WEBVTT

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Breaking free from the chains of the past Where

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truth moves faster than a Holstein calf No law

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waiting on some printed page We're charting new

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ground in the digital age From genomic codes

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to robot facts We cut through the noise, no hold

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them back not your daddy's dairy news tonight

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we're sparking This is the Bullvine Podcast,

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where dairy pros come for straight talk, hard

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data, and no -nonsense know -how from the people

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who actually do the work. Today's episode, judge

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the cow in front of you, not the crowd. We're

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bringing you ringside with internationally renowned

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judge Callum McKinvan, recorded live in Ecuador.

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Callum's judged in more than 30 countries and

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four decades of shows. His message is simple,

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and it hits home. Arrive prepared. Keep the ring

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moving, stick to a repeatable evaluation pattern,

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and when it's time to talk, don't memorize. See

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it, say it. Three clear, positive, trait -based

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reasons. If you're a young judge, this is your

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playbook for the next show. If you've judged

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for years, it's the tune -up that keeps exhibitor

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trust high and politics out of the ring. In this

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session, you'll hear why distance viewing matters.

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how to manage class speed without losing confidence,

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what to say in youth classes so kids leave wanting

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to come back, and how to place the famous cow

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that's off her game without flinching. Grab a

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notebook. We're going to talk balance, locomotion,

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rib and angularity, utter attachments, clear

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pointing, and that bottom six strategy every

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youth judge should use. Let's get into it. We're

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going to touch on a little bit before the animals

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come on maybe ethics of a judge. And some of

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these things are as I say and not as I do. I'm

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not the most organized person in the world, so

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when I get asked to judge a show, it's great

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that I have an incredible wife that she'll mark

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down the date and everything, but sometimes I

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don't do that. And as advice, when you get asked

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to judge a show, put it somewhere, mark it down

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so you don't miss that event or forget that event.

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I've been fortunate enough to judge for, I guess

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it's pretty close to, 40 years, a little more

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than 40 years. I started judging when I was 19.

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I did my first show. And when the show asked

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me, official letter, they thought I was a man

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of 40 years old. So when I showed up and I was

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judging the young people that were older than

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me, it was pretty... When I saw that, I'm like,

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wow, this is kind of scary. But the big thing,

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I guess, is when you're judging... Try to have

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the most confidence you can. And by that I mean

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there's a fine line between confidence and arrogance.

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So you want to be confident, but don't look...

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In English we call it cocky. Don't look cocky.

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Just be yourself with the people. Be nice with

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the people in the ring. Don't give the impression

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that you're the scary guy or scary person. But

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be confident, but friendly. Then we'll touch

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on the day you're judging. You should dress up

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a little bit when you're a judge. I think you

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should be recognizable to the exhibitors that

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you're a judge and not just be maybe wearing

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jeans and a t -shirt. You should maybe have,

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it doesn't have to be a tie or shirt depending

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which country you're in, but at least dress up

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a little bit so that you say, oh yeah, that's

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the judge. I've gone, I've I've been lucky enough

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that this would have been the 32nd country I've

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judged in the world. And there's one country

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I've gone 25 times. And every country is a little

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different. Some countries I go, it's very efficient.

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Some countries I go, it's more relaxed. And I

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guess through the years I've learned that, and

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for anybody who's going international judging,

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I always try to check before what it is like

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there as far as the judges are expected, what

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they're expected of. So if I'm going to England,

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I know it's very official. They don't want you

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to see anybody except the day you arrive, the

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judge counts. I go to South America, they want

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to take you out for dinner, meet all the exhibitors,

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have a few drinks. It's just a little different.

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So I try to fit in whatever country I go. The

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day of the show, try to arrive at least 30 minutes

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before you're judging that show. So you have

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time to talk to the people in the ring how to

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set it up, where you're going to stand to give

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your reasons, all that stuff. And that's, I've

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cut it close a few times. Sometimes you end up

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being delayed in traffic. So I always try now

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to leave myself lots of time to get there plenty

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of time before the show. And one thing, when

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you do start judging and you've judged some shows,

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try never to look to the crowd. Try to just focus

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on the ring because if you look at the crowd

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and you see somebody shaking their head no, it

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just takes away your confidence. And so you're

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the person judging that day, so just ignore what

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the people on the outside are acting like and

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just go ahead. and place them the way you see

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them, and keep your confidence. And if you're

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asked to judge the young handlers, the younger

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children, it's pretty hard for those children

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going in a ring. It takes a lot of confidence.

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Like, they're intimidated. So if you come in

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with this stern look on your face, like you're

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scary, they're not going to relate to you. So

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I always... try to really let the children know

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I'll say good morning, and I'll try to have a

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smile and let them know you're not this bad person,

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you're just there to judge them. And so that

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sets up a good relationship with the kids right

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off, and they know they can actually talk to

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you and relate to you. They're a lot more comfortable.

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And before we go too much farther, I want to

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say for the younger judges, I was very fortunate.

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I grew up with a father that was a judge. And

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I learned so much from my father. When I was

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like eight, nine years old, we were judging a

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cow class in a magazine. He'd say, just give

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me a set of reasons. And that's how I learned

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to give reasons. And then I met my wife at a

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very young age. We were together. And her father

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was recognizable as one of the best judges in

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the world. And he really is my mentor. He's taught

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me so much about judging. And I always took his

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advice to heart every time he told me. So for

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you younger people, and you know somebody that's

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a judge in your country, don't be scared to go

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up and say, how should I act? What should I do?

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Ask for advice. They're going to help you. I

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remember when I started judging at a young age,

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that first show I judged, I never talked on the

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microphone. And I did. I wasn't comfortable with

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it. And every time I brought it too close, it

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would squeal. And so I started my first class,

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and I'm like, my heart's going like this. So

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I learned where to hold it, where people could

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hear me, and I wasn't making a noise, and where

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to stand in the rain that that didn't happen.

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That's important. And I remember... I was lucky

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with those animals. I think the first class I

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had, it was 36. And my father always said, get

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them in and get them out, but look at them all

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equally. My friend was judging in the other ring,

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experienced judge. He had five animals, and he

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had judged for years. And I was given my reasons

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on my 36, and his five were still going around.

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So it was maybe a little bit too fast. But I

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think if you take too long, you lose the confidence

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of the examiners. And if you go too fast, they

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don't think you're looking at the animals enough.

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So you'll know when you judge how quick you should

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be. But if you're scratching your head and you're

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out there scratching your head and you're like,

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you're losing their confidence in your job. So

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try it. That's what I mean by have confidence.

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And the speed is very important. And you've got

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to make sure you're not racing through, but you

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don't want to take all day to do a class. And

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the best piece of advice I can give you today,

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don't try to memorize your reasons. I did that.

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And I'm like, oh, these were six. I go to the

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mic and I'm trying to remember what I was going

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to say. Your eyes tell you. So when you judge

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those animals, you go out to the mic, you're

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comfortable. When those animals come out, You

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know why you did it. Talk about what you see.

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Don't talk about what you're trying to memorize.

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And that is the best piece of advice I can give

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you as a judge. Even for the experienced judges,

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sometimes you like to turn your back and face

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the crowd in the class behind you, I say, look

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at what you're talking about. Look at the animals

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as they're coming out. You'll know. She's flatter,

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nicer in her bone quality. She's longer in her

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neck, or she's got a better foreattachment, longer

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foreattachment. You'll know why you did it. And

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that is something that probably is the best piece

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of advice. Just a couple more things so we don't

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go too long, but be concise when you're choosing

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your animal. I show them their judges, and they'll

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go around like this. And you're like, did he

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point to me? So make sure they know you're pointing

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to them. Because if you're not concise, you're

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going to end up with somebody in the middle that

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shouldn't be there, and then you're in a bad

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situation. So then the bad part is you don't

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want to make those people leave. So usually I'll

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just say, you might have to stand here a while.

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I'm going to bring some and send them ahead.

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Okay. Because you're not there to embarrass anybody.

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So if you're concise, you're not going to get

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in that situation. You're going to say, you,

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you, you. Even if I have a ring person, when

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I'm judging them, I watch out my eye to make

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sure the right ones are coming in. Because if

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they've got 10 feet and they're not moving, I'll

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just say, no, no, just stay. Before they get

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embarrassed of coming in. So that's really important.

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It's like a traffic director in life. You've

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got to be concise. You've got to know you're

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the one to get in. pointing to whoever you are.

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Just one little, it sounds silly, but it's true.

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Wear something on your feet that looks proper,

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but it's comfortable. Don't do like I did. I

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just, World Air Expo the first time, I did two

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breeds, and it was 900 pounds, and I bought brand

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new shoes. My wife had to pull them off my feet

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at the end of the day because I had blisters

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on my toes because they were brand new. So wear

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something that you know It's comfortable on your

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feet because you're not going to be in the middle

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of class at, oh, my feet hurt. You don't want

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that. You want to be focusing on the couch. So

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that is a silly little thing, but it is a very

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important thing. And the other important thing

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is when you're judging, and that will happen

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in North America sometimes a lot at the bigger

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stormy shows, but it can happen in your own country.

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There's a cow that might have been grand champion

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at four or five shows. You know she is. And you're

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judging that show. Forget about that. Forget

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about if she was grand champion. You're there

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to place her that day. And if she's not the best

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cow, don't win with her just because she's been

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winning before. If you think she's third place

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that day or second place and you can support

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it with reasons, you do it. But don't beat her

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just to beat her. if she's not deserving to win,

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don't be intimidated because I'm going to be

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not asked to judge again because all these people

00:13:07.309 --> 00:13:10.250
know this cow never gets beat. You might get

00:13:10.250 --> 00:13:13.190
asked to judge more because you recognize she

00:13:13.190 --> 00:13:16.990
wasn't the winner that day. So just remember

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that. That's very important. You've got to forget

00:13:20.070 --> 00:13:23.210
about what they've done before. If you know the

00:13:23.210 --> 00:13:25.370
cows, forget about it. You're judging them that

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day. I haven't talked to every person in every

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class. Madison, 16th class, I've talked to. I'm

00:13:33.590 --> 00:13:37.190
known as one of the fastest judges because I

00:13:37.190 --> 00:13:39.909
allot my time through my experience of judging

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to be able to explain why you're in 25th or 30th

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rather than have to explain it in the barn when

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you judge 600 head. And you're like, oh, yeah,

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okay. So that's kind of a, that's just a little

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piece of advice. Not everybody's going to, be

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comfortable doing that. But you really should,

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when you're judging young children, you better

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take the time, no matter what people say, to

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tell them why they are where they are. And that

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is very important. And if it's a really young

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class, I'll even get on my knee and relate to

00:14:16.240 --> 00:14:18.919
that young showman so they don't feel intimidated.

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If I see them start to cry, I make sure I say,

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you did a great job. You could be up the line

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very easily. It's just that little thing. I judge

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young people to make sure they don't cry. So

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if you don't want to be there hiding like your

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cat, she's really bad, then they'll start crying.

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And that's not what you want. You want to make

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them feel confident to come back to you. If you've

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got a large class, this will be the last thing,

00:14:43.720 --> 00:14:46.340
a large class of young people, and there's like

00:14:46.340 --> 00:14:51.029
25 in there, Those last five or six, that's pretty

00:14:51.029 --> 00:14:53.690
scary to think to yourself, I'm going to be the

00:14:53.690 --> 00:14:56.750
last place. I'll usually just say, last six,

00:14:56.830 --> 00:15:00.110
just come on in. Come on in the middle. And I'll

00:15:00.110 --> 00:15:01.490
go down and talk to them and say, you're all

00:15:01.490 --> 00:15:03.850
equal here. You just need improvement in these

00:15:03.850 --> 00:15:06.789
things to be up to life. So that one standing

00:15:06.789 --> 00:15:10.289
on the end doesn't say, well, I was last. Oh,

00:15:10.350 --> 00:15:12.309
we were all kind of equal in the bottom six.

00:15:12.529 --> 00:15:14.850
It's just a good piece of advice to young people.

00:15:15.789 --> 00:15:18.070
to not pick on them when they're down on that

00:15:18.070 --> 00:15:20.850
end. You've got to make them feel that they're

00:15:20.850 --> 00:15:23.870
all about equal right now. And that's the way

00:15:23.870 --> 00:15:26.409
I try to do it. Probably got a class of five,

00:15:26.409 --> 00:15:28.750
it's not the same. And when you've got a class

00:15:28.750 --> 00:15:31.490
of 30, and they realize they're going to be at

00:15:31.490 --> 00:15:34.529
the bottom, they'll feel pretty bad. So I always

00:15:34.529 --> 00:15:36.730
make sure in the last six or seven, I'll just

00:15:36.730 --> 00:15:39.730
signal the lineup. We're going to go on to the

00:15:39.730 --> 00:15:43.409
cow and what we're looking for when I'm touching.

00:15:45.659 --> 00:15:48.879
So, first of all, when you're judging, you see

00:15:48.879 --> 00:15:53.159
the animals come in. I don't like to stand and

00:15:53.159 --> 00:15:56.559
look this close. I like to look back. And if

00:15:56.559 --> 00:15:59.379
you watch them come in, the farther you're back,

00:15:59.460 --> 00:16:03.340
the better you get to see them. So I'll kind

00:16:03.340 --> 00:16:05.679
of look quick, and the next one's going by, and

00:16:05.679 --> 00:16:10.019
I look quick. I can tell right off, yeah, that

00:16:10.019 --> 00:16:11.799
one's going to be right there, that one's not.

00:16:11.840 --> 00:16:14.360
It's just I'm used to judging. And I know what

00:16:14.360 --> 00:16:17.220
I'm looking at. So the first thing just when

00:16:17.220 --> 00:16:19.019
I was talking to you guys, this cat was standing

00:16:19.019 --> 00:16:20.820
there. I looked at her chest. I'm like, wow,

00:16:20.879 --> 00:16:23.440
that's a good example of a good cow in this country.

00:16:23.600 --> 00:16:28.919
Look at her chest. So when I go in close looking

00:16:28.919 --> 00:16:31.940
at the cow, and I look at the side profile, when

00:16:31.940 --> 00:16:35.019
I come around, I'm checking that out. Man, that

00:16:35.019 --> 00:16:37.279
cow's going to do pretty well if everything else

00:16:37.279 --> 00:16:39.960
is right. She's got a white, dead white in her

00:16:39.960 --> 00:16:42.940
front. She's gone. And I think in this country,

00:16:43.000 --> 00:16:47.139
that's true. When I'm dredging, I always have

00:16:47.139 --> 00:16:51.360
a pattern. And at the end of the show, people

00:16:51.360 --> 00:16:54.740
know what I want. And I want balance. And my

00:16:54.740 --> 00:16:59.059
balance, it's the rib structure. Michelle's not

00:16:59.059 --> 00:17:01.360
too extreme up to the front. It looks like she's

00:17:01.360 --> 00:17:04.660
going to dip over. The floor rib, the rear rib.

00:17:04.940 --> 00:17:07.779
She doesn't let her top motion. She's balanced

00:17:07.779 --> 00:17:10.259
from the front to the rear. This isn't very balanced

00:17:10.259 --> 00:17:15.519
at all. And that's what I want at the end of

00:17:15.519 --> 00:17:19.359
the day. I don't want a cow with a very low capacity,

00:17:19.680 --> 00:17:24.500
a linear top, or not the rib structure I like.

00:17:25.900 --> 00:17:28.200
But then you have a situation where a cow will

00:17:28.200 --> 00:17:31.059
have a great mammary system and not a capacity.

00:17:31.960 --> 00:17:34.460
You've got to admire the mammary system so you

00:17:34.460 --> 00:17:37.519
don't just put that cow down hard because she

00:17:37.519 --> 00:17:39.720
maybe lacks a balance. She might even fit in

00:17:39.720 --> 00:17:42.730
a third or fourth in the box. So I like to count

00:17:42.730 --> 00:17:45.289
balance. And that's one of the first things I

00:17:45.289 --> 00:17:48.509
notice on a count. And I look quickly across

00:17:48.509 --> 00:17:50.529
the range and I say, well, what's the neck like?

00:17:51.430 --> 00:17:56.410
Long, very neck, very head, balance. Feet, legs

00:17:56.410 --> 00:18:02.109
look great. Chest looks great. So I can feel

00:18:02.109 --> 00:18:04.369
pretty good already when I go on to look at the

00:18:04.369 --> 00:18:06.529
next count. I already got a really good count.

00:18:11.159 --> 00:18:14.799
So, that's, you look at it quickly. First, if

00:18:14.799 --> 00:18:19.619
you've got a class of 5, 8, you can say, man,

00:18:19.680 --> 00:18:24.559
watch it. If you have a class of 12 or 5, we're

00:18:24.559 --> 00:18:26.460
going to be all day done. So what I'm trying

00:18:26.460 --> 00:18:30.140
to do, I look at the first 3 or 4, and leave

00:18:30.140 --> 00:18:34.839
them out. 43 to the right. I'm already walking

00:18:34.839 --> 00:18:48.140
around. And I go to the side. I look to the side.

00:18:48.380 --> 00:18:51.059
I look to the front. I look to the side. I look

00:18:51.059 --> 00:19:00.000
to the rear. And I might do five. Everybody judging

00:19:00.000 --> 00:19:03.319
isn't going to be in the same situation. So if

00:19:03.319 --> 00:19:05.839
you've got five cows, you let those five cows

00:19:05.839 --> 00:19:08.900
come in and look at them as long as they have

00:19:08.900 --> 00:19:11.539
room to move. Because there's nothing worse than

00:19:11.539 --> 00:19:14.720
getting 25 to the main and all stopped and you're

00:19:14.720 --> 00:19:16.940
not going to have a chance to see them really

00:19:16.940 --> 00:19:19.900
move. So that's why I do it that way. So if I

00:19:19.900 --> 00:19:23.539
get a small head and it's not big enough, I want

00:19:23.539 --> 00:19:25.059
to make sure I see them all moving. So those

00:19:25.059 --> 00:19:28.420
first five come in, then I'll go on to the rest

00:19:28.420 --> 00:19:31.359
and I'll look at those five. And then I'll see

00:19:31.359 --> 00:19:36.480
them all moving. And I'm preparing so every animal

00:19:36.480 --> 00:19:39.619
gets seen. That's the only reason I say that.

00:19:39.859 --> 00:19:41.799
You don't even have to fight a bus. You can stand

00:19:41.799 --> 00:19:43.359
in the middle of the day and get in and see them

00:19:43.359 --> 00:20:07.829
all moving and go look at each other. This is

00:20:07.829 --> 00:20:11.880
a great example of a really good cat. She came

00:20:11.880 --> 00:20:13.859
to show the other day. I would like their mom.

00:20:13.980 --> 00:20:17.519
So that's the kind of cow she is. If you look

00:20:17.519 --> 00:20:20.819
at the mammary system, check how high the rear

00:20:20.819 --> 00:20:24.980
udder is. That's what they give in. Even the

00:20:24.980 --> 00:20:28.640
front teeth placement at 400. It's exactly what

00:20:28.640 --> 00:20:30.579
I would be looking for with a really good mammary

00:20:30.579 --> 00:20:35.039
system. Feet length, perfect. Bone quality, perfect.

00:20:35.660 --> 00:20:39.940
Flat bone, beautiful. Rubbed stretcher to rewind

00:20:39.940 --> 00:20:43.849
it. That's good. Pin placement. If anything,

00:20:43.970 --> 00:20:46.710
it's a little down. That's more functional than

00:20:46.710 --> 00:20:50.730
a high. So that's good. Bone structure, very

00:20:50.730 --> 00:20:55.069
good. See, angularity. My angularity, I look

00:20:55.069 --> 00:20:57.910
at the way the cow is up to her front end, which

00:20:57.910 --> 00:21:01.490
is angular. I look at the way the ribs are. Spring

00:21:01.490 --> 00:21:05.069
rib, hairy rib, drop to the rib. That all ties

00:21:05.069 --> 00:21:08.930
in as angularity. She is excellent with this

00:21:08.930 --> 00:21:11.529
as well. She has a beautiful head, very feminine,

00:21:11.690 --> 00:21:14.950
very feminine. And with the head, I also look

00:21:14.950 --> 00:21:17.529
at the muzzle. When you've got a cow with a really

00:21:17.529 --> 00:21:20.589
narrow muzzle, usually it goes narrow in the

00:21:20.589 --> 00:21:23.390
head. She's got a really good muzzle and a really

00:21:23.390 --> 00:21:26.269
good width ahead. We've covered what we're looking

00:21:26.269 --> 00:21:30.730
for on the animal. It's how to give the reasons,

00:21:30.890 --> 00:21:36.630
how to explain what you're looking for. You just

00:21:36.630 --> 00:21:40.910
don't say, she's got really nice legs. I give

00:21:40.910 --> 00:21:45.069
the first cow advantage. Nicer legs than the

00:21:45.069 --> 00:21:47.490
second cow, nicer memory than the second cow.

00:21:47.630 --> 00:21:50.410
That's a no -no. Because you need to be able

00:21:50.410 --> 00:21:53.210
to say why the legs are nicer, why the others

00:21:53.210 --> 00:21:57.089
are nicer. I'd say, just pretend there's a second

00:21:57.089 --> 00:22:01.369
cow in there and her other is gapping in the

00:22:01.369 --> 00:22:04.819
front. You would say, the first cow is a nicer

00:22:04.819 --> 00:22:08.440
blending for outer to the body wall. The first

00:22:08.440 --> 00:22:10.900
cow is higher and wider at the rear attachment.

00:22:11.960 --> 00:22:14.119
And the thing I remember when you're talking

00:22:14.119 --> 00:22:17.599
about and looking for those traits, you don't

00:22:17.599 --> 00:22:20.460
say bad about the next cow. You don't say bad

00:22:20.460 --> 00:22:23.099
about the next cow. You never talk bad about

00:22:23.099 --> 00:22:26.079
the cows. You talk positive about the cows. I

00:22:26.079 --> 00:22:27.759
don't know. I was trying to say something positive

00:22:27.759 --> 00:22:30.799
about every cow. So I'll say how much I love

00:22:30.799 --> 00:22:33.359
the first cow. I'll explain why I like, and then

00:22:33.359 --> 00:22:36.599
I'll move right on and say she blends better

00:22:36.599 --> 00:22:39.539
or better attached into the body wall. She's

00:22:39.539 --> 00:22:42.700
flatter in her bone quality in her leg, or she's

00:22:42.700 --> 00:22:45.240
stronger in her pasture. Three reasons. That's

00:22:45.240 --> 00:22:47.119
a lot. That's enough. You don't have to do 10

00:22:47.119 --> 00:22:50.299
reasons. Pretend there's the same cow. I take

00:22:50.299 --> 00:22:52.880
this first cow. She's longer in her forehead.

00:22:53.019 --> 00:22:55.180
She blends better in her body wall. She's flatter

00:22:55.180 --> 00:22:59.319
in her bone. Over this really nice... Dairy cow

00:22:59.319 --> 00:23:01.480
we have in second. So I've already noticed the

00:23:01.480 --> 00:23:04.720
second cow's dairy. And I've said why I had the

00:23:04.720 --> 00:23:06.559
first cow in second. And I would say the dairy

00:23:06.559 --> 00:23:09.359
cow in second has the advantage of wider chest

00:23:09.359 --> 00:23:12.599
over the deep rib cow we have in third. I always

00:23:12.599 --> 00:23:15.380
try to talk positively about each cow below.

00:23:15.740 --> 00:23:18.099
But give the right reasons why you're eating.

00:23:18.859 --> 00:23:21.079
You've only got five cows. If you get down to

00:23:21.079 --> 00:23:23.759
your fifth cow, the fourth over fifth, you can

00:23:23.759 --> 00:23:27.259
say the cow in fifth I recognize she's very angular.

00:23:27.339 --> 00:23:29.720
I'd just like to give her more width of chest,

00:23:30.019 --> 00:23:33.180
more depth of rib. But she is a very angular,

00:23:33.440 --> 00:23:36.220
or very wide -chested cow. You can say something

00:23:36.220 --> 00:23:39.180
positive if you can find out the last cow. Because

00:23:39.180 --> 00:23:41.799
that farmer, standing in the barn, if you say,

00:23:41.880 --> 00:23:44.539
I got the fourth cow and the very ninth cow and

00:23:44.539 --> 00:23:47.559
fifth, that's not good. You don't talk that way

00:23:47.559 --> 00:23:51.539
to your judge. So you need to be honest, but

00:23:51.539 --> 00:23:55.529
concise. It's any judge's dream. you can find

00:23:55.529 --> 00:23:58.750
the cow you absolutely love. And if they can't

00:23:58.750 --> 00:24:00.930
walk through the first class or second class,

00:24:00.970 --> 00:24:03.130
I already said, well, I'm pretty safe. I got

00:24:03.130 --> 00:24:05.349
a really good job at the end of the day. And

00:24:05.349 --> 00:24:07.390
even though I said that, when I'm judging, I'll

00:24:07.390 --> 00:24:09.869
say, wow, again, they scammed me at the end of

00:24:09.869 --> 00:24:12.210
the day. And sometimes that happens in the last

00:24:12.210 --> 00:24:16.029
class and they're like, wow, I'm safe. And it's

00:24:16.029 --> 00:24:18.430
a nice feeling as a judge because you feel confident

00:24:18.430 --> 00:24:22.750
about what you're going to do. And the last thing,

00:24:22.809 --> 00:24:25.869
I don't want to drag it out. Like I said the

00:24:25.869 --> 00:24:29.049
other day in the show, if you don't have the

00:24:29.049 --> 00:24:31.869
exact placings of the official, then you can

00:24:31.869 --> 00:24:34.529
argue, well, the second count, I prefer the rock

00:24:34.529 --> 00:24:39.130
structure, the loin strain over the one that

00:24:39.130 --> 00:24:41.490
was first, and you give a substantial reason,

00:24:41.789 --> 00:24:45.509
you're not necessarily wrong. If that judge's

00:24:45.509 --> 00:24:49.289
opinion at me, and you can make your reason supportive,

00:24:50.319 --> 00:24:53.299
But if you got the last list count first, and

00:24:53.299 --> 00:24:56.180
it was really obvious, then you're really going

00:24:56.180 --> 00:24:59.519
to have to come up with reasons. So you try to

00:24:59.519 --> 00:25:02.259
get it fairly close. It might be class of six,

00:25:02.339 --> 00:25:04.799
and you might be, oh, I had the first three mixed

00:25:04.799 --> 00:25:07.660
up, but I had the last three exactly right. That's

00:25:07.660 --> 00:25:11.619
okay. You're not losing a lot of points. As long

00:25:11.619 --> 00:25:13.759
as you gave the reason why those first three

00:25:13.759 --> 00:25:17.200
were the way they were. When I'm judging, I'm

00:25:17.200 --> 00:25:20.690
always thinking, This cow is my pack. That's

00:25:20.690 --> 00:25:23.670
what I like. So I'm comfortable with putting

00:25:23.670 --> 00:25:26.910
that in. Somebody might be comfortable with a

00:25:26.910 --> 00:25:30.089
cow without as much capacity, but I have a hard

00:25:30.089 --> 00:25:32.309
time winning the show with a cow without capacity.

00:25:32.470 --> 00:25:35.509
So I'm going to rely on myself. That's very important.

00:25:36.309 --> 00:25:38.490
You can have a cow with great capacity, but you're

00:25:38.490 --> 00:25:39.710
not going to have a cow with great capacity.

00:25:40.170 --> 00:25:41.769
You're going to have a cow with great capacity.

00:25:43.419 --> 00:25:45.000
The first cow has better legs than the second

00:25:45.000 --> 00:25:49.859
cow. So you've got to weigh it. It's that opinion

00:25:49.859 --> 00:25:52.359
on the day. If you can learn to give reasons,

00:25:52.619 --> 00:25:57.019
just ignore it. Descriptive reasons. It's not

00:25:57.019 --> 00:25:59.539
just the first cow has better legs than the second

00:25:59.539 --> 00:26:02.059
cow. It's the same as better udder. It's the

00:26:02.059 --> 00:26:09.480
same as wine. It's not really descriptive about

00:26:09.480 --> 00:26:12.319
the cow. When you're judging or replacing those

00:26:12.319 --> 00:26:17.779
cows, I usually go off. I mean, I should say

00:26:17.779 --> 00:26:20.039
this, but some countries, you know, the certain

00:26:20.039 --> 00:26:23.980
showmen, they're fine, and they're not happy.

00:26:35.299 --> 00:26:40.079
I look at everybody, and I know when the guy's

00:26:40.079 --> 00:26:42.500
mad, the guy's just mad at himself. But for a

00:26:42.500 --> 00:26:46.380
young judge, it can scare you. So for a young

00:26:46.380 --> 00:26:48.500
guy to come around, there could be a reason for

00:26:48.500 --> 00:26:52.839
that for anybody. So get that one person. Like

00:26:52.839 --> 00:26:56.180
this, it can take it off. So just, if you're

00:26:56.180 --> 00:26:58.680
worried about it, I just, this cow, this cow,

00:26:58.740 --> 00:27:03.299
this cow. Move on. And the reason that occurs,

00:27:03.460 --> 00:27:09.319
that's it. If one guy's always showing great

00:27:09.319 --> 00:27:12.579
cows, and he comes in the rain, don't look what

00:27:12.579 --> 00:27:14.740
he's showing. You're looking at the animal. You're

00:27:14.740 --> 00:27:17.880
not looking at the showing. So it can be, somebody

00:27:17.880 --> 00:27:19.900
that doesn't even show well has the best cow.

00:27:20.079 --> 00:27:21.619
You'd be scared to leave them without a cow.

00:27:26.549 --> 00:27:32.430
As far as the confirmation part, utter and lengths.

00:27:32.910 --> 00:27:39.789
Utter and lengths are very important. I always

00:27:39.789 --> 00:27:47.630
find it hard to judge as a percentage when I'm

00:27:47.630 --> 00:27:50.569
judging. The percentage of declassification,

00:27:50.769 --> 00:27:54.750
as a judge, I don't, I mean, if the udder's a

00:27:54.750 --> 00:27:57.990
great udder or a really good udder, then it's

00:27:57.990 --> 00:28:00.529
good enough to be up top. But if it's not a good

00:28:00.529 --> 00:28:02.630
udder, she's probably going to be up top. I don't

00:28:02.630 --> 00:28:06.190
really, but if I had a cow with really not good

00:28:06.190 --> 00:28:09.430
legs and not a good udder on the same cow, she's

00:28:09.430 --> 00:28:12.109
not going to be up top. I'll tell you that. Easy.

00:28:14.839 --> 00:28:18.599
And as far as the memorizing part goes, you're

00:28:18.599 --> 00:28:25.180
at university level. You're going to class. So

00:28:25.180 --> 00:28:28.380
you've got to do that in that situation. When

00:28:28.380 --> 00:28:31.700
you're a judge at a show, like a big show, I

00:28:31.700 --> 00:28:35.759
give the advice, let your eyes talk. You've seen

00:28:35.759 --> 00:28:38.299
those doubts. And I talk to them in a different

00:28:38.299 --> 00:28:52.890
way. And then I realized, just look at the cows.

00:28:57.750 --> 00:29:01.289
Oh yeah, the last place, there's an August house.

00:29:01.789 --> 00:29:05.230
The last really should happen. I really make

00:29:05.230 --> 00:29:08.490
sure these guys are trying to have the right

00:29:08.490 --> 00:29:12.269
August house for this. If there's three cows

00:29:12.269 --> 00:29:15.150
and they're all kind of close, and you're not

00:29:15.150 --> 00:29:19.150
sure, What weighs more in your mind? The udder

00:29:19.150 --> 00:29:21.269
was better on this one than the udder on that

00:29:21.269 --> 00:29:23.789
one. The leg was better. That's why she's third.

00:29:24.250 --> 00:29:27.849
But if you've got an obvious last, try to ensure

00:29:27.849 --> 00:29:31.009
you've got the obvious last. I really don't change

00:29:31.009 --> 00:29:36.109
my settings because of the competition. Because

00:29:36.109 --> 00:29:40.130
if you've got a cow with a grass and she's not

00:29:40.130 --> 00:29:42.849
as deep, it's probably because she doesn't quite

00:29:42.849 --> 00:29:46.339
have the right rim structure. My cows are great.

00:29:47.640 --> 00:29:51.140
I got green cream from all those cows. And a

00:29:51.140 --> 00:29:54.720
cow with a natural rib structure, it's natural.

00:29:54.940 --> 00:30:01.319
You know, she doesn't eat meat. So, I mean, in

00:30:01.319 --> 00:30:04.519
a country that all the cows are in the same condition,

00:30:04.720 --> 00:30:06.759
you're going to see the same thing. You're going

00:30:06.759 --> 00:30:08.579
to have this one cow maybe walk in with that.

00:30:12.970 --> 00:30:16.450
Even though she's not had any hay, she's a great

00:30:16.450 --> 00:30:19.750
cat. I mean, I still look for the same pattern

00:30:19.750 --> 00:30:23.230
in every country I go, but it's a country that

00:30:23.230 --> 00:30:25.490
says it's a pattern. Maybe their calves aren't

00:30:25.490 --> 00:30:27.710
going to be as deep, so I pick in the best of

00:30:27.710 --> 00:30:32.710
what I find. When you're worried about getting

00:30:32.710 --> 00:30:34.549
reasons, and you just come to the show and you've

00:30:34.549 --> 00:30:37.869
never practiced, it's like, wow. You could be

00:30:37.869 --> 00:30:40.009
looking at cows in your barn and saying to yourself,

00:30:40.069 --> 00:30:56.000
oh yeah, That's a wrap on this Bullvine podcast

00:30:56.000 --> 00:30:58.980
episode with Callum McKinvan. If one idea sticks,

00:30:59.279 --> 00:31:02.359
make it this. Judge the cow that walked in today.

00:31:02.859 --> 00:31:06.680
Eyes on cattle, not on the crowd. Move, see,

00:31:06.900 --> 00:31:10.700
decide, explain. Want the full written playbook

00:31:10.700 --> 00:31:12.980
from this clinic? Head to The Bullvine and look

00:31:12.980 --> 00:31:15.519
for Judge With Confidence, the ultimate playbook

00:31:15.519 --> 00:31:18.140
for dairy cattle judging. It's loaded with the

00:31:18.140 --> 00:31:20.519
evaluation pattern, the three reasons framework,

00:31:20.839 --> 00:31:23.359
and a next show checklist you can use this weekend.

00:31:23.579 --> 00:31:26.500
If this helped, share it with a new judge, a

00:31:26.500 --> 00:31:29.079
4 -H leader, or the friend who always gets asked

00:31:29.079 --> 00:31:32.319
to sort county fair classes. And subscribe to

00:31:32.319 --> 00:31:34.839
The Bullvine podcast for more bold, practical

00:31:34.839 --> 00:31:37.740
episodes that move the industry forward. For

00:31:37.740 --> 00:31:40.480
The Bullvine. I'm your host. Thanks for listening.

00:31:40.859 --> 00:31:41.900
See you ringside.
