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Welcome to Send Me On My Way.

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I'm your host, Audrey Dean Kelly.

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And on this podcast, we're gonna talk about everything

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from music to pop culture to reality TV

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to pretty much whatever I want.

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So let's get into it.

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Welcome to the Sabrina Carpenter episode, y'all.

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I am coming off quite a high from last night.

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I went to the Sabrina Carpenter show at Barclays

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and I got tickets very, very, very last minute.

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I mean, the show, it said it started at seven.

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Guys, I was like in my apartment at 6.30

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with like three different tabs open on Vivid Seeds

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and Ticketmaster and whatever,

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watching for the pit tickets

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to see if they'd go down to a price

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that I was willing to splurge on.

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Because I am someone that historically,

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I've always loved outdoor concerts

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because I really don't like being combined to a seat

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when I'm watching a music.

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I just don't.

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I like to move around.

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I like to dance.

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And I have struggled historically

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to get into shows in the same way

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when I'm confined to a seat in a stadium setting.

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So I'm like watching these ticket prices last night

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and like at first they were like,

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I don't know, $1,000 when I was first looking

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and the tickets for a section in the nosebleeds

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were all like 500.

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And so I was not gonna pay $500 to sit in a seat,

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but I knew that the prices were gonna go down

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because there were a lot of tickets listed.

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So if you guys are on the fence,

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I do recommend this strategy.

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So yeah, I had like three different tabs open

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and finally one of the pit tickets came up for like 600 bucks.

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It was like maybe $100 more than a ticket in the nosebleeds.

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And so your girl hopped on it.

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I was a little bit nervous that it was gonna be a scam,

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but it was not.

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And yeah, thank God I had started to do my hair earlier

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because I kind of got it in my mind earlier in the day.

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I was like, you have to go.

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You know, I have missed out on a lot of concerts

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over the years that I wish I would have gone to.

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And I need to make a pledge to go to more.

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And last night definitely restored my faith in live music.

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Not that it needed to be restored,

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but my God in pop music performance,

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it was just incredible.

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But yeah, to back it up,

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I basically booked those tickets very last minute,

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hopped in a cab.

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Your girl wore a little machino vintage sweater

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that I got from my aunt.

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And a little French lingerie type top.

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And some skinny jeans.

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I definitely was, you know,

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it was stuck out as a millennial in the crowd.

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Not gonna lie, I was one of the older ones in the pit.

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I am a pop girly princess at heart

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and I always will be.

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But yeah, got there.

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And honestly, I could have waited later.

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And I kind of wonder how to waited like an hour later

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if I would have gotten a pit ticket for like 300 bucks.

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I should have like looked at the prices once I got there.

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But yeah, hopped in a cab and got there

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probably an hour and a half before she started performing.

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I made the strategic move to get as close as I could

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to the heart because when I got to the pit,

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there were maybe like two layers of girls

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in front of the area where the heart is.

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And then everybody was crowded around the very front

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of the stage, but I had seen on TikTok

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that the night before she spends a lot of time at the heart.

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And let me tell you, she does.

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So if you're going to the other shows

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and not a lot of people around that area, I recommend it

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because you still get a really good view of everything else.

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And I will say it was tough for me to see

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the bed cam performance.

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She had those up on the monitors.

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And I think it would have been hard for anybody to see it

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because it has the curtains around that part of the set.

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She came on, I think around nine o'clock.

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And I won't lie, there were these very young girls next to me,

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I think probably in high school.

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And they were, first of all, everybody was dressed so cute.

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And had I planned this more in advance,

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I would have dressed a little bit more the part,

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but everybody had on the little nighties

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and like everybody's commitment to the costume was incredible.

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But the, and the girls next to me were dressed super cute

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and they were in platforms.

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And so their feet were killing them

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because we were waiting there.

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I feel like the opener wrapped up,

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I feel like around eight o'clock.

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And she went on closer to nine.

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But these little girls who were complaining,

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they were like, it's so rude to your fans to go on late.

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And guys, this was like five minutes after 8.30.

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And I was just sitting there and like,

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just kind of rolling my eyes because I'm like,

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I know your daddy bought you these tickets

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and she's five minutes late, calm the fuck down.

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But alas, once she went on, first of all,

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the intro videos are incredible.

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I have to say, nobody is making music videos

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as well as Sabrina Carpenter is these days.

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She has brought back a level of artistry

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into music videos that was missing.

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And it's also that same vibe,

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this old Hollywood kind of movie set.

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And she's really playing on her history as an actress.

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And I think it's really a smart move

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because one of the most interesting things

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that I find about Sabrina Carpenter's vocal performances

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is she is such a good actress.

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And it really carries through in her vocal performance,

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if that makes sense.

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And I think it does.

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I think it's the affectations that she does.

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She's just, she has one of the most interesting voices

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and with so many different layers that I've ever heard.

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And she has a long history in the game.

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I mean, she was doing voiceover work on cartoons

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really early.

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I'm talking, God, she was born in 99.

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I think as of 2011, she was doing acting and voiceover work.

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And I think that really plays into her vocal talents

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as a performer.

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I just think there's nobody making pop music.

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No, I'm not gonna say that,

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but she is making a very special type of pop music.

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And I think it's the way that she's incorporated her acting

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and that history into this and also her personal life.

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I mean, all of it is just so old Hollywood and so drama.

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It's just so good.

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I mean, the music video with Barry Keegan was incredible.

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I mean, all of her music videos are just espresso.

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They're iconic.

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And that carried over into her live performances.

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I mean, first of all,

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she carried over the costumes were incredible.

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I am only gonna touch on the hair for a little bit

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because I am doing an entire hair theory episode.

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So I'm gonna wait to talk about her hair for that episode

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when I have my best friend and hairdresser Jenna on

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because we're gonna dive into all of that.

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But I will say the hair worked hard.

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It was incredible.

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And Kudos to whoever did her hair

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because she worked her little ass off.

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And at the end of, I don't know how ever long she was on,

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but the hair was perfect.

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And like, it wasn't like she had these wet sloppies.

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She looked phenomenal.

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She really did.

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She sounded phenomenal.

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And I was really surprised with the songs

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that I loved the most live.

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I mean, look, I loved the classics.

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I loved Please, Please, Please.

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I loved all of the espresso and the dancey ones.

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Don't get me wrong, those were incredible.

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But some of my favorite parts of the night

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were more of the acoustic performances.

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Okay, so Coincidence was probably one of my favorites

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because she came out onto the heart.

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She reminded me of Stevie Nicks

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when she was performing it, to be honest with you.

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And it just, I mean, granted, I was really, really close.

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It felt intimate to me,

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but it felt really intimate in a massive setting.

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That was one of my favorites.

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I also loved Sharpest Tool.

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I think I'm right that this is the one that she performed

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when she was on the toilet.

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Yes, it was.

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I wanna talk about that whole setup

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because first of all, she goes up

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and she's like, I need to go use the toilet.

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The set, we're gonna get to it,

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but the set is basically like a Barbie dream house

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for Sabrina Carpenter that feels like an I Love Lucy set

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meets like the Austin Powers Fembots.

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And it's just, I mean, it's everything, it's everything.

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It's incredible.

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And honestly, I'm not gonna lie, watching this

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made me realize that like what I do right now,

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maybe I could parlay that eventually into set design

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because I think they could maybe work together.

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But I was really inspired by the set.

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But I wanna talk about specifically Sharpest Tool

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because that was one of my favorite moments of the night

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and she performed it on the toilet, which was incredible.

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But I wanna talk about the screens that they set up.

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So you had her face projected, you see her on the toilet

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and then you also had her face projected

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on the outside of these screens.

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And it just, it was so well done.

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And part of why it was so well done is because

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you really saw how she acts out these songs.

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She feels, I mean, I don't even wanna call it

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acting necessarily.

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Like she's feeling it and the performance she's delivering,

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you see it all over her face.

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You, it's just, it gives so many levels of depth

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when you watch her perform.

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And that song specifically, watching her face

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and watching her work through that performance

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was so honest, so vulnerable, so raw.

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It was really moving.

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Yeah, it was a lot of those more acoustic songs.

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Now I'm trying to remember which one was the song

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that she sang.

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Hold on, I need to pivot to this.

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Not coincidence, the prices.

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I think it was Dumb and Poetic.

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Yes.

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Dumb and Poetic was,

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I mean, that was one of the best performances

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I've ever seen.

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It was, that was one of my favorites.

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Dumb and Poetic was one of my favorites.

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Lida Girls was also incredible.

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I need to look back.

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I feel like Lida Girls was the one

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that she was playing guitar on.

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And I also didn't realize that she played guitar.

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I mean, I guess obviously she can play guitar.

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It was amazing.

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Juno also was one of my favorites

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and partially because I was right in front of the heart.

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She runs out to the heart and she does her whole little,

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did you ever try this one?

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I knew she was gonna do that

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because I watched the MSG TikToks.

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So I got there on purpose.

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But she does this thing where she makes everybody

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get down on the ground.

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I did feel my age because I was wearing skinny jeans

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and I was wearing my pre-baby-sized skinny jeans

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that I poured myself into.

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And it was hard for mama to get down on her knees,

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not gonna lie.

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But I did and she raises up on the heart

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and it's just, it's such a party.

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I love that song so much, honestly.

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And that gets me to the part that I wanna talk about,

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about Sabrina Carpenter.

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I've been wanting to do an episode on Sabrina Carpenter

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already because I have so many feelings about her music

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and her type of pop music

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and what it means as a female artist

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00:13:26,900 --> 00:13:30,860
and kind of the boundaries that she's pushing

262
00:13:30,860 --> 00:13:35,860
and that just the way that they are making this like clever,

263
00:13:38,020 --> 00:13:43,020
sexual, it's just, the writing is just so incredible.

264
00:13:44,380 --> 00:13:46,940
And I think that I would be remiss

265
00:13:46,940 --> 00:13:50,260
to not mention Amy Allen

266
00:13:50,260 --> 00:13:55,260
and some of the other songwriters that worked on Short and Sweep.

267
00:13:55,980 --> 00:13:58,380
But specifically, I wanna hone in on Amy Allen

268
00:13:58,380 --> 00:14:03,380
because first of all, her music in its own right is incredible.

269
00:14:04,140 --> 00:14:06,220
So you should go check her out,

270
00:14:06,220 --> 00:14:09,140
Queen of Silver Linings, amazing song,

271
00:14:09,140 --> 00:14:12,100
Girl with a Problem I Really Love, Reason to Forgive.

272
00:14:13,020 --> 00:14:15,460
But what's interesting is go listen to her

273
00:14:15,460 --> 00:14:19,980
because I think you'll hear some of the folky

274
00:14:19,980 --> 00:14:23,100
stylings that I think come through

275
00:14:23,100 --> 00:14:25,300
in Sabrina Carpenter's music.

276
00:14:25,300 --> 00:14:30,140
I feel like we're getting that through this Amy Adams

277
00:14:30,140 --> 00:14:35,020
writing partnership, but on a deeper level,

278
00:14:35,020 --> 00:14:37,940
I think you should look back on how long

279
00:14:37,940 --> 00:14:40,380
Amy Allen has been working with Sabrina Carpenter

280
00:14:40,380 --> 00:14:42,740
because I think that there is something,

281
00:14:42,740 --> 00:14:47,140
I think the reason why the writing on Short and Sweep

282
00:14:47,140 --> 00:14:51,780
was as phenomenal as it is

283
00:14:51,780 --> 00:14:56,780
is because of Amy Allen and Sabrina Carpenter's

284
00:14:57,300 --> 00:14:59,100
writing together.

285
00:14:59,100 --> 00:15:01,740
They write on every, Amy Allen and Carpenter

286
00:15:01,740 --> 00:15:04,700
write on every single song of the album.

287
00:15:04,700 --> 00:15:06,260
They are the only consistent two

288
00:15:06,260 --> 00:15:08,740
that are on every single song of the album.

289
00:15:08,740 --> 00:15:10,540
Some of them are with Jack Antonoff,

290
00:15:10,540 --> 00:15:13,540
some of them are with Ryan Kirkpatrick.

291
00:15:13,540 --> 00:15:17,220
Basically, Amy Allen and Sabrina Carpenter

292
00:15:17,220 --> 00:15:21,220
have been working together, I think since like 20,

293
00:15:21,220 --> 00:15:23,500
when I looked back, they have been working together

294
00:15:23,500 --> 00:15:28,700
since like 2022, which the album was released in 2022.

295
00:15:28,700 --> 00:15:32,660
So odds are they've worked together since like 21,

296
00:15:32,660 --> 00:15:35,900
but Amy Allen has worked with a lot of artists.

297
00:15:35,900 --> 00:15:39,740
I mean, she was the one who wrote Greedy by Tate McCray.

298
00:15:39,740 --> 00:15:40,580
Just go look her up.

299
00:15:40,580 --> 00:15:41,860
She's written a bunch.

300
00:15:41,860 --> 00:15:44,820
She wrote for Harry Styles.

301
00:15:44,820 --> 00:15:47,180
I think that song Adore Me, Adore You.

302
00:15:48,300 --> 00:15:50,300
I'm not sure, but she's really talented.

303
00:15:50,300 --> 00:15:52,740
And what I wanna get back to is

304
00:15:54,420 --> 00:15:57,900
co-writing can be really, really special.

305
00:15:59,140 --> 00:16:03,380
And especially when you give it the space to grow together.

306
00:16:03,380 --> 00:16:07,620
I mean, look, that's what we saw with Lenin and McCartney.

307
00:16:07,620 --> 00:16:12,420
You see the longer that you write with someone

308
00:16:12,420 --> 00:16:14,540
and when you have that kind of friendship,

309
00:16:14,540 --> 00:16:19,540
and I think to be able to write this kind of music,

310
00:16:19,660 --> 00:16:23,620
I think you have to have a really safe, funny,

311
00:16:23,620 --> 00:16:26,900
kind of friendly, like it feels like songs

312
00:16:26,900 --> 00:16:28,940
that were written with your best friend.

313
00:16:28,940 --> 00:16:31,820
Well, you guys were just like messing around,

314
00:16:31,820 --> 00:16:34,340
talking about the boys that broke your heart.

315
00:16:34,340 --> 00:16:35,380
It feels like that.

316
00:16:35,380 --> 00:16:37,500
And that's why we love it.

317
00:16:37,500 --> 00:16:39,500
That's why it's giving such like,

318
00:16:39,500 --> 00:16:41,780
I mean, people say this album is like

319
00:16:41,780 --> 00:16:44,140
the ultimate ovulation album.

320
00:16:44,140 --> 00:16:46,540
It is, it is.

321
00:16:46,540 --> 00:16:49,340
I mean, Juno is the ultimate ovulation song,

322
00:16:49,340 --> 00:16:52,060
but like the whole album.

323
00:16:52,060 --> 00:16:56,780
And I feel like it's this magic of the two of them.

324
00:16:57,700 --> 00:16:58,900
It really is.

325
00:16:58,900 --> 00:17:01,700
And I just wanna make it clear.

326
00:17:01,700 --> 00:17:05,260
Sabrina Carpenter is an incredible songwriter.

327
00:17:05,260 --> 00:17:09,100
I mean, she's the, and especially the last album too.

328
00:17:09,100 --> 00:17:12,060
I mean, Feather, Nonsense, like,

329
00:17:12,060 --> 00:17:14,420
and she, I will say, I was really happy.

330
00:17:14,420 --> 00:17:18,300
She played quite a few of the older songs too.

331
00:17:18,300 --> 00:17:20,060
She played quite a few.

332
00:17:20,060 --> 00:17:23,460
She also played the bonus tracks

333
00:17:23,460 --> 00:17:26,260
and a new track called Busy Woman,

334
00:17:26,260 --> 00:17:30,140
which I get all my music on Spotify.

335
00:17:30,140 --> 00:17:33,340
So I guess I need to buy the album to get the bonus track.

336
00:17:33,340 --> 00:17:36,740
So after last night, I will go do that.

337
00:17:36,740 --> 00:17:38,780
Okay, to get back to the concert,

338
00:17:38,780 --> 00:17:39,900
I might be all over the place,

339
00:17:39,900 --> 00:17:42,700
but yeah, to get back to the concert,

340
00:17:42,700 --> 00:17:44,460
I got there early.

341
00:17:44,460 --> 00:17:47,420
I specifically did not drink

342
00:17:47,420 --> 00:17:50,260
because when I got my spot, I was like,

343
00:17:50,260 --> 00:17:51,900
Jesus, this is such a good spot.

344
00:17:51,900 --> 00:17:54,260
I'm gonna be right in front of the stage.

345
00:17:54,260 --> 00:17:58,100
And if I start drinking, I'm gonna have to go to the bathroom.

346
00:17:58,100 --> 00:18:01,100
And if I don't drink, then I can stay here

347
00:18:01,100 --> 00:18:02,380
and I can watch the whole thing.

348
00:18:02,380 --> 00:18:03,420
And that is what I did.

349
00:18:03,420 --> 00:18:07,340
And I historically have not done that at shows normally.

350
00:18:07,340 --> 00:18:11,580
I am drinking beers and I'm having to miss songs

351
00:18:11,580 --> 00:18:12,660
to go to the bathroom.

352
00:18:12,660 --> 00:18:14,380
And then I'm having to wait back through the crowd

353
00:18:14,380 --> 00:18:15,740
and lose my spot.

354
00:18:15,740 --> 00:18:17,900
So let me tell you, it was a lot of fun.

355
00:18:17,900 --> 00:18:21,260
And I think this is the first show

356
00:18:21,260 --> 00:18:24,300
I've ever gone to on my own.

357
00:18:24,300 --> 00:18:27,540
I might just start doing that exclusively from now on.

358
00:18:27,540 --> 00:18:28,940
And here is why.

359
00:18:28,940 --> 00:18:33,580
And I did notice this somewhat in the crowd

360
00:18:33,580 --> 00:18:35,980
when I saw some of the groups of girls together.

361
00:18:35,980 --> 00:18:39,900
Sometimes if I go with the wrong people to concerts

362
00:18:39,900 --> 00:18:41,580
that are kind of like,

363
00:18:41,580 --> 00:18:45,420
sometimes when people are too self aware at concerts,

364
00:18:45,420 --> 00:18:47,980
it gets in the way of them having fun.

365
00:18:47,980 --> 00:18:50,420
I mean, I feel like that's a general rule in life.

366
00:18:50,420 --> 00:18:51,900
If you're too self-conscious,

367
00:18:51,900 --> 00:18:53,380
you haven't let your guard down

368
00:18:53,380 --> 00:18:55,460
and you're not gonna have as much fun.

369
00:18:55,460 --> 00:18:57,740
I mean, that's why a lot of people do drugs at concerts

370
00:18:57,740 --> 00:18:59,700
so they can let their guard down,

371
00:18:59,700 --> 00:19:02,220
have fun, let loose and dance.

372
00:19:02,220 --> 00:19:05,940
So for me to be sober at this concert

373
00:19:05,940 --> 00:19:08,940
and totally be able to let loose

374
00:19:08,940 --> 00:19:11,660
because I didn't know any of the people around me.

375
00:19:11,660 --> 00:19:13,100
I didn't give a shit.

376
00:19:13,100 --> 00:19:14,820
I was dancing my ass off.

377
00:19:14,820 --> 00:19:17,700
I was singing my little heart out.

378
00:19:17,700 --> 00:19:20,220
And I was able to really get into it

379
00:19:20,220 --> 00:19:23,860
because I didn't care what anybody around me thought.

380
00:19:23,860 --> 00:19:28,300
And I didn't necessarily feel that

381
00:19:28,300 --> 00:19:29,700
all the time from the people around me.

382
00:19:29,700 --> 00:19:34,140
I felt like a lot of girls were like checking

383
00:19:34,140 --> 00:19:37,500
their makeup and like, I don't know,

384
00:19:37,500 --> 00:19:41,540
in some songs, in the popular songs,

385
00:19:41,540 --> 00:19:43,420
sure they were singing along,

386
00:19:43,420 --> 00:19:48,420
but I do think that's something that people can get

387
00:19:49,580 --> 00:19:52,940
in the way of a live performance

388
00:19:52,940 --> 00:19:54,900
for experience for yourself

389
00:19:54,900 --> 00:19:58,180
if you're not able to just let your own guard down

390
00:19:58,180 --> 00:19:59,140
and enjoy it.

391
00:19:59,140 --> 00:20:01,540
So me going by myself allowed me

392
00:20:01,540 --> 00:20:05,620
to just fully let my guard down, fully enjoy it.

393
00:20:05,620 --> 00:20:08,220
I mean, I felt like my inner child was let out.

394
00:20:08,220 --> 00:20:12,860
It was like the young Spice Girls fan, Audrey,

395
00:20:12,860 --> 00:20:15,900
got to go see Sabrina Carpenter.

396
00:20:15,900 --> 00:20:18,740
She's one of my favorite New Pop stars of all time.

397
00:20:18,740 --> 00:20:22,500
I mean, she's like for sure after last night.

398
00:20:24,340 --> 00:20:26,460
Maybe my favorite of all time.

399
00:20:26,460 --> 00:20:29,900
I, she really, she's something else.

400
00:20:29,900 --> 00:20:30,780
She really is.

401
00:20:30,780 --> 00:20:32,740
I could go on for a long time,

402
00:20:32,740 --> 00:20:34,980
but her dancing skills are incredible.

403
00:20:34,980 --> 00:20:36,740
She's so polished.

404
00:20:36,740 --> 00:20:39,820
Her vocals are impeccable.

405
00:20:39,820 --> 00:20:41,860
Really, really strong vocals.

406
00:20:41,860 --> 00:20:46,860
And just a really confident, flirty, fun, emotional.

407
00:20:46,860 --> 00:20:50,820
It just, there were so many different emotions.

408
00:20:50,820 --> 00:20:54,740
Look, I think, and I hope,

409
00:20:54,740 --> 00:20:57,380
I mean, we get more acting out of her.

410
00:20:57,380 --> 00:21:00,500
I think it would be a disservice

411
00:21:00,500 --> 00:21:05,500
to only have her be a pop star for the rest of her life

412
00:21:05,580 --> 00:21:08,180
because this girl has acting chops

413
00:21:08,180 --> 00:21:10,940
and it comes through so clearly in her pop music.

414
00:21:10,940 --> 00:21:13,460
And I'm super excited for her Netflix special

415
00:21:13,460 --> 00:21:17,020
because I hope they kind of showcase that.

416
00:21:17,020 --> 00:21:21,540
And I hope that we see her getting bigger roles

417
00:21:21,540 --> 00:21:26,540
that I really think after seeing her level of performance,

418
00:21:27,300 --> 00:21:29,980
I don't think, I kind of want to go back now

419
00:21:29,980 --> 00:21:33,380
and watch Boy Meets, Girl Meets World,

420
00:21:33,380 --> 00:21:34,940
but I was just too old for it.

421
00:21:34,940 --> 00:21:39,140
So, you know, guys, I was born in 87, she was born in 99.

422
00:21:39,140 --> 00:21:40,580
I've been a little too old for it,

423
00:21:40,580 --> 00:21:45,580
but I want to go back to the, just how polished she was

424
00:21:46,460 --> 00:21:51,460
because it goes back to how long she has been working at this.

425
00:21:51,940 --> 00:21:56,940
And I think that she is handling this meteoric,

426
00:21:58,820 --> 00:22:01,020
look, she had a huge summer too,

427
00:22:01,020 --> 00:22:03,260
Chapel Roan also had a huge summer.

428
00:22:03,260 --> 00:22:06,460
They both had meteoric success.

429
00:22:06,460 --> 00:22:11,460
However, Sabrina Carpenter is, she's been famous

430
00:22:11,900 --> 00:22:16,380
for a lot longer, she's been in this game on a, you know,

431
00:22:16,380 --> 00:22:20,740
maybe not in a household name level, but I mean,

432
00:22:20,740 --> 00:22:22,460
I really am not sure.

433
00:22:22,460 --> 00:22:25,140
I think for Gen Z, maybe she has been a household name

434
00:22:25,140 --> 00:22:27,260
and maybe I'm just too old to have known about her

435
00:22:27,260 --> 00:22:28,100
until this summer.

436
00:22:28,100 --> 00:22:30,380
I think that's probably possible.

437
00:22:30,380 --> 00:22:35,100
So maybe I'm late to the game, I probably am,

438
00:22:35,100 --> 00:22:39,180
but she has been working at this for a long time.

439
00:22:39,180 --> 00:22:40,300
I talked about it earlier.

440
00:22:40,300 --> 00:22:41,780
She's done a lot of voiceover work.

441
00:22:41,780 --> 00:22:46,100
She's done just, she's been hustling and you see that.

442
00:22:46,100 --> 00:22:48,540
I mean, go look at her IMDB.

443
00:22:48,540 --> 00:22:53,540
She is a hardworking industry girl and it shows,

444
00:22:54,380 --> 00:22:55,500
it really does.

445
00:22:55,500 --> 00:23:00,500
And yeah, I just, I'm so happy that I went really,

446
00:23:00,500 --> 00:23:05,500
it was such a last minute splurge, but this is your sign.

447
00:23:09,140 --> 00:23:11,420
If she's coming to your town, go.

448
00:23:11,420 --> 00:23:14,460
If you have the flexibility, like I did,

449
00:23:14,460 --> 00:23:16,420
wait until the very last second

450
00:23:16,420 --> 00:23:18,580
and see if you can get your tickets

451
00:23:19,540 --> 00:23:21,420
when they go down lower.

452
00:23:21,420 --> 00:23:24,900
Now, there is another thing that we need to talk about,

453
00:23:24,900 --> 00:23:27,740
which is at MSG the night before,

454
00:23:27,740 --> 00:23:31,620
Sabrina Carpenter alluded to, what did she say?

455
00:23:31,620 --> 00:23:35,540
She said, should we talk about how I got the mayor indicted?

456
00:23:37,060 --> 00:23:41,180
So this was news to me, but apparently

457
00:23:41,180 --> 00:23:42,820
for those of you who did not know this,

458
00:23:42,820 --> 00:23:46,460
Sabrina Carpenter's music video for Feather

459
00:23:46,460 --> 00:23:51,460
was filmed at a Catholic church in Brooklyn.

460
00:23:51,620 --> 00:23:56,300
This guy, I'm sorry, I'm just gonna call him Monsignor,

461
00:23:56,300 --> 00:23:57,460
Monsignor Jamie.

462
00:23:57,460 --> 00:23:59,420
I'm not gonna try to pronounce this last name.

463
00:23:59,420 --> 00:24:00,580
I can't.

464
00:24:00,580 --> 00:24:03,260
But basically Monsignor Jamie

465
00:24:03,260 --> 00:24:05,540
granted her permission to do this.

466
00:24:05,540 --> 00:24:07,860
And that really ruffled,

467
00:24:07,860 --> 00:24:10,020
cause like if you've seen the Feather music video,

468
00:24:10,020 --> 00:24:13,820
it's a very sexual music video filmed in the Catholic church.

469
00:24:13,820 --> 00:24:18,020
And basically the diocese of Brooklyn had a problem with it

470
00:24:18,020 --> 00:24:22,100
and the bishop basically opened a probe

471
00:24:22,100 --> 00:24:25,900
into the dealings of that Monsignor Jamie.

472
00:24:25,900 --> 00:24:29,380
And through that probe, through this probe,

473
00:24:30,300 --> 00:24:35,300
it led to this guy, Frank Carone, being investigated.

474
00:24:35,740 --> 00:24:38,300
And that is Eric Adams, chief of staff.

475
00:24:38,300 --> 00:24:43,140
And that is how basically Sabrina Carpenter's music video

476
00:24:43,140 --> 00:24:47,740
led to a knock on effect where Eric Adams got indicted.

477
00:24:47,740 --> 00:24:50,780
So crazy, small world.

478
00:24:50,780 --> 00:24:53,580
But yeah, she brought the house down

479
00:24:53,580 --> 00:24:58,580
and the set was just, it was incredible.

480
00:24:58,860 --> 00:25:01,780
It was like a Sabrina dream house.

481
00:25:01,780 --> 00:25:04,900
My friend lives in LA and invited me to go with her

482
00:25:04,900 --> 00:25:06,780
to the ones there.

483
00:25:06,780 --> 00:25:09,620
I would honestly go see her again, she was that good.

484
00:25:09,620 --> 00:25:12,140
So that says a lot.

485
00:25:12,140 --> 00:25:15,540
The costumes though, the costumes definitely

486
00:25:15,540 --> 00:25:19,100
recalled her, the taste music video.

487
00:25:19,100 --> 00:25:23,820
Like I loved this like cat suit that she had.

488
00:25:23,820 --> 00:25:26,500
The hair had its own performance

489
00:25:26,500 --> 00:25:31,180
and we will get into that on the hair theory episode.

490
00:25:31,180 --> 00:25:36,180
But all in all, I think she's one of the greatest pop stars

491
00:25:37,500 --> 00:25:39,340
we have ever seen.

492
00:25:39,340 --> 00:25:44,340
And I am so excited for what's to come next.

493
00:25:44,500 --> 00:25:48,660
And I am excited to see what comes out of her

494
00:25:48,660 --> 00:25:50,220
and Amy Allen specifically.

495
00:25:50,220 --> 00:25:53,940
I just think they knocked this album out of the park.

496
00:25:53,940 --> 00:25:58,180
Jack Antonoff, specifically, God, what is that song

497
00:25:58,180 --> 00:26:00,700
that I'm so obsessed with on this album?

498
00:26:00,700 --> 00:26:04,020
The way that Antonoff produced Sharpest Tool

499
00:26:04,020 --> 00:26:07,460
and specifically the second verse of Sharpest Tool,

500
00:26:07,460 --> 00:26:10,820
he does this like underwater kind of effect.

501
00:26:10,820 --> 00:26:12,740
It's interesting, once you start to produce music,

502
00:26:12,740 --> 00:26:16,820
you listen to music in a, or maybe all of you

503
00:26:16,820 --> 00:26:18,100
listen to music this way, I don't know.

504
00:26:18,100 --> 00:26:22,660
But I listen to music in a more scientific way now.

505
00:26:22,660 --> 00:26:25,020
And the production on Sharpest Tool

506
00:26:25,020 --> 00:26:28,060
is probably one of my favorites on the album.

507
00:26:28,060 --> 00:26:31,620
And no wonder it was one of my favorites

508
00:26:31,620 --> 00:26:33,180
in the live performance.

509
00:26:33,180 --> 00:26:35,260
Yeah, Bed Chem was incredible.

510
00:26:35,260 --> 00:26:38,340
The way that the stage is set up,

511
00:26:39,180 --> 00:26:41,820
Bed Chem is completely closed off.

512
00:26:41,820 --> 00:26:45,780
You can see through these sheer scrims basically.

513
00:26:45,780 --> 00:26:47,900
To see the first part of the performance,

514
00:26:47,900 --> 00:26:49,300
you have to look up at the monitors

515
00:26:49,300 --> 00:26:51,820
because they're filming her from above.

516
00:26:51,820 --> 00:26:55,980
And I will say that does go back to this like Hollywood

517
00:26:55,980 --> 00:27:00,980
kind of voyeuristic movie production vibe.

518
00:27:01,300 --> 00:27:03,100
You get that from this set.

519
00:27:03,100 --> 00:27:06,220
It feels like an old Hollywood TV set.

520
00:27:06,220 --> 00:27:09,660
And the way that they film this, you feel that.

521
00:27:09,660 --> 00:27:11,580
It comes across in the live performance.

522
00:27:11,580 --> 00:27:15,460
Really interesting, but it was hard for me to see her

523
00:27:15,460 --> 00:27:18,060
from where I was at for that performance.

524
00:27:18,060 --> 00:27:22,300
But yeah, Good Graces was also a favorite.

525
00:27:22,300 --> 00:27:27,380
It brings me back to like middle school dances

526
00:27:27,380 --> 00:27:30,220
in like 99, which is interesting

527
00:27:30,220 --> 00:27:31,580
because that's the year that she was born.

528
00:27:31,580 --> 00:27:33,860
She is reminding me of music

529
00:27:33,860 --> 00:27:37,340
that is from that era of like R&B

530
00:27:37,340 --> 00:27:39,740
with those songs specifically.

531
00:27:39,740 --> 00:27:43,900
With Good Graces, Lie to Girls also is a favorite.

532
00:27:43,900 --> 00:27:46,500
And it also was one of my favorites live.

533
00:27:46,500 --> 00:27:49,020
That was the one that she was playing guitar on.

534
00:27:49,020 --> 00:27:53,660
But also Lie to Girls, again, Carpenter, Alan, Antonoff.

535
00:27:53,660 --> 00:27:56,580
I feel like some of my favorites

536
00:27:56,580 --> 00:27:59,420
are that combination on this album.

537
00:27:59,420 --> 00:28:01,060
So let's talk about those.

538
00:28:01,060 --> 00:28:05,940
Lie to Girls, Slim Pickens, Sharpest Tool.

539
00:28:06,940 --> 00:28:08,460
Please, please, please.

540
00:28:08,460 --> 00:28:13,460
All of those are the Jack Antonoff, Alan,

541
00:28:13,620 --> 00:28:17,620
and the new one, Busy Woman, which also, let's see.

542
00:28:17,620 --> 00:28:20,860
So, okay, so Taste is not Antonoff.

543
00:28:20,860 --> 00:28:22,860
So it's interesting when you look at this.

544
00:28:22,860 --> 00:28:24,460
I would be remiss to not mention,

545
00:28:24,460 --> 00:28:26,140
like Julia Michaels worked on this.

546
00:28:26,140 --> 00:28:30,020
She is one of the best songwriters in the industry.

547
00:28:30,020 --> 00:28:32,180
I'm not gonna pretend like I know these other people.

548
00:28:32,180 --> 00:28:35,020
Ryan, John Ryan, Ian Kropatric,

549
00:28:35,020 --> 00:28:37,460
I actually feel like I should know that name.

550
00:28:37,460 --> 00:28:40,140
It's really familiar, but alas.

551
00:28:41,380 --> 00:28:42,220
I don't.

552
00:28:44,220 --> 00:28:48,220
John Henry Ryan, producer from Rochester.

553
00:28:49,620 --> 00:28:51,300
Interesting, yeah.

554
00:28:52,340 --> 00:28:53,580
Well, I just have to say,

555
00:28:53,580 --> 00:28:56,100
I hope this album wins a lot of Grammys

556
00:28:56,100 --> 00:28:59,700
because I think it really deserves it.

557
00:28:59,700 --> 00:29:02,140
There's not a bad track on the album.

558
00:29:02,140 --> 00:29:05,580
And I have to say, that's music these days.

559
00:29:05,580 --> 00:29:09,580
You really have to release every track needs to be a banger.

560
00:29:09,580 --> 00:29:14,580
And like this, all 12 tracks, for sure, bangers.

561
00:29:15,020 --> 00:29:20,020
I am gonna go buy the vinyl today and the digital

562
00:29:20,020 --> 00:29:23,100
so that I can get these extra tracks

563
00:29:23,100 --> 00:29:25,660
that I did not know the words to last night.

564
00:29:25,660 --> 00:29:27,300
I felt a little embarrassed.

565
00:29:28,540 --> 00:29:31,820
But yeah, she's incredible.

566
00:29:31,820 --> 00:29:36,820
She's incredible and I will say, I didn't want to talk

567
00:29:36,820 --> 00:29:41,820
about this because it's the least interesting thing

568
00:29:42,340 --> 00:29:47,340
about her, but as I also am someone who is a niece

569
00:29:49,060 --> 00:29:54,060
of someone famous, Ms. Sabrina Carpenter is the niece

570
00:29:54,060 --> 00:29:59,060
of the woman who does the voice work for Bart Simpson.

571
00:29:59,060 --> 00:30:04,060
And I say that not because I want to label her

572
00:30:04,540 --> 00:30:09,020
as a nepo niece or nepo baby or whatever.

573
00:30:09,020 --> 00:30:12,860
I actually really don't think she is,

574
00:30:12,860 --> 00:30:17,260
but I think vocally knowing that, I think, okay,

575
00:30:17,260 --> 00:30:18,340
think about it.

576
00:30:18,340 --> 00:30:20,580
The vocal chops that you have to have

577
00:30:20,580 --> 00:30:23,300
to be the voice of Bart Simpson.

578
00:30:23,300 --> 00:30:25,580
And I think she voiceovers like many of the characters

579
00:30:25,580 --> 00:30:27,020
on the Simpsons.

580
00:30:27,020 --> 00:30:29,660
It is interesting to look at that

581
00:30:29,660 --> 00:30:33,940
and Sabrina Carpenter's voiceover background

582
00:30:33,940 --> 00:30:38,940
and how that has shaped her to be the phenomenal

583
00:30:39,300 --> 00:30:41,900
pop performer that she is.

584
00:30:41,900 --> 00:30:45,500
That is why I do think it's interesting to state,

585
00:30:45,500 --> 00:30:50,500
not because I'm saying that she got to where she is

586
00:30:51,220 --> 00:30:55,020
because she has a famous aunt, because FYI people,

587
00:30:55,020 --> 00:30:56,780
it just doesn't work that way.

588
00:30:56,780 --> 00:30:57,620
It doesn't.

589
00:30:57,620 --> 00:30:59,860
Yeah, there are doors that may open

590
00:30:59,860 --> 00:31:01,500
and there are introductions that are had,

591
00:31:01,500 --> 00:31:02,820
but if you don't have the chops

592
00:31:02,820 --> 00:31:03,940
and you don't have the talent

593
00:31:03,940 --> 00:31:07,940
and you don't have the work ethic, it doesn't matter.

594
00:31:07,940 --> 00:31:12,940
So I can't deny that you have experiences and rooms

595
00:31:15,620 --> 00:31:19,740
that you're in that you would never get to otherwise.

596
00:31:19,740 --> 00:31:24,020
But I don't know how much the voiceover actress

597
00:31:24,020 --> 00:31:26,980
from the Simpsons really opened.

598
00:31:26,980 --> 00:31:30,220
I don't wanna say that so much about Sabrina

599
00:31:30,220 --> 00:31:32,580
because I feel like it diminishes

600
00:31:32,580 --> 00:31:34,860
from how hard she's worked

601
00:31:34,860 --> 00:31:39,380
and it just gives people an excuse to label her

602
00:31:40,260 --> 00:31:45,100
in a way as if she doesn't deserve this talent, this fame.

603
00:31:45,100 --> 00:31:46,980
And she's very deserving of it.

604
00:31:46,980 --> 00:31:48,340
She's worked very hard.

605
00:31:48,340 --> 00:31:50,820
I love the old little YouTube videos of her

606
00:31:50,820 --> 00:31:55,020
when she's like 10 years old singing like Christina Aguilera

607
00:31:55,020 --> 00:31:58,140
covers, this girl has been working her little butt off.

608
00:31:58,140 --> 00:32:03,140
So it was just really emotional to see her in that setting.

609
00:32:04,420 --> 00:32:05,780
And I'm not gonna lie,

610
00:32:05,780 --> 00:32:09,060
the more I go to these massive concert settings,

611
00:32:09,060 --> 00:32:10,740
it reminds me of like, okay, look,

612
00:32:10,740 --> 00:32:14,780
one of my earlier concerts was like Britney Spears

613
00:32:14,780 --> 00:32:15,780
just to compare.

614
00:32:15,780 --> 00:32:18,260
And like, I remember watching Britney Spears, Young Girl

615
00:32:18,260 --> 00:32:23,260
and Britney Spears on stage felt so unattainable

616
00:32:25,020 --> 00:32:26,740
and so out of reach.

617
00:32:26,740 --> 00:32:29,580
And like the ultimate dream to me.

618
00:32:30,620 --> 00:32:31,860
And I wanted it.

619
00:32:31,860 --> 00:32:32,940
I wanted to be her.

620
00:32:32,940 --> 00:32:35,900
And it definitely set off a chain of events in my life

621
00:32:35,900 --> 00:32:38,940
to try to do that and write pop music and whatnot,

622
00:32:38,940 --> 00:32:41,060
but it felt very far off.

623
00:32:41,060 --> 00:32:45,380
And what I have been doing since being a musician,

624
00:32:45,380 --> 00:32:50,380
when I go to shows, I purposefully try to feel

625
00:32:50,980 --> 00:32:54,860
like I'm in their position and feel like

626
00:32:54,860 --> 00:32:59,180
what that would feel like and feel like I could do it.

627
00:33:00,900 --> 00:33:04,100
And look, the dancing chops now.

628
00:33:04,100 --> 00:33:06,260
I am a horrible dancer.

629
00:33:06,260 --> 00:33:09,380
I am like a lane level.

630
00:33:09,380 --> 00:33:12,060
I'm a Phoebe y'all, I really am.

631
00:33:12,060 --> 00:33:13,780
So I never will be a dancer,

632
00:33:13,780 --> 00:33:17,380
but like when I went to the John Mayer concert last,

633
00:33:17,380 --> 00:33:19,500
like I sat there and I was like, okay,

634
00:33:19,500 --> 00:33:22,140
I'm not saying that I could play a guitar like John Mayer

635
00:33:22,140 --> 00:33:25,580
right now, but if I work my ass off, maybe someday I can.

636
00:33:25,580 --> 00:33:28,140
But what I'm saying is when you have a dream like that,

637
00:33:28,140 --> 00:33:31,380
it's good to go to these experiences

638
00:33:31,380 --> 00:33:33,820
and especially to be that close,

639
00:33:33,820 --> 00:33:37,900
to kind of feel the energy.

640
00:33:37,900 --> 00:33:40,100
I'm a big believer of manifesting.

641
00:33:40,100 --> 00:33:44,420
So I definitely do that when I'm at these shows.

642
00:33:44,420 --> 00:33:47,860
Look, I am trying to get my music out there.

643
00:33:47,860 --> 00:33:51,500
I am going to be booking more live performances.

644
00:33:51,500 --> 00:33:53,060
And I'm doing that.

645
00:33:53,060 --> 00:33:58,060
So I'm polished enough that if my music ever does pop off,

646
00:33:58,340 --> 00:34:02,700
I will be ready to be on those big stages.

647
00:34:02,700 --> 00:34:06,380
Cause like that's the end game here.

648
00:34:06,380 --> 00:34:07,740
That's the goal.

649
00:34:07,740 --> 00:34:09,580
I mean, that's what drives all of this.

650
00:34:09,580 --> 00:34:12,100
Just so you know, I may be doing a podcast,

651
00:34:12,100 --> 00:34:16,580
but ultimately my ultimate dream is still to be

652
00:34:16,580 --> 00:34:20,900
headlining MSG and making music for a living.

653
00:34:20,900 --> 00:34:23,900
And I mean, I am loving this podcast too.

654
00:34:23,900 --> 00:34:26,020
So potentially always do that as well.

655
00:34:26,020 --> 00:34:30,020
But that is and has always been the goal.

656
00:34:30,020 --> 00:34:35,020
So it was just good to get out and see one of my

657
00:34:35,020 --> 00:34:39,380
newest favorite idols just bring down the house

658
00:34:39,380 --> 00:34:40,300
in Brooklyn.

659
00:34:40,300 --> 00:34:43,660
And as Brooklyn was the place where I got my start

660
00:34:43,660 --> 00:34:46,220
in New York, it was quite fitting.

661
00:34:47,100 --> 00:34:52,100
Now I did have quite an adventure getting home.

662
00:34:52,460 --> 00:34:56,900
Okay. So when you leave these concerts in like,

663
00:34:56,900 --> 00:34:58,780
especially at the ones in Queens,

664
00:34:58,780 --> 00:35:00,860
it's really hard to get an Uber.

665
00:35:00,860 --> 00:35:02,820
Like it's so impossible to find your Uber

666
00:35:02,820 --> 00:35:04,300
when that many people are leaving.

667
00:35:04,300 --> 00:35:07,700
So like in those cases, it's just, it's not worth it.

668
00:35:07,700 --> 00:35:10,940
And also the taxis are impossible to get.

669
00:35:10,940 --> 00:35:13,740
So your best bet is the subway.

670
00:35:13,740 --> 00:35:15,420
And I was by myself.

671
00:35:15,420 --> 00:35:20,420
But I basically like took,

672
00:35:20,540 --> 00:35:23,780
I like walked with some people further to the subway

673
00:35:23,780 --> 00:35:27,100
that was like a little bit further to take like the three.

674
00:35:27,100 --> 00:35:31,100
And I get on the subway and I get off at Times Square.

675
00:35:31,100 --> 00:35:35,580
And at first I'm like, I'm just going to take like the

676
00:35:35,580 --> 00:35:39,060
shuttle to Grand Central, except every single car

677
00:35:39,060 --> 00:35:43,540
has like one like squatter dude on it.

678
00:35:43,540 --> 00:35:46,580
And I'm like, I'm not going to be alone in a subway car

679
00:35:46,580 --> 00:35:47,740
with any of these guys.

680
00:35:47,740 --> 00:35:52,460
No. So I go, I'm like, okay, I'm going to go to the M.

681
00:35:54,660 --> 00:35:57,940
I go get on the platform.

682
00:35:57,940 --> 00:36:01,820
Granted, also in the background, this is also happening.

683
00:36:01,820 --> 00:36:05,420
People are having like a Sabrina Carpenter sing along,

684
00:36:05,420 --> 00:36:08,340
which is like the most New York thing is like in the subway

685
00:36:08,340 --> 00:36:11,780
and Times Square after a concert, people are like all

686
00:36:11,780 --> 00:36:13,420
coming together singing the music.

687
00:36:13,420 --> 00:36:14,900
It's amazing.

688
00:36:14,900 --> 00:36:17,620
So I'm like sitting there, I hear that.

689
00:36:17,620 --> 00:36:22,620
And like, I see this dude out of the corner of my eye

690
00:36:22,620 --> 00:36:25,980
like looking over at me and he had like kind of come from

691
00:36:25,980 --> 00:36:28,860
behind the stairwell, but there was also like another girl

692
00:36:28,860 --> 00:36:29,940
who was standing next to me.

693
00:36:29,940 --> 00:36:32,860
And like, we were both coming from the show.

694
00:36:32,860 --> 00:36:36,700
We were both dressed for the show for sure.

695
00:36:36,700 --> 00:36:41,700
I look over and I realized that this guy has his penis out

696
00:36:41,980 --> 00:36:45,700
and he is masturbating in front of me.

697
00:36:45,700 --> 00:36:49,420
And so I basically ran out of there

698
00:36:49,420 --> 00:36:54,420
and I hopped in a cab and got myself home.

699
00:36:54,460 --> 00:36:56,740
I wish I could say that was the first time that's happened

700
00:36:56,740 --> 00:36:58,500
in New York City, but it is not.

701
00:36:58,500 --> 00:37:03,500
That is something that does happen sadly in city life.

702
00:37:03,500 --> 00:37:05,700
Not that you should be desensitized to it

703
00:37:05,700 --> 00:37:06,820
and not that it's okay.

704
00:37:06,820 --> 00:37:08,140
It's really nasty.

705
00:37:08,140 --> 00:37:09,740
It's not okay.

706
00:37:09,740 --> 00:37:12,780
So yeah, quite a little wild red home,

707
00:37:12,780 --> 00:37:15,900
but all in all, one of the best nights of my life.

708
00:37:15,900 --> 00:37:18,580
So thank you, Sabrina.

709
00:37:18,580 --> 00:37:29,100
Sn

710
00:37:48,580 --> 00:37:53,580
We were only 23, feeling wild and feeling free

711
00:37:53,580 --> 00:37:57,580
In the middle of July, you set my heart on fire

712
00:37:57,580 --> 00:38:01,580
Now you're just a memory and a phase over time

713
00:38:01,580 --> 00:38:03,580
We've run bright, we've run fast

714
00:38:03,580 --> 00:38:05,580
Summer love never lies

715
00:38:05,580 --> 00:38:08,580
I can see you smoking in the sun

716
00:38:08,580 --> 00:38:12,580
Drinking roses, singing Elio

717
00:38:12,580 --> 00:38:16,580
We were in a Mercedes with a window down

718
00:38:16,580 --> 00:38:20,580
Without an air, we can't be reading them out

719
00:38:34,580 --> 00:38:37,580
Took a train at the clock, show me off defense

720
00:38:37,580 --> 00:38:41,580
Tried it on full size, but it didn't quite fit

721
00:38:41,580 --> 00:38:46,580
Like a fever train that you face tonight

722
00:38:46,580 --> 00:38:50,580
Sun may came by, same as sacrifice

723
00:38:50,580 --> 00:38:52,580
Summer's late, it's short and sweet

724
00:38:52,580 --> 00:38:55,580
So let's dance around the play rough winds

725
00:38:55,580 --> 00:38:58,580
On the beach, some hearts can't be tamed

726
00:38:58,580 --> 00:39:02,580
We've so longed and it's gloating and dying

727
00:39:02,580 --> 00:39:04,580
We've run bright, we've run fast

728
00:39:04,580 --> 00:39:06,580
Summer love never lies

729
00:39:06,580 --> 00:39:09,580
I can see you smoking in the sun

730
00:39:09,580 --> 00:39:13,580
Drank roses, singing Elio

731
00:39:13,580 --> 00:39:17,580
We were in a Mercedes with a window down

732
00:39:17,580 --> 00:39:21,580
Without an air, we can't see it now

733
00:39:27,580 --> 00:39:31,580
Without an air, we can't be with you

734
00:39:31,580 --> 00:39:34,580
I'm a man who can speak

735
00:39:35,580 --> 00:39:37,580
I'm a man who can speak

736
00:39:37,580 --> 00:39:40,580
I'm a man who can speak now

737
00:39:42,580 --> 00:39:45,580
I can see you smoking in the sun

738
00:39:45,580 --> 00:39:47,580
Drink your old tea

739
00:39:47,580 --> 00:39:49,580
Sing a neal young

740
00:39:49,580 --> 00:39:51,580
We were in the same place

741
00:39:51,580 --> 00:39:53,580
With a window down

742
00:39:53,580 --> 00:39:56,580
I'm a man who can speak now

743
00:39:56,580 --> 00:40:01,580
I can see you smoking in the sun

744
00:40:01,580 --> 00:40:03,580
Drink your old tea

745
00:40:03,580 --> 00:40:05,580
Sing a neal young

746
00:40:05,580 --> 00:40:07,580
We were in the same place

747
00:40:07,580 --> 00:40:09,580
With a window down

748
00:40:09,580 --> 00:40:12,580
I'm a man who can speak now

749
00:40:12,580 --> 00:40:15,580
I can see you smoking in the sun

750
00:40:15,580 --> 00:40:17,580
Drink your old tea

751
00:40:17,580 --> 00:40:19,580
Sing a neal young

752
00:40:19,580 --> 00:40:29,580
I'm a rapper, I'm a rapper, I'm a rapper, I'm a rapper

