WEBVTT

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What would happen if instead of composing predetermined

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assignments, college composition students could

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compose whatever they want to compose? What would

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happen if students could set their own deadlines

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and grade their own work? Find out as assistant

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professor Mason Joiner and I explore these questions

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with a few of our fellow English department colleagues.

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is the English 101 experiment. Well, it is October

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25th and we are here to... Continue the English

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101 Experiment Podcast, Episode 2. I'm Monica

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Mankin, Associate Professor of English at Delgado

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Community College. I'm Mason Joiner. I am an

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Assistant Professor of English at Delgado Community

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College. And here we've got... I'm Joseph Buckley.

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An assistant professor of English at Delgado

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Community College. And how long have you been

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teaching at Delgado, Joe? Ooh. I don't know.

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2016, I think. Yeah, we were hired the same year.

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Yeah. Six years full -time. And then, like, I

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don't know, like four, I don't know, many semesters

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of adjuncting. And tutoring before that. Well,

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so. Joe, let's catch up a little bit on what

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we talked about last time. In our first episode,

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we were just sort of giving a general outline

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of what our experiment is. We are doing something

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radical and not assigning any essays to our students.

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We are having them design their own compositions

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and working with them on a... very much a one

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-on -one kind of basis in planning their projects

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and such. What else, Monica? I think that kind

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of summarizes the core of the experiment, which

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is that we're not doing the assigning. We're

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not spending our time explaining assignment instructions

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or requirements. What else was covered on this

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podcast? I guess maybe the why, you know, like

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why are we doing this? Why are we blowing? Well,

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we're not really blowing everything up. I don't

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really like describing it that way. It's very

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violent. Well, and it's also like this is very

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controlled, actually, because we did spend a

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lot of time planning what we're doing. And it's

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not just a free for all. It's a it's an experiment,

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which, you know, there's a control. There's something

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controlled about it. But, yeah, so we really

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just spent a lot of time with our colleague,

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Corey Pellerin, talking about why we're trying

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new things, why we're taking this approach. And

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and and that was kind of the goal of episode

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one. And I think in this episode, our goal is

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to sort of to like zoom in just one step and

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and talk about how those student projects are

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developed and monitored over the course of the

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semester. So like, how do you develop these?

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Because you have to have some way of evaluating

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them, right? So how does this come about? Right.

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We haven't gotten to evaluation yet. Oh, I'm

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sorry. Just monitoring. You know, evaluation

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is part of the process. We actually, at this

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point in the semester, haven't gotten there yet.

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We literally haven't gotten there yet. Oh, okay.

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I thought you meant in the conversation. I was

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like, I'm sorry! No. So I think the process sort

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of started asking the students to think about

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what... authentic composing they might want to

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do in their lives, in their personal life, in

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their online, I guess, presence at work, right?

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Is there anything that you want or need to write?

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Maybe, again, for yourself or as a professional

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or in some other way. And so we sort of had a

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list of ideas just to sort of get to wrap their

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minds around. what are things that people write

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in real life? You know, like not just for a class.

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What were those? Well, I want to add to that

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before we like dive into what the projects, potential

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projects were. I think, too, like we were spending

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a lot of time journaling and especially at the

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beginning, we talked a lot about goal setting

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and having students sort of think about their

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own goals, like what they want to achieve in

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a composition course. So to connect with what

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Mason was just saying about the kind of writing

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you need to do in your professional life, your

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personal life. I had students thinking really

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about their major. What kind of demands does

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your major have? And, you know, how can you use

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that to develop a composition project? So we

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did spend a lot of time on goals. And that actually

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took a lot longer than I thought that it would.

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Yeah. And then. But there's some good goals,

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right, that I've actually brought the handout

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that we used. Actually, Mason was the one that

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put this together, but I borrowed it from my

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class. And so there's just a list of goals that

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students have kind of mentioned over the years

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and then that maybe came up in journaling in

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class that were compiled here. Yeah, this whole

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list came from, you know, asking them what their

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goals were, and they, like, turned that in on

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a loose -leaf sheet of paper, and I sort of compiled

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all this. Some of these are from, like, maybe

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what one student wrote. So some of these are

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like combinations. Several students said something

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along the lines of this. So, yeah, for example.

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Yeah. So there's everything from understanding

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language better to having more confidence when

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reading or writing, thinking bigger, writing

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longer works, focusing on my mental health, testing

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myself, pushing myself out of my comfort zone,

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finding freedom. Like there's some real philosophical

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goals here. kind of cool coming from our students

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yeah do you guys find that those to to circle

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back to this key word that i uh um do you find

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that that's those are authentic answers are those

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answers that people have told them in their lives

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that they should like wanting to read and write

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better is that what they act is that true is

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that a authentic statement I think for some of

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them it really is. They really do want to improve

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their writing. They feel like they're not good

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at it. And they know this is a composition class.

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I think maybe on some level, maybe this is what

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you're getting at with this question, is that

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they feel like that's what we're supposed to

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be doing. But I do think that for some of them

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it is a genuine goal. And I think I've seen that

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kind of realized even as we've been working on

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these projects. So I think that, yeah. Yes and

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no. I mean, it's a general enough phrase that

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they may not really understand what it means

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to be better at reading and writing. Right. But

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I think even the ones that are sort of just throwing

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that out as a, sure, I'm in English class. I

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want to get better at English. You know, I think

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even though they may just be saying that on some

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level, those students also acknowledge that that

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is a real skill that they could perhaps improve

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in. Yeah. And that that's and that they're in

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the environment, the classroom to do. That's

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like what we're here to do. So lying authenticity,

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I guess, in that instance, doesn't even it doesn't

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even matter because it's like that's the end

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game anyways. Right. To be better. Yeah. As I

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said, it took longer than I thought for students

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to establish goals because I think maybe there

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was some of that. Like, oh, I put goals I thought

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you wanted me to put. But you actually want me

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to put my own goals. I think that it was just

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kind of hard for them to wrap their minds around

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the idea that they were totally in charge. Your

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education is for you. It's not for me. Your education

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is for you. What do you want to get out of the

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class? Did you guys see some break? through moments

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probably so like you you see the canned answer

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like uh english and then like a week or two after

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journaling you're like holy shit this person

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actually came up with a like legitimate goal

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in their in their specific like experience or

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whatever yeah yeah and so that's like there was

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a whole process of starting with goal setting

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and then helping them connect goals to projects

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and then to actions for completing those projects

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so To come back to the question about projects,

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what are some of the projects, Mason, that we

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kind of gave as examples, which some of my students

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took them and ran in a different, you know, just

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as a springboard. Right. Yeah, I've edited this

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list a bit, I think, for future semesters. But,

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gosh, from memory, totally from memory, I'm thinking

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there was something about... Writing a... Actually,

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you don't have to use your memory. Paper. I'm

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a fan of a helpful handout. So there are lots

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of letters that people have to write. You might

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be a personal letter, sure, but job application

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letters. We have to write letters of recommendation.

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That's like a skill that you... Cover letters.

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Cover letters, business letters, things like...

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So what I've always loved about letters as an

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assignment is it has a... extremely specific

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audience, the most specific audience perhaps

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that any piece of writing can have. What else?

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We talked about writing the first chapter of

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that novel you've always wanted to write. Joe,

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you've got that novel. We've all got that novel.

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It's all in there somewhere. Writing a freelance

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article for a local website, newspaper, magazine.

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Restaurant reviews is one that a lot of the students

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really latched on to. I had in one section at

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least several students want to compile a cookbook

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of family recipes, stuff like that, you know,

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stuff that doesn't just sit on a database or

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in a cloud or in a desk drawer, like stuff that

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actually applies to something outside of Delgado.

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Yeah, because that is one of the... if we want

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to call it a requirement, is that they do have

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to deliver their compositions to the audiences

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that they're intended for. So yeah, I have also

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have, the cookbook one is really, I have a couple

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of students, one in my 8 o 'clock English 101,

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compiling a cookbook that is family recipes,

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but it's also connected to mental health. So

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for each recipe, there's a... an explanation

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of how these ingredients like contribute to your

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health and how that, um, and there's a lot of

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punning, like, you know, there's banana nut bread

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and then it's all about like, you know, being

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nutty. Like it's just really, it's really fun.

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And then another student is, uh, it's a cookbook

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of Turkish recipes that she wants to pass down

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to her children. Um, so she's including some

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narrative in there and kind of the significance

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of these meals and in the context of their culture.

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I will say that I have been enjoying the variety

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of projects. I'm not looking at 25 of the same

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exact thing within a one -week period. Only 24

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cookbooks in that class. Also, you could sell

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those. Cookbooks is something you could sell.

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That's like a legitimate, like lucrative. Totally.

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I even had one student looking at Amazon Publishing.

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Oh, yeah. For their project, which would be really

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awesome. I think it might have been a cookbook,

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yeah. Yeah. That's as outside of Delgado as real

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world as it can get. So I just met with a student

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today to go over her draft and she reviewed 52

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articles and synthesized them to address some

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of the problems with current cancer research

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and to try to kind of push forward to a solution.

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It was over my head. Is this 102? Is this 110?

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This is in your graduate class? This is my ENRI.

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This is in my English 101 for non -native speakers.

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She already works in the field, but she's working

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on her degree. Of course, that's what she's trying

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to do. But yeah, it's very, I was just really

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impressed. And initially, she had planned to

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do two projects, and I told her, no, you just

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focus on this one. You read 52 articles. Oh,

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you're done. Yeah. So we're working on she wants

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to publish it in a medical journal. So now we're

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kind of the next phase is I wanted her to send

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me the list of journals that she's looking at

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so that I can help her to kind of revise and

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finalize according to those standards. Yeah.

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I mean, how awesome will it be if she gets public?

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You know, like that's just yeah, it's really

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it's very exciting. Very satisfying. So after

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we have. sort of help the students develop their

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composition project ideas, sort of the next phase

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of that was creating what we, the language that

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we landed on was an action plan. You know, we

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had thrown around the idea of like calling it

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a proposal or a compass. And action plan, I liked

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because it's a Google -able. that shows you real

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-world examples of something called an action

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plan spreadsheet, like a spreadsheet kind of

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thing that breaks a project down into tasks.

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Every task has a target completion date, has

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like a little progress bar, all that kind of

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stuff. Wait, a progress bar? Is there like an

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app for this? It's an Excel spreadsheet, baby.

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Oh, just an Excel spreadsheet. It doesn't have

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to be advanced. It can just be an approximation.

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But who doesn't like a progress bar, right? You're

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speaking the language of the masses, man. So

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yeah, how did that go in your classes, Monica,

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the action plans? Right, so one thing that I

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learned that I will do differently next time

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is to maybe help spend a little more time, maybe

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workshop some of the action plans so that...

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because there was kind of some confusion about

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the goal and the action. And some of their goals

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were ending up where there should have been actions.

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And so I think we need to talk a little bit more

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about verbs and what kind of verbs we use when

00:15:20.820 --> 00:15:23.679
we're talking about completing something. But

00:15:23.679 --> 00:15:26.200
once we've sort of worked through that, having

00:15:26.200 --> 00:15:28.440
them transfer those actions to the spreadsheet,

00:15:28.600 --> 00:15:31.440
putting in a time, like... You should have seen

00:15:31.440 --> 00:15:33.059
their faces when they were like, I can set my

00:15:33.059 --> 00:15:34.679
own deadlines. And I said, yeah, there's only

00:15:34.679 --> 00:15:36.659
two deadlines we can't negotiate with, and that's

00:15:36.659 --> 00:15:38.879
the midterm grade and the final grade. So we

00:15:38.879 --> 00:15:41.580
need to keep that in mind. And we decided as

00:15:41.580 --> 00:15:44.019
a class when we wanted to make sure everybody

00:15:44.019 --> 00:15:47.279
was done with projects. So our kind of end date

00:15:47.279 --> 00:15:49.139
is that Monday before the Thanksgiving break.

00:15:49.580 --> 00:15:53.679
So everybody should have delivered their compositions

00:15:53.679 --> 00:15:57.899
to their audiences by then. But I think, yeah,

00:15:57.960 --> 00:16:00.840
it's like I said, this part took a lot longer

00:16:00.840 --> 00:16:03.019
than I anticipated, but probably because none

00:16:03.019 --> 00:16:07.279
of us have ever done this before. But I think

00:16:07.279 --> 00:16:09.820
I've noticed them like they come in and when

00:16:09.820 --> 00:16:12.399
they have time to be working on their projects,

00:16:12.580 --> 00:16:15.019
like I see them opening up these timelines and

00:16:15.019 --> 00:16:19.320
checking off that this is done or updating. And

00:16:19.320 --> 00:16:23.340
I think it's really been a helpful tool for them

00:16:23.340 --> 00:16:26.139
to keep track of themselves and to kind of keep

00:16:26.139 --> 00:16:30.440
the end goal in mind without me even having to

00:16:30.440 --> 00:16:34.519
remind them. So what comes up? So you've got

00:16:34.519 --> 00:16:37.120
to do an action plan for 15 or whatever, 14 weeks,

00:16:37.220 --> 00:16:41.539
whatever, 13. What if a student says, and I know

00:16:41.539 --> 00:16:44.399
this came up, I'd had to have, okay, here's my

00:16:44.399 --> 00:16:46.419
action plan, four weeks, done. See you guys in

00:16:46.419 --> 00:16:48.500
December. What do you say to that? I say you

00:16:48.500 --> 00:16:51.679
have time for another project. Yeah, yeah. But

00:16:51.679 --> 00:16:54.399
what if they argue that this project completes

00:16:54.399 --> 00:16:57.820
all the goal, right? Do they keep pressing? Have

00:16:57.820 --> 00:17:01.419
they pressed that? So one of the things that

00:17:01.419 --> 00:17:04.240
we did, both of us, Mason and I, with our students,

00:17:04.279 --> 00:17:06.680
was we spent a time at the beginning when we

00:17:06.680 --> 00:17:09.059
were helping them to develop their ideas and

00:17:09.059 --> 00:17:12.119
their action plans, talking about equity, talking

00:17:12.119 --> 00:17:16.059
about how much work should be involved, and talking

00:17:16.059 --> 00:17:18.579
about the work that's expected. across English

00:17:18.579 --> 00:17:22.140
101 classes in the college? And how do we make

00:17:22.140 --> 00:17:25.859
sure that we're doing that work too? And they

00:17:25.859 --> 00:17:28.400
talked with each other and we talked as a class.

00:17:28.599 --> 00:17:31.140
And after those conversations, everybody kind

00:17:31.140 --> 00:17:34.829
of felt like they were. you know, they were on

00:17:34.829 --> 00:17:36.410
track, they were doing the same amount of work.

00:17:36.549 --> 00:17:38.609
They made suggestions to each other. If somebody

00:17:38.609 --> 00:17:40.250
was like, I'm just, I'm going to write a college

00:17:40.250 --> 00:17:41.910
admission essay, or I'm going to write a cover

00:17:41.910 --> 00:17:44.190
letter. Then I could hear classmates saying,

00:17:44.269 --> 00:17:46.230
well, maybe you should also do this too, because

00:17:46.230 --> 00:17:48.109
it's not going to take you, you know, eight weeks

00:17:48.109 --> 00:17:50.369
to write a college admission letter. So they

00:17:50.369 --> 00:17:52.190
were really encouraging each other to develop

00:17:52.190 --> 00:17:55.769
additional projects for the, to kind of make

00:17:55.769 --> 00:17:58.289
sure that everybody's doing an equal amount of

00:17:58.289 --> 00:18:03.309
work. Nice. Yeah. And, you know, as far as, Are

00:18:03.309 --> 00:18:06.549
they composing enough and enough of academic

00:18:06.549 --> 00:18:09.609
kind of work for English 101? I think part of

00:18:09.609 --> 00:18:10.970
this action plan, part of the beauty of this

00:18:10.970 --> 00:18:13.630
action plan for us is that without ever really

00:18:13.630 --> 00:18:16.990
saying it to them, your action plan is something

00:18:16.990 --> 00:18:19.849
that you've composed. And it's a very professional

00:18:19.849 --> 00:18:22.829
academic thing that you've composed. Yeah. I

00:18:22.829 --> 00:18:25.849
mean, they probably spent more. man hours, labor

00:18:25.849 --> 00:18:29.069
hours than they would on a traditional narrative

00:18:29.069 --> 00:18:31.369
essay or whatever, right? They've spent weeks

00:18:31.369 --> 00:18:34.930
on this because it's a living dot, right? It's

00:18:34.930 --> 00:18:37.690
continually revised and edited. The action plan

00:18:37.690 --> 00:18:39.589
itself could be the final product. What if someone

00:18:39.589 --> 00:18:43.289
got that meta? Oh, wow. For my first project,

00:18:43.430 --> 00:18:44.930
I'm going to create an action plan. To create

00:18:44.930 --> 00:18:46.789
this action plan, I will create an action plan.

00:18:51.039 --> 00:18:53.960
I'm going to deliver it. My target audience will

00:18:53.960 --> 00:18:56.920
be a class in the next semester. I will be doing

00:18:56.920 --> 00:18:59.319
this for the class in the next semester. See,

00:18:59.460 --> 00:19:01.420
this is why you need to join our experiment,

00:19:01.640 --> 00:19:05.369
Joe. Yeah, man. I like this meta stuff. But I

00:19:05.369 --> 00:19:07.890
imagine I will have some of my students again

00:19:07.890 --> 00:19:10.910
next semester for English 102. And that action

00:19:10.910 --> 00:19:13.349
plan is going to come up again. And I hope that

00:19:13.349 --> 00:19:15.849
this time they'll know what I'm asking them to

00:19:15.849 --> 00:19:20.009
do. Because I think even this semester, having

00:19:20.009 --> 00:19:23.650
my students do their research proposal was just...

00:19:23.650 --> 00:19:26.950
It was, what the F is this? I don't even know

00:19:26.950 --> 00:19:28.630
what you're turning in. This isn't even what

00:19:28.630 --> 00:19:31.839
I've asked. So I think that... This is something

00:19:31.839 --> 00:19:35.019
students need to know how to do. Especially for

00:19:35.019 --> 00:19:37.640
a research paper. For any kind of big project

00:19:37.640 --> 00:19:40.180
that's time -consuming and has many parts, you

00:19:40.180 --> 00:19:42.180
need to be able to break it down. You need to

00:19:42.180 --> 00:19:44.519
be able to understand that you don't wait until

00:19:44.519 --> 00:19:48.900
the night before to try to get chat GPT to write

00:19:48.900 --> 00:19:54.839
you some bullshit. You have to think about it

00:19:54.839 --> 00:19:57.400
and be responsible. Foresight. You've got to

00:19:57.400 --> 00:20:00.559
have some foresight. So Monica Jo had also asked

00:20:00.559 --> 00:20:03.039
about how we are monitoring these projects. You

00:20:03.039 --> 00:20:08.140
want to take a first stab at that? Yeah. Monitoring.

00:20:09.019 --> 00:20:11.640
It sounds so clinical. Not to be conflated with

00:20:11.640 --> 00:20:14.279
evaluation, which is what I mistakenly did. So

00:20:14.279 --> 00:20:17.339
I'm guessing with monitoring, I guess that's

00:20:17.339 --> 00:20:19.359
kind of like how are we helping keep students

00:20:19.359 --> 00:20:22.599
on track? How are we checking progress? So this

00:20:22.599 --> 00:20:25.180
is happening like almost every day in class and

00:20:25.180 --> 00:20:28.700
also through conferencing. So, yeah, students

00:20:28.700 --> 00:20:32.309
have had time to work in class on. drafts we're

00:20:32.309 --> 00:20:34.890
now kind of we're workshopping drafts we're workshopping

00:20:34.890 --> 00:20:36.630
so we're doing things on like a micro and macro

00:20:36.630 --> 00:20:39.450
level um where we are workshopping entire pieces

00:20:39.450 --> 00:20:42.250
but i'm also i've also had them start to like

00:20:42.250 --> 00:20:44.670
just pull sentences out of what they're working

00:20:44.670 --> 00:20:48.069
on so that we can kind of focus on sentence you

00:20:48.069 --> 00:20:52.089
know strengthening our sentences um in the context

00:20:52.089 --> 00:20:54.210
of the larger purpose of our of our projects

00:20:54.210 --> 00:20:59.480
um so it's just like i it's Right now, it feels

00:20:59.480 --> 00:21:01.920
very smooth. It feels like things are humming

00:21:01.920 --> 00:21:05.339
along for the most part. I can't say it will

00:21:05.339 --> 00:21:08.140
feel like that next week, but I am meeting right

00:21:08.140 --> 00:21:10.119
now, too, with students with their Checkpoint

00:21:10.119 --> 00:21:12.460
3 conference. That's the purpose of the girl

00:21:12.460 --> 00:21:15.509
that I met with today who did the amazing. cancer

00:21:15.509 --> 00:21:20.750
research right synthesis uh so yeah so they are

00:21:20.750 --> 00:21:23.549
and the thing is like they're eager to check

00:21:23.549 --> 00:21:26.829
in they want to show me what they're doing they

00:21:26.829 --> 00:21:28.890
want to show each other i when i was leaving

00:21:28.890 --> 00:21:31.950
my 101 this morning they were hanging out with

00:21:31.950 --> 00:21:33.690
each other in class like they weren't leaving

00:21:33.690 --> 00:21:35.690
and they were like talking to each other like

00:21:35.690 --> 00:21:37.190
people who don't even sit next to each other

00:21:37.190 --> 00:21:39.670
in class were like getting together because they

00:21:39.670 --> 00:21:42.509
had read each other's drafts that are in our

00:21:42.509 --> 00:21:45.470
canvas discussion forum and they were like giving

00:21:45.470 --> 00:21:49.869
each other feedback just because nice you know

00:21:49.869 --> 00:21:53.029
so they're kind of also keeping each other on

00:21:53.029 --> 00:21:56.549
you know engaged and and moving forward yeah

00:21:56.549 --> 00:21:59.750
yeah at the i think before the semester started

00:21:59.750 --> 00:22:03.349
monica and i had outlined um four four specific

00:22:03.349 --> 00:22:05.630
checkpoints and and maybe maybe we'll renew re

00:22:06.299 --> 00:22:10.160
negotiate that but uh um but like so first checkpoint

00:22:10.160 --> 00:22:13.240
and by checkpoint uh this would be a one -on

00:22:13.240 --> 00:22:15.140
-one conference required one -on -one conference

00:22:15.140 --> 00:22:19.579
right um as for me i think was uh was sort of

00:22:19.579 --> 00:22:22.380
shoring up their their composition ideas you

00:22:22.380 --> 00:22:25.160
know in connection to their goals um their personal

00:22:25.160 --> 00:22:30.000
goals uh um checkpoint two is like you've done

00:22:30.000 --> 00:22:32.940
your action plan. It's time for me to look at

00:22:32.940 --> 00:22:35.420
it and say, all right, so I see you've got, maybe

00:22:35.420 --> 00:22:38.359
consider adding more tasks here pertaining to

00:22:38.359 --> 00:22:41.220
obtaining feedback on this draft. And so sort

00:22:41.220 --> 00:22:47.240
of our opportunity to offer feedback on the action

00:22:47.240 --> 00:22:51.019
plans, checkpoint three is sort of like draft

00:22:51.019 --> 00:22:54.000
time. We're looking at rough drafts and that's

00:22:54.000 --> 00:22:56.839
where I'm at currently in the process. And checkpoint

00:22:56.839 --> 00:22:59.660
four is going to be like the final, conference

00:22:59.660 --> 00:23:04.819
where where we talk to the student about what

00:23:04.819 --> 00:23:06.440
they've composed over the course of the semester

00:23:06.440 --> 00:23:08.400
how they've delivered those those compositions

00:23:08.400 --> 00:23:11.900
um how how much they felt like they achieved

00:23:11.900 --> 00:23:15.240
their goals uh and uh yeah and it's kind of it's

00:23:15.240 --> 00:23:18.500
an opportunity for them to self -evaluate so

00:23:18.500 --> 00:23:21.319
the grade will be i i'm kind of thinking of it

00:23:21.319 --> 00:23:23.480
as a collaboration between me and the student

00:23:23.480 --> 00:23:25.500
the student kind of the whole point here was

00:23:25.500 --> 00:23:28.319
to give them more agency and i think By the end

00:23:28.319 --> 00:23:30.000
of the term, they should know what their grade

00:23:30.000 --> 00:23:33.279
is without me having to tell them. So, I mean,

00:23:33.299 --> 00:23:36.059
of course, I'm there as the heavy if I have to

00:23:36.059 --> 00:23:39.460
be, but I don't foresee a lot of trouble with

00:23:39.460 --> 00:23:42.200
that. Yeah, I think co -evaluation is something

00:23:42.200 --> 00:23:46.799
I'm interested in exploring in those final conferences.

00:23:48.910 --> 00:23:52.089
Co -evaluation. Okay. Yeah, yeah. I find that

00:23:52.089 --> 00:23:54.009
students are usually pretty honest with what

00:23:54.009 --> 00:23:55.930
they want. Or, you know, if they want an A, just,

00:23:56.049 --> 00:23:57.609
you know, and they're vocal about it. Hey, I

00:23:57.609 --> 00:24:01.049
want an A. Sure. That's usually enough. If they're

00:24:01.049 --> 00:24:03.509
aware that they want the A, they usually understand.

00:24:03.509 --> 00:24:05.769
Hopefully, yeah, they've been aware enough that

00:24:05.769 --> 00:24:07.029
they did what they needed to do. That they did

00:24:07.029 --> 00:24:08.970
what they needed to do. Yeah. They're not just

00:24:08.970 --> 00:24:14.069
saying it blankly. But I imagine in a week or

00:24:14.069 --> 00:24:16.910
two, we will start to discuss as a class, how

00:24:16.910 --> 00:24:20.490
do we evaluate a body of work? And how do we

00:24:20.490 --> 00:24:22.829
do that in the context of academic requirements

00:24:22.829 --> 00:24:25.490
and what the purpose of the class is? You had

00:24:25.490 --> 00:24:28.670
your own goals, but there's also what constitutes

00:24:28.670 --> 00:24:32.250
an A, a B, a C, and really kind of have those

00:24:32.250 --> 00:24:35.529
conversations with them about the work itself.

00:24:35.529 --> 00:24:38.680
But I think also as... for like a course grade

00:24:38.680 --> 00:24:42.039
because as we know we don't just evaluate it's

00:24:42.039 --> 00:24:44.539
not just the products that students produce that

00:24:44.539 --> 00:24:46.980
you know leads them to pass or fail there's other

00:24:46.980 --> 00:24:50.180
factors that play into that so I like I'm looking

00:24:50.180 --> 00:24:52.019
forward to having those conversations with them

00:24:52.019 --> 00:24:56.799
in a week or two what about the um at the end

00:24:56.799 --> 00:24:58.140
of the semester how are they going to share are

00:24:58.140 --> 00:24:59.259
they going to share all this with each other

00:24:59.690 --> 00:25:02.049
So some of them, I think they are like the class

00:25:02.049 --> 00:25:04.650
will be the audience because they're that's who

00:25:04.650 --> 00:25:06.990
they're composing for is other people that are,

00:25:06.990 --> 00:25:10.990
you know, of the same age or their peers. But

00:25:10.990 --> 00:25:12.750
other people like I think there'll be a lot of

00:25:12.750 --> 00:25:15.230
submissions to Images magazine, which is Delgado's

00:25:15.230 --> 00:25:18.670
student literary magazine. I'll be in the show

00:25:18.670 --> 00:25:23.089
notes. Yeah. So. And then other, yeah, I have

00:25:23.089 --> 00:25:25.930
some, some people are giving presentations or

00:25:25.930 --> 00:25:28.309
they're, it fits in the context of their job.

00:25:28.349 --> 00:25:30.869
So they're, they would be delivering it to their

00:25:30.869 --> 00:25:34.809
coworkers at their job. Yeah. So, and that's

00:25:34.809 --> 00:25:36.170
something we need to start talking about too.

00:25:36.289 --> 00:25:37.769
Like it's just kind of a reminder of how are

00:25:37.769 --> 00:25:42.069
we going to deliver these projects to their audiences.

00:25:42.670 --> 00:25:46.170
So, yeah. And just a reminder of like, that's

00:25:46.170 --> 00:25:51.250
the final step. So, yeah. Yeah, delivering it

00:25:51.250 --> 00:25:53.869
is not like pressing submit to Canvas. Right,

00:25:53.890 --> 00:25:56.289
yeah. What about this? What about this? What

00:25:56.289 --> 00:25:59.930
is it? Week 11, right? Mm -hmm. Okay, so there's

00:25:59.930 --> 00:26:02.269
always this one student, right? Like who shows

00:26:02.269 --> 00:26:04.630
up, you know, haven't been there in 10 weeks,

00:26:04.789 --> 00:26:07.049
showing up week 11. Okay, what do I need to do?

00:26:07.690 --> 00:26:11.990
How is that different than like a normal semester

00:26:11.990 --> 00:26:13.470
where I'm like, okay, you just need to do all

00:26:13.470 --> 00:26:16.190
these things or whatever, the inverse of that.

00:26:16.230 --> 00:26:17.829
You can't. The door is closed. Whatever it may

00:26:17.829 --> 00:26:20.390
be. How are you guys approaching that? Have you

00:26:20.390 --> 00:26:23.890
approached that? Has that come up? I mean, I've

00:26:23.890 --> 00:26:27.690
had a lot of, not so much like somebody who hasn't

00:26:27.690 --> 00:26:29.990
been here at all and is now showing up, but I've

00:26:29.990 --> 00:26:34.809
had a lot in my 101 students who are present

00:26:34.809 --> 00:26:40.430
either literally in person or digitally. They're

00:26:40.430 --> 00:26:43.109
only present maybe once every couple of weeks.

00:26:43.269 --> 00:26:47.390
Right. I've had a lot of that. Right. And yeah,

00:26:47.450 --> 00:26:49.569
honestly, I don't have an answer to that question,

00:26:49.690 --> 00:26:52.049
Joe. I'm still figuring that out, I think. Yeah.

00:26:52.130 --> 00:26:56.750
Yeah. Monica, what do you think? So I I most

00:26:56.750 --> 00:27:01.869
of my students are pretty consistent and the

00:27:01.869 --> 00:27:04.390
ones who are not know what they should be doing

00:27:04.390 --> 00:27:08.710
because they created their plan. So there isn't

00:27:08.710 --> 00:27:11.529
a whole like, what did I miss? What are we doing?

00:27:12.329 --> 00:27:15.970
Because. They know what they know, what they

00:27:15.970 --> 00:27:18.450
should take them back to the top step. OK, start

00:27:18.450 --> 00:27:21.230
creating an action plan. Yeah. And I I made it

00:27:21.230 --> 00:27:23.089
very clear at the beginning that this course

00:27:23.089 --> 00:27:26.190
is progressive. So there will be no showing up

00:27:26.190 --> 00:27:28.910
at week 11 and turning in all your work from

00:27:28.910 --> 00:27:30.329
the beginning. I mean, that doesn't work in any

00:27:30.329 --> 00:27:33.750
in any. No, but I think radical. I think, though,

00:27:33.789 --> 00:27:35.549
like, you know, when you have like, oh, we do

00:27:35.549 --> 00:27:37.970
the narrative essay and then we do an analysis

00:27:37.970 --> 00:27:40.369
essay and then we do. Students kind of do think

00:27:40.369 --> 00:27:42.250
that those things are not connected and that

00:27:42.250 --> 00:27:45.279
there's no. progression happening so they think

00:27:45.279 --> 00:27:47.519
that oh well i just i can just turn that narrative

00:27:47.519 --> 00:27:50.380
essay in in week 12 because it's not connected

00:27:50.380 --> 00:27:53.079
to what we're even doing but it's and of course

00:27:53.079 --> 00:27:55.380
we know that's not true but it's it's that kind

00:27:55.380 --> 00:27:58.509
of structure to me is part of the problem it

00:27:58.509 --> 00:28:01.190
create where this is really emphasizing process

00:28:01.190 --> 00:28:04.049
in such a way that like students know that like

00:28:04.049 --> 00:28:06.289
if they haven't written anything by now they're

00:28:06.289 --> 00:28:10.269
in they're in trouble um but i don't i have some

00:28:10.269 --> 00:28:11.990
students who kind of i just sent some emails

00:28:11.990 --> 00:28:14.009
yesterday to kind of reach out to students that

00:28:14.009 --> 00:28:16.630
i haven't seen for a couple class meetings but

00:28:16.630 --> 00:28:19.049
that we're kind of on a good track and i don't

00:28:19.049 --> 00:28:21.369
know what's happened to them um and there's still

00:28:21.369 --> 00:28:23.740
time it's still that kind of like They could

00:28:23.740 --> 00:28:25.960
still do it if they show up this week and I can

00:28:25.960 --> 00:28:29.680
see what they've composed. But it is kind of

00:28:29.680 --> 00:28:31.940
getting to that make or break point where you

00:28:31.940 --> 00:28:34.240
just are out of time. And that means you didn't

00:28:34.240 --> 00:28:38.539
keep up with your own timeline. Would you say

00:28:38.539 --> 00:28:41.839
that this is a more, do your students in this

00:28:41.839 --> 00:28:46.259
framework of class, is it a more independent?

00:28:46.799 --> 00:28:51.559
Do they have more independence than the traditional?

00:28:52.640 --> 00:28:55.240
other class are they more independent do you

00:28:55.240 --> 00:28:56.920
guys take it how about this let me give you an

00:28:56.920 --> 00:28:59.019
exact example do you guys take attendance oh

00:28:59.019 --> 00:29:02.480
yeah very much okay it's 20 of the great so the

00:29:02.480 --> 00:29:04.619
way the grade is determined the overall course

00:29:04.619 --> 00:29:09.420
grade is 20 is attendance uh and i'm calling

00:29:09.420 --> 00:29:12.900
it presence um that's good and the journal uh

00:29:12.900 --> 00:29:15.039
yeah so it includes their journal and they have

00:29:15.039 --> 00:29:18.119
to be present in class Then I think 10 % was

00:29:18.119 --> 00:29:21.039
the action plan and timeline and 20 % are the

00:29:21.039 --> 00:29:23.819
conference checkpoints. And then 50 % will be

00:29:23.819 --> 00:29:28.259
the final compositions with their self -evaluation

00:29:28.259 --> 00:29:32.140
included in that. So I guess to answer the question

00:29:32.140 --> 00:29:35.779
of attendance, yes, it matters. Yeah, you can't...

00:29:35.779 --> 00:29:38.759
But what if you're an independent superstar and

00:29:38.759 --> 00:29:40.960
you... Is there like a way to circumvent that

00:29:40.960 --> 00:29:44.160
in the sense of... Like, hey, I just want to

00:29:44.160 --> 00:29:45.519
work with Mason. I just want to go to Mason's

00:29:45.519 --> 00:29:47.240
office like once a week, chit chat with him.

00:29:47.319 --> 00:29:49.920
I'm just like, you know, I'm reading 52 articles

00:29:49.920 --> 00:29:53.690
and synthesizing the information. Are they kind

00:29:53.690 --> 00:29:56.450
of left to their own devices, or do they have

00:29:56.450 --> 00:29:58.930
to come in and sit there for the lecture on how

00:29:58.930 --> 00:30:01.670
to summarize a paragraph or something? Well,

00:30:01.690 --> 00:30:03.670
there are no lectures on how to summarize a paragraph.

00:30:04.049 --> 00:30:07.950
But we might save that for the next episode.

00:30:09.349 --> 00:30:11.509
Which is the day -to -day, what happens in the

00:30:11.509 --> 00:30:12.690
classroom. Yeah, what we're going to do day -to

00:30:12.690 --> 00:30:14.529
-day. And we're doing the grades. I'm like, I'm

00:30:14.529 --> 00:30:17.410
sorry. It's okay. There's a lot to talk about.

00:30:17.490 --> 00:30:20.410
That's kind of why we broke it up. But I do think

00:30:20.410 --> 00:30:23.569
we are... out of time, so I don't know if we

00:30:23.569 --> 00:30:26.690
want to just have a final thought. Final thoughts,

00:30:26.730 --> 00:30:34.680
Joseph? Cool stuff. I don't have anything grand

00:30:34.680 --> 00:30:39.759
to say. It's all just conjecture. It's all theory

00:30:39.759 --> 00:30:43.000
crap, whatever. All that stuff. It's cool stuff.

00:30:43.079 --> 00:30:45.599
Thank you for inviting me. Thanks for joining

00:30:45.599 --> 00:30:47.660
us. We definitely appreciate you taking the time

00:30:47.660 --> 00:30:50.859
out of your... You could be grading some stuff,

00:30:50.980 --> 00:30:52.920
but you're here with us instead. I'm pretty much

00:30:52.920 --> 00:30:56.119
halfway to solving world hunger, but now I'm

00:30:56.119 --> 00:30:59.220
a little bit behind. 30 minutes behind. No big

00:30:59.220 --> 00:31:01.759
deal. All right. Thank you, Joe. Thank you, listeners.

00:31:02.119 --> 00:31:17.059
All right. Yeah, thanks, everyone. Thank you

00:31:17.059 --> 00:31:19.019
for tuning in to this episode of the English

00:31:19.019 --> 00:31:22.440
101 Experiment. Special thanks to Christopher

00:31:22.440 --> 00:31:25.119
Nicotera, instructor of music business at Delgado

00:31:25.119 --> 00:31:27.240
Community College, for his recording assistance.

00:31:28.299 --> 00:31:31.420
All music heard during this episode comes from

00:31:31.420 --> 00:31:34.960
the free music archive. Specific titles and artists

00:31:34.960 --> 00:31:38.079
are listed on the English 101 Experiment website.
