1 00:00:00,000 --> 00:00:01,760 Emotional Bites and Jinkies. 2 00:00:01,760 --> 00:00:04,360 It's Scooby-Doo, pre-mentalizing moments. 3 00:00:04,360 --> 00:00:06,860 ["Scooby-Doo"] 4 00:00:21,440 --> 00:00:25,080 All right, get ready because we are cracking open 5 00:00:25,080 --> 00:00:27,000 a real head scratcher today 6 00:00:27,000 --> 00:00:29,000 talking about communication breakdowns. 7 00:00:29,000 --> 00:00:30,600 Oh, we've all been there, 8 00:00:30,600 --> 00:00:32,400 and today we're gonna give you the tools 9 00:00:32,400 --> 00:00:34,360 to decode those conversations. 10 00:00:34,360 --> 00:00:37,680 Yeah, like when feelings totally hijack logic. 11 00:00:37,680 --> 00:00:38,520 Yeah. 12 00:00:38,520 --> 00:00:40,600 You know, or when we need some kind of tangible proof 13 00:00:40,600 --> 00:00:42,520 to believe someone's actually being sincere. 14 00:00:42,520 --> 00:00:44,480 Or when we kind of get things intellectually, 15 00:00:44,480 --> 00:00:46,200 but we can't really feel them. 16 00:00:46,200 --> 00:00:47,040 Exactly. 17 00:00:47,040 --> 00:00:49,280 These days we call that pre-mentalizing. 18 00:00:49,280 --> 00:00:51,040 Essentially, it's when strong feelings 19 00:00:51,040 --> 00:00:54,560 hijack our ability to accurately understand 20 00:00:54,560 --> 00:00:56,360 what's going on in other people's minds. 21 00:00:56,360 --> 00:00:58,000 It's something we all experience, right? 22 00:00:58,000 --> 00:00:58,840 Totally. 23 00:00:58,840 --> 00:01:01,400 And to get this, our sources actually use Scooby-Doo. 24 00:01:01,400 --> 00:01:02,240 Oh, wow. 25 00:01:02,240 --> 00:01:04,600 To illustrate these pre-mentalizing moments. 26 00:01:04,600 --> 00:01:07,960 Zoinks and spooky mansions, the mystery ink gang. 27 00:01:07,960 --> 00:01:08,800 Here we come. 28 00:01:08,800 --> 00:01:10,320 All right, so get ready to unmask 29 00:01:10,320 --> 00:01:12,000 those communication culprits. 30 00:01:12,000 --> 00:01:13,120 Scooby-Doo style. 31 00:01:13,120 --> 00:01:15,280 Now our sources, they break down the thing 32 00:01:15,280 --> 00:01:18,040 into three modes, each one hilariously illustrated 33 00:01:18,040 --> 00:01:20,040 by those classic Scooby-Doo scenarios. 34 00:01:20,040 --> 00:01:23,160 So let's dive into the first one, psychic equivalence. 35 00:01:23,160 --> 00:01:24,040 Okay, wow. 36 00:01:24,040 --> 00:01:25,880 Psychic equivalent sounds pretty intense. 37 00:01:25,880 --> 00:01:27,920 Yeah, well, it's actually simpler than it sounds. 38 00:01:27,920 --> 00:01:29,600 Just think of it as feelings taking over 39 00:01:29,600 --> 00:01:31,440 and becoming like facts in our minds. 40 00:01:31,440 --> 00:01:34,840 Ah, so it's like when Shaggy and Scooby 41 00:01:34,840 --> 00:01:37,320 hear a creaky door, like in a spooky mansion, 42 00:01:37,320 --> 00:01:39,560 and they instantly freak out, ghost. 43 00:01:39,560 --> 00:01:40,680 Exactly. 44 00:01:40,680 --> 00:01:42,600 Their fear becomes their reality, 45 00:01:42,600 --> 00:01:44,000 even though nine times out of 10, 46 00:01:44,000 --> 00:01:46,240 there's a perfectly logical explanation. 47 00:01:46,240 --> 00:01:49,800 So their internal state, in this case, fear, 48 00:01:49,800 --> 00:01:52,200 totally dictates their perceived reality, 49 00:01:52,200 --> 00:01:54,880 even if it doesn't match the external evidence. 50 00:01:54,880 --> 00:01:56,160 Think about the episode. 51 00:01:56,160 --> 00:01:58,560 A night of fright is no delight. 52 00:01:58,560 --> 00:02:00,920 Scooby inherits a creepy old mansion, 53 00:02:00,920 --> 00:02:04,160 but has to spend the night with a bunch of other inheritors. 54 00:02:04,160 --> 00:02:06,720 Naturally, spooky things start happening. 55 00:02:06,720 --> 00:02:09,280 Right, phantom shadows, giggling ghosts, 56 00:02:09,280 --> 00:02:10,360 I'd be terrified too. 57 00:02:10,360 --> 00:02:14,600 And that terror is what fuels the psychic equivalence. 58 00:02:14,600 --> 00:02:17,040 Shaggy and Scooby's fear makes them perceive 59 00:02:17,040 --> 00:02:19,600 those shadows and sounds as proof of a ghost, 60 00:02:19,600 --> 00:02:21,480 even though it turns out to be, 61 00:02:21,480 --> 00:02:22,840 well, I don't wanna spoil it for you. 62 00:02:22,840 --> 00:02:24,960 No spoilers, I might need to re-watch that one, 63 00:02:24,960 --> 00:02:26,880 but I see what you mean. 64 00:02:26,880 --> 00:02:29,920 And it's not even just about spooky situations, right? 65 00:02:29,920 --> 00:02:31,920 I mean, I know I've definitely gone down a rabbit hole 66 00:02:31,920 --> 00:02:34,840 after a kind of curt email, assuming the worst, 67 00:02:34,840 --> 00:02:36,920 only to find out, oh, the person was just slammed. 68 00:02:36,920 --> 00:02:40,320 It's like, are emotions become these funhouse mirrors? 69 00:02:40,320 --> 00:02:41,360 That's a really good point. 70 00:02:41,360 --> 00:02:43,320 It's not always about negativity either. 71 00:02:43,320 --> 00:02:46,240 I mean, picture someone so gung-ho about a project 72 00:02:46,240 --> 00:02:50,280 that they miss some pretty obvious red flags. 73 00:02:50,280 --> 00:02:53,280 Their enthusiasm, while positive, 74 00:02:53,280 --> 00:02:54,760 ends up clouding their judgment. 75 00:02:54,760 --> 00:02:57,000 So it's not just fear, it's any strong emotion 76 00:02:57,000 --> 00:02:58,600 that throws us off balance. 77 00:02:58,600 --> 00:03:00,720 What's the next non-mentalizing mode? 78 00:03:00,720 --> 00:03:04,200 Okay, let's move on to teleological mode. 79 00:03:04,200 --> 00:03:08,280 But basically, it means needing some kind of tangible proof 80 00:03:08,280 --> 00:03:11,080 to validate someone's words or intentions, you know, 81 00:03:11,080 --> 00:03:14,120 and it often stems from insecurity or past experiences 82 00:03:14,120 --> 00:03:15,360 where they felt let down. 83 00:03:15,360 --> 00:03:17,640 Remember how Daphne is always getting kidnapped 84 00:03:17,640 --> 00:03:19,400 and needing Fred to rescue her? 85 00:03:19,400 --> 00:03:20,960 That's not just a plot device. 86 00:03:20,960 --> 00:03:22,880 Daphne needs that grand gesture, 87 00:03:22,880 --> 00:03:25,440 that tangible proof of Fred's love and commitment 88 00:03:25,440 --> 00:03:26,800 to feel secure. 89 00:03:26,800 --> 00:03:28,920 It's like she's saying, don't just tell me you love me, 90 00:03:28,920 --> 00:03:31,640 prove it by rescuing me from this spooky castle. 91 00:03:31,640 --> 00:03:34,600 Exactly, and while it might seem a bit over the top 92 00:03:34,600 --> 00:03:36,000 in the cartoon world, 93 00:03:36,000 --> 00:03:38,240 this pattern is surprisingly common 94 00:03:38,240 --> 00:03:40,120 in real life relationships. 95 00:03:40,120 --> 00:03:42,720 You might encounter someone who constantly needs gifts, 96 00:03:42,720 --> 00:03:46,000 acts of service, or public displays of affection 97 00:03:46,000 --> 00:03:47,760 to feel loved and appreciated. 98 00:03:47,760 --> 00:03:50,720 Or that friend who never believes you're truly there 99 00:03:50,720 --> 00:03:53,160 for them unless you're constantly doing favors 100 00:03:53,160 --> 00:03:55,840 or dropping everything to listen to their problems. 101 00:03:55,840 --> 00:03:58,200 Think about that coworker who never believes you 102 00:03:58,200 --> 00:03:59,440 appreciate their work 103 00:03:59,440 --> 00:04:01,920 unless you're constantly praising them. 104 00:04:01,920 --> 00:04:04,000 It's all about needing those outward, 105 00:04:04,000 --> 00:04:07,080 concrete demonstrations to feel validated. 106 00:04:07,080 --> 00:04:08,600 I can see how that could get exhausting 107 00:04:08,600 --> 00:04:09,600 for everyone involved. 108 00:04:09,600 --> 00:04:10,440 For sure. 109 00:04:10,440 --> 00:04:12,360 It's like they're keeping score in the relationship, 110 00:04:12,360 --> 00:04:14,280 constantly needing reassurance. 111 00:04:14,280 --> 00:04:16,760 Absolutely, and the problem is the other person 112 00:04:16,760 --> 00:04:19,360 is left guessing what they need to do 113 00:04:19,360 --> 00:04:23,800 to make them feel loved, appreciated, or secure. 114 00:04:23,800 --> 00:04:25,640 And while it's natural to want to show 115 00:04:25,640 --> 00:04:27,120 our loved ones we care, 116 00:04:27,120 --> 00:04:29,920 it's important to remember that they're stuck in this loop 117 00:04:29,920 --> 00:04:32,000 of if you loved me, you would, 118 00:04:32,000 --> 00:04:34,280 and it's always something big, something over the top. 119 00:04:34,280 --> 00:04:35,120 Wow, yeah. 120 00:04:35,120 --> 00:04:37,040 It's like they need that constant physical evidence 121 00:04:37,040 --> 00:04:40,840 to make up for that gap between what's said 122 00:04:40,840 --> 00:04:42,520 and what's actually felt. 123 00:04:42,520 --> 00:04:44,080 That's a great way to think about it. 124 00:04:44,080 --> 00:04:45,920 So how do we navigate those situations 125 00:04:45,920 --> 00:04:48,440 without feeling like we're constantly walking on eggshells 126 00:04:48,440 --> 00:04:50,400 or having to prove ourselves all the time? 127 00:04:50,400 --> 00:04:53,880 It goes back to that idea of clear and direct communication. 128 00:04:53,880 --> 00:04:56,640 Instead of trying to guess what the other person needs, 129 00:04:56,640 --> 00:04:58,840 ask them, say, hey, what are some ways I can show you 130 00:04:58,840 --> 00:05:01,000 that I care that would really resonate with you? 131 00:05:01,000 --> 00:05:04,640 Or what specific actions make you feel most appreciated? 132 00:05:04,640 --> 00:05:06,880 So it's about shifting the focus from assumptions 133 00:05:06,880 --> 00:05:09,640 and guesswork to open an honest dialogue 134 00:05:09,640 --> 00:05:11,560 about needs and expectations. 135 00:05:11,560 --> 00:05:14,440 Exactly, and that kind of open communication 136 00:05:14,440 --> 00:05:16,960 can make a huge difference in navigating those 137 00:05:16,960 --> 00:05:19,680 outside focus moments, both in romantic relationships 138 00:05:19,680 --> 00:05:21,480 and friendships. 139 00:05:21,480 --> 00:05:23,080 Okay, so we've got feelings, 140 00:05:23,080 --> 00:05:27,840 trumping facts, this desperate need for tangible proof. 141 00:05:27,840 --> 00:05:30,640 What's the third way we get tripped up by our feelings? 142 00:05:30,640 --> 00:05:33,680 Ah, this one's fascinating. 143 00:05:33,680 --> 00:05:35,520 It's called the pretend mode, 144 00:05:35,520 --> 00:05:38,160 and it's one that Velma, I think, really embodies, 145 00:05:38,160 --> 00:05:40,560 and it's all about the disconnect between 146 00:05:40,560 --> 00:05:42,600 like understanding emotions intellectually 147 00:05:42,600 --> 00:05:44,600 versus actually truly feeling that. 148 00:05:44,600 --> 00:05:46,480 I'm especially intrigued by this one 149 00:05:46,480 --> 00:05:49,400 because it seems like it could be a tricky pattern to spot 150 00:05:49,400 --> 00:05:50,920 and even trickier to deal with. 151 00:05:50,920 --> 00:05:54,240 Remember, people operating in the pretend mode, 152 00:05:54,240 --> 00:05:56,840 they just struggle to connect their intellectual understanding 153 00:05:56,840 --> 00:05:59,200 of emotions with their own personal experience. 154 00:05:59,200 --> 00:06:01,440 It's like they're observing emotions from a distance 155 00:06:01,440 --> 00:06:03,240 rather than fully experiencing them. 156 00:06:03,240 --> 00:06:06,040 Exactly, think about those times when Velma explains 157 00:06:06,040 --> 00:06:08,640 the logical explanation for a haunting, 158 00:06:08,640 --> 00:06:11,240 completely bypassing the fear and adrenaline 159 00:06:11,240 --> 00:06:12,440 everyone else felt. 160 00:06:12,440 --> 00:06:13,800 It's like she's detaching herself 161 00:06:13,800 --> 00:06:15,600 from the emotional reality of the situation. 162 00:06:15,600 --> 00:06:17,840 It's almost as if she's giving a lecture on fear 163 00:06:17,840 --> 00:06:20,200 while everyone else is still recovering from the fright. 164 00:06:20,200 --> 00:06:22,560 Precisely, and this tendency to intellectualize 165 00:06:22,560 --> 00:06:25,600 or analyze feelings can create a sense of distance 166 00:06:25,600 --> 00:06:26,600 in relationships. 167 00:06:26,600 --> 00:06:29,080 It can make it difficult to have those deep, 168 00:06:29,080 --> 00:06:31,680 heartfelt conversations that require vulnerability 169 00:06:31,680 --> 00:06:33,040 and emotional connection. 170 00:06:33,040 --> 00:06:36,080 Before we move on, could you give us a real world example 171 00:06:36,080 --> 00:06:38,400 of how the pretend mode plays out? 172 00:06:38,400 --> 00:06:40,000 Having a little trouble connecting the dots. 173 00:06:40,000 --> 00:06:42,640 Sure, think about a coworker who always seems to have 174 00:06:42,640 --> 00:06:45,040 the perfect solution for every problem, 175 00:06:45,040 --> 00:06:47,360 but never seems to acknowledge the emotional toll 176 00:06:47,360 --> 00:06:49,200 those problems take on others. 177 00:06:49,200 --> 00:06:50,840 They might offer a logical advice 178 00:06:50,840 --> 00:06:53,720 without acknowledging the stress or frustration involved. 179 00:06:53,720 --> 00:06:55,400 I know exactly the type. 180 00:06:55,400 --> 00:06:58,400 Always ready with a spreadsheet, but never a hug. 181 00:06:58,400 --> 00:06:59,680 That's a great way to put it. 182 00:06:59,680 --> 00:07:01,920 They're operating from that pretend mode, 183 00:07:01,920 --> 00:07:04,440 understanding emotions intellectually, 184 00:07:04,440 --> 00:07:07,280 but struggling to connect with them on a deeper level. 185 00:07:07,280 --> 00:07:09,960 Okay, that makes so much more sense now. 186 00:07:09,960 --> 00:07:12,000 So how do we bridge that gap? 187 00:07:12,000 --> 00:07:14,680 How do we help someone to tap into their own feelings 188 00:07:14,680 --> 00:07:17,000 and engage on a more emotional level? 189 00:07:17,000 --> 00:07:20,360 It requires patience and a gentle approach. 190 00:07:20,360 --> 00:07:21,880 Those open-ended questions, 191 00:07:21,880 --> 00:07:23,920 those can be really powerful tools. 192 00:07:23,920 --> 00:07:25,840 Like how does this situation make you feel 193 00:07:25,840 --> 00:07:27,880 or what's your gut reaction to what just happened? 194 00:07:27,880 --> 00:07:30,840 Exactly, those questions encourage them to pause, 195 00:07:30,840 --> 00:07:34,120 reflect and connect with their own emotional landscape. 196 00:07:34,120 --> 00:07:37,520 But here's the thing, don't expect an instant breakthrough. 197 00:07:37,520 --> 00:07:39,240 People in this mode might need time 198 00:07:39,240 --> 00:07:40,680 to process those questions 199 00:07:40,680 --> 00:07:42,440 and truly connect with their feelings. 200 00:07:42,440 --> 00:07:43,800 It's more about planting seeds 201 00:07:43,800 --> 00:07:46,560 and creating a safe space for self-reflection. 202 00:07:46,560 --> 00:07:50,000 Don't force it, but be patient and offer support. 203 00:07:50,000 --> 00:07:52,520 Now we've explored these three main modes 204 00:07:52,520 --> 00:07:53,840 of non-mentalizing, 205 00:07:53,840 --> 00:07:57,000 all through the wonderful world of Scooby-Doo. 206 00:07:57,000 --> 00:07:59,640 But I have a feeling there's one more piece to this mystery. 207 00:07:59,640 --> 00:08:01,160 You're totally reading my mind. 208 00:08:01,160 --> 00:08:04,680 Our sources also talk about this concept of hyper-mentalizing. 209 00:08:04,680 --> 00:08:08,160 Hyper-mentalizing is like the flip side of pre-mentalizing. 210 00:08:08,160 --> 00:08:11,000 Instead of not thinking enough about mental states, 211 00:08:11,000 --> 00:08:14,560 you're overthinking and often inaccurately. 212 00:08:14,560 --> 00:08:17,320 It's like your brain is weaving elaborate stories 213 00:08:17,320 --> 00:08:20,800 about people's intentions with very little evidence. 214 00:08:20,800 --> 00:08:22,080 So it's like Shaggy's tendency 215 00:08:22,080 --> 00:08:26,760 to create elaborate monster conspiracies, 216 00:08:26,760 --> 00:08:29,080 even when there's a perfectly logical explanation. 217 00:08:29,080 --> 00:08:32,120 Exactly, he's constantly jumping to conclusions, 218 00:08:32,120 --> 00:08:36,040 assuming the worst and letting his imagination run wild. 219 00:08:36,040 --> 00:08:39,520 And while a little hyper-mentalizing might be harmless, 220 00:08:39,520 --> 00:08:42,280 it can lead to unnecessary anxiety, paranoia, 221 00:08:42,280 --> 00:08:43,680 and conflict in relationship. 222 00:08:43,680 --> 00:08:44,800 And this is also fascinating. 223 00:08:44,800 --> 00:08:46,040 It seems like everyone can relate 224 00:08:46,040 --> 00:08:47,240 to these patterns in some way. 225 00:08:47,240 --> 00:08:48,320 Yeah. 226 00:08:48,320 --> 00:08:51,920 All right, we've unmasked those sneaky communication 227 00:08:51,920 --> 00:08:54,000 gremlins, psychic equivalents, 228 00:08:54,000 --> 00:08:56,920 teleological mode, and pretend mode, 229 00:08:56,920 --> 00:08:58,920 and even explored the treacherous terrain 230 00:08:58,920 --> 00:09:00,240 of hyper-mentalizing. 231 00:09:00,240 --> 00:09:02,040 The real question is, how do we apply 232 00:09:02,040 --> 00:09:04,640 all the Scooby-Doo wisdom to our everyday lives? 233 00:09:04,640 --> 00:09:06,200 Right, what does it actually look like 234 00:09:06,200 --> 00:09:07,920 to mentalize more effectively? 235 00:09:07,920 --> 00:09:09,960 Do we need to walk around with Scooby-Snacks, 236 00:09:09,960 --> 00:09:12,120 offering treats every time someone gets a little spooky 237 00:09:12,120 --> 00:09:14,080 with their communication style? 238 00:09:14,080 --> 00:09:15,560 I love that image. 239 00:09:15,560 --> 00:09:17,160 But no, it's not quite that literal. 240 00:09:17,160 --> 00:09:18,760 It's more about approaching communication 241 00:09:18,760 --> 00:09:21,600 with a sense of curiosity and perspective taking. 242 00:09:21,600 --> 00:09:23,600 Like those meddling kids, we need to be willing 243 00:09:23,600 --> 00:09:27,000 to investigate those seemingly illogical reactions 244 00:09:27,000 --> 00:09:29,920 and look for the why behind the words and actions. 245 00:09:29,920 --> 00:09:32,440 So it's less about judging and more about understanding. 246 00:09:32,440 --> 00:09:35,600 Exactly, remember how Fred is all about logic 247 00:09:35,600 --> 00:09:36,640 and problem solving, 248 00:09:36,640 --> 00:09:38,240 while Daphne brings a more emotional, 249 00:09:38,240 --> 00:09:39,680 intuitive perspective. 250 00:09:39,680 --> 00:09:41,160 Imagine if instead of butting heads, 251 00:09:41,160 --> 00:09:43,760 they could acknowledge and appreciate those differences. 252 00:09:43,760 --> 00:09:46,000 It's like Daphne saying to Fred, 253 00:09:46,000 --> 00:09:47,400 I know you love building traps, 254 00:09:47,400 --> 00:09:49,040 but sometimes I just need you to listen 255 00:09:49,040 --> 00:09:50,600 and understand how I'm feeling, 256 00:09:50,600 --> 00:09:52,240 even if it doesn't make logical sense. 257 00:09:52,240 --> 00:09:55,520 Exactly, or Shaggy saying to Scooby, 258 00:09:55,520 --> 00:09:58,800 dude, I know you didn't mean to eat all the Scooby-Snacks, 259 00:09:58,800 --> 00:10:00,400 but maybe next time you could ask 260 00:10:00,400 --> 00:10:02,560 before gobbling up the whole bag. 261 00:10:02,560 --> 00:10:05,600 So it's about creating a space for open, honest, 262 00:10:05,600 --> 00:10:08,320 and maybe even humorous communication. 263 00:10:08,320 --> 00:10:10,800 Instead of getting stuck in those Scooby-Doo loops 264 00:10:10,800 --> 00:10:13,160 of fear assumptions and overthinking, 265 00:10:13,160 --> 00:10:15,760 we can hit the pause button and ask ourselves, 266 00:10:15,760 --> 00:10:16,840 what's really going on here? 267 00:10:16,840 --> 00:10:18,320 What's driving this behavior? 268 00:10:18,320 --> 00:10:19,600 I love that. 269 00:10:19,600 --> 00:10:21,800 Hitting the pause button is such a powerful tool. 270 00:10:21,800 --> 00:10:24,720 It gives us a chance to step back from those intense emotions 271 00:10:24,720 --> 00:10:26,760 and think things through before reacting. 272 00:10:26,760 --> 00:10:28,240 And it can be as simple as saying, 273 00:10:28,240 --> 00:10:29,640 hey, can we talk about this later 274 00:10:29,640 --> 00:10:31,560 when I've had a chance to phrase this thing? 275 00:10:31,560 --> 00:10:33,560 So it's about recognizing that we're all prone 276 00:10:33,560 --> 00:10:35,720 to these non-mentalizing moments. 277 00:10:35,720 --> 00:10:37,920 It's not about pointing fingers or labeling people, 278 00:10:37,920 --> 00:10:41,120 it's about understanding those lost and translation moments. 279 00:10:41,120 --> 00:10:44,880 Exactly, and once we start to see those patterns, 280 00:10:44,880 --> 00:10:48,000 those disagreements become less about being right or wrong 281 00:10:48,000 --> 00:10:50,960 and more about understanding each other's perspectives. 282 00:10:50,960 --> 00:10:54,200 It's about asking clarifying questions, actively listening, 283 00:10:54,200 --> 00:10:56,200 and trying to understand the motivations 284 00:10:56,200 --> 00:10:59,200 behind those sometimes baffling actions and words. 285 00:10:59,200 --> 00:11:01,160 It's like learning a new language. 286 00:11:01,160 --> 00:11:04,520 And the more fluent we become, the stronger our connections can be. 287 00:11:04,520 --> 00:11:06,120 That's a great way to think about it. 288 00:11:06,120 --> 00:11:07,920 We're all just trying to communicate, to connect, 289 00:11:07,920 --> 00:11:09,640 to understand each other. 290 00:11:09,640 --> 00:11:12,640 And sometimes we need a little help deciphering those messages. 291 00:11:12,640 --> 00:11:14,960 Just like those meddling kids in the mystery machine, 292 00:11:14,960 --> 00:11:16,240 we're all in this together, 293 00:11:16,240 --> 00:11:19,160 navigating the sometimes spooky, sometimes hilarious, 294 00:11:19,160 --> 00:11:22,240 always unpredictable landscape of human connection. 295 00:11:22,240 --> 00:11:24,560 It's not just about analyzing cartoon characters, 296 00:11:24,560 --> 00:11:26,920 it's about applying those insights 297 00:11:26,920 --> 00:11:30,080 to build stronger, more fulfilling relationships in our own lives. 298 00:11:30,080 --> 00:11:32,920 And who knew we could learn so much about communication 299 00:11:32,920 --> 00:11:35,520 from a bunch of teenagers, a talking dog, 300 00:11:35,520 --> 00:11:37,360 and a van full of Scooby Snacks? 301 00:11:37,360 --> 00:11:38,280 Right. 302 00:11:38,280 --> 00:11:40,200 So as we wrap up our time in the mystery machine, 303 00:11:40,200 --> 00:11:42,560 remember the conversation doesn't end here. 304 00:11:42,560 --> 00:11:46,280 Keep exploring, keep asking questions, and most importantly, 305 00:11:46,280 --> 00:11:48,880 remember to approach those conversations with an open mind 306 00:11:48,880 --> 00:11:51,640 and a willingness to see things from multiple perspectives. 307 00:11:51,640 --> 00:11:54,680 And above all, stay curious about the mysteries lurking 308 00:11:54,680 --> 00:11:57,160 beneath the surface of every interaction. 309 00:11:57,160 --> 00:12:16,160 Okay. 310 00:12:19,800 --> 00:12:22,080 We're gonna take off. 311 00:12:21,080 --> 00:12:22,360 PAX team right now. 312 00:12:22,360 --> 00:12:23,520 Should we go back to sleep? 313 00:12:23,520 --> 00:12:24,560 Okay. 314 00:12:24,560 --> 00:12:25,320 Good.