WEBVTT

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So too bad mom and dad didn't get divorced before

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you were born. And here we go. Welcome to Cash

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Exchange Presents. What up? How are you doing

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today? You know, I've been better. I'm running

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on less sleep than I'd like to be running on.

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Behind the curtain, we ran into some snafus.

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Just a bit. Recently. And so we're putting out

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those fires. And just making the best of it,

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you know? We are unfortunately playing a little

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bit of ketchup today, but it is all good. We're

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getting there. I'm a mustard man. I cannot stand

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ketchup. Mustard mayonnaise. Me either. Or tomatoes.

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Mayonnaise is an incorrect choice. I like tomatoes

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and their variations. I don't like tomatoes as

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themselves. I don't like ketchup. I don't like

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tomatoes, but I love salsa. I do love salsa.

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I will occasionally drink tomato juice. Very

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occasionally. I don't know. Not a tomato person.

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You like Clamado? I have never and will never

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try Clamado juice. That sounds genuinely awful.

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I also... You like Bloody Marys? No. I don't

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think that a... Spicy alcohol tomato juice drink

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is the best way to start your day if if I am

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wrong Then people are more than welcome to correct

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me, but it's a hair of the dog boot and rally

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Why is that supposed to be a good thing? Well,

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because when you're drinking your way up here

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Then when you wake up hung over your way down

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here So you just need to bring yourself up just

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a hair just a hair of the dog if you will How

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is that why it's called that? No, I don't know.

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Okay. I mean, I believe you but I think that

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Bloody Marys are gross. I also don't like vodka,

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so I'm kind of O for two on Bloody Marys. I don't

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get the fascination with whoring them up, throwing

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bacon in there, putting an entire cheeseburger

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on top. It's also silly. The full meal. Drinking

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on its own is pretty silly, but if you have to

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bedazzle it and make it all pretty in order to

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enjoy it, then maybe find a different hobby.

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Find something else to do. There's places you

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can get a full meal that's called a Bloody Mary

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and it's like 40 bucks. Like no thank you. Ew.

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Hard pass. So I get to finish off my meal with

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a gross chunky tomato drink. I'm good. Those

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sliders have been hanging out behind the bar

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for who knows how long. They don't make a single

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slider to order for your Bloody Mary. No, they're

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those little frozen White Castle sliders. I did

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like those frozen White Castle sliders. Have

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you ever had actual White Castle? I have. It

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made me immediately very, very ill. Yeah. I do

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not get the fascination. They sell their food

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in units of the bag that it occupies. And there

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is nothing that I've ever heard that is more

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American than selling mozzarella sticks by the

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bag. You know, we went on a road trip to Illinois

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and we stopped in Missouri and got White Castle.

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And the last 45 minutes maybe of that trip were

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absolute hell. I had just it was it was the worst.

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Was it coming or going or both? It was staying

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put very uneasily. Yeah last time I had White

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Castle was in Phoenix or Tucson one of those

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two then yeah that's not impressed. I will stick

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to my microwave White Castle burgers or I can

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just cook a burger with little holes poked into

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it in Onions. There you go. Same diff. It was

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something to write home about. I told mom and

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Emily how much it sucked, so. Yeah. You can ask

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Nate about my take on White Castle. I'm more

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likely to tell people how much something sucks

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than how good it was. That is a universal truth.

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On average, people are statistically likely to

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tell ten people about a bad experience and only

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three people about a good experience. Yeah. Anyway.

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Annie Housel. So our movie for today is Slumber

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Party Massacre. The OG from 82. Yes. How did

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you feel about this movie? What are your initial

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thoughts? Not great. No. It had its moments.

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The whole genesis of it made no sense. You don't

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have to write Schindler's List. You don't have

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to write Dark Knight to give me just a very basic

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reason for why these events are unfolding the

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way they are. The antagonist in this movie, just

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pops up and decides he picks his target just

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out of nowhere. And then it just, it goes on

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from there. Acting -wise, eh, okay. Boobs -wise,

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two thumbs up. I hate, honestly, that we are

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deep in this series because every movie that

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we've talked about so far, you have rated on

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a scale of boobs to no boobs. You know, Barney

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Stinson kind of fashion. And I thought in a couple

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scenes in this movie, that this is going to make

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up for the last three that we've watched that

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had no boobs. Oh, it did. It did. This one is

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just, it's several scenes of just boob. Boob.

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And butts. Lots of butts. Panning down to butts.

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Panning back up from butts. Panning rooms with

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butts. One man ass. So we're continuing that

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tradition. And yeah, I mean, I would love to

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say that the boob saved it, but it did not. I...

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did the same thing that I did with one of the

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ones that has now ended up on the cutting room

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floor. And I looked into the Reddit posts about

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this movie after I had watched it, because I

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was curious what other people thought about the

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movie. Because I'm always interested in other

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perspectives. And one of the big things that

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came out about this movie was that it was supposed

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to be a satire on the slasher. And it was written

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in this feminist scope. by a, if I remember correctly,

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a lesbian director. And so it was, I think if

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they had leaned harder into it being this like

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slasher satire and it had been more campy cheesy

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joke horror, it would have been better. But a

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lot of the movie, it feels like they don't know

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what they're trying to be. That's bouncing between

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two different things. It is a 50 -50 of trying

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to be this like... parody on the concept and

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it trying to be like no guys I'm a real slasher

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and it kind of because of that fails to deliver

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on either yeah it was it was written as a and

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at the time I'm sure this was this was fresh

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and new and and you go girl now it's definitely

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not it falls into it has its own set of tropes

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that a lot of movies after it fell into which

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is all the boys are dumb complete idiots. All

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of them are perverts. All of them just want to

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touch that today and then the girl saves the

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day. I do not appreciate that statement. Have

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you? Okay, this is a side note, but after this

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episode is over, I need everyone to go check

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out Just One, Jim Carrey on SNL. It is a parody

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of Soul Train and Jim Carrey sings a song called

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Just One. And I need everyone to check it out

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because it is one of my favorite things ever.

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But yeah, it's all the same thing. It's the tropes,

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but for the women. So one of the reasons that

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a lot of the stuff didn't come through was because

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of the producer, something, Corman. He had a

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studio, the one that greenlit this movie, that

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was... known for its like exploitation movies.

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And so this got that treatment onto it. He has

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had a rule for all of his movies. It was like

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his code. There never needs to be more than a

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10 minute span where there is not sex or violence

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in one of his movies. And apparently, there were

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a lot of days where actors would come into work.

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This thing only took three weeks to film. They

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would come into work. and there would be script

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rewrites that added more nudity or for a scene

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to be gorier or anything like that. I didn't

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count. In retrospect, I think I would have counted

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the number of nude scenes that there were that

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just didn't add literally anything to the film

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because I counted how many deaths there were

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in the span of the hour and 13 minutes runtime

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that this movie has. And I'm pretty sure it's

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about a one -to -one. of the amount of nude scenes

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versus the amount of actual deaths. No, I think

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the only reason you're thinking that is because

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one of the scenes goes egregiously long and adds

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nothing. Sure. It adds something from the aspect

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of the main girl that's hosting the slumber party

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and then this girl that just moved into town

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that's like the shy, reserved... one that doesn't

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have any friends. And the only thing it does

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is it kind of shows that the main girl is trying

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to reach a handout to this girl that she knows

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is probably pretty lonely. And then that immediately

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gets torpedoed by one of her friends. And so

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the girl doesn't end up going anyways, but she

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lives right across the street. So it's a huge

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dick move, but yeah. I mean, it's a dick move

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in that they're talking about this very loudly

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in the locker room that the girl is also in.

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But she's still, like the girl who's hosting

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this still invites her. She does. And is only

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saying positive things about her. I don't know

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that it's really a dick move. Well, I mean, what's

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really annoying is that the protestor, the biggest

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protestor, is the one that is not there. She

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goes and then wants to leave immediately. Yeah,

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that's fair. So... She already knows that this

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girl is flighty. This girl wants to spend all

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of her time with her boyfriend. So what harm

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is it really going to be if the only naysayer

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is not actually going to have to interact with

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this girl? And there's... Power move. One of

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the reasons when the bitch girl and the main

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girl are talking about why they don't want Valerie,

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the girl across the street and the new girl,

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to come to... the shindig is because, what's

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the friend's name? Diane. Diane is jealous of

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how good Valerie is at basketball. And she's

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too pretty. And she's too pretty. I can tell

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you right now, Valerie is not good at basketball.

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There's a whole, they do a whole scrimmage and

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the one black girl on the team, they throw the

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ball to her, they like two hand pass it. It's

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like... These people have never seen basketball.

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They can't dribble. They can't pass. They can't

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anything. Anyways, this girl makes a shot. It

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is, I don't know, roughly two and a half feet

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from the rim. Just nothing but backboard. And

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then Valerie rebounds it and like waddle dribbles

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to the other side and then misses. Ball goes

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out and then she rebounds it and then it's a

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layup. And then, oh, she is so great at basketball.

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So I don't think that is an appropriate reason

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to be hateful to Valerie. Noted. So we start

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out with an establishing shot of a neighborhood.

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You get one of my least favorite tropes in film,

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which is the paper boy. The paper boy always

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has perfect aim and somehow always delivers a

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paper with the headline perfectly readable. Facing

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up, yeah. And every house gets a paper. Yeah.

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This is the first time that we know that there

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is a man named Russ Thorne who has escaped. after

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murdering, I believe it was three people. This

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is the first of three times that we see Russ

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Thorne's backstory phrased exactly the same way

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like it has any more impact on the story. Yeah,

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no other details. We hear it in two separate

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radio broadcasts after we see this headline on

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a newspaper that just say that Russ Thorne has

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escaped after killing three people. The side's

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still on the loose. And it's still on the loose.

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So we get the first scene that we have is Trish

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waking up. This is also within the first two

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maybe minutes of the movie oops Two minutes and

00:12:33.700 --> 00:12:37.059
two seconds, but who's keeping track two minutes

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and two seconds into this movie and She she wakes

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up to a woman screaming on the radio. It says

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what did I win $100 and the DJ says you want

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a t -shirt and then he calls out the the station

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What does it call call sign? I think. And it's

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K -D -E -D. K -Dead. I thought it was pretty

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funny. That's one of those campy things that

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if they had leaned into it would have made this

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a better movie. Yeah. If it had just been all

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silliness like that. Should have, would have,

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could have. Also, the first moment that you see

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Trish, who is our protagonist in this movie,

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this is no shade, but I hate when they cast people

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that are significantly older than the character

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that they're supposed to be, especially when

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that character is supposed to be like either

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a child or, like, barely an adult. This woman

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is 26 years old during the filming of this movie,

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and she is 18. But she looks at least my age.

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Like, she looks every bit of 26. She definitely

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looks in her 20s. I couldn't find a lot of information

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about, like, how old the rest of the cast was,

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because most of them haven't really gone on to

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do a lot else. But they are... The only other

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person that I found was 21, and that was, I believe,

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Valerie. Huh. the pretty neighbor girl across

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the street, but like... Interesting. None of

00:13:58.919 --> 00:14:01.500
them look like they are anywhere near 18 years

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old. Given the gratuitous nudity, I'm very glad

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that they didn't cast anyone anywhere near 18

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years old, or that looked anywhere near 18 years

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old, but come on. Yeah. Yeah. When she wakes

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up, she, of course, undresses, because you have

00:14:16.159 --> 00:14:18.860
to in these types of movies. Boobies are flailing

00:14:18.860 --> 00:14:22.960
all over the place. Puts on a dress and then

00:14:22.960 --> 00:14:26.240
starts collecting random items from her room

00:14:26.240 --> 00:14:28.820
mostly like toys and puts them in a paper sack.

00:14:29.159 --> 00:14:33.379
She goes outside with the paper sack and her

00:14:33.379 --> 00:14:37.519
books and her parents are getting into the car

00:14:37.519 --> 00:14:39.679
because they are about to go away. And this is

00:14:39.679 --> 00:14:43.139
where we find out that Trish has just turned

00:14:43.139 --> 00:14:46.220
18 and so they're trusting her to stay home alone.

00:14:46.700 --> 00:14:50.360
But she's not going to be fully home alone because

00:14:50.360 --> 00:14:54.419
the neighbor missed her. It was weird. Content.

00:14:56.200 --> 00:14:59.799
content, uh, is going to be watching over her.

00:14:59.840 --> 00:15:02.240
And you're like, okay. I don't think they thoroughly

00:15:02.240 --> 00:15:05.639
vetted this man. Has this guy been Russ Thorne

00:15:05.639 --> 00:15:09.919
the whole time? No, no. There's a, and I think

00:15:09.919 --> 00:15:12.740
it's a, it's a red herring. It's, uh, you're

00:15:12.740 --> 00:15:14.779
supposed to thank this neighbor's up to something.

00:15:16.320 --> 00:15:21.019
And... Were you? Um, yes. Especially later on.

00:15:21.519 --> 00:15:25.250
It's weird because he looked like, uh, a mashup

00:15:25.250 --> 00:15:31.230
of Robert Redford and Guy Pearce. Okay. He was

00:15:31.230 --> 00:15:35.129
a handsome dude. So parents leave. Trish goes

00:15:35.129 --> 00:15:37.210
on her merry way to school with her books. She

00:15:37.210 --> 00:15:41.470
drops that bag of toys into the trash. Which,

00:15:41.870 --> 00:15:44.909
who could have donated those? Trish? She put

00:15:44.909 --> 00:15:47.789
them in the bag with so much like haste as she

00:15:47.789 --> 00:15:49.850
was getting ready for school. Is this because

00:15:49.850 --> 00:15:51.850
she's trying to like prove to her friends at

00:15:51.850 --> 00:15:54.200
the sleepover that she's an adult now? is this

00:15:54.200 --> 00:15:57.500
like her transition into adulthood is throwing

00:15:57.500 --> 00:15:59.840
away all the the toys because that feels a bit

00:15:59.840 --> 00:16:01.879
on the nose. I didn't think about that but that

00:16:01.879 --> 00:16:04.179
does make sense now that you say it. That seems

00:16:04.179 --> 00:16:06.679
like something a screenwriter would think that

00:16:06.679 --> 00:16:10.220
someone would do. I feel like we're it's also

00:16:10.220 --> 00:16:12.019
a little gratuitous that she's freshly minted

00:16:12.019 --> 00:16:15.059
18. Like that's that's done a great deal through

00:16:15.059 --> 00:16:18.860
the movie. And then as she's walking away we

00:16:18.860 --> 00:16:20.799
see someone pick up the Barbie out of the bag

00:16:20.799 --> 00:16:24.220
and then she's off to Esquiela. and we immediately

00:16:24.220 --> 00:16:26.860
go into the basketball scene. No, no, we don't.

00:16:27.080 --> 00:16:29.220
Never mind. No, we're in the parking lot. There

00:16:29.220 --> 00:16:34.259
is a pretty blonde lady who is in the subtitles.

00:16:34.779 --> 00:16:38.360
Her character's name is just female. Love to

00:16:38.360 --> 00:16:42.639
see it. She has about 45 seconds, maybe, of screen

00:16:42.639 --> 00:16:46.100
time where the two boys whose names are Neil

00:16:46.100 --> 00:16:50.480
and Jeff, they see her on this ladder. We get

00:16:50.480 --> 00:16:53.399
my name. Yeah, like. immediately into the scene.

00:16:53.639 --> 00:16:57.480
She gets down off this ladder as she has presumably

00:16:57.480 --> 00:17:01.200
fixed the phones in the school and he starts

00:17:01.200 --> 00:17:05.259
hitting on her immediately. She is shockingly

00:17:05.259 --> 00:17:08.740
not taken aback by this 18 year old boy's advances,

00:17:09.119 --> 00:17:13.420
not interested. And so Neil pulls Jeff away because

00:17:13.420 --> 00:17:15.559
he has clearly not succeeded in his efforts.

00:17:15.839 --> 00:17:20.039
They're walking into the school and the phone

00:17:20.039 --> 00:17:24.279
maintenance lady is pulled into her own van and

00:17:24.279 --> 00:17:27.319
killed with a giant drill. Yeah. She gets drilled

00:17:27.319 --> 00:17:29.759
real hard. I phrased it the way that I did on

00:17:29.759 --> 00:17:34.599
purpose. Stop it. I mean, isn't it nice, though,

00:17:34.680 --> 00:17:38.480
to see a woman in a job that's usually taken

00:17:38.480 --> 00:17:41.740
over by men? Her character name is Female. No.

00:17:42.400 --> 00:17:45.660
Would you have felt better if she was stunning

00:17:45.660 --> 00:17:48.700
and brave female for taking on such an arduous

00:17:48.700 --> 00:17:51.369
job that is usually reserved for men? Vice Principal

00:17:51.369 --> 00:17:54.690
Strong Woman. No, I would not have. Oh, okay.

00:17:54.930 --> 00:17:57.430
Well, now we get to the basketball scene and

00:17:57.430 --> 00:18:00.990
now we see the future of the WNBA. Valerie, man.

00:18:01.470 --> 00:18:05.569
She's getting it. She is. We have a very long

00:18:05.569 --> 00:18:07.690
shower scene where they're in the locker room

00:18:07.690 --> 00:18:11.190
and it's just all boobs. And butts. And butts.

00:18:11.789 --> 00:18:14.869
One girl asks another girl to borrow her bar

00:18:14.869 --> 00:18:17.789
soap, which I thought was weird. I don't think

00:18:17.789 --> 00:18:20.329
that's a thing you share. I wouldn't either,

00:18:20.970 --> 00:18:25.049
but just hopping back just real quick. Whenever

00:18:25.049 --> 00:18:28.789
Jackie, the black girl, misses the shot, the

00:18:28.789 --> 00:18:30.670
coach says, that's not a smart move, Jackie.

00:18:30.849 --> 00:18:33.410
Larry Bird, you ain't. And I just wanted to make

00:18:33.410 --> 00:18:35.470
sure that was, make sure people knew that line

00:18:35.470 --> 00:18:38.109
existed in this world. But the first line you

00:18:38.109 --> 00:18:40.670
hear as they're walking into the showers is,

00:18:40.930 --> 00:18:42.990
you know, I think your tits are getting bigger.

00:18:43.230 --> 00:18:50.440
And then all of them in unison. It was like that

00:18:50.440 --> 00:18:54.400
scene from Finding Nemo because they just say,

00:18:54.900 --> 00:18:58.779
mine? All together as a chorus. You know, I think

00:18:58.779 --> 00:19:01.720
your tits are getting bigger. Mine? And I chuckled.

00:19:02.019 --> 00:19:06.200
It made me laugh. Yeah. Another point in their

00:19:06.200 --> 00:19:11.339
favor. It's silliness. And then, of course, we

00:19:11.339 --> 00:19:16.160
get Diane post shower. Just being a bitch for

00:19:16.160 --> 00:19:19.960
no reason. That's another common trope, and it's

00:19:19.960 --> 00:19:23.599
usually the females that are just hateful with

00:19:23.599 --> 00:19:26.299
no justification. I think that's just teenagers.

00:19:27.140 --> 00:19:28.839
Yeah, maybe. It's been a while since I've been

00:19:28.839 --> 00:19:32.539
one. But we get a conversation in the locker

00:19:32.539 --> 00:19:35.779
room where Valerie is one row of lockers away,

00:19:36.059 --> 00:19:38.960
still very much able to hear them and their conversation.

00:19:39.380 --> 00:19:41.519
Trish is still going to invite Valerie to her

00:19:41.519 --> 00:19:45.720
sleepover despite Diane's protest. and she goes

00:19:45.720 --> 00:19:48.700
to invite her after Valerie decides that she's

00:19:48.700 --> 00:19:50.700
had enough of this. She goes to storm out of

00:19:50.700 --> 00:19:53.960
the locker room. Trish invites her and she just

00:19:53.960 --> 00:19:57.140
like gets very emotional, says, no, I can't,

00:19:57.160 --> 00:20:00.299
and then just leaves. Which is, I mean, is a

00:20:00.299 --> 00:20:02.720
reasonable reaction if you've overheard people

00:20:02.720 --> 00:20:06.440
talking about you, I guess. But Trish turns around

00:20:06.440 --> 00:20:09.579
from the door and goes, she heard. Yes, you were

00:20:09.579 --> 00:20:13.079
speaking at full volume, two feet from her. I

00:20:13.079 --> 00:20:14.880
don't know if you've ever been in a locker room,

00:20:15.160 --> 00:20:19.119
but all that thin metal and concrete walls is

00:20:19.119 --> 00:20:23.140
a prime for just Echo City. It's not hard to

00:20:23.140 --> 00:20:25.400
hear something from across the room or the other

00:20:25.400 --> 00:20:29.359
side of a set of lockers. So we cut to all of

00:20:29.359 --> 00:20:31.220
these people, all of these girls walking out

00:20:31.220 --> 00:20:34.339
of the school. Linda says, oh no, I forgot something

00:20:34.339 --> 00:20:37.400
and has to go back inside. Doesn't she know what

00:20:37.400 --> 00:20:39.460
kind of movie she's in? You can't go back by

00:20:39.460 --> 00:20:41.920
yourself. This is true. We always use the buddy

00:20:41.920 --> 00:20:44.809
system. Linda has not found her exit buddy. So

00:20:44.809 --> 00:20:48.529
she returns to the school, passes by Coach Jana,

00:20:48.789 --> 00:20:50.670
who tells her that they are about to lock the

00:20:50.670 --> 00:20:53.309
school and that she needs to hurry. And apparently

00:20:53.309 --> 00:20:57.009
she meant that in like the next two seconds they're

00:20:57.009 --> 00:20:59.349
going to lock this school down. Yeah. She goes

00:20:59.349 --> 00:21:01.750
into the locker room where her textbooks are

00:21:01.750 --> 00:21:04.849
stored. And I didn't go to a school with like

00:21:04.849 --> 00:21:06.849
full scale locker rooms and showers and all of

00:21:06.849 --> 00:21:09.630
that, but wouldn't you not want to keep your

00:21:09.630 --> 00:21:11.910
textbooks in the place that's about to get all

00:21:11.849 --> 00:21:14.690
or that stays steamy for most of the day. You

00:21:14.690 --> 00:21:16.730
think so. And then when she gets her book, she

00:21:16.730 --> 00:21:19.569
just leaves it wide open. She does, yeah. I thought

00:21:19.569 --> 00:21:22.470
there was going to be a note left or something

00:21:22.470 --> 00:21:25.490
to do with that locker being open at some point.

00:21:25.630 --> 00:21:27.809
There was no return on that investment. We never

00:21:27.809 --> 00:21:30.630
go back to the locker room. We go back to the

00:21:30.630 --> 00:21:33.829
locker room. When? I don't. Right after this.

00:21:34.210 --> 00:21:36.410
Yeah. So she has collected her textbook. She

00:21:36.410 --> 00:21:38.849
is trying to get out, realizes that, surprise,

00:21:39.049 --> 00:21:41.000
all the doors are already locked. Oh, I just

00:21:41.000 --> 00:21:43.859
consider that the whole thing. But yes, she does

00:21:43.859 --> 00:21:45.779
actively leave the locker room and then come

00:21:45.779 --> 00:21:48.599
back. Yeah. So she is trying all of the doors.

00:21:49.180 --> 00:21:52.079
Nothing. She tries the door on the far end of

00:21:52.079 --> 00:21:57.000
the school and who pops up, who we are to assume

00:21:57.000 --> 00:21:59.799
is Russ Thorne. I call him the dentist because

00:21:59.799 --> 00:22:01.980
he's got a drill. That's how I put him for the

00:22:01.980 --> 00:22:03.559
rest of the notes. Can we call him the tooth

00:22:03.559 --> 00:22:06.460
fairy? I would much prefer him to be the actual

00:22:06.460 --> 00:22:08.259
tooth fairy. We can call him the tooth fairy.

00:22:08.940 --> 00:22:10.779
I mean, wouldn't he be the... Cable guy, since

00:22:10.779 --> 00:22:14.720
he took the phone operator lady's drill. Yeah.

00:22:15.140 --> 00:22:17.480
Man, take another woman's job. I bet he makes

00:22:17.480 --> 00:22:24.059
more, too. So, Linda is confronted with this

00:22:24.059 --> 00:22:27.380
man with a drill, who immediately drills right

00:22:27.380 --> 00:22:29.920
through her arm. With an auger bit. Where are

00:22:29.920 --> 00:22:34.000
my construction boys at? She is running through

00:22:34.000 --> 00:22:36.240
the school and decides the best course of action

00:22:36.240 --> 00:22:38.559
is to go back into the locker room. Yeah, because

00:22:38.559 --> 00:22:41.099
the doors have been chained from the inside,

00:22:41.519 --> 00:22:44.859
which is a huge fire hazard. How do you suppose

00:22:44.859 --> 00:22:47.380
the last person gets out in a situation like

00:22:47.380 --> 00:22:50.460
this? Is there a person that just like, is there

00:22:50.460 --> 00:22:53.539
an overnight security guard at this school? I

00:22:53.539 --> 00:22:55.259
just has to stay in the school? I don't know.

00:22:55.740 --> 00:22:58.640
I would assume that there are doors outside of

00:22:58.640 --> 00:23:02.920
the gym and locker rooms that are still able

00:23:02.920 --> 00:23:08.609
to be left out of. But for right now, All Windows

00:23:08.609 --> 00:23:13.250
options are currently not available to her. That's

00:23:13.250 --> 00:23:18.529
correct. So she is hiding under a table while

00:23:18.529 --> 00:23:23.009
the dentist is wandering around the locker room

00:23:23.009 --> 00:23:25.049
trying to figure out where she went. She is,

00:23:25.289 --> 00:23:27.049
I don't know if it's a point to her credit or

00:23:27.049 --> 00:23:30.950
a point against the movie, the most silent person

00:23:30.950 --> 00:23:33.890
I've ever seen hiding from a serial killer. That

00:23:33.890 --> 00:23:37.089
is currently bleeding out. In... Every single

00:23:37.089 --> 00:23:40.950
movie, every horror movie, regardless of its

00:23:40.950 --> 00:23:43.849
scale, budget, whatever, the person who is hiding

00:23:43.849 --> 00:23:46.109
from the serial killer is hyperventilating. They

00:23:46.109 --> 00:23:49.309
are trying their absolute damnedest not to scream.

00:23:49.750 --> 00:23:53.609
She is straight chilling under this table. He,

00:23:54.009 --> 00:23:56.410
because she is completely silent, he can't find

00:23:56.410 --> 00:24:01.170
her. She is actively bleeding out and finds a

00:24:01.170 --> 00:24:03.910
towel to stem the flow of blood out of her arm

00:24:03.910 --> 00:24:08.750
and as the dentist decides that this locker room

00:24:08.750 --> 00:24:13.549
is not where she is and goes to leave. She is

00:24:13.549 --> 00:24:16.230
unable to catch the blood that is seeped underneath

00:24:16.230 --> 00:24:19.849
the door that she is, she's hiding behind. Lucky

00:24:19.849 --> 00:24:22.309
for him. The dentist looks down. It's right between

00:24:22.309 --> 00:24:26.829
his legs. And bye Linda. I will say she delivers

00:24:26.829 --> 00:24:28.809
one of the best screams I've heard in horror

00:24:28.809 --> 00:24:32.069
in a long time. That is a good one. She absolutely

00:24:32.069 --> 00:24:36.200
killed it. You want to know some? some drill

00:24:36.200 --> 00:24:40.980
facts that I have accrued over my years of using

00:24:40.980 --> 00:24:45.799
drills. What do you got? One, an auger bit, which

00:24:45.799 --> 00:24:48.500
is the kind he uses, is made for making bigger

00:24:48.500 --> 00:24:50.640
holes. They're different than regular drill bits.

00:24:52.700 --> 00:24:56.420
That's not the type of drilling that you'd want

00:24:56.420 --> 00:24:58.039
to do if you were trying to attack somebody.

00:24:58.579 --> 00:25:04.119
You need a full bit. Two, The more you use a

00:25:04.119 --> 00:25:06.519
drill bit, especially on harder surfaces like,

00:25:06.519 --> 00:25:11.960
I don't know, femur, a skull, a door, a lock,

00:25:12.279 --> 00:25:15.160
any of those, your blade's gonna get duller,

00:25:15.339 --> 00:25:19.200
or your bit's gonna get duller. As it gets duller,

00:25:19.539 --> 00:25:22.940
it gets harder and harder to go through materials.

00:25:24.480 --> 00:25:28.069
It can get to a point where the... drill bit

00:25:28.069 --> 00:25:30.970
bites down on the material and instead of the

00:25:30.970 --> 00:25:32.730
drill bit spinning, the drill starts spinning

00:25:32.730 --> 00:25:37.670
and you can very easily snap your wrist. And

00:25:37.670 --> 00:25:41.009
I wish that had been part of this movie. That

00:25:41.009 --> 00:25:44.069
he goes to drill into somebody, it catches and

00:25:44.069 --> 00:25:46.930
then instead of the drill bit going in, it just

00:25:46.930 --> 00:25:50.130
snaps his wrist. Very easy to dislocate an arm,

00:25:50.549 --> 00:25:52.490
especially with as high power to drill as he

00:25:52.490 --> 00:25:57.150
has. It's battery operated. In the 1980s the

00:25:57.150 --> 00:25:59.289
first battery operated drill was from Black and

00:25:59.289 --> 00:26:04.529
Decker in the 60s and back then you could not

00:26:04.529 --> 00:26:06.210
use them for extended periods of time without

00:26:06.210 --> 00:26:09.990
having to recharge them. So after every attack

00:26:09.990 --> 00:26:12.869
he would just be sitting by an outlet waiting

00:26:12.869 --> 00:26:17.009
for the three lights on his drilled battery to

00:26:17.009 --> 00:26:19.250
light up and then he's good to go to kill again

00:26:19.250 --> 00:26:23.049
or he's just got a ridiculous supply of charged

00:26:23.049 --> 00:26:25.630
batteries on him at all times. And back then

00:26:25.630 --> 00:26:28.630
they were pretty bulky. Which would kind of make

00:26:28.630 --> 00:26:33.950
sense, because we don't know what the phone technician's

00:26:33.950 --> 00:26:36.250
workload looked like. So it would make sense

00:26:36.250 --> 00:26:38.470
if the back of that van just had like a wall

00:26:38.470 --> 00:26:42.190
of battery. Do we know that was hers? What? Do

00:26:42.190 --> 00:26:44.490
we know the drill was hers? Or did he just bring

00:26:44.490 --> 00:26:49.690
it with him? I assumed it was hers. Oh. I mean,

00:26:49.809 --> 00:26:55.339
that's a fair assumption to make. in the screenwriter's

00:26:55.339 --> 00:26:59.759
intent and all their feministic wisdom was for

00:26:59.759 --> 00:27:08.400
the the drill to be a symbol of male aggression

00:27:08.400 --> 00:27:14.039
due to its phallic shape. This was this was multiple

00:27:14.039 --> 00:27:18.599
accounts of the intention of the screenwriter

00:27:18.599 --> 00:27:22.599
that the drill was supposed to represent his

00:27:22.779 --> 00:27:27.980
Weiner So those are my drill facts you may continue

00:27:27.980 --> 00:27:32.160
those were some fun drill facts After Linda dies

00:27:32.160 --> 00:27:35.180
we get our third mention of this guy's backstory

00:27:35.180 --> 00:27:38.480
We are not even 20 minutes into this movie and

00:27:38.480 --> 00:27:42.720
no new information. No new information we have

00:27:42.720 --> 00:27:46.660
a I wrote random musical break in my notes and

00:27:46.660 --> 00:27:49.039
I Quite honestly do not remember what that was

00:27:49.039 --> 00:27:51.759
in reference to it's something to do with mr.

00:27:53.180 --> 00:27:58.480
I think if I am not mistaken, this is where Trish

00:27:58.480 --> 00:28:01.339
comes home and there's just a dude in her house.

00:28:01.359 --> 00:28:04.119
And I did at this point forget who Mr. Content

00:28:04.119 --> 00:28:07.640
was, that he was the neighbor. And I was like,

00:28:08.000 --> 00:28:11.680
who is this guy in her house? Yeah. Who's that

00:28:11.680 --> 00:28:20.400
guy? It's Mr. Content. He says the door was open.

00:28:20.569 --> 00:28:23.369
And so he just wanted to like look around for

00:28:23.369 --> 00:28:25.670
a little bit. Make sure everything was okay.

00:28:26.130 --> 00:28:30.509
Make sure everything was okay. And that's it.

00:28:31.069 --> 00:28:33.309
They go into the kitchen, she makes some coffee.

00:28:33.769 --> 00:28:35.490
They're just chatting for a little bit. What

00:28:35.490 --> 00:28:39.369
you didn't mention was that this weird musical

00:28:39.369 --> 00:28:43.730
break was her playing on the piano. That's what

00:28:43.730 --> 00:28:46.769
it was, okay. It was very, very out of tune.

00:28:47.349 --> 00:28:50.509
It was, yes. And then... all of a sudden she

00:28:50.509 --> 00:28:53.630
hears a sound and then, oh, it's you. The trope

00:28:53.630 --> 00:28:57.410
that gets used in this movie most, the one that

00:28:57.410 --> 00:29:00.089
irritates the hell out of me is that there is

00:29:00.089 --> 00:29:05.029
so, so many moments where it's a jump scare and

00:29:05.029 --> 00:29:08.730
it's just like a friend. Someone gonna die? Yeah,

00:29:08.750 --> 00:29:11.410
probably, but not this time around. It happens

00:29:11.410 --> 00:29:16.250
so often. It does. Throughout 73 minutes of runtime.

00:29:17.740 --> 00:29:20.700
So much so that whenever the killer actually

00:29:20.700 --> 00:29:23.220
does show up and kill somebody you're like, okay,

00:29:23.339 --> 00:29:25.640
cool. Finally. At least something's happening.

00:29:26.019 --> 00:29:28.500
At least something is happening. It's not like,

00:29:28.539 --> 00:29:34.019
oh surprise. It's Jeff and Neil or whatever Valerie's

00:29:34.019 --> 00:29:38.839
sister's name is. Courtney. Courtney. Then we

00:29:38.839 --> 00:29:43.799
cut to Valerie making Kool -Aid for herself and

00:29:43.799 --> 00:29:47.619
Courtney. In this, we get a Jonestown Massacre

00:29:47.619 --> 00:29:52.220
joke, and I Googled it because I was like, what

00:29:52.220 --> 00:29:56.960
time frame is this in? There's a four year difference

00:29:56.960 --> 00:30:00.099
in when the Jonestown Massacre happened and when

00:30:00.099 --> 00:30:02.660
this movie was released. So it was pretty fresh.

00:30:03.500 --> 00:30:07.019
I don't know what the timeline is for a Drink

00:30:07.019 --> 00:30:09.720
the Goulet joke, but I think four years is a

00:30:09.720 --> 00:30:13.200
little narrow. The Abraham Lincoln killing just

00:30:13.200 --> 00:30:15.710
became funny. I need to see this play like I

00:30:15.710 --> 00:30:19.869
need a hole in the head. Yeah. And I do want

00:30:19.869 --> 00:30:21.789
to point out that they made the cardinal mistake,

00:30:22.309 --> 00:30:26.750
which everyone does it, of confusing Kool -Aid

00:30:26.750 --> 00:30:31.490
with the Jonestown massacre. It was flavor aid

00:30:31.490 --> 00:30:36.109
in Jonestown, not Kool -Aid. And then she, so

00:30:36.109 --> 00:30:37.809
she pours in the Kool -Aid and then she starts

00:30:37.809 --> 00:30:41.029
pouring in all this sugar. I was like, that's

00:30:41.029 --> 00:30:44.319
weird. And I looked it up and apparently, Kool

00:30:44.319 --> 00:30:46.019
-Aid is not sweetened. You didn't know that?

00:30:46.279 --> 00:30:50.259
I just thought, no. I thought it was like a flavoring

00:30:50.259 --> 00:30:53.279
in just a whole bunch of dyed sugar. I didn't

00:30:53.279 --> 00:30:56.400
know there was no sugar in it. Consider how much

00:30:56.400 --> 00:30:59.099
powder is actually in a Kool -Aid packet. It's

00:30:59.099 --> 00:31:01.380
basically like two crystallites. If you put that

00:31:01.380 --> 00:31:03.700
in a gallon of water, you're not gonna get any

00:31:03.700 --> 00:31:05.660
flavor. Yeah, I don't know. I can't say the last

00:31:05.660 --> 00:31:08.799
time I made Kool -Aid. I mean, me neither, but

00:31:08.799 --> 00:31:11.700
no, it requires a lot of sugar that does not

00:31:11.700 --> 00:31:16.490
dissolve properly. Well, now we know. So we are

00:31:16.490 --> 00:31:18.950
back at the sleepover. The friends have arrived.

00:31:19.630 --> 00:31:21.569
The friends have arrived. They walked in the

00:31:21.569 --> 00:31:24.490
door, said, we're here for the orgy, which made

00:31:24.490 --> 00:31:27.009
me think of the hangover and wonder if that's

00:31:27.009 --> 00:31:29.869
where the hangover got this line. I don't remember

00:31:29.869 --> 00:31:31.730
that. Oh, it's when they're in the elevator about

00:31:31.730 --> 00:31:34.250
to go down to the casino and Todd Phillips, the

00:31:34.250 --> 00:31:38.650
director of the hangover and Joker and the awful,

00:31:38.769 --> 00:31:43.730
awful Joker 2, Says, y 'all here for the orgy?

00:31:45.329 --> 00:31:49.849
Yeah, maybe. They hear glass break. They go to

00:31:49.849 --> 00:31:53.289
the kitchen and find that a coffee pot that was

00:31:53.289 --> 00:31:57.349
put on a stove is shattered. Trish says, oh,

00:31:57.410 --> 00:32:00.710
I must have left the burner on. Immediately goes

00:32:00.710 --> 00:32:03.170
to pick up the pot, grabs it from the bottom,

00:32:03.670 --> 00:32:07.470
touches the stove top, and then puts it in the

00:32:07.470 --> 00:32:09.210
sink and says, oh, I'll just have to tell mom

00:32:09.210 --> 00:32:13.650
I'll buy a new one. And that's the level of logic

00:32:13.650 --> 00:32:15.970
that we're dealing with here. That is pretty

00:32:15.970 --> 00:32:18.890
indicative of the rest of this movie. It bounces

00:32:18.890 --> 00:32:22.809
between Valerie's house and Trisha's house a

00:32:22.809 --> 00:32:25.630
lot. It does, yeah. Like a lot a lot. And there's

00:32:25.630 --> 00:32:28.609
not really anything going on at Valerie's house.

00:32:29.349 --> 00:32:31.450
Not until significantly later where she gets

00:32:31.450 --> 00:32:34.950
pulled into the A plot. Yeah. She's just hanging

00:32:34.950 --> 00:32:40.220
out with her sister who's kind of a twerp. But

00:32:40.220 --> 00:32:45.359
she does have a sick burn whenever her sister

00:32:45.359 --> 00:32:49.819
is being nasty. She said, too bad mom and dad

00:32:49.819 --> 00:32:54.400
didn't get divorced before you were born. All

00:32:54.400 --> 00:33:04.640
right. So we have in the slumber party, all of

00:33:04.640 --> 00:33:06.920
the girls are undressing in the living room.

00:33:07.380 --> 00:33:10.299
As you do. Naturally. I've never been to a girls

00:33:10.299 --> 00:33:13.519
slumber party. Do you do this? Is this a thing?

00:33:14.180 --> 00:33:16.059
That's not a thing that happens to my knowledge,

00:33:16.140 --> 00:33:19.099
but who's to say? I went to a school full of

00:33:19.099 --> 00:33:23.640
nerds. Maybe we were just a little too buttoned

00:33:23.640 --> 00:33:26.400
up. Or maybe it was just a different time. The

00:33:26.400 --> 00:33:30.359
bra hadn't been invented yet. Maybe. No, there's

00:33:30.359 --> 00:33:34.799
bras. There are bras. Because later on we find

00:33:34.799 --> 00:33:38.400
some drying in the shower. On a hanger. So bras

00:33:38.400 --> 00:33:44.119
do exist. This is, um, booby scene number three.

00:33:44.779 --> 00:33:49.339
Yeah. We cut back to Valerie and Courtney. Valerie

00:33:49.339 --> 00:33:51.640
is downstairs yelling at her sister upstairs

00:33:51.640 --> 00:33:55.039
who was looking at a Playgirl magazine. With

00:33:55.039 --> 00:33:58.900
a picture of Sylvester Stallone on it. I... I

00:33:58.900 --> 00:34:01.559
think I was like a little bit... Zoned out in

00:34:01.559 --> 00:34:04.059
this part because she drops the magazine at one

00:34:04.059 --> 00:34:05.859
point and I didn't hear the dialogue that comes

00:34:05.859 --> 00:34:08.019
with it But she drops the magazine and is like

00:34:08.019 --> 00:34:10.900
looking at something else behind it And my first

00:34:10.900 --> 00:34:13.400
thought was like, you know, the trope and movies

00:34:13.400 --> 00:34:16.639
where they're looking at something Inappropriate

00:34:16.639 --> 00:34:18.960
and then they hide it like in front of a comic

00:34:18.960 --> 00:34:21.480
book So from the outside it I thought that's

00:34:21.480 --> 00:34:23.519
what was happening And she just had like a playgirl

00:34:23.519 --> 00:34:25.219
on the outside and just like a normal magazine

00:34:25.219 --> 00:34:29.159
on the inside No went back because I was like

00:34:29.159 --> 00:34:31.980
that doesn't That doesn't make sense. And I saw

00:34:31.980 --> 00:34:33.820
you better not, or I heard you better not rip

00:34:33.820 --> 00:34:36.420
out the centerfold. Mm -hmm. And she already

00:34:36.420 --> 00:34:39.320
had. And she was doing the whole turning it sideways.

00:34:40.380 --> 00:34:46.260
And I've never seen a Playgirl magazine. I'm

00:34:46.260 --> 00:34:50.760
not the demographic for that. The picture that

00:34:50.760 --> 00:34:57.139
they show is not an overly buff man, just a not

00:34:57.139 --> 00:35:01.280
fat man bent over like reaching for something.

00:35:02.019 --> 00:35:04.300
He kind of looks like the Coppertone baby and

00:35:04.300 --> 00:35:09.059
his ass is out. And I was curious, is that, does

00:35:09.059 --> 00:35:13.280
that do something for ladies? I don't. Is that

00:35:13.280 --> 00:35:15.880
something, is that something that a girl, a female

00:35:15.880 --> 00:35:19.420
that you know, would seek out for their enjoyment?

00:35:20.059 --> 00:35:23.559
Just man ass. I don't know. I wouldn't think

00:35:23.559 --> 00:35:27.599
so. But I also remember whenever the like first

00:35:27.599 --> 00:35:31.989
Avengers came out and Everyone was talking about

00:35:31.989 --> 00:35:35.809
Chris Evans's butt. That was America's ass. And

00:35:35.809 --> 00:35:38.469
so I think that for some people that's what does

00:35:38.469 --> 00:35:44.070
it for him. I could see that being a reasonable

00:35:44.070 --> 00:35:48.110
thing that would not necessarily centerfold material,

00:35:48.110 --> 00:35:50.670
but I could see it. Okay. Yeah, I wasn't sure.

00:35:51.510 --> 00:35:54.750
I wasn't sure. Maybe I'll ask some more to emails

00:35:54.750 --> 00:35:59.590
I know. Just get a real handle of this. this

00:35:59.590 --> 00:36:02.809
subsection of society. Your mom likes man ass?

00:36:03.309 --> 00:36:04.369
You think she seeks out man ass? If you find

00:36:04.369 --> 00:36:06.010
out the answer to that, please do not share with

00:36:06.010 --> 00:36:14.269
the class. I do not need to know. Oh. We cut

00:36:14.269 --> 00:36:19.449
back to a scene with the slumber party and in

00:36:19.449 --> 00:36:23.010
the background of the scene you see a artfully

00:36:23.010 --> 00:36:26.530
arranged bowl of Twinkies. Yes. A snack food

00:36:26.530 --> 00:36:29.360
that is to my knowledge, because I've never eaten

00:36:29.360 --> 00:36:32.860
a Twinkie, individually wrapped. So they unwrapped

00:36:32.860 --> 00:36:35.059
a dozen Twinkies and arranged them in a circle.

00:36:35.539 --> 00:36:38.039
Trish did, because she's a great host. She's

00:36:38.039 --> 00:36:41.980
laying out a spread for her yes. Because she

00:36:41.980 --> 00:36:46.059
wants to relive the good old days. It was the

00:36:46.059 --> 00:36:50.300
whole reason for this slumber party idea in the

00:36:50.300 --> 00:36:52.420
first place. And the reason that there is no

00:36:52.420 --> 00:36:56.219
boys allowed. Yes. That was stated from the beginning.

00:36:56.460 --> 00:37:00.139
And Diane was not about it. Diane's boyfriend's

00:37:00.139 --> 00:37:03.179
trying real hard to be a part of it. He was.

00:37:03.659 --> 00:37:07.260
We were getting a little chilly at the slumber

00:37:07.260 --> 00:37:11.940
party. And so Diane is sent out for firewood.

00:37:13.179 --> 00:37:15.019
This is another one of those moments where you

00:37:15.019 --> 00:37:18.380
get the, oh my god, is the murderer here? Nope.

00:37:19.159 --> 00:37:22.760
Just Mr. Content with, for some reason, a meat

00:37:22.760 --> 00:37:25.590
cleaver that he is using. to take out snails.

00:37:25.750 --> 00:37:27.670
It's the best thing to get him with. He says

00:37:27.670 --> 00:37:31.170
it. He says it clear as day. He's on the 53rd

00:37:31.170 --> 00:37:34.570
snail. That night. That night. To protect his

00:37:34.570 --> 00:37:37.030
garden and for some reason the firewood in the

00:37:37.030 --> 00:37:40.110
neighbor's yard. I have so many questions about

00:37:40.110 --> 00:37:43.090
this scene specifically. A. How did you know

00:37:43.090 --> 00:37:45.150
that a meat cleaver was the thing that you need

00:37:45.150 --> 00:37:48.389
to to use on snails? You didn't have any other

00:37:48.389 --> 00:37:51.670
weapons between pesticide and meat cleaver? Trial

00:37:51.670 --> 00:37:55.840
and error. If you're already up to 53 in one

00:37:55.840 --> 00:38:00.239
night, you have experience with snail killing.

00:38:00.800 --> 00:38:03.559
You have tried the other options, and you've

00:38:03.559 --> 00:38:06.340
honed in your skill and what you work best with,

00:38:06.340 --> 00:38:08.679
and that happens to be a meat cleaver. Sure.

00:38:08.940 --> 00:38:11.920
You are not going to warn the neighbor girl who

00:38:11.920 --> 00:38:15.280
is getting firewood that you are behind her with

00:38:15.280 --> 00:38:18.719
a meat cleaver. I mean, he's just hanging out.

00:38:18.880 --> 00:38:21.369
You're just gonna... You're just gonna swing

00:38:21.369 --> 00:38:23.489
wildly directly in front of her with this meat

00:38:23.489 --> 00:38:25.469
cleaver to kill the snail. Is he just supposed

00:38:25.469 --> 00:38:28.329
to announce at every second? Hey, I'm here with

00:38:28.329 --> 00:38:31.030
a meat cleaver. That's ridiculous. Every second?

00:38:31.369 --> 00:38:34.530
No. When you're in the neighbor's yard? Packing

00:38:34.530 --> 00:38:36.849
at their wood pile with a meat cleaver? Yes.

00:38:37.130 --> 00:38:39.409
So as soon as you cross the fence line, you're

00:38:39.409 --> 00:38:43.210
like, hey, I'm Mr. Content. I got a meat cleaver.

00:38:43.329 --> 00:38:44.989
It's for snails though, I swear. You're supposed

00:38:44.989 --> 00:38:47.679
to do that every time? Yes. That's ridiculous.

00:38:47.900 --> 00:38:49.780
I don't feel like that's a giant ass. You are

00:38:49.780 --> 00:38:53.460
so silly. I've never owned a property. I've never

00:38:53.460 --> 00:38:56.920
had a yard with next door neighbors. So I don't

00:38:56.920 --> 00:38:59.239
know that for a fact, but I feel like I would

00:38:59.239 --> 00:39:02.019
personally think to announce myself if I were

00:39:02.019 --> 00:39:06.179
wielding weaponry in my neighbor's front yard.

00:39:06.219 --> 00:39:09.699
If Bob came over, he had just finished, I don't

00:39:09.699 --> 00:39:12.539
know, butchering a cow in his garage. And he

00:39:12.539 --> 00:39:15.179
comes over, he just wants to see what's up. Does

00:39:15.179 --> 00:39:17.500
he have to announce that he has a meat cleaver

00:39:17.500 --> 00:39:20.039
on him? You should at least announce your presence

00:39:20.039 --> 00:39:21.780
if you're walking up behind me and there's no

00:39:21.780 --> 00:39:25.300
street lights. But what if he wants to be playful

00:39:25.300 --> 00:39:27.480
and like, hey, guess who? It's Bob with a meat

00:39:27.480 --> 00:39:30.179
cleaver. I would expect an announcement, yes.

00:39:31.739 --> 00:39:35.679
I don't feel like I am asking a lot of this neighbor.

00:39:36.079 --> 00:39:40.940
OK. We lose Mr. Content. We do. He is drilled

00:39:40.940 --> 00:39:44.559
through the face. Or no. The heart. It goes through

00:39:44.559 --> 00:39:47.280
his chest, yeah. He is drilled through the heart.

00:39:47.619 --> 00:39:51.219
No more Mr. Content and his 54th snail kill of

00:39:51.219 --> 00:39:55.699
the day has been avenged. But Diana makes it

00:39:55.699 --> 00:39:58.079
back in the house and she's just fine. She comes

00:39:58.079 --> 00:40:00.619
back in with the firewood, lays it down on one

00:40:00.619 --> 00:40:03.619
of the sleeping bags, just joins the conversation

00:40:03.619 --> 00:40:06.260
instead of doing anything with said firewood

00:40:06.260 --> 00:40:08.719
and being a real dick to whoever owned that sleeping

00:40:08.719 --> 00:40:12.260
bag. And they just discuss what pizza they should

00:40:12.260 --> 00:40:16.179
order. And horoscopes, yeah. And this movie did

00:40:16.179 --> 00:40:19.019
earn some points with me because one of them,

00:40:19.019 --> 00:40:21.860
I don't know who, suggested mushrooms and olives.

00:40:22.440 --> 00:40:24.340
Which is what I get on my pizza. How did they

00:40:24.340 --> 00:40:26.980
know? Bananas. Are you sure that you're not in

00:40:26.980 --> 00:40:32.599
a horror movie right now? No. I think I'm safe.

00:40:33.239 --> 00:40:36.679
Fingers crossed. Knock on wood. God, I hate that

00:40:36.679 --> 00:40:39.420
song. So dumb. I don't know what song you're

00:40:39.420 --> 00:40:41.820
talking about. The Taylor Swift song? Knock on

00:40:41.820 --> 00:40:45.119
wood? Oh, I listened to as little of that album

00:40:45.119 --> 00:40:50.400
as I could. Ooh, I'm telling. I'm telling on

00:40:50.400 --> 00:40:53.400
you. By all means, I have a lot of thoughts on

00:40:53.400 --> 00:40:55.719
Life of a Showgirl. All right, well, December,

00:40:56.179 --> 00:40:59.739
somewhere around December 13th is when you can

00:40:59.739 --> 00:41:02.880
let it all hang out. I'll just be here to referee.

00:41:03.659 --> 00:41:05.480
Make sure no one says anything they can't take

00:41:05.480 --> 00:41:11.099
back. So now we have another fake out jumpscare

00:41:11.099 --> 00:41:14.480
with Diane's boyfriend, who has a name that I

00:41:14.480 --> 00:41:16.980
don't remember. Yeah, I don't know. It's called

00:41:16.980 --> 00:41:21.639
Bill. Sure. Seems like a bill. We have Bill,

00:41:21.840 --> 00:41:24.480
who randomly arrives, tries to infiltrate the

00:41:24.480 --> 00:41:28.940
party. Diane is trying to sneak out, and so she

00:41:28.940 --> 00:41:32.440
tells the girls that she needs to go get more

00:41:32.440 --> 00:41:35.880
beer. But they're making strawberry daiquiris.

00:41:36.500 --> 00:41:38.760
And Trish backs up her friend and says, no, I

00:41:38.760 --> 00:41:41.699
think she wants beer. Right, Diane? She leaves

00:41:41.699 --> 00:41:45.800
the party. Yeah. She leaves the party, goes to

00:41:45.800 --> 00:41:50.219
be with Bill in his car. He tries to go further

00:41:50.219 --> 00:41:53.559
than she wants, which is deeply indicative of

00:41:53.559 --> 00:41:56.699
every one of these movies. And I think the timeline

00:41:56.699 --> 00:41:58.400
of events might have gotten a little mixed up.

00:41:58.719 --> 00:42:01.199
She goes out to meet him. In the time that she

00:42:01.199 --> 00:42:03.300
is inside telling them she's going to go on a

00:42:03.300 --> 00:42:05.840
beer run, she comes back out and Bill is, hey,

00:42:05.860 --> 00:42:09.760
let's go. Yeah, after. She had just told she

00:42:09.760 --> 00:42:11.920
told him hey just pull into the garage pull into

00:42:11.920 --> 00:42:14.940
someone else's garage and just park there and

00:42:14.940 --> 00:42:19.320
we'll hang out there and So at this point they're

00:42:19.320 --> 00:42:24.480
making out in the car garage doors closed Not

00:42:24.480 --> 00:42:30.219
a bit of steam on the window, which is not realistic

00:42:30.219 --> 00:42:37.130
And while they're making out It's very, very

00:42:37.130 --> 00:42:42.130
strange. He reaches over and just whips one of

00:42:42.130 --> 00:42:44.349
them out and then just starts like flicking it.

00:42:44.570 --> 00:42:48.010
And it's like super zoomed in on it. It's very

00:42:48.010 --> 00:42:52.869
jarring. I mean, I'm not complaining, but it

00:42:52.869 --> 00:42:57.110
is very jarring. And then she goes inside and

00:42:57.110 --> 00:42:58.730
says, hey, we're going to blah, blah, blah. And

00:42:58.730 --> 00:43:07.329
then, yeah, he has been his head. has been unburdened

00:43:07.329 --> 00:43:12.309
by his body with a drill, which I should reiterate

00:43:12.309 --> 00:43:14.829
that even with an auger bit, you can't do it

00:43:14.829 --> 00:43:17.909
with a drill. Okay? Can't do it. Not a thing.

00:43:18.670 --> 00:43:22.969
We are... Yeah. Diane's boyfriend is now gone,

00:43:23.590 --> 00:43:28.409
being the fourth death so far. Diane comes out,

00:43:28.610 --> 00:43:31.369
reasonably freaks out because she sees Bill's

00:43:31.369 --> 00:43:35.469
body. Bye, Diane. Toodaloo, I don't remember

00:43:35.469 --> 00:43:42.250
what part this was in It was right after Right

00:43:42.250 --> 00:43:47.070
after content got axed The Barbie comes back

00:43:47.070 --> 00:43:50.989
and it is cleaved to the windowsill Another jump

00:43:50.989 --> 00:43:54.630
scare. So we found out who took the Barbie we

00:43:54.630 --> 00:44:00.010
flashed a Valerie's house and The younger the

00:44:00.010 --> 00:44:02.429
Valerie the older sister says to Courtney you've

00:44:02.429 --> 00:44:05.769
been beating off boys since the fifth grade,

00:44:05.809 --> 00:44:09.849
which I thought was a very funny way to phrase

00:44:09.849 --> 00:44:12.210
what she was trying to say. What she was trying

00:44:12.210 --> 00:44:16.849
to say is that Courtney has had suitors since

00:44:16.849 --> 00:44:23.869
the fifth grade, and she decides to... that she

00:44:23.869 --> 00:44:25.670
is going to be just completely irate by this

00:44:25.670 --> 00:44:30.480
comment, and she storms off. And then... There's

00:44:30.480 --> 00:44:32.440
another noise outside. Valerie goes back outside

00:44:32.440 --> 00:44:33.559
because apparently the dog's been getting in

00:44:33.559 --> 00:44:38.139
the trash. She goes to check it again. And Courtney,

00:44:38.159 --> 00:44:41.559
to get her back for saying that she's a looker

00:44:41.559 --> 00:44:45.360
and that boys like her, decided to sneak up on

00:44:45.360 --> 00:44:49.000
her with a knife. Sneak up on her from behind

00:44:49.000 --> 00:44:52.980
with a knife. And then Valerie's like, what are

00:44:52.980 --> 00:44:54.760
you doing? She's like, oh, don't worry. It's

00:44:54.760 --> 00:44:57.579
not even that sharp. So apparently Courtney has

00:44:57.579 --> 00:44:59.739
taken this divorce pretty hard and she needs

00:44:59.739 --> 00:45:04.000
to see somebody because good gravy. What a fun

00:45:04.000 --> 00:45:06.139
time these sisters are having. And then before

00:45:06.139 --> 00:45:08.099
we get to the third act, the only thing of note

00:45:08.099 --> 00:45:11.340
that happens at Valerie's house after this is

00:45:11.340 --> 00:45:13.980
Valerie goes upstairs to where Courtney is hanging

00:45:13.980 --> 00:45:17.019
out in her bed and apologizes for what she said.

00:45:17.519 --> 00:45:21.420
and then finds a banana peel in the bed and then

00:45:21.420 --> 00:45:26.360
implies that Courtney used the banana on herself

00:45:26.360 --> 00:45:31.780
in conjunction with the Playgirl magazine. And

00:45:31.780 --> 00:45:34.780
then ate the banana. And then ate the banana.

00:45:36.320 --> 00:45:41.219
This is said as she is holding the banana peel

00:45:41.219 --> 00:45:46.579
in question. Oh man, so funny. dismisses it and

00:45:46.579 --> 00:45:49.260
throws the banana peel back on her bed. At least

00:45:49.260 --> 00:45:51.840
throw it on like the floor. What are we doing?

00:45:52.880 --> 00:45:57.420
I don't think, I mean, maybe. Maybe that was

00:45:57.420 --> 00:46:00.440
like the edge of the 10 -minute window. And that's

00:46:00.440 --> 00:46:02.739
the sex that needed to be implied before you

00:46:02.739 --> 00:46:05.300
start the next 10 -minute set. Maybe that was

00:46:05.300 --> 00:46:09.539
the producer's input. I don't know. I would be

00:46:09.539 --> 00:46:12.139
interested to see the original script and what

00:46:12.139 --> 00:46:15.719
it looked like without any interference. Yeah.

00:46:16.659 --> 00:46:19.760
After this, we go back to Trisha's house and

00:46:19.760 --> 00:46:25.940
the pizza arrives. They open the door to collect

00:46:25.940 --> 00:46:28.340
the pizza and the pizza boy has been Jeepers

00:46:28.340 --> 00:46:32.960
Creepers. His eyeballs are no more. I will say

00:46:32.960 --> 00:46:38.940
this was the most fun death of the movie. It's

00:46:38.940 --> 00:46:42.699
just, it's silliness. We got tooth ferried. They

00:46:42.699 --> 00:46:47.320
open the door and, Timber. And he falls asleep.

00:46:47.440 --> 00:46:51.039
This is fair. We got tooth buried. There is a

00:46:51.039 --> 00:46:53.880
scene a little bit later in this movie where

00:46:53.880 --> 00:46:57.940
they are, they're holed up in their barricaded

00:46:57.940 --> 00:47:01.079
living room and the girls are eating this pizza.

00:47:01.980 --> 00:47:04.820
And the only thing I could think about in that

00:47:04.820 --> 00:47:08.179
scene, well, I guess there's two things. A, there's

00:47:08.179 --> 00:47:11.449
a dead body right under that pizza. You shouldn't

00:47:11.449 --> 00:47:15.550
eat it, maybe. And also, that pizza boy fell

00:47:15.550 --> 00:47:18.769
on top of that pizza. Did they lift the guy up,

00:47:18.789 --> 00:47:21.309
take the pizza, put it back on top of his body,

00:47:21.369 --> 00:47:26.329
and then eat from it? They did lift his arm a

00:47:26.329 --> 00:47:29.090
little bit. His arm was on it. They lifted that

00:47:29.090 --> 00:47:31.329
up and then put the box on top of him and then

00:47:31.329 --> 00:47:37.349
ate from it. Why? That whole portion was improvised

00:47:37.349 --> 00:47:42.099
by Jackie and they decided to keep it in. Huh.

00:47:42.099 --> 00:47:46.059
And apparently, it was an actual pizza that had

00:47:46.059 --> 00:47:47.900
sat there for quite some time and by the time

00:47:47.900 --> 00:47:51.019
she was eating it, it was rock hard and cold

00:47:51.019 --> 00:47:54.059
and smelled funky, but she still ate it. I would

00:47:54.059 --> 00:47:55.960
be surprised if it didn't give her food poisoning.

00:47:56.719 --> 00:48:00.340
Well, you gotta do what you gotta do. So, the

00:48:00.340 --> 00:48:02.739
pizza boy has gone. This is now death number

00:48:02.739 --> 00:48:09.039
six and we get the return of our boys, Jeff and

00:48:09.039 --> 00:48:11.280
Neil. who are now part of the slumber party because

00:48:11.280 --> 00:48:13.780
they were caught peeping outside. They were caught

00:48:13.780 --> 00:48:17.019
in the garage. That was another fake out. They

00:48:17.019 --> 00:48:20.739
thought as a cool funny joke that they would

00:48:20.739 --> 00:48:25.400
pull a fuse from the fuse box and kill all the

00:48:25.400 --> 00:48:27.679
power to the house. And then whenever they get

00:48:27.679 --> 00:48:29.119
caught in the garage, they're like, we're just

00:48:29.119 --> 00:48:31.139
goofing. And they're like, oh, OK, well, come

00:48:31.139 --> 00:48:34.400
on in. This is where we find the pizza boy. They

00:48:34.400 --> 00:48:37.880
decide now that there has been a murder in Savannah.

00:48:38.250 --> 00:48:40.730
I can't do the accent. My stars. I don't have

00:48:40.730 --> 00:48:44.349
a good Southern drawl. You just got to start

00:48:44.349 --> 00:48:47.530
with the, I'll say, I'll say, I'll say. That's

00:48:47.530 --> 00:48:49.630
how you get the Southern drawl. It's like whenever

00:48:49.630 --> 00:48:52.070
you need to do a Boston accent, Pock the Con,

00:48:52.110 --> 00:48:55.949
Hobbit God. Yeah. That's how you get there. Noted.

00:48:56.070 --> 00:48:59.730
The challenge is just staying there. Now, the

00:48:59.730 --> 00:49:04.809
boys are here. Pizza Boy is dead. And we are

00:49:04.809 --> 00:49:09.320
very close to flipping out. Boys decide, there's

00:49:09.320 --> 00:49:12.360
a murderer on the loose. What should we do? Let's

00:49:12.360 --> 00:49:14.840
split up, guys. After they look like they're

00:49:14.840 --> 00:49:16.320
about to kiss, they're like, what are we gonna

00:49:16.320 --> 00:49:18.539
do? What are we gonna do? And then one of them

00:49:18.539 --> 00:49:20.420
is like, I think we should probably split up.

00:49:20.440 --> 00:49:22.460
And then the other one looks heartbroken that

00:49:22.460 --> 00:49:24.099
the first one wants to be without him for any

00:49:24.099 --> 00:49:27.000
amount of time. Tragic. That's pretty adorable.

00:49:27.639 --> 00:49:31.360
If they weren't peeping on a slumber party. No,

00:49:31.360 --> 00:49:34.579
they were peeping at their love for one another.

00:49:34.829 --> 00:49:37.090
You know how the 80s were. You couldn't be outright

00:49:37.090 --> 00:49:40.449
with it. Sure. I watched Sleepaway Camp. It was

00:49:40.449 --> 00:49:43.590
one of the most homoerotic movies I've ever seen.

00:49:43.769 --> 00:49:46.369
It was. Boy, it was something. All right. So

00:49:46.369 --> 00:49:50.789
we lose our first of the let's split up guys

00:49:50.789 --> 00:49:53.250
in the garage. I don't know which one is Jeff

00:49:53.250 --> 00:49:54.730
and which one is Neil because at this point we

00:49:54.730 --> 00:49:57.590
have not seen them in separate scenes. They are

00:49:57.590 --> 00:49:59.030
wielding kitchen knives. Wonder why. Because

00:49:59.030 --> 00:50:02.619
they're weapons. Yeah? Yeah, one decides to go

00:50:02.619 --> 00:50:04.099
out the front door one decides to go out the

00:50:04.099 --> 00:50:07.059
back door that leads to the garage We lose one

00:50:07.059 --> 00:50:08.760
of them in the garage. The other one is headed

00:50:08.760 --> 00:50:13.059
to mr. Conten's house No, the one going to the

00:50:13.059 --> 00:50:16.719
garage is going to Conten's house because one

00:50:16.719 --> 00:50:18.960
is going to Conten's house one's going to Valerie's

00:50:18.960 --> 00:50:21.900
house. Yes We lose the one that's going to Conten's

00:50:21.900 --> 00:50:26.079
house in the garage. Yes, his death is largely

00:50:26.079 --> 00:50:29.300
Unimportant. Yeah, that's everyone but the other

00:50:29.300 --> 00:50:32.230
guy that says let's split up Yeah, I bet he's

00:50:32.230 --> 00:50:34.670
regretting that. It's fine. He doesn't live long

00:50:34.670 --> 00:50:38.030
enough to care because we see him banging on

00:50:38.030 --> 00:50:42.210
the door outside of Valerie's house. She is,

00:50:42.289 --> 00:50:44.570
characteristically, of a horror movie watching

00:50:44.570 --> 00:50:47.429
a horror movie. Way too loud. That is so loud

00:50:47.429 --> 00:50:50.769
that she does not hear, to be fair, she's probably

00:50:50.769 --> 00:50:52.929
trying to drown out the noise of whatever Courtney

00:50:52.929 --> 00:50:58.489
is up to upstairs. Was my phone ringing? What?

00:50:58.769 --> 00:51:04.139
What was that? So, he's banging on the door at

00:51:04.139 --> 00:51:08.199
Valerie's house. Valerie is just completely unfazed.

00:51:08.260 --> 00:51:11.559
The movie is way too loud. Eventually, you hear

00:51:11.559 --> 00:51:15.940
him yell, Valerie help, outside of her door.

00:51:16.400 --> 00:51:20.139
And then she thinks about, thinks about going

00:51:20.139 --> 00:51:23.739
and checking in on it. She thinks about it. Doesn't

00:51:23.739 --> 00:51:30.130
yet. Not until the killer, Russ Thorne, and the

00:51:30.130 --> 00:51:33.530
guy who I'm pretty sure is Neil, are duking it

00:51:33.530 --> 00:51:36.829
out in the front yard, Russ with his drill, and

00:51:36.829 --> 00:51:40.690
Neil with his kitchen knife. Valerie comes to

00:51:40.690 --> 00:51:45.250
see what the commotion is outside, does the very

00:51:45.250 --> 00:51:48.210
cliché. They're just out of view. They're just

00:51:48.210 --> 00:51:50.630
out of view. She sees the shadows of them fighting.

00:51:50.690 --> 00:51:54.489
She does. Doesn't think to investigate any further.

00:51:54.829 --> 00:51:56.949
Those dang human -shaped trees blowing in the

00:51:56.949 --> 00:51:59.869
wind. Not for nothing. Does a drill not make

00:51:59.869 --> 00:52:03.329
noise? Oh It does it does and this is a very

00:52:03.329 --> 00:52:10.170
loud drill chainsaw -ish. Hmm No, but you can

00:52:10.170 --> 00:52:13.230
you would be able to tell What's happening, but

00:52:13.230 --> 00:52:17.150
he doesn't this is the only time he doesn't kill

00:52:17.150 --> 00:52:20.230
someone with the drill He takes the knife and

00:52:20.230 --> 00:52:23.769
just over and over again and then drags him back

00:52:23.769 --> 00:52:27.980
to the house to do What I think is one of the

00:52:27.980 --> 00:52:33.139
funnier moments In the movie To put them in the

00:52:33.139 --> 00:52:36.199
trunk of Diane's boyfriend's car and then does

00:52:36.199 --> 00:52:38.199
a little head count and realizes that he's missing

00:52:38.199 --> 00:52:41.940
one I thought they were in the van No, they were

00:52:41.940 --> 00:52:45.519
in the trunk of the car How do you fit five people

00:52:45.519 --> 00:52:48.300
in the trunk? You most definitely couldn't have

00:52:48.300 --> 00:52:52.579
but suspension of disbelief movie magic Okay,

00:52:52.860 --> 00:52:55.619
he counts all of the people that are in the trunk

00:52:55.619 --> 00:52:59.980
of this car. And we are one man short. That man

00:52:59.980 --> 00:53:04.219
is Jeff, I think. And Jeff. Jeff has made it

00:53:04.219 --> 00:53:07.820
out. And he is crawling around the pool back

00:53:07.820 --> 00:53:10.659
to the back door. Trying to get back in the house.

00:53:11.440 --> 00:53:14.960
And who's on the other side of that door? It

00:53:14.960 --> 00:53:19.900
is Trish and the one we haven't really talked

00:53:19.900 --> 00:53:23.039
about. Jackie. Is it Jackie or is it the other

00:53:23.039 --> 00:53:27.300
one? It's either Jackie or it's Kim. I think

00:53:27.300 --> 00:53:31.079
it's Jackie. Okay, well And they're like no,

00:53:31.219 --> 00:53:33.360
we can't let him in. No, no, no, but that's that's

00:53:33.360 --> 00:53:35.380
probably not even him. Like they don't even want

00:53:35.380 --> 00:53:37.320
to check on it They're not gonna risk it which

00:53:37.320 --> 00:53:43.340
okay fine but then he gets removed from the equation

00:53:43.340 --> 00:53:46.820
and then much like in the beginning of the movie

00:53:46.820 --> 00:53:49.000
the pool of blood just seeps through the door

00:53:49.000 --> 00:53:52.599
and If I'm being honest the only thing I was

00:53:52.599 --> 00:53:55.440
thinking about Was that they needed to get that

00:53:55.440 --> 00:53:58.119
air gap fixed because that is terrible for your

00:53:58.119 --> 00:54:00.860
heating and AC That's why they were so cold and

00:54:00.860 --> 00:54:04.059
sent Diane out for firewood It's ridiculous.

00:54:04.360 --> 00:54:07.440
This is this is a this is a very nice house in

00:54:07.440 --> 00:54:10.960
a very nice neighborhood and There's absolutely

00:54:10.960 --> 00:54:13.719
no reason the door should have that big of a

00:54:13.719 --> 00:54:16.239
gap under it to where a pool of blood can just

00:54:16.239 --> 00:54:20.840
trickle in Ridiculous, this is where we meet

00:54:20.840 --> 00:54:26.449
Jackie's in yes She gets slashed with a drill

00:54:26.449 --> 00:54:29.150
in the throat. And I don't want to keep harping

00:54:29.150 --> 00:54:33.250
on this, but if you were to take a drill to someone's

00:54:33.250 --> 00:54:35.929
throat, the skin is just going to gum everything

00:54:35.929 --> 00:54:37.869
up and then it's going to get locked up and then

00:54:37.869 --> 00:54:40.030
you're going to snap your wrist. It was the same

00:54:40.030 --> 00:54:41.670
conversation we had with one of the poo blood

00:54:41.670 --> 00:54:45.269
and honey and the wood chipper. Ah, it's just

00:54:45.269 --> 00:54:47.630
so frustrating. We're learning more and more

00:54:47.630 --> 00:54:50.530
about how to kill people in this podcast. Tells

00:54:50.530 --> 00:54:52.730
was written by a woman. I know nothing about

00:54:52.730 --> 00:54:58.590
tools. I'll fence that ice at this point. Jesus

00:54:58.590 --> 00:55:02.269
Christ. All right, so we've made it to the barricaded

00:55:02.269 --> 00:55:06.210
bedroom. There are two people left to sleep over,

00:55:06.269 --> 00:55:12.449
and that would be Kim and Trish. They are having

00:55:12.449 --> 00:55:17.510
a little moment, talking for a bit. And they

00:55:17.510 --> 00:55:20.750
have barricaded the door to the bedroom with...

00:55:20.510 --> 00:55:23.530
a dresser in a nightstand. As they are staring

00:55:23.530 --> 00:55:28.269
at this dresser in nightstand. Surprise! Russ

00:55:28.269 --> 00:55:31.730
has made it up to the second floor. And just

00:55:31.730 --> 00:55:37.010
walks right in the open window? Yeah. Oh, cheese

00:55:37.010 --> 00:55:41.329
and crackers, man. Utter nonsense. He catches

00:55:41.329 --> 00:55:46.170
Kim as they are trying to move the dresser in

00:55:46.170 --> 00:55:47.690
the nightstand away from the door and escape.

00:55:48.250 --> 00:55:52.320
Trish is... immediately just no Kim's gone as

00:55:52.320 --> 00:55:55.920
she is fighting for her life. Did you mention

00:55:55.920 --> 00:55:59.880
that so Valerie was here and she brought Courtney

00:55:59.880 --> 00:56:02.460
for whatever reason they go to the back door

00:56:02.460 --> 00:56:09.000
where Jeff died there's a blood smear on the

00:56:09.000 --> 00:56:10.480
door and there's a pool of blood at the base

00:56:10.480 --> 00:56:13.340
of the door but Courtney says nothing much is

00:56:13.340 --> 00:56:17.000
happening here at all we should just go and then

00:56:17.000 --> 00:56:19.739
Valerie goes in the house Because the front door

00:56:19.739 --> 00:56:23.139
still unlocked assuming from the pizza guy, but

00:56:23.139 --> 00:56:25.980
you think they were locked it afterwards or I

00:56:25.980 --> 00:56:30.420
guess after whichever one Neal left through the

00:56:30.420 --> 00:56:31.820
front door. Maybe they just left it unlocked

00:56:31.820 --> 00:56:34.820
seems stupid, but I don't think brains is really

00:56:34.820 --> 00:56:38.500
what these girls are going for Valerie is at

00:56:38.500 --> 00:56:42.380
the bedroom door where Trish and Kim are on the

00:56:42.380 --> 00:56:45.059
other side and She says I'm here to help. I'm

00:56:45.059 --> 00:56:49.860
here. I'm here And Trish's response is not to

00:56:49.860 --> 00:56:52.320
let Valerie in because now she thinks that they

00:56:52.320 --> 00:56:58.559
are working together. That all the the standoffishness

00:56:58.559 --> 00:57:01.659
and all the mean girling has pushed her so far

00:57:01.659 --> 00:57:05.480
to find a serial killer that has escaped from

00:57:05.480 --> 00:57:09.519
prison and set them on Trish and all of her friends.

00:57:10.380 --> 00:57:12.420
I mean up to this point we don't know who is

00:57:12.420 --> 00:57:15.650
killing people. Now I guess yeah, no one living

00:57:15.650 --> 00:57:18.809
no one that's seen Russ's yeah has lived to talk

00:57:18.809 --> 00:57:22.610
about it Hmm, the only one who would would be

00:57:22.610 --> 00:57:26.730
Trish and then she sees him kill him. Okay. Well,

00:57:26.730 --> 00:57:29.869
maybe Maybe I was a little too quick to judge

00:57:29.869 --> 00:57:32.409
but still that's a pretty heavy accusation to

00:57:32.409 --> 00:57:36.590
lobby against somebody so Valerie and Courtney

00:57:36.590 --> 00:57:39.329
are wandering through Trish's house Courtney

00:57:39.329 --> 00:57:42.849
is dead set on stealing beer has opened the refrigerator

00:57:43.340 --> 00:57:46.940
two times, has not looked in the refrigerator.

00:57:47.699 --> 00:57:49.800
Because if she were to look in the refrigerator,

00:57:49.880 --> 00:57:54.659
she would see Kim, who is there in place of all

00:57:54.659 --> 00:57:56.719
of the shelves that were in the fridge. That

00:57:56.719 --> 00:57:58.960
feels like a pretty decent sized undertaking

00:57:58.960 --> 00:58:03.340
for this murderer. How long would that have taken

00:58:03.340 --> 00:58:06.619
to replace all of the shelves in a fridge with

00:58:06.619 --> 00:58:10.940
Kim? And to move her downstairs from the upstairs

00:58:10.940 --> 00:58:16.789
bedroom that she died in. There is a almost like

00:58:16.789 --> 00:58:20.449
surprised dead body moment with Kim two times.

00:58:20.989 --> 00:58:23.829
And then Courtney is like, nah, I am going to

00:58:23.829 --> 00:58:26.250
go back for that beer. Opens the door fully.

00:58:26.789 --> 00:58:29.110
Kim falls out. Kim flops out with a knife in

00:58:29.110 --> 00:58:32.389
her chest. So I was wrong. There are two deaths

00:58:32.389 --> 00:58:37.690
that he does that are not with the drill. It's

00:58:37.690 --> 00:58:44.250
Jeff and Kim. Neil and Kim. The one outside of

00:58:44.250 --> 00:58:49.250
Valerie's house. Yes, that one. So, Courtney

00:58:49.250 --> 00:58:55.170
goes to hide under the couch and the killer is

00:58:55.170 --> 00:58:58.469
just wandering around the bottom floor. Getting

00:58:58.469 --> 00:59:00.789
his steps in for the day. He decides to hide

00:59:00.789 --> 00:59:04.769
himself inside of one of the sleeping bags. The

00:59:04.769 --> 00:59:07.489
one that was just used for firewood that is mysteriously

00:59:07.489 --> 00:59:10.519
gone now. With like an expression on his face,

00:59:10.679 --> 00:59:12.940
like, oh my God, I can't believe I'm doing this.

00:59:14.119 --> 00:59:16.880
It's gonna be so funny. Playing hide and seek

00:59:16.880 --> 00:59:22.860
now. As he is under this blanket, there's a knock

00:59:22.860 --> 00:59:25.860
on the door. That knock is from Coach Janna.

00:59:26.260 --> 00:59:29.860
Jehovah's bow. It was not people to talk about

00:59:29.860 --> 00:59:33.800
their Lord and Savior Jesus Christ. The girls

00:59:33.800 --> 00:59:37.559
had been on the phone with Coach Janna. Earlier

00:59:37.559 --> 00:59:40.800
in the evening, and it had abruptly ended, Coach

00:59:40.800 --> 00:59:44.239
Jana decided to show up at Trish's house to express

00:59:44.239 --> 00:59:47.139
her concern. See what was up. With no police

00:59:47.139 --> 00:59:50.199
or anything. Bad call. Just herself. Correct.

00:59:51.199 --> 00:59:54.940
So Jana comes in, walks into the living room,

00:59:55.059 --> 00:59:59.179
sees there is a person under the sleeping bag,

00:59:59.980 --> 01:00:05.179
decides to go investigate a little bit. Surprise,

01:00:05.820 --> 01:00:11.019
Russ Lauren. Peek -a -boo. There is a face -off

01:00:11.019 --> 01:00:16.460
between Coach Janna and Russ where she is fighting

01:00:16.460 --> 01:00:21.280
him with a fire poker. This fire poker is very

01:00:21.280 --> 01:00:24.980
funny to me because it is very clearly made of

01:00:24.980 --> 01:00:27.400
rubber. Yes, that's flopping around all over

01:00:27.400 --> 01:00:32.239
the place. She like swats at him with it and

01:00:32.239 --> 01:00:38.820
it bends. She stabs him with it, and it bends.

01:00:39.559 --> 01:00:45.159
What is this man made of? Out of all the egregious

01:00:45.159 --> 01:00:49.360
things in this movie, that is one of the lesser

01:00:49.360 --> 01:00:54.199
ones. I'll give it a pass. Sure. I will accept

01:00:54.199 --> 01:00:56.480
that. Because especially these movies in the

01:00:56.480 --> 01:00:59.480
80s, safety was not of the utmost importance.

01:01:00.860 --> 01:01:04.500
Fair. So the fact that they would use something

01:01:06.039 --> 01:01:09.920
Rubber to whack at someone else is is a step

01:01:09.920 --> 01:01:13.239
in the right direction All I'm saying is they

01:01:13.239 --> 01:01:15.000
could have used plastic and given him a little

01:01:15.000 --> 01:01:16.880
extra padding So it wouldn't have actually gotten

01:01:16.880 --> 01:01:19.679
to them with a little bit more real. I guess

01:01:19.679 --> 01:01:24.679
so in this tussle Coach Janna loses Yep gets

01:01:24.679 --> 01:01:29.619
slashed in the tum -tum As she is dying we get

01:01:29.619 --> 01:01:33.400
the only bit of dialogue I believe from Russ

01:01:33.400 --> 01:01:37.789
in the entire movie which maybe hints at a backstory.

01:01:38.349 --> 01:01:41.710
He says, I love you. Takes a lot of the love

01:01:41.710 --> 01:01:45.269
for a person to do this. You want it. I know

01:01:45.269 --> 01:01:50.289
you want it. I do not like that dialogue. It

01:01:50.289 --> 01:01:54.829
gives maybe a bit of like a Norman Bates kind

01:01:54.829 --> 01:01:59.369
of situation. Whenever he actually gets what's

01:01:59.369 --> 01:02:05.880
coming to him, the actor improvised a line, yelling

01:02:05.880 --> 01:02:10.480
mommy and the director took it out because she

01:02:10.480 --> 01:02:13.139
didn't want any sympathy being given to the killer.

01:02:13.760 --> 01:02:16.380
So I feel like that was probably the angle he

01:02:16.380 --> 01:02:19.360
was trying to take. Yeah. And they probably should

01:02:19.360 --> 01:02:21.380
have cut this part out too. But if they hadn't

01:02:21.380 --> 01:02:23.119
cut this part out, then he would have no lines

01:02:23.119 --> 01:02:26.320
whatsoever. So. Which I think would have been

01:02:26.320 --> 01:02:28.119
fine. I don't know. I think it probably would

01:02:28.119 --> 01:02:31.059
have been fine too. Also, as far as sympathy

01:02:31.059 --> 01:02:36.239
goes, Janna is his 11th kill. So I don't think

01:02:36.239 --> 01:02:38.199
there's a great deal of dialogue that would make

01:02:38.199 --> 01:02:41.860
me feel sympathetic for him. No, probably not.

01:02:42.179 --> 01:02:47.059
Especially not in the 11th hour. No. We make

01:02:47.059 --> 01:02:54.139
it outside. That we do. He is confronted by Valerie

01:02:54.139 --> 01:02:58.880
with a machete that was on the wall of the garage.

01:03:00.019 --> 01:03:06.719
After she had tried to take a circular saw up

01:03:06.719 --> 01:03:13.900
the stairs and chase down Russ, not realizing

01:03:13.900 --> 01:03:18.840
that it was a corded circular saw and gets caught

01:03:18.840 --> 01:03:23.300
up in the cord and gets thrown halfway down the

01:03:23.300 --> 01:03:28.199
stairs. Garage stairs? Yeah, she's in a basement,

01:03:28.340 --> 01:03:30.900
so she's not even in the garage. She's in a basement

01:03:30.900 --> 01:03:35.429
now and gets halfway thrown halfway down the

01:03:35.429 --> 01:03:38.130
stairs because the dummy didn't realize that

01:03:38.130 --> 01:03:40.730
the cord was plugged into the wall. A problem

01:03:40.730 --> 01:03:43.789
that somehow has not affected Russ through this

01:03:43.789 --> 01:03:50.889
entire movie and his 11 killings. Yep. A couple

01:03:50.889 --> 01:03:55.150
of them were not drill powered. I want to see

01:03:55.150 --> 01:03:59.449
where he's storing his batteries. She faces off

01:03:59.449 --> 01:04:05.420
with Russ. on the edge of the pool. The machete

01:04:05.420 --> 01:04:11.480
slices off this drill that has cut through 11

01:04:11.480 --> 01:04:17.239
people. That was symbolism for taking away his

01:04:17.239 --> 01:04:23.760
manhood. Sure. No, that's from the screenwriter

01:04:23.760 --> 01:04:28.559
was the intended purpose for that. Like so heavy

01:04:28.559 --> 01:04:32.739
-handed. You are the drill guy. What are the

01:04:32.739 --> 01:04:34.360
odds that you would be able to take a machete

01:04:34.360 --> 01:04:38.400
to a drill bit and just? Knock it knock it now.

01:04:38.960 --> 01:04:42.460
He's he's been using it pretty extensively So

01:04:42.460 --> 01:04:47.500
it's gonna be weakened So there is a chance that

01:04:47.500 --> 01:04:51.559
With with the right hit to the right spot already

01:04:51.559 --> 01:04:54.579
weakened spot of the drill bit that you could

01:04:54.579 --> 01:04:58.099
break it off I don't have a problem with that

01:04:58.099 --> 01:05:07.300
part Okay, Valerie also acts at his hand and

01:05:07.300 --> 01:05:12.920
Takes one of his hands with her Yeah Surprisingly

01:05:12.920 --> 01:05:15.280
easy to remove someone's hand with the machete.

01:05:15.739 --> 01:05:17.860
It's surprisingly easy to do a lot of these things

01:05:17.860 --> 01:05:23.719
with the weapons that were provided But then

01:05:23.719 --> 01:05:26.300
he falls into the pool and then thank God Valerie

01:05:26.300 --> 01:05:28.300
saved the day because now the killer is dead

01:05:28.619 --> 01:05:33.980
Or is he? Unsurprisingly. This does not actually

01:05:33.980 --> 01:05:39.780
kill the bad guy. And he gets himself out of

01:05:39.780 --> 01:05:42.679
the water. One handed. With shocking ease with

01:05:42.679 --> 01:05:47.019
one hand. And comes back after Valerie. This

01:05:47.019 --> 01:05:49.920
is where we see Courtney and Trish intervene.

01:05:50.719 --> 01:05:54.460
Trish with a kitchen knife, if I remember correctly.

01:05:54.980 --> 01:05:58.260
Yes. And then Courtney just jumps on his back.

01:05:58.889 --> 01:06:03.809
Yep, they are grappling for a little bit and

01:06:03.809 --> 01:06:08.269
Valerie gets the machete on her stomach pointed

01:06:08.269 --> 01:06:13.670
up just as Russ decides to pounce on her straight

01:06:13.670 --> 01:06:18.150
through them. At this point we can assume I think

01:06:18.150 --> 01:06:22.849
safely that Russ is gone. Fingers crossed. Fingers

01:06:22.849 --> 01:06:27.250
crossed. There are four sequels, three sequels.

01:06:28.760 --> 01:06:33.239
Roll credits All right, you ready for my my son

01:06:33.239 --> 01:06:36.599
factory knows what you got the actress who played

01:06:36.599 --> 01:06:41.920
Diane Refused to do a nude scene But if you remember

01:06:41.920 --> 01:06:48.280
in the car We got some some nip action That was

01:06:48.280 --> 01:06:54.019
Trisha's nipple She was a stand -in who had no

01:06:54.019 --> 01:06:56.820
issues with nudity because prior to getting this

01:06:56.820 --> 01:07:00.699
movie. She was a nude model. Interesting. Kim's

01:07:00.699 --> 01:07:06.639
character played by Debra DeLisso became a school

01:07:06.639 --> 01:07:09.760
teacher and would regularly have her students

01:07:09.760 --> 01:07:12.739
come up to her and say that they saw her nude

01:07:12.739 --> 01:07:18.219
scene in this movie. She didn't mind it. She

01:07:18.219 --> 01:07:19.920
said what she did mind was the male teachers

01:07:19.920 --> 01:07:22.960
coming up to her and saying that they saw the

01:07:22.960 --> 01:07:27.099
nude scene in this movie. That's a weird place

01:07:27.099 --> 01:07:29.039
to draw the line that is a weird place to draw

01:07:29.039 --> 01:07:31.159
the line with the kids But not with the guys.

01:07:31.159 --> 01:07:35.480
Yeah, huh my age. Oh, yeah Yeah, I had to reread

01:07:35.480 --> 01:07:38.019
it to make sure I was reading it correctly When

01:07:38.019 --> 01:07:40.920
I found out this fact Where I talked about the

01:07:40.920 --> 01:07:42.579
10 -minute rule every 10 minutes there needs

01:07:42.579 --> 01:07:45.019
to be sex or violence. That was per the producers

01:07:45.019 --> 01:07:48.360
orders It was written as a satire, but played

01:07:48.360 --> 01:07:52.440
straight. That's why I feel so disjointed. Yeah

01:07:52.440 --> 01:07:58.619
the drill the drill represented a Penis. This

01:07:58.619 --> 01:08:02.420
was filmed in three weeks. The director, Amy

01:08:02.420 --> 01:08:07.079
Holden -Jones, left editing ET to direct this

01:08:07.079 --> 01:08:11.400
movie. It was her directorial debut. She went

01:08:11.400 --> 01:08:14.539
on to write Beethoven, the movie about the dog,

01:08:14.780 --> 01:08:18.439
with John Hughes. She co -wrote Indecent Proposal

01:08:18.439 --> 01:08:22.180
and created and wrote The Resident, a medical

01:08:22.180 --> 01:08:26.100
drama that aired on Fox for 107 episodes. Interesting.

01:08:27.760 --> 01:08:34.520
Where do you think this movie landed on the tomato

01:08:34.520 --> 01:08:43.460
meter? Critics and audience. I did see this one.

01:08:44.359 --> 01:08:53.239
Oh man. So I know that it had a 41? Or somewhere

01:08:53.239 --> 01:08:59.739
thereabouts? 48 for critics. 45 audience. Do

01:08:59.739 --> 01:09:03.079
you agree with that? Yes. Would you give it a

01:09:03.079 --> 01:09:07.579
fresh or a rotten score? I would give it a rotten

01:09:07.579 --> 01:09:14.239
tomato. I would too. I can appreciate what they

01:09:14.239 --> 01:09:16.739
were going for, and if they had leaned fully

01:09:16.739 --> 01:09:18.680
into one side or the other, I think that it would

01:09:18.680 --> 01:09:22.550
have been a significantly better movie. Because

01:09:22.550 --> 01:09:25.949
they are trying to toe the line and kind of play

01:09:25.949 --> 01:09:29.369
both sides poorly, then I can't give it a good

01:09:29.369 --> 01:09:34.029
rating. That is fair. Do you think they use their

01:09:34.029 --> 01:09:39.069
$220 ,000 budget appropriately? Yeah. I mean,

01:09:39.829 --> 01:09:43.489
I don't know really how much of a budget this

01:09:43.489 --> 01:09:47.050
would require. I don't feel like it would be

01:09:47.050 --> 01:09:50.140
very much considering it's only filmed in Two

01:09:50.140 --> 01:09:54.000
locations? Everyone in the movie, outside of

01:09:54.000 --> 01:09:59.579
the main girls, were all either friends, family,

01:09:59.800 --> 01:10:04.460
or neighbors of the crew of the movie. Okay.

01:10:07.680 --> 01:10:11.300
Towards the end of the filming, the producer

01:10:11.300 --> 01:10:14.020
liked what he had seen so far that he gave them

01:10:14.020 --> 01:10:16.340
more money so that they could rewrite the ending

01:10:16.340 --> 01:10:21.960
to do a bigger ending. And I don't know if that

01:10:21.960 --> 01:10:25.079
was part of the $220 ,000 or if it was the $220

01:10:25.079 --> 01:10:28.899
,000 plus what they added to the end, but I think

01:10:28.899 --> 01:10:35.539
it's pretty fair. Whenever Gina Schmitke -Hunter,

01:10:35.760 --> 01:10:39.100
who played Diane, refused to do her nude scene,

01:10:40.539 --> 01:10:43.899
the director offered bonus payment to anyone

01:10:43.899 --> 01:10:47.159
who was willing to do it for her. And so that's

01:10:47.159 --> 01:10:50.439
when... Michelle Michaels, who played Trish,

01:10:50.500 --> 01:10:56.380
stepped in. Interesting. All right, well, is

01:10:56.380 --> 01:10:59.840
there anything that you feel you can take from

01:10:59.840 --> 01:11:04.359
this movie and apply it to your life to live

01:11:04.359 --> 01:11:09.899
a better, happier, more productive life? Lock

01:11:09.899 --> 01:11:16.199
the doors. Lock your windows. Don't leave it

01:11:16.199 --> 01:11:20.119
all just... Willy -nilly. You never know. So

01:11:20.119 --> 01:11:22.000
like a hide your wife, hide your kids type of

01:11:22.000 --> 01:11:25.760
situation? Yes. Because they're drilling everybody

01:11:25.760 --> 01:11:28.300
out here? They're drilling everybody out here.

01:11:29.279 --> 01:11:34.760
Oh, my little nug of something you can take away

01:11:34.760 --> 01:11:39.800
from this movie is learn how power tools work.

01:11:40.819 --> 01:11:44.460
Know their limitations. Because once you know

01:11:44.460 --> 01:11:46.079
how they work, you can do all sorts of things.

01:11:47.100 --> 01:11:48.859
You can build yourself a house if you wanted

01:11:48.859 --> 01:11:52.460
to. I'm not saying you should. I'm saying you

01:11:52.460 --> 01:11:55.340
could. I think it requires more than knowing

01:11:55.340 --> 01:11:58.819
how power tools work. Build a house. Build a

01:11:58.819 --> 01:12:01.399
hut perhaps. Power tools and a tape measure.

01:12:01.579 --> 01:12:06.520
Treehouse. All you need. You don't need electrical

01:12:06.520 --> 01:12:10.760
knowledge or plumbing knowledge. I mean you shock

01:12:10.760 --> 01:12:12.619
yourself enough times you get some electrical

01:12:12.619 --> 01:12:16.810
knowledge. Does it come? pre -installed with

01:12:16.810 --> 01:12:21.949
a certain amount of voltage or? You pick up pretty

01:12:21.949 --> 01:12:27.250
quick. You could figure it out with power tools

01:12:27.250 --> 01:12:31.850
like a multimeter and as far as plumbing goes

01:12:31.850 --> 01:12:35.590
just know that shit rolls downhill so all your

01:12:35.590 --> 01:12:37.130
pipes need to be pointed a little bit downwards

01:12:37.130 --> 01:12:40.489
and you're good to go there. As long as everything

01:12:40.489 --> 01:12:42.829
collects to the same place where it gets away

01:12:42.829 --> 01:12:45.300
from you then you're good to go. It's all you

01:12:45.300 --> 01:12:52.380
need. Sure. And with that, we'll see you. Peace

01:12:52.380 --> 01:12:53.039
out, Cool Scouts.