus's worth and kingship in the things that

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he takes to the tomb. So there's some sense of people make

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progress. One encounter doesn't tell you everything about

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somebody. There's just quite a lot about life and ministry to

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learn from, from that.

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Which is maybe a good metaphor for approaching John in general

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is at each encounter with John, just like all of scripture, it's,

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it's, you're going to get some things, but not everything from

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it. And so, so for the person trying to prepare, it's okay if

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you're not getting every nuance or every bit of it actually take

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what you can and, and go with it. And God is speaking through

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that.

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Yeah, that's really helpful. Surely we would, we would, we

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would, the point to worry about ourselves is if we think we've

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kind of got John's nuances all sorted out. Yeah, absolutely.

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I mean, you mentioned Nicodemus there, actually, as you were

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speaking, I remembered reading a book, Eurocircle, which I found

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massively helpful. I think it's called interpreting gospel

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narratives. And he, the author did a really nice thing with

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Nicodemus. It's by, by a man with a splendid or nearly

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splendid name of Timothy Wearder, W-I-A-R-D-A, which is,

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he overshoots a great name by two letters. You can't, you

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can't have everything. But I, again, if people want to, anybody

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watching wants to pick that up. It wasn't terribly expensive.

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And I found that massively helpful in just doing some very,

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very careful reading of, of, particularly of

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characterization.

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David, you mentioned the blind man very briefly. I'd love to

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hear you talk a bit more about characterization of him.

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Yeah, we're into chapter nine here. We're into chapter nine.

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I, maybe we should do, play this game later on of, who's your

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favourite character in John's gospel? The blind man hands

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down is my favourite character in John's gospel, you know,

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second to Jesus. So, again, one of the questions that still

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revolves around, I remember reading somebody on the

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significance of anonymity in John's gospel. If you've got

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help for me now or later, please do help me out. And I

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think that the idea that the, the positive, the most positive

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characters in John's gospel are anonymous rather than named,

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is a theory that's got some legs. You think about the

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beloved disciple. You think about the blind man, you think

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about the Samaritan woman. Whereas you think some of the

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named characters are more negative in their

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characterization. So Nicodemus, arguably in contrast to the

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Samaritan woman, kind of, you know, the character of the

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Samaritan woman, Caiaphas and others, doesn't work entirely.

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You've got, you've got a Mary and a Lazarus and a Martha and

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a Peter. But the, but the significance of the blind man,

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though he's not named, he's given this wonderful long

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section. In some ways, he stands for all of us, someone who

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is brought to sight. And I mean, certainly just then you're,

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kind of, you thought about coming back to John each time

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and discovering a little bit more sight and, and, and God

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kindly illuminating us a little more. There's just, there's a

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lovely way in which that happens through that narrative,

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precisely through the trouble he gets in. So he has been

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healed by Jesus. He's, he's kind of asked to, to explain

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this, to defend it. And, and through that whole process, he

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grows in confidence. He grows in, in clarity about who Jesus

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is. And, and in lots of ways, he becomes a model for, for every

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believer to enjoy the kind of experience that Jesus prepares

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his followers for in the upper room. So, you know, there in the

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upper room, Jesus talks about this time when he's going to be

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absent, he's going to provide the Spirit, he's going to enable

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his people to witness and testify to a world that is going

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to hate them. And I mean, this is, this is some, some stuff

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that Peter Lightheart has written really well on, little

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book called Deep Exegesis. He asks what, why do you get such a

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long scene there in John nine? Why, why does the blind man have

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such time? And why does Jesus disappear for so long? He's

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absent from the narrative for an extraordinarily long period of

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time. And it's, it's precisely so that you get this little

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anticipation of the church's own experience of coming under

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fire being called upon to give testimony to Jesus, and

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experiencing something of the irrationality of those who are

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refusing to listen to testimony. He says it, his parents say it,

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really obvious this guy has been healed by Jesus. And, and so,

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so there's something just, just very powerful and wonderful in

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the way that, that he, he presents the calling of the

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church. Tremendous, tremendous. I got, I got so many questions

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over reading characters, and particularly in John. We're

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often building, when we're getting to grips with what a

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text might be telling us and showing us about a particular

401
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character, we're piecing a composite picture together out

402
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of small details in the text, out of a big picture of the

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flow of the narrative. And at the same time, because these

404
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are people, we are always reading things in. So Siddy, I

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mean, he quite rightly said with chapter four, this is, there's

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a whole tradition of just reading in, she's had five men,

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and so I just, without even thinking about it, I sort of

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reach into my cultural view of the world and go, well, she

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must be this kind of person or that. How do we, what do we

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have to do more and more to be better readers of how characters

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are presented to us in scripture? What are the things

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we need to do? What are the things we need to be aware of?

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That's such a good question. And in some ways, Tim, I'd love

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to hear what you think about it. Let me, let me tell one

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thing in and then let's hear from you guys. John, I think, is

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particularly rich in symbolism. And that does give you a steer

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on how to read. So I would feel less confident about our

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reading of the Samaritan woman if there hadn't been six water

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jars in John 2. So in John 2, the wedding at Cana, you've got

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Jesus who's going to turn water into wine and six ceremonial

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water jars are filled up and then turned to wine. The fact

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that there are six, again, in John's gospel, you get so many

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sevens as a pattern of completeness and you get a repeated

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pattern of sixes as signifying something that comes short of

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that, that stops short of perfection and completion. So I

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think as Jesus teaches about the perfect cleansing that he

427
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brings, to have six stone water jars that bring an incomplete

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and inadequate sort of cleansing is a striking thing. To then

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meet a woman who's had five husbands and the man that she's

430
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now with is not her husband, which gets you to six. And then

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you have a betrothal scene and she meets Jesus and he is the

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Messiah and the bridegroom. Makes you think we've seen again

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something of a very Jewish heritage, the ceremonial waters

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that don't cleanse, something of her background and Jesus

435
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bringing the fulfillment and completion of that. So John, in

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a lot of those details is I think communicating a lot to us

437
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and teaching us, schooling us in paying attention to those

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details. There are lots of examples I could give you where

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I'm still not quite sure what to do with this detail or that

440
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detail, but certain patterns emerge. That wouldn't be true

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for every narrative that you're reading. What would be, Tim,

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what in your mind would be just some broader guidelines to

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grow in this habit, this scale? I'm with you really. We have

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to become better and better listeners to the text that is

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in front of us. And it's hard to come up with just a blueprint

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for that because John writes differently from others. So it's

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learning to tune our ear to how has he written? How did the

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Holy Spirit cause him to write as the writer that he was? How

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has he put down these patterns of symbolism? Now, particularly

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that will be a challenge for us when there's a way of writing

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that doesn't come naturally to us because of our cultural

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background or mindset. And that is where knowing how texts have

453
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been interpreted by people from different cultures in the past

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and different cultures around the world now is enormously

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helpful. I can remember, this is Luke, but a while ago, sitting

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with a group of Brits and some people from Africa reading from

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Luke 1, Elizabeth and Zechariah. And the Brits immediately

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assumed that the passage was there to focus on Zechariah and

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didn't really pick up about what Elizabeth says about shame

460
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around disgrace taken away. Because of course, on the whole,

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contemporary Brits are not linking childlessness with

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shame. They'd link unwanted childlessness with grief and

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sadness, but not with public shame. But the Africans around

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the table, when asked what's this about, were just zooming in

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on Elizabeth because childlessness in their culture

466
00:29:42,920 --> 00:29:46,680
still has an element of public shame around it. So there's an

467
00:29:46,680 --> 00:29:53,320
example where just blinded by cultural lenses, so what can we

468
00:29:53,320 --> 00:29:57,320
do? Well, I think more as far as we are able. Reading

469
00:29:57,320 --> 00:30:01,640
commentaries which gives some access to the history of the

470
00:30:01,640 --> 00:30:05,320
interpretation of passages, but also, and more as we know, more

471
00:30:05,320 --> 00:30:07,400
and more of these are being published now, which give

472
00:30:07,400 --> 00:30:10,440
insight into how people from different cultures read this.

473
00:30:10,440 --> 00:30:13,080
Because, okay, they will have their own blind spots, but

474
00:30:13,080 --> 00:30:15,160
they'll be different from ours and they will see things that

475
00:30:15,160 --> 00:30:19,160
we don't. That's why I think why your Samaritan woman example

476
00:30:19,160 --> 00:30:23,800
is such a brilliant one. Yeah, and I mean, I think kind of

477
00:30:23,800 --> 00:30:27,320
picking up on that some of what I've found really helpful is

478
00:30:27,320 --> 00:30:31,560
there have been a few commentaries by some female

479
00:30:31,560 --> 00:30:36,280
scholars that have opened some stuff up for me, mainly around

480
00:30:36,280 --> 00:30:38,840
the Samaritan woman, but other things throughout John. And so

481
00:30:38,840 --> 00:30:41,400
I think that's the same, different gender, different

482
00:30:41,400 --> 00:30:44,280
culture, different, if we can be hearing each other's

483
00:30:44,280 --> 00:30:49,480
voices on this. Do you want to say a bit more about that, about

484
00:30:49,480 --> 00:30:54,200
how female eyes just might approach chapter four

485
00:30:54,200 --> 00:31:00,920
differently? Yeah, I think even just if you're reading what

486
00:31:00,920 --> 00:31:08,280
Calvin has to say about it, it frankly, it hurts actually to

487
00:31:08,280 --> 00:31:11,800
think, well, here's a female character interacting with Jesus

488
00:31:11,800 --> 00:31:18,360
and as a woman myself, you think that's, is that really, I'm

489
00:31:18,360 --> 00:31:23,000
not sure that's what Jesus is getting at. And so pushing into

490
00:31:23,000 --> 00:31:25,800
it a bit and seeing actually what are the other details

491
00:31:25,800 --> 00:31:29,320
there. Now, I should obviously have my own hermeneutics of

492
00:31:29,320 --> 00:31:32,520
suspicion against my own reading and my own feelings, but

493
00:31:33,160 --> 00:31:38,840
I think, yeah, I think it just opens up those questions of is

494
00:31:38,840 --> 00:31:41,560
this actually where the text is going and what it's actually

495
00:31:41,560 --> 00:31:48,120
leading into? Is this a result of misogynistic readings or

496
00:31:48,120 --> 00:31:52,920
cultural assumptions or and I think that's if we're approaching

497
00:31:52,920 --> 00:31:56,120
the text thinking, am I reading something into this? Am I

498
00:31:56,120 --> 00:31:59,400
missing something? I think that's a really helpful guard to

499
00:32:00,680 --> 00:32:07,000
importing your own ideas. Yeah. Yeah. And I mean, lots of these

500
00:32:07,000 --> 00:32:12,280
stories are just designed to subvert what would be very

501
00:32:12,280 --> 00:32:15,800
common expectations of how this story is going to go. Yeah. And

502
00:32:15,800 --> 00:32:20,440
so being alert to that and allowing myself to be surprised

503
00:32:20,440 --> 00:32:24,280
and not to insist I know how this story goes. So, you know,

504
00:32:24,280 --> 00:32:31,560
that's you would just expect Nicodemus to be to be the to

505
00:32:31,560 --> 00:32:34,120
give it, it'd be very easy to give him the benefit of the

506
00:32:34,120 --> 00:32:37,080
doubt because he's the kind of knowledgeable professional

507
00:32:37,080 --> 00:32:42,760
theologian in that sort of setting. And, and actually what

508
00:32:43,480 --> 00:32:46,360
what these narratives are very often doing are overturning

509
00:32:46,360 --> 00:32:49,880
those sorts of expectations. I mean, the Luke birth narrative

510
00:32:49,880 --> 00:32:53,560
is a really nice example of that too, where you've got

511
00:32:53,560 --> 00:32:57,160
another real insider, you've got Zechariah there in the temple,

512
00:32:57,160 --> 00:33:00,920
his response is unbelief and he struck dumb, compare that to

513
00:33:00,920 --> 00:33:06,520
Mary, who in lots of ways is much less the likely character to

514
00:33:06,520 --> 00:33:13,320
to respond in that way. In not. Yeah, not not having the

515
00:33:13,320 --> 00:33:17,240
advantages that the Zechariah does. And yet there is the

516
00:33:17,240 --> 00:33:21,000
kind of shining and immediate response of faith. It's

517
00:33:21,000 --> 00:33:25,960
beautiful. This is great stuff. I mean, as you were talking, I

518
00:33:25,960 --> 00:33:27,960
mean, I've been interested in characters for a while for sort

519
00:33:27,960 --> 00:33:31,160
of from my side of things. As I've been as you've been

520
00:33:31,160 --> 00:33:35,000
talking, I've been thinking it might it be that one of the

521
00:33:35,000 --> 00:33:38,040
reasons why the Lord has given us so many of these narratives

522
00:33:38,040 --> 00:33:42,280
with characters in his word to us, it's, you know, it's a

523
00:33:42,280 --> 00:33:45,720
shortage book and it is his word for all time for all peoples.

524
00:33:45,720 --> 00:33:48,680
There will be many, many different kinds of character for

525
00:33:48,680 --> 00:33:51,400
many, many different kinds of people to see aspects of

526
00:33:51,400 --> 00:33:56,920
themselves as a mirror held up to them. And so I'm just being

527
00:33:56,920 --> 00:33:59,480
the person I am. I will read some characters better than

528
00:33:59,480 --> 00:34:02,600
others and other people will read other characters better

529
00:34:02,600 --> 00:34:06,840
than I do, which I think, you know, if I'm a preacher or a

530
00:34:06,840 --> 00:34:10,200
pastor that I seem to be I've got to be listening to how as

531
00:34:10,200 --> 00:34:13,400
far as possible to how a lot of different people who are

532
00:34:13,400 --> 00:34:17,800
believers, how they interact with those characters. Sometimes

533
00:34:17,800 --> 00:34:19,720
I may think somebody's missed something in the text, but other

534
00:34:19,720 --> 00:34:22,920
times I'll hear someone who's just different from me saying,

535
00:34:22,920 --> 00:34:26,280
well, I see this and I would never have thought of it. But

536
00:34:26,280 --> 00:34:29,480
there it is. And you look again and go, actually, that really

537
00:34:29,480 --> 00:34:34,120
is there. And so what just press out a bit further. Is the

538
00:34:34,120 --> 00:34:36,440
kind of sense then that something for everybody God has

539
00:34:36,440 --> 00:34:39,080
given such a kind of gallery of characters that there's

540
00:34:39,080 --> 00:34:45,000
somebody for everybody to relate to or should I am I being

541
00:34:45,000 --> 00:34:47,160
pushed to relate to characters who I wouldn't naturally be

542
00:34:47,160 --> 00:34:52,680
drawn to just. Yes, absolutely. Absolutely. Because it seems

543
00:34:52,680 --> 00:34:57,640
to be the the relating to characters thing is just

544
00:34:57,640 --> 00:34:59,800
happening all the time subconsciously, even if someone

545
00:34:59,800 --> 00:35:02,200
kids themselves, they're so scientifically analytically

546
00:35:02,200 --> 00:35:04,600
minded that that's not happening. If they are a human

547
00:35:04,600 --> 00:35:07,000
being, they are relating to characters. So you might as well

548
00:35:07,000 --> 00:35:09,640
acknowledge that you are getting out there on the table.

549
00:35:11,000 --> 00:35:13,480
And if you're not relating at all, you check your pulse.

550
00:35:13,480 --> 00:35:20,840
There might be a problem. And some of that relating, then

551
00:35:20,840 --> 00:35:24,200
what do you do then do? Then you test it by the text. This is

552
00:35:24,200 --> 00:35:26,920
my gut reaction in relation to this character, as in, oh, my

553
00:35:26,920 --> 00:35:32,040
goodness, that's me. Or, oh, I'm really concerned now. I didn't

554
00:35:32,040 --> 00:35:34,360
think I was like that. But maybe this is holding up a

555
00:35:34,360 --> 00:35:38,360
mirror and I kind of am. Or this isn't me at all. I don't do

556
00:35:38,360 --> 00:35:41,160
that kind of thing. What is this? Or that's obviously her

557
00:35:41,160 --> 00:35:43,800
over there revealing how annoying she is or whatever it is.

558
00:35:46,680 --> 00:35:50,360
Get all that out there on the table and then just in light of

559
00:35:50,360 --> 00:35:54,920
that, just begin now to ask yourself, is this text revealing

560
00:35:54,920 --> 00:35:59,240
things that are true about me that I didn't think were true,

561
00:35:59,240 --> 00:36:05,480
but maybe they are? Or this is showing me something about

562
00:36:05,480 --> 00:36:11,400
myself, but I'm more like a woman in chapter four than I am

563
00:36:11,400 --> 00:36:13,560
like Nicodemus in chapter three. Yes, the characters are

564
00:36:13,560 --> 00:36:17,720
presented here. But my view of myself is that I'm a Nicodemus

565
00:36:17,720 --> 00:36:21,400
in the world, not apparently a relevant Samaritan woman in the

566
00:36:21,400 --> 00:36:27,560
world. So yeah, there'll be a holding up a mirror. I now see

567
00:36:27,560 --> 00:36:30,920
things about myself, but there will be a pushing. You don't see

568
00:36:30,920 --> 00:36:35,640
yourself this way, do you? But actually, the Lord's truth

569
00:36:35,640 --> 00:36:39,640
about you is bigger than you would acknowledge. I'm kind of

570
00:36:39,640 --> 00:36:43,640
rambling, but that kind of very, I mean, what sense do you make

571
00:36:43,640 --> 00:36:49,960
of that, Sydney? Yeah, I think that is definitely one way

572
00:36:49,960 --> 00:36:53,560
characterization is helpful. And I think even pushing beyond

573
00:36:53,560 --> 00:36:56,600
that, it's not even just about understanding ourselves

574
00:36:56,600 --> 00:36:59,560
through it either. I think one of the things the different

575
00:36:59,560 --> 00:37:02,840
characters in John's gospel can help with is actually thinking

576
00:37:02,840 --> 00:37:07,240
about all the sorts of people you're going to encounter in

577
00:37:07,240 --> 00:37:11,000
ministry or in life and actually their different responses

578
00:37:11,000 --> 00:37:17,160
to you, to you talking about Jesus with them is, I think

579
00:37:17,160 --> 00:37:19,720
that is a really helpful thing. And John is what you were

580
00:37:19,720 --> 00:37:23,880
talking about, the sort of ambiguity and development and

581
00:37:23,880 --> 00:37:27,320
like with Nicodemus moving. It's not just black and white. It's

582
00:37:27,320 --> 00:37:30,200
not just you're either a believer or a non-believer, not

583
00:37:30,200 --> 00:37:33,000
either just in the light or in the darkness. Some people are

584
00:37:33,000 --> 00:37:36,600
moving towards the light. Some people move towards the light or

585
00:37:36,600 --> 00:37:40,680
seem to and then move back to the darkness. And I think

586
00:37:40,680 --> 00:37:44,520
that's another way of characterization helps us

587
00:37:44,520 --> 00:37:51,480
understand what's happening in the world is actually, ah, okay,

588
00:37:51,480 --> 00:37:56,680
I've seen that response in my parish or in my small group.

589
00:37:56,680 --> 00:38:00,280
Okay, I kind of have a better understanding of

590
00:38:00,280 --> 00:38:03,320
this is how some people are going to respond. Yeah, thank

591
00:38:03,320 --> 00:38:06,040
you. That's hugely helpful what this reveals about others.

592
00:38:06,040 --> 00:38:08,440
Well, now look, we could spend more time on characterization.

593
00:38:08,440 --> 00:38:13,320
We said we're going to shift gear. So shorter time now,

594
00:38:13,400 --> 00:38:17,320
John's gospel in relation to the ladders.

595
00:38:17,320 --> 00:38:20,280
Somebody kick us off. Well, let's draw, we could draw one line

596
00:38:20,280 --> 00:38:21,960
straight towards that theme from what we've been talking

597
00:38:21,960 --> 00:38:26,920
about so far, which would be just the potential for you to

598
00:38:26,920 --> 00:38:29,720
see those sorts of individual responses and reactions in the

599
00:38:29,720 --> 00:38:33,480
people that you minister to as well the opportunity of all of

600
00:38:33,480 --> 00:38:37,160
God's people to play their part in themselves becoming

601
00:38:37,160 --> 00:38:41,480
characters, becoming people worthy of imitation and study.

602
00:38:41,480 --> 00:38:45,160
So in three, John, that theme comes through really quite

603
00:38:45,160 --> 00:38:49,480
clearly where you've got the language of imitation. John

604
00:38:49,480 --> 00:38:53,640
writes there, imitate the good, but either side of that

605
00:38:53,640 --> 00:38:57,080
instruction that could be quite abstract, the good in some

606
00:38:57,080 --> 00:38:59,880
abstract way, he's actually talking about either being a

607
00:38:59,880 --> 00:39:03,320
Demetrius or being a diatrophies, either being somebody

608
00:39:03,320 --> 00:39:06,920
who is a model believer in the way that they extend

609
00:39:06,920 --> 00:39:12,360
hospitality and support faithful believers or somebody who

610
00:39:12,360 --> 00:39:17,000
loves to be first like a diatrophies. And so one of the

611
00:39:17,000 --> 00:39:21,080
lovely things about the letters is you see that same

612
00:39:21,080 --> 00:39:24,200
dynamic continuing on of different responses being

613
00:39:24,200 --> 00:39:29,800
worked out to the gospel and the cast of characters

614
00:39:29,800 --> 00:39:36,520
extending to John himself in his ministry to a Demetrius,

615
00:39:36,520 --> 00:39:41,000
to a diatrophies. Yeah, and so I mean this is something we

616
00:39:41,000 --> 00:39:46,760
talk about in class is reading John's gospel alongside the

617
00:39:46,760 --> 00:39:49,400
letters and actually thinking about how do you do that and

618
00:39:49,400 --> 00:39:52,920
how do those go together and doing some practice and

619
00:39:52,920 --> 00:39:56,600
actually reading them together. And I think one of the

620
00:39:56,600 --> 00:40:01,800
things you see is at the end of John you get the statement of

621
00:40:01,800 --> 00:40:04,840
those who haven't seen, blessed are those who haven't seen and

622
00:40:04,840 --> 00:40:11,400
believe and the letters move into that territory of working

623
00:40:11,400 --> 00:40:14,760
with groups of Christians who have come to believe but

624
00:40:14,760 --> 00:40:20,680
weren't there in the upper room with Jesus. So one of the

625
00:40:20,680 --> 00:40:24,840
exercises we did in class was have the upper room discourse

626
00:40:24,840 --> 00:40:28,280
from John 13 to 17 read alongside one John and actually

627
00:40:28,280 --> 00:40:31,960
thinking about well how do these inform each other? How do

628
00:40:31,960 --> 00:40:35,960
you think about them? And there was one article we went

629
00:40:35,960 --> 00:40:43,080
through by a guy called John Yarad. John Yarad? I think you

630
00:40:43,080 --> 00:40:47,080
sent it to me. Okay, I forgot a lot of things. We'll look

631
00:40:47,080 --> 00:40:50,680
back and find it but what he does is he picks up on these

632
00:40:50,680 --> 00:40:53,240
themes that are in the upper room discourse in particular

633
00:40:53,240 --> 00:40:58,280
but are also in one John and just sort of put them alongside

634
00:40:58,280 --> 00:41:03,400
each other and say well how do you, how do these help

635
00:41:03,400 --> 00:41:06,760
sharpen? I think he has this imagery of reading the two

636
00:41:06,760 --> 00:41:10,280
alongside each other is like looking through a diamond as

637
00:41:10,280 --> 00:41:13,720
things become clearer they enhance each other and so that's

638
00:41:13,720 --> 00:41:17,320
what we tried to do is how do these enhance each other? And

639
00:41:17,320 --> 00:41:21,960
two particular themes that really stuck out are if you

640
00:41:21,960 --> 00:41:26,360
break the upper room discourse sort of in half it's like love

641
00:41:26,360 --> 00:41:30,600
of God and then the hatred of the world is two big themes.

642
00:41:30,600 --> 00:41:36,680
Well those come out all across one John is the world hates you

643
00:41:36,680 --> 00:41:40,280
or the hatred of the world or hating brothers and sisters and

644
00:41:40,280 --> 00:41:46,120
that sort of theme and actually part of having the upper

645
00:41:46,120 --> 00:41:49,080
room discourse and having that right next to one John is well

646
00:41:49,080 --> 00:41:52,840
Jesus said that was going to happen so for those of you now

647
00:41:52,840 --> 00:41:56,600
experiencing this hatred of the world that's not, that

648
00:41:56,600 --> 00:42:00,200
shouldn't be a surprise. Jesus said that to his disciples and

649
00:42:00,200 --> 00:42:06,360
said this was coming. Let's think back to that and

650
00:42:06,360 --> 00:42:10,360
think through what are we promised to help us through

651
00:42:10,360 --> 00:42:13,880
that? Well we have the Holy Spirit

652
00:42:14,920 --> 00:42:18,280
with us as we continue to testify to a world that hates

653
00:42:18,280 --> 00:42:22,600
Jesus and so I think two and three John move into this even

654
00:42:22,600 --> 00:42:25,960
more about the kind of practical outworkings of that but one John

655
00:42:25,960 --> 00:42:30,120
is picking up on that statement from the upper room discourse in

656
00:42:30,120 --> 00:42:33,960
the same way it's picking up on the command to love a new

657
00:42:33,960 --> 00:42:38,760
command I give you love one another and what we did in class

658
00:42:38,760 --> 00:42:43,160
is think well what you get statements in one John about

659
00:42:43,160 --> 00:42:45,880
what that looks like because it's this is how we know love.

660
00:42:45,880 --> 00:42:50,680
Yeah. Jesus died for us if you think back to the upper room

661
00:42:50,680 --> 00:42:54,360
discourse in John 13 in particular one of the examples

662
00:42:54,360 --> 00:42:59,640
of love is the foot washing scene and that is this example

663
00:42:59,640 --> 00:43:04,040
of Jesus loving people who are about to betray him and washing

664
00:43:04,040 --> 00:43:08,920
their feet with Judas and Peter with his upcoming denial as

665
00:43:08,920 --> 00:43:13,960
well and so when you have these commands in one John of loving

666
00:43:13,960 --> 00:43:17,560
one another and loving each other it is a it's a command to

667
00:43:17,560 --> 00:43:22,760
serve in the way that Jesus served in humble service of each

668
00:43:22,760 --> 00:43:26,200
other so those were a few examples we worked through in

669
00:43:26,200 --> 00:43:31,320
class and you've done a bit on two and three John and sort of

670
00:43:31,320 --> 00:43:34,760
how that takes forward a lot of what happens in John's gospel

671
00:43:34,760 --> 00:43:37,800
too. Just before it'd be great to get just could I just ask

672
00:43:37,800 --> 00:43:41,080
you a bit more just reflecting on what's going on there that's

673
00:43:41,080 --> 00:43:44,360
that's really interesting so have I got this right effectively

674
00:43:44,360 --> 00:43:47,560
what's going on there is you've got I mean obviously one John

675
00:43:47,560 --> 00:43:50,120
it's not a very long letter so there's not a lot John doesn't

676
00:43:50,120 --> 00:43:52,600
take a lot of time to spell out what he might mean by

677
00:43:52,600 --> 00:43:56,920
particular things you've got these commands love one another

678
00:43:56,920 --> 00:43:59,880
now someone could picking that up could preach or teach that

679
00:43:59,880 --> 00:44:02,760
and just fill in the content of what it means to love each

680
00:44:02,760 --> 00:44:05,960
other in all sorts of ways that just kind of occur to them in

681
00:44:05,960 --> 00:44:09,880
the moment the be in their bonnet or the thing that they

682
00:44:09,880 --> 00:44:13,400
think their home group needs to really hear that or something

683
00:44:13,400 --> 00:44:15,400
and what you're doing there is saying well now read this in

684
00:44:15,400 --> 00:44:19,480
light of John's gospel and the kind of love one another now

685
00:44:19,480 --> 00:44:25,320
comes with a certain content to it. I mean would you would you go

686
00:44:25,320 --> 00:44:28,840
as far as saying read those commands in the letter in light

687
00:44:28,840 --> 00:44:34,520
of chapter 13 to 17 and that now that now is the core content

688
00:44:34,520 --> 00:44:38,200
of what he means in the letter or is it is it an option for

689
00:44:38,200 --> 00:44:40,760
sharpening I mean how how tightly do you want to read them

690
00:44:40,760 --> 00:44:47,560
together? Yeah I think I think it does set the context for it

691
00:44:47,560 --> 00:44:52,280
in that if you're going back to the upper room discourse that

692
00:44:52,280 --> 00:44:56,760
is where the command to love is given and and and that is where

693
00:44:56,760 --> 00:45:03,000
the new command comes from and so I do think you need that

694
00:45:03,000 --> 00:45:06,920
context and that sharpening now I think it can be sharpened

695
00:45:06,920 --> 00:45:11,240
and it can be applied and yeah obviously it's going to look

696
00:45:11,240 --> 00:45:14,280
different in different contexts of what that on the ground

697
00:45:14,280 --> 00:45:19,000
means but setting it within the big framework of service down

698
00:45:19,000 --> 00:45:23,000
to oneself that following Jesus's example that's what you

699
00:45:23,000 --> 00:45:28,120
see really sharply in John 13 to 17. Great thank you I I

700
00:45:28,120 --> 00:45:30,920
budded in you were going on to two and three John. No no I

701
00:45:30,920 --> 00:45:33,320
think you just yeah you see exactly those those same things

702
00:45:33,320 --> 00:45:37,880
where in in one John in two John in particular you get that

703
00:45:37,880 --> 00:45:42,760
repeated love one another command to walk in love that's

704
00:45:42,760 --> 00:45:46,840
that's what the father has commanded in two John and that's

705
00:45:46,840 --> 00:45:51,720
that is a lovely way that the Christian life gets distilled

706
00:45:51,720 --> 00:45:54,440
down really beautifully and really simply so I think it's

707
00:45:54,440 --> 00:45:57,640
one of the one of the gifts of something like two John is to

708
00:45:57,640 --> 00:46:01,400
say to God's people you might you might have been trained to

709
00:46:01,400 --> 00:46:04,760
think that God expects you to do a hundred things a day and

710
00:46:04,760 --> 00:46:08,520
that that's a measure of success today and you'll get

711
00:46:08,520 --> 00:46:12,200
to the end of your day thinking I've not I've not managed that

712
00:46:12,200 --> 00:46:15,800
many things or I'm at a stage in life where actually I can I

713
00:46:15,800 --> 00:46:19,080
can just about manage to feed my baby and and get the washing

714
00:46:19,080 --> 00:46:23,800
done or my body is now in a state which means I can hardly

715
00:46:23,800 --> 00:46:28,440
do anything in a day for for two John to take the Christian

716
00:46:28,440 --> 00:46:33,000
life and boil it down to love one another and and to walk in

717
00:46:33,000 --> 00:46:38,760
love that that three four mile an hour pace of doing one thing

718
00:46:38,760 --> 00:46:40,920
that the Lord has commanded us to do there's something really

719
00:46:40,920 --> 00:46:43,960
beautiful about the way that that gets distilled down but as

720
00:46:43,960 --> 00:46:48,680
as Cindy's been saying the John's gospel has to be the way

721
00:46:48,680 --> 00:46:52,440
that we interpret what it and what that means to so that as

722
00:46:52,440 --> 00:46:55,560
you as you were saying Tim we don't fill that command to love

723
00:46:55,560 --> 00:46:58,680
one another with whatever we think that might mean when John

724
00:46:58,680 --> 00:47:01,160
says that he's relying on everything that's come before

725
00:47:01,160 --> 00:47:06,760
in the gospel it this love is a self-sacrificial costly love

726
00:47:06,760 --> 00:47:12,760
till the end sort of love and so so you need the gospel to

727
00:47:12,760 --> 00:47:17,480
understand two John and three John two John and three John

728
00:47:17,480 --> 00:47:20,200
help you see some of the benefits of of boiling it right

729
00:47:20,200 --> 00:47:26,040
down to that in the end love one another but they also they do

730
00:47:26,040 --> 00:47:29,320
help you move into that really contested stage of church life

731
00:47:29,320 --> 00:47:33,160
when people are teaching falsely and so if in the upper

732
00:47:33,160 --> 00:47:36,040
room it might feel as if the church is the community of love

733
00:47:36,040 --> 00:47:39,400
and the world is this place of hatred actually two and three

734
00:47:39,400 --> 00:47:43,640
John and one John all take you into this territory where no

735
00:47:43,640 --> 00:47:45,720
there are those who are going to be teaching falsely within

736
00:47:45,720 --> 00:47:49,880
the church and that you're going to be hatred and opposition

737
00:47:49,880 --> 00:47:54,200
and division and just ambiguity who are the good guys here who

738
00:47:54,200 --> 00:47:57,320
are the bad guys here do you believe you know diatrophies is

739
00:47:57,320 --> 00:48:01,960
speaking against Gaius in three John Gaius is speaking about

740
00:48:01,960 --> 00:48:04,920
diatrophies who's in the right who's in the wrong who can you

741
00:48:04,920 --> 00:48:10,200
trust those those those letters help you realize

742
00:48:10,200 --> 00:48:13,880
all of that great theology of John's gospel comes to land in

743
00:48:13,880 --> 00:48:17,240
some of that dust some of that mess within the church as well

744
00:48:17,240 --> 00:48:20,200
as beyond it and that's that's something that I I would

745
00:48:20,200 --> 00:48:24,280
imagine resonates pretty well for a lot of people in ministry

746
00:48:24,280 --> 00:48:28,120
that's that's tremendous yeah I like those thoughts just as

747
00:48:28,120 --> 00:48:32,200
you're talking all sorts of thoughts are sparking I I mean

748
00:48:32,200 --> 00:48:36,200
in one John you know they they went out from us but they were

749
00:48:36,200 --> 00:48:39,480
not of us so they seem to be of us and they're going out

750
00:48:39,480 --> 00:48:42,440
sure that they weren't well you're straight into that's

751
00:48:42,440 --> 00:48:45,560
that's Judas isn't it and the is this right in one John the

752
00:48:45,560 --> 00:48:48,680
hatred of the brothers and sisters is particularly it's

753
00:48:48,680 --> 00:48:53,160
those who will abandon them and move into error

754
00:48:55,640 --> 00:48:59,320
which is precisely what Judas does and it's those who will

755
00:48:59,320 --> 00:49:02,520
know who will abide in the faith and abide with one another

756
00:49:02,520 --> 00:49:06,280
together in that and then you're straight into the unity

757
00:49:06,280 --> 00:49:08,440
of the church themes which you get towards the end of the

758
00:49:08,440 --> 00:49:13,160
upper room so that's that sounds tremendously fertile

759
00:49:13,160 --> 00:49:18,280
territory which we don't have time to explore further now.

760
00:49:19,400 --> 00:49:22,760
Did I give you a chance you may feel you've kind of said all

761
00:49:22,760 --> 00:49:25,080
you want to say which is fine but on either of the topics

762
00:49:25,080 --> 00:49:27,400
we've talked about characterization or link with

763
00:49:27,400 --> 00:49:31,560
the letters any final thoughts that occur to you that just

764
00:49:31,560 --> 00:49:35,000
maybe just drop a final bomb before we before we finish or a

765
00:49:35,000 --> 00:49:38,440
final thought that would take something further.

766
00:49:38,440 --> 00:49:41,320
One of as you're trying to ask what is John doing by

767
00:49:41,320 --> 00:49:43,560
presenting you with this great cast of characters which but

768
00:49:43,560 --> 00:49:47,000
we've spoken a lot about it but maybe one extra thing would be

769
00:49:48,200 --> 00:49:52,680
to to call you to decision one of one of the things that John

770
00:49:52,680 --> 00:49:58,040
won't do is is let you hide you do need yourself to come to a

771
00:49:58,040 --> 00:50:01,960
decision you say in particular with the way that the crowd in

772
00:50:01,960 --> 00:50:08,520
John as a sort of character is always fractured what John does

773
00:50:08,520 --> 00:50:11,560
is with the crowd he'll often tell you well within the crowd

774
00:50:11,560 --> 00:50:13,480
some people are saying this and some people saying that and

775
00:50:13,480 --> 00:50:17,560
some people saying that he'll very often end a section like

776
00:50:17,560 --> 00:50:20,120
that with a question where somebody's just left a question

777
00:50:20,120 --> 00:50:23,640
hanging who is this and what sort of person can do this and

778
00:50:23,640 --> 00:50:27,400
the question just hangs and so one of the things to pay

779
00:50:27,400 --> 00:50:31,320
attention to in all of that is how I'm being invited to make

780
00:50:31,320 --> 00:50:36,040
my own decision I'm to identify with these different responses

781
00:50:36,040 --> 00:50:38,600
to Jesus in different ways but also need to come to my own

782
00:50:38,600 --> 00:50:40,680
decision and John is calling me to that.

783
00:50:41,720 --> 00:50:42,600
Great thank you.

784
00:50:42,600 --> 00:50:43,960
Oh I should have gone first.

785
00:50:45,720 --> 00:50:47,400
You can have that one too if you want that's fine.

786
00:50:47,400 --> 00:50:47,900
Ditto.

787
00:50:50,680 --> 00:50:56,760
Yeah I think I think just I love John I've had such fun

788
00:50:56,760 --> 00:51:01,480
teaching John really really digging in and I think just I

789
00:51:01,480 --> 00:51:04,760
think almost more just repeating a point that I've already said

790
00:51:04,760 --> 00:51:09,400
of just keep digging in and that's going to involve the call

791
00:51:09,400 --> 00:51:13,480
to decision but I think it's going to help sharpen and

792
00:51:13,480 --> 00:51:17,800
enrich your own experience of God's words and who God is and

793
00:51:19,800 --> 00:51:24,840
I think how to share Jesus with others too I think as you're

794
00:51:24,840 --> 00:51:28,280
thinking about different responses and things like that

795
00:51:28,280 --> 00:51:32,040
is actually just thinking about how Jesus met you in your

796
00:51:32,040 --> 00:51:35,560
individual circumstance and helping others have that

797
00:51:35,560 --> 00:51:36,440
encounter as well.

798
00:51:37,240 --> 00:51:41,560
Wonderful so much more about John we could say but this has

799
00:51:41,560 --> 00:51:43,880
been enjoyable thank you great to have you with us for this

800
00:51:43,880 --> 00:51:46,920
episode of Deep Roots we hope there's been good and fruitful

801
00:51:46,920 --> 00:51:50,440
things in it for you in your own reading of John's gospel and

802
00:51:50,440 --> 00:51:52,360
ministry from John to others.

803
00:51:53,240 --> 00:51:56,600
There'll be a blog coming up in a week or two's time on the

804
00:51:56,600 --> 00:51:59,400
Oak Hill website that'll just take one or two of these things

805
00:51:59,400 --> 00:52:02,760
around John's gospel a bit further. We've also been planning

806
00:52:02,760 --> 00:52:05,320
the next few episodes I'm not going to let the cat entirely

807
00:52:05,320 --> 00:52:07,240
out of the bag but we've got some very interesting things

808
00:52:07,240 --> 00:52:10,760
coming up around the shape of patterns in church services

809
00:52:10,760 --> 00:52:13,240
there's a church nearby here which has done something really

810
00:52:13,240 --> 00:52:15,560
interesting we're going to be thinking around that plus also

811
00:52:16,360 --> 00:52:19,720
more great goodies from the Oak Hill faculty and their

812
00:52:19,720 --> 00:52:22,440
tremendous biblical and theological learning so see you

813
00:52:22,440 --> 00:52:30,440
soon.

