Thank you. Hello everyone and welcome to the
Trash Mix Podcast and this is our anniversary
episode, right Joey? Yeah, this is two years,
man. How crazy is that? I thought it was like
one, but it feels like one, right? It kind of
does feel like one, but yeah, this is to the
point where I was like, wait, am I wrong when
I said that on the last episode that this is
going to be two years? I had to go back and check.
Yeah, it is two years, yeah, because last year
I was at this house, the other house was in Pomona.
Yeah, and out in P -Town. Shout out to Sugar
Free. Back when it was in the living room and
it was like a thousand fucking degrees. I know.
Talking about porno. Oh, man, I know. That's
what's funny. I like that we started off with
something funny like that. It wasn't anything
like just basic. It was like, no, I want to do
porn. Well, you know, I do want to go back and
revisit those movies too at some point down the
line because there's more movies to that that
we didn't get to talk about. Yeah, especially
from that book that I showed you. But it's been
two years of, I would say, a success. I think
people are into it. Oh, yeah. Catch on. And,
you know, slowly but surely catching on. That's
how it goes. You know, you just have to have
to build it up, you know. It's not going to be
like an overnight success like a lot of people
think. You start a website, a podcast, or an
Instagram page, or a TikTok page, you're not
going to get an overnight thing to make you go
through. You have to work hard. I mean, yeah.
You have to just keep putting content out little
by little. You know, you can't just be like.
all right i'm gonna post this video about chronos
i'm gonna become popular no you have to talk
about more than just chronos you have to talk
about the other stuff you know other stuff that's
related to it or whatever you know you just have
to build it up and that's what we've been doing
we've been building up you know we've been talking
about all kinds of stuff we've talked about porn
we talked about corridos we talked about slashers
that people didn't even know about. Just crazy
stuff like that. That was, so when this, when
the idea to create the podcast, like, I mean,
I don't know if any, I mean, I'm sure people
remember the story that I told of being in Texas
when you and me were sitting in the back of the
car and I kept being like, come on, let's get
it in. Yeah, that was the thing. Joey was the
only one that was actually really more serious
and wanting to do that. And I was like, I don't
know. But then I was like, I don't know, I don't
want to do it by myself. Like, you know what,
Joey joined me. Let's see if he wants to do it.
Because to me, the whole idea was like, This
is some shit that I would want to learn. This
is what I would want to listen to. Selfishly,
the idea was like, hey, maybe I get to see all
these fucking movies that I haven't been able
to watch or I don't have copies of and expand
my cinema knowledge. That's how you have to do
it. You got to connect. That's how it goes. Hopefully,
everyone's digging it. The core idea, too, was
not to just stick to... you know the horror movies
i know everyone always reaches out to you about
horror shit but mexico has such a vast uh uh
range of movies that and we purposely choose
Whether it's the melodramas, the comedies, the
music shit. Which is still, ironically, our biggest
episode was the episode about Los Bukis. If you
haven't listened to that, go back. That was last
December. That's such a great episode. Great
episode. I loved it. Better than I even imagined
it was going to be. So shout out to Jaime for
joining us on that one too. But we're at year
two. And we wanted to do something that may or
may not be a little controversial for some people.
Yeah, it's probably going to get some people
angry. People have been angry at your list in
the past that you don't include certain things
or why is it not ranked high enough? Or why is
it ranked too high? Exactly. You're never going
to please anyone. People are always going to
have an opinion on something. And that's just...
the point these are our opinion you know you
don't have to like it or you can love it you
know either way it's you know it's it's what
we've decided that we like what we liked and
what i what i felt was better you know in other
words joey picked his favorites i picked what
i thought was the best yeah so our lists are
a little bit but you know what as as i was like
compiling my list and she was like you know what
I'm not even going to fight it. I'm just going
to go ahead. Because originally, like Armando
said, I wanted to just be like, no, these are
my favorite because I didn't want the smoke,
all right? I'll admit it. I didn't want the smoke.
But you know what? Fuck that. This is the best,
according to us, the top 10 best Mexican horror
films as selected by the Trash Mix podcast. Keep
in mind, we're both horror fans, so this isn't
just like random that we picked either. We actually
like horror in general. Yeah, I mean, spoiler
alert, my number one is Kronos. I don't know.
I don't know if you know. I'm just fucking with
you guys. This list does not include Kronos.
So if that's what you're hoping for, number one,
turn it off now. I still have not seen it. Like
I've seen some of it, but then I like never finished
it. You know, look, I know there's a lot of discourse
surrounding, you know, the whole Guillermo del
Toro shit, the fucking Iñárritu shit, the Cuarón
shit. And it's like, listen, no one's saying
that those movies aren't good. They're just not
the best that the country has to offer. And maybe
they're the best if that's all you've seen. But
the whole point of creating a list is to give
people avenues to start exploring other directors,
other actors, other types of horror. Because
not all horror is built the same way. Exactly.
And that's kind of the thing. You go to Mexican
horror. Let's say you Google it. It goes from
the Golden Age. it skips from the 80s and then
it just goes straight into the 90s yeah it's
like uh you know there was stuff in between right
70s and 80s 90s early 90s and much like cinema
around the world and then again this is my opinion
the 70s to me globally is the best era for cinema
yeah globally yeah for sure um People will argue,
and I'm sure people are going to have an opinion
on that, but that's just what I think. As far
as for what I like, I think filmmakers of that
time were taking risks, making weird movies,
making strong movies, creating counterculture
in that time frame. Even just American movies,
the 70s in America for horror was like... That's
like a golden age. It's the best, yeah. I mean,
once the 80s hit, I mean, the shit kind of, you
know, fucking died out. And then we ended up
getting the 90s bullshit and 2000s bullshit.
And truly, 70s to me is the best era and the
last good era. Like, I don't want to say good
because there are good shit in the 80s and 90s.
Yeah, we can't deny that. But 70s is like...
Me and you, I noticed we like a lot of 70s stuff
more. A thousand percent. A thousand percent.
And that includes with Mexican films as well.
A thousand percent. I wrestled with my one and
two spots because one of them is a 70s movie.
I was fighting that too. I just went with my
gut. Yeah, you got to go with your gut. You can't
overthink it. Just go with your gut. Your gut's
not lying to you. I don't know. You want to just...
start it off or what yeah so we're doing five
so i got five joey has five so i'll start off
with my five number five for me is it's one that
a lot of people are familiar with and maybe they're
gonna be like why did you pick that but it's
cool let me explain why so number five is la
horriplante bestia humana or night of the bloody
apes as it's more well known What happened? I
don't know. I heard a terrible scream. and this
is a renee cardona movie and it's very bloody
well the american version is bloody but he had
his own bloody version too which got trimmed
And, yeah, it's pretty brutal. I mean, it's basic,
too. It's just like a mad scientist. You know,
his son is dying or whatever. And then he has
the idea of, like, transplanting an ape heart
into his body. And it turns him into a monster.
It's like an ape -like monster. That's one thing
about this movie that I fucking love is that
traditionally, like, the transplant horror movies,
there's always the brain. Yeah. But Mexico was
like, nah, fuck that. We're going straight for
the gorilla heart, baby. Yeah, they're going
for the gorilla heart, yo. and yeah it's pretty
brutal in terms of like gore and like violence
but it also gets really like rapey too like the
monster's like horny it's like it's wanting to
assault these women so there's scenes in there
where it's like ripping her clothes off and like
assaulting her and touching her and it's like
oh shit like they're going fucking crazy here
yeah i know this is 1969 keep in mind this is
not even like the 70s yeah this is 1969 and to
me like when i when i re -watched it uh like
two weeks ago um It reminds me of the 60s era,
like the Herschel Gordon Lewis era of shit, where
it's schlocky, but it's got good fucking bright
red blood. The gore is fucking crazy in this
movie. I mean, there's no surprise that it was
a video nasty. Yeah, it became a video nasty
because of the American version. The American
version, they had, I guess, extra gore scenes
and a real -life heart transplant. Something
like that. Pretty weird stuff. and then in mexico
like it just obviously the censorship they just
trimmed the shit out of it they weren't even
gonna like bother showing it until years later
like that you know even now like you can't watch
the mexican version without the gore because
it's cut but those scenes do exist there's no
denying that but when they first released it
they released it under hororisexo which i actually
love better than you know the transplante and
bloody apes yeah that title is probably more
yeah i even have like the advertisement on matt
do you remember i don't know if i posted it before
remember it's like hororisexo and has like all
the information of the movie i don't know i don't
know i'll post it on the instagram but yeah it's
pretty brutal and it has the blood and everything
else sick oh yeah it's gonna be in the luchadores
versus everything book if i recall because hopefully
it's on there i think it made it on the book
still So check it out there. Well, that's another
part of it, too, because it has female luchadores
in it. And that's partly because it's a remake
of the 1963 Cardona movie, which is Las Luchadoras
vs. El Medico Asesino. Essentially the same story,
but it's a little bit more schlocky and more
cheesy. This one is just, you know, brutal. Very
brutal, very sexual. yeah definitely not for
kids it's just it's wild that this is a movie
from mexico in 1969 um because it's just it's
just to me at least it's out of the ordinary
as far as like how it feels americanized but
it's obviously a mexican movie cardona he wrote
it with his son renda jr and of course the producers
are guillermo calderon guillermo calderon was
like We got to make this movie fucking crazy
as much as we can. That's one thing, too. The
Calderon family, they're a very, very prestigious
family as far as Mexican movies. But they weren't
afraid to push the envelope. Yeah, push the envelope,
especially in the 50s. They were the ones that
were wanting to put nudity in their movies. Not
even just for the sake of artists, just because
that's what people wanted to see. Especially
men. They knew the audience, what they wanted.
And that's exactly what they did with this one,
too. They want to see violence. They want to
see sex. It's like, all right, we're going to
make a movie called literally Horror y Sexo.
Horror and sex, baby. What's better than that?
Exactly. This is like a prototypical drive -in
movie. Yeah. And it was interesting because Uncredited,
one of the producers is Alfredo Salazar, which
I didn't even know. I was like, oh, shit. Makes
more sense now why it's so wild and everything.
One of the horror masters of Mexico is behind
it, too. Yeah, that's one thing that you notice
too. Like a lot of these movies, I mean, we say
it constantly on the show, but it's like the
people behind it, like the stars, the directors,
the writers, producers, like these, they're not
just hacks, you know? These fools were all like
super well -known and super respected in filmmaking,
you know? So it's like, you know, you don't typically
get, you know, you're not going to see a fucking
Steven Spielberg come out with a movie like this
type shit, you know? Yeah, exactly. They knew
what they were doing, too. And they did such
a good job at it. Yeah, well, that's Armando's
five. Yeah, that's number five right there. So
you guys gotta watch it. It's everywhere. You
can watch it on VIX. I think it's on VIX. youtube
uh you but no youtube youtube does have the spanish
version okay um vci put it out on blu -ray but
that's the worst fucking way to watch it it's
cropped to shit it's not even in the right aspect
ratio um they they included a like the the intro
title cards they're completely like brand new
like just bullshit yeah um and just i don't know
english dubbing is just yeah I'm not used to
that one on English. I always saw it in Spanish.
The Spanish version, yeah, is always better.
And then somebody did, like, a fan edit, too,
with the gore scenes in Spanish, too. See, that's
probably the best way to watch it. Hopefully
one day we'll see, like, a complete version with
the actual, you know, footage intact and everything.
Yeah, in its proper aspect ratio. Yeah, for real.
We need that for sure. Hopefully somebody puts
it on, you know. All right, well, I guess I'll
move on to my number five. And I had issues.
I was deciding if I wanted to bump this to number
four or keep it at number five. You picked a
good one, too. When you showed me yesterday,
I was like, oh, cool. That's a good one. I like
this movie a lot. This is kind of like a childhood
staple. I'm talking none other than Al Filo de
Terror. Me has hecho quedar en ridículo muchas
veces. Esta noche fue la última. how do you go
about describing this fucking movie? So, essentially,
it stars Fernando Almada as El Griego, who's
a ventriloquist. He has these clown dolls that
he uses, and he was once a megastar, but his
fame has just dwindled down, and he blames it
on his dolls. Now, the weird thing about this
movie, to me, is it's hard to distinguish the
line of what's actually happening and what's...
his imagination and the child's imagination.
And I think that's what makes this movie work
really well for me. Yeah, because it's not like
a killer doll movie per se. It's literally about
a man going fucking crazy. Yeah, I mean, I saw
a lot of comparisons to Joe Spinell for Fernando
Almada in this movie, which I can kind of see.
He gets real sweaty and gross. Real sweaty and
he's just always angry. But he's a complete piece
of shit in this movie. He talks so much shit
to his own daughter who's fascinated by his dolls.
And this is where I'm saying the lines are blurred
because she speaks to the dolls and the dolls
come to life. But I don't know if anyone else
sees that. We don't really know if it's really
happening or not. It could just be her imagination.
Just so you know, we're probably going to end
up spoiling some of these movies. So if you don't
want them spoiled, watch the movies first. Because
I'm going to spoil this movie a little bit. At
some point, as this fool is... He's just getting...
He's going... Deeper and deeper into this psychosis.
He's blaming his dolls that he's no longer funny
anymore. So what does he do? He decides he's
going to change his daughter and put makeup on
her and make her pretend to be a doll, which
is fucking crazy. This movie just completely...
i don't know it just goes for it in a way that
i feel like a lot of movies don't um and it's
a 90s movie no less too so i mean it's not like
uh was it i don't know is this a video home a
lot of people think it is but no it's not it
came out in theaters because there's a poster
i have lobby cards so because i could have swore
on because i have a dvd of it which is a bootleg
but i could have swore i saw like cue marks on
it so i was oh well they definitely shot this
on 35 millimeter yeah it's a 35 shot yeah um
it's released on theaters But, I mean, it has
an all -star cast. Fernando Almada, of course,
who doesn't need any introduction on this show.
Roberto Cañado. Roberto Cañado plays his uncle.
Lina Santos. Lina Santos. They have a weird relationship.
He's messing around with her, but she's like,
I don't want to fuck with you because you're
no longer the top dog in the world anymore. and
then wally barron is on yeah wally barron it
plays like his manager or like a talent agent
or some shit it's just it's all over the place
um directed by alfredo crevena who you know another
you know legendary name in mexico big time legend
right then that's like yeah one of the top guys
right there from back in the day yeah oh absolutely
he's done everything um But it's just fucking
wild. And it really plays into Mexico's weird
obsession with midgets and clowns. Or little
people, sorry. Don't come at me. Apologies. But
yeah, little people and clowns, which I still
don't, I've never been able to pinpoint why Mexico
has such an affinity for clowns and little people.
they do you know even now like even in chicano
culture like you know clowns are a big thing
more than ever now i think back in the day it
was seen more as a scary thing now it's like
everyone's like embracing but even that because
you had like you had clowns like on like seppi
yin was like a super popular clown on tv um he
was more light -hearted though yeah platanito
was like a he had his own talk show like imagine
uh uh what i don't even know who's a talk show
host anymore fucking i guess somebody from like
the news or something yeah whatever but imagine
that for being a clown you know like it's just
fucking it's just crazy but you know this movie
kind of also like lends itself into like the
fantastic world like i said like you don't really
know what's real what's not um I don't know.
I fucking love this movie. I know some people
probably won't like it because it's not a true
horror, like you said. It's more of character
-driven than anything. Yeah, like a psychological
thriller. Yeah, yeah, yeah. But to me, there's
a scene that mirrors Maniac, the end of Maniac,
where he gets chopped up by all his girls that
end up being just the fucking... This fool gets
fucked up by his clowns. Yeah. And then that
final scene with all the clowns. They're throwing
stuff around. And then they're like vomiting
green stuff. Oh, yeah. That was weird. Yeah.
That scene makes everything work. And that scene
with Fernando when he slices the guy's throat.
I mean, it gets brutal. But, you know, like I
said, I can entertain the argument that it's
not a true horror movie. But what is a true horror
movie these days? You know, those lines have
been blurred a long time ago. But that one is
effective. Like I said, it's... It'll get to
you. If you really give it a chance, it'll get
to you. And we're like, yeah, this is actually
great. Well, that's my number five. And now let's
see what we got. Number four. My number four
pick is Satanico Pandemonium. Respiran su propia
atmósfera para alcanzar el deleite de sus vidas.
Ya eres la madre superior. Madre y guía espiritual
de todas estas. Anda. Diviértete y goza. Te lo
mereces. Pero antes... Sal al balcón y saluda
a tu pueblo que quiere conocer a su nueva madre
superior. you know everyone knows that movie
it's pretty high up in there but i still feel
like it still hasn't reached more you know i
feel like it needs more of a big time you know
reach rather than what it's known for you know
because people just know it because it's because
although from dust till dawn you know that's
how a lot of people think new about it too it's
because of the you know some high x character's
name is satanico pandemonium but i feel like
that movie has yeah this one is never like in
those top horror lists like from mexico it's
like it's so weird it's like it's so popular
but yet it doesn't make those lists i always
thought that was so strange it's i mean you know
the elephant in the room it it lives in the shadow
of alucarda which people consider that's another
yeah that's another reason yeah To be honest,
like, not to cut into your spiel on it, but I
prefer Satanical Pandemonium over Alucard. Me
too. Yeah, honestly, me too. And there's no hate
on Alucard because I shit really like Alucard.
I love Alucard. Yeah, Alucard was fucking great.
But Satanical Pandemonium has, like, I don't
know. There's just more to it. A more richer
story, I guess you could say. It's not just batshit
shit going on. It's, like, it's actually really
fucking freaky. You know, we have this nun who's
just... getting tormented by the devil you know
she's getting temptations she starts being sexual
she tortures herself she starts molesting a boy
and it's fucking freaky and it's weird it's nasty
and then yeah it's bloody you know it gets really
bloody at the end practically you know when you
know no spoiler alert but you know she does end
up getting like stabbed and shit you know by
all the other nuns in there really fucking crazy
and then The stories that Adolfo told me behind
the scenes were even more fascinating. Oh, yeah.
Just to interject you there, if you haven't listened
to our interview with the uncredited writer Adolfo
Martinez -Solares, go back and listen to it.
It's in Spanish, but if you understand Spanish,
go back and listen. He tells great stories about
this movie. There's stuff that he left out, though,
because there was parts when I first talked to
him, he told me, he's like, yeah, so, you know,
my dad met Barragan. He had this pitch for this
movie. We thought it was a good story. So I told
him, I'll write it. Just give my dad the directing
duties. And he's like, okay. And then right just
before they were about to film, Barragan, the
producer, and then Gilberto, they got like an
argument or something. So they were like, no,
I'm not going to work with them. So then they
got this other guy, another director, Alberto
Borges, to direct. But then he too got fight,
started fighting Barragan. It's always the fucking
producer, man. So Barragan had no director, so
he asked Adolfo, he was like, Adolfo, can you
get your dad back? He's like, okay, yeah, I'll
ask my dad. Gilberto was like, yeah, I'll do
it, fuck it, I don't know, whatever. Why not?
So, you know, and of course they film it, and
then when they were filming it, you know, it
was going okay, but then, you know, still again,
Barragan was being kind of weird and picky. He
was just like, oh, maybe we should do this for
this scene, and it's like, what the fuck? Like,
Gilberto was telling him, like, I'm the director,
I'm gonna do what I wanna do. Don't tell me what
to do. How are you going to tell Gilberto Martinez
-Saladas what to do on a movie? Get the fuck
out of here. Yeah, for real. Keep in mind, this
is Gilberto Martinez -Saladas. Legendary filmmaker
from the golden age. I mean, he's a top three
director in Mexican history. So he knew what
he was doing. He was trying to work, trying to
do his best here. And Barragan's just bullshitting.
That was the thing. Barragan was kind of difficult.
He was just picky. He was bad with money. and
then of course you know he loved women so of
course that's why he brought in the hookers in
the movie hey you know it is what it is a lot
of the hookers a lot of the hookers in the play
nuns in the movie and adolfo always brings it
up every time you bring that movie up he's like
oh yeah did you know the hookers the nuns in
the movie were hookers in real life Hey, they
were seeking penance for their... And then another
drama was after the movie did good in the box
office and everything, Barragan kept the money,
didn't want to pay Gilberto. Of course. Gilberto
had to complain to... Who did he complain to
again? He complained to Rodolfo Echeverria, who
was the president's brother at the time. He was
the one that was in charge of the film industry.
He was like, all right, I'll help you out, Gilberto.
So he got Barragán to pay him. Barragán got in
a fight with Gilberto again. Just all kinds of
crazy stuff like that, you know. It was always
funny just to hear the behind the scenes of it
all, which made it more fascinating to me. But
I guess the best part about that is that it didn't
affect the actual movie because, I mean, this
is a flawless movie. Oh, yeah, and that's the
thing. Overall, the movie still did great in
the box office in Mexico. It reached audiences
in Europe, United States. Now it's a cool classic
all over the world. Everybody knows it. I like
this movie because it differs from Alucarda where
this one feels more like it's an attack on people's
personal relationship with religion instead of
religion being the problem, you know? And I feel
like this is actually a true nunsploitation movie.
Like, this movie does actually exploit nuns.
Whereas Alucarda, I don't know, I never saw it
like it being too exploitable over nuns. Not
really. Right? Like, it was more of like, you
know, this story about a young girl meeting like
a vampire or whatever. Whereas there's nuns,
but... They're not really being exploited, you
know? They're just kind of there, you know? Yeah,
this one goes off the fucking rails, too. Fucking
pedophilia, fucking a little bit of incest. All
kinds of crazy shit. Yeah, all kinds of crazy
shit. And then the main actress, Cecilia, she
looks so innocent, so it's like crazy just seeing
her right there in these situations. And Enrique
Rocha, he's such a great actor. He plays the
devil so perfectly. Like, you actually fucking
believe it, too. I mean, that's really what it
takes for someone to... to play the, you know,
to play the devil, like you got to believe in
them first, you know, like, and there's, I mean,
there's so many people that have played the devil
in, in, in film, but not all of them have convinced
you like, Hey, this, this motherfucker is, this
is the real deal. And then of course, remember
he's in Mujeres Infieles, which we talked about
earlier. Another fucking banger. Another devilish
character. Go back and listen to that if you
haven't heard that episode. But yeah, that's,
that's going to be my number four pick. And I
guess that leaves me for number four because,
and again, I had troubles, man. I didn't know
if I wanted to flip -flop these ones or not.
But I end up flip -flopping all kinds of shit
anyway. So surprise, surprise. My number four
pick is no surprise. I've talked about this one.
Not really, but in private, I've talked about
this one. None other than Violador Infernal,
the Infernal Rapist. Carlos, tu religion te abandonó
y por eso vengo a devolverte la vida. Pero con
mis condiciones Una, que renuncies a tu religión.
Dos, que me ofrezcas sacrificios y placeres.
Y que siempre me adores así. Así siempre estaré
contigo. Y volarás a toda aquella o aquel que
esté a tu alcance. Y tendrás riquezas y el placer
de las drogas al alcance de tu mano. Recuerda,
Que después de sacrificar a tus víctimas, me
las ofrecerás. Marcarás con los tres seises,
que es el signo de los seres destinados al dragón
de las siete cabezas. Si haces lo que yo te digo,
serás un triunfador. Yo, el ser supremo de las
tinieblas, te nombro mi hijo predilecto. Yes.
I accept. My promise is fulfilled. Now it's your
turn to fulfill yours. This movie is as sleazy
as they fucking come. That's like one word to
describe it. It's just sleazy. I mean, I don't
know what other adjective to use for this movie
because as the title says... It's a rags -to
-riches story, but a very brutal one. A rags
-to -riches soul story, really. Violador Infernal.
AKA in English, The Infernal Rapist. Of course,
directed by Damiana Costa Esparza. No surprise
there. Someone who was used to making these kind
of movies. No, I have a question for you. Did
you see his director cameo in the movie? He's
in the movie. Is he in the jail cell? Yeah. He's
the priest. I thought that was so funny. Perfect.
They put him as a priest. I mean, you know, someone's
got to have some kind of dignity in this movie
because this movie goes from zero to 100 in probably
the two -minute mark of the movie. Of course,
produced by Ulises Pérez Aguirre, who, you know,
is no stranger, you know. Most people would know
him from either this movie or the Entrepidos
Punks movies. But he's such an important figure
for the Trash Mix world. Like, he's always just
mentioned somehow or some way. He's always involved.
He's in something. He's even, you know, part
of Roy del Espacio, you know. Of course, yeah,
yeah. We don't have to hide that secret no more.
That's out. But, of course, you know, it stars
Noe Murayama as El Gato, who is a rapist. And,
like I said, it starts from 0 to 100 in the two
-minute mark because he's being executed in the
first scene of the movie. the devil appears to
him and the devil of course is none other than
mexican royalty ana luisa pelufo who remember
that name because she's going to show up again
on my list um but yeah she plays the devil uh
or as the as she's known in the movie uh el ser
supremo de las tinieblas Fucking banger name.
Such a great name. Such a great fucking character
name. That would be like a band name for all
I know. That would be. Or at least a fucking
record name or something. But anyways, I digress.
She appears to this fool as he's executed and
basically tells him, listen, I'm going to give
you your life back. Your religion has failed
you. I'm going to give you your life back. All
you got to do is consume all the fucking drugs
you want. Kill fucking anyone you want. Rape
anyone you want. But you have to carve 666 on
their body. And in turn, they will give power
to the devil. That's another soul for her. Mortal
Kombat style. Your soul is mine. And she picked
him too because she says something in the lines
of he's the ultimate rapist. Yeah, because he
was a complete piece of shit. He was a really
bad person. She chose him out of... Who knows
how many people? Tons and tons and tons. But
this, again, I guess just like my number five
pick, this kind of blurs the line between being
a horror movie and being an exploitation movie.
And again, I will entertain both arguments because
both of those labels are right. It can be both
for sure. But it deals with so much anti -gay
rhetoric, which is still a thing in Mexico. There's
a lot of homophobia in Mexico, unfortunately.
That's the first kill, too. They make it now.
yeah and you know of course you know is uh um
the actor in that scene was also in intrepidos
punk so there's a lot of there's a lot of connections
guys you know this when you hear names just assume
that cast and crew are fucking you know taken
from yeah those are the same people that worked
under the echo films production company which
is exactly yeah um And that scene, of course,
is famous for when you'd had the Trash Max Festival
at the Frida. Shout out to the Frida in Santa
Ana. Someone brought their, like, 10 -year -old
girl, maybe? No, they said she was, like, 13.
Okay, it doesn't make it any better. Yeah, it
doesn't make it any better, but it was just weird.
It's like, who brings a teenage daughter to see
the infernal rapist? Maybe he didn't know Spanish,
because you guys, on the marquee, it was labeled
as Villalobos. Oh, yeah, we didn't want it. We
didn't want the word rapist on the fucking marquee.
But anyways. This dude shows up to this movie
and this is, like you said, this is the second
scene of the movie. So you're like five minutes
in. He fucking rapes this fucking guy. That's
probably the most brutal scene of the movie.
Brutal. Yeah, it's pretty brutal for sure. Not
gonna lie. Drugs him and then stabs the shit
out of him. Put the knife up his ass, kills him,
and then carves 666 on his ass cheek. And this
guy's just watching this with his little teenage
daughter. Yeah, like I have my limits. I would
not bring a kid to that. That's crazy. I'd bring
my kid to like Trampain for an hour or something,
but not bringing them to see something like this.
Crazy. He had to have not known. And maybe he's
listening to this episode. If you are, let us
know what you were thinking. That's crazy. But
to me, this movie always will be ingrained in
my mind for that because, I mean, the whole crowd
was shocked. But to have a teenage girl. Yeah,
we didn't have too many people at that screening,
but it was just like, yeah, I know people where
they were like, oh, shit. It was pretty different.
I don't think a lot of people knew what they
were expecting. You know, they were just like,
oh, okay, it's just, you know, a movie about
a rapist killer, whatever. Maybe it's not brutal.
Then they watched it. Fucking brutal. Sleazy
as shit. But, again, I think, you know, as problematic
as this can be, and I'm sure someone is going
to watch this and be like, yo, fuck this fool
Joey. Why is he recommending this movie or have
it on his top five? But, you know, there are
merits to having these kind of movies. I mean,
I know exploitation, sexploitation movie is not,
they're not for everybody, you know. But, you
know, the cast and crew behind this. incredible
like i said analisa pelufo i mean she is such
a revered actress in mexico sometimes like even
though she hardly appears in the movie when she
comes out it's pretty like yeah obvious and like
she's great yeah and she has these like extravagant
dresses her dialogue is fucking insane um this
is just it's just great if you want an offensive
do you want to watch an offensive movie this
is one uh this is one to watch and it's available
you know vinegar syndrome has it out on blu -ray
you know so english friendly um and you know
just to touch base on the gay thing i'm sure
no i kind of enjoyed it because i mean it's not
a secret per se because a lot of people don't
talk about it but no i was gay he was not not
secretly but you know people it was just obvious
so i'm sure he was just like okay i'm gonna get
into this yeah because he was gay you know And
then, I'm not going to say who, but he actually
did date somebody in the movie. In the production.
Not in the main cast, but in the production.
We keep those juicy secrets off the air, guys.
But just to make it clear, it's like, I'm sure
Noah was just fine with that. It's like, okay,
it's a gay scene. Yeah, but I think in today's
climate, and this is not to downplay anti -gay
rhetoric in movies and in everyday life, but
there's going to be someone that watches this
and thinks this is abhorrent, this movie shouldn't
exist. I'm here to say not to defend any type
of anti -gay rhetoric because I am, you know,
extreme, you know, ally to the LGBTQ community.
Live your life. I respect it. But I don't think
censorship in any form, I mean, obviously, you
know, we don't want, like, you know, naked kids
and shit in there. Fuck that. But, you know,
to have these type of scenes in movies, I don't
think, I just don't think there should be a limit
to it, you know? Yeah, exactly. I mean, there's
other movies with rape, and those are seen as
art films. Keep in mind. Yeah. This is no different.
Well, I mean, there's scenes with little kids
that are naked in film that people would put
on a top 100 all the time. Yeah, there's weird
stuff on there, and it's like, this movie's probably
the tamest out of all those movies. I think what
it boils down to is... People seeing something
like this as distasteful. Yeah. And you know
what? That's an argument that you can have with
yourself. I don't want to have that argument.
But for me, like I said, it's the tamest out
of all that, especially with the subject matter.
Yeah. What's that one movie that everybody blows
up all the time? What's it? The one with Gaspar?
Whatever his name is. Oh, which one? He has a
ton. The one that everyone always talks about.
It came out on Blu -ray. Irreversible? Yeah.
People fucking hype that movie. That movie's
fucking... Well, we're sitting with the victim
of the movie right now. Oh, yeah. There we go.
We don't have to put it out on the airwaves,
but we know someone personally who was affected
by that movie. Yeah, that movie is fucking horrible,
in other words. And it sold out in like two minutes
when Vinegar Syndrome put it out. So keep in
mind, that movie is seen as this great thing
or something, but then when they say Violador
Infernal, oh no, no, no, that's so bad. It's
like, no. Violador Infernal is just fucking campy.
It just happens to be kind of brutal. But it's
not bad like that. It's not in that same level,
I would say. Yeah, I don't think so, per se.
But I know there's going to be people that are
going to see it like that, but then they'll watch
that fucking movie, you know. Or fucking Requiem
for a Dream, or kids, you know, nasty fucking
movies like that. But, you know, and funny enough,
well, not funny enough, that's the wrong way
to put it, but I don't see kids as being an extremely
problematic movie, I mean. The main person I
see it as problematic, just, I mean, for obvious
reasons, but I'm not going to get into it, but
you know what I mean. But when you compare that
with Viola Donning for Novela, it just can't
be. fun yeah in the worst way i guess i mean
to say like in the same way that i will defend
the movie kids is right to exist and that story
to exist yeah is the same right i'm gonna give
the right to exist you know but people will just
judge this movie harshly thousand percent which
is weird yeah You need to see it just to see
what we're talking about. It's not as bad as
you think it is. It is brutal. It is fucking
nasty. He rapes a bunch of women. A gay guy kills
them all. It's fun. It's still a fun movie. The
dialogue is just crazy. He's just into this movie.
That's the thing. He's great, man. I've come
to love all his movies. I think he really loved
this role. Just the way he was acting. He was
just laughing. Then he's doing cocaine. Which
I'm convinced was real cocaine. I wouldn't doubt
it, dude. He just looked way too into it. Like,
the whole thing. He's, like, shooting heroin
and shit. I mean, there's all kinds of shit.
Yeah, that part was fake. The cocaine scene,
when I watched it, I'm like, this looks fucking
real. Like, this motherfucker was probably doing
cocaine for real. In that little studio, yeah.
Well, that's my number four. However controversial
that may be, I'll leave that up to the listeners.
We'll move on to number threes, I guess. So,
my number three is... What is my number three?
Libro de Piedra from 1969. Another 69 movie.
I didn't even realize that. Interesting. And,
of course, this one is written by a really, really,
really popular director now, more than ever,
which is Carlos Enrique Taboada. He's considered
one of, like, the horror pioneers of Mexico,
because he did Hasta el Viento Tiene Miedo, Más
Tremor que la Noche, you know, Poison for the
Fairies, all those, like, you know, really, they're
more popular than ever now. It's crazy. And I
picked this one because this one actually freaked
me out when I first watched it. Like, with the
statue and everything, the boy, he's holding
the book. I'm like, this kid looks fucking scary.
Yeah, he is kind of a creepy kid. Yeah, and then,
like, you don't even see him come to life until
later on in the movie. But, like, during the
whole ordeal of the movie, you know, we focus
on the little girl. She's talking about him.
You know, his name's Hugo. She's like, Hugo this,
Hugo that. And everyone around her is just kind
of like, oh, she's just imagining this shit.
weird shit happens at night and then those scenes
at night are pretty freaky you know you're just
like oh this is uncomfortable especially when
you're watching it in the dark you're just like
oh man what's going to happen next you know well
that's one thing that i think uh carlos enrique
taboada was a master at is setting a tone for
a movie and letting that really ride throughout
the an entire movie with all with all of his
movies especially his more popular ones they
all have that sense of kind of dread. And, you
know, like you said, the darkness, what you can't
see is what's scarier than what you are seeing.
Yeah, exactly. It's really fucking scary. This
was the only movie out of the 10 movies on this
list that I had not seen. I thought I had seen
this, but when I rewatched it the other day,
I was like, I don't remember any of this. So
I'm convinced that I hadn't seen this movie yet.
Yeah. I discovered it after I saw Hasta el Viento
Tiene el Miedo. And I was like, well, what else
did this director make? I was like, well, this
one sounds pretty good. So I watched it and I
was like, oh, this is fucking scary. I was genuinely
freaked out. And I watched this probably like
2009, maybe 2010, something like that. I was
like 19, 20 years old. So I was still like freaked
out. Was it on DVD at that point? It was on a
bootleg DVD. It was like a $99 bin DVD. So that's
how I got it. And yeah, ever since then, you
know, it's become kind of a cult classic on its
own. But I know it has like a rights issue going
on. Is that why it was not included in the box
set? Yeah, I don't know exactly what's going
on with that. There's just always something going
with that one specifically. And the 2B version
is just like a VHS rib. Yeah. And it's pretty
sure it's illegally uploaded on there. But, you
know, it's there. So if you want to watch it,
get it on there. And, yeah, watch it at night.
Don't watch it like during the day. Watch it
at night. Turn the lights off. Cover your curtains,
you know, your windows. And, yeah, you're going
to be in for a fucking freaky movie. And it stars,
of course, a Trash Max favorite, Joaquin Cordero.
Oh, yeah. Who has never had a bad role. Yeah.
You got Joaquin Cordero. You got Aldo Monti,
who's played Dracula in the Santa movies. We
got Marja Lopez, Norma Lazareno. And then the
little girl is Lucy Boo, who she was really wanting
to be an actress when she was a child. You know,
she was taking her acting career pretty serious.
But then I read an article not too long ago.
Like, she actually just stopped because she said
a certain director. She never said who, but.
i guess was trying to like sexually harass her
like trying to you know trying to do some weird
shit and that freaked her out and her mom out
and they were like yeah no you're not gonna do
this anymore so that's why she kind of stepped
out of the limelight and then you really never
heard from her again after that you know what
is unfortunate i know because she was a really
good actress in the movie yeah as especially
you know for being a child actress i mean she's
phenomenal in this role Yeah, and then I think
before that she was in Maria Isabel, like the
original movie, you know, before it became like
this well -known novella. So she was, yeah, you
know, she was getting there. But then unfortunately,
you know, like she said, something really bad
happened. Well, nothing bad happened to her,
but something was going to, you know. It was
getting really serious, you know, so she had
to leave. What a fucking shame. You got to be
a fucking scumbag to do some shit like that,
dude. I was like, oh, well, I didn't know that,
you know. But yeah, she like gave an interview.
I hope it's not someone that we fucking love
and revere. I don't think it was. I think she
said it was just someone like. You know, that
she was going to work for the first time. Someone
that just tried to take advantage. I think that
was like the wording she was giving us. Someone
kind of knew, I guess, at the time. But who knows?
I don't know. Fucking piece of shit, dude. Yeah.
So that was my number three pick. Libro de Piedra.
And again, Tubi. It's on there with English subtitles.
Bad copy, but I mean. That's the best you're
going to do. I mean, you know, people can't complain.
People watch shitty VHS movies all the fucking
time. I don't want to hear that you can't watch
it on Tubi because it's, you know, that argument
is dumb. I don't want to hear it. It has English
subtitles too, so I'll say no excuses. There
you go. That's what's more important. People
can actually fucking watch it and know what's
going on. Granted, you know, hopefully the subtitles
are right. All right. Well, that leads to my
number three. And I'm choosing Cementerio de
Terror. No está el libro mientras no destruya
a Devlin con el libro negro. ¿De qué libro habla?
El libro negro. ¡Fuera! Es la única manera de
destruir a Devlin. ¡Atrás! ¡Cállate! ¡Ese libro
está en la casa abandonada! ¡Yo lo vi! ¡En la
casa abandonada! 80s classic baby childhood staple
right there for me yeah I think this is probably
one of the most popular Mexican horror movies
on this side you know that's not the fucking
the Kronos and all that shit you know this is
1985 written directed by Ruben Galindo Jr. Stars
Hugo Stiglitz. Big time cast right there. Huge
cast. Rene Cardona 3 is in it. Erika Buenfil
is in it. Ena Bolkin. Raul Meraz. Like, fucking
bangers, bangers. And then Andres Garcia Jr.
is in it. And then little kids were Maria Rebeca.
And then Uzi Velasco. And Eduardo Capetino. When
they were little. I fucking love this movie.
I mean, this is like, to me, this is, probably
the best 80s slasher... Halloween -themed. ...homage
that a Mexican whore has done to an American
slasher. Because like you said, it takes place
on Halloween. And it's funny. It's like two different
stories because you have the adult versions,
like these college kids, and then you have these
little kids. And it's on Halloween night, and
they're both living two different perspectives,
you know, but they somehow end up in the same
place. You know, these kids, you know, it's Halloween
night, so they naturally, like kids do, they
want to do something crazy, so they decide they
want to go to the cemetery. these college fools
they trick their girls into thinking they're
going to a halloween party but instead they're
taking them to this fucking haunted uh they like
big time they're like yeah celebrities are gonna
be there all kinds of shit like that and then
they go and it's like nothing like that nothing
it's just this decrepit fucking house that's
sitting outside of the fucking cemetery that's
all hell breaks loose but you know There's fucking
zombie revivals. There's fucking, you know, there's
like a book of the dead. What was it? The book
of Devlin? Devlin, yeah. You know, shout out
to the book of Ebon, you know, Ibon, however
you want to call it. But I just think, especially
at this time, because you think of the American
slashers. They pretty much lamed out around 1983,
1984. Post 83, 84, slashers were, I don't care
what anyone says, they fucking suck. There's
a couple diamond in the roughs in there, some
gems. But for the most part, mid 80s to beyond,
slashers were fucking garbage. There were a dime
a dozen, no real stories. Terrible acting, shitty
directing sometimes. It was all bad. So in 1985
when Mexico puts this out, I mean, this rivals
the Friday the 13th at the time. It kind of resembles,
you know, like the body comes to life in the
cemetery from the fucking lightning and shit.
Also like Michael Myers too. The killer reminded
me of Michael Myers a lot too. Devlin. But he
looks like fucking George Eastman in Anthropophagus.
There we go. I was going to re -point it a while
back. Which I love, you know, Anthropophagus
is a fucking, is a Euro sleeves classic. But,
um, so if you haven't seen. uh cemeterio de terror
but you're a fan of anthropophagus i think you'll
like this you know it's not it's not like i mean
it is really fucking gory surprisingly yeah and
i guess the makeup effects were done by ken diaz
who was like a war you know a renowned makeup
you know did worked on my bloody valentine worked
on the thing fright night uh worked on heat i
know that's everyone's favorite la movie all
of a sudden for a first movie that's pretty good
so ruben galindo jr was like all right it's my
first movie got to do a good job yeah and his
dad was like if his dad was one of the producers
yeah his dad was like really pushing him to make
a movie he's like alright you're gonna make a
movie now he's like alright he's fresh out of
UCLA film school which I guess he did at the
same time with Rene Cardona the third right they
both went to UCLA and so his dad's basically
like yo come direct this fucking movie and he's
like alright I guess I guess I will so How many
people can say that their first movie is an 80s
slasher classic that rivals the best of American
slashers? And features zombies, which were an
inspiration by Thriller, the Michael Jackson
movie. They wanted it to be like that, too. I
mean, there's a lot of... I don't know if it...
I mean, I would assume that it's by design, but
there's a lot of references to other movies.
Like, there's a shot when they're first arriving
to this fucking decrepit house that's reminiscent
to the shot in Texas Chainsaw when they're panning
in through underneath. Yeah, that's true. I would
assume that it's a direct homage to that. The
soundtrack is very string heavy, so it reminded
me of the Friday the 13th soundtrack. All of
it's old George music too, by the way. Yeah.
There's like Omen ripoff songs in there. If you're
a library head, you'll find those cues out there.
You got to dig for them, but they're out there.
But yeah, man, I fucking love this movie. If
you haven't seen it and you love slashers, you've
got to watch it. I'm sure. a lot of people who
have seen it will be like yeah fucking top three
movie yeah i'm down with that that's a great
one i was lucky enough to go there too to the
house yeah shout out to brownsville right yeah
so just to kind of talk about the house so it's
actually called the salaya crager house and it
used to be a mortuary for a long time too and
then now it's a medical office nice Looks the
same, too. The yellow, you know, color and everything.
Still spooky. People think, like, people always
make up legends about the house from what I heard
from the locals. And not even, like, 10 minutes
away is the real -life cemetery. Sick. Old house
cemetery. Old town cemetery. That's what it's
called. But if I'm not mistaken, they shot this
on the ranch, though, right? Yeah, so they shot
those cemetery scenes at the ranch. But the gates,
remember when they shot the gates? Yeah, like
the facades and stuff. Yeah, that's the old town
cemetery, which is not far from the house. It's
crazy. It's like, oh, shit, this is, like, literally
less than 10 minutes away on the walk. And that's
why all those movies that were shot in Brownsville,
they were so efficient because they were shooting
on their own lot, basically. Yeah, exactly. But
that's awesome. Fucking banger. And then at the
end of the movie, they mentioned the street name,
which is, what is the street name? Washington.
They're like, I don't know if you hear on the
radio here, oh, Washington Street. I was like,
oh, that's the street. That's literally where
the house is, on Washington. Hell yeah. Shout
out to Brownsville. Yeah, that's a great one.
Well, that's my number three. So we're winding
down to our number twos. Oh, shit. We're at number
two now? Damn. So my number two is another Taboada
movie. Hasta el Viento Tiene Miedo. Banger. Again,
Carlos Enrique Taboada. This is his first horror
feature. ¿Por qué se empeñó en ir a la torre?
Sabía que ella estaba allí. ¿Pero por qué hacerle
eso a Claudia? No le había hecho ningún daño.
¿Qué ganaba Andrea? Uno nunca sabe lo que quieren
los muertos. Yo mañana me voy de aquí. Me muero
de angustia. Sí, esta casa está maldita. Hay
algo que nos rodea, que nos amenaza. Y ese viento
no ha dejado de silbar un solo instante. And
this one is kind of the same as Libro de Piedra.
Like, it's pretty, like, scary in terms of the
nighttime scenes, you know. And this one, of
course, you know, you have a ghost in it. So
she's talking to the girl. She's like, Claudia,
Claudia. And the way she says it, it's so scary.
when i first saw it i was just like this is interesting
and it's scary and like these characters are
just so colorful and they're so real you know
like that's the thing i liked about the movie
too it's just everyone in this movie feels so
real like these are real life teenagers here
we have these you know these teachers that are
just like mean to the you know to the kids and
everything and these kids are supposed to be
away for a summer vacation but then they end
up stuck at the school and this freaky shit is
happening there's wind for some reason in the
summertime like all kinds of crazy shit is going
on in this movie and it's great it's like really
spooky and everything in terms of you know horror
and like this is actually terrifying to watch
a super atmospheric and very atmospheric and
like the music is pretty good and yeah just everything
about it is so good like damn This movie deserves
more light to it than it gets. Did you watch
this one before? Was this your first Taboada
discovery? That was my first Taboada, yeah. Because
I got that on DVD, too. It was at the 99 Cent
Store in Pomona. Shout out to P -Town, yo. Sugar
free. Yeah, it was there. And I was like, oh,
I think I've heard of this. This was when I was
still getting into the movies and stuff. And
I was like, oh, I think I've heard of this one.
Let me get this thing. It was only like a dollar.
And yeah, I was like, oh, shit, this is fucking
great. It's like, this is really good shit right
here. And from there, that's when I learned about
Taboada. I was like, this guy's actually fucking
great. I need to see more of his stuff, you know.
So that's what caught me to Libro de Piedra and
the rest of his filmography from there. So if
you haven't seen it, you have to see it. It's
great. This is like the perfect summer vacation
movie or going back to school kind of movie,
you know, around that time, you know, even Halloween
if you want. But it's great, you know. It's on
Blu -ray. It's from VCI. Which I'm not a fan
of because it's pretty barebone and then it's
a DVD -R. I mean, blue BDR. I was not a fan of
that. It doesn't even play on my Blu -ray player
anymore. On this one, at least. It would play
on my old one, but not on this one. So I'm like,
damn. I'm going to have to rip it or something
and put it on my DVD. I couldn't find the fucking
Blu -ray anywhere for some reason, so I have
the VCI DVD of it. Yeah, I think now they only
sell the DVD. But I'm like, whatever. Yeah, now
they only sell the DVD, which I thought was weird,
too. It's like, it's not even on Blu -ray anymore.
Because people probably complained that it was
a fucking BDR. Like, get this shit out of here.
How are you going to put such a masterpiece on
a fucking piece of shit like this? I know. I
was like, but. It's there. And it's on Tubi as
well. So you can watch it on Tubi if you want.
Yeah, a thousand percent. But yeah, if you like,
you know, the other ones, and you still haven't
seen this one, you have to watch it. Or if you
want to get into Taboada, I would definitely
start off with this one first. I think either
this one or Veneno para las Alas is, or like
the go, the first, like the entry points for
Taboada. Yeah, that's true, yeah. Because you
get a sense of... Like we were saying when you
were talking about Libro de Piedras, you get
a sense of how he structures the movie, the way
he builds the tension, the way he designs the
movies. It's where it's more atmospheric. You
really get a sense of that in this movie. So
yeah, I would agree. This is definitely a good
entry point. It's very colorful in just everything
too. Even when they're wearing their school outfits,
it's so colorful and just so eye -catching. This
is like art, you know? Yeah. Everything from
the costumes, the settings and everything, it's
very artistic and it's beautiful. It's like,
wow, this is something you'll never see again.
Can't be replicated. They did a remake in, like,
what, 2007, 2008? I don't remember. It was definitely
mid -2000s, yeah. Some bullshit. Yeah, it's just
some bullshit. I remember I couldn't even finish
it. I was just like, no, this is terrible. Funny
enough, I've actually seen people put that on
their list of, like, and maybe they've mistakenly
put the remake version and not the fucking, but
I've seen it. It was their AI -generated thing,
probably. But, yeah, that movie sucks. Like,
the remake? Don't even bother. And I say that
with a lot of strength. It's like, please don't
watch it. You should see him right now. He's
sweating. He's like, fuck this. He's got a fist
in the air. Don't watch that shit. Please. Watch
the original one. Please. Always watch the original.
Always. 1968 right here, man. Well, my number
two. And again, I was going back and forth on
flip -flopping this with being number one or
being number two. This is going to be my number
two. Another 1979 movie that stars Ana Luisa
Pelufo, one of Mexico's goddesses of cinema.
I'm talking about Una Rata en la Oscuridad. Algo
te preocupa, hermana. Te conozco. ¿Qué es? Es
difícil decirlo. Dilo. Con toda sinceridad, Josefina.
¿No percibes nada extraño en esta casa? Es eso.
Sigues pensando en la famosa mano que te tocó.
Y tú sigues sin creerme, ¿verdad? Lo que creo
es que sufriste una alucinación provocada por
el efecto de la luz de las velas. No sé qué pensar.
Hay algo extraño en el aire, en las paredes.
Algo condenadamente extraño en esta casa. He
pensado que se adelantan unas clases de literatura
en el instituto. A fucking banger, dude. I have
the poster, too. Oh, yeah, I remember you have
the poster, for sure. I was going to put it up,
but I forgot. You should have put it. I know.
We'll post it on the page. Yeah, we'll post it.
Yeah, for sure. So this is written, directed
by Alfredo Salazar, who is the brother to one
of Mexico's most well -known actors, Abel Salazar.
But this movie is like, it features two sisters
who... buy a house for super, super cheap. And
they're like, wow, how the fuck did we get this
house for so damn cheap? Well, it turns out that
something's fucked up in this house and they
can't figure it out if it's a ghost, if it's
a real person, or maybe it's just a fucking rat
that's running around the house. Who knows? But
I will spoil this a little bit. So if you want
to watch this before I spoil it, pause it and
watch it. But again, stars Ana Luisa Pelufo and
Anais Demelo, two sisters. This is just such
a strange, eerie movie that I think... closely
resembles a Euro horror movie. That is true,
yeah. It does feel very European to it. Super
European, yeah. Like I said, they basically buy
this house. It's kind of like this gothic -looking
house. Shit starts happening. The younger sister
swears she has these powers to tell the future.
She was able to know when her parents were going
to die and all that shit. And then you have Josefina,
the older sister, who's more grounded. And basically,
it seems like the dynamic is that she's taking
care of the younger sister. It has taken on the
mom role, as you would say. But yeah, it's just
wild, man. There's supernatural shit going on.
There's a rat that keeps... always pops up in
the movie but the younger sister is going through
some shit you know like she sees this painting
in the house and she's like why does that face
look so fucking familiar she thinks it's fucking
weird and you know she thinks that it resembles
the realtor that they bought it from But she's
not sure. And funny enough, she has these fucking
magical powers, but she can't figure out who
this person in the painting is. But once they
discover that, then there's this looming presence
of what looks like a female. We're not sure what's
going on, but this presence starts looming in
the house, is following them throughout the house,
watching them through the windows, sexually abusing
the younger sister while she's sleeping. It's
fucking wild, man. There's a dream sequence towards
the end of the movie with Ana Luisa Pelufo where
the sister has gotten hurt. The sister has been
taken away. She's staying in the house by herself.
She's dreaming. This presence, this woman that's
looming the house just starts grabbing on her
tits and kissing her. Really raunchy, too. It
gets pretty graphic. And she's loving it. To
me, that scene was her finally having the freedom
to just be a woman. The parents die, so she has
to take care of her sister, but now she's able
to live out free. And there's probably some guilt
built in there, which is why she was loving it
so much when she was being touched and everything.
Because there's this operatic rock song that's
playing throughout. Oh, that's right. I forgot
about that. Yeah, it's fucking amazing. Even
the intro theme to the movie feels more like
it's a fucking 70s Euro cult, like Polozio Teschi
fucking soundtrack. Goblin -esque, if you will.
But I fucking love it, dude. It deals in sexuality.
It's a perverse movie. This is where I'm going
to spoil it. So if you want to watch this movie
without having the spoiler, which I recommend,
pause it now and watch the movie. But at the
end of the movie, the sisters, they bounce. They
can't take it anymore. And a new family comes
in. And it's the same realtor. And it turns out
that it wasn't a woman. It was a man dressed
as a woman. And now... he has plans to do the
same thing to this woman and her young daughter.
And I think that's where the perverse part, like
even more perverted part of this movie is that
now the same thing that happened to these, you
know, two older women is going to happen to this
young girl who's probably 10, maybe 11, like
a preteen. And it's going to start happening
to her. But we don't ever see the guy's face,
like really. You don't see his body. Obviously,
he's naked at the end of the movie. So you'll
see his dick, you know, full frontal. So shout
out to, you know, equal rights for women and
men being naked in movies. But we don't ever
learn why this person is doing it. what's the
objective here? Like, is it just something that
gets this person off of, you know, tormenting
people and sexually abusing people? We don't
know. It's kind of like Black Christmas where
the end happens and you're just like, wait, what?
And then the supernatural stuff, you don't even
know what that was about. Yeah, was it real?
Or was it imagination? There's like earthquakes
and fucking lightning and all kinds of shit.
Like, you know, what is going on here? Could
be like a warlock, maybe a perverted warlock.
A perverted warlock. Yeah, I like that actually.
Something like that, yeah. That's kind of how
I saw it, at least. Maybe it's some kind of warlock
or something. I don't know. But it was really
weird and vague. But that's what I liked about
it. Leaves you wanting more. Leaves you with
questions. Yeah. Kind of interpret it yourself
like that from there. That's the fun part of
it all. The ending is really, really fucking
gross. Because like I said, not to beat a dead
horse and say it again, but it's just to imagine
what he's going to do to this young girl. It's
just it's and then it just ends like that's the
cliffhanger. So now it's now it's up to you to
decide. Is he actually going to do the same thing
to this little girl? Like, I don't fucking know.
But I think this movie is fucking amazing. Criminally
underrated, criminally underseen. I can see someone
like Mondo Macabro putting out a restoration
of this. I feel like this would fit their line
perfectly. Eurocentric as fuck. So if you're
into Euro movies, you'll fucking love this. Yeah,
that's great. I think there's like a DVD that
sells for cheap too online. Get it. Just fucking
get it. There's copies of this on OKRU. Shout
out to the Russians in that sense. If you can
just find this fucking movie and watch it, you
won't regret it. I fucking love this movie, and
I cannot recommend it enough. Yeah, that's a
banger. That's a good choice. That's why when
I saw your list, I was like, yeah. Yeah, I originally
had something different, and I'm not going to
say what I had as slotted in my number two, but
it got slotted out of the top five altogether.
Una Rata en la Oscuridad, ultra banger. Which
leads to now the finale here. Both of our number
one top Mexican horror movies of all time. What
you got, Armando? Well, it was very hard for
me to pick. I was like, what am I going to pick
for number one? This was last year, by the way.
You got a lot of shit for that list last year,
didn't you? Yeah, people were weird about it.
So then I was just thinking, what am I going
to put? Am I going to have to put Kronos? Frankenstein
2025. Frankenstein. What was that one that we
were talking about? We're in the shadows or what?
We are the flesh. Whatever the fuck. Am I going
to pick that? Am I going to pick, I don't know,
fucking supernatural? I don't know. Hispanic
panic or what was that? Satanic Hispanic? Satanic
Hispanic. Am I going to have to pick something
like that? No, fuck no. I was like, you know
what? I'm going to pick something that I felt.
i think has now grown into this big thing now
which is funny enough because like i remember
this movie always having like a a little bit
of a fan base not too much though but it's grown
over the years and i think now more than ever
And people always have good memories of it. They're
like, oh, I remember when I saw it in the theater.
It was scary. It kind of reminded me of how people
felt with A Nightmare on Elm Street. When that
movie came out, people were freaked out. They
were like, oh, this movie's crazy. This movie's
fun. I still love A Fucking Nightmare on Elm
Street. Yeah, that's a great one. Not to derail
you. Yeah, no, but yeah, that's a great one.
So that's kind of what it reminded me of when
I picked this one. I was like, yeah, this movie
kind of has that vibe to it. When it first came
out, people were scared of it. People were freaked
out by it or just excited over it because it
was fun. And my pick is Vacaciones de Terror
from 1989. Nice. Porque mi muñeca tiene hambre.
Ay, mi amor, deja esa horrible muñeca en paz.
Teniendo juguetes tan bonitos. A ver, dame acá.
Directed by none other than Rene Cardona III.
And he started with this movie, you know, because
he was doing comedies before. But he was like,
he was just tired of it, you know. He wanted
to do the stuff that his grandfather was doing,
his dad was doing, you know, which was horror
stuff, you know. And he was a horror fan himself,
you know. And then after doing Cementerio del
Terron, he was like, I can make a movie too,
you know. So, yeah, he got, you know, him and
Santiago Galindo teamed up. They wrote the movie.
And then Carlos Valdemar wrote the script. And
the Galindos are behind it. So you got Santiago
behind it. Pedro Galindo III. Eduardo Galindo.
So you already know they're going to make a fucking
banger here. The cinematography by Luis Medina.
He made a lot of the movies with the Galindos
back in the day. So, you know, he was teaming
up with a bunch of good people. He was lining
up like, you know, an ensemble right here. The
people that were talented. Because he wanted
to make a horror movie. A good horror movie.
Not just a cheesy horror movie. He wanted to
make actually a good horror movie. And, yeah,
so this one, you know, if you haven't seen it,
it's, you know, pretty basic. It's just about,
you know, a family, the stay in this vacation
home that they inherit. And, of course, you know,
some weird shit happens in there. You can't inherit
a fucking house in a movie and then not be haunted.
That's just a fact. Yeah, and it turns out there's
like a witch -possessed doll that's behind all
this. So, you know, the doll's in the possession
of the little girl in the movie. The little girl
starts, you know, acting out. She starts possessing
everyone else. You know, her brothers, her brothers
start helping her with the stuff, too. You know,
it's a pretty crazy movie. And the doll, of course,
is, like, iconic now. Oh, yeah. Oh, yeah. Yeah,
people, like, compare it to Annabelle, which
is a funny comparison because Annabelle's, you
know. Annabelle sucks. Annabelle's weird. I try
to go back and watch all of the Annabelle with
that whole universe. I never understood the appeal
of Annabelle. I couldn't do it, dude. I got to
part three or four and I was out. This witch
doll doesn't have to do much. She just moves
her eyes, makes that little noise. Some weird
shit happens. She fucking messes with the moms.
Remember she's pregnant? She messes with the
fetus in there. It's fucking freaky, too. And
then she messes with the refrigerator. There's
like rats and worms. Yeah, it's just kind of
gross. Just kind of crazy shit like that. And
the witch dog controls the cars, the toy cars,
and it's affecting the dad driving. Oh, yeah.
Just all kinds of crazy shit. So that's the thing.
It's just so out of the line of craziness. There's
just wackiness to it, too. And it's scary, too.
Like I said, the doll is just freaky when you
look at it at first. For the first time, you're
just like, oh, this is fucking weird. that's
really all it takes is to have, especially if
like the doll is going to be like a, a central
part of the movie. The doll has to be effective.
Think of all the doll movie, horror movies you've
seen. The good ones are because the doll works,
you know? Yeah, exactly. It's fucking great.
And of course it has an ensemble, you know, big
time cast. Got Pedro Fernandez. Of course. Got
Julio Alimón. Gabriela Hasso, her little sister,
Gianella Haselkus, Nuria Bagues, Carlos Cis and
Ernesto Cis, the twins. The twins. Bless their
dad. Oh, yeah, their dad comes out in the beginning.
And, yeah, and then Roberto Schlosser, you know,
the director. He's actually in the movie, too.
He has a doctor. It's, like, the most random,
like, scene. He's just like, is that Schlosser?
Like, what the fuck? Whenever I saw that, I was
like, what the fuck is he doing here? and yeah
you know so it's just a great movie overall like
it's a cult classic people fucking love this
movie and more than ever now and it's just it's
unfortunate that renee the third is in here with
us to see it because rest in peace before you
know the blu -ray and all that he was like excited
he was just like you know the movie's gonna come
out he's gonna finally be able to like present
it hot to a higher extent you know rather than
just himself and yeah you know if he was alive
he would have been fucking stoked he would have
been like Armando, this is the fucking greatest
horror movie ever. That's how I like to think
of it. I only had contact with him for a short
time, but I feel like if he saw me putting this
list out and he saw it, he would have been like,
that's true, it is. Because that's just how he
was. He really believed in this movie. He fucking
was the champion of it. He made it, obviously,
but he truly believed. He made a really fucking
great horror movie here. And he wanted to remake
it so badly. There were so many attempts at it,
but he never got the funding for it. which is
unfortunate because I feel like if he did a remake,
he probably would have made a great movie again.
Even part two of this movie is fucking dope.
Yeah, part two, but he doesn't like talking about
this. Out of respect for Rene. Out of respect
for Rene, we won't, but I'm just saying. There
was an interview I saw and they brought it up
and he's just like, well, that's not my movie.
I don't know. So out of respect, yeah, I'm just
like, I don't know about part two, guys. But
no, that one is good too. I'm not going to lie.
But yes, I picked it. I feel like this movie
is... on there. It's on the top of the list.
People love it. People need to admit it more.
You don't have to like Kronos and say it's the
best. You can say Vacaciones is better because
it's great. Just be weird. Be real. Don't be
fake. Don't fall for that intellectual bullshit
that people try to put on or whatever. AI generate
list that people on fucking Instagram. Elevated
horror. Yeah, and just shit like that. Like,
no, people like having fun with horror movies
and Vacaciones is a fucking fun movie. Like,
yeah, have some fun. Get scared a little too
at the same time. You mean to tell me that a
possessed doll is not scarier than a fucking
back room? A yellow room that has walls that
you can walk through? I like back rooms for what
it was, but I didn't think it was scary. It was
just like a weird ass shit movie, but I didn't
think it was scary at all. Vacaciones, you compare
that with the other Mexican horror movies that
people like to blast on. Vacaciones is fun. Better.
Better writing, too, I would say. Damn. I already
know people are going to be like, no. It's all
right. I'm fully expecting the haters to come.
It's all right, but it's not the best. Santa
Sangra is the best. Shut up. But anyways, that's
my pick right there. So rest in peace, Rene III.
I know he's up in heaven right now. He's like,
yes, Armando. Yes. Preach it, baby. Preach it.
It is the best horror movie. I swear. Well, my
number one is just a little bit different than
yours. I'm going back to the 50s for mine. All
right. Because when I first saw this movie. Admittedly,
I hadn't seen it when it came out on DVD, like
with the, what is it, the Casa Negra DVDs when
they did it? Oh, yeah, yeah. So I never watched
this until it played at the... The Academy. The
Academy, yeah, for the Mexico Maleficarum. Shout
out to Abraham. Do you remember what it played
with? I don't remember what it played with. Was
it another classic maybe? Oh, fuck, what did
it play with? Because I don't think I went to
that one because I would have remembered. It
probably was a classic. I'll have to check. Check
it out on Letterboxd for Nathan. I'll say the
title right now, but look it up and then check
the dates for what I doubled it with on that
day. He's our new fact checker. My number one
movie, like I said, I'm going back to the 50s.
It's a black and white classic. Misterios de
Ultratumba. Absolutely nothing. What do you expect
to happen if I knew how to pray? Did Dr. Aldama
do all this just to kill me? Hurry! Hurry, Dr.
Aldama! There are only a few minutes left! Get
me out of here! Get me out of here, Doctora Lama!
Get me out of here! Yes. Ten minutes left. Yes,
just what we'll take to get there. Ten more minutes,
Doctor. Let's go. Innocent! I'm innocent! Let
go of me! I'm innocent! Innocent! I said let
go of me! I'm innocent! Let me take the money,
the clean savings, and then kill me if you want,
you traitor! Such a good title. AKA... Black
Pit of Dr. M, which I fucking hate. I don't like
that at all. Even if you were to just do a straight
English translation of the movie, I think that
would be better, which would be Mysteries from
Beyond the Grave. But it's from 1959, directed
by Fernando Mendez, written by Ramon Obon. I
mean, classic fucking team right there. Alfredo
Ripstein, who of course, you should know the
name Ripstein because of Arturo Ripstein. But
to me, this movie is, when I watched it, I was
blown away. And that's an understatement. I was
like, I walked out of the theater like, that's
what. I fucking love this movie. I can't explain
it. That's a good one. That's a great one. The
basic premise is that, you know, a doctor is
obsessed with what happens after death. And he
has a pact with another doctor who died before
him. So now he's like, hey, you got to come back
and tell me what happens after death. That's
such a unique plot, too. It's like, who makes
movies like that? I mean, yeah, these type of
movies are only made in the 50s, you know? Yeah,
it's such an unusual but fun night. Oh, it played
with El Escapulario, which is another fucking
banger. That's a fucking banger. But this movie,
I mean, obviously the themes of this movie are
death, the afterlife, reincarnation. And to be
quite honest, who hasn't thought about what happens
when we die? I mean, I think that's such a universal
question. and it's not it's not cultural it's
not anything it's universal everybody in the
fucking world at one point or another has thought
about what happens when we die um and i think
that's probably especially when i watched it
at the time i was going through some mental health
shit and watching this was just like holy fuck
dude um obviously it's a black and white movie
so the cinematography is fucking amazing the
the restoration that powerhouse did on this the
monochrome just fucking pops dude the lighting
in this movie is insane um but it's just you
know this obsession with death and what happens
i think um This movie kind of shows you just
the depths of where a person can go mentally
with an obsession with this question of what
happens after we die. Because this doctor is
just, you know, is... He works at a mental institute,
like a mental asylum. Just so much layers of
madness. It's like, geez, now you're at the mental
hospital too? And it goes deeper and deeper.
He falls into a love, not necessarily a love
triangle. He's obsessed with his partner's daughter,
Dr. Aldama, who died before him. But she falls
in love with a new doctor who comes in to take
over the place that Dr. Aldama left. So there's
that, you know, he's like infatuated with her.
So you just, you talking about it makes me want
to watch it again now. Yeah. I'll probably watch
it when you leave. Yeah, dude, I fucking love
this shit. It just so much goes on in this movie,
but it's all good. It's like good shit. It's
interesting. It's building up to something really
fucking good. And it's great. And I think to
me, the biggest, the biggest part of this movie,
like the turning point or the, or the, the climax
of this movie to, to be, you know, literal or
educational, whatever you want to say, whatever
the fuck. is when he finally, you know, Dr. Mazali
finally gets his chance. Now he's going to know
what happens when we die. But he's so fucking
terrified of it that he no longer wants to die.
And to me, that was like the, like I said, it's
the climax. It's the breaking point where...
I think, like I said, all of us want to know
what happens after we die, but I don't think
anyone sitting in this room right now actually
wants to die. I mean, not that people are afraid
of dying, but I think when you're confronted
with death, your whole perspective changes. That's
true. And you see it in the movie. Because when
he dies, he gets reincarnated into a fucking...
the zombie of one of his assistants who died
you know before him but had acid thrown on his
face so now he's reincarnated into this fucking
zombie looking thing um but it just so happens
that before his assistant elmer died he confesses
to murdering someone else so now he's reincarnated
after death into a body that is now going to
die again so now he's now he's facing death multiple
times i mean This movie is layered. It's phenomenal.
I cannot recommend this movie enough. And I just
spoiled it, unfortunately. No, you didn't. You
left out some other stuff. I just think that
this movie is, it's peak cinema, peak horror
cinema. Yeah. And right at the, you know, when
the beginning of Mexican horror was really starting.
When the boom of Mexican horror was starting
for sure. Yeah. But again, I can't recommend
this enough. It's on Blu -ray. I don't know if
the box set is still of it. I think it's way
long. I mean, you can get it individually though.
Yeah. Get this fucking movie. Watch it. You'll
question your own questions about death and confronting
death. Because like I said, I think a lot of
people want to know what happens when we die.
But a lot of people don't want to die. If that
makes any sense. It's like the dichotomy of man,
really. But I don't want to get too deep. We're
going to start crying. It's going to turn into
a therapy session. That's my number one pick.
That's a good pick. That's better than what...
an AI generative thing will fucking give you
or whatever bullshit people think is number one
you know you pick the classic which has atmosphere
has a good story a deeper meaning about death
and that afterlife come on that's true horror
right there truly it truly is I mean you know
the root of horror is like is humans really exactly
you can add monsters in there but at the end
of the day it's humans exactly so good choice
I'm proud And that wraps it up. I mean, that's
the top 10 Mexican horror movies according to
the Trash Max podcast. Five and five. Don't be
like, no, it's not. You left this movie out.
I already know. i welcome it you know yeah put
it in the comments and people start commenting
on our shit man get our algorithm going you know
we want more people to reach it but let us know
i mean do you agree with it do you hate do you
hate the list you know what did we miss you know
chrono sucks top 10 that's one way to get the
people talking on commenting on the shit or what's
the other one um I can't even think because I
just don't even care about those movies. A bunch
of bullshit ass lists, yeah. Couldn't agree more.
Half of the... No, not even half. 90 % of the
time, those lists are terrible. I'll put Macario
sucks. Damn. No, hey. Macario is a comedy. What
are you talking about? It's not on this list.
I forgot. That's right. No, never mind. My bad.
One of the worst takes I've ever seen in my life.
See, that's what I'm saying. People misunderstood
Mexican cinema. And this is why... My website
exists. You know, the podcast exists. We want
you to, like, see the real. the real way to see
these movies. Don't just assume shit, you know.
Dive into the movies, man. Yeah, like, don't
just assume because you saw people laughing at
it or because someone told, someone that doesn't
even watch these movies understand what it is,
you know. It's like, no, we're the guys here.
We know what the fuck we're watching. I know
that sounds cocky, but it's like, no, it's the
truth. We know what the fuck we're watching.
Well, you know, and the mission has always been
spread these movies to the masses, you know.
Yeah, exactly. It's, it's, i'm not an expert
i'll be the first to tell you i'm not an expert
i'm not an expert i just know i'm merely a fan
yeah i merely because i just watched these and
i've you know took the time to kind of learn
about them you know i've actually got the knowledge
out of it but there's still so much i need to
learn you know obviously and who who else is
actually talking about Only Mexican movies. Exactly.
You can find podcasts on whatever your services
are that you want, and you can find podcasts
that are talking about Mexican horror, specifically
Mexican horror movies. I hate to say it, because
I don't want to start drama or beef or anything,
but it's always the same generic bullshit. It's
always the same stuff, and then they mix it up
with another Latin country, which is fine, but
it's like, damn, I want to listen to a podcast
about Mexican movies only. And in English. And
nobody has it. And then, see, then I had to do
it. Because there's other, there's, there's other,
you know, creators and podcasts that are talking
about, you know, Mexican, Mexican cinema, but
definitely Mexican horror movies. But, you know,
they're in Mexico, they're in Spanish. So, you
know, I don't, you know, a lot of people here
probably don't speak Spanish. Yeah, there's not
a lot of English, you know, speakers, you know,
speaking language. But, you know. So that's the
mission here, man. Thanks for listening, you
know, two years. By the way, I'm not the main
host anymore. I forgot about that, guys. I forgot
to say that. I'm the co -host now. So Joey's
the main host now. I told Joey a while back.
I was like, Joey, you're doing a good job. You're
the one that's putting this podcast ahead. You've
got to be the main host. I'll take the duties,
man. Thank you. Hopefully people don't turn on
the show. It's going to be the same shit, basically.
But you know what I mean. But Joey's been putting
in work. He does the behind the scenes. I do
all the editing. The editing. I'm the one who,
if you like the clips, that's me. I put them
all in there. Yeah, and he has good ideas. So,
you know, I'm there still. I put in the ideas.
But it's like, no, Joey's got to get the top
credit, you know. This is Joey's podcast. I'm
taking over Armando's Instagram and everything,
guys. It's a hostile takeover. Well, not my Instagram,
but the podcast. It's a hostile takeover. I'm
taking over everything. No, no, because my Instagram,
I like posting non -Mexican stuff sometimes.
I'm just playing, guys. You're used to it. I
talk a lot of shit. So, yeah, so now it's Joey,
Armando. No, don't say Armando and Joey. But
either way, you can say whatever you want. I
mean, we're both hosting. Yeah, but we're both
still at the house. I'm still obviously here.
Nothing's ever really changed, other than just
Joey getting the top head now. Now I've got to
create a tagline to open the show. What can it
be? What's up, guys? What's up, plebis? That's
one thing we haven't done. Hell no, that's whack.
But you know what I mean. We'll figure it out.
But Joey's the main guy now. So hopefully the
ratings don't go down to... No, they won't. But
if you haven't, give us a rating. We're going
to say it every time. Plus, Joey was the one
that wanted a podcast. Anyways, he's the one
that was pushing for it. It's like, see, more
than ever, it was him all along. It began with
him, not with me. It's because I wanted to learn
more. So hopefully everyone else wants to learn
more. Hopefully you guys are interested in the
movies we talk about. Always comment. Tell us
if we're doing a good job or a shitty job. Recommend
us if you want us to talk about certain things.
If you want to learn more about a certain actor,
director, call it out and we'll do deep dives.
If you have any connects to people you want us
to talk to, fucking shoot them. We'll talk to
them. We're still working on it. We're going
to get people on it. Oh yeah, a thousand percent.
It's a process, but it's going to be worth the
watch. So as we move into year three, we'll be
expanding a little bit and hopefully talking
about good shit and getting more people to tune
in and getting more people interested in Mexican
movies. And just the good shit, not the bullshit.
Like I said, I'm tired of hearing about the same
crap, man. Maybe next, for the third year anniversary,
we do a top ten overrated slash worst Mexican
movies. That'll really get people talking. Maybe.
I mean, it's your show more now. I know. And
like I said, be prepared because I talk a lot
of shit. That'll probably be the episode where
I don't appear. That's how much I don't really
want to talk about it. They're going to be like,
Armando's not in this episode, guys. It's all
jokes. No, I'm just joking. No, I actually would
be down, actually. It would be funny to just
kind of dive in there. But yeah, we'll see. We'll
figure it out. And with that, that's the end
of the episode. Rate, comment, subscribe, tell
your tias, tell your tios. What are we even doing
next? I don't even know what the next episode
is. We've tossed a couple different ideas, so
we just got to finalize it. But the clip will
go now. So much is going on. It's like, damn,
I didn't even think about the next episode. Well,
that's the thing. We're working on something
that we can't say anything, and we won't say
anything. But we're working on a – we got an
interview coming up for a special features. We're
not going to spoil it, I promise you. But you
guys are going to be – It's actually – Even I
wasn't expected about that. I was like, oh, here
we go. People are going to be so excited for
when this gets announced. And I don't know when
it's going to be announced or when it's going
to release or anything. So lock and key on this
one. But we're busy working on that. We were
busy talking about 10 movies. Then we got two
more movies for next month. So much going on.
We got a lot of shit going on this month. We
got lives. We got things to do. Exactly. We're
not losers like some people that we know. No,
I'm just joking. I'm not. There's a lot of losers
out there. There's people with too much time
on their hands. I'm like, how do they do all
this? People don't go out, man. People live different
lives. People immerse themselves in their rooms
and that's it. I'm just joking. We're busy, but
we've got cool shit coming. Don't worry. With
that, we'll say peace. Thank you. Un destino
de sangre, violencia y muerte los une y los separa.
Uno es Juan el Taur. No traigo efectivo, pero
ustedes conocen mis propiedades. Van a tener
10 millones de pesos en fichas para empezar,
¿de acuerdo? El otro es Román, marcado por el
destino para una vida violenta. La sola posesión
de esta arma transforma a los hombres en bestias.
Pero Román fue mucho más lejos en este camino
de terror y sangre. Arrastrando consigo a una
mujer indefensa. Metralleta Infernal. Una aventura
filmada al rojo vivo. Metralleta infernal. Cuerno
de chivo. La brava tierra del norte se estremece
al conjuro de sus disparos. La sana alegría de
la frontera será interrumpida y ya nada será
igual. Porque se impondrá la ronca voz de Cuerno
de Chivo, Metralleta Infernal. Con Edgardo Gascon,
Luis Aguilar, Claudia Guzmán, Hilda Aguirre,
como Juan El Taur, Julián Garza. Y Jesús González
Quichá. Cuando la ley es lenta, él es el remedio.
Para tipos como este debería haber una ley especial.
Metralleta Infernal. Muy pronto en este cine.