WEBVTT

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Thank you. Hello everyone and welcome to the

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Trash Mix Podcast and this is our anniversary

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episode, right Joey? Yeah, this is two years,

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man. How crazy is that? I thought it was like

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one, but it feels like one, right? It kind of

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does feel like one, but yeah, this is to the

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point where I was like, wait, am I wrong when

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I said that on the last episode that this is

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going to be two years? I had to go back and check.

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Yeah, it is two years, yeah, because last year

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I was at this house, the other house was in Pomona.

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Yeah, and out in P -Town. Shout out to Sugar

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Free. Back when it was in the living room and

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it was like a thousand fucking degrees. I know.

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Talking about porno. Oh, man, I know. That's

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what's funny. I like that we started off with

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something funny like that. It wasn't anything

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like just basic. It was like, no, I want to do

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porn. Well, you know, I do want to go back and

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revisit those movies too at some point down the

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line because there's more movies to that that

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we didn't get to talk about. Yeah, especially

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from that book that I showed you. But it's been

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two years of, I would say, a success. I think

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people are into it. Oh, yeah. Catch on. And,

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you know, slowly but surely catching on. That's

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how it goes. You know, you just have to have

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to build it up, you know. It's not going to be

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like an overnight success like a lot of people

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think. You start a website, a podcast, or an

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Instagram page, or a TikTok page, you're not

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going to get an overnight thing to make you go

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through. You have to work hard. I mean, yeah.

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You have to just keep putting content out little

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by little. You know, you can't just be like.

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all right i'm gonna post this video about chronos

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i'm gonna become popular no you have to talk

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about more than just chronos you have to talk

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about the other stuff you know other stuff that's

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related to it or whatever you know you just have

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to build it up and that's what we've been doing

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we've been building up you know we've been talking

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about all kinds of stuff we've talked about porn

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we talked about corridos we talked about slashers

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that people didn't even know about. Just crazy

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stuff like that. That was, so when this, when

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the idea to create the podcast, like, I mean,

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I don't know if any, I mean, I'm sure people

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remember the story that I told of being in Texas

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when you and me were sitting in the back of the

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car and I kept being like, come on, let's get

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it in. Yeah, that was the thing. Joey was the

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only one that was actually really more serious

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and wanting to do that. And I was like, I don't

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know. But then I was like, I don't know, I don't

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want to do it by myself. Like, you know what,

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Joey joined me. Let's see if he wants to do it.

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Because to me, the whole idea was like, This

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is some shit that I would want to learn. This

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is what I would want to listen to. Selfishly,

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the idea was like, hey, maybe I get to see all

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these fucking movies that I haven't been able

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to watch or I don't have copies of and expand

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my cinema knowledge. That's how you have to do

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it. You got to connect. That's how it goes. Hopefully,

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everyone's digging it. The core idea, too, was

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not to just stick to... you know the horror movies

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i know everyone always reaches out to you about

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horror shit but mexico has such a vast uh uh

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range of movies that and we purposely choose

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Whether it's the melodramas, the comedies, the

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music shit. Which is still, ironically, our biggest

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episode was the episode about Los Bukis. If you

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haven't listened to that, go back. That was last

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December. That's such a great episode. Great

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episode. I loved it. Better than I even imagined

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it was going to be. So shout out to Jaime for

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joining us on that one too. But we're at year

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two. And we wanted to do something that may or

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may not be a little controversial for some people.

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Yeah, it's probably going to get some people

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angry. People have been angry at your list in

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the past that you don't include certain things

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or why is it not ranked high enough? Or why is

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it ranked too high? Exactly. You're never going

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to please anyone. People are always going to

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have an opinion on something. And that's just...

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the point these are our opinion you know you

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don't have to like it or you can love it you

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know either way it's you know it's it's what

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we've decided that we like what we liked and

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what i what i felt was better you know in other

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words joey picked his favorites i picked what

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i thought was the best yeah so our lists are

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a little bit but you know what as as i was like

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compiling my list and she was like you know what

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I'm not even going to fight it. I'm just going

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to go ahead. Because originally, like Armando

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said, I wanted to just be like, no, these are

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my favorite because I didn't want the smoke,

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all right? I'll admit it. I didn't want the smoke.

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But you know what? Fuck that. This is the best,

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according to us, the top 10 best Mexican horror

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films as selected by the Trash Mix podcast. Keep

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in mind, we're both horror fans, so this isn't

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just like random that we picked either. We actually

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like horror in general. Yeah, I mean, spoiler

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alert, my number one is Kronos. I don't know.

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I don't know if you know. I'm just fucking with

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you guys. This list does not include Kronos.

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So if that's what you're hoping for, number one,

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turn it off now. I still have not seen it. Like

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I've seen some of it, but then I like never finished

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it. You know, look, I know there's a lot of discourse

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surrounding, you know, the whole Guillermo del

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Toro shit, the fucking Iñárritu shit, the Cuarón

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shit. And it's like, listen, no one's saying

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that those movies aren't good. They're just not

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the best that the country has to offer. And maybe

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they're the best if that's all you've seen. But

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the whole point of creating a list is to give

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people avenues to start exploring other directors,

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other actors, other types of horror. Because

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not all horror is built the same way. Exactly.

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And that's kind of the thing. You go to Mexican

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horror. Let's say you Google it. It goes from

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the Golden Age. it skips from the 80s and then

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it just goes straight into the 90s yeah it's

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like uh you know there was stuff in between right

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70s and 80s 90s early 90s and much like cinema

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around the world and then again this is my opinion

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the 70s to me globally is the best era for cinema

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yeah globally yeah for sure um People will argue,

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and I'm sure people are going to have an opinion

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on that, but that's just what I think. As far

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as for what I like, I think filmmakers of that

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time were taking risks, making weird movies,

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making strong movies, creating counterculture

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in that time frame. Even just American movies,

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the 70s in America for horror was like... That's

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like a golden age. It's the best, yeah. I mean,

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once the 80s hit, I mean, the shit kind of, you

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know, fucking died out. And then we ended up

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getting the 90s bullshit and 2000s bullshit.

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And truly, 70s to me is the best era and the

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last good era. Like, I don't want to say good

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because there are good shit in the 80s and 90s.

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Yeah, we can't deny that. But 70s is like...

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Me and you, I noticed we like a lot of 70s stuff

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more. A thousand percent. A thousand percent.

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And that includes with Mexican films as well.

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A thousand percent. I wrestled with my one and

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two spots because one of them is a 70s movie.

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I was fighting that too. I just went with my

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gut. Yeah, you got to go with your gut. You can't

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overthink it. Just go with your gut. Your gut's

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not lying to you. I don't know. You want to just...

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start it off or what yeah so we're doing five

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so i got five joey has five so i'll start off

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with my five number five for me is it's one that

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a lot of people are familiar with and maybe they're

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gonna be like why did you pick that but it's

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cool let me explain why so number five is la

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horriplante bestia humana or night of the bloody

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apes as it's more well known What happened? I

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don't know. I heard a terrible scream. and this

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is a renee cardona movie and it's very bloody

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well the american version is bloody but he had

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his own bloody version too which got trimmed

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And, yeah, it's pretty brutal. I mean, it's basic,

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too. It's just like a mad scientist. You know,

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his son is dying or whatever. And then he has

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the idea of, like, transplanting an ape heart

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into his body. And it turns him into a monster.

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It's like an ape -like monster. That's one thing

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about this movie that I fucking love is that

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traditionally, like, the transplant horror movies,

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there's always the brain. Yeah. But Mexico was

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like, nah, fuck that. We're going straight for

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the gorilla heart, baby. Yeah, they're going

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for the gorilla heart, yo. and yeah it's pretty

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brutal in terms of like gore and like violence

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but it also gets really like rapey too like the

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monster's like horny it's like it's wanting to

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assault these women so there's scenes in there

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where it's like ripping her clothes off and like

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assaulting her and touching her and it's like

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oh shit like they're going fucking crazy here

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yeah i know this is 1969 keep in mind this is

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not even like the 70s yeah this is 1969 and to

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me like when i when i re -watched it uh like

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two weeks ago um It reminds me of the 60s era,

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like the Herschel Gordon Lewis era of shit, where

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it's schlocky, but it's got good fucking bright

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red blood. The gore is fucking crazy in this

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movie. I mean, there's no surprise that it was

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a video nasty. Yeah, it became a video nasty

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because of the American version. The American

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version, they had, I guess, extra gore scenes

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and a real -life heart transplant. Something

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like that. Pretty weird stuff. and then in mexico

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like it just obviously the censorship they just

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trimmed the shit out of it they weren't even

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gonna like bother showing it until years later

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like that you know even now like you can't watch

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the mexican version without the gore because

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it's cut but those scenes do exist there's no

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denying that but when they first released it

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they released it under hororisexo which i actually

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love better than you know the transplante and

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bloody apes yeah that title is probably more

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yeah i even have like the advertisement on matt

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do you remember i don't know if i posted it before

00:11:55.110 --> 00:11:57.190
remember it's like hororisexo and has like all

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the information of the movie i don't know i don't

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know i'll post it on the instagram but yeah it's

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pretty brutal and it has the blood and everything

00:12:03.190 --> 00:12:06.090
else sick oh yeah it's gonna be in the luchadores

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versus everything book if i recall because hopefully

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it's on there i think it made it on the book

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still So check it out there. Well, that's another

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part of it, too, because it has female luchadores

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in it. And that's partly because it's a remake

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of the 1963 Cardona movie, which is Las Luchadoras

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vs. El Medico Asesino. Essentially the same story,

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but it's a little bit more schlocky and more

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cheesy. This one is just, you know, brutal. Very

00:12:34.269 --> 00:12:37.279
brutal, very sexual. yeah definitely not for

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kids it's just it's wild that this is a movie

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from mexico in 1969 um because it's just it's

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just to me at least it's out of the ordinary

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as far as like how it feels americanized but

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it's obviously a mexican movie cardona he wrote

00:12:56.379 --> 00:13:00.000
it with his son renda jr and of course the producers

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are guillermo calderon guillermo calderon was

00:13:02.399 --> 00:13:04.840
like We got to make this movie fucking crazy

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as much as we can. That's one thing, too. The

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Calderon family, they're a very, very prestigious

00:13:10.720 --> 00:13:13.740
family as far as Mexican movies. But they weren't

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afraid to push the envelope. Yeah, push the envelope,

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especially in the 50s. They were the ones that

00:13:19.840 --> 00:13:22.580
were wanting to put nudity in their movies. Not

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even just for the sake of artists, just because

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that's what people wanted to see. Especially

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men. They knew the audience, what they wanted.

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And that's exactly what they did with this one,

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too. They want to see violence. They want to

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see sex. It's like, all right, we're going to

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make a movie called literally Horror y Sexo.

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Horror and sex, baby. What's better than that?

00:13:39.360 --> 00:13:42.980
Exactly. This is like a prototypical drive -in

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movie. Yeah. And it was interesting because Uncredited,

00:13:46.460 --> 00:13:49.259
one of the producers is Alfredo Salazar, which

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I didn't even know. I was like, oh, shit. Makes

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more sense now why it's so wild and everything.

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One of the horror masters of Mexico is behind

00:13:57.899 --> 00:14:01.269
it, too. Yeah, that's one thing that you notice

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too. Like a lot of these movies, I mean, we say

00:14:03.830 --> 00:14:06.389
it constantly on the show, but it's like the

00:14:06.389 --> 00:14:11.629
people behind it, like the stars, the directors,

00:14:11.850 --> 00:14:14.169
the writers, producers, like these, they're not

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just hacks, you know? These fools were all like

00:14:16.629 --> 00:14:20.049
super well -known and super respected in filmmaking,

00:14:20.370 --> 00:14:22.710
you know? So it's like, you know, you don't typically

00:14:22.710 --> 00:14:24.210
get, you know, you're not going to see a fucking

00:14:24.210 --> 00:14:26.070
Steven Spielberg come out with a movie like this

00:14:26.070 --> 00:14:29.350
type shit, you know? Yeah, exactly. They knew

00:14:29.350 --> 00:14:30.909
what they were doing, too. And they did such

00:14:30.909 --> 00:14:34.710
a good job at it. Yeah, well, that's Armando's

00:14:34.710 --> 00:14:36.870
five. Yeah, that's number five right there. So

00:14:36.870 --> 00:14:38.470
you guys gotta watch it. It's everywhere. You

00:14:38.470 --> 00:14:41.850
can watch it on VIX. I think it's on VIX. youtube

00:14:41.850 --> 00:14:44.929
uh you but no youtube youtube does have the spanish

00:14:44.929 --> 00:14:48.370
version okay um vci put it out on blu -ray but

00:14:48.370 --> 00:14:51.309
that's the worst fucking way to watch it it's

00:14:51.309 --> 00:14:53.429
cropped to shit it's not even in the right aspect

00:14:53.429 --> 00:14:58.590
ratio um they they included a like the the intro

00:14:58.590 --> 00:15:01.330
title cards they're completely like brand new

00:15:01.330 --> 00:15:05.490
like just bullshit yeah um and just i don't know

00:15:05.490 --> 00:15:08.899
english dubbing is just yeah I'm not used to

00:15:08.899 --> 00:15:11.200
that one on English. I always saw it in Spanish.

00:15:11.299 --> 00:15:12.740
The Spanish version, yeah, is always better.

00:15:12.899 --> 00:15:14.559
And then somebody did, like, a fan edit, too,

00:15:14.639 --> 00:15:17.220
with the gore scenes in Spanish, too. See, that's

00:15:17.220 --> 00:15:18.919
probably the best way to watch it. Hopefully

00:15:18.919 --> 00:15:20.440
one day we'll see, like, a complete version with

00:15:20.440 --> 00:15:23.360
the actual, you know, footage intact and everything.

00:15:23.480 --> 00:15:25.580
Yeah, in its proper aspect ratio. Yeah, for real.

00:15:25.620 --> 00:15:27.399
We need that for sure. Hopefully somebody puts

00:15:27.399 --> 00:15:30.740
it on, you know. All right, well, I guess I'll

00:15:30.740 --> 00:15:33.639
move on to my number five. And I had issues.

00:15:33.919 --> 00:15:36.639
I was deciding if I wanted to bump this to number

00:15:36.639 --> 00:15:39.539
four or keep it at number five. You picked a

00:15:39.539 --> 00:15:41.299
good one, too. When you showed me yesterday,

00:15:41.320 --> 00:15:43.659
I was like, oh, cool. That's a good one. I like

00:15:43.659 --> 00:15:45.240
this movie a lot. This is kind of like a childhood

00:15:45.240 --> 00:15:50.200
staple. I'm talking none other than Al Filo de

00:15:50.200 --> 00:16:25.789
Terror. Me has hecho quedar en ridículo muchas

00:16:25.789 --> 00:18:32.549
veces. Esta noche fue la última. how do you go

00:18:32.549 --> 00:18:35.309
about describing this fucking movie? So, essentially,

00:18:35.390 --> 00:18:39.809
it stars Fernando Almada as El Griego, who's

00:18:39.809 --> 00:18:43.150
a ventriloquist. He has these clown dolls that

00:18:43.150 --> 00:18:46.970
he uses, and he was once a megastar, but his

00:18:46.970 --> 00:18:50.450
fame has just dwindled down, and he blames it

00:18:50.450 --> 00:18:53.470
on his dolls. Now, the weird thing about this

00:18:53.470 --> 00:18:57.029
movie, to me, is it's hard to distinguish the

00:18:57.029 --> 00:19:00.390
line of what's actually happening and what's...

00:19:01.379 --> 00:19:04.039
his imagination and the child's imagination.

00:19:04.839 --> 00:19:07.759
And I think that's what makes this movie work

00:19:07.759 --> 00:19:10.079
really well for me. Yeah, because it's not like

00:19:10.079 --> 00:19:12.220
a killer doll movie per se. It's literally about

00:19:12.220 --> 00:19:15.380
a man going fucking crazy. Yeah, I mean, I saw

00:19:15.380 --> 00:19:20.160
a lot of comparisons to Joe Spinell for Fernando

00:19:20.160 --> 00:19:22.420
Almada in this movie, which I can kind of see.

00:19:22.519 --> 00:19:25.319
He gets real sweaty and gross. Real sweaty and

00:19:25.319 --> 00:19:28.700
he's just always angry. But he's a complete piece

00:19:28.700 --> 00:19:31.099
of shit in this movie. He talks so much shit

00:19:31.099 --> 00:19:34.299
to his own daughter who's fascinated by his dolls.

00:19:34.539 --> 00:19:36.380
And this is where I'm saying the lines are blurred

00:19:36.380 --> 00:19:38.839
because she speaks to the dolls and the dolls

00:19:38.839 --> 00:19:42.940
come to life. But I don't know if anyone else

00:19:42.940 --> 00:19:46.099
sees that. We don't really know if it's really

00:19:46.099 --> 00:19:48.700
happening or not. It could just be her imagination.

00:19:50.579 --> 00:19:53.920
Just so you know, we're probably going to end

00:19:53.920 --> 00:19:56.140
up spoiling some of these movies. So if you don't

00:19:56.140 --> 00:19:58.619
want them spoiled, watch the movies first. Because

00:19:58.619 --> 00:20:02.619
I'm going to spoil this movie a little bit. At

00:20:02.619 --> 00:20:07.720
some point, as this fool is... He's just getting...

00:20:07.720 --> 00:20:12.539
He's going... Deeper and deeper into this psychosis.

00:20:12.839 --> 00:20:15.700
He's blaming his dolls that he's no longer funny

00:20:15.700 --> 00:20:18.880
anymore. So what does he do? He decides he's

00:20:18.880 --> 00:20:21.940
going to change his daughter and put makeup on

00:20:21.940 --> 00:20:24.779
her and make her pretend to be a doll, which

00:20:24.779 --> 00:20:28.359
is fucking crazy. This movie just completely...

00:20:30.410 --> 00:20:32.670
i don't know it just goes for it in a way that

00:20:32.670 --> 00:20:35.369
i feel like a lot of movies don't um and it's

00:20:35.369 --> 00:20:37.789
a 90s movie no less too so i mean it's not like

00:20:37.789 --> 00:20:41.230
uh was it i don't know is this a video home a

00:20:41.230 --> 00:20:42.910
lot of people think it is but no it's not it

00:20:42.910 --> 00:20:44.849
came out in theaters because there's a poster

00:20:44.849 --> 00:20:47.410
i have lobby cards so because i could have swore

00:20:47.410 --> 00:20:49.769
on because i have a dvd of it which is a bootleg

00:20:49.769 --> 00:20:51.970
but i could have swore i saw like cue marks on

00:20:51.970 --> 00:20:54.309
it so i was oh well they definitely shot this

00:20:54.309 --> 00:20:56.849
on 35 millimeter yeah it's a 35 shot yeah um

00:20:56.849 --> 00:21:00.119
it's released on theaters But, I mean, it has

00:21:00.119 --> 00:21:02.799
an all -star cast. Fernando Almada, of course,

00:21:02.819 --> 00:21:04.799
who doesn't need any introduction on this show.

00:21:04.920 --> 00:21:07.680
Roberto Cañado. Roberto Cañado plays his uncle.

00:21:08.200 --> 00:21:11.359
Lina Santos. Lina Santos. They have a weird relationship.

00:21:11.500 --> 00:21:13.200
He's messing around with her, but she's like,

00:21:13.240 --> 00:21:14.460
I don't want to fuck with you because you're

00:21:14.460 --> 00:21:19.930
no longer the top dog in the world anymore. and

00:21:19.930 --> 00:21:23.230
then wally barron is on yeah wally barron it

00:21:23.230 --> 00:21:25.670
plays like his manager or like a talent agent

00:21:25.670 --> 00:21:28.430
or some shit it's just it's all over the place

00:21:28.430 --> 00:21:32.289
um directed by alfredo crevena who you know another

00:21:32.289 --> 00:21:35.589
you know legendary name in mexico big time legend

00:21:35.589 --> 00:21:38.269
right then that's like yeah one of the top guys

00:21:38.269 --> 00:21:40.049
right there from back in the day yeah oh absolutely

00:21:40.049 --> 00:21:44.019
he's done everything um But it's just fucking

00:21:44.019 --> 00:21:47.319
wild. And it really plays into Mexico's weird

00:21:47.319 --> 00:21:52.299
obsession with midgets and clowns. Or little

00:21:52.299 --> 00:21:56.099
people, sorry. Don't come at me. Apologies. But

00:21:56.099 --> 00:21:57.960
yeah, little people and clowns, which I still

00:21:57.960 --> 00:22:01.480
don't, I've never been able to pinpoint why Mexico

00:22:01.480 --> 00:22:05.200
has such an affinity for clowns and little people.

00:22:06.349 --> 00:22:08.690
they do you know even now like even in chicano

00:22:08.690 --> 00:22:10.410
culture like you know clowns are a big thing

00:22:10.410 --> 00:22:12.990
more than ever now i think back in the day it

00:22:12.990 --> 00:22:14.450
was seen more as a scary thing now it's like

00:22:14.450 --> 00:22:16.009
everyone's like embracing but even that because

00:22:16.009 --> 00:22:19.309
you had like you had clowns like on like seppi

00:22:19.309 --> 00:22:23.269
yin was like a super popular clown on tv um he

00:22:23.269 --> 00:22:25.150
was more light -hearted though yeah platanito

00:22:25.150 --> 00:22:28.029
was like a he had his own talk show like imagine

00:22:28.029 --> 00:22:31.250
uh uh what i don't even know who's a talk show

00:22:31.250 --> 00:22:33.450
host anymore fucking i guess somebody from like

00:22:33.450 --> 00:22:35.769
the news or something yeah whatever but imagine

00:22:35.769 --> 00:22:37.470
that for being a clown you know like it's just

00:22:37.470 --> 00:22:41.269
fucking it's just crazy but you know this movie

00:22:41.269 --> 00:22:43.589
kind of also like lends itself into like the

00:22:43.589 --> 00:22:45.630
fantastic world like i said like you don't really

00:22:45.630 --> 00:22:49.539
know what's real what's not um I don't know.

00:22:49.599 --> 00:22:52.400
I fucking love this movie. I know some people

00:22:52.400 --> 00:22:54.660
probably won't like it because it's not a true

00:22:54.660 --> 00:22:57.960
horror, like you said. It's more of character

00:22:57.960 --> 00:23:00.180
-driven than anything. Yeah, like a psychological

00:23:00.180 --> 00:23:02.900
thriller. Yeah, yeah, yeah. But to me, there's

00:23:02.900 --> 00:23:07.200
a scene that mirrors Maniac, the end of Maniac,

00:23:07.200 --> 00:23:10.200
where he gets chopped up by all his girls that

00:23:10.200 --> 00:23:12.799
end up being just the fucking... This fool gets

00:23:12.799 --> 00:23:15.259
fucked up by his clowns. Yeah. And then that

00:23:15.259 --> 00:23:17.019
final scene with all the clowns. They're throwing

00:23:17.019 --> 00:23:18.720
stuff around. And then they're like vomiting

00:23:18.720 --> 00:23:20.740
green stuff. Oh, yeah. That was weird. Yeah.

00:23:21.140 --> 00:23:23.539
That scene makes everything work. And that scene

00:23:23.539 --> 00:23:25.319
with Fernando when he slices the guy's throat.

00:23:25.640 --> 00:23:28.240
I mean, it gets brutal. But, you know, like I

00:23:28.240 --> 00:23:31.460
said, I can entertain the argument that it's

00:23:31.460 --> 00:23:33.900
not a true horror movie. But what is a true horror

00:23:33.900 --> 00:23:35.660
movie these days? You know, those lines have

00:23:35.660 --> 00:23:37.380
been blurred a long time ago. But that one is

00:23:37.380 --> 00:23:39.569
effective. Like I said, it's... It'll get to

00:23:39.569 --> 00:23:40.950
you. If you really give it a chance, it'll get

00:23:40.950 --> 00:23:42.029
to you. And we're like, yeah, this is actually

00:23:42.029 --> 00:23:46.789
great. Well, that's my number five. And now let's

00:23:46.789 --> 00:23:48.869
see what we got. Number four. My number four

00:23:48.869 --> 00:24:06.420
pick is Satanico Pandemonium. Respiran su propia

00:24:06.420 --> 00:24:08.839
atmósfera para alcanzar el deleite de sus vidas.

00:24:19.220 --> 00:24:23.519
Ya eres la madre superior. Madre y guía espiritual

00:24:23.519 --> 00:24:30.119
de todas estas. Anda. Diviértete y goza. Te lo

00:24:30.119 --> 00:24:35.980
mereces. Pero antes... Sal al balcón y saluda

00:24:35.980 --> 00:24:39.539
a tu pueblo que quiere conocer a su nueva madre

00:24:39.539 --> 00:25:24.240
superior. you know everyone knows that movie

00:25:24.240 --> 00:25:27.039
it's pretty high up in there but i still feel

00:25:27.039 --> 00:25:29.960
like it still hasn't reached more you know i

00:25:29.960 --> 00:25:32.079
feel like it needs more of a big time you know

00:25:32.079 --> 00:25:35.619
reach rather than what it's known for you know

00:25:35.619 --> 00:25:37.039
because people just know it because it's because

00:25:37.039 --> 00:25:39.059
although from dust till dawn you know that's

00:25:39.059 --> 00:25:40.880
how a lot of people think new about it too it's

00:25:40.880 --> 00:25:43.200
because of the you know some high x character's

00:25:43.200 --> 00:25:45.059
name is satanico pandemonium but i feel like

00:25:45.059 --> 00:25:46.940
that movie has yeah this one is never like in

00:25:46.940 --> 00:25:49.000
those top horror lists like from mexico it's

00:25:49.000 --> 00:25:50.480
like it's so weird it's like it's so popular

00:25:50.480 --> 00:25:52.059
but yet it doesn't make those lists i always

00:25:52.059 --> 00:25:54.180
thought that was so strange it's i mean you know

00:25:54.180 --> 00:25:56.779
the elephant in the room it it lives in the shadow

00:25:56.779 --> 00:25:59.519
of alucarda which people consider that's another

00:25:59.519 --> 00:26:01.579
yeah that's another reason yeah To be honest,

00:26:01.740 --> 00:26:03.960
like, not to cut into your spiel on it, but I

00:26:03.960 --> 00:26:06.740
prefer Satanical Pandemonium over Alucard. Me

00:26:06.740 --> 00:26:08.720
too. Yeah, honestly, me too. And there's no hate

00:26:08.720 --> 00:26:10.640
on Alucard because I shit really like Alucard.

00:26:10.640 --> 00:26:12.299
I love Alucard. Yeah, Alucard was fucking great.

00:26:13.000 --> 00:26:15.000
But Satanical Pandemonium has, like, I don't

00:26:15.000 --> 00:26:18.799
know. There's just more to it. A more richer

00:26:18.799 --> 00:26:21.200
story, I guess you could say. It's not just batshit

00:26:21.200 --> 00:26:22.799
shit going on. It's, like, it's actually really

00:26:22.799 --> 00:26:24.880
fucking freaky. You know, we have this nun who's

00:26:24.880 --> 00:26:27.849
just... getting tormented by the devil you know

00:26:27.849 --> 00:26:30.450
she's getting temptations she starts being sexual

00:26:30.450 --> 00:26:33.430
she tortures herself she starts molesting a boy

00:26:33.430 --> 00:26:36.309
and it's fucking freaky and it's weird it's nasty

00:26:36.309 --> 00:26:39.190
and then yeah it's bloody you know it gets really

00:26:39.190 --> 00:26:40.950
bloody at the end practically you know when you

00:26:40.950 --> 00:26:42.750
know no spoiler alert but you know she does end

00:26:42.750 --> 00:26:44.410
up getting like stabbed and shit you know by

00:26:44.410 --> 00:26:47.349
all the other nuns in there really fucking crazy

00:26:47.349 --> 00:26:50.009
and then The stories that Adolfo told me behind

00:26:50.009 --> 00:26:51.750
the scenes were even more fascinating. Oh, yeah.

00:26:52.269 --> 00:26:55.730
Just to interject you there, if you haven't listened

00:26:55.730 --> 00:26:59.230
to our interview with the uncredited writer Adolfo

00:26:59.230 --> 00:27:01.049
Martinez -Solares, go back and listen to it.

00:27:01.130 --> 00:27:03.349
It's in Spanish, but if you understand Spanish,

00:27:03.509 --> 00:27:05.910
go back and listen. He tells great stories about

00:27:05.910 --> 00:27:08.130
this movie. There's stuff that he left out, though,

00:27:08.130 --> 00:27:10.150
because there was parts when I first talked to

00:27:10.150 --> 00:27:11.650
him, he told me, he's like, yeah, so, you know,

00:27:11.710 --> 00:27:14.490
my dad met Barragan. He had this pitch for this

00:27:14.490 --> 00:27:17.599
movie. We thought it was a good story. So I told

00:27:17.599 --> 00:27:19.720
him, I'll write it. Just give my dad the directing

00:27:19.720 --> 00:27:22.480
duties. And he's like, okay. And then right just

00:27:22.480 --> 00:27:25.160
before they were about to film, Barragan, the

00:27:25.160 --> 00:27:27.019
producer, and then Gilberto, they got like an

00:27:27.019 --> 00:27:29.099
argument or something. So they were like, no,

00:27:29.220 --> 00:27:31.480
I'm not going to work with them. So then they

00:27:31.480 --> 00:27:33.279
got this other guy, another director, Alberto

00:27:33.279 --> 00:27:36.220
Borges, to direct. But then he too got fight,

00:27:36.279 --> 00:27:38.980
started fighting Barragan. It's always the fucking

00:27:38.980 --> 00:27:42.099
producer, man. So Barragan had no director, so

00:27:42.099 --> 00:27:43.700
he asked Adolfo, he was like, Adolfo, can you

00:27:43.700 --> 00:27:45.359
get your dad back? He's like, okay, yeah, I'll

00:27:45.359 --> 00:27:47.200
ask my dad. Gilberto was like, yeah, I'll do

00:27:47.200 --> 00:27:48.799
it, fuck it, I don't know, whatever. Why not?

00:27:49.240 --> 00:27:51.099
So, you know, and of course they film it, and

00:27:51.099 --> 00:27:52.359
then when they were filming it, you know, it

00:27:52.359 --> 00:27:54.180
was going okay, but then, you know, still again,

00:27:54.279 --> 00:27:56.039
Barragan was being kind of weird and picky. He

00:27:56.039 --> 00:27:57.599
was just like, oh, maybe we should do this for

00:27:57.599 --> 00:27:59.259
this scene, and it's like, what the fuck? Like,

00:27:59.259 --> 00:28:00.559
Gilberto was telling him, like, I'm the director,

00:28:00.640 --> 00:28:02.480
I'm gonna do what I wanna do. Don't tell me what

00:28:02.480 --> 00:28:05.799
to do. How are you going to tell Gilberto Martinez

00:28:05.799 --> 00:28:08.039
-Saladas what to do on a movie? Get the fuck

00:28:08.039 --> 00:28:10.160
out of here. Yeah, for real. Keep in mind, this

00:28:10.160 --> 00:28:12.700
is Gilberto Martinez -Saladas. Legendary filmmaker

00:28:12.700 --> 00:28:14.660
from the golden age. I mean, he's a top three

00:28:14.660 --> 00:28:17.019
director in Mexican history. So he knew what

00:28:17.019 --> 00:28:18.920
he was doing. He was trying to work, trying to

00:28:18.920 --> 00:28:21.579
do his best here. And Barragan's just bullshitting.

00:28:21.740 --> 00:28:23.880
That was the thing. Barragan was kind of difficult.

00:28:24.180 --> 00:28:28.400
He was just picky. He was bad with money. and

00:28:28.400 --> 00:28:29.980
then of course you know he loved women so of

00:28:29.980 --> 00:28:31.240
course that's why he brought in the hookers in

00:28:31.240 --> 00:28:34.059
the movie hey you know it is what it is a lot

00:28:34.059 --> 00:28:36.019
of the hookers a lot of the hookers in the play

00:28:36.019 --> 00:28:38.880
nuns in the movie and adolfo always brings it

00:28:38.880 --> 00:28:40.420
up every time you bring that movie up he's like

00:28:40.420 --> 00:28:43.500
oh yeah did you know the hookers the nuns in

00:28:43.500 --> 00:28:46.099
the movie were hookers in real life Hey, they

00:28:46.099 --> 00:28:49.619
were seeking penance for their... And then another

00:28:49.619 --> 00:28:51.859
drama was after the movie did good in the box

00:28:51.859 --> 00:28:53.799
office and everything, Barragan kept the money,

00:28:53.940 --> 00:28:55.799
didn't want to pay Gilberto. Of course. Gilberto

00:28:55.799 --> 00:28:58.500
had to complain to... Who did he complain to

00:28:58.500 --> 00:29:02.019
again? He complained to Rodolfo Echeverria, who

00:29:02.019 --> 00:29:06.160
was the president's brother at the time. He was

00:29:06.160 --> 00:29:07.400
the one that was in charge of the film industry.

00:29:08.710 --> 00:29:10.150
He was like, all right, I'll help you out, Gilberto.

00:29:10.250 --> 00:29:12.509
So he got Barragán to pay him. Barragán got in

00:29:12.509 --> 00:29:14.369
a fight with Gilberto again. Just all kinds of

00:29:14.369 --> 00:29:16.029
crazy stuff like that, you know. It was always

00:29:16.029 --> 00:29:17.769
funny just to hear the behind the scenes of it

00:29:17.769 --> 00:29:21.069
all, which made it more fascinating to me. But

00:29:21.069 --> 00:29:23.269
I guess the best part about that is that it didn't

00:29:23.269 --> 00:29:25.390
affect the actual movie because, I mean, this

00:29:25.390 --> 00:29:26.990
is a flawless movie. Oh, yeah, and that's the

00:29:26.990 --> 00:29:28.869
thing. Overall, the movie still did great in

00:29:28.869 --> 00:29:31.009
the box office in Mexico. It reached audiences

00:29:31.009 --> 00:29:35.470
in Europe, United States. Now it's a cool classic

00:29:35.470 --> 00:29:38.430
all over the world. Everybody knows it. I like

00:29:38.430 --> 00:29:41.630
this movie because it differs from Alucarda where

00:29:41.630 --> 00:29:45.230
this one feels more like it's an attack on people's

00:29:45.230 --> 00:29:48.450
personal relationship with religion instead of

00:29:48.450 --> 00:29:51.089
religion being the problem, you know? And I feel

00:29:51.089 --> 00:29:53.210
like this is actually a true nunsploitation movie.

00:29:53.329 --> 00:29:55.250
Like, this movie does actually exploit nuns.

00:29:55.250 --> 00:29:57.069
Whereas Alucarda, I don't know, I never saw it

00:29:57.069 --> 00:29:59.750
like it being too exploitable over nuns. Not

00:29:59.750 --> 00:30:01.769
really. Right? Like, it was more of like, you

00:30:01.769 --> 00:30:03.730
know, this story about a young girl meeting like

00:30:03.730 --> 00:30:06.750
a vampire or whatever. Whereas there's nuns,

00:30:06.750 --> 00:30:08.769
but... They're not really being exploited, you

00:30:08.769 --> 00:30:10.869
know? They're just kind of there, you know? Yeah,

00:30:10.910 --> 00:30:13.329
this one goes off the fucking rails, too. Fucking

00:30:13.329 --> 00:30:15.930
pedophilia, fucking a little bit of incest. All

00:30:15.930 --> 00:30:17.630
kinds of crazy shit. Yeah, all kinds of crazy

00:30:17.630 --> 00:30:20.390
shit. And then the main actress, Cecilia, she

00:30:20.390 --> 00:30:22.609
looks so innocent, so it's like crazy just seeing

00:30:22.609 --> 00:30:26.130
her right there in these situations. And Enrique

00:30:26.130 --> 00:30:27.950
Rocha, he's such a great actor. He plays the

00:30:27.950 --> 00:30:30.029
devil so perfectly. Like, you actually fucking

00:30:30.029 --> 00:30:32.430
believe it, too. I mean, that's really what it

00:30:32.430 --> 00:30:36.710
takes for someone to... to play the, you know,

00:30:36.710 --> 00:30:39.069
to play the devil, like you got to believe in

00:30:39.069 --> 00:30:40.589
them first, you know, like, and there's, I mean,

00:30:40.589 --> 00:30:42.650
there's so many people that have played the devil

00:30:42.650 --> 00:30:45.910
in, in, in film, but not all of them have convinced

00:30:45.910 --> 00:30:48.150
you like, Hey, this, this motherfucker is, this

00:30:48.150 --> 00:30:50.710
is the real deal. And then of course, remember

00:30:50.710 --> 00:30:52.930
he's in Mujeres Infieles, which we talked about

00:30:52.930 --> 00:30:55.710
earlier. Another fucking banger. Another devilish

00:30:55.710 --> 00:30:58.670
character. Go back and listen to that if you

00:30:58.670 --> 00:31:00.630
haven't heard that episode. But yeah, that's,

00:31:00.630 --> 00:31:03.190
that's going to be my number four pick. And I

00:31:03.190 --> 00:31:04.809
guess that leaves me for number four because,

00:31:04.910 --> 00:31:07.930
and again, I had troubles, man. I didn't know

00:31:07.930 --> 00:31:09.930
if I wanted to flip -flop these ones or not.

00:31:11.890 --> 00:31:13.750
But I end up flip -flopping all kinds of shit

00:31:13.750 --> 00:31:18.069
anyway. So surprise, surprise. My number four

00:31:18.069 --> 00:31:23.210
pick is no surprise. I've talked about this one.

00:31:23.289 --> 00:31:26.250
Not really, but in private, I've talked about

00:31:26.250 --> 00:31:29.589
this one. None other than Violador Infernal,

00:31:29.849 --> 00:31:55.630
the Infernal Rapist. Carlos, tu religion te abandonó

00:31:55.630 --> 00:32:00.089
y por eso vengo a devolverte la vida. Pero con

00:32:00.089 --> 00:32:13.700
mis condiciones Una, que renuncies a tu religión.

00:32:15.519 --> 00:32:18.960
Dos, que me ofrezcas sacrificios y placeres.

00:32:20.019 --> 00:32:25.720
Y que siempre me adores así. Así siempre estaré

00:32:25.720 --> 00:32:30.359
contigo. Y volarás a toda aquella o aquel que

00:32:30.359 --> 00:32:35.480
esté a tu alcance. Y tendrás riquezas y el placer

00:32:35.480 --> 00:32:39.900
de las drogas al alcance de tu mano. Recuerda,

00:32:40.349 --> 00:32:42.809
Que después de sacrificar a tus víctimas, me

00:32:42.809 --> 00:32:46.730
las ofrecerás. Marcarás con los tres seises,

00:32:46.829 --> 00:32:50.730
que es el signo de los seres destinados al dragón

00:32:50.730 --> 00:32:56.549
de las siete cabezas. Si haces lo que yo te digo,

00:32:56.650 --> 00:33:02.910
serás un triunfador. Yo, el ser supremo de las

00:33:02.910 --> 00:33:10.839
tinieblas, te nombro mi hijo predilecto. Yes.

00:33:12.319 --> 00:33:24.220
I accept. My promise is fulfilled. Now it's your

00:33:24.220 --> 00:33:55.700
turn to fulfill yours. This movie is as sleazy

00:33:55.700 --> 00:34:01.079
as they fucking come. That's like one word to

00:34:01.079 --> 00:34:04.359
describe it. It's just sleazy. I mean, I don't

00:34:04.359 --> 00:34:06.720
know what other adjective to use for this movie

00:34:06.720 --> 00:34:11.159
because as the title says... It's a rags -to

00:34:11.159 --> 00:34:14.420
-riches story, but a very brutal one. A rags

00:34:14.420 --> 00:34:20.599
-to -riches soul story, really. Violador Infernal.

00:34:22.139 --> 00:34:25.820
AKA in English, The Infernal Rapist. Of course,

00:34:25.820 --> 00:34:29.019
directed by Damiana Costa Esparza. No surprise

00:34:29.019 --> 00:34:31.519
there. Someone who was used to making these kind

00:34:31.519 --> 00:34:33.139
of movies. No, I have a question for you. Did

00:34:33.139 --> 00:34:37.619
you see his director cameo in the movie? He's

00:34:37.619 --> 00:34:41.639
in the movie. Is he in the jail cell? Yeah. He's

00:34:41.639 --> 00:34:45.159
the priest. I thought that was so funny. Perfect.

00:34:45.500 --> 00:34:48.260
They put him as a priest. I mean, you know, someone's

00:34:48.260 --> 00:34:49.820
got to have some kind of dignity in this movie

00:34:49.820 --> 00:34:54.079
because this movie goes from zero to 100 in probably

00:34:54.079 --> 00:34:58.940
the two -minute mark of the movie. Of course,

00:34:58.940 --> 00:35:02.079
produced by Ulises Pérez Aguirre, who, you know,

00:35:02.119 --> 00:35:08.360
is no stranger, you know. Most people would know

00:35:08.360 --> 00:35:10.460
him from either this movie or the Entrepidos

00:35:10.460 --> 00:35:14.090
Punks movies. But he's such an important figure

00:35:14.090 --> 00:35:16.130
for the Trash Mix world. Like, he's always just

00:35:16.130 --> 00:35:18.750
mentioned somehow or some way. He's always involved.

00:35:18.750 --> 00:35:21.150
He's in something. He's even, you know, part

00:35:21.150 --> 00:35:23.309
of Roy del Espacio, you know. Of course, yeah,

00:35:23.409 --> 00:35:25.210
yeah. We don't have to hide that secret no more.

00:35:25.250 --> 00:35:28.610
That's out. But, of course, you know, it stars

00:35:28.610 --> 00:35:32.889
Noe Murayama as El Gato, who is a rapist. And,

00:35:32.949 --> 00:35:35.949
like I said, it starts from 0 to 100 in the two

00:35:35.949 --> 00:35:37.869
-minute mark because he's being executed in the

00:35:37.869 --> 00:35:42.829
first scene of the movie. the devil appears to

00:35:42.829 --> 00:35:44.809
him and the devil of course is none other than

00:35:44.809 --> 00:35:48.170
mexican royalty ana luisa pelufo who remember

00:35:48.170 --> 00:35:49.730
that name because she's going to show up again

00:35:49.730 --> 00:35:54.530
on my list um but yeah she plays the devil uh

00:35:54.530 --> 00:35:57.610
or as the as she's known in the movie uh el ser

00:35:57.610 --> 00:36:00.420
supremo de las tinieblas Fucking banger name.

00:36:00.519 --> 00:36:02.579
Such a great name. Such a great fucking character

00:36:02.579 --> 00:36:03.840
name. That would be like a band name for all

00:36:03.840 --> 00:36:05.719
I know. That would be. Or at least a fucking

00:36:05.719 --> 00:36:11.460
record name or something. But anyways, I digress.

00:36:11.679 --> 00:36:14.780
She appears to this fool as he's executed and

00:36:14.780 --> 00:36:16.679
basically tells him, listen, I'm going to give

00:36:16.679 --> 00:36:19.880
you your life back. Your religion has failed

00:36:19.880 --> 00:36:22.400
you. I'm going to give you your life back. All

00:36:22.400 --> 00:36:25.280
you got to do is consume all the fucking drugs

00:36:25.280 --> 00:36:29.409
you want. Kill fucking anyone you want. Rape

00:36:29.409 --> 00:36:33.130
anyone you want. But you have to carve 666 on

00:36:33.130 --> 00:36:37.730
their body. And in turn, they will give power

00:36:37.730 --> 00:36:41.590
to the devil. That's another soul for her. Mortal

00:36:41.590 --> 00:36:44.690
Kombat style. Your soul is mine. And she picked

00:36:44.690 --> 00:36:46.369
him too because she says something in the lines

00:36:46.369 --> 00:36:50.349
of he's the ultimate rapist. Yeah, because he

00:36:50.349 --> 00:36:52.949
was a complete piece of shit. He was a really

00:36:52.949 --> 00:36:55.539
bad person. She chose him out of... Who knows

00:36:55.539 --> 00:36:58.400
how many people? Tons and tons and tons. But

00:36:58.400 --> 00:37:02.219
this, again, I guess just like my number five

00:37:02.219 --> 00:37:04.400
pick, this kind of blurs the line between being

00:37:04.400 --> 00:37:06.960
a horror movie and being an exploitation movie.

00:37:07.760 --> 00:37:10.320
And again, I will entertain both arguments because

00:37:10.320 --> 00:37:14.019
both of those labels are right. It can be both

00:37:14.019 --> 00:37:17.159
for sure. But it deals with so much anti -gay

00:37:17.159 --> 00:37:20.000
rhetoric, which is still a thing in Mexico. There's

00:37:20.000 --> 00:37:21.719
a lot of homophobia in Mexico, unfortunately.

00:37:21.760 --> 00:37:23.719
That's the first kill, too. They make it now.

00:37:24.059 --> 00:37:27.840
yeah and you know of course you know is uh um

00:37:27.840 --> 00:37:31.300
the actor in that scene was also in intrepidos

00:37:31.300 --> 00:37:33.239
punk so there's a lot of there's a lot of connections

00:37:33.239 --> 00:37:36.099
guys you know this when you hear names just assume

00:37:36.099 --> 00:37:38.599
that cast and crew are fucking you know taken

00:37:38.599 --> 00:37:40.460
from yeah those are the same people that worked

00:37:40.460 --> 00:37:42.639
under the echo films production company which

00:37:42.639 --> 00:37:47.840
is exactly yeah um And that scene, of course,

00:37:47.840 --> 00:37:50.159
is famous for when you'd had the Trash Max Festival

00:37:50.159 --> 00:37:52.380
at the Frida. Shout out to the Frida in Santa

00:37:52.380 --> 00:37:55.280
Ana. Someone brought their, like, 10 -year -old

00:37:55.280 --> 00:37:58.500
girl, maybe? No, they said she was, like, 13.

00:37:58.659 --> 00:38:00.780
Okay, it doesn't make it any better. Yeah, it

00:38:00.780 --> 00:38:02.019
doesn't make it any better, but it was just weird.

00:38:02.099 --> 00:38:04.199
It's like, who brings a teenage daughter to see

00:38:04.199 --> 00:38:07.539
the infernal rapist? Maybe he didn't know Spanish,

00:38:07.679 --> 00:38:10.300
because you guys, on the marquee, it was labeled

00:38:10.300 --> 00:38:12.579
as Villalobos. Oh, yeah, we didn't want it. We

00:38:12.579 --> 00:38:15.000
didn't want the word rapist on the fucking marquee.

00:38:15.019 --> 00:38:17.849
But anyways. This dude shows up to this movie

00:38:17.849 --> 00:38:21.269
and this is, like you said, this is the second

00:38:21.269 --> 00:38:22.949
scene of the movie. So you're like five minutes

00:38:22.949 --> 00:38:26.610
in. He fucking rapes this fucking guy. That's

00:38:26.610 --> 00:38:28.349
probably the most brutal scene of the movie.

00:38:28.449 --> 00:38:30.130
Brutal. Yeah, it's pretty brutal for sure. Not

00:38:30.130 --> 00:38:34.829
gonna lie. Drugs him and then stabs the shit

00:38:34.829 --> 00:38:37.670
out of him. Put the knife up his ass, kills him,

00:38:37.829 --> 00:38:41.469
and then carves 666 on his ass cheek. And this

00:38:41.469 --> 00:38:43.030
guy's just watching this with his little teenage

00:38:43.030 --> 00:38:45.510
daughter. Yeah, like I have my limits. I would

00:38:45.510 --> 00:38:48.190
not bring a kid to that. That's crazy. I'd bring

00:38:48.190 --> 00:38:50.010
my kid to like Trampain for an hour or something,

00:38:50.030 --> 00:38:52.309
but not bringing them to see something like this.

00:38:52.650 --> 00:38:55.929
Crazy. He had to have not known. And maybe he's

00:38:55.929 --> 00:38:58.550
listening to this episode. If you are, let us

00:38:58.550 --> 00:39:00.869
know what you were thinking. That's crazy. But

00:39:00.869 --> 00:39:04.329
to me, this movie always will be ingrained in

00:39:04.329 --> 00:39:07.130
my mind for that because, I mean, the whole crowd

00:39:07.130 --> 00:39:10.579
was shocked. But to have a teenage girl. Yeah,

00:39:10.579 --> 00:39:12.300
we didn't have too many people at that screening,

00:39:12.380 --> 00:39:13.820
but it was just like, yeah, I know people where

00:39:13.820 --> 00:39:16.320
they were like, oh, shit. It was pretty different.

00:39:17.579 --> 00:39:18.880
I don't think a lot of people knew what they

00:39:18.880 --> 00:39:20.320
were expecting. You know, they were just like,

00:39:20.400 --> 00:39:22.280
oh, okay, it's just, you know, a movie about

00:39:22.280 --> 00:39:24.199
a rapist killer, whatever. Maybe it's not brutal.

00:39:24.519 --> 00:39:26.739
Then they watched it. Fucking brutal. Sleazy

00:39:26.739 --> 00:39:31.969
as shit. But, again, I think, you know, as problematic

00:39:31.969 --> 00:39:34.989
as this can be, and I'm sure someone is going

00:39:34.989 --> 00:39:37.349
to watch this and be like, yo, fuck this fool

00:39:37.349 --> 00:39:39.570
Joey. Why is he recommending this movie or have

00:39:39.570 --> 00:39:41.949
it on his top five? But, you know, there are

00:39:41.949 --> 00:39:43.829
merits to having these kind of movies. I mean,

00:39:43.869 --> 00:39:47.090
I know exploitation, sexploitation movie is not,

00:39:47.190 --> 00:39:50.289
they're not for everybody, you know. But, you

00:39:50.289 --> 00:39:54.420
know, the cast and crew behind this. incredible

00:39:54.420 --> 00:39:57.860
like i said analisa pelufo i mean she is such

00:39:57.860 --> 00:40:00.300
a revered actress in mexico sometimes like even

00:40:00.300 --> 00:40:02.039
though she hardly appears in the movie when she

00:40:02.039 --> 00:40:04.519
comes out it's pretty like yeah obvious and like

00:40:04.519 --> 00:40:07.519
she's great yeah and she has these like extravagant

00:40:07.519 --> 00:40:12.880
dresses her dialogue is fucking insane um this

00:40:12.880 --> 00:40:15.559
is just it's just great if you want an offensive

00:40:15.559 --> 00:40:18.039
do you want to watch an offensive movie this

00:40:18.039 --> 00:40:20.860
is one uh this is one to watch and it's available

00:40:20.860 --> 00:40:22.920
you know vinegar syndrome has it out on blu -ray

00:40:22.920 --> 00:40:26.099
you know so english friendly um and you know

00:40:26.099 --> 00:40:27.800
just to touch base on the gay thing i'm sure

00:40:27.800 --> 00:40:30.659
no i kind of enjoyed it because i mean it's not

00:40:30.659 --> 00:40:32.599
a secret per se because a lot of people don't

00:40:32.599 --> 00:40:35.440
talk about it but no i was gay he was not not

00:40:35.440 --> 00:40:39.139
secretly but you know people it was just obvious

00:40:39.139 --> 00:40:40.920
so i'm sure he was just like okay i'm gonna get

00:40:40.920 --> 00:40:44.280
into this yeah because he was gay you know And

00:40:44.280 --> 00:40:46.380
then, I'm not going to say who, but he actually

00:40:46.380 --> 00:40:50.099
did date somebody in the movie. In the production.

00:40:50.300 --> 00:40:52.099
Not in the main cast, but in the production.

00:40:52.440 --> 00:40:54.760
We keep those juicy secrets off the air, guys.

00:40:56.260 --> 00:40:58.159
But just to make it clear, it's like, I'm sure

00:40:58.159 --> 00:41:00.239
Noah was just fine with that. It's like, okay,

00:41:00.360 --> 00:41:02.420
it's a gay scene. Yeah, but I think in today's

00:41:02.420 --> 00:41:07.099
climate, and this is not to downplay anti -gay

00:41:07.099 --> 00:41:10.460
rhetoric in movies and in everyday life, but

00:41:10.460 --> 00:41:12.860
there's going to be someone that watches this

00:41:12.860 --> 00:41:15.380
and thinks this is abhorrent, this movie shouldn't

00:41:15.380 --> 00:41:19.670
exist. I'm here to say not to defend any type

00:41:19.670 --> 00:41:21.789
of anti -gay rhetoric because I am, you know,

00:41:21.829 --> 00:41:25.050
extreme, you know, ally to the LGBTQ community.

00:41:26.329 --> 00:41:29.170
Live your life. I respect it. But I don't think

00:41:29.170 --> 00:41:31.889
censorship in any form, I mean, obviously, you

00:41:31.889 --> 00:41:34.550
know, we don't want, like, you know, naked kids

00:41:34.550 --> 00:41:37.070
and shit in there. Fuck that. But, you know,

00:41:37.070 --> 00:41:39.610
to have these type of scenes in movies, I don't

00:41:39.610 --> 00:41:43.050
think, I just don't think there should be a limit

00:41:43.050 --> 00:41:45.309
to it, you know? Yeah, exactly. I mean, there's

00:41:45.309 --> 00:41:47.730
other movies with rape, and those are seen as

00:41:47.730 --> 00:41:50.210
art films. Keep in mind. Yeah. This is no different.

00:41:50.309 --> 00:41:51.869
Well, I mean, there's scenes with little kids

00:41:51.869 --> 00:41:54.389
that are naked in film that people would put

00:41:54.389 --> 00:41:56.230
on a top 100 all the time. Yeah, there's weird

00:41:56.230 --> 00:41:58.190
stuff on there, and it's like, this movie's probably

00:41:58.190 --> 00:42:01.090
the tamest out of all those movies. I think what

00:42:01.090 --> 00:42:04.380
it boils down to is... People seeing something

00:42:04.380 --> 00:42:06.960
like this as distasteful. Yeah. And you know

00:42:06.960 --> 00:42:09.019
what? That's an argument that you can have with

00:42:09.019 --> 00:42:10.840
yourself. I don't want to have that argument.

00:42:10.980 --> 00:42:12.960
But for me, like I said, it's the tamest out

00:42:12.960 --> 00:42:14.760
of all that, especially with the subject matter.

00:42:14.880 --> 00:42:16.719
Yeah. What's that one movie that everybody blows

00:42:16.719 --> 00:42:19.400
up all the time? What's it? The one with Gaspar?

00:42:19.460 --> 00:42:21.940
Whatever his name is. Oh, which one? He has a

00:42:21.940 --> 00:42:24.579
ton. The one that everyone always talks about.

00:42:24.760 --> 00:42:27.059
It came out on Blu -ray. Irreversible? Yeah.

00:42:27.219 --> 00:42:28.800
People fucking hype that movie. That movie's

00:42:28.800 --> 00:42:30.800
fucking... Well, we're sitting with the victim

00:42:30.800 --> 00:42:32.159
of the movie right now. Oh, yeah. There we go.

00:42:33.509 --> 00:42:35.469
We don't have to put it out on the airwaves,

00:42:35.510 --> 00:42:37.610
but we know someone personally who was affected

00:42:37.610 --> 00:42:40.769
by that movie. Yeah, that movie is fucking horrible,

00:42:41.050 --> 00:42:44.170
in other words. And it sold out in like two minutes

00:42:44.170 --> 00:42:46.389
when Vinegar Syndrome put it out. So keep in

00:42:46.389 --> 00:42:48.429
mind, that movie is seen as this great thing

00:42:48.429 --> 00:42:50.150
or something, but then when they say Violador

00:42:50.150 --> 00:42:51.989
Infernal, oh no, no, no, that's so bad. It's

00:42:51.989 --> 00:42:55.329
like, no. Violador Infernal is just fucking campy.

00:42:55.329 --> 00:42:57.710
It just happens to be kind of brutal. But it's

00:42:57.710 --> 00:43:00.250
not bad like that. It's not in that same level,

00:43:00.289 --> 00:43:03.659
I would say. Yeah, I don't think so, per se.

00:43:03.780 --> 00:43:05.059
But I know there's going to be people that are

00:43:05.059 --> 00:43:06.559
going to see it like that, but then they'll watch

00:43:06.559 --> 00:43:09.340
that fucking movie, you know. Or fucking Requiem

00:43:09.340 --> 00:43:11.539
for a Dream, or kids, you know, nasty fucking

00:43:11.539 --> 00:43:13.239
movies like that. But, you know, and funny enough,

00:43:13.400 --> 00:43:15.300
well, not funny enough, that's the wrong way

00:43:15.300 --> 00:43:17.880
to put it, but I don't see kids as being an extremely

00:43:17.880 --> 00:43:20.219
problematic movie, I mean. The main person I

00:43:20.219 --> 00:43:22.780
see it as problematic, just, I mean, for obvious

00:43:22.780 --> 00:43:24.760
reasons, but I'm not going to get into it, but

00:43:24.760 --> 00:43:26.400
you know what I mean. But when you compare that

00:43:26.400 --> 00:43:28.619
with Viola Donning for Novela, it just can't

00:43:28.619 --> 00:43:32.079
be. fun yeah in the worst way i guess i mean

00:43:32.079 --> 00:43:35.219
to say like in the same way that i will defend

00:43:35.219 --> 00:43:38.280
the movie kids is right to exist and that story

00:43:38.280 --> 00:43:40.940
to exist yeah is the same right i'm gonna give

00:43:40.940 --> 00:43:45.079
the right to exist you know but people will just

00:43:45.079 --> 00:43:47.039
judge this movie harshly thousand percent which

00:43:47.039 --> 00:43:49.440
is weird yeah You need to see it just to see

00:43:49.440 --> 00:43:51.159
what we're talking about. It's not as bad as

00:43:51.159 --> 00:43:53.420
you think it is. It is brutal. It is fucking

00:43:53.420 --> 00:43:57.280
nasty. He rapes a bunch of women. A gay guy kills

00:43:57.280 --> 00:44:00.219
them all. It's fun. It's still a fun movie. The

00:44:00.219 --> 00:44:03.659
dialogue is just crazy. He's just into this movie.

00:44:04.139 --> 00:44:07.079
That's the thing. He's great, man. I've come

00:44:07.079 --> 00:44:09.840
to love all his movies. I think he really loved

00:44:09.840 --> 00:44:11.800
this role. Just the way he was acting. He was

00:44:11.800 --> 00:44:14.289
just laughing. Then he's doing cocaine. Which

00:44:14.289 --> 00:44:16.789
I'm convinced was real cocaine. I wouldn't doubt

00:44:16.789 --> 00:44:19.309
it, dude. He just looked way too into it. Like,

00:44:19.309 --> 00:44:20.969
the whole thing. He's, like, shooting heroin

00:44:20.969 --> 00:44:22.570
and shit. I mean, there's all kinds of shit.

00:44:22.570 --> 00:44:24.389
Yeah, that part was fake. The cocaine scene,

00:44:24.409 --> 00:44:25.929
when I watched it, I'm like, this looks fucking

00:44:25.929 --> 00:44:27.570
real. Like, this motherfucker was probably doing

00:44:27.570 --> 00:44:30.250
cocaine for real. In that little studio, yeah.

00:44:30.710 --> 00:44:33.929
Well, that's my number four. However controversial

00:44:33.929 --> 00:44:36.889
that may be, I'll leave that up to the listeners.

00:44:37.849 --> 00:44:40.110
We'll move on to number threes, I guess. So,

00:44:40.250 --> 00:44:42.989
my number three is... What is my number three?

00:44:44.039 --> 00:44:46.960
Libro de Piedra from 1969. Another 69 movie.

00:44:47.059 --> 00:45:29.230
I didn't even realize that. Interesting. And,

00:45:29.230 --> 00:45:32.150
of course, this one is written by a really, really,

00:45:32.210 --> 00:45:34.630
really popular director now, more than ever,

00:45:34.750 --> 00:45:38.230
which is Carlos Enrique Taboada. He's considered

00:45:38.230 --> 00:45:40.070
one of, like, the horror pioneers of Mexico,

00:45:40.210 --> 00:45:42.630
because he did Hasta el Viento Tiene Miedo, Más

00:45:42.630 --> 00:45:45.329
Tremor que la Noche, you know, Poison for the

00:45:45.329 --> 00:45:47.789
Fairies, all those, like, you know, really, they're

00:45:47.789 --> 00:45:51.099
more popular than ever now. It's crazy. And I

00:45:51.099 --> 00:45:52.500
picked this one because this one actually freaked

00:45:52.500 --> 00:45:54.880
me out when I first watched it. Like, with the

00:45:54.880 --> 00:45:56.800
statue and everything, the boy, he's holding

00:45:56.800 --> 00:45:59.500
the book. I'm like, this kid looks fucking scary.

00:46:00.099 --> 00:46:01.760
Yeah, he is kind of a creepy kid. Yeah, and then,

00:46:01.780 --> 00:46:03.840
like, you don't even see him come to life until

00:46:03.840 --> 00:46:05.619
later on in the movie. But, like, during the

00:46:05.619 --> 00:46:07.500
whole ordeal of the movie, you know, we focus

00:46:07.500 --> 00:46:09.139
on the little girl. She's talking about him.

00:46:09.199 --> 00:46:11.119
You know, his name's Hugo. She's like, Hugo this,

00:46:11.300 --> 00:46:13.199
Hugo that. And everyone around her is just kind

00:46:13.199 --> 00:46:15.239
of like, oh, she's just imagining this shit.

00:46:16.500 --> 00:46:18.679
weird shit happens at night and then those scenes

00:46:18.679 --> 00:46:20.360
at night are pretty freaky you know you're just

00:46:20.360 --> 00:46:22.019
like oh this is uncomfortable especially when

00:46:22.019 --> 00:46:23.880
you're watching it in the dark you're just like

00:46:23.880 --> 00:46:26.420
oh man what's going to happen next you know well

00:46:26.420 --> 00:46:28.920
that's one thing that i think uh carlos enrique

00:46:28.920 --> 00:46:33.480
taboada was a master at is setting a tone for

00:46:33.480 --> 00:46:36.480
a movie and letting that really ride throughout

00:46:36.480 --> 00:46:39.079
the an entire movie with all with all of his

00:46:39.079 --> 00:46:41.750
movies especially his more popular ones they

00:46:41.750 --> 00:46:44.150
all have that sense of kind of dread. And, you

00:46:44.150 --> 00:46:46.110
know, like you said, the darkness, what you can't

00:46:46.110 --> 00:46:48.389
see is what's scarier than what you are seeing.

00:46:48.510 --> 00:46:51.090
Yeah, exactly. It's really fucking scary. This

00:46:51.090 --> 00:46:53.230
was the only movie out of the 10 movies on this

00:46:53.230 --> 00:46:55.210
list that I had not seen. I thought I had seen

00:46:55.210 --> 00:46:57.090
this, but when I rewatched it the other day,

00:46:57.230 --> 00:46:59.949
I was like, I don't remember any of this. So

00:46:59.949 --> 00:47:01.869
I'm convinced that I hadn't seen this movie yet.

00:47:01.949 --> 00:47:04.929
Yeah. I discovered it after I saw Hasta el Viento

00:47:04.929 --> 00:47:06.510
Tiene el Miedo. And I was like, well, what else

00:47:06.510 --> 00:47:08.010
did this director make? I was like, well, this

00:47:08.010 --> 00:47:09.349
one sounds pretty good. So I watched it and I

00:47:09.349 --> 00:47:12.500
was like, oh, this is fucking scary. I was genuinely

00:47:12.500 --> 00:47:14.179
freaked out. And I watched this probably like

00:47:14.179 --> 00:47:18.260
2009, maybe 2010, something like that. I was

00:47:18.260 --> 00:47:20.300
like 19, 20 years old. So I was still like freaked

00:47:20.300 --> 00:47:23.699
out. Was it on DVD at that point? It was on a

00:47:23.699 --> 00:47:28.239
bootleg DVD. It was like a $99 bin DVD. So that's

00:47:28.239 --> 00:47:30.619
how I got it. And yeah, ever since then, you

00:47:30.619 --> 00:47:32.340
know, it's become kind of a cult classic on its

00:47:32.340 --> 00:47:35.480
own. But I know it has like a rights issue going

00:47:35.480 --> 00:47:37.360
on. Is that why it was not included in the box

00:47:37.360 --> 00:47:39.559
set? Yeah, I don't know exactly what's going

00:47:39.559 --> 00:47:41.699
on with that. There's just always something going

00:47:41.699 --> 00:47:44.840
with that one specifically. And the 2B version

00:47:44.840 --> 00:47:47.139
is just like a VHS rib. Yeah. And it's pretty

00:47:47.139 --> 00:47:49.820
sure it's illegally uploaded on there. But, you

00:47:49.820 --> 00:47:51.260
know, it's there. So if you want to watch it,

00:47:51.260 --> 00:47:53.659
get it on there. And, yeah, watch it at night.

00:47:53.719 --> 00:47:55.059
Don't watch it like during the day. Watch it

00:47:55.059 --> 00:47:57.039
at night. Turn the lights off. Cover your curtains,

00:47:57.159 --> 00:48:00.019
you know, your windows. And, yeah, you're going

00:48:00.019 --> 00:48:03.139
to be in for a fucking freaky movie. And it stars,

00:48:03.239 --> 00:48:05.780
of course, a Trash Max favorite, Joaquin Cordero.

00:48:05.980 --> 00:48:09.300
Oh, yeah. Who has never had a bad role. Yeah.

00:48:09.719 --> 00:48:12.139
You got Joaquin Cordero. You got Aldo Monti,

00:48:12.139 --> 00:48:16.400
who's played Dracula in the Santa movies. We

00:48:16.400 --> 00:48:19.460
got Marja Lopez, Norma Lazareno. And then the

00:48:19.460 --> 00:48:22.739
little girl is Lucy Boo, who she was really wanting

00:48:22.739 --> 00:48:24.400
to be an actress when she was a child. You know,

00:48:24.420 --> 00:48:26.400
she was taking her acting career pretty serious.

00:48:26.480 --> 00:48:29.099
But then I read an article not too long ago.

00:48:29.139 --> 00:48:32.139
Like, she actually just stopped because she said

00:48:32.139 --> 00:48:34.139
a certain director. She never said who, but.

00:48:35.019 --> 00:48:37.139
i guess was trying to like sexually harass her

00:48:37.139 --> 00:48:38.820
like trying to you know trying to do some weird

00:48:38.820 --> 00:48:41.360
shit and that freaked her out and her mom out

00:48:41.360 --> 00:48:42.579
and they were like yeah no you're not gonna do

00:48:42.579 --> 00:48:44.760
this anymore so that's why she kind of stepped

00:48:44.760 --> 00:48:46.360
out of the limelight and then you really never

00:48:46.360 --> 00:48:48.280
heard from her again after that you know what

00:48:48.280 --> 00:48:49.800
is unfortunate i know because she was a really

00:48:49.800 --> 00:48:51.800
good actress in the movie yeah as especially

00:48:51.800 --> 00:48:53.739
you know for being a child actress i mean she's

00:48:53.739 --> 00:48:56.150
phenomenal in this role Yeah, and then I think

00:48:56.150 --> 00:48:58.250
before that she was in Maria Isabel, like the

00:48:58.250 --> 00:48:59.929
original movie, you know, before it became like

00:48:59.929 --> 00:49:01.690
this well -known novella. So she was, yeah, you

00:49:01.690 --> 00:49:02.929
know, she was getting there. But then unfortunately,

00:49:03.150 --> 00:49:04.929
you know, like she said, something really bad

00:49:04.929 --> 00:49:06.369
happened. Well, nothing bad happened to her,

00:49:06.409 --> 00:49:08.630
but something was going to, you know. It was

00:49:08.630 --> 00:49:10.090
getting really serious, you know, so she had

00:49:10.090 --> 00:49:12.289
to leave. What a fucking shame. You got to be

00:49:12.289 --> 00:49:14.230
a fucking scumbag to do some shit like that,

00:49:14.289 --> 00:49:16.369
dude. I was like, oh, well, I didn't know that,

00:49:16.429 --> 00:49:18.130
you know. But yeah, she like gave an interview.

00:49:18.170 --> 00:49:20.050
I hope it's not someone that we fucking love

00:49:20.050 --> 00:49:21.710
and revere. I don't think it was. I think she

00:49:21.710 --> 00:49:23.719
said it was just someone like. You know, that

00:49:23.719 --> 00:49:25.440
she was going to work for the first time. Someone

00:49:25.440 --> 00:49:27.159
that just tried to take advantage. I think that

00:49:27.159 --> 00:49:29.019
was like the wording she was giving us. Someone

00:49:29.019 --> 00:49:31.219
kind of knew, I guess, at the time. But who knows?

00:49:31.219 --> 00:49:34.480
I don't know. Fucking piece of shit, dude. Yeah.

00:49:35.079 --> 00:49:37.199
So that was my number three pick. Libro de Piedra.

00:49:37.219 --> 00:49:39.599
And again, Tubi. It's on there with English subtitles.

00:49:40.300 --> 00:49:42.869
Bad copy, but I mean. That's the best you're

00:49:42.869 --> 00:49:44.610
going to do. I mean, you know, people can't complain.

00:49:44.690 --> 00:49:47.269
People watch shitty VHS movies all the fucking

00:49:47.269 --> 00:49:49.369
time. I don't want to hear that you can't watch

00:49:49.369 --> 00:49:52.329
it on Tubi because it's, you know, that argument

00:49:52.329 --> 00:49:54.889
is dumb. I don't want to hear it. It has English

00:49:54.889 --> 00:49:57.230
subtitles too, so I'll say no excuses. There

00:49:57.230 --> 00:50:00.110
you go. That's what's more important. People

00:50:00.110 --> 00:50:02.010
can actually fucking watch it and know what's

00:50:02.010 --> 00:50:04.110
going on. Granted, you know, hopefully the subtitles

00:50:04.110 --> 00:50:08.469
are right. All right. Well, that leads to my

00:50:08.469 --> 00:50:11.880
number three. And I'm choosing Cementerio de

00:50:11.880 --> 00:50:44.199
Terror. No está el libro mientras no destruya

00:50:44.199 --> 00:50:47.719
a Devlin con el libro negro. ¿De qué libro habla?

00:50:48.599 --> 00:50:51.420
El libro negro. ¡Fuera! Es la única manera de

00:50:51.420 --> 00:51:00.960
destruir a Devlin. ¡Atrás! ¡Cállate! ¡Ese libro

00:51:00.960 --> 00:51:03.760
está en la casa abandonada! ¡Yo lo vi! ¡En la

00:51:03.760 --> 00:51:43.519
casa abandonada! 80s classic baby childhood staple

00:51:43.519 --> 00:51:45.860
right there for me yeah I think this is probably

00:51:45.860 --> 00:51:49.519
one of the most popular Mexican horror movies

00:51:49.519 --> 00:51:51.980
on this side you know that's not the fucking

00:51:51.980 --> 00:51:55.420
the Kronos and all that shit you know this is

00:51:55.420 --> 00:52:00.760
1985 written directed by Ruben Galindo Jr. Stars

00:52:00.760 --> 00:52:03.880
Hugo Stiglitz. Big time cast right there. Huge

00:52:03.880 --> 00:52:07.619
cast. Rene Cardona 3 is in it. Erika Buenfil

00:52:07.619 --> 00:52:11.780
is in it. Ena Bolkin. Raul Meraz. Like, fucking

00:52:11.780 --> 00:52:14.800
bangers, bangers. And then Andres Garcia Jr.

00:52:15.000 --> 00:52:17.659
is in it. And then little kids were Maria Rebeca.

00:52:18.199 --> 00:52:22.760
And then Uzi Velasco. And Eduardo Capetino. When

00:52:22.760 --> 00:52:26.239
they were little. I fucking love this movie.

00:52:26.400 --> 00:52:30.019
I mean, this is like, to me, this is, probably

00:52:30.019 --> 00:52:37.159
the best 80s slasher... Halloween -themed. ...homage

00:52:37.159 --> 00:52:41.440
that a Mexican whore has done to an American

00:52:41.440 --> 00:52:45.179
slasher. Because like you said, it takes place

00:52:45.179 --> 00:52:48.739
on Halloween. And it's funny. It's like two different

00:52:48.739 --> 00:52:51.199
stories because you have the adult versions,

00:52:51.420 --> 00:52:53.719
like these college kids, and then you have these

00:52:53.719 --> 00:52:56.059
little kids. And it's on Halloween night, and

00:52:56.059 --> 00:52:58.920
they're both living two different perspectives,

00:52:59.300 --> 00:53:01.460
you know, but they somehow end up in the same

00:53:01.460 --> 00:53:04.539
place. You know, these kids, you know, it's Halloween

00:53:04.539 --> 00:53:07.079
night, so they naturally, like kids do, they

00:53:07.079 --> 00:53:08.900
want to do something crazy, so they decide they

00:53:08.900 --> 00:53:11.369
want to go to the cemetery. these college fools

00:53:11.369 --> 00:53:13.969
they trick their girls into thinking they're

00:53:13.969 --> 00:53:16.110
going to a halloween party but instead they're

00:53:16.110 --> 00:53:18.690
taking them to this fucking haunted uh they like

00:53:18.690 --> 00:53:20.409
big time they're like yeah celebrities are gonna

00:53:20.409 --> 00:53:22.449
be there all kinds of shit like that and then

00:53:22.449 --> 00:53:24.150
they go and it's like nothing like that nothing

00:53:24.150 --> 00:53:27.309
it's just this decrepit fucking house that's

00:53:27.309 --> 00:53:29.570
sitting outside of the fucking cemetery that's

00:53:29.570 --> 00:53:33.320
all hell breaks loose but you know There's fucking

00:53:33.320 --> 00:53:36.659
zombie revivals. There's fucking, you know, there's

00:53:36.659 --> 00:53:38.719
like a book of the dead. What was it? The book

00:53:38.719 --> 00:53:41.880
of Devlin? Devlin, yeah. You know, shout out

00:53:41.880 --> 00:53:44.539
to the book of Ebon, you know, Ibon, however

00:53:44.539 --> 00:53:50.139
you want to call it. But I just think, especially

00:53:50.139 --> 00:53:52.559
at this time, because you think of the American

00:53:52.559 --> 00:53:57.179
slashers. They pretty much lamed out around 1983,

00:53:57.639 --> 00:54:01.360
1984. Post 83, 84, slashers were, I don't care

00:54:01.360 --> 00:54:03.300
what anyone says, they fucking suck. There's

00:54:03.300 --> 00:54:05.159
a couple diamond in the roughs in there, some

00:54:05.159 --> 00:54:09.599
gems. But for the most part, mid 80s to beyond,

00:54:09.980 --> 00:54:13.179
slashers were fucking garbage. There were a dime

00:54:13.179 --> 00:54:18.579
a dozen, no real stories. Terrible acting, shitty

00:54:18.579 --> 00:54:22.340
directing sometimes. It was all bad. So in 1985

00:54:22.340 --> 00:54:25.760
when Mexico puts this out, I mean, this rivals

00:54:25.760 --> 00:54:30.320
the Friday the 13th at the time. It kind of resembles,

00:54:30.460 --> 00:54:32.440
you know, like the body comes to life in the

00:54:32.440 --> 00:54:34.340
cemetery from the fucking lightning and shit.

00:54:34.340 --> 00:54:36.860
Also like Michael Myers too. The killer reminded

00:54:36.860 --> 00:54:39.159
me of Michael Myers a lot too. Devlin. But he

00:54:39.159 --> 00:54:42.300
looks like fucking George Eastman in Anthropophagus.

00:54:42.519 --> 00:54:45.380
There we go. I was going to re -point it a while

00:54:45.380 --> 00:54:48.840
back. Which I love, you know, Anthropophagus

00:54:48.840 --> 00:54:51.500
is a fucking, is a Euro sleeves classic. But,

00:54:51.500 --> 00:54:55.530
um, so if you haven't seen. uh cemeterio de terror

00:54:55.530 --> 00:54:57.670
but you're a fan of anthropophagus i think you'll

00:54:57.670 --> 00:54:59.889
like this you know it's not it's not like i mean

00:54:59.889 --> 00:55:03.030
it is really fucking gory surprisingly yeah and

00:55:03.030 --> 00:55:05.949
i guess the makeup effects were done by ken diaz

00:55:05.949 --> 00:55:07.949
who was like a war you know a renowned makeup

00:55:07.949 --> 00:55:10.670
you know did worked on my bloody valentine worked

00:55:10.670 --> 00:55:13.829
on the thing fright night uh worked on heat i

00:55:13.829 --> 00:55:15.690
know that's everyone's favorite la movie all

00:55:15.690 --> 00:55:17.829
of a sudden for a first movie that's pretty good

00:55:17.829 --> 00:55:20.409
so ruben galindo jr was like all right it's my

00:55:20.409 --> 00:55:22.289
first movie got to do a good job yeah and his

00:55:22.289 --> 00:55:24.159
dad was like if his dad was one of the producers

00:55:24.159 --> 00:55:26.019
yeah his dad was like really pushing him to make

00:55:26.019 --> 00:55:27.320
a movie he's like alright you're gonna make a

00:55:27.320 --> 00:55:30.139
movie now he's like alright he's fresh out of

00:55:30.139 --> 00:55:33.380
UCLA film school which I guess he did at the

00:55:33.380 --> 00:55:35.519
same time with Rene Cardona the third right they

00:55:35.519 --> 00:55:38.980
both went to UCLA and so his dad's basically

00:55:38.980 --> 00:55:41.219
like yo come direct this fucking movie and he's

00:55:41.219 --> 00:55:44.639
like alright I guess I guess I will so How many

00:55:44.639 --> 00:55:47.440
people can say that their first movie is an 80s

00:55:47.440 --> 00:55:51.420
slasher classic that rivals the best of American

00:55:51.420 --> 00:55:54.199
slashers? And features zombies, which were an

00:55:54.199 --> 00:55:56.380
inspiration by Thriller, the Michael Jackson

00:55:56.380 --> 00:55:59.530
movie. They wanted it to be like that, too. I

00:55:59.530 --> 00:56:01.230
mean, there's a lot of... I don't know if it...

00:56:01.230 --> 00:56:03.230
I mean, I would assume that it's by design, but

00:56:03.230 --> 00:56:05.510
there's a lot of references to other movies.

00:56:05.610 --> 00:56:07.769
Like, there's a shot when they're first arriving

00:56:07.769 --> 00:56:11.510
to this fucking decrepit house that's reminiscent

00:56:11.510 --> 00:56:16.949
to the shot in Texas Chainsaw when they're panning

00:56:16.949 --> 00:56:19.909
in through underneath. Yeah, that's true. I would

00:56:19.909 --> 00:56:24.420
assume that it's a direct homage to that. The

00:56:24.420 --> 00:56:28.059
soundtrack is very string heavy, so it reminded

00:56:28.059 --> 00:56:29.840
me of the Friday the 13th soundtrack. All of

00:56:29.840 --> 00:56:31.739
it's old George music too, by the way. Yeah.

00:56:32.280 --> 00:56:36.039
There's like Omen ripoff songs in there. If you're

00:56:36.039 --> 00:56:39.579
a library head, you'll find those cues out there.

00:56:39.639 --> 00:56:41.260
You got to dig for them, but they're out there.

00:56:42.280 --> 00:56:45.099
But yeah, man, I fucking love this movie. If

00:56:45.099 --> 00:56:47.860
you haven't seen it and you love slashers, you've

00:56:47.860 --> 00:56:51.000
got to watch it. I'm sure. a lot of people who

00:56:51.000 --> 00:56:53.179
have seen it will be like yeah fucking top three

00:56:53.179 --> 00:56:55.079
movie yeah i'm down with that that's a great

00:56:55.079 --> 00:56:57.019
one i was lucky enough to go there too to the

00:56:57.019 --> 00:56:59.760
house yeah shout out to brownsville right yeah

00:56:59.760 --> 00:57:02.340
so just to kind of talk about the house so it's

00:57:02.340 --> 00:57:06.159
actually called the salaya crager house and it

00:57:06.159 --> 00:57:08.440
used to be a mortuary for a long time too and

00:57:08.440 --> 00:57:13.739
then now it's a medical office nice Looks the

00:57:13.739 --> 00:57:16.039
same, too. The yellow, you know, color and everything.

00:57:16.400 --> 00:57:18.440
Still spooky. People think, like, people always

00:57:18.440 --> 00:57:20.320
make up legends about the house from what I heard

00:57:20.320 --> 00:57:23.260
from the locals. And not even, like, 10 minutes

00:57:23.260 --> 00:57:25.820
away is the real -life cemetery. Sick. Old house

00:57:25.820 --> 00:57:27.480
cemetery. Old town cemetery. That's what it's

00:57:27.480 --> 00:57:31.019
called. But if I'm not mistaken, they shot this

00:57:31.019 --> 00:57:32.760
on the ranch, though, right? Yeah, so they shot

00:57:32.760 --> 00:57:34.500
those cemetery scenes at the ranch. But the gates,

00:57:34.699 --> 00:57:35.940
remember when they shot the gates? Yeah, like

00:57:35.940 --> 00:57:37.260
the facades and stuff. Yeah, that's the old town

00:57:37.260 --> 00:57:39.119
cemetery, which is not far from the house. It's

00:57:39.119 --> 00:57:40.880
crazy. It's like, oh, shit, this is, like, literally

00:57:40.880 --> 00:57:43.550
less than 10 minutes away on the walk. And that's

00:57:43.550 --> 00:57:45.769
why all those movies that were shot in Brownsville,

00:57:45.849 --> 00:57:47.570
they were so efficient because they were shooting

00:57:47.570 --> 00:57:50.570
on their own lot, basically. Yeah, exactly. But

00:57:50.570 --> 00:57:53.210
that's awesome. Fucking banger. And then at the

00:57:53.210 --> 00:57:55.550
end of the movie, they mentioned the street name,

00:57:55.630 --> 00:57:58.829
which is, what is the street name? Washington.

00:57:58.869 --> 00:58:00.489
They're like, I don't know if you hear on the

00:58:00.489 --> 00:58:02.269
radio here, oh, Washington Street. I was like,

00:58:02.309 --> 00:58:04.849
oh, that's the street. That's literally where

00:58:04.849 --> 00:58:06.849
the house is, on Washington. Hell yeah. Shout

00:58:06.849 --> 00:58:08.630
out to Brownsville. Yeah, that's a great one.

00:58:09.320 --> 00:58:11.300
Well, that's my number three. So we're winding

00:58:11.300 --> 00:58:14.079
down to our number twos. Oh, shit. We're at number

00:58:14.079 --> 00:58:18.639
two now? Damn. So my number two is another Taboada

00:58:18.639 --> 00:58:21.480
movie. Hasta el Viento Tiene Miedo. Banger. Again,

00:58:21.599 --> 00:58:23.559
Carlos Enrique Taboada. This is his first horror

00:58:23.559 --> 00:59:37.969
feature. ¿Por qué se empeñó en ir a la torre?

00:59:38.650 --> 00:59:41.150
Sabía que ella estaba allí. ¿Pero por qué hacerle

00:59:41.150 --> 00:59:43.750
eso a Claudia? No le había hecho ningún daño.

00:59:43.809 --> 00:59:47.590
¿Qué ganaba Andrea? Uno nunca sabe lo que quieren

00:59:47.590 --> 00:59:51.130
los muertos. Yo mañana me voy de aquí. Me muero

00:59:51.130 --> 00:59:55.690
de angustia. Sí, esta casa está maldita. Hay

00:59:55.690 --> 01:00:00.969
algo que nos rodea, que nos amenaza. Y ese viento

01:00:00.969 --> 01:00:15.809
no ha dejado de silbar un solo instante. And

01:00:15.809 --> 01:00:18.289
this one is kind of the same as Libro de Piedra.

01:00:18.369 --> 01:00:20.789
Like, it's pretty, like, scary in terms of the

01:00:20.789 --> 01:00:23.289
nighttime scenes, you know. And this one, of

01:00:23.289 --> 01:00:24.949
course, you know, you have a ghost in it. So

01:00:24.949 --> 01:00:27.590
she's talking to the girl. She's like, Claudia,

01:00:27.769 --> 01:00:29.409
Claudia. And the way she says it, it's so scary.

01:00:30.619 --> 01:00:33.599
when i first saw it i was just like this is interesting

01:00:33.599 --> 01:00:36.059
and it's scary and like these characters are

01:00:36.059 --> 01:00:38.380
just so colorful and they're so real you know

01:00:38.380 --> 01:00:39.760
like that's the thing i liked about the movie

01:00:39.760 --> 01:00:41.139
too it's just everyone in this movie feels so

01:00:41.139 --> 01:00:44.420
real like these are real life teenagers here

01:00:44.420 --> 01:00:46.480
we have these you know these teachers that are

01:00:46.480 --> 01:00:48.519
just like mean to the you know to the kids and

01:00:48.519 --> 01:00:49.920
everything and these kids are supposed to be

01:00:49.920 --> 01:00:51.699
away for a summer vacation but then they end

01:00:51.699 --> 01:00:54.380
up stuck at the school and this freaky shit is

01:00:54.380 --> 01:00:56.440
happening there's wind for some reason in the

01:00:56.440 --> 01:00:59.579
summertime like all kinds of crazy shit is going

01:00:59.579 --> 01:01:01.719
on in this movie and it's great it's like really

01:01:01.719 --> 01:01:04.400
spooky and everything in terms of you know horror

01:01:04.400 --> 01:01:06.739
and like this is actually terrifying to watch

01:01:06.739 --> 01:01:09.760
a super atmospheric and very atmospheric and

01:01:09.760 --> 01:01:12.840
like the music is pretty good and yeah just everything

01:01:12.840 --> 01:01:15.019
about it is so good like damn This movie deserves

01:01:15.019 --> 01:01:20.440
more light to it than it gets. Did you watch

01:01:20.440 --> 01:01:23.280
this one before? Was this your first Taboada

01:01:23.280 --> 01:01:24.940
discovery? That was my first Taboada, yeah. Because

01:01:24.940 --> 01:01:27.300
I got that on DVD, too. It was at the 99 Cent

01:01:27.300 --> 01:01:29.800
Store in Pomona. Shout out to P -Town, yo. Sugar

01:01:29.800 --> 01:01:31.840
free. Yeah, it was there. And I was like, oh,

01:01:31.860 --> 01:01:33.219
I think I've heard of this. This was when I was

01:01:33.219 --> 01:01:34.619
still getting into the movies and stuff. And

01:01:34.619 --> 01:01:35.719
I was like, oh, I think I've heard of this one.

01:01:35.739 --> 01:01:37.079
Let me get this thing. It was only like a dollar.

01:01:37.280 --> 01:01:38.860
And yeah, I was like, oh, shit, this is fucking

01:01:38.860 --> 01:01:42.059
great. It's like, this is really good shit right

01:01:42.059 --> 01:01:44.429
here. And from there, that's when I learned about

01:01:44.429 --> 01:01:45.989
Taboada. I was like, this guy's actually fucking

01:01:45.989 --> 01:01:48.469
great. I need to see more of his stuff, you know.

01:01:48.510 --> 01:01:50.809
So that's what caught me to Libro de Piedra and

01:01:50.809 --> 01:01:53.869
the rest of his filmography from there. So if

01:01:53.869 --> 01:01:55.289
you haven't seen it, you have to see it. It's

01:01:55.289 --> 01:01:58.170
great. This is like the perfect summer vacation

01:01:58.170 --> 01:02:00.550
movie or going back to school kind of movie,

01:02:00.710 --> 01:02:02.969
you know, around that time, you know, even Halloween

01:02:02.969 --> 01:02:04.949
if you want. But it's great, you know. It's on

01:02:04.949 --> 01:02:07.719
Blu -ray. It's from VCI. Which I'm not a fan

01:02:07.719 --> 01:02:09.659
of because it's pretty barebone and then it's

01:02:09.659 --> 01:02:15.239
a DVD -R. I mean, blue BDR. I was not a fan of

01:02:15.239 --> 01:02:16.380
that. It doesn't even play on my Blu -ray player

01:02:16.380 --> 01:02:19.320
anymore. On this one, at least. It would play

01:02:19.320 --> 01:02:22.000
on my old one, but not on this one. So I'm like,

01:02:22.039 --> 01:02:23.539
damn. I'm going to have to rip it or something

01:02:23.539 --> 01:02:28.239
and put it on my DVD. I couldn't find the fucking

01:02:28.239 --> 01:02:30.760
Blu -ray anywhere for some reason, so I have

01:02:30.760 --> 01:02:33.920
the VCI DVD of it. Yeah, I think now they only

01:02:33.920 --> 01:02:35.000
sell the DVD. But I'm like, whatever. Yeah, now

01:02:35.000 --> 01:02:36.440
they only sell the DVD, which I thought was weird,

01:02:36.480 --> 01:02:37.699
too. It's like, it's not even on Blu -ray anymore.

01:02:37.820 --> 01:02:39.639
Because people probably complained that it was

01:02:39.639 --> 01:02:41.519
a fucking BDR. Like, get this shit out of here.

01:02:42.039 --> 01:02:44.019
How are you going to put such a masterpiece on

01:02:44.019 --> 01:02:45.940
a fucking piece of shit like this? I know. I

01:02:45.940 --> 01:02:49.139
was like, but. It's there. And it's on Tubi as

01:02:49.139 --> 01:02:51.019
well. So you can watch it on Tubi if you want.

01:02:51.179 --> 01:02:53.219
Yeah, a thousand percent. But yeah, if you like,

01:02:53.280 --> 01:02:55.760
you know, the other ones, and you still haven't

01:02:55.760 --> 01:02:57.739
seen this one, you have to watch it. Or if you

01:02:57.739 --> 01:02:59.639
want to get into Taboada, I would definitely

01:02:59.639 --> 01:03:01.900
start off with this one first. I think either

01:03:01.900 --> 01:03:06.079
this one or Veneno para las Alas is, or like

01:03:06.079 --> 01:03:08.360
the go, the first, like the entry points for

01:03:08.360 --> 01:03:09.800
Taboada. Yeah, that's true, yeah. Because you

01:03:09.800 --> 01:03:13.369
get a sense of... Like we were saying when you

01:03:13.369 --> 01:03:15.250
were talking about Libro de Piedras, you get

01:03:15.250 --> 01:03:18.409
a sense of how he structures the movie, the way

01:03:18.409 --> 01:03:23.429
he builds the tension, the way he designs the

01:03:23.429 --> 01:03:26.630
movies. It's where it's more atmospheric. You

01:03:26.630 --> 01:03:29.489
really get a sense of that in this movie. So

01:03:29.489 --> 01:03:31.130
yeah, I would agree. This is definitely a good

01:03:31.130 --> 01:03:32.449
entry point. It's very colorful in just everything

01:03:32.449 --> 01:03:34.889
too. Even when they're wearing their school outfits,

01:03:35.010 --> 01:03:37.610
it's so colorful and just so eye -catching. This

01:03:37.610 --> 01:03:39.889
is like art, you know? Yeah. Everything from

01:03:39.889 --> 01:03:41.809
the costumes, the settings and everything, it's

01:03:41.809 --> 01:03:43.730
very artistic and it's beautiful. It's like,

01:03:43.730 --> 01:03:45.809
wow, this is something you'll never see again.

01:03:46.400 --> 01:03:49.119
Can't be replicated. They did a remake in, like,

01:03:49.119 --> 01:03:52.760
what, 2007, 2008? I don't remember. It was definitely

01:03:52.760 --> 01:03:55.239
mid -2000s, yeah. Some bullshit. Yeah, it's just

01:03:55.239 --> 01:03:56.820
some bullshit. I remember I couldn't even finish

01:03:56.820 --> 01:04:00.460
it. I was just like, no, this is terrible. Funny

01:04:00.460 --> 01:04:02.400
enough, I've actually seen people put that on

01:04:02.400 --> 01:04:04.960
their list of, like, and maybe they've mistakenly

01:04:04.960 --> 01:04:07.119
put the remake version and not the fucking, but

01:04:07.119 --> 01:04:09.420
I've seen it. It was their AI -generated thing,

01:04:09.460 --> 01:04:12.000
probably. But, yeah, that movie sucks. Like,

01:04:12.000 --> 01:04:15.000
the remake? Don't even bother. And I say that

01:04:15.000 --> 01:04:17.739
with a lot of strength. It's like, please don't

01:04:17.739 --> 01:04:19.280
watch it. You should see him right now. He's

01:04:19.280 --> 01:04:21.239
sweating. He's like, fuck this. He's got a fist

01:04:21.239 --> 01:04:24.079
in the air. Don't watch that shit. Please. Watch

01:04:24.079 --> 01:04:26.679
the original one. Please. Always watch the original.

01:04:26.980 --> 01:04:32.840
Always. 1968 right here, man. Well, my number

01:04:32.840 --> 01:04:36.519
two. And again, I was going back and forth on

01:04:36.519 --> 01:04:39.019
flip -flopping this with being number one or

01:04:39.019 --> 01:04:42.929
being number two. This is going to be my number

01:04:42.929 --> 01:04:47.989
two. Another 1979 movie that stars Ana Luisa

01:04:47.989 --> 01:04:51.230
Pelufo, one of Mexico's goddesses of cinema.

01:04:51.489 --> 01:05:19.369
I'm talking about Una Rata en la Oscuridad. Algo

01:05:19.369 --> 01:05:29.230
te preocupa, hermana. Te conozco. ¿Qué es? Es

01:05:29.230 --> 01:05:43.949
difícil decirlo. Dilo. Con toda sinceridad, Josefina.

01:05:45.170 --> 01:05:49.389
¿No percibes nada extraño en esta casa? Es eso.

01:05:49.789 --> 01:05:52.329
Sigues pensando en la famosa mano que te tocó.

01:05:53.590 --> 01:05:57.610
Y tú sigues sin creerme, ¿verdad? Lo que creo

01:05:57.610 --> 01:05:59.710
es que sufriste una alucinación provocada por

01:05:59.710 --> 01:06:04.050
el efecto de la luz de las velas. No sé qué pensar.

01:06:05.110 --> 01:06:07.829
Hay algo extraño en el aire, en las paredes.

01:06:08.469 --> 01:06:12.989
Algo condenadamente extraño en esta casa. He

01:06:12.989 --> 01:06:15.170
pensado que se adelantan unas clases de literatura

01:06:15.170 --> 01:06:37.010
en el instituto. A fucking banger, dude. I have

01:06:37.010 --> 01:06:39.730
the poster, too. Oh, yeah, I remember you have

01:06:39.730 --> 01:06:41.610
the poster, for sure. I was going to put it up,

01:06:41.630 --> 01:06:44.889
but I forgot. You should have put it. I know.

01:06:45.329 --> 01:06:47.409
We'll post it on the page. Yeah, we'll post it.

01:06:47.409 --> 01:06:51.289
Yeah, for sure. So this is written, directed

01:06:51.289 --> 01:06:54.489
by Alfredo Salazar, who is the brother to one

01:06:54.489 --> 01:06:57.429
of Mexico's most well -known actors, Abel Salazar.

01:06:59.510 --> 01:07:05.130
But this movie is like, it features two sisters

01:07:05.130 --> 01:07:08.670
who... buy a house for super, super cheap. And

01:07:08.670 --> 01:07:10.050
they're like, wow, how the fuck did we get this

01:07:10.050 --> 01:07:12.269
house for so damn cheap? Well, it turns out that

01:07:12.269 --> 01:07:14.510
something's fucked up in this house and they

01:07:14.510 --> 01:07:16.869
can't figure it out if it's a ghost, if it's

01:07:16.869 --> 01:07:19.510
a real person, or maybe it's just a fucking rat

01:07:19.510 --> 01:07:22.909
that's running around the house. Who knows? But

01:07:22.909 --> 01:07:25.829
I will spoil this a little bit. So if you want

01:07:25.829 --> 01:07:28.570
to watch this before I spoil it, pause it and

01:07:28.570 --> 01:07:32.469
watch it. But again, stars Ana Luisa Pelufo and

01:07:32.469 --> 01:07:36.510
Anais Demelo, two sisters. This is just such

01:07:36.510 --> 01:07:42.929
a strange, eerie movie that I think... closely

01:07:42.929 --> 01:07:47.889
resembles a Euro horror movie. That is true,

01:07:47.969 --> 01:07:50.570
yeah. It does feel very European to it. Super

01:07:50.570 --> 01:07:54.630
European, yeah. Like I said, they basically buy

01:07:54.630 --> 01:07:57.570
this house. It's kind of like this gothic -looking

01:07:57.570 --> 01:08:00.929
house. Shit starts happening. The younger sister

01:08:00.929 --> 01:08:03.929
swears she has these powers to tell the future.

01:08:04.170 --> 01:08:06.530
She was able to know when her parents were going

01:08:06.530 --> 01:08:10.920
to die and all that shit. And then you have Josefina,

01:08:10.940 --> 01:08:14.579
the older sister, who's more grounded. And basically,

01:08:14.780 --> 01:08:17.840
it seems like the dynamic is that she's taking

01:08:17.840 --> 01:08:21.880
care of the younger sister. It has taken on the

01:08:21.880 --> 01:08:28.000
mom role, as you would say. But yeah, it's just

01:08:28.000 --> 01:08:32.159
wild, man. There's supernatural shit going on.

01:08:32.279 --> 01:08:35.770
There's a rat that keeps... always pops up in

01:08:35.770 --> 01:08:39.649
the movie but the younger sister is going through

01:08:39.649 --> 01:08:42.369
some shit you know like she sees this painting

01:08:42.369 --> 01:08:44.250
in the house and she's like why does that face

01:08:44.250 --> 01:08:48.989
look so fucking familiar she thinks it's fucking

01:08:48.989 --> 01:08:52.989
weird and you know she thinks that it resembles

01:08:52.989 --> 01:08:59.579
the realtor that they bought it from But she's

01:08:59.579 --> 01:09:02.239
not sure. And funny enough, she has these fucking

01:09:02.239 --> 01:09:03.819
magical powers, but she can't figure out who

01:09:03.819 --> 01:09:07.399
this person in the painting is. But once they

01:09:07.399 --> 01:09:09.399
discover that, then there's this looming presence

01:09:09.399 --> 01:09:13.859
of what looks like a female. We're not sure what's

01:09:13.859 --> 01:09:16.560
going on, but this presence starts looming in

01:09:16.560 --> 01:09:18.479
the house, is following them throughout the house,

01:09:18.500 --> 01:09:22.100
watching them through the windows, sexually abusing

01:09:22.100 --> 01:09:27.479
the younger sister while she's sleeping. It's

01:09:27.479 --> 01:09:31.539
fucking wild, man. There's a dream sequence towards

01:09:31.539 --> 01:09:35.039
the end of the movie with Ana Luisa Pelufo where

01:09:35.039 --> 01:09:39.960
the sister has gotten hurt. The sister has been

01:09:39.960 --> 01:09:41.779
taken away. She's staying in the house by herself.

01:09:42.140 --> 01:09:46.020
She's dreaming. This presence, this woman that's

01:09:46.020 --> 01:09:48.939
looming the house just starts grabbing on her

01:09:48.939 --> 01:09:55.170
tits and kissing her. Really raunchy, too. It

01:09:55.170 --> 01:09:59.710
gets pretty graphic. And she's loving it. To

01:09:59.710 --> 01:10:03.189
me, that scene was her finally having the freedom

01:10:03.189 --> 01:10:07.229
to just be a woman. The parents die, so she has

01:10:07.229 --> 01:10:09.270
to take care of her sister, but now she's able

01:10:09.270 --> 01:10:14.369
to live out free. And there's probably some guilt

01:10:14.369 --> 01:10:16.390
built in there, which is why she was loving it

01:10:16.390 --> 01:10:18.670
so much when she was being touched and everything.

01:10:20.909 --> 01:10:24.270
Because there's this operatic rock song that's

01:10:24.270 --> 01:10:26.250
playing throughout. Oh, that's right. I forgot

01:10:26.250 --> 01:10:28.710
about that. Yeah, it's fucking amazing. Even

01:10:28.710 --> 01:10:33.189
the intro theme to the movie feels more like

01:10:33.189 --> 01:10:38.210
it's a fucking 70s Euro cult, like Polozio Teschi

01:10:38.210 --> 01:10:41.689
fucking soundtrack. Goblin -esque, if you will.

01:10:42.069 --> 01:10:46.210
But I fucking love it, dude. It deals in sexuality.

01:10:46.529 --> 01:10:50.420
It's a perverse movie. This is where I'm going

01:10:50.420 --> 01:10:52.300
to spoil it. So if you want to watch this movie

01:10:52.300 --> 01:10:54.619
without having the spoiler, which I recommend,

01:10:54.960 --> 01:11:00.079
pause it now and watch the movie. But at the

01:11:00.079 --> 01:11:02.960
end of the movie, the sisters, they bounce. They

01:11:02.960 --> 01:11:05.420
can't take it anymore. And a new family comes

01:11:05.420 --> 01:11:09.460
in. And it's the same realtor. And it turns out

01:11:09.460 --> 01:11:13.060
that it wasn't a woman. It was a man dressed

01:11:13.060 --> 01:11:17.300
as a woman. And now... he has plans to do the

01:11:17.300 --> 01:11:19.760
same thing to this woman and her young daughter.

01:11:19.899 --> 01:11:22.260
And I think that's where the perverse part, like

01:11:22.260 --> 01:11:25.380
even more perverted part of this movie is that

01:11:25.380 --> 01:11:28.180
now the same thing that happened to these, you

01:11:28.180 --> 01:11:30.720
know, two older women is going to happen to this

01:11:30.720 --> 01:11:34.000
young girl who's probably 10, maybe 11, like

01:11:34.000 --> 01:11:37.029
a preteen. And it's going to start happening

01:11:37.029 --> 01:11:40.369
to her. But we don't ever see the guy's face,

01:11:40.449 --> 01:11:42.590
like really. You don't see his body. Obviously,

01:11:42.590 --> 01:11:44.350
he's naked at the end of the movie. So you'll

01:11:44.350 --> 01:11:46.210
see his dick, you know, full frontal. So shout

01:11:46.210 --> 01:11:49.010
out to, you know, equal rights for women and

01:11:49.010 --> 01:11:54.010
men being naked in movies. But we don't ever

01:11:54.010 --> 01:11:57.630
learn why this person is doing it. what's the

01:11:57.630 --> 01:12:00.390
objective here? Like, is it just something that

01:12:00.390 --> 01:12:03.449
gets this person off of, you know, tormenting

01:12:03.449 --> 01:12:06.229
people and sexually abusing people? We don't

01:12:06.229 --> 01:12:08.170
know. It's kind of like Black Christmas where

01:12:08.170 --> 01:12:10.050
the end happens and you're just like, wait, what?

01:12:10.369 --> 01:12:12.470
And then the supernatural stuff, you don't even

01:12:12.470 --> 01:12:14.229
know what that was about. Yeah, was it real?

01:12:14.510 --> 01:12:16.029
Or was it imagination? There's like earthquakes

01:12:16.029 --> 01:12:18.409
and fucking lightning and all kinds of shit.

01:12:18.510 --> 01:12:20.909
Like, you know, what is going on here? Could

01:12:20.909 --> 01:12:23.390
be like a warlock, maybe a perverted warlock.

01:12:23.489 --> 01:12:25.430
A perverted warlock. Yeah, I like that actually.

01:12:25.449 --> 01:12:26.720
Something like that, yeah. That's kind of how

01:12:26.720 --> 01:12:29.119
I saw it, at least. Maybe it's some kind of warlock

01:12:29.119 --> 01:12:31.119
or something. I don't know. But it was really

01:12:31.119 --> 01:12:32.899
weird and vague. But that's what I liked about

01:12:32.899 --> 01:12:35.600
it. Leaves you wanting more. Leaves you with

01:12:35.600 --> 01:12:37.899
questions. Yeah. Kind of interpret it yourself

01:12:37.899 --> 01:12:39.939
like that from there. That's the fun part of

01:12:39.939 --> 01:12:42.760
it all. The ending is really, really fucking

01:12:42.760 --> 01:12:46.680
gross. Because like I said, not to beat a dead

01:12:46.680 --> 01:12:49.039
horse and say it again, but it's just to imagine

01:12:49.039 --> 01:12:52.210
what he's going to do to this young girl. It's

01:12:52.210 --> 01:12:54.989
just it's and then it just ends like that's the

01:12:54.989 --> 01:12:57.210
cliffhanger. So now it's now it's up to you to

01:12:57.210 --> 01:12:59.350
decide. Is he actually going to do the same thing

01:12:59.350 --> 01:13:01.810
to this little girl? Like, I don't fucking know.

01:13:02.170 --> 01:13:06.050
But I think this movie is fucking amazing. Criminally

01:13:06.050 --> 01:13:10.390
underrated, criminally underseen. I can see someone

01:13:10.390 --> 01:13:12.550
like Mondo Macabro putting out a restoration

01:13:12.550 --> 01:13:14.449
of this. I feel like this would fit their line

01:13:14.449 --> 01:13:17.989
perfectly. Eurocentric as fuck. So if you're

01:13:17.989 --> 01:13:23.149
into Euro movies, you'll fucking love this. Yeah,

01:13:23.210 --> 01:13:25.369
that's great. I think there's like a DVD that

01:13:25.369 --> 01:13:28.890
sells for cheap too online. Get it. Just fucking

01:13:28.890 --> 01:13:33.050
get it. There's copies of this on OKRU. Shout

01:13:33.050 --> 01:13:36.340
out to the Russians in that sense. If you can

01:13:36.340 --> 01:13:39.819
just find this fucking movie and watch it, you

01:13:39.819 --> 01:13:42.340
won't regret it. I fucking love this movie, and

01:13:42.340 --> 01:13:45.199
I cannot recommend it enough. Yeah, that's a

01:13:45.199 --> 01:13:47.239
banger. That's a good choice. That's why when

01:13:47.239 --> 01:13:49.680
I saw your list, I was like, yeah. Yeah, I originally

01:13:49.680 --> 01:13:51.739
had something different, and I'm not going to

01:13:51.739 --> 01:13:55.300
say what I had as slotted in my number two, but

01:13:55.300 --> 01:13:57.399
it got slotted out of the top five altogether.

01:13:58.760 --> 01:14:02.729
Una Rata en la Oscuridad, ultra banger. Which

01:14:02.729 --> 01:14:05.869
leads to now the finale here. Both of our number

01:14:05.869 --> 01:14:09.970
one top Mexican horror movies of all time. What

01:14:09.970 --> 01:14:13.270
you got, Armando? Well, it was very hard for

01:14:13.270 --> 01:14:14.689
me to pick. I was like, what am I going to pick

01:14:14.689 --> 01:14:16.489
for number one? This was last year, by the way.

01:14:17.949 --> 01:14:20.010
You got a lot of shit for that list last year,

01:14:20.029 --> 01:14:22.390
didn't you? Yeah, people were weird about it.

01:14:22.890 --> 01:14:24.930
So then I was just thinking, what am I going

01:14:24.930 --> 01:14:29.090
to put? Am I going to have to put Kronos? Frankenstein

01:14:29.090 --> 01:14:32.329
2025. Frankenstein. What was that one that we

01:14:32.329 --> 01:14:33.909
were talking about? We're in the shadows or what?

01:14:34.510 --> 01:14:38.510
We are the flesh. Whatever the fuck. Am I going

01:14:38.510 --> 01:14:42.329
to pick that? Am I going to pick, I don't know,

01:14:42.550 --> 01:14:47.829
fucking supernatural? I don't know. Hispanic

01:14:47.829 --> 01:14:50.489
panic or what was that? Satanic Hispanic? Satanic

01:14:50.489 --> 01:14:51.750
Hispanic. Am I going to have to pick something

01:14:51.750 --> 01:14:54.109
like that? No, fuck no. I was like, you know

01:14:54.109 --> 01:14:55.869
what? I'm going to pick something that I felt.

01:14:56.489 --> 01:15:00.350
i think has now grown into this big thing now

01:15:00.350 --> 01:15:03.069
which is funny enough because like i remember

01:15:03.069 --> 01:15:05.470
this movie always having like a a little bit

01:15:05.470 --> 01:15:08.329
of a fan base not too much though but it's grown

01:15:08.329 --> 01:15:10.289
over the years and i think now more than ever

01:15:11.410 --> 01:15:13.510
And people always have good memories of it. They're

01:15:13.510 --> 01:15:14.750
like, oh, I remember when I saw it in the theater.

01:15:14.810 --> 01:15:16.909
It was scary. It kind of reminded me of how people

01:15:16.909 --> 01:15:18.829
felt with A Nightmare on Elm Street. When that

01:15:18.829 --> 01:15:20.609
movie came out, people were freaked out. They

01:15:20.609 --> 01:15:22.130
were like, oh, this movie's crazy. This movie's

01:15:22.130 --> 01:15:24.609
fun. I still love A Fucking Nightmare on Elm

01:15:24.609 --> 01:15:25.989
Street. Yeah, that's a great one. Not to derail

01:15:25.989 --> 01:15:27.630
you. Yeah, no, but yeah, that's a great one.

01:15:28.510 --> 01:15:30.409
So that's kind of what it reminded me of when

01:15:30.409 --> 01:15:31.729
I picked this one. I was like, yeah, this movie

01:15:31.729 --> 01:15:34.229
kind of has that vibe to it. When it first came

01:15:34.229 --> 01:15:36.029
out, people were scared of it. People were freaked

01:15:36.029 --> 01:15:38.369
out by it or just excited over it because it

01:15:38.369 --> 01:15:42.579
was fun. And my pick is Vacaciones de Terror

01:15:42.579 --> 01:16:11.029
from 1989. Nice. Porque mi muñeca tiene hambre.

01:16:11.710 --> 01:16:14.369
Ay, mi amor, deja esa horrible muñeca en paz.

01:16:14.729 --> 01:16:18.090
Teniendo juguetes tan bonitos. A ver, dame acá.

01:17:04.810 --> 01:17:06.970
Directed by none other than Rene Cardona III.

01:17:07.229 --> 01:17:10.250
And he started with this movie, you know, because

01:17:10.250 --> 01:17:12.189
he was doing comedies before. But he was like,

01:17:12.270 --> 01:17:15.250
he was just tired of it, you know. He wanted

01:17:15.250 --> 01:17:17.270
to do the stuff that his grandfather was doing,

01:17:17.329 --> 01:17:18.909
his dad was doing, you know, which was horror

01:17:18.909 --> 01:17:20.569
stuff, you know. And he was a horror fan himself,

01:17:20.729 --> 01:17:22.689
you know. And then after doing Cementerio del

01:17:22.689 --> 01:17:24.729
Terron, he was like, I can make a movie too,

01:17:24.750 --> 01:17:28.409
you know. So, yeah, he got, you know, him and

01:17:28.409 --> 01:17:30.930
Santiago Galindo teamed up. They wrote the movie.

01:17:30.989 --> 01:17:34.460
And then Carlos Valdemar wrote the script. And

01:17:34.460 --> 01:17:36.279
the Galindos are behind it. So you got Santiago

01:17:36.279 --> 01:17:39.439
behind it. Pedro Galindo III. Eduardo Galindo.

01:17:39.659 --> 01:17:41.680
So you already know they're going to make a fucking

01:17:41.680 --> 01:17:46.140
banger here. The cinematography by Luis Medina.

01:17:46.439 --> 01:17:48.640
He made a lot of the movies with the Galindos

01:17:48.640 --> 01:17:50.699
back in the day. So, you know, he was teaming

01:17:50.699 --> 01:17:52.180
up with a bunch of good people. He was lining

01:17:52.180 --> 01:17:54.899
up like, you know, an ensemble right here. The

01:17:54.899 --> 01:17:56.539
people that were talented. Because he wanted

01:17:56.539 --> 01:17:58.020
to make a horror movie. A good horror movie.

01:17:58.460 --> 01:18:00.279
Not just a cheesy horror movie. He wanted to

01:18:00.279 --> 01:18:03.300
make actually a good horror movie. And, yeah,

01:18:03.380 --> 01:18:04.779
so this one, you know, if you haven't seen it,

01:18:04.819 --> 01:18:06.859
it's, you know, pretty basic. It's just about,

01:18:06.939 --> 01:18:09.079
you know, a family, the stay in this vacation

01:18:09.079 --> 01:18:11.640
home that they inherit. And, of course, you know,

01:18:11.640 --> 01:18:13.979
some weird shit happens in there. You can't inherit

01:18:13.979 --> 01:18:16.899
a fucking house in a movie and then not be haunted.

01:18:17.060 --> 01:18:18.819
That's just a fact. Yeah, and it turns out there's

01:18:18.819 --> 01:18:20.859
like a witch -possessed doll that's behind all

01:18:20.859 --> 01:18:22.859
this. So, you know, the doll's in the possession

01:18:22.859 --> 01:18:25.399
of the little girl in the movie. The little girl

01:18:25.399 --> 01:18:28.319
starts, you know, acting out. She starts possessing

01:18:28.319 --> 01:18:30.220
everyone else. You know, her brothers, her brothers

01:18:30.220 --> 01:18:32.279
start helping her with the stuff, too. You know,

01:18:32.319 --> 01:18:35.500
it's a pretty crazy movie. And the doll, of course,

01:18:35.560 --> 01:18:38.380
is, like, iconic now. Oh, yeah. Oh, yeah. Yeah,

01:18:38.420 --> 01:18:40.220
people, like, compare it to Annabelle, which

01:18:40.220 --> 01:18:42.680
is a funny comparison because Annabelle's, you

01:18:42.680 --> 01:18:45.899
know. Annabelle sucks. Annabelle's weird. I try

01:18:45.899 --> 01:18:48.420
to go back and watch all of the Annabelle with

01:18:48.420 --> 01:18:50.800
that whole universe. I never understood the appeal

01:18:50.800 --> 01:18:52.560
of Annabelle. I couldn't do it, dude. I got to

01:18:52.560 --> 01:18:54.479
part three or four and I was out. This witch

01:18:54.479 --> 01:18:57.779
doll doesn't have to do much. She just moves

01:18:57.779 --> 01:19:00.359
her eyes, makes that little noise. Some weird

01:19:00.359 --> 01:19:03.319
shit happens. She fucking messes with the moms.

01:19:03.420 --> 01:19:06.600
Remember she's pregnant? She messes with the

01:19:06.600 --> 01:19:09.890
fetus in there. It's fucking freaky, too. And

01:19:09.890 --> 01:19:11.729
then she messes with the refrigerator. There's

01:19:11.729 --> 01:19:13.470
like rats and worms. Yeah, it's just kind of

01:19:13.470 --> 01:19:16.909
gross. Just kind of crazy shit like that. And

01:19:16.909 --> 01:19:21.130
the witch dog controls the cars, the toy cars,

01:19:21.329 --> 01:19:23.189
and it's affecting the dad driving. Oh, yeah.

01:19:23.770 --> 01:19:25.710
Just all kinds of crazy shit. So that's the thing.

01:19:25.750 --> 01:19:28.890
It's just so out of the line of craziness. There's

01:19:28.890 --> 01:19:31.829
just wackiness to it, too. And it's scary, too.

01:19:31.890 --> 01:19:33.430
Like I said, the doll is just freaky when you

01:19:33.430 --> 01:19:34.869
look at it at first. For the first time, you're

01:19:34.869 --> 01:19:37.640
just like, oh, this is fucking weird. that's

01:19:37.640 --> 01:19:39.479
really all it takes is to have, especially if

01:19:39.479 --> 01:19:41.680
like the doll is going to be like a, a central

01:19:41.680 --> 01:19:43.939
part of the movie. The doll has to be effective.

01:19:44.420 --> 01:19:46.899
Think of all the doll movie, horror movies you've

01:19:46.899 --> 01:19:50.699
seen. The good ones are because the doll works,

01:19:50.800 --> 01:19:53.439
you know? Yeah, exactly. It's fucking great.

01:19:53.600 --> 01:19:55.640
And of course it has an ensemble, you know, big

01:19:55.640 --> 01:20:01.479
time cast. Got Pedro Fernandez. Of course. Got

01:20:01.479 --> 01:20:06.510
Julio Alimón. Gabriela Hasso, her little sister,

01:20:06.649 --> 01:20:11.430
Gianella Haselkus, Nuria Bagues, Carlos Cis and

01:20:11.430 --> 01:20:13.369
Ernesto Cis, the twins. The twins. Bless their

01:20:13.369 --> 01:20:16.229
dad. Oh, yeah, their dad comes out in the beginning.

01:20:17.430 --> 01:20:20.170
And, yeah, and then Roberto Schlosser, you know,

01:20:20.170 --> 01:20:22.029
the director. He's actually in the movie, too.

01:20:22.069 --> 01:20:24.489
He has a doctor. It's, like, the most random,

01:20:24.510 --> 01:20:26.250
like, scene. He's just like, is that Schlosser?

01:20:26.250 --> 01:20:28.130
Like, what the fuck? Whenever I saw that, I was

01:20:28.130 --> 01:20:30.340
like, what the fuck is he doing here? and yeah

01:20:30.340 --> 01:20:32.260
you know so it's just a great movie overall like

01:20:32.260 --> 01:20:34.359
it's a cult classic people fucking love this

01:20:34.359 --> 01:20:37.039
movie and more than ever now and it's just it's

01:20:37.039 --> 01:20:38.840
unfortunate that renee the third is in here with

01:20:38.840 --> 01:20:41.699
us to see it because rest in peace before you

01:20:41.699 --> 01:20:43.279
know the blu -ray and all that he was like excited

01:20:43.279 --> 01:20:45.119
he was just like you know the movie's gonna come

01:20:45.119 --> 01:20:47.239
out he's gonna finally be able to like present

01:20:47.239 --> 01:20:50.100
it hot to a higher extent you know rather than

01:20:50.100 --> 01:20:53.340
just himself and yeah you know if he was alive

01:20:53.340 --> 01:20:54.800
he would have been fucking stoked he would have

01:20:54.800 --> 01:20:57.350
been like Armando, this is the fucking greatest

01:20:57.350 --> 01:21:01.250
horror movie ever. That's how I like to think

01:21:01.250 --> 01:21:03.229
of it. I only had contact with him for a short

01:21:03.229 --> 01:21:05.489
time, but I feel like if he saw me putting this

01:21:05.489 --> 01:21:07.069
list out and he saw it, he would have been like,

01:21:07.170 --> 01:21:09.609
that's true, it is. Because that's just how he

01:21:09.609 --> 01:21:11.310
was. He really believed in this movie. He fucking

01:21:11.310 --> 01:21:14.350
was the champion of it. He made it, obviously,

01:21:14.470 --> 01:21:17.350
but he truly believed. He made a really fucking

01:21:17.350 --> 01:21:19.569
great horror movie here. And he wanted to remake

01:21:19.569 --> 01:21:22.350
it so badly. There were so many attempts at it,

01:21:22.390 --> 01:21:24.750
but he never got the funding for it. which is

01:21:24.750 --> 01:21:26.470
unfortunate because I feel like if he did a remake,

01:21:26.529 --> 01:21:27.930
he probably would have made a great movie again.

01:21:28.250 --> 01:21:30.550
Even part two of this movie is fucking dope.

01:21:30.710 --> 01:21:32.409
Yeah, part two, but he doesn't like talking about

01:21:32.409 --> 01:21:35.029
this. Out of respect for Rene. Out of respect

01:21:35.029 --> 01:21:36.970
for Rene, we won't, but I'm just saying. There

01:21:36.970 --> 01:21:38.810
was an interview I saw and they brought it up

01:21:38.810 --> 01:21:40.289
and he's just like, well, that's not my movie.

01:21:40.369 --> 01:21:43.930
I don't know. So out of respect, yeah, I'm just

01:21:43.930 --> 01:21:45.909
like, I don't know about part two, guys. But

01:21:45.909 --> 01:21:47.569
no, that one is good too. I'm not going to lie.

01:21:48.229 --> 01:21:50.310
But yes, I picked it. I feel like this movie

01:21:50.310 --> 01:21:53.109
is... on there. It's on the top of the list.

01:21:53.229 --> 01:21:55.130
People love it. People need to admit it more.

01:21:55.329 --> 01:21:57.369
You don't have to like Kronos and say it's the

01:21:57.369 --> 01:22:00.189
best. You can say Vacaciones is better because

01:22:00.189 --> 01:22:04.590
it's great. Just be weird. Be real. Don't be

01:22:04.590 --> 01:22:08.010
fake. Don't fall for that intellectual bullshit

01:22:08.010 --> 01:22:11.779
that people try to put on or whatever. AI generate

01:22:11.779 --> 01:22:14.640
list that people on fucking Instagram. Elevated

01:22:14.640 --> 01:22:16.479
horror. Yeah, and just shit like that. Like,

01:22:16.500 --> 01:22:18.300
no, people like having fun with horror movies

01:22:18.300 --> 01:22:20.460
and Vacaciones is a fucking fun movie. Like,

01:22:20.520 --> 01:22:22.220
yeah, have some fun. Get scared a little too

01:22:22.220 --> 01:22:24.260
at the same time. You mean to tell me that a

01:22:24.260 --> 01:22:26.659
possessed doll is not scarier than a fucking

01:22:26.659 --> 01:22:29.420
back room? A yellow room that has walls that

01:22:29.420 --> 01:22:31.539
you can walk through? I like back rooms for what

01:22:31.539 --> 01:22:33.939
it was, but I didn't think it was scary. It was

01:22:33.939 --> 01:22:36.359
just like a weird ass shit movie, but I didn't

01:22:36.359 --> 01:22:39.340
think it was scary at all. Vacaciones, you compare

01:22:39.340 --> 01:22:41.260
that with the other Mexican horror movies that

01:22:41.260 --> 01:22:46.539
people like to blast on. Vacaciones is fun. Better.

01:22:47.380 --> 01:22:51.460
Better writing, too, I would say. Damn. I already

01:22:51.460 --> 01:22:54.420
know people are going to be like, no. It's all

01:22:54.420 --> 01:22:56.239
right. I'm fully expecting the haters to come.

01:22:56.399 --> 01:22:57.960
It's all right, but it's not the best. Santa

01:22:57.960 --> 01:23:04.000
Sangra is the best. Shut up. But anyways, that's

01:23:04.000 --> 01:23:06.319
my pick right there. So rest in peace, Rene III.

01:23:06.560 --> 01:23:08.880
I know he's up in heaven right now. He's like,

01:23:08.899 --> 01:23:12.340
yes, Armando. Yes. Preach it, baby. Preach it.

01:23:12.539 --> 01:23:16.199
It is the best horror movie. I swear. Well, my

01:23:16.199 --> 01:23:19.359
number one is just a little bit different than

01:23:19.359 --> 01:23:22.319
yours. I'm going back to the 50s for mine. All

01:23:22.319 --> 01:23:28.899
right. Because when I first saw this movie. Admittedly,

01:23:28.899 --> 01:23:31.340
I hadn't seen it when it came out on DVD, like

01:23:31.340 --> 01:23:33.420
with the, what is it, the Casa Negra DVDs when

01:23:33.420 --> 01:23:35.699
they did it? Oh, yeah, yeah. So I never watched

01:23:35.699 --> 01:23:39.479
this until it played at the... The Academy. The

01:23:39.479 --> 01:23:41.680
Academy, yeah, for the Mexico Maleficarum. Shout

01:23:41.680 --> 01:23:43.479
out to Abraham. Do you remember what it played

01:23:43.479 --> 01:23:45.779
with? I don't remember what it played with. Was

01:23:45.779 --> 01:23:47.779
it another classic maybe? Oh, fuck, what did

01:23:47.779 --> 01:23:49.640
it play with? Because I don't think I went to

01:23:49.640 --> 01:23:52.920
that one because I would have remembered. It

01:23:52.920 --> 01:23:54.619
probably was a classic. I'll have to check. Check

01:23:54.619 --> 01:24:02.180
it out on Letterboxd for Nathan. I'll say the

01:24:02.180 --> 01:24:03.979
title right now, but look it up and then check

01:24:03.979 --> 01:24:06.220
the dates for what I doubled it with on that

01:24:06.220 --> 01:24:11.220
day. He's our new fact checker. My number one

01:24:11.220 --> 01:24:13.960
movie, like I said, I'm going back to the 50s.

01:24:13.960 --> 01:24:18.239
It's a black and white classic. Misterios de

01:24:18.239 --> 01:24:30.300
Ultratumba. Absolutely nothing. What do you expect

01:24:30.300 --> 01:24:37.579
to happen if I knew how to pray? Did Dr. Aldama

01:24:37.579 --> 01:24:48.100
do all this just to kill me? Hurry! Hurry, Dr.

01:24:48.220 --> 01:24:50.899
Aldama! There are only a few minutes left! Get

01:24:50.899 --> 01:24:54.340
me out of here! Get me out of here, Doctora Lama!

01:24:55.039 --> 01:25:28.500
Get me out of here! Yes. Ten minutes left. Yes,

01:25:28.560 --> 01:25:34.140
just what we'll take to get there. Ten more minutes,

01:25:34.300 --> 01:26:35.760
Doctor. Let's go. Innocent! I'm innocent! Let

01:26:35.760 --> 01:26:42.899
go of me! I'm innocent! Innocent! I said let

01:26:42.899 --> 01:26:49.199
go of me! I'm innocent! Let me take the money,

01:26:49.220 --> 01:26:52.079
the clean savings, and then kill me if you want,

01:26:52.119 --> 01:27:13.090
you traitor! Such a good title. AKA... Black

01:27:13.090 --> 01:27:15.670
Pit of Dr. M, which I fucking hate. I don't like

01:27:15.670 --> 01:27:19.409
that at all. Even if you were to just do a straight

01:27:19.409 --> 01:27:21.510
English translation of the movie, I think that

01:27:21.510 --> 01:27:23.930
would be better, which would be Mysteries from

01:27:23.930 --> 01:27:28.909
Beyond the Grave. But it's from 1959, directed

01:27:28.909 --> 01:27:32.270
by Fernando Mendez, written by Ramon Obon. I

01:27:32.270 --> 01:27:35.170
mean, classic fucking team right there. Alfredo

01:27:35.170 --> 01:27:37.310
Ripstein, who of course, you should know the

01:27:37.310 --> 01:27:43.090
name Ripstein because of Arturo Ripstein. But

01:27:43.090 --> 01:27:48.510
to me, this movie is, when I watched it, I was

01:27:48.510 --> 01:27:52.250
blown away. And that's an understatement. I was

01:27:52.250 --> 01:27:55.609
like, I walked out of the theater like, that's

01:27:55.609 --> 01:27:59.069
what. I fucking love this movie. I can't explain

01:27:59.069 --> 01:28:01.670
it. That's a good one. That's a great one. The

01:28:01.670 --> 01:28:04.210
basic premise is that, you know, a doctor is

01:28:04.210 --> 01:28:08.029
obsessed with what happens after death. And he

01:28:08.029 --> 01:28:09.989
has a pact with another doctor who died before

01:28:09.989 --> 01:28:12.189
him. So now he's like, hey, you got to come back

01:28:12.189 --> 01:28:13.909
and tell me what happens after death. That's

01:28:13.909 --> 01:28:16.130
such a unique plot, too. It's like, who makes

01:28:16.130 --> 01:28:19.750
movies like that? I mean, yeah, these type of

01:28:19.750 --> 01:28:22.510
movies are only made in the 50s, you know? Yeah,

01:28:22.510 --> 01:28:27.670
it's such an unusual but fun night. Oh, it played

01:28:27.670 --> 01:28:29.930
with El Escapulario, which is another fucking

01:28:29.930 --> 01:28:36.010
banger. That's a fucking banger. But this movie,

01:28:36.170 --> 01:28:38.930
I mean, obviously the themes of this movie are

01:28:38.930 --> 01:28:43.329
death, the afterlife, reincarnation. And to be

01:28:43.329 --> 01:28:45.770
quite honest, who hasn't thought about what happens

01:28:45.770 --> 01:28:49.069
when we die? I mean, I think that's such a universal

01:28:49.069 --> 01:28:53.239
question. and it's not it's not cultural it's

01:28:53.239 --> 01:28:55.460
not anything it's universal everybody in the

01:28:55.460 --> 01:28:57.579
fucking world at one point or another has thought

01:28:57.579 --> 01:29:01.300
about what happens when we die um and i think

01:29:01.300 --> 01:29:03.319
that's probably especially when i watched it

01:29:03.319 --> 01:29:04.840
at the time i was going through some mental health

01:29:04.840 --> 01:29:08.500
shit and watching this was just like holy fuck

01:29:08.500 --> 01:29:12.600
dude um obviously it's a black and white movie

01:29:12.600 --> 01:29:15.399
so the cinematography is fucking amazing the

01:29:15.399 --> 01:29:18.340
the restoration that powerhouse did on this the

01:29:18.340 --> 01:29:21.520
monochrome just fucking pops dude the lighting

01:29:21.520 --> 01:29:26.060
in this movie is insane um but it's just you

01:29:26.060 --> 01:29:28.659
know this obsession with death and what happens

01:29:28.659 --> 01:29:34.260
i think um This movie kind of shows you just

01:29:34.260 --> 01:29:37.720
the depths of where a person can go mentally

01:29:37.720 --> 01:29:40.159
with an obsession with this question of what

01:29:40.159 --> 01:29:43.000
happens after we die. Because this doctor is

01:29:43.000 --> 01:29:47.100
just, you know, is... He works at a mental institute,

01:29:47.359 --> 01:29:50.000
like a mental asylum. Just so much layers of

01:29:50.000 --> 01:29:52.199
madness. It's like, geez, now you're at the mental

01:29:52.199 --> 01:29:55.920
hospital too? And it goes deeper and deeper.

01:29:56.039 --> 01:29:58.319
He falls into a love, not necessarily a love

01:29:58.319 --> 01:30:02.140
triangle. He's obsessed with his partner's daughter,

01:30:02.460 --> 01:30:06.640
Dr. Aldama, who died before him. But she falls

01:30:06.640 --> 01:30:09.220
in love with a new doctor who comes in to take

01:30:09.220 --> 01:30:14.380
over the place that Dr. Aldama left. So there's

01:30:14.380 --> 01:30:16.380
that, you know, he's like infatuated with her.

01:30:18.020 --> 01:30:19.520
So you just, you talking about it makes me want

01:30:19.520 --> 01:30:21.619
to watch it again now. Yeah. I'll probably watch

01:30:21.619 --> 01:30:23.819
it when you leave. Yeah, dude, I fucking love

01:30:23.819 --> 01:30:25.760
this shit. It just so much goes on in this movie,

01:30:25.840 --> 01:30:27.619
but it's all good. It's like good shit. It's

01:30:27.619 --> 01:30:29.640
interesting. It's building up to something really

01:30:29.640 --> 01:30:32.439
fucking good. And it's great. And I think to

01:30:32.439 --> 01:30:34.560
me, the biggest, the biggest part of this movie,

01:30:34.600 --> 01:30:36.739
like the turning point or the, or the, the climax

01:30:36.739 --> 01:30:39.840
of this movie to, to be, you know, literal or

01:30:39.840 --> 01:30:41.500
educational, whatever you want to say, whatever

01:30:41.500 --> 01:30:49.670
the fuck. is when he finally, you know, Dr. Mazali

01:30:49.670 --> 01:30:51.770
finally gets his chance. Now he's going to know

01:30:51.770 --> 01:30:56.649
what happens when we die. But he's so fucking

01:30:56.649 --> 01:30:59.689
terrified of it that he no longer wants to die.

01:30:59.949 --> 01:31:02.909
And to me, that was like the, like I said, it's

01:31:02.909 --> 01:31:04.550
the climax. It's the breaking point where...

01:31:05.159 --> 01:31:07.659
I think, like I said, all of us want to know

01:31:07.659 --> 01:31:09.260
what happens after we die, but I don't think

01:31:09.260 --> 01:31:11.819
anyone sitting in this room right now actually

01:31:11.819 --> 01:31:15.239
wants to die. I mean, not that people are afraid

01:31:15.239 --> 01:31:17.920
of dying, but I think when you're confronted

01:31:17.920 --> 01:31:20.960
with death, your whole perspective changes. That's

01:31:20.960 --> 01:31:25.439
true. And you see it in the movie. Because when

01:31:25.439 --> 01:31:29.020
he dies, he gets reincarnated into a fucking...

01:31:30.829 --> 01:31:33.510
the zombie of one of his assistants who died

01:31:33.510 --> 01:31:36.109
you know before him but had acid thrown on his

01:31:36.109 --> 01:31:38.189
face so now he's reincarnated into this fucking

01:31:38.189 --> 01:31:42.069
zombie looking thing um but it just so happens

01:31:42.069 --> 01:31:46.949
that before his assistant elmer died he confesses

01:31:46.949 --> 01:31:49.569
to murdering someone else so now he's reincarnated

01:31:49.569 --> 01:31:53.869
after death into a body that is now going to

01:31:53.869 --> 01:31:56.449
die again so now he's now he's facing death multiple

01:31:56.449 --> 01:32:00.250
times i mean This movie is layered. It's phenomenal.

01:32:00.630 --> 01:32:06.590
I cannot recommend this movie enough. And I just

01:32:06.590 --> 01:32:12.449
spoiled it, unfortunately. No, you didn't. You

01:32:12.449 --> 01:32:18.520
left out some other stuff. I just think that

01:32:18.520 --> 01:32:22.300
this movie is, it's peak cinema, peak horror

01:32:22.300 --> 01:32:24.840
cinema. Yeah. And right at the, you know, when

01:32:24.840 --> 01:32:26.800
the beginning of Mexican horror was really starting.

01:32:26.899 --> 01:32:28.739
When the boom of Mexican horror was starting

01:32:28.739 --> 01:32:32.640
for sure. Yeah. But again, I can't recommend

01:32:32.640 --> 01:32:34.340
this enough. It's on Blu -ray. I don't know if

01:32:34.340 --> 01:32:36.239
the box set is still of it. I think it's way

01:32:36.239 --> 01:32:37.859
long. I mean, you can get it individually though.

01:32:37.939 --> 01:32:41.399
Yeah. Get this fucking movie. Watch it. You'll

01:32:41.399 --> 01:32:44.399
question your own questions about death and confronting

01:32:44.399 --> 01:32:47.520
death. Because like I said, I think a lot of

01:32:47.520 --> 01:32:49.500
people want to know what happens when we die.

01:32:50.100 --> 01:32:53.460
But a lot of people don't want to die. If that

01:32:53.460 --> 01:32:55.939
makes any sense. It's like the dichotomy of man,

01:32:56.079 --> 01:33:00.300
really. But I don't want to get too deep. We're

01:33:00.300 --> 01:33:01.500
going to start crying. It's going to turn into

01:33:01.500 --> 01:33:05.279
a therapy session. That's my number one pick.

01:33:05.279 --> 01:33:08.159
That's a good pick. That's better than what...

01:33:08.319 --> 01:33:10.880
an AI generative thing will fucking give you

01:33:10.880 --> 01:33:13.399
or whatever bullshit people think is number one

01:33:13.399 --> 01:33:17.279
you know you pick the classic which has atmosphere

01:33:17.279 --> 01:33:20.840
has a good story a deeper meaning about death

01:33:20.840 --> 01:33:24.560
and that afterlife come on that's true horror

01:33:24.560 --> 01:33:27.420
right there truly it truly is I mean you know

01:33:27.420 --> 01:33:30.140
the root of horror is like is humans really exactly

01:33:30.140 --> 01:33:32.119
you can add monsters in there but at the end

01:33:32.119 --> 01:33:35.260
of the day it's humans exactly so good choice

01:33:35.260 --> 01:33:38.130
I'm proud And that wraps it up. I mean, that's

01:33:38.130 --> 01:33:42.050
the top 10 Mexican horror movies according to

01:33:42.050 --> 01:33:44.590
the Trash Max podcast. Five and five. Don't be

01:33:44.590 --> 01:33:46.890
like, no, it's not. You left this movie out.

01:33:47.069 --> 01:33:50.289
I already know. i welcome it you know yeah put

01:33:50.289 --> 01:33:52.270
it in the comments and people start commenting

01:33:52.270 --> 01:33:54.489
on our shit man get our algorithm going you know

01:33:54.489 --> 01:33:57.229
we want more people to reach it but let us know

01:33:57.229 --> 01:33:58.909
i mean do you agree with it do you hate do you

01:33:58.909 --> 01:34:01.229
hate the list you know what did we miss you know

01:34:01.229 --> 01:34:07.289
chrono sucks top 10 that's one way to get the

01:34:07.289 --> 01:34:09.569
people talking on commenting on the shit or what's

01:34:09.569 --> 01:34:12.489
the other one um I can't even think because I

01:34:12.489 --> 01:34:14.109
just don't even care about those movies. A bunch

01:34:14.109 --> 01:34:16.210
of bullshit ass lists, yeah. Couldn't agree more.

01:34:16.729 --> 01:34:19.229
Half of the... No, not even half. 90 % of the

01:34:19.229 --> 01:34:21.170
time, those lists are terrible. I'll put Macario

01:34:21.170 --> 01:34:25.229
sucks. Damn. No, hey. Macario is a comedy. What

01:34:25.229 --> 01:34:27.090
are you talking about? It's not on this list.

01:34:27.270 --> 01:34:29.010
I forgot. That's right. No, never mind. My bad.

01:34:30.670 --> 01:34:33.210
One of the worst takes I've ever seen in my life.

01:34:33.329 --> 01:34:34.789
See, that's what I'm saying. People misunderstood

01:34:34.789 --> 01:34:38.090
Mexican cinema. And this is why... My website

01:34:38.090 --> 01:34:40.689
exists. You know, the podcast exists. We want

01:34:40.689 --> 01:34:44.350
you to, like, see the real. the real way to see

01:34:44.350 --> 01:34:46.210
these movies. Don't just assume shit, you know.

01:34:46.310 --> 01:34:48.250
Dive into the movies, man. Yeah, like, don't

01:34:48.250 --> 01:34:50.310
just assume because you saw people laughing at

01:34:50.310 --> 01:34:52.329
it or because someone told, someone that doesn't

01:34:52.329 --> 01:34:54.350
even watch these movies understand what it is,

01:34:54.369 --> 01:34:56.329
you know. It's like, no, we're the guys here.

01:34:56.449 --> 01:34:58.630
We know what the fuck we're watching. I know

01:34:58.630 --> 01:35:00.470
that sounds cocky, but it's like, no, it's the

01:35:00.470 --> 01:35:02.010
truth. We know what the fuck we're watching.

01:35:02.409 --> 01:35:05.050
Well, you know, and the mission has always been

01:35:05.050 --> 01:35:07.649
spread these movies to the masses, you know.

01:35:07.670 --> 01:35:11.520
Yeah, exactly. It's, it's, i'm not an expert

01:35:11.520 --> 01:35:13.020
i'll be the first to tell you i'm not an expert

01:35:13.020 --> 01:35:15.680
i'm not an expert i just know i'm merely a fan

01:35:15.680 --> 01:35:18.100
yeah i merely because i just watched these and

01:35:18.100 --> 01:35:19.840
i've you know took the time to kind of learn

01:35:19.840 --> 01:35:21.239
about them you know i've actually got the knowledge

01:35:21.239 --> 01:35:23.359
out of it but there's still so much i need to

01:35:23.359 --> 01:35:25.760
learn you know obviously and who who else is

01:35:25.760 --> 01:35:29.649
actually talking about Only Mexican movies. Exactly.

01:35:30.310 --> 01:35:34.149
You can find podcasts on whatever your services

01:35:34.149 --> 01:35:36.850
are that you want, and you can find podcasts

01:35:36.850 --> 01:35:38.850
that are talking about Mexican horror, specifically

01:35:38.850 --> 01:35:42.689
Mexican horror movies. I hate to say it, because

01:35:42.689 --> 01:35:44.770
I don't want to start drama or beef or anything,

01:35:44.909 --> 01:35:47.750
but it's always the same generic bullshit. It's

01:35:47.750 --> 01:35:49.609
always the same stuff, and then they mix it up

01:35:49.609 --> 01:35:52.229
with another Latin country, which is fine, but

01:35:52.229 --> 01:35:54.930
it's like, damn, I want to listen to a podcast

01:35:54.930 --> 01:35:57.279
about Mexican movies only. And in English. And

01:35:57.279 --> 01:36:00.039
nobody has it. And then, see, then I had to do

01:36:00.039 --> 01:36:02.899
it. Because there's other, there's, there's other,

01:36:02.899 --> 01:36:05.279
you know, creators and podcasts that are talking

01:36:05.279 --> 01:36:08.600
about, you know, Mexican, Mexican cinema, but

01:36:08.600 --> 01:36:10.420
definitely Mexican horror movies. But, you know,

01:36:10.420 --> 01:36:12.579
they're in Mexico, they're in Spanish. So, you

01:36:12.579 --> 01:36:13.920
know, I don't, you know, a lot of people here

01:36:13.920 --> 01:36:16.380
probably don't speak Spanish. Yeah, there's not

01:36:16.380 --> 01:36:18.520
a lot of English, you know, speakers, you know,

01:36:18.520 --> 01:36:23.270
speaking language. But, you know. So that's the

01:36:23.270 --> 01:36:24.970
mission here, man. Thanks for listening, you

01:36:24.970 --> 01:36:28.010
know, two years. By the way, I'm not the main

01:36:28.010 --> 01:36:30.909
host anymore. I forgot about that, guys. I forgot

01:36:30.909 --> 01:36:33.890
to say that. I'm the co -host now. So Joey's

01:36:33.890 --> 01:36:35.590
the main host now. I told Joey a while back.

01:36:35.689 --> 01:36:37.149
I was like, Joey, you're doing a good job. You're

01:36:37.149 --> 01:36:40.430
the one that's putting this podcast ahead. You've

01:36:40.430 --> 01:36:43.859
got to be the main host. I'll take the duties,

01:36:43.939 --> 01:36:46.640
man. Thank you. Hopefully people don't turn on

01:36:46.640 --> 01:36:48.840
the show. It's going to be the same shit, basically.

01:36:49.020 --> 01:36:50.739
But you know what I mean. But Joey's been putting

01:36:50.739 --> 01:36:54.520
in work. He does the behind the scenes. I do

01:36:54.520 --> 01:36:56.500
all the editing. The editing. I'm the one who,

01:36:56.539 --> 01:36:58.720
if you like the clips, that's me. I put them

01:36:58.720 --> 01:37:00.880
all in there. Yeah, and he has good ideas. So,

01:37:00.880 --> 01:37:04.479
you know, I'm there still. I put in the ideas.

01:37:04.579 --> 01:37:06.819
But it's like, no, Joey's got to get the top

01:37:06.819 --> 01:37:09.170
credit, you know. This is Joey's podcast. I'm

01:37:09.170 --> 01:37:11.310
taking over Armando's Instagram and everything,

01:37:11.449 --> 01:37:15.510
guys. It's a hostile takeover. Well, not my Instagram,

01:37:15.569 --> 01:37:19.329
but the podcast. It's a hostile takeover. I'm

01:37:19.329 --> 01:37:21.229
taking over everything. No, no, because my Instagram,

01:37:21.369 --> 01:37:23.529
I like posting non -Mexican stuff sometimes.

01:37:24.729 --> 01:37:27.350
I'm just playing, guys. You're used to it. I

01:37:27.350 --> 01:37:29.050
talk a lot of shit. So, yeah, so now it's Joey,

01:37:29.289 --> 01:37:31.449
Armando. No, don't say Armando and Joey. But

01:37:31.449 --> 01:37:32.970
either way, you can say whatever you want. I

01:37:32.970 --> 01:37:34.649
mean, we're both hosting. Yeah, but we're both

01:37:34.649 --> 01:37:36.109
still at the house. I'm still obviously here.

01:37:36.350 --> 01:37:38.409
Nothing's ever really changed, other than just

01:37:38.409 --> 01:37:42.090
Joey getting the top head now. Now I've got to

01:37:42.090 --> 01:37:46.289
create a tagline to open the show. What can it

01:37:46.289 --> 01:37:53.210
be? What's up, guys? What's up, plebis? That's

01:37:53.210 --> 01:37:55.630
one thing we haven't done. Hell no, that's whack.

01:37:56.250 --> 01:37:57.930
But you know what I mean. We'll figure it out.

01:37:58.050 --> 01:38:01.960
But Joey's the main guy now. So hopefully the

01:38:01.960 --> 01:38:05.180
ratings don't go down to... No, they won't. But

01:38:05.180 --> 01:38:07.119
if you haven't, give us a rating. We're going

01:38:07.119 --> 01:38:08.739
to say it every time. Plus, Joey was the one

01:38:08.739 --> 01:38:10.579
that wanted a podcast. Anyways, he's the one

01:38:10.579 --> 01:38:12.319
that was pushing for it. It's like, see, more

01:38:12.319 --> 01:38:16.600
than ever, it was him all along. It began with

01:38:16.600 --> 01:38:18.880
him, not with me. It's because I wanted to learn

01:38:18.880 --> 01:38:20.699
more. So hopefully everyone else wants to learn

01:38:20.699 --> 01:38:22.819
more. Hopefully you guys are interested in the

01:38:22.819 --> 01:38:26.930
movies we talk about. Always comment. Tell us

01:38:26.930 --> 01:38:29.449
if we're doing a good job or a shitty job. Recommend

01:38:29.449 --> 01:38:31.510
us if you want us to talk about certain things.

01:38:31.670 --> 01:38:33.970
If you want to learn more about a certain actor,

01:38:34.069 --> 01:38:37.149
director, call it out and we'll do deep dives.

01:38:38.149 --> 01:38:40.170
If you have any connects to people you want us

01:38:40.170 --> 01:38:43.310
to talk to, fucking shoot them. We'll talk to

01:38:43.310 --> 01:38:44.909
them. We're still working on it. We're going

01:38:44.909 --> 01:38:46.390
to get people on it. Oh yeah, a thousand percent.

01:38:47.199 --> 01:38:48.979
It's a process, but it's going to be worth the

01:38:48.979 --> 01:38:52.060
watch. So as we move into year three, we'll be

01:38:52.060 --> 01:38:54.560
expanding a little bit and hopefully talking

01:38:54.560 --> 01:38:57.279
about good shit and getting more people to tune

01:38:57.279 --> 01:38:59.840
in and getting more people interested in Mexican

01:38:59.840 --> 01:39:02.979
movies. And just the good shit, not the bullshit.

01:39:03.060 --> 01:39:04.779
Like I said, I'm tired of hearing about the same

01:39:04.779 --> 01:39:07.800
crap, man. Maybe next, for the third year anniversary,

01:39:07.880 --> 01:39:11.539
we do a top ten overrated slash worst Mexican

01:39:11.539 --> 01:39:15.399
movies. That'll really get people talking. Maybe.

01:39:16.000 --> 01:39:19.779
I mean, it's your show more now. I know. And

01:39:19.779 --> 01:39:21.859
like I said, be prepared because I talk a lot

01:39:21.859 --> 01:39:23.920
of shit. That'll probably be the episode where

01:39:23.920 --> 01:39:26.659
I don't appear. That's how much I don't really

01:39:26.659 --> 01:39:28.520
want to talk about it. They're going to be like,

01:39:28.640 --> 01:39:30.640
Armando's not in this episode, guys. It's all

01:39:30.640 --> 01:39:32.779
jokes. No, I'm just joking. No, I actually would

01:39:32.779 --> 01:39:34.260
be down, actually. It would be funny to just

01:39:34.260 --> 01:39:36.100
kind of dive in there. But yeah, we'll see. We'll

01:39:36.100 --> 01:39:39.180
figure it out. And with that, that's the end

01:39:39.180 --> 01:39:42.010
of the episode. Rate, comment, subscribe, tell

01:39:42.010 --> 01:39:44.510
your tias, tell your tios. What are we even doing

01:39:44.510 --> 01:39:45.689
next? I don't even know what the next episode

01:39:45.689 --> 01:39:48.550
is. We've tossed a couple different ideas, so

01:39:48.550 --> 01:39:51.149
we just got to finalize it. But the clip will

01:39:51.149 --> 01:39:53.109
go now. So much is going on. It's like, damn,

01:39:53.170 --> 01:39:53.930
I didn't even think about the next episode. Well,

01:39:53.970 --> 01:39:56.949
that's the thing. We're working on something

01:39:56.949 --> 01:39:59.609
that we can't say anything, and we won't say

01:39:59.609 --> 01:40:02.270
anything. But we're working on a – we got an

01:40:02.270 --> 01:40:04.670
interview coming up for a special features. We're

01:40:04.670 --> 01:40:08.609
not going to spoil it, I promise you. But you

01:40:08.609 --> 01:40:10.689
guys are going to be – It's actually – Even I

01:40:10.689 --> 01:40:12.590
wasn't expected about that. I was like, oh, here

01:40:12.590 --> 01:40:15.050
we go. People are going to be so excited for

01:40:15.050 --> 01:40:16.810
when this gets announced. And I don't know when

01:40:16.810 --> 01:40:18.390
it's going to be announced or when it's going

01:40:18.390 --> 01:40:21.949
to release or anything. So lock and key on this

01:40:21.949 --> 01:40:24.369
one. But we're busy working on that. We were

01:40:24.369 --> 01:40:27.189
busy talking about 10 movies. Then we got two

01:40:27.189 --> 01:40:29.569
more movies for next month. So much going on.

01:40:29.630 --> 01:40:31.850
We got a lot of shit going on this month. We

01:40:31.850 --> 01:40:36.130
got lives. We got things to do. Exactly. We're

01:40:36.130 --> 01:40:38.329
not losers like some people that we know. No,

01:40:38.350 --> 01:40:40.699
I'm just joking. I'm not. There's a lot of losers

01:40:40.699 --> 01:40:42.600
out there. There's people with too much time

01:40:42.600 --> 01:40:44.100
on their hands. I'm like, how do they do all

01:40:44.100 --> 01:40:48.739
this? People don't go out, man. People live different

01:40:48.739 --> 01:40:52.020
lives. People immerse themselves in their rooms

01:40:52.020 --> 01:40:55.659
and that's it. I'm just joking. We're busy, but

01:40:55.659 --> 01:40:59.060
we've got cool shit coming. Don't worry. With

01:40:59.060 --> 01:41:06.659
that, we'll say peace. Thank you. Un destino

01:41:06.659 --> 01:41:11.100
de sangre, violencia y muerte los une y los separa.

01:41:11.380 --> 01:41:16.619
Uno es Juan el Taur. No traigo efectivo, pero

01:41:16.619 --> 01:41:19.600
ustedes conocen mis propiedades. Van a tener

01:41:19.600 --> 01:41:22.640
10 millones de pesos en fichas para empezar,

01:41:22.840 --> 01:41:26.880
¿de acuerdo? El otro es Román, marcado por el

01:41:26.880 --> 01:41:34.020
destino para una vida violenta. La sola posesión

01:41:34.020 --> 01:41:37.720
de esta arma transforma a los hombres en bestias.

01:41:38.819 --> 01:41:42.779
Pero Román fue mucho más lejos en este camino

01:41:42.779 --> 01:41:49.979
de terror y sangre. Arrastrando consigo a una

01:41:49.979 --> 01:41:58.079
mujer indefensa. Metralleta Infernal. Una aventura

01:41:58.079 --> 01:42:08.199
filmada al rojo vivo. Metralleta infernal. Cuerno

01:42:08.199 --> 01:42:12.340
de chivo. La brava tierra del norte se estremece

01:42:12.340 --> 01:42:17.460
al conjuro de sus disparos. La sana alegría de

01:42:17.460 --> 01:42:21.060
la frontera será interrumpida y ya nada será

01:42:21.060 --> 01:42:34.060
igual. Porque se impondrá la ronca voz de Cuerno

01:42:34.060 --> 01:42:40.479
de Chivo, Metralleta Infernal. Con Edgardo Gascon,

01:42:40.640 --> 01:42:47.640
Luis Aguilar, Claudia Guzmán, Hilda Aguirre,

01:42:47.760 --> 01:43:00.840
como Juan El Taur, Julián Garza. Y Jesús González

01:43:00.840 --> 01:43:07.960
Quichá. Cuando la ley es lenta, él es el remedio.

01:43:08.859 --> 01:43:13.699
Para tipos como este debería haber una ley especial.

01:43:15.239 --> 01:43:24.140
Metralleta Infernal. Muy pronto en este cine.