WEBVTT

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What would happen if instead of composing predetermined

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assignments, college composition students could

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compose whatever they want to compose? What would

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happen if students could set their own deadlines

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and grade their own work? Find out. as Assistant

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Professor Mason Joiner and I explore these questions

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with a few of our fellow English Department colleagues.

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I'm Monica Mankin, and this is the English 101

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Experiment. All right. So we are here for episode

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four of the English 101 experiment. And this

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is, what's the date today? The 9th already? The

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9th of November. November 9th. 2023. Wow. The

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semester has just been flying by, I feel like.

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All right. Well, I'm Monica Mankin, Associate

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Professor of English at Delgado Community College.

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I am Mason Joiner, assistant professor of English

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at Delgado Community College in New Orleans,

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Louisiana. And I'm Audra Rouse, associate professor

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of English at Delgado. And how long have you

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been working at Delgado? Since 2012. So I started

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as an adjunct for one semester. And then so I'm

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going on like 11 years as a full -time instructor.

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Yeah, I think we have the same. Backstory, like

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one semester of adjuncting here and then full

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-time. I think I did two academic years of adjuncting

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before coming on full -time. I thank you for

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joining us today. Thanks for inviting me. It's

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exciting. I've been enjoying listening to information

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about your experiment. Cool. So today our focus

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is going to be on... I think it was like what's

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fair and other questions of self -evaluation.

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So we thought you would be a good person to talk

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to us about this because I know last year you

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and Mason were working on kind of trying to revise

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our departmental rubric. We're all on the standards

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and assessment committee together. Right. So

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we were the collaboration. It's not collaboration.

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Yes. But calibration team for a while. Yes. So.

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sort of relevant? Yes, definitely relevant to

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our interests. So I was hoping maybe you could

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start off with giving the audience just an overview

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of how you are assessing student work during

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this experiment and how you are establishing

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what's fair. So just kind of start with a big

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picture overview of how you're doing that. Well,

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big picture overview of how the students' work

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is being evaluated. We're, I guess, looking at

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a grade breakdown to start with. That's pretty

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bird's eye. Attendance and conferences are taking

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up a big chunk. I think we, off the top of my

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head, I'm actually, I know it's, is it 20 % for

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attendance and journal, 20 % for conferences?

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10 % for their action plan, proposal, and then

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that remaining 50 is their body of work, their

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compositions over the course of the semester

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and whatever form those projects take. Along

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with a self -evaluation where they are actually

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designing their own grading rubric. And then

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composing a self -evaluation type of essay, reflective

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self -evaluation, where they then grade their

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project. Okay, and I know that... From listening

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to other podcasts, students are doing different

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numbers of projects. So some are taking on like

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one big project while others are doing smaller,

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slightly less ambitious projects. So how do you

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establish what's fair in terms of the number

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and ambition level of projects? have there been

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any problems or did you have any worries about

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some students being a lot more ambitious than

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others? Because I remember from what you've talked

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about before, an example of like a cookbook versus

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synthesizing 50 articles on cancer research.

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Throwing together some recipes with some commentary

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sounds a lot easier to me. So how do you balance

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that out? Well, yes, of course. I mean, even

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in a traditional English 101 class, I think you've

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got students who take on more than they necessarily

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need to. Those ambitious students are the ones

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that synthesize dozens of sources on cancer research.

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I think this conversation with our students began

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first by really us asking them the question you

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just asked us. We asked them, What do you think

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is fair? And sort of let them just really out

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of curiosity to see what standards they would

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pull out of the air to describe what's fair for

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an English 101 class. Go ahead, Monica. Yeah,

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I was just going to add to that, that part of

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that conversation included what everyone else

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is doing in English 101 at the college, that

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these are the expectations of students in this

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course. So how is this going to translate? to

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this style of composing throughout the semester.

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And we talked a lot about word counts and how

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they're pretty useless. Most students said that

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when there is a word count, that's all they care

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about, and they're just trying to get to that

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number of words, and so they lose sight of the

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quality of what they're producing. And I think

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we talked a lot about the number of hours, right,

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the work hours that would go into these projects.

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And that if you are talking to a classmate and

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they're wanting to do, you know, a podcast on

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autism and you're like, I'm going to write a

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cover letter for my resume, that's an imbalance.

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So how do we correct that? And they actually

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really helped each other. thinking about that

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at the beginning. Now that we're kind of wrapping

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things up, there are some concerns, but is there

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anything else to the fairness question that you

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want? I think this, for me, kind of feeds into

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this self -evaluation part. My students today

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just started generating thoughts for their self

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-evaluation in their journal based on the questionnaire

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that I gave them. One of the questions was, you

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know, would you say the amount of work you compose

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this semester exceeds, equals, falls below, or

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falls far below what your classmates, the amount

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of work your classmates composed? And so I think

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we're still addressing the fairness question,

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even in their self -evaluation, encouraging,

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you know, honesty, integrity, accountability

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for what, how much work have you done, and do

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you think it's enough? Right. And I circle actually

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circled that it was the third question on your

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list of questions that I added to that was just

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the straightforward. Did you complete what you

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set out to do? Because I do have a couple of

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students and it's really only two, literally

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a couple who haven't even started the second

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project and their first project wasn't. Super

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demanding, like it really didn't need 12 weeks.

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So we're going to have to have that conversation

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about how, you know, this is not this 50 percent

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of your grade is probably not going to be an

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A. And so, yeah, we're going to have some hard

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conversations happening. I think starting having

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those hard conversations all together helps lay

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a foundation to make the individual conversations

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easier. Last class, we'd started by saying, think

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about the body of work that earns an A in this

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course and describe that body of work. Think

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about the body of work that earns a B, that earns

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a C. Describe that body of work. And so then

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it was really the students telling me what a

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C looks like. sort of taking ownership over,

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well, that kind of describes what I've done.

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So sort of laying the foundation there for maybe

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I'm going to get a C in this class. Okay, great.

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So a lot of it is about community and kind of

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setting the standards together. I was actually

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wondering about that a lot. This goes a little

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bit off of the idea of assessment, but since

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everybody's doing their own individual projects,

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like having enough commonality to be able to

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evaluate each other's or give feedback or um

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so I was just kind of wondering like how do you

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keep the social component um of the course and

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it sounds like a lot of that does have to do

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with assessment and kind of establishing the

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class norm like or the class expectation a lot

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of that energy was spent in the first few weeks

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establishing the class norms, expectations, class

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community, you know, what we expect of each other.

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Yeah. And I think that does pay off further down

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the line. Yeah. And having the opportunity for

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them to all share what they're working on throughout

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the entire semester, like the workshopping that

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we've done. And it's like, I don't like we, I

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have not been using educational. Like I don't,

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we don't talk about assessment or grading. We

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talk about feedback. We talk about the quality

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of the text. We talk about, you know, how do

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we develop this or how do we sharpen the language

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or the style? Because we did so much practice

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at the beginning that the students all have that

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in common to be able to make, to draw from that,

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to make suggestions, no matter the type of composition

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that they're putting forth for feedback. And

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because everyone's projects vary so highly, it

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does leave a lot more room in discussion and

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workshop to focus on the purpose of a particular

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text and the audience and letting the author's

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purpose and the author's target audience sort

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of guide what your feedback should be for each

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other. Yeah. Okay, that makes sense. And how

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do you tie that all into the SLOs for the course?

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How do you make sure that you're keeping on track

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with that? I'm just going to say that has been

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one of the struggles this semester. And I think

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we've had a lot of conversations, Mason and I

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have, about when we do this again, how do we

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fold in? I think it's just more of the academic

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part of it. But I think there's still a lot of

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academic work that's been done. And I think especially

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with the self -evaluation essay as the final

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culminating text that they produce, that they

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are, I mean, they have been practicing citation.

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They're very concerned about documenting sources.

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I think the way that our SLOs are written, there

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is a lot of... there's some wiggle room like

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everything doesn't have to be an essay to assess

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whether a student can have an idea and support

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an idea or achieve a purpose or appeal to a specific

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audience like those things are happening and

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so they're that's pretty clear I feel like those

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SLOs can be checked off but it is the uh you

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know um I guess did have has anyone had to write

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an MLA paper no but I mean, some of them are

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doing that, but it's not like a requirement.

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So I can see how like that might cause trouble.

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But we are addressing that and coming up with

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ways to kind of integrate that better into the

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second round of this experiment in the spring.

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Yeah. And we've had we have at least had the

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position from from early on that they are doing

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a lot of academic kind of work. Like you mentioned,

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the self -evaluation is ultimately very academic.

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And the action plan that they write to sort of

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moderate the timeline of their projects is at

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least a very professional text, if not strictly

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academic. It's certainly a professional text

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that they're creating. Yeah, and I think that

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applies. Yeah, and I think that's a very transferable

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skill to be able to take that. process and that

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type of composition that we all created and I

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mean use that again in a class where you are

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going to maybe be asked to compose a midterm

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paper or a final paper it's a big project and

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you need to break it down and you need to manage

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your time like I think that was one of the benefits

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of doing that is that it really made that more

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concrete for a lot of students instead of me

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saying okay we need to do this by this time they

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had to really think carefully about their lives

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and their schedules and and map that out themselves.

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Yeah, I think we're both looking for ways to

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integrate academic writing into the philosophy

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of this course more. But I think it's also important

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to remember that English 101 is an introduction

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to that. I think English 102 is where we really

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go deep with that kind of writing. And so students,

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I think my students will leave with... what they

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need to be in a good place to start 102. It's

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not like they've never heard of citing and documenting

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sources or, you know, they've never heard of

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how to organize an essay or what the purpose

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of the paragraph, all those things are still

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happening. They're just, they just look very

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different. So I could see how that might make

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people nervous. Like, oh, they're just, they're

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just writing poetry and keeping journals. They're

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not doing anything they're supposed to be doing

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in 101. But I think it's just a very different

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approach. getting students to actually care about

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what they're doing in a composition class. That's

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a much harder battle to win is teaching how to

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care about what you're writing. So just a logistical

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question. Have you looked at any finished projects

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yet? Or are you going to wait until the end?

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Because I see their final... Self -evaluation,

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that's going to include all the work that they've

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done. So are you sort of waiting until the end

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to look at everything that they've done? Or have

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you been sort of checking in and making sure

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about the quality all along? I would say, yeah,

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we're seeing rough drafts throughout. I wouldn't

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say we're seeing anything final throughout because

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I think we're also encouraging them to. Keep

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working. Keep working on it, right? There's always

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more improvement to be made. I do have students

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that did successfully complete a first project

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and then moved on to a second one. And so, yes,

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I have seen some final projects. We all agreed

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when we were making our timelines that we would

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be delivering our texts to their audiences no

00:15:38.450 --> 00:15:41.529
later than the 20th. So this next week, tomorrow,

00:15:41.629 --> 00:15:43.409
in fact, in class, we're going to talk about

00:15:43.409 --> 00:15:45.899
how do we do that. And so some students. their

00:15:45.899 --> 00:15:49.679
delivery will be to submit their work to images.

00:15:51.279 --> 00:15:53.580
Some students, like the student who did the cancer

00:15:53.580 --> 00:15:56.100
research, she wants to submit that to a journal.

00:15:56.159 --> 00:15:58.259
So I'm going to help her figure out that process.

00:15:59.879 --> 00:16:05.840
We've created a space also, I think. In progress.

00:16:06.179 --> 00:16:08.360
Yeah, it's in progress, but a space for students

00:16:08.360 --> 00:16:11.679
to be able to publish. And of course, that's

00:16:11.679 --> 00:16:14.059
going to include, it has to meet standards just

00:16:14.059 --> 00:16:16.120
like it would for any publication. It can't just

00:16:16.120 --> 00:16:20.299
be like, here's my shitty first draft for this.

00:16:20.620 --> 00:16:23.899
for this publication so i think so like it's

00:16:23.899 --> 00:16:26.360
coming together but there's there are still things

00:16:26.360 --> 00:16:31.580
that i'm concerned about as far as like and i

00:16:31.580 --> 00:16:34.159
asked mason i think it was yesterday or the day

00:16:34.159 --> 00:16:37.460
before it's all running together um but just

00:16:37.460 --> 00:16:40.059
like what do you do when you have a student who

00:16:40.059 --> 00:16:43.230
their work is not really deliverable yet Right.

00:16:43.889 --> 00:16:46.549
I can't I can't really deliver it to an audience

00:16:46.549 --> 00:16:49.230
because it's not ready. And so I'm still trying

00:16:49.230 --> 00:16:50.970
to sort out that question. And I think maybe

00:16:50.970 --> 00:16:53.190
that's even a question to ask the students. Like

00:16:53.190 --> 00:16:58.370
what, you know, what is the result of that? It

00:16:58.370 --> 00:17:00.690
brings us to the conversation with our students

00:17:00.690 --> 00:17:03.049
of what does it mean for a text to be ready for

00:17:03.049 --> 00:17:06.250
its audience? Yeah. Which is an interesting conversation

00:17:06.250 --> 00:17:09.869
to have. Yeah. And I don't think I mean, I think

00:17:09.869 --> 00:17:11.430
it's important for them to understand like this

00:17:11.430 --> 00:17:14.380
is. This is a place to be practicing these things.

00:17:14.480 --> 00:17:17.079
So if you didn't succeed at making it ready,

00:17:17.319 --> 00:17:20.839
you know, I don't think you should fail. But

00:17:20.839 --> 00:17:24.640
like, but what what does that mean for your grade?

00:17:24.740 --> 00:17:26.920
What does that mean for your learning process?

00:17:27.019 --> 00:17:30.799
What does that mean for the future courses you're

00:17:30.799 --> 00:17:35.660
going to take? That was one of my questions was,

00:17:35.880 --> 00:17:38.880
are there projects going to be graded? Do you

00:17:38.880 --> 00:17:42.349
feel like they're going to? the final grade for

00:17:42.349 --> 00:17:49.069
the project portion of the grade, do you think

00:17:49.069 --> 00:17:52.230
that that will be more based on effort or the

00:17:52.230 --> 00:17:55.670
actual quality of the work? Or how will that

00:17:55.670 --> 00:17:59.210
balance out? Well, I think for me, I'm expecting

00:17:59.210 --> 00:18:04.170
a lot of it to depend on... I'm really curious

00:18:04.170 --> 00:18:08.589
to see, A, how they score their own compositions

00:18:08.589 --> 00:18:11.779
using the rubrics they've designed. And I'm interested

00:18:11.779 --> 00:18:15.500
in seeing how honest they are in their evaluations

00:18:15.500 --> 00:18:18.259
of themselves. I feel like integrity in those

00:18:18.259 --> 00:18:23.019
two parts will play a lot into it for me, I think.

00:18:24.240 --> 00:18:26.619
I think I'm focusing more on the quality, the

00:18:26.619 --> 00:18:29.339
product, because I think the effort was in showing

00:18:29.339 --> 00:18:31.920
up to your conferences and showing up to class

00:18:31.920 --> 00:18:34.940
and participating in what we were doing in class.

00:18:35.660 --> 00:18:37.539
making the most of workshop, taking advantage

00:18:37.539 --> 00:18:41.700
of all of the processes that we participated

00:18:41.700 --> 00:18:44.940
in together. So I think really for me, I want

00:18:44.940 --> 00:18:49.039
to see them grade it based on what it is, not

00:18:49.039 --> 00:18:53.779
how much time they put into it or what they feel.

00:18:53.980 --> 00:18:57.380
Because we have kind of different guidelines,

00:18:57.519 --> 00:19:01.859
I guess, for our students. I definitely want

00:19:01.859 --> 00:19:06.079
them to... I had them actually do a social annotation

00:19:06.079 --> 00:19:09.799
of our department rubric. And we talked a lot

00:19:09.799 --> 00:19:11.960
about, like, well, what do these qualities mean?

00:19:12.119 --> 00:19:14.559
And then how would, you know, what language can

00:19:14.559 --> 00:19:16.839
you borrow from this to help build your own rubric?

00:19:16.839 --> 00:19:19.279
Because, I mean, if you're not all writing this

00:19:19.279 --> 00:19:22.690
particular kind of... essay the language doesn't

00:19:22.690 --> 00:19:25.589
necessarily translate very well but having I'm

00:19:25.589 --> 00:19:27.170
having them gonna they're gonna create their

00:19:27.170 --> 00:19:29.589
own actual rubric and I'm gonna be very much

00:19:29.589 --> 00:19:31.690
like this is about the actual product that you

00:19:31.690 --> 00:19:34.569
created so you have to put that aside and actually

00:19:34.569 --> 00:19:36.390
I was having a conference with one of my students

00:19:36.390 --> 00:19:39.779
today And I've been kind of as we've as I've

00:19:39.779 --> 00:19:41.319
introduced that and I'm conferencing, I've been

00:19:41.319 --> 00:19:42.960
asking them, you know, how are you feeling about

00:19:42.960 --> 00:19:46.579
having to grade yourself? You know, and she was

00:19:46.579 --> 00:19:48.359
like, actually, like, I think I'm going to just

00:19:48.359 --> 00:19:50.539
like after I finish, I'm just going to put it

00:19:50.539 --> 00:19:51.940
all away. And then I'm going to try to, like,

00:19:52.000 --> 00:19:55.039
look at it like I didn't write it and try to

00:19:55.039 --> 00:19:57.700
be objective. And I'm like, that's exactly what

00:19:57.700 --> 00:19:59.880
I want you to do. So it was good to hear that,

00:19:59.940 --> 00:20:02.900
you know, and just kind of an informal discussion

00:20:02.900 --> 00:20:06.339
about it. Yeah. Yeah. I'm looking forward to

00:20:06.339 --> 00:20:09.160
those conversations. as well. And I think and

00:20:09.160 --> 00:20:11.400
hope that at least many of the students will

00:20:11.400 --> 00:20:14.900
surprise me with how objective they are about

00:20:14.900 --> 00:20:20.519
their own writing. I hope, yeah. Can you talk

00:20:20.519 --> 00:20:23.619
more about having students design their own rubrics?

00:20:23.660 --> 00:20:28.180
Are you both doing that? Yes. So I didn't do

00:20:28.180 --> 00:20:31.099
the social annotation of the existing departmental

00:20:31.099 --> 00:20:37.539
rubric. Well, yeah, so I had them start by thinking

00:20:37.539 --> 00:20:40.119
about, for each of their projects, the type of

00:20:40.119 --> 00:20:42.460
composition that it is, and then writing in their

00:20:42.460 --> 00:20:45.900
journals a list of qualities that make that type

00:20:45.900 --> 00:20:49.900
of composition strong. And then from those qualities,

00:20:50.140 --> 00:20:55.140
they draw out some criteria. And then, yeah,

00:20:56.000 --> 00:20:59.160
so for... For each criteria, then I'm asking,

00:20:59.220 --> 00:21:01.660
so we sort of did this practice already of describing

00:21:01.660 --> 00:21:04.900
the body of work that earns an A, and now they're

00:21:04.900 --> 00:21:06.480
going to say, it's going to be like describe

00:21:06.480 --> 00:21:15.519
an article that has an A in presentation, and

00:21:15.519 --> 00:21:17.900
what does a B look like in presentation, and

00:21:17.900 --> 00:21:21.180
so forth. So these are the criteria that they've

00:21:21.180 --> 00:21:25.039
come up with, and I'm just sort of guiding. guiding

00:21:25.039 --> 00:21:27.900
their criteria. I think if there's something

00:21:27.900 --> 00:21:30.720
that I think they need to add, I contribute my

00:21:30.720 --> 00:21:33.579
thoughts. And then in the final conference as

00:21:33.579 --> 00:21:37.220
well, I might say, I feel like, you know, for

00:21:37.220 --> 00:21:39.180
this rubric, you might have also considered,

00:21:39.359 --> 00:21:41.880
I don't know, language clarity. And what would

00:21:41.880 --> 00:21:43.460
you have scored had that been on your rubric?

00:21:44.039 --> 00:21:47.130
Stuff like that. So when you say presentation,

00:21:47.329 --> 00:21:49.269
are you talking about like the document formatting?

00:21:49.609 --> 00:21:51.269
Like, is that what you mean? That's a kind of

00:21:51.269 --> 00:21:54.970
presentation. Yeah. How do they know what the

00:21:54.970 --> 00:21:59.589
sort of platonic ideal of their genre or whatever

00:21:59.589 --> 00:22:02.529
their project is? Do you have them find, here's

00:22:02.529 --> 00:22:06.369
an example of a great cookbook that I can use

00:22:06.369 --> 00:22:09.750
as a model? Or like, how do they know what those

00:22:09.750 --> 00:22:13.619
qualities are? Well, I think in conference leading

00:22:13.619 --> 00:22:17.279
up to this point, we've talked about examples

00:22:17.279 --> 00:22:21.299
and trying to emulate an example. That sort of

00:22:21.299 --> 00:22:26.380
ties into the imitation part of the course. And

00:22:26.380 --> 00:22:30.599
so if you're writing a cookbook, let's just Google

00:22:30.599 --> 00:22:35.460
image some cookbook pages. And here's what this

00:22:35.460 --> 00:22:38.960
recipe looks like in this cookbook. Compare that

00:22:38.960 --> 00:22:41.559
to what you've got in this Google Doc. How can

00:22:41.559 --> 00:22:44.299
you make this, if you like the way this looks,

00:22:44.559 --> 00:22:46.920
how can you make this look more like that? Stuff

00:22:46.920 --> 00:22:50.299
like that. And also the clarity of the writing.

00:22:50.339 --> 00:22:53.299
The cookbook particularly was interesting to

00:22:53.299 --> 00:22:56.799
workshop because it brought up a lot of things

00:22:56.799 --> 00:22:59.619
like the need to pay attention to detail. You

00:22:59.619 --> 00:23:02.640
can't just... make stuff up when you're giving

00:23:02.640 --> 00:23:05.660
someone a recipe and your instructions have to

00:23:05.660 --> 00:23:08.000
be very clear and you almost have to write it

00:23:08.000 --> 00:23:10.259
like the person is an idiot and they don't know,

00:23:10.339 --> 00:23:12.279
you know, they've never cooked a day in their

00:23:12.279 --> 00:23:15.359
lives. So, um, yeah, I think a lot of it came

00:23:15.359 --> 00:23:18.430
up. It's come up. over the course of the term.

00:23:18.509 --> 00:23:20.630
Like when they were first thinking about what

00:23:20.630 --> 00:23:24.170
they wanted to compose, I introduced them to

00:23:24.170 --> 00:23:26.589
research. We used the databases. We talked about

00:23:26.589 --> 00:23:29.250
why we might want to prefer to use those instead

00:23:29.250 --> 00:23:33.849
of Google to sort of learn about our subject

00:23:33.849 --> 00:23:36.130
if we want to become an expert on something or

00:23:36.130 --> 00:23:38.250
to learn about the genre that we're interested

00:23:38.250 --> 00:23:42.539
in. And so they... kind of gathered some sources

00:23:42.539 --> 00:23:45.220
I also put together some guidelines based on

00:23:45.220 --> 00:23:46.819
like once I heard what everybody was interested

00:23:46.819 --> 00:23:49.880
in I built out some resources for each of those

00:23:49.880 --> 00:23:53.099
that did include examples of things so that they

00:23:53.099 --> 00:23:55.859
would have an idea of what to aim for and then

00:23:55.859 --> 00:23:58.099
and then as we've workshopped it's just kind

00:23:58.099 --> 00:24:02.559
of come up again as a case -by -case basis of

00:24:02.559 --> 00:24:05.619
like well what makes a narrative you know, a

00:24:05.619 --> 00:24:08.319
strong narrative effective? What makes a short

00:24:08.319 --> 00:24:10.759
story effective? How can we make sure that this

00:24:10.759 --> 00:24:13.700
person isn't plagiarizing these sources? So I

00:24:13.700 --> 00:24:15.660
thought it was interesting that you did incorporate

00:24:15.660 --> 00:24:19.299
the departmental rubric a little bit. How did

00:24:19.299 --> 00:24:21.460
that work out? Did the students end up using,

00:24:21.680 --> 00:24:25.460
just out of curiosity, a lot from the rubric

00:24:25.460 --> 00:24:28.619
or no? So we've only just taken that first step.

00:24:29.119 --> 00:24:31.599
And next week, we're going to spend a lot more

00:24:31.599 --> 00:24:33.980
time crafting their rubrics. I really, this week,

00:24:34.000 --> 00:24:36.059
I just want to to plant the seeds like you need

00:24:36.059 --> 00:24:38.579
to start thinking about this here's how everyone

00:24:38.579 --> 00:24:40.960
else is going to be graded this is the language

00:24:40.960 --> 00:24:45.599
our department uses to talk about writing which

00:24:45.599 --> 00:24:49.069
I think they need to know that moving on right

00:24:49.069 --> 00:24:53.329
like anyway so um it was a it was a good conversation

00:24:53.329 --> 00:24:57.569
like we talked about what holistic means especially

00:24:57.569 --> 00:24:59.730
because i have a lot of english language learner

00:24:59.730 --> 00:25:02.470
students and they they worry so much about like

00:25:02.470 --> 00:25:04.509
is my grammar gonna mean i get an f you know

00:25:04.509 --> 00:25:06.910
it's like well not if we're looking at it holistically

00:25:06.910 --> 00:25:09.549
but we talked about how these criteria, while

00:25:09.549 --> 00:25:12.130
we're separating them, they all work together

00:25:12.130 --> 00:25:16.369
so that, you know, if your language is a hot

00:25:16.369 --> 00:25:20.470
mess, your purpose isn't clear. So we had a good

00:25:20.470 --> 00:25:23.990
talk about all of that. And I think, I'm hoping,

00:25:24.170 --> 00:25:26.569
you know, that they're, I'm hoping they're thinking

00:25:26.569 --> 00:25:30.230
about it when we're not together, but I don't

00:25:30.230 --> 00:25:32.609
know if they are. So we'll see next week how

00:25:32.609 --> 00:25:35.450
it develops. But I think it was a good exercise

00:25:35.450 --> 00:25:38.359
in just thinking about criteria that they could

00:25:38.359 --> 00:25:42.720
use and then also just understanding how your

00:25:42.720 --> 00:25:44.859
teachers are going to look at your work. Okay,

00:25:44.900 --> 00:25:48.619
so I have a question. I know you probably haven't

00:25:48.619 --> 00:25:51.759
dealt with this yet because you haven't done

00:25:51.759 --> 00:25:54.839
the self -evaluation yet, but at the end, what

00:25:54.839 --> 00:25:58.440
will you do if a student's self -assessment differs

00:25:58.440 --> 00:26:03.059
wildly from your assessment of their work? I

00:26:03.059 --> 00:26:05.960
think both Monica and I have addressed directly

00:26:05.960 --> 00:26:07.900
with our students that At the end of the day,

00:26:07.940 --> 00:26:10.799
it's still our decision. We want to make this

00:26:10.799 --> 00:26:14.680
as co -evaluation as possible with each student.

00:26:15.119 --> 00:26:19.480
But if it comes down to a wild disagreement between

00:26:19.480 --> 00:26:25.039
the quality of the work, we're going to make

00:26:25.039 --> 00:26:28.500
the final decision ourselves. And having done

00:26:28.500 --> 00:26:30.759
I haven't done it like in the context of this

00:26:30.759 --> 00:26:33.099
kind of experiment, but I do have my students

00:26:33.099 --> 00:26:35.519
self -evaluate a lot at the end of the semester.

00:26:35.519 --> 00:26:38.180
So I've already had some practice with those

00:26:38.180 --> 00:26:43.160
conversations of like, no, actually, no. And

00:26:43.160 --> 00:26:46.359
it's just, you know, I think. Most students do

00:26:46.359 --> 00:26:49.579
rise to the occasion of being able to reflect

00:26:49.579 --> 00:26:53.420
and evaluate themselves in an honest way. But

00:26:53.420 --> 00:26:56.160
sometimes you just have that student that they

00:26:56.160 --> 00:26:57.839
haven't been paying attention to anything all

00:26:57.839 --> 00:27:01.460
semester. So, of course, they're wildly out of

00:27:01.460 --> 00:27:04.640
line with their self -assessment. And that's

00:27:04.640 --> 00:27:07.670
a lesson that they still have to learn. Sometimes

00:27:07.670 --> 00:27:10.490
by repeating the course. So but I don't know

00:27:10.490 --> 00:27:12.950
my feeling because I feel like I've gotten to

00:27:12.950 --> 00:27:14.829
know my students so much better this semester

00:27:14.829 --> 00:27:20.470
than ever before. And I just don't foresee that

00:27:20.470 --> 00:27:23.289
much discrepancy. I think there are going to

00:27:23.289 --> 00:27:25.210
be some realizations in the next week that are

00:27:25.210 --> 00:27:27.750
going to help some of them understand that. Like,

00:27:27.789 --> 00:27:30.390
no, they probably didn't. Their product probably

00:27:30.390 --> 00:27:35.079
doesn't earn an A. But. You know, we'll cross

00:27:35.079 --> 00:27:37.980
those bridges as we come to them. Yeah. Yeah.

00:27:39.720 --> 00:27:42.900
I know. It's like we're so close to the end,

00:27:42.940 --> 00:27:45.299
but I feel like there's still so many like question

00:27:45.299 --> 00:27:49.619
marks. It's the fun of doing these podcasts as

00:27:49.619 --> 00:27:53.960
we go. I know. Yeah. Yeah. I can't wait to find

00:27:53.960 --> 00:27:56.119
out how it all turns out in the end. Neither

00:27:56.119 --> 00:28:00.180
can we. Yeah. All right. Well, thank you very

00:28:00.180 --> 00:28:02.079
much, Audra, for joining us today. Oh, thanks

00:28:02.079 --> 00:28:05.930
for having me. Thank you. Thank you, listener.

00:28:08.589 --> 00:28:21.529
Thank you for tuning in to this episode of the

00:28:21.529 --> 00:28:25.170
English 101 Experiment. Special thanks to Christopher

00:28:25.170 --> 00:28:27.869
Nicotera, Instructor of Music Business at Delgado

00:28:27.869 --> 00:28:29.990
Community College, for his recording assistance.

00:28:31.049 --> 00:28:34.170
All music heard during this episode comes from

00:28:34.170 --> 00:28:37.690
the free music archive. Specific titles and artists

00:28:37.690 --> 00:28:40.869
are listed on the English 101 Experiment website.
