WEBVTT

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Hello everybody and welcome to the Trash Mix

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podcast. It is now February and there's like

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one holiday, right? Or two technically. Yeah,

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I guess technically two. It's almost Valentine's

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Day. It's the holiday where you celebrate with

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your loved one or your spouse or your girlfriend

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on the side. Or the girl that you just can't

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get. There's a girl that you want to get so badly

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so you're just trying to figure out what to get

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for Valentine's. So this episode is like a theme

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with that kind of topic. It's like love. It's

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like love that you can't get or you're trying

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to get. And then there's love that's forbidden.

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In other words, you know, there's just a bunch

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of cheaters in this movie. In one of the movies,

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that is. One movie is about, you know, what is

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it? What's that word I'm looking for? It's like

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unrequited love. Yeah, that's a good way to put

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it. Yeah, something like that. Yeah. So, yeah,

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we're going to talk about a movie from 1990 called

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Un Corazon Para Dos. And then 1993's Mujeres

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Infieles. Yeah, we want to cover the whole spectrum

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of love, right? The enamorados, the románticos,

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and then the fucking, the tóxicas and the tóxicos

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who just want to cheat around and fuck around,

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you know? Something that I think most people

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can relate to, you know? I know I can. Yeah,

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and then these are actually really good movies.

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Each one is different in a good way, you know?

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but one of them is probably like the most entertaining

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that we both admire the most oh yeah yeah for

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sure i mean we'll get to it we'll get to it but

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that movie was fucking dope and you know like

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you said both both movies are are good movies

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but um you know i guess it just depends on the

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level of um i don't i don't know if i don't i

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hate using the word cheesy but I guess it depends

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on your level of melodramatic that you can take

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is whether or not you'll enjoy the first movie.

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Yeah, it's one of those sappy movies you can

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just watch with your girlfriend or your wife,

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whatever, your family even, because it's really

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more of a family movie, if anything, when you

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think about it. Well, that's one thing that I

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wanted to talk about a little bit because I'm

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curious if this was a Televisa movie that played

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on Televisa, like an original for them, or if

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they just had the TV right. and own it now. It

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was from Televisina. So Televisina was when they

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were making all those movies back in the day.

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So yeah, this is family themed and made by the

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Galindo family. This is Un Corazon para Dos from

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1990, directed by Sergio Vejar and then written

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by Kiki Galindo. Kiki Galindo was the... I always

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forget. She's either the niece or she's the granddaughter

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of Ruben Galindo. You know, she's part of the

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whole family, Galindo. And then she also used

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to draw the poster art when she was younger.

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Oh, I didn't know that. Yeah. And then her father

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is Daniel Galindo, who's one of the producers.

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Yeah. It was a Galindo family production. And

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I, you know, you know, looking into her credits,

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I mean, she. worked almost exclusively with Sergio

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Vejar. I mean, I think other than, I saw she

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only had 11 credits. I mean, I don't know if

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that's the only thing she has. Yeah, I believe

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that's it, yeah. But out of those 11, I think

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nine of them. were with, it was written, yeah,

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that were directed by Sergio Vejad. And with

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Daniel, her father. Exactly, yeah, as the producer,

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yeah. You know, it's kind of like a little, I

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mean, this is the same thing that we've said

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since literally episode one of this podcast is

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that Mexican movies are a kind of family affair.

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You know, it's like you stick with your little

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pica, you know. Yeah, and Sergio Vejad, I mean,

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he's pretty familiar with this kind of topic

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of film. It's like very romantic and very like,

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you know, melodramatic and sad. heart -wrenching

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so he was making movies like that but he also

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made some pretty crazy movies i think the one

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he's most known for is um what is it mariposas

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de sacadas i believe he did that one i'm not

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too sure if he did yeah and then i mean he did

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a lot of stuff like just crazy stuff yeah yeah

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i mean he he worked with like the tigres del

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norte um he's fucking you know did a lot of like

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the thriller action type movies oh yeah yeah

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yeah he did direct uh mariposas de sacadas and

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that's a Probably his most disturbing movie,

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if anything. I mean, we'll probably talk about

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it in a future episode. Oh, yeah, for sure. But

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it's fucking crazy. Una Vez en la Noche from

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1971. Yeah, he did a lot of really intense movies

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with topics of incest and just crazy shit like

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that. But he was very also into romantic stuff

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as well. I mean, yeah, you know, a la prima se

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arrima, as they say in Mexico, you know. Yeah,

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pretty prolific director behind this little movie

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from 1990. And he started off as a camera operator

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in the 40s. Yeah, he was a camera operator, and

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then he went on to direct like during the 60s

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and 70s. Yeah, I think his first directing movie

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was like in 1963 or something like that. And

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then from there on, he was just a director up

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until his final movie in 1999. Very unique filmography,

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like I said. So there's always something different

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from him. It's never really always the same stuff.

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It's always something different. Same cast, though.

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It's like he worked with a lot of the same actors

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over the years. I mean, that's typical, right?

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It even happens to this day. You find your cast

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and crew that you know how to churn and burn

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movies, and you're just like, fuck it, let's

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move on to the next one. So, I mean, I think

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that's a good segue into... you know who the

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the the cast is in this movie because this movie

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actually has a really good cast it's pretty stacked

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i mean the second movie too is really stacked

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but this movie um you know it stars pedro fernandez

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who you know we talked about in episode uh which

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i think was the season two opener or the season

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one closer i forgot but it's you know you go

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back and you'll see it um Who, of course, you

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know, like we just said, I mean, he had a crazy

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year in 1989, right? So you got Trampa Infernal,

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Vacaciones de Terror, Panico en la Montaña, and

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then went into Un Corazon para Dos. Oh, two years

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before this one, he worked with Vejarazan. What's

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it called? Un Sabado Mas. Yeah, there you go.

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And there's another connection to Vacaciones.

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I'll connect it again. And of course, after he

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makes this, he jumps right into Vacaciones de

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Terror 2. So it's like this dude had a crazy

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three -year span of movies. And of course, for

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those who don't know, who are first -time listeners,

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Pedro Fernandez was a child actor, child singer.

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So it's like, I mean, at this point of his career,

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he was like a fucking megastar. And he was doing

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music. He was doing pop music. Yeah, absolutely.

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Of course, we have the almighty Mario Almada,

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who we've talked about. That took me by surprise.

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You know, I will say, I know when you hear the

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name Mario Almada, you don't think Germanic.

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melodramatic roles you know i mean he has of

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course yeah but you think of him you know fucking

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shooting fools up car chases and shit but you

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know he has kind of a heavy role in this and

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you know he he doesn't underplay it like you

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actually feel like his pain in this movie so

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it's different for him here he's no longer shooting

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anybody he's like just the grandpa yeah just

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the the father figure of you know the pedro fernandez's

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character yeah we'll get into why you know how

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they're connected a little bit but um another

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actor in his uh we have uh jose elias moreno

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who plays padre jose who that guy was like yeah

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he was very busy Yeah. Oh, yeah. In that whole

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era? Yeah. Oh, yeah. He worked with the Galindos

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a lot and with Behar a lot, too. And, I mean,

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he was, you know, mainly a TV actor. You know,

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did a bunch of novellas and TV movies and shit.

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But, like you said, he worked with Sergio Behar

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previously. He was in Colmillos, El Hombre del

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Lobo. Yeah, all kinds of shit. We have Daniela

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Leites, who plays the love interest, the main,

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you know, I guess the main girl in this. Her

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filmography is very short, but a lot of people

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still remember her. She did a lot of TV mostly,

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but she didn't do a lot of movies. Like we said

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previously, the 80s into the 90s was the boom

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of TV, the novellas and the TV movies and shit.

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I think if you were in at least one mega hit

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from that era, you're going to be regarded. That's

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pretty much what everyone was watching at this

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time. But she was great. She's unfortunate that

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she didn't have such a prolific career because

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I did think she was, for what she is, a great

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actress. And then she did one cheap video with

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the vampire. Exactly. It's a horrible movie.

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I think I have it somewhere, but it's horrible.

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Yeah, we'll review it at some point. And then

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you got a couple cameos and shit, but I thought

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one of the funny cameos was Carmelita Gonzalez,

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who plays a little love interest for Mario Almada's

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character. Yeah, that's right. Everyone in this

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movie except for the priest was in love with

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somebody. There's a little love story between

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everybody. But, yeah, I mean, you know, she's

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another, you know, prolific actor. Started in

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the golden age. You know, worked at Lucha Movies

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with Huracan Ramirez. And I think she did a Santo

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movie, too. Shit ton of novellas. Fucking, you

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know. Yeah, like, yeah. Really good cast. Yeah,

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really good cast. It's, like, very interesting.

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And, you know, I guess the general plot of the

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movie is basically, you know, these two young

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adults who are secretly in love with each other.

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They don't even know. That's the funny part.

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You know, it's like. I think Bernardo, obviously,

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he wears his heart on his sleeve. He knows. He

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has a relationship with the priest. And that's

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his confidant. He tells him everything. So he's

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the only one that really knows that Bernardo's

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in love with Valeria. But like I said, Valeria,

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she has a boyfriend. So she doesn't know that

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she's into him until later in the movie. But

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they kind of, you know, they're best friends.

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They're very close. Yeah, they're very chummy

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at times. I mean, you think of, you know, how

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many times you've had like a best friend who's,

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you know, the opposite sex. And, you know, eventually

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someone's going to get feelings. You know, it's

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just it is what it is. You know, I think obviously,

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you know, guys and girls can, you know, be friends

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and not, you know, platonically, you know. In

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this case, yeah. In this case, it was not platonic.

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Yeah, for sure. But basically, you know, they

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have like, you know, they secretly love each

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other. Yeah, every morning. They're both ill.

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Every other morning, he gives her like a flower.

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Remember? The little flowers and then home or

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whatever. And it's almost like this is like the

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Mexican version of Untamed Heart, but on steroids,

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you know. So the Untamed Heart fans will know

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what I mean. But it's, you know, they both have

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illnesses. one of them needs surgery to survive

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and you know is the other one gonna have the

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secret secretly have the surgery or not you know

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and everything kind of plays out from there but

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it's kind of where the title comes from which

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is a heart for two a heart for two you know and

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uh yeah it just happens bernardo needs a new

00:11:07.370 --> 00:11:10.649
heart oh no valeria needs the heart yeah but

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you know it's it's like it like you said it starts

00:11:13.610 --> 00:11:18.679
off at this like you know huge beautiful uh and

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valeria gets a card with a flower and she's all

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like oh it's my boyfriend javier or whatever

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like almost every morning or every other morning

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she gets yeah and her grandma's obviously like

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does not with javier like he's like he's like

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the shitty boyfriend that like the family hates

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you know but it's like the girl can't tell that

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he's a shitty boyfriend yeah because her grandma's

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like dude it's not him like you know it's obviously

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not him it's somebody else No sé por qué te asombras.

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Desde hace mucho tiempo viene sucediendo esto

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todas las semanas. Seguramente es Javier el que

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me lo has estado mandando. No, yo no creo eso.

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Cuando aparecieron la primera vez, Javier ya

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era tu novio. No tenía para qué hacer eso. Además,

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el tal Javier ese no creo que... Nana, tú no

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lo quieres, ¿verdad? Bueno, pues si él te quiere

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a ti, yo lo quiero. So it's just kind of funny

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to see that, you know, she's blindly in love

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with this fucking shitty guy when it's like the

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nice guys are here. You're just giving her flowers

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fucking every day, writing her little love notes

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and shit. But. yeah i mean it you know from there

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it kind of moves on because it's like almost

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like uh um i don't want to say a love triangle

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because javier and bernardo are obviously kind

00:12:32.360 --> 00:12:33.580
of friends you know they're yeah they're cool

00:12:33.580 --> 00:12:36.500
with each other yeah she uh valeria invites bernardo

00:12:36.500 --> 00:12:38.299
over for for dinner and he's kind of like well

00:12:38.299 --> 00:12:40.559
i don't know like is javier gonna get mad you

00:12:40.559 --> 00:12:42.820
know it's like the the typical story right you're

00:12:42.820 --> 00:12:44.779
fucking your girlfriend or boyfriend it's like

00:12:44.779 --> 00:12:46.240
why are you hanging out with that fool yeah and

00:12:46.240 --> 00:12:47.879
i think at one time one point the boyfriend was

00:12:47.879 --> 00:12:49.840
even was like oh maybe he likes you yeah yeah

00:12:49.840 --> 00:12:51.519
he even points that out just like i think he

00:12:51.519 --> 00:12:54.870
was kind of joking but then And then she's just

00:12:54.870 --> 00:12:56.669
like, no, we're just very close friends, blah,

00:12:56.750 --> 00:12:58.830
blah, blah. And it's like, I don't know. It's

00:12:58.830 --> 00:13:01.110
kind of obvious. Throughout the whole movie,

00:13:01.149 --> 00:13:21.970
it's just obvious. I came to invite you to dinner,

00:13:22.049 --> 00:13:26.230
but I have to eat alone. Stay and eat here. I'll

00:13:26.230 --> 00:13:35.610
invite you. But... Well, I accept. But I don't

00:13:35.610 --> 00:13:38.750
do a bad third, right? How do you say that? You

00:13:38.750 --> 00:13:40.990
know perfectly well that you and I are good friends.

00:13:43.230 --> 00:13:46.070
If you say so. Did you see the movie last night?

00:13:46.309 --> 00:13:50.220
Yes, I loved it, but I cried, as always. I didn't

00:13:50.220 --> 00:13:54.419
see her. Tell me. Hello, Bernardo. How are you?

00:13:54.620 --> 00:13:58.480
My love. How do you feel? Very well, thank you.

00:13:58.700 --> 00:14:01.720
I see you as pretty as always. Isn't that so,

00:14:01.799 --> 00:14:05.360
Bernardo? Yes, as always. Well, you think it

00:14:05.360 --> 00:14:07.179
would be obvious, but it's like for some reason

00:14:07.179 --> 00:14:10.779
only the grandma and the priest knew. I mean,

00:14:10.799 --> 00:14:12.639
obviously, this dude is going over her house

00:14:12.639 --> 00:14:15.500
all the time. He takes care of her because she's

00:14:15.500 --> 00:14:17.600
like almost bedridden, basically. She has this

00:14:17.600 --> 00:14:20.740
heart condition that keeps getting worse. And,

00:14:20.840 --> 00:14:23.000
you know, he comes over. He hangs out with her,

00:14:23.080 --> 00:14:25.139
stays at her house, fucking does little things

00:14:25.139 --> 00:14:30.509
for her. But we end up learning that. Bernardo,

00:14:30.610 --> 00:14:34.029
I guess. So he's an orphan. His parents died

00:14:34.029 --> 00:14:37.750
in a car accident that he was in. And he suffers

00:14:37.750 --> 00:14:40.850
from migraines. Yeah, he has lingering effects

00:14:40.850 --> 00:14:42.669
from this car crash. But the only person that

00:14:42.669 --> 00:14:45.870
knows that is the priest. For some reason, he's

00:14:45.870 --> 00:14:48.509
keeping it a secret. And that's where we meet

00:14:48.509 --> 00:14:52.070
Don Francisco, who's played by Mario Almada,

00:14:52.330 --> 00:14:56.870
who's just a lonely farmer. He's a widow as well.

00:14:57.210 --> 00:15:00.549
He's taking care of Bernardo and keeps saying,

00:15:00.610 --> 00:15:02.509
go to school. You don't need to fucking work.

00:15:02.590 --> 00:15:07.809
Go to school and all that shit. Yeah, I don't

00:15:07.809 --> 00:15:11.269
know. It's like this developing... It's like

00:15:11.269 --> 00:15:13.870
a small little town where everyone's kind of

00:15:13.870 --> 00:15:16.350
involved with each other. It's a small town,

00:15:16.470 --> 00:15:21.750
yeah. Don Francisco ends up meeting... What was

00:15:21.750 --> 00:15:24.580
her name? Rosario. Like, you know, and they're,

00:15:24.580 --> 00:15:26.799
like, flirting in between the, like, scenes and

00:15:26.799 --> 00:15:27.899
shit. Yeah, between the scenes. Yeah, they're,

00:15:27.919 --> 00:15:29.899
like, hanging out in this town. And then he has,

00:15:29.980 --> 00:15:32.279
like, a lady that's interested in, or his caretaker

00:15:32.279 --> 00:15:34.159
is, like, I guess his maid or whatever is, like,

00:15:34.159 --> 00:15:36.220
talking shit about her. Like, man, she's fucking,

00:15:36.320 --> 00:15:38.539
she's old. Why are you messing with her? Like,

00:15:38.620 --> 00:15:40.340
they never say directly or make it, but it seemed

00:15:40.340 --> 00:15:42.379
like she was into him, if anything. She seemed

00:15:42.379 --> 00:15:44.799
like she was jealous. That's what I'm saying.

00:15:44.879 --> 00:15:46.659
Like, everyone had, like, a tie -in. Something,

00:15:46.740 --> 00:15:48.879
yeah. His caretaker obviously, you know, had

00:15:48.879 --> 00:15:50.460
something towards this fool because she kept

00:15:50.460 --> 00:16:31.980
talking shit about him. about Rosario. And then,

00:16:32.039 --> 00:16:49.759
you know, eventually... They throw like a big

00:16:49.759 --> 00:16:52.980
65th birthday party for this fool. Of course,

00:16:53.000 --> 00:16:54.940
he invites her and all the ladies there are like

00:16:54.940 --> 00:17:01.519
mad dogging her and shit. Sorry, excuse me. But

00:17:01.519 --> 00:17:04.779
yeah. And then, of course, we finally learned

00:17:04.779 --> 00:17:07.440
that Valeria, you know, we know she's sick, but

00:17:07.440 --> 00:17:09.019
we don't know what's going on. But then we learned,

00:17:09.079 --> 00:17:10.880
well, she needs a heart transplant. Like her

00:17:10.880 --> 00:17:15.079
heart is giving out on her. And then there's

00:17:15.079 --> 00:17:19.339
like a super sappy. scene between bernardo and

00:17:19.339 --> 00:17:21.400
valeria where they're they start telling each

00:17:21.400 --> 00:17:24.380
other like he finally admits to her that he's

00:17:24.380 --> 00:17:27.279
he's sick too yeah they're like sitting at this

00:17:27.279 --> 00:17:29.880
tree it's all fucking nice and shit you know

00:17:29.880 --> 00:17:31.460
like they're having like a picnic or something

00:17:31.460 --> 00:17:36.220
but she fucking friend zones that fool he like

00:17:36.220 --> 00:17:38.039
tries to fucking mack it with her and she's just

00:17:38.039 --> 00:17:40.339
like nah sorry buddy like yeah she's just the

00:17:40.339 --> 00:17:42.400
pain of every guy you know yeah and then she's

00:17:42.400 --> 00:17:44.140
just going through more than you know that right

00:17:44.140 --> 00:17:47.289
now she'll need that she's gonna die She don't

00:17:47.289 --> 00:17:48.390
know what she's going to do. Well, that's the

00:17:48.390 --> 00:17:49.990
thing. Like, the whole movie, she's kind of,

00:17:50.009 --> 00:17:52.329
like, you know, she's pessimistic, of course.

00:17:52.390 --> 00:17:54.269
You know, she's, you know, doom and gloom. She

00:17:54.269 --> 00:17:55.789
thinks the world, you know, everything's going

00:17:55.789 --> 00:17:59.150
to end. And, of course, he's, like, the more,

00:17:59.170 --> 00:18:03.089
you know, glass half full type guy. And, I don't

00:18:03.089 --> 00:18:05.450
know. It's an interesting dynamic to see them,

00:18:05.470 --> 00:18:07.509
you know, play off each other in that sense,

00:18:07.670 --> 00:18:10.369
I guess. But it just all kind of reminds me of,

00:18:10.390 --> 00:18:12.269
like, high school love, you know, where the dude

00:18:12.269 --> 00:18:15.670
is super into her. just a fucking friend zone

00:18:15.670 --> 00:18:20.569
yeah but eventually as the movie progresses they

00:18:20.569 --> 00:18:22.809
start to you start to see like the feelings develop

00:18:22.809 --> 00:18:25.710
or she started to realize oh you know maybe i

00:18:25.710 --> 00:18:28.529
do like him and then not until the end it's like

00:18:28.529 --> 00:18:31.930
when you realize it's just too late yeah because

00:18:31.930 --> 00:18:35.789
it's like um you know bernardo obviously he just

00:18:35.789 --> 00:18:39.160
is steadily getting worse He finally goes to

00:18:39.160 --> 00:18:41.319
see a doctor and is like, look, man, you got

00:18:41.319 --> 00:18:44.119
to – oh, that's another thing. It's like he's

00:18:44.119 --> 00:18:46.180
losing his vision. Yeah, he's losing his vision.

00:18:46.220 --> 00:18:48.619
He's getting those headaches still. They're getting

00:18:48.619 --> 00:18:51.599
progressively worse. And then the doctor tells

00:18:51.599 --> 00:18:53.180
him he only has a certain amount of time left.

00:18:53.359 --> 00:18:55.599
Yeah, they tell him once he loses his sight,

00:18:55.759 --> 00:18:57.779
he only has – I think it was like six months.

00:18:57.839 --> 00:19:00.579
I forgot what the doctor told him, which is –

00:19:00.579 --> 00:19:07.039
I've never heard of a – Yeah. But – So he kind

00:19:07.039 --> 00:19:09.539
of finds peace with his situation and his health,

00:19:09.599 --> 00:19:11.740
and I think that's when he decides, you know

00:19:11.740 --> 00:19:15.000
what, Valeria needs a heart. He's going to give

00:19:15.000 --> 00:19:19.799
up his fucking heart. He's going to die sooner

00:19:19.799 --> 00:19:22.519
than her, so might as well give her a fighting

00:19:22.519 --> 00:19:25.299
chance. If that's not love, I don't know what

00:19:25.299 --> 00:19:27.039
is, man. If you're not willing to give your own

00:19:27.039 --> 00:19:29.500
heart to the girl that you love, the girl you're

00:19:29.500 --> 00:19:32.460
in love with, obsessed with, nah, then I don't

00:19:32.460 --> 00:19:35.059
want it. You're not the one. So that's pretty

00:19:35.059 --> 00:19:37.740
much how it goes. He sacrifices himself for her.

00:19:38.920 --> 00:19:42.079
And then she realizes she has feelings for him.

00:19:43.480 --> 00:19:45.640
It's actually frustrating. She finally realizes

00:19:45.640 --> 00:19:48.279
she does like him. She wants to be with him.

00:19:49.299 --> 00:19:51.819
And then it's too late. Well, that's the funny

00:19:51.819 --> 00:19:54.519
thing. She knows that he's going to Mexico City

00:19:54.519 --> 00:20:00.599
to have a procedure. Well, I have to have a procedure

00:20:00.599 --> 00:20:02.559
at the same time. What a fucking coincidence

00:20:02.559 --> 00:20:08.779
that is. And so he goes in. The transplant happens.

00:20:08.980 --> 00:20:11.140
And she's like, where's Bernardo? Where's Bernardo?

00:20:11.519 --> 00:20:14.039
Everyone's lying to her. Everyone finally finds

00:20:14.039 --> 00:20:18.160
out the truth that he sacrificed his own life

00:20:18.160 --> 00:20:20.259
for her. But they lie to her. They don't tell

00:20:20.259 --> 00:20:22.619
her because they think she won't be able to take

00:20:22.619 --> 00:20:26.720
it. um and so she's like okay so she's i mean

00:20:26.720 --> 00:20:29.000
that's how naive this girl is right like she

00:20:29.000 --> 00:20:31.539
doesn't even realize like she can't read the

00:20:31.539 --> 00:20:33.539
room where everyone is all kind of sad and lying

00:20:33.539 --> 00:20:36.900
to her about it um and then when she finally

00:20:36.900 --> 00:20:39.299
does realize that she of course she fucking is

00:20:39.299 --> 00:20:41.839
heartbroken because she was gonna finally tell

00:20:41.839 --> 00:20:43.720
him that she was in love with him and she's gonna

00:20:43.720 --> 00:20:46.359
break up with javier for him yeah and it's like

00:20:46.359 --> 00:20:48.000
what the fuck man you couldn't do that shit before

00:20:48.000 --> 00:20:49.839
the operation like well the funny thing is remember

00:20:49.839 --> 00:20:52.470
she broke up with javier in the hospital yeah

00:20:52.470 --> 00:20:54.890
because she was gonna fucking tell him that she's

00:20:54.890 --> 00:20:57.970
in love with Bernardo and you know that was the

00:20:57.970 --> 00:20:59.950
funny part I was like damn this girl's too late

00:20:59.950 --> 00:21:04.170
you know it's like you know typical again typical

00:21:04.170 --> 00:21:05.670
high school love story how many times has that

00:21:05.670 --> 00:21:07.089
happened I mean it's happened to me you know

00:21:07.089 --> 00:21:08.869
where a fucking girl decides she likes me and

00:21:08.869 --> 00:21:10.410
it's like well too late yeah it's like too late

00:21:10.410 --> 00:21:11.970
you know that's like the common thing with love

00:21:11.970 --> 00:21:14.269
it's like it's just too late guys you have to

00:21:14.269 --> 00:21:17.210
work faster right person wrong time yeah been

00:21:17.210 --> 00:21:19.150
there done that it's happened to me plenty of

00:21:19.150 --> 00:21:22.009
times in my life but I want to see Bernardo.

00:21:25.730 --> 00:21:28.990
I don't know why he hasn't come to see me. Nor

00:21:28.990 --> 00:21:37.029
his grandfather. Hello. Hello. How are you, Javier?

00:21:37.450 --> 00:21:42.049
How do you feel, my love? Good, thank you. Could

00:21:42.049 --> 00:21:43.910
you do me the favor of leaving me a moment with

00:21:43.910 --> 00:21:46.869
Javier? I have to tell him something very important.

00:21:47.970 --> 00:21:51.180
Of course, daughter. Aurora, Eduardo, let's go.

00:21:58.000 --> 00:22:00.259
What could be more important than seeing you

00:22:00.259 --> 00:22:03.880
recovered? I appreciate your visit and your gift,

00:22:04.140 --> 00:22:06.440
but I think what I'm going to say can make you

00:22:06.440 --> 00:22:09.500
feel bad, and I swear that's what I least want

00:22:09.500 --> 00:22:15.700
to happen. Coming from you can't hurt me. The

00:22:15.700 --> 00:22:18.259
time that our relationship has lasted... Has

00:22:18.259 --> 00:22:26.140
sido muy bonito, pero no puede seguir. No voy

00:22:26.140 --> 00:22:32.920
a casarme contigo. No podría hacerte feliz. No

00:22:32.920 --> 00:22:39.000
te amo. Ni podré amarte nunca. Entiéndeme, por

00:22:39.000 --> 00:22:50.250
favor. Es por él, ¿verdad? No sé, Javier. that's

00:22:50.250 --> 00:22:54.930
the that's just that's just life yeah it sure

00:22:54.930 --> 00:22:57.569
is man the life the life of uh young love man

00:22:57.569 --> 00:23:03.769
as they say it's like shit hurts i feel like

00:23:03.769 --> 00:23:05.710
i mean not to get too personal but it's like

00:23:05.710 --> 00:23:07.589
i feel like i have a connection to both of these

00:23:07.589 --> 00:23:09.849
movies man it's like being in love with someone

00:23:09.849 --> 00:23:11.900
that much that you but you they don't fucking

00:23:11.900 --> 00:23:14.319
want you back until it's too late. You can relate

00:23:14.319 --> 00:23:16.119
to the movies for sure. Yeah. I think anybody

00:23:16.119 --> 00:23:18.019
can relate to these movies for sure. I mean,

00:23:18.019 --> 00:23:20.599
who hasn't fucking, you know, been that obsessed

00:23:20.599 --> 00:23:23.240
or that in love with someone, especially at that

00:23:23.240 --> 00:23:25.099
age. Cause they, they had, he, they're talking

00:23:25.099 --> 00:23:27.160
about Bernardo going to college. So I'm assuming

00:23:27.160 --> 00:23:29.960
that they're anywhere between the 18 to 20. Right.

00:23:30.039 --> 00:23:32.279
So at that age, you don't know what the fuck

00:23:32.279 --> 00:23:33.839
real love is. You know, you're just trying to,

00:23:33.880 --> 00:23:37.289
you know, give everything you have to, to the

00:23:37.289 --> 00:23:39.609
one person you think is going to be with you

00:23:39.609 --> 00:23:41.470
for the rest of your life. But that's true. Yeah.

00:23:42.470 --> 00:23:44.650
Yeah. I don't know. It's an unfortunate movie,

00:23:44.769 --> 00:23:46.730
but it's a good movie. Like it's one of those,

00:23:46.750 --> 00:23:49.130
you can totally just watch like on a. I don't

00:23:49.130 --> 00:23:51.990
know, lazy day or something. Oh, 1000%. I mean,

00:23:52.009 --> 00:23:54.710
it was like a family member or family, you know,

00:23:54.710 --> 00:23:56.710
put it on like my parents. I think, I think I've

00:23:56.710 --> 00:23:58.410
seen my parents watch it so many times on TV

00:23:58.410 --> 00:24:01.470
before. So it's one of those. Yeah. I mean, this

00:24:01.470 --> 00:24:03.490
is a super breezy movie. It's like a, it's a,

00:24:03.509 --> 00:24:07.029
it's an hour, 20 minutes. I mean, again, I think

00:24:07.029 --> 00:24:11.410
it'll depend on how much, um, I guess what, what

00:24:11.410 --> 00:24:14.150
level of stock a person has with Mexican movies

00:24:14.150 --> 00:24:16.910
in general, because it's the. I don't think the

00:24:16.910 --> 00:24:19.470
general population is going to watch this and

00:24:19.470 --> 00:24:21.390
be like, hell yeah, that was dope. But if you're

00:24:21.390 --> 00:24:24.250
a fan of Mario Almada or if you're a fan of Pedro

00:24:24.250 --> 00:24:26.490
Fernandez, I mean, you have a little bit of interest

00:24:26.490 --> 00:24:28.410
in this movie. No, if I want to make a double

00:24:28.410 --> 00:24:30.309
feature, I'll double feature it with Trampin

00:24:30.309 --> 00:24:33.730
Fernandez. Watch Trampin Fernandez first. Still

00:24:33.730 --> 00:24:35.269
in the mood for some Pedro Fernandez action.

00:24:35.789 --> 00:24:41.170
Calm down for the evening. I mean, in both movies,

00:24:41.190 --> 00:24:43.170
he was madly in love with his girl. So there

00:24:43.170 --> 00:24:47.079
we go. He was the protector in both movies. Or

00:24:47.079 --> 00:24:48.380
Vacaciones de Terror. You could pair it up with

00:24:48.380 --> 00:24:50.359
one of those, if anything. Like, if you're really

00:24:50.359 --> 00:24:52.059
that, like, you know, like, ah, hey, that guy

00:24:52.059 --> 00:24:54.380
is pretty cool. Hey, put Un Corazon Para Dos

00:24:54.380 --> 00:24:56.380
next. And, you know, funny enough, I saw, like,

00:24:56.420 --> 00:24:58.140
you know, I was just kind of just seeing, like,

00:24:58.160 --> 00:25:00.259
who had seen this movie, like, online and reading

00:25:00.259 --> 00:25:02.039
reviews and shit. A lot of hoops were talking

00:25:02.039 --> 00:25:04.319
shit about the mullet. I'm like, dude. Oh, dude,

00:25:04.359 --> 00:25:05.960
that mullet was... That was a fucking chick magnet

00:25:05.960 --> 00:25:08.039
in Mexico at that time, dude. And I remember

00:25:08.039 --> 00:25:09.839
that scene where he's, like, riding the horse

00:25:09.839 --> 00:25:12.180
and the song's playing. It's like, damn, that

00:25:12.180 --> 00:25:14.160
shit's epic. The fucking wind is, like, blowing

00:25:14.160 --> 00:25:16.779
through his fucking mullet and shit. It's like...

00:25:16.779 --> 00:25:18.880
No, no, no. Yeah, you can't hit the mullet. The

00:25:18.880 --> 00:25:20.599
mullet's cool. Dude, the acid -washed jeans.

00:25:20.839 --> 00:25:23.259
That was the style in Mexico at that time, dude.

00:25:23.319 --> 00:25:26.269
89, 90, that was like... Yeah, that was like

00:25:26.269 --> 00:25:30.230
the hunk right there. Dude, the hunk of hunks,

00:25:30.230 --> 00:25:32.210
man. It was like fucking Luis Miguel and Pedro

00:25:32.210 --> 00:25:34.210
Fernandez were like the two fucking... Yeah,

00:25:34.210 --> 00:25:36.710
exactly. The two heartthrobs of Mexico. Yeah,

00:25:36.730 --> 00:25:38.009
I think they were just jealous. That's probably

00:25:38.009 --> 00:25:40.730
why they were... All the guys hated this. Well,

00:25:40.750 --> 00:25:43.450
man, if I like this, we'll steal in the hearts

00:25:43.450 --> 00:25:46.950
of our girls and shit. But yeah, actually, yeah,

00:25:47.029 --> 00:25:50.109
I enjoy it. So I was glad to talk about it. So

00:25:50.109 --> 00:25:51.789
it's such a random movie to talk about, but it's

00:25:51.789 --> 00:25:53.730
like you have to talk about it. I mean, look,

00:25:53.829 --> 00:25:56.539
it's... i mean not to just talk in circles but

00:25:56.539 --> 00:26:00.579
it's a it's a good love story i mean if you're

00:26:00.579 --> 00:26:03.099
into if you're into like romantic movies like

00:26:03.099 --> 00:26:06.559
it's just it is what it is you know it's someone

00:26:06.559 --> 00:26:08.480
who loves someone so much she's willing to die

00:26:08.480 --> 00:26:10.799
for her and again again if you're not willing

00:26:10.799 --> 00:26:13.559
to die for your girl like do you do you actually

00:26:13.559 --> 00:26:16.240
love her i don't know man who am i to say you

00:26:16.240 --> 00:26:19.720
know i'm single but i'll die out you know i'm

00:26:19.720 --> 00:26:22.190
like prince baby i'll die for you yeah I guess

00:26:22.190 --> 00:26:24.250
I would die for my girlfriend. If she's hearing,

00:26:24.309 --> 00:26:28.089
she's going to be like, you better. But yeah,

00:26:28.210 --> 00:26:31.369
you do think about stuff. You have to go to great

00:26:31.369 --> 00:26:35.650
lengths to prove your love sometimes. That just

00:26:35.650 --> 00:26:39.890
is what it is. And then sometimes you pretend

00:26:39.890 --> 00:26:41.650
to love someone and you fucking cheat on them.

00:26:43.150 --> 00:26:48.769
This next movie is quite the opposite. It goes

00:26:48.769 --> 00:26:51.019
in... Three different directions of anything,

00:26:51.200 --> 00:26:53.359
but it's all equally about the same topic, which

00:26:53.359 --> 00:26:57.339
is infidelity. Yeah. I mean, again, I think that

00:26:57.339 --> 00:26:59.440
these are stories that everyone can relate to.

00:26:59.559 --> 00:27:02.339
I mean, I feel like I've, I mean, who hasn't

00:27:02.339 --> 00:27:03.700
been cheated? I've been cheated on plenty of

00:27:03.700 --> 00:27:05.779
times, you know, and I've also been the one that

00:27:05.779 --> 00:27:08.420
someone has cheated on their partner with, you

00:27:08.420 --> 00:27:10.119
know, so I'm like on both ends of this, but not

00:27:10.119 --> 00:27:12.339
proud of it, you know, but it is what it is.

00:27:12.420 --> 00:27:14.640
Yeah. It's something that everyone has gone through

00:27:14.640 --> 00:27:17.569
one way or another. And that's the funny thing.

00:27:17.609 --> 00:27:19.529
When I first talked to Adolfo years ago, he told

00:27:19.529 --> 00:27:21.869
me, he's like, yeah, the topic for this movie

00:27:21.869 --> 00:27:24.109
is infidelity and it's universal. So it's relatable

00:27:24.109 --> 00:27:25.970
for everyone. And that's why I wanted to make

00:27:25.970 --> 00:27:27.950
this movie. So everyone can catch on to this

00:27:27.950 --> 00:27:30.829
movie and understand what's going on. Yeah. And

00:27:30.829 --> 00:27:33.869
it's cool to make it like an anthology because

00:27:33.869 --> 00:27:36.390
you have like three different forms of cheating.

00:27:36.430 --> 00:27:40.970
I guess three different levels of cheating. Yeah.

00:27:42.049 --> 00:27:45.170
Because you have like the obsessive cheater.

00:27:45.869 --> 00:27:47.990
It turns out to be a psycho. We'll talk about

00:27:47.990 --> 00:27:51.069
that. Then we have the reluctant cheater who

00:27:51.069 --> 00:27:54.869
had no intention of cheating, but did cheat.

00:27:55.210 --> 00:27:57.650
Out of impulse. Exactly. Impulsive. And then

00:27:57.650 --> 00:28:01.029
you have the, I don't want to say vindictive,

00:28:01.069 --> 00:28:09.490
but the cheater who, I don't know how to describe

00:28:09.490 --> 00:28:11.930
the first story. She was just sneaky, if anything.

00:28:12.369 --> 00:28:14.690
Yeah. She was just like. She thought she could

00:28:14.690 --> 00:28:16.529
get away with it. Yeah, exactly. Like, she really,

00:28:16.609 --> 00:28:18.650
really fucking was convinced. Yeah. But she doesn't.

00:28:19.509 --> 00:28:22.549
In some way. But, yeah, so this next movie is

00:28:22.549 --> 00:29:02.660
Mujeres Infieles from 1993. So I think prior

00:29:02.660 --> 00:29:05.880
to the release in 95, it played in film festivals.

00:29:06.000 --> 00:29:07.559
They were throwing it in film festivals. It won

00:29:07.559 --> 00:29:11.180
an award in Charleston, Texas, and then in Houston,

00:29:11.259 --> 00:29:13.559
the Houston International Film Festival, which

00:29:13.559 --> 00:29:17.779
is now known as World Fest Houston. So he was

00:29:17.779 --> 00:29:19.299
playing in a festival. So Dolph won his dad,

00:29:19.440 --> 00:29:22.819
Gilberto Martinez -Solares. And the movie's inspired

00:29:22.819 --> 00:29:26.039
by Italian anthology movies from the 60s and

00:29:26.039 --> 00:29:29.069
70s. like one he told me was really like inspiring

00:29:29.069 --> 00:29:31.329
for him was yesterday today and tomorrow from

00:29:31.329 --> 00:29:35.210
1963 and that's pretty much what it is you know

00:29:35.210 --> 00:29:40.190
it's just three stories of infidelity and you

00:29:40.190 --> 00:29:42.369
know it's a universal topic like he said and

00:29:42.369 --> 00:29:44.529
then he said infidelity is hurtful and there

00:29:44.529 --> 00:29:46.950
are always consequences from it and here we have

00:29:46.950 --> 00:29:50.809
three stories about that and the first story

00:29:52.430 --> 00:29:54.089
So how about this? You tell the second story.

00:29:54.130 --> 00:29:56.210
I'll tell the first story. Yeah, we can do that.

00:29:56.210 --> 00:29:58.589
Yeah, let's do it like that. So the first story,

00:29:58.589 --> 00:30:02.990
it has Lina Santos, Hugo Stiglitz. Lina plays

00:30:02.990 --> 00:30:06.269
this girl named Julieta. She lives with her husband,

00:30:06.609 --> 00:30:10.490
Eduardo. He does production for commercials.

00:30:10.569 --> 00:30:12.269
I think he's more of like a... Or advertising.

00:30:12.630 --> 00:30:15.450
Yeah, he works for a modeling agency. And a modeling

00:30:15.450 --> 00:30:18.430
agency. Maybe like a talent acquisition type

00:30:18.430 --> 00:30:20.210
of guy or something like that. Yeah, they do

00:30:20.210 --> 00:30:22.549
mention that that's how he met her. Yeah, that's

00:30:22.549 --> 00:30:25.549
how he met Lena Sanchez. Yeah, Julieta. And then

00:30:25.549 --> 00:30:27.690
he's working on this big project for Ray -Ban.

00:30:28.130 --> 00:30:29.930
So he's kind of busy, you know, in his own little

00:30:29.930 --> 00:30:32.569
world. And then she's just like, you know, you

00:30:32.569 --> 00:30:34.190
can tell she's comfortable. She's living in a

00:30:34.190 --> 00:30:37.730
rich life. And then every, like, other weekend,

00:30:37.769 --> 00:30:40.450
she goes to Cuernavaca to visit a cousin, quote

00:30:40.450 --> 00:30:44.710
-unquote. And then, you know, she's not meeting

00:30:44.710 --> 00:30:52.559
her cousin. She's meeting a guy. ¿Bueno? ¿Qué

00:30:52.559 --> 00:30:56.500
pasó, prima? ¿Qué hay de nuevo? Nada, prima.

00:30:56.700 --> 00:30:58.980
Solo saber si vas a venir mañana, como todos

00:30:58.980 --> 00:31:01.079
los miércoles, para pasar juntas el día aquí

00:31:01.079 --> 00:31:04.559
en mi casa. Como sabes, soy una mujer casada,

00:31:04.559 --> 00:31:06.799
así que déjame ver qué es lo que va a hacer mi

00:31:06.799 --> 00:31:09.539
marido. Permíteme, ¿sí? Oye, mi amor, ¿qué vas

00:31:09.539 --> 00:31:13.420
a hacer mañana? ¿Hablas con Leticia? Sí, mi amor.

00:31:14.660 --> 00:31:18.099
Saluda de mi parte. Y me parece una buena idea

00:31:18.099 --> 00:31:36.299
que vayas mañana a Cuernavaca. Yeah, that's the

00:31:36.299 --> 00:31:39.759
thing. It opens up. They obviously live a posh

00:31:39.759 --> 00:31:43.759
life. Very posh, yeah. I don't want to generalize,

00:31:43.819 --> 00:31:49.599
but she definitely plays the woman who is like,

00:31:49.920 --> 00:31:53.359
is is very vain and is never pleased right she

00:31:53.359 --> 00:31:55.519
wants more she wants more jewelry she wants a

00:31:55.519 --> 00:31:57.599
better more money she wants a better house or

00:31:57.599 --> 00:31:59.920
whatever and that's kind of like the the background

00:31:59.920 --> 00:32:02.019
where you know he works his ass off to give her

00:32:02.019 --> 00:32:04.859
everything it's still not enough um but yeah

00:32:04.859 --> 00:32:07.180
like you said you know she pretends to to meet

00:32:07.180 --> 00:32:08.940
up with her cousin but she's really meeting yeah

00:32:08.940 --> 00:32:13.299
yeah he plays a guy named marcelo marcelo's like

00:32:13.299 --> 00:32:16.549
this you know hunky guy you know He's not as

00:32:16.549 --> 00:32:19.190
rich as her husband, but he's very admiring of

00:32:19.190 --> 00:32:21.230
her. He loves her a lot. He even tells her, just

00:32:21.230 --> 00:32:23.210
leave your husband and get with me. Well, he

00:32:23.210 --> 00:32:25.410
had to have some kind of money because he gives

00:32:25.410 --> 00:32:28.450
her a gift. It ties into the story. Obviously,

00:32:28.950 --> 00:32:31.230
when you watch the movie, you see that. He had

00:32:31.230 --> 00:32:32.750
to have some money to buy that shit. That was

00:32:32.750 --> 00:32:34.529
the thing. He was supposed to get a bigger job

00:32:34.529 --> 00:32:36.869
in Tijuana. He's like, we can't see each other

00:32:36.869 --> 00:32:38.690
no more in Cuernavaca. I'm going to go to Tijuana

00:32:38.690 --> 00:32:41.049
and live there. And he tries to get her to move

00:32:41.049 --> 00:32:43.490
with him. Yeah, he's like... Just leave them

00:32:43.490 --> 00:32:45.930
come with me, you know, we'll have a real relationship

00:32:45.930 --> 00:32:49.789
and then she's just like oh I can you know I'm

00:32:49.789 --> 00:32:51.730
really comfortable with my husband. We have kids.

00:32:51.849 --> 00:32:53.750
They never show the kids, but she does. Yeah,

00:32:53.750 --> 00:33:14.670
she has kids. Yeah Pero tú sabes bien que tengo

00:33:14.670 --> 00:33:19.250
hijos y tengo una posición con mi marido. Mira,

00:33:19.269 --> 00:33:23.849
te voy a decir la verdad. En este momento ordenan

00:33:23.849 --> 00:33:27.789
mi traslado a la aduana de Tijuana. Y es una

00:33:27.789 --> 00:33:30.349
oportunidad que no puedo perder. ¿Te vas a Tijuana?

00:33:32.769 --> 00:33:35.109
El problema es que tampoco los miércoles nos

00:33:35.109 --> 00:33:39.130
vamos a poder seguir viendo. Mi amor, te voy

00:33:39.130 --> 00:33:55.119
a extrañar mucho. ¿Por qué no nos vamos juntos?

00:33:57.460 --> 00:34:00.279
Pídele el divorcio a tu marido. Dile que ya no

00:34:00.279 --> 00:34:04.140
lo quieres. Invéntale cualquier cosa, pero vente

00:34:04.140 --> 00:34:10.880
conmigo, ¿sí? Mira, te propongo una cosa. En

00:34:10.880 --> 00:34:16.719
serio, vamos a casarnos. Ay, Marcelo, no sé qué

00:34:16.719 --> 00:34:46.550
decirte. And then he's like, well, I guess this

00:34:46.550 --> 00:34:48.369
is goodbye, or, you know, and after that, you

00:34:48.369 --> 00:34:50.250
know, the one last time that she tries to go

00:34:50.250 --> 00:34:51.750
see him, you know, it's too late, he's already

00:34:51.750 --> 00:34:54.389
gone. He leaves her this like precious jewelry

00:34:54.389 --> 00:34:57.030
necklace. Yeah, like a fucking pearl diamond.

00:34:57.170 --> 00:34:59.389
Yeah, it's like all these like crazy necklaces.

00:34:59.429 --> 00:35:01.250
Yeah, it was made by like a really important

00:35:01.250 --> 00:35:05.289
French jeweler or some shit like that. And, you

00:35:05.289 --> 00:35:07.090
know, of course, you know, she holds on to that

00:35:07.090 --> 00:35:08.829
gift, but she can't just wear it because, you

00:35:08.829 --> 00:35:09.809
know, it's like, well, where the fuck did you

00:35:09.809 --> 00:35:13.110
get the money for that? The way she tries to

00:35:13.110 --> 00:35:15.409
hide it is like the dumbest fucking thing. Yeah,

00:35:15.429 --> 00:35:18.949
it was weird. That just proves. that she did

00:35:18.949 --> 00:35:21.210
not give a fuck about the cheating she just wanted

00:35:21.210 --> 00:35:23.590
to get what she thought she deserved yes after

00:35:23.590 --> 00:35:25.090
that yeah she's a little heartbroken effort but

00:35:25.090 --> 00:35:26.570
then she's like oh you know at least he left

00:35:26.570 --> 00:35:29.050
me this and then she's like well i can't you

00:35:29.050 --> 00:35:30.389
know obviously she can't just wear it around

00:35:30.389 --> 00:35:33.469
the house so she hatches this idea of like oh

00:35:33.469 --> 00:35:36.150
you know she pawns it and then she's gonna pretend

00:35:36.150 --> 00:35:37.650
that she found the pawn ticket and then just

00:35:37.650 --> 00:35:39.829
claim it off you know to pay off the whatever's

00:35:39.829 --> 00:35:42.489
owed it for the jewelry but then her husband's

00:35:42.489 --> 00:35:44.349
like oh no let me do it you know because she

00:35:44.349 --> 00:35:45.989
tells her husband like oh i found this pawn ticket

00:35:46.730 --> 00:35:49.030
So the husband goes, he takes it out. He's like,

00:35:49.070 --> 00:35:50.869
he calls her. He's like, Oh, you're not going

00:35:50.869 --> 00:35:52.489
to believe what I got. You know, it's really

00:35:52.489 --> 00:35:56.070
beautiful. I can't wait for you to have it. And

00:35:56.070 --> 00:35:58.250
then it's like right before he's shooting a commercial.

00:35:58.329 --> 00:35:59.889
If I recall, remember they're supposed to shoot

00:35:59.889 --> 00:36:02.789
the Ray -Ban commercial. Yep. Yep. Yep. And then

00:36:02.789 --> 00:36:04.690
he invites her on set, like come to the set and

00:36:04.690 --> 00:36:07.030
hang out and I'll give you the gift. And then

00:36:07.030 --> 00:36:09.469
he gives her the gift and it's not the necklace.

00:36:09.550 --> 00:36:14.360
It's earrings. The classic, the camera zooms

00:36:14.360 --> 00:36:18.420
on her face. She's like, what? She's like, these

00:36:18.420 --> 00:36:20.679
are beautiful earrings. And then she's just like,

00:36:20.719 --> 00:36:22.800
what? She's just shocked. And then he looks at

00:36:22.800 --> 00:36:26.159
her too, like, what? So she wears them. They

00:36:26.159 --> 00:36:28.460
go to the set. And then he introduces her to

00:36:28.460 --> 00:36:30.219
one of the new models that he hired for the commercial.

00:36:30.920 --> 00:36:33.340
She takes off the scarf off her necklace, you

00:36:33.340 --> 00:36:35.599
know, for neck. And she's wearing the necklace

00:36:35.599 --> 00:36:38.199
that she was supposed to get from the pawn shop.

00:36:38.460 --> 00:36:41.500
And that's what she realizes. fucking ugo stiglitz

00:36:41.500 --> 00:36:44.719
was a two -timing motherfucker she not only was

00:36:44.719 --> 00:36:47.280
she cheating he was cheating on her too yeah

00:36:47.280 --> 00:36:50.340
you're just like oh shit but you know that that

00:36:50.340 --> 00:36:52.460
kind of that's the classic right like the the

00:36:52.460 --> 00:36:54.880
classic story of like you know the way you get

00:36:54.880 --> 00:36:56.679
her is the way you'll lose her that you know

00:36:56.679 --> 00:36:59.659
that's true you know so yeah so she runs off

00:36:59.659 --> 00:37:02.380
you know she's crying and then she bumps into

00:37:02.380 --> 00:37:04.300
the next couple that are featured from the movie

00:37:04.300 --> 00:37:07.929
i will say you know I when that scene happens

00:37:07.929 --> 00:37:09.989
I thought hell yeah they're gonna tie in every

00:37:09.989 --> 00:37:12.030
story of this but they didn't tie in the second

00:37:12.030 --> 00:37:14.809
story to the third yeah which which was unfortunate

00:37:14.809 --> 00:37:17.530
because the setup for the second story that I'll

00:37:17.530 --> 00:37:19.090
talk about right now like you said it's fucking

00:37:19.090 --> 00:37:22.010
dope because you know obviously uh Lena Sanchez's

00:37:22.010 --> 00:37:24.769
character Julieta runs out of this fucking building

00:37:24.769 --> 00:37:27.869
bumps into this girl and fucking she's like what

00:37:27.869 --> 00:37:29.829
the fuck and she's like whatever and then she

00:37:29.829 --> 00:37:35.739
meets up with um Raul Araiza's character, Ricardo,

00:37:36.139 --> 00:37:39.260
who they go to have lunch at a restaurant, which

00:37:39.260 --> 00:37:40.940
is, I guess, where they were shooting this Ray

00:37:40.940 --> 00:37:43.920
-Ban commercial or whatever the fuck. And that's

00:37:43.920 --> 00:37:45.920
where he kind of proposes to her and was like,

00:37:46.019 --> 00:37:48.139
she's like, oh my God. So now they're engaged

00:37:48.139 --> 00:37:51.840
and now is the start of the second story, which

00:37:51.840 --> 00:37:57.760
has Claudia Vega playing Clara. Well, it says

00:37:57.760 --> 00:38:01.800
Ricardo. Yeah. Plays Ricardo, her fiance. And

00:38:01.800 --> 00:38:05.400
then it also has Rafael Rojas, who plays Alfonso,

00:38:05.400 --> 00:38:09.179
the love interest, the side piece. We have a

00:38:09.179 --> 00:38:14.679
surprise guest, actress Michelle Mayer, who,

00:38:14.820 --> 00:38:22.019
you know, sexy, man. She's pregnant. So basically

00:38:22.019 --> 00:38:25.329
the plot of this one is, you know, They're freshly

00:38:25.329 --> 00:38:30.250
engaged. Husband buys, fiance buys a new house

00:38:30.250 --> 00:38:35.429
and the, you know, the fiance is now fucking

00:38:35.429 --> 00:38:38.010
feeling lonely. So she ends up cheating on her

00:38:38.010 --> 00:38:43.369
with the interior decorator. But it plays out

00:38:43.369 --> 00:38:46.090
crazy, right? So, you know, as I said, you know,

00:38:46.090 --> 00:38:49.789
they just got fucking engaged. Well, this new

00:38:49.789 --> 00:38:54.510
guy, Alfonso, And he apparently was, like, an

00:38:54.510 --> 00:38:57.250
ex -lover to her best friend and, like, got her

00:38:57.250 --> 00:38:59.150
pregnant or whatever. And so she's like, oh,

00:38:59.150 --> 00:39:02.090
you're an asshole. Like, you left her fucking

00:39:02.090 --> 00:39:04.849
pregnant and blah, blah, blah. Yeah. And he's

00:39:04.849 --> 00:39:07.110
like, yo, like, no, it's not like that at all.

00:39:07.130 --> 00:39:09.530
He's trying to plead his case. She's having no

00:39:09.530 --> 00:39:11.349
part of it. She's like, fuck this guy. All men

00:39:11.349 --> 00:39:13.809
are assholes. You know, that type of vibe. Well,

00:39:13.889 --> 00:39:15.409
it turns out she meets up with her friend. Her

00:39:15.409 --> 00:39:16.809
friend's like, no, I fucking loved him. Like,

00:39:16.809 --> 00:39:18.590
we were in love and all this shit. So she's like,

00:39:18.650 --> 00:39:20.530
oh, okay, well, maybe he is kind of a nice guy.

00:39:21.190 --> 00:39:23.829
Are you a friend of Alicia Brown? Alicia Brown?

00:39:24.349 --> 00:39:28.610
Do you know her? Yes, very well. I know her from

00:39:28.610 --> 00:39:32.849
head to toe. Listen, what are you doing? I suggest

00:39:32.849 --> 00:39:37.409
in those windows some vertical persian palettes.

00:39:37.449 --> 00:39:39.909
One of those that are very fashionable in Oxford.

00:39:40.690 --> 00:39:43.289
The paintings do have a great variety of colors

00:39:43.289 --> 00:39:46.190
that we could use. Are you the architect that

00:39:46.190 --> 00:39:49.150
my friend got a heart attack from and ended up

00:39:49.150 --> 00:39:54.269
dying in a hospital? In the bathrooms, we have

00:39:54.269 --> 00:39:57.369
two options. A Spanish lollipop that would look

00:39:57.369 --> 00:40:00.010
very nice, or a French one that would look very

00:40:00.010 --> 00:40:06.210
cool. So, yes. Yes, right? You were the idiot

00:40:06.210 --> 00:40:09.070
who gave birth to her. So, yes, we know each

00:40:09.070 --> 00:40:12.809
other. No, look, no. Thank God, Alicia is very

00:40:12.809 --> 00:40:15.389
well married and is about to have a child with

00:40:15.389 --> 00:40:18.210
her husband. But because of you, she's dying.

00:40:18.909 --> 00:40:23.369
It wasn't my fault. So she starts to build this

00:40:23.369 --> 00:40:26.429
infatuation with this fool. And of course, like

00:40:26.429 --> 00:40:29.710
I said, he's the interior decorator to the apartment

00:40:29.710 --> 00:40:33.369
that her fiancé bought. So she's seen more and

00:40:33.369 --> 00:40:35.630
more of this fool. She's starting to get infatuated.

00:40:37.449 --> 00:40:39.610
There's a scene where she's looking out the window

00:40:39.610 --> 00:40:41.150
and she's like, well, if he turns and looks at

00:40:41.150 --> 00:40:44.349
me, then that means we're connected. And of course,

00:40:44.369 --> 00:40:51.179
he turns and looks. But, yeah, it's fucking,

00:40:51.420 --> 00:40:54.940
you know. So this kind of sets up the whole basis,

00:40:55.019 --> 00:40:56.559
right? So the story's going to take place in

00:40:56.559 --> 00:40:59.260
this little apartment. And it turns out that

00:40:59.260 --> 00:41:02.539
it's Clara's birthday. And as it happens with

00:41:02.539 --> 00:41:04.940
most adults, no one fucking gives a fuck about

00:41:04.940 --> 00:41:06.579
their birthday, right? Or they forgot, yeah.

00:41:06.719 --> 00:41:08.579
Yeah, so her friend's like, well, I'm busy. I

00:41:08.579 --> 00:41:10.760
can't hang out. Maybe we'll hang out next week.

00:41:10.820 --> 00:41:12.639
She's like, all right, whatever. She goes to

00:41:12.639 --> 00:41:16.019
see her parents. And her parents are like, oh,

00:41:16.079 --> 00:41:20.719
we're going out of town. Which, you know, funny

00:41:20.719 --> 00:41:23.300
enough, her dad is played by Sergio Sanchez,

00:41:23.380 --> 00:41:26.760
who was in Alimento del Medo, which we talked

00:41:26.760 --> 00:41:29.940
about. Oh, that's right, yeah. So a little fun

00:41:29.940 --> 00:41:32.940
cameo there. But, I mean, he's a great actor.

00:41:33.099 --> 00:41:34.679
You can go back and listen to that episode. I'm

00:41:34.679 --> 00:41:37.980
sure he'll come up in another one. parents are

00:41:37.980 --> 00:41:39.920
like well we're going on vacation you know we

00:41:39.920 --> 00:41:42.179
forgot it was your birthday you know and then

00:41:42.179 --> 00:41:44.500
her fiance all of a sudden is dogging her out

00:41:44.500 --> 00:41:46.699
so now you're like oh well damn this will and

00:41:46.699 --> 00:41:48.199
so it looks like he's cheating with michelle

00:41:48.199 --> 00:41:50.699
my uh mayor's character he's like going to grocery

00:41:50.699 --> 00:41:53.980
uh not grocery jewelry stores with her she keeps

00:41:53.980 --> 00:41:56.260
calling this fool his office oh you know he's

00:41:56.260 --> 00:41:58.820
he's he's at work or whatever yeah she's like

00:41:58.820 --> 00:42:01.280
well where's he at oh we can't tell you So she's

00:42:01.280 --> 00:42:02.800
already like, all right, this motherfucker is

00:42:02.800 --> 00:42:05.000
cheating on me. Like, she's pissed off. It's

00:42:05.000 --> 00:42:06.940
her birthday. No one gives a fuck. Her fiance

00:42:06.940 --> 00:42:10.980
is nowhere to be found. Yeah. She rushes to the

00:42:10.980 --> 00:42:15.719
new apartment. And who just happens to need to

00:42:15.719 --> 00:42:18.239
go to the apartment to find out which tiles she

00:42:18.239 --> 00:42:22.280
wants? Oh, wait. Oh, no, no, no. Remember, he

00:42:22.280 --> 00:42:24.400
knocks on her door. Remember? First, he knocks

00:42:24.400 --> 00:42:27.300
on her door. at the you know where she's living

00:42:27.300 --> 00:42:29.000
at right now with her parents yeah he knocks

00:42:29.000 --> 00:42:32.099
on the door she spills water oh yeah and she's

00:42:32.099 --> 00:42:33.659
like oh i thought you were my husband and then

00:42:33.659 --> 00:42:35.599
that's when they start to you know talk she's

00:42:35.599 --> 00:42:37.500
crying he's like you know he's like oh it's gonna

00:42:37.500 --> 00:42:40.679
be all right he's like don't don't feel bad you're

00:42:40.679 --> 00:42:42.519
a beautiful woman he's like you know hugging

00:42:42.519 --> 00:42:46.309
her and then they kiss and then Of course. Then

00:42:46.309 --> 00:42:49.090
right away, no hesitation, they just start undressing.

00:42:49.329 --> 00:42:53.750
Oh, yeah. It's so satisfying, the pervs. She

00:42:53.750 --> 00:42:56.409
gets full frontal. She gets full frontal. She's

00:42:56.409 --> 00:42:58.849
laying on the table. It's like a Skinamax scene.

00:42:59.289 --> 00:43:02.909
It's basically a fucking sex scene without any,

00:43:02.969 --> 00:43:05.889
you don't see any penetration. She's riding them.

00:43:06.050 --> 00:43:08.590
They're kissing. They're sweating. The music's

00:43:08.590 --> 00:43:11.690
playing. It's like a loud jazz. Oh, yeah. It's

00:43:11.690 --> 00:43:14.969
like super Skinamax type of scene. I was like,

00:43:14.989 --> 00:43:18.110
damn, okay. I was like, all right, I'm into this

00:43:18.110 --> 00:43:25.429
now. I will say this. I know it's generic for

00:43:25.429 --> 00:43:27.710
guys to say this all the time, but the women

00:43:27.710 --> 00:43:31.550
in this movie are drop -dead gorgeous. Every

00:43:31.550 --> 00:43:34.110
single woman in this fucking story. Even if they're

00:43:34.110 --> 00:43:36.050
just secondary, it's like, oh, no, they're still

00:43:36.050 --> 00:43:39.150
eye -catching. Oh, yeah, absolutely. I know that's

00:43:39.150 --> 00:43:43.829
by design. but yeah so you know they finally

00:43:43.829 --> 00:43:46.250
hook up you know she kind of wakes up in the

00:43:46.250 --> 00:43:47.809
next the next morning it's kind of like fuck

00:43:47.809 --> 00:43:50.690
like what you know i i don't regret it but i

00:43:50.690 --> 00:43:52.250
shouldn't have done it you know that type of

00:43:52.250 --> 00:43:55.869
vibe and uh of course alfonso's like no it's

00:43:55.869 --> 00:43:58.389
all right baby yeah we can be we can be a thing

00:43:58.389 --> 00:44:00.809
like i'll come every week and you don't gotta

00:44:00.809 --> 00:44:03.909
tell your man and you know the the asshole in

00:44:03.909 --> 00:44:07.210
the situation which you know like i said been

00:44:07.210 --> 00:44:11.090
been there done that but um she gets a phone

00:44:11.090 --> 00:44:13.050
call from her mom like hey i think i left the

00:44:13.050 --> 00:44:15.269
uh the stove on can you go can you go downstairs

00:44:15.269 --> 00:44:17.449
and check to make sure that it's all she's like

00:44:17.449 --> 00:44:20.449
all right i guess so she puts on her panties

00:44:20.449 --> 00:44:24.670
the dude puts on his boxers um and which you

00:44:24.670 --> 00:44:27.409
know i will say at least the guy and the girl

00:44:27.409 --> 00:44:30.869
were both full fully naked you know so it's you

00:44:30.869 --> 00:44:33.849
know and keep in mind this is um what's his name

00:44:34.500 --> 00:44:37.159
This is Rafael Rojas. Yeah, Rafael Rojas. He

00:44:37.159 --> 00:44:38.699
was a super hunky guy back in the day. Oh, yeah.

00:44:39.219 --> 00:44:42.460
If you pause just enough, you can see his dick.

00:44:42.539 --> 00:44:46.119
Yeah. I know there's people that fucking want

00:44:46.119 --> 00:44:47.920
to see this. You can see his behind and everything.

00:44:48.059 --> 00:44:50.340
Oh, yeah, 1 ,000%. Yeah, he was definitely like,

00:44:50.360 --> 00:44:52.119
yeah. Yeah, he definitely got a lot of action

00:44:52.119 --> 00:44:54.920
back then. um so they put they put their their

00:44:54.920 --> 00:44:57.219
their panties and their boxers on they're all

00:44:57.219 --> 00:44:59.860
laughing he's tickling her they're gonna run

00:44:59.860 --> 00:45:03.000
downstairs game planning how they're gonna you

00:45:03.000 --> 00:45:05.239
know move forward with their little love situation

00:45:05.239 --> 00:45:09.739
she turns on the lights and the funniest of all

00:45:09.739 --> 00:45:13.500
time happens It was a surprise birthday party.

00:45:13.539 --> 00:45:16.400
And her entire family and friends, the fiance,

00:45:16.579 --> 00:45:19.619
everybody, the fucking Michelle Mayer, who she

00:45:19.619 --> 00:45:21.880
thought her fiance was cheating on her with.

00:45:22.159 --> 00:45:24.500
She's there because they turned out to be fucking

00:45:24.500 --> 00:45:27.760
friends. And, of course, you know, she's all

00:45:27.760 --> 00:45:30.019
like, oh, my God. The fucking lights are on.

00:45:30.079 --> 00:45:33.199
They're both naked. Fucking everyone's pissed.

00:45:33.320 --> 00:45:35.679
And then, of course, the husband tries to, you

00:45:35.679 --> 00:45:37.380
know. Yeah, he's like calling her a whore. He's

00:45:37.380 --> 00:45:40.659
like, you're a puta. And he fucking swings, you

00:45:40.659 --> 00:45:43.219
know, tries to beat this fool Alfonso up and

00:45:43.219 --> 00:45:46.480
gets thrown out the fucking window and fucking

00:45:46.480 --> 00:45:49.659
falls to the ground and dies, dude. Yeah, but

00:45:49.659 --> 00:45:51.440
we don't see it. What we see is them coming out

00:45:51.440 --> 00:45:53.599
of the window and then we see a splash in the

00:45:53.599 --> 00:45:56.780
pool, which transitions into the next story.

00:45:58.190 --> 00:46:00.369
And this last story, this is the one that gets

00:46:00.369 --> 00:46:02.429
fucking crazy. It's like they literally saved

00:46:02.429 --> 00:46:04.670
the best one for last. They were just like itching.

00:46:04.670 --> 00:46:05.690
They were like, yeah, we're going to save this

00:46:05.690 --> 00:46:07.389
crazy fucking one for last. When I was reading

00:46:07.389 --> 00:46:09.809
online, I saw people did not like this third

00:46:09.809 --> 00:46:12.010
one, which was crazy to me because this. No,

00:46:12.150 --> 00:46:14.329
that third first. That third one was, it goes

00:46:14.329 --> 00:46:16.550
fucking crazy. It goes crazy. It goes into really,

00:46:16.789 --> 00:46:19.750
really, really crazy directions. So, yeah. So,

00:46:19.769 --> 00:46:23.030
from a crash to the window to a splash in the

00:46:23.030 --> 00:46:26.880
pool, we now meet. elizabeth katz character mariana

00:46:26.880 --> 00:46:28.840
and then she's swimming with her friend i didn't

00:46:28.840 --> 00:46:30.760
get her friend's name but her friend was fucking

00:46:30.760 --> 00:46:32.619
beautiful oh yeah her i don't think i don't think

00:46:32.619 --> 00:46:34.480
she said her friend's name i don't think she

00:46:34.480 --> 00:46:36.480
ever did i'm not sure but she was really beautiful

00:46:36.480 --> 00:46:38.000
i was like oh wow this girl they had a weird

00:46:38.000 --> 00:46:40.039
dynamic though because she was obviously younger

00:46:40.039 --> 00:46:42.400
yeah elizabeth katz is obviously a little older

00:46:42.400 --> 00:46:44.079
yeah and this chick's a little younger looking

00:46:44.079 --> 00:46:45.739
for sure she's probably like in her 20s katz

00:46:45.739 --> 00:46:48.239
is like 30s and then she's like encouraging her

00:46:48.239 --> 00:46:51.679
to cheat and shit yeah here we go yeah typical

00:46:51.679 --> 00:46:54.889
women you know she's saying like you know uh

00:46:54.889 --> 00:46:56.570
mariana's just like yeah you know she's just

00:46:56.570 --> 00:46:59.489
bored you know with her husband she's tired of

00:46:59.489 --> 00:47:02.230
the repetitions like she tends to her to her

00:47:02.230 --> 00:47:04.969
daughter her husband's just out drinking doesn't

00:47:04.969 --> 00:47:08.050
come back doesn't please her so she's like yeah

00:47:08.050 --> 00:47:10.010
i'm bored you know i want something more and

00:47:10.010 --> 00:47:11.630
then she's like oh why don't you put up an ad

00:47:11.630 --> 00:47:14.710
you know it's like a personal ad and she's like

00:47:14.710 --> 00:47:17.030
i don't know like she's like hesitant at first

00:47:17.030 --> 00:47:19.690
but then she ends up doing it And then someone

00:47:19.690 --> 00:47:21.690
writes her back. Well, no, it's the opposite.

00:47:21.969 --> 00:47:25.610
Her friend, she goes looking for, her friend

00:47:25.610 --> 00:47:27.769
tells her, why don't you go look for love on

00:47:27.769 --> 00:47:30.090
one of these things? And she's like, okay, I

00:47:30.090 --> 00:47:31.510
guess I'll check it out. Yeah, she finds one

00:47:31.510 --> 00:47:46.190
guy. One guy sounds pretty attentive. No, yo

00:47:46.190 --> 00:47:48.489
soy muy conservadora. Creo que me voy a morir

00:47:48.489 --> 00:47:51.829
con Rafael a mi lado. Nunca me voy a divorciar

00:47:51.829 --> 00:47:57.210
de él. Pero entonces, ¿cuál es el problema? Ya

00:47:57.210 --> 00:48:01.650
sabes, la rutina. El deber ser, la niña en la

00:48:01.650 --> 00:48:04.250
escuela, hacer el amor los sábados cuando él

00:48:04.250 --> 00:48:07.409
ya se emborrachó con sus cuates. Y así es cada

00:48:07.409 --> 00:48:10.429
semana de cada mes de todos los años de mi vida.

00:48:11.069 --> 00:48:13.949
Bueno, pero Rafael no es un mal tipo. Te da todo

00:48:13.949 --> 00:48:16.829
lo que necesitas. Es un buen padre y además no

00:48:16.829 --> 00:48:20.010
está encima de ti. Bueno, ¿y de qué me sirve

00:48:20.010 --> 00:48:22.150
eso si yo soy una miedosa que no me atrevo a

00:48:22.150 --> 00:48:25.869
hacer nada? No, no me da pánico que me cache.

00:48:26.110 --> 00:48:29.349
Te entiendo. Tú eres como yo. Nosotras no queremos

00:48:29.349 --> 00:48:33.710
un acostón. Lo que buscamos es un romance. Sí,

00:48:33.789 --> 00:48:38.670
eso es. Un enamoramiento. Algo que me despierte

00:48:38.670 --> 00:48:41.969
y que me haga sentir... Viva, siquiera. Pero

00:48:41.969 --> 00:48:44.070
ten cuidado. Cuando el tipo sabe quién eres,

00:48:44.110 --> 00:48:47.269
es peligroso. Entonces tu marido empieza a sospechar.

00:48:47.909 --> 00:48:50.469
Yo creo que lo ideal sería que fuera un desconocido.

00:48:51.230 --> 00:48:55.130
¿Un desconocido? ¿Y entonces cómo lo voy a conocer?

00:48:56.030 --> 00:49:06.670
Con tu imaginación. Casi me convences, ¿eh? Lo

00:49:06.670 --> 00:49:08.710
voy a pensar. And, yeah, they get in contact

00:49:08.710 --> 00:49:12.269
and his name's Armando. Not really. I was about

00:49:12.269 --> 00:49:16.269
to say the parallels are there. No, I'm not that

00:49:16.269 --> 00:49:20.010
crazy. Yeah, he's like, yeah, you know, he like

00:49:20.010 --> 00:49:21.650
starts to, you know, they start talking on the

00:49:21.650 --> 00:49:24.829
phone. You know, they're both interested. And,

00:49:24.889 --> 00:49:27.000
yeah, they meet up at a restaurant. she wears

00:49:27.000 --> 00:49:28.920
like a weird hat remember with the feather yeah

00:49:28.920 --> 00:49:31.019
like there's like a she's like well uh it's like

00:49:31.019 --> 00:49:32.739
a you know obviously it's a blind date so he's

00:49:32.739 --> 00:49:34.300
like how am i gonna find you so i'll be wearing

00:49:34.300 --> 00:49:37.420
a black dress and a hat with a feather on it

00:49:37.420 --> 00:49:40.840
but it's interesting because she you know while

00:49:40.840 --> 00:49:44.360
she wants it she also kind of you know realizes

00:49:44.360 --> 00:49:46.159
like oh what i'm doing is wrong so she decides

00:49:46.159 --> 00:49:48.809
she wants to leave But as she's getting up to

00:49:48.809 --> 00:49:51.090
leave, the dude shows up. Yeah. And so it's like

00:49:51.090 --> 00:49:52.750
the point of no return. She's either going to

00:49:52.750 --> 00:49:54.909
walk away from this. Yeah. Or she's going to

00:49:54.909 --> 00:49:56.929
stay and see what, you know, what the fuss is

00:49:56.929 --> 00:49:58.989
about. Yeah. So she meets Armando, who's played

00:49:58.989 --> 00:50:01.469
by Enrique Rocha. And if you guys know who Enrique

00:50:01.469 --> 00:50:04.309
Rocha is, he plays the devil in Satanico Pandemonio.

00:50:04.469 --> 00:50:07.190
Oh, yeah. Another Gilberto Martinez production.

00:50:07.230 --> 00:50:09.929
Oh, yeah. So, yeah, you know, they start talking

00:50:09.929 --> 00:50:11.869
and, yeah, they end up like, yeah, actually getting

00:50:11.869 --> 00:50:14.260
into each other. They're very, you know. Well,

00:50:14.280 --> 00:50:16.500
he's super intense. Yeah, and he's, like, very,

00:50:16.579 --> 00:50:18.900
you know, like, romantic with her. He touches

00:50:18.900 --> 00:50:21.880
her hands. She's like, yeah, she just feels like

00:50:21.880 --> 00:50:23.400
that love that she's been desiring. She feels

00:50:23.400 --> 00:50:25.760
seen. She feels wanted. Yeah, she feels wanted,

00:50:25.860 --> 00:50:28.960
yeah. And, yeah, they keep up with it, and then

00:50:28.960 --> 00:50:31.820
they hook up. But then at the same time, you

00:50:31.820 --> 00:50:33.300
know, she's hesitant. She doesn't want to tell

00:50:33.300 --> 00:50:34.500
her the truth. She's like, oh, I don't know.

00:50:34.699 --> 00:50:36.639
That she's married. And she tells him that she

00:50:36.639 --> 00:50:38.699
lives in Monterrey or something. Yeah, that she's

00:50:38.699 --> 00:50:41.059
divorced and, you know, she doesn't live there.

00:50:41.179 --> 00:50:43.260
She's just visiting. She's visiting her mom.

00:50:43.679 --> 00:50:45.059
Yeah, something like that. Her grandma, I forgot.

00:50:46.179 --> 00:50:48.219
And then, yeah, they didn't testify. You know,

00:50:48.260 --> 00:50:50.260
he wants a relationship with her. He's like,

00:50:50.320 --> 00:50:51.820
you know, I want to be with you. You know, I

00:50:51.820 --> 00:50:55.400
love you. She's just like, no, you know, I live

00:50:55.400 --> 00:51:06.340
over there. Todos cuando me ven me preguntan

00:51:06.340 --> 00:51:09.139
que qué me he hecho, que me veo tan bien. He

00:51:09.139 --> 00:51:13.860
vuelto a tener luz en la mirada. Claro que yo

00:51:13.860 --> 00:51:16.239
sé que todo esto ha sido una locura, que todo

00:51:16.239 --> 00:51:19.760
ha sido muy rápido, pero cada vez que nos vemos

00:51:19.760 --> 00:51:21.820
hacemos el amor y a veces siento que conozco

00:51:21.820 --> 00:51:24.760
a Armando desde hace mucho tiempo. Es como si

00:51:24.760 --> 00:51:27.880
estuviera en un profundo y maravilloso sueño.

00:51:30.130 --> 00:51:32.769
and you know eventually he catches on like he's

00:51:32.769 --> 00:51:35.230
it turns out he's pretty fucking crazy so that's

00:51:35.230 --> 00:51:37.510
the funny part too is like he mentions that yeah

00:51:37.510 --> 00:51:40.949
he's separated from his wife his kids the they

00:51:40.949 --> 00:51:42.969
like said that he's crazy so they had to run

00:51:42.969 --> 00:51:45.090
away from him and he had to spend a year in the

00:51:45.090 --> 00:51:47.309
mental hospital yeah like he like she was trying

00:51:47.309 --> 00:51:48.849
to say that oh you know they just pinned this

00:51:48.849 --> 00:51:50.389
on me they're just trying to get you know get

00:51:50.389 --> 00:51:52.690
away from me but no he this guy's actually fucking

00:51:52.690 --> 00:51:55.210
crazy i find it interesting though because there's

00:51:55.210 --> 00:51:57.230
a scene where she's on the phone with this fool

00:51:57.230 --> 00:51:59.090
and he's she's trying to get him off the phone

00:51:59.090 --> 00:52:01.170
and she because she's going to pick up her daughter

00:52:02.059 --> 00:52:03.699
And her daughter's like, mom, let me in the car.

00:52:03.880 --> 00:52:06.300
And she's like, I can't. I'm on the phone. And

00:52:06.300 --> 00:52:07.679
the daughter's like, you know what the fuck's

00:52:07.679 --> 00:52:11.579
going on? And throughout this whole part of the

00:52:11.579 --> 00:52:14.400
movie, this whole story, the daughter is super

00:52:14.400 --> 00:52:16.960
suspicious of the mom. It's like her intuition

00:52:16.960 --> 00:52:19.820
is already built up. And she's like, nah, something's

00:52:19.820 --> 00:52:22.219
fucking weird with my mom. What's going on? Yeah,

00:52:22.300 --> 00:52:24.719
that was another thing, too. And then, yeah,

00:52:24.780 --> 00:52:26.840
he eventually, you know, finds her. He's like,

00:52:26.860 --> 00:52:28.619
you know, I don't know what he does, but he finds

00:52:28.619 --> 00:52:31.039
out that, yeah, where she lives. He goes to the

00:52:31.039 --> 00:52:33.400
house because apparently they're selling their

00:52:33.400 --> 00:52:35.400
house. None of the husband's selling the house.

00:52:35.440 --> 00:52:37.639
And then he's like, oh, we have a buyer coming

00:52:37.639 --> 00:52:39.519
later. He's like, OK. And then it turns out it's

00:52:39.519 --> 00:52:42.820
Armando. He shows up in like a fucking black

00:52:42.820 --> 00:52:44.619
trench coat. Yeah. He's like pretending he wants

00:52:44.619 --> 00:52:46.860
to buy the house. And then he's like complimenting

00:52:46.860 --> 00:52:48.699
the kid and the wife. Like, oh, you have a beautiful

00:52:48.699 --> 00:52:52.130
family. And then that's what he's like. Meanwhile,

00:52:52.170 --> 00:52:54.289
Mariana's like, oh, my God. Yeah, and then he's,

00:52:54.309 --> 00:52:55.650
like, telling her, he's like, oh, like, you know,

00:52:55.670 --> 00:52:57.329
this is, like, show me your bedroom. Like, he's

00:52:57.329 --> 00:52:59.050
just being really fucking intense and scary.

00:53:00.230 --> 00:53:01.730
And then after that, yeah, he just starts, like,

00:53:01.769 --> 00:53:03.489
being stalkerish. Like, remember when she's picking

00:53:03.489 --> 00:53:05.489
up her daughter? He sees her, you know, she sees

00:53:05.489 --> 00:53:07.849
him on the street. She kicks him out of the house.

00:53:07.909 --> 00:53:09.050
Like, all right, get the fuck, you've seen the

00:53:09.050 --> 00:53:11.150
house, get the fuck out. Like, the jig is up.

00:53:11.550 --> 00:53:13.730
Everyone, you know, we both know, I was lying,

00:53:13.949 --> 00:53:15.929
we're cheating. But he can't accept it, man.

00:53:15.969 --> 00:53:17.909
He's like, nah, fuck that. If I can't have you,

00:53:17.929 --> 00:53:21.110
no one will. So he stalks her. He starts, like,

00:53:21.170 --> 00:53:23.170
beeping the horn on the car outside at night,

00:53:23.309 --> 00:53:25.710
like, bothering them. The husband's like, I'm

00:53:25.710 --> 00:53:27.010
going to fucking kill this motherfucker. The

00:53:27.010 --> 00:53:28.949
husband doesn't know. Yeah, he doesn't know yet,

00:53:28.969 --> 00:53:31.590
yeah. Which kind of points to why she was, you

00:53:31.590 --> 00:53:33.389
know, unhappy in her marriage. Because he was

00:53:33.389 --> 00:53:35.929
aloof the whole time. Like, obviously, like,

00:53:36.010 --> 00:53:38.710
she takes the fucking tour away from him and

00:53:38.710 --> 00:53:40.429
shit. And it's like, come on, dude. Like, you

00:53:40.429 --> 00:53:42.369
know, how obvious is it that she knows this fool

00:53:42.369 --> 00:53:44.809
already? But, yeah, he, like, pulls out the strap.

00:53:44.889 --> 00:53:46.250
I'm like, I'm going to fucking blast this fool.

00:53:46.699 --> 00:53:48.239
And then after that, it just gets more crazy

00:53:48.239 --> 00:53:50.179
because then he gets into the house. He kills

00:53:50.179 --> 00:53:53.239
the maid. He ties up the husband. He's about

00:53:53.239 --> 00:53:55.900
to kill the husband. I'm going to force you to

00:53:55.900 --> 00:53:58.079
watch me kill this motherfucker. Yeah. Luckily,

00:53:58.139 --> 00:53:59.739
the kid was away because remember after that,

00:53:59.780 --> 00:54:01.900
that's when I think she reveals it to him, right?

00:54:02.099 --> 00:54:04.079
Yeah. She reveals it to him about the affair.

00:54:05.000 --> 00:54:06.820
but then it's too late you know it's like all

00:54:06.820 --> 00:54:08.300
right well i mean it's because you know like

00:54:08.300 --> 00:54:10.320
you said he tied him up and he's like he fucking

00:54:10.320 --> 00:54:13.059
or well he actually blasted this fool a couple

00:54:13.059 --> 00:54:15.480
times like he he shoots him like three times

00:54:15.480 --> 00:54:17.460
oh yeah and you think that the the husband uh

00:54:17.460 --> 00:54:21.539
what was his name rafael is gonna die um but

00:54:21.539 --> 00:54:23.559
you know strangely he survives and of course

00:54:23.559 --> 00:54:26.800
the fucking mariana kills that fool yeah so it

00:54:26.800 --> 00:54:28.880
ends you know yeah with the stalker dying but

00:54:28.880 --> 00:54:31.659
then you know she feels bad she's apologizing

00:54:31.659 --> 00:54:37.269
her husband he's like no i mean that's over Rafael,

00:54:37.469 --> 00:55:03.800
déjame explicarte. Now I understand everything.

00:55:03.960 --> 00:55:06.699
The car, the guy who comes to buy my house, and

00:55:06.699 --> 00:55:09.440
here I am with your idiot to serve you. Do you

00:55:09.440 --> 00:55:13.300
think it's funny? Or tell me, tell me, what did

00:55:13.300 --> 00:55:17.440
I do wrong? Didn't you like how love was done,

00:55:17.440 --> 00:55:21.480
bitch? Didn't you like it? What did I do wrong?

00:55:35.570 --> 00:55:41.010
Rafael. Rafael, I need to talk to you. Please.

00:55:42.190 --> 00:55:48.429
Fix your things and take me with Aunt Lucy. I'm

00:55:48.429 --> 00:55:54.989
going to pack. Okay. But don't go until I come

00:55:54.989 --> 00:55:59.280
back. Wait for me. I will say, though, I'm glad

00:55:59.280 --> 00:56:00.940
that the husband stood up for himself in that

00:56:00.940 --> 00:56:02.440
situation. Because I thought this was going to

00:56:02.440 --> 00:56:04.380
be like, oh, it's all right. I'll take you back.

00:56:04.599 --> 00:56:06.260
He stood his ground and was like, nah, we're

00:56:06.260 --> 00:56:08.159
fucking done. After everything, yeah. And he

00:56:08.159 --> 00:56:10.440
literally walks away from her. Oh, yeah. And

00:56:10.440 --> 00:56:12.079
then, yeah, that's how the movie ends. It's like,

00:56:12.079 --> 00:56:14.940
damn. All these three women did not get away

00:56:14.940 --> 00:56:17.460
with anything. None of it. they all got they

00:56:17.460 --> 00:56:19.960
all got caught i mean i guess you could say it's

00:56:19.960 --> 00:56:22.559
kind of sexist that the you know a fucking ugo

00:56:22.559 --> 00:56:24.860
stiglitz character ends up with a new chick and

00:56:24.860 --> 00:56:26.500
it's like well why does the girl get the punishment

00:56:26.500 --> 00:56:28.840
and then the fucking yeah that one yeah for sure

00:56:28.840 --> 00:56:31.099
the second story same thing you know it's like

00:56:31.099 --> 00:56:35.269
all right well but overall like i said yeah They

00:56:35.269 --> 00:56:36.889
all got caught up with what they were doing,

00:56:36.969 --> 00:56:41.289
which was wrong to begin with. It's unfortunate.

00:56:44.110 --> 00:56:45.949
Don't be in a relationship if you want to cheat,

00:56:46.030 --> 00:56:49.530
man. It's not that hard. I guess sometimes people

00:56:49.530 --> 00:56:52.530
cheat for whatever reasons they feel are justified.

00:56:53.449 --> 00:56:57.210
It is what it is. Like I said, everyone's been

00:56:57.210 --> 00:56:59.809
there. Either been cheated on, been the person

00:56:59.809 --> 00:57:04.190
who's cheating on with the cheater. um been the

00:57:04.190 --> 00:57:06.409
person being heartbroken like you know we all

00:57:06.409 --> 00:57:08.289
we all go through the shit you know it's not

00:57:08.289 --> 00:57:13.250
it's not a uh an unusual story or a singular

00:57:13.250 --> 00:57:15.630
story you know we all we all know the pain of

00:57:15.630 --> 00:57:17.469
it yeah so yeah if you were to watch this movie

00:57:17.469 --> 00:57:19.130
even without so those you would understand right

00:57:19.130 --> 00:57:21.619
away what's going on immediately Oh, yeah, a

00:57:21.619 --> 00:57:23.440
thousand percent. Yeah. So, you know, if you

00:57:23.440 --> 00:57:25.300
have Picardia Nacional, like a subscription,

00:57:25.519 --> 00:57:28.840
watch it on there. It's on HD. I want, you know,

00:57:28.920 --> 00:57:30.739
you know, obviously, well, we didn't talk about

00:57:30.739 --> 00:57:32.760
it, but, you know, this movie was written, directed

00:57:32.760 --> 00:57:35.219
by, you know, the pair of Adolfo and his dad,

00:57:35.380 --> 00:57:39.059
Gilberto Martinez -Solares. Now, I'm assuming

00:57:39.059 --> 00:57:42.039
that they both were shooting at the same time.

00:57:42.260 --> 00:57:44.320
Yeah, kind of like how they did with Alba Niles.

00:57:44.519 --> 00:57:47.199
Yeah, exactly. They would separate. You get this

00:57:47.199 --> 00:57:48.960
unit, I'll take this unit, and we'll fucking.

00:57:49.639 --> 00:57:52.840
Because I know, I mean, I've always seen Adolfo

00:57:52.840 --> 00:57:55.360
as like the one who was probably, you know, more

00:57:55.360 --> 00:57:57.860
comedic of the two. I'm assuming he wrote the

00:57:57.860 --> 00:58:00.500
second story, right? That was totally him for

00:58:00.500 --> 00:58:02.860
sure. Yeah, this has his DNA written all over

00:58:02.860 --> 00:58:05.280
it. The third and the first, I feel like it was

00:58:05.280 --> 00:58:07.219
probably getting rid of anything. Yeah, I think

00:58:07.219 --> 00:58:12.130
there were more. It's like the tension in the

00:58:12.130 --> 00:58:15.090
drama was more in the first and the third story

00:58:15.090 --> 00:58:16.670
than the second story. Yeah, because I know they

00:58:16.670 --> 00:58:19.309
both wrote it, but for sure, I think Gilberto's

00:58:19.309 --> 00:58:21.909
hand was more on this one. And who was Miguel

00:58:21.909 --> 00:58:26.260
Johnson? yeah i was like that's a well for for

00:58:26.260 --> 00:58:28.840
one they spelled the name johnson backwards like

00:58:28.840 --> 00:58:31.880
j -h -o yeah i never knew who that was yeah there

00:58:31.880 --> 00:58:33.719
must have been just someone like that they matter

00:58:33.719 --> 00:58:35.679
so it was like story by so i'm assuming this

00:58:35.679 --> 00:58:37.579
person was just gay you know probably just having

00:58:37.579 --> 00:58:39.099
them like maybe he wrote the script for them

00:58:39.099 --> 00:58:41.420
like a spec script and then they they completely

00:58:41.420 --> 00:58:44.920
revamped it or whatever yeah exactly um But this

00:58:44.920 --> 00:58:46.840
was all an idea by Adolfo. Like, even when he

00:58:46.840 --> 00:58:48.420
told me, he's like, yeah. And I was like, you

00:58:48.420 --> 00:58:50.039
made more than one, right? Because there's, like,

00:58:50.059 --> 00:58:51.500
five or six of them. He's like, yeah, there's

00:58:51.500 --> 00:58:53.340
six of them. Oh, shit. Is there really? With

00:58:53.340 --> 00:58:54.880
one being, like, a different title, but it's

00:58:54.880 --> 00:58:57.019
part of the series. Oh, shit. Yeah, I got to.

00:58:57.019 --> 00:58:58.659
Yeah, there's, like, a bunch of them. I got to

00:58:58.659 --> 00:58:59.619
dig into that. So if you go on Picardia Nacional,

00:58:59.760 --> 00:59:00.940
you type Bujeres and Fields, you're going to

00:59:00.940 --> 00:59:03.619
get one, two, three. The fourth one's a different

00:59:03.619 --> 00:59:05.960
title, and then you get the other ones. Hey,

00:59:06.099 --> 00:59:08.159
you know. Yeah. So if you want more, it's like,

00:59:08.239 --> 00:59:13.139
yeah, there's more than one. I mean, it's, you

00:59:13.139 --> 00:59:16.139
know. I could see how some people would think

00:59:16.139 --> 00:59:19.300
this movie is sexist. Problematic in that sense.

00:59:19.360 --> 00:59:22.159
Yeah, by today's standards. Yeah, of course.

00:59:22.960 --> 00:59:27.280
It's still a really interesting movie. It's very

00:59:27.280 --> 00:59:29.760
entertaining. I was just like, wow. It breezes

00:59:29.760 --> 00:59:33.119
by. Each story is about 25 minutes. I think the

00:59:33.119 --> 00:59:35.199
last one is more like 40 minutes. Yeah, that

00:59:35.199 --> 00:59:40.420
one's a little bit longer. The stories, they're

00:59:40.420 --> 00:59:43.460
fucking dope, man. Again, the all -star cast.

00:59:43.760 --> 00:59:47.219
You have Hugo Stiglitz, Lina Santos, Miguel Angel

00:59:47.219 --> 00:59:51.860
Rodriguez, Claudia Vega, Jose Alonso, Michelle

00:59:51.860 --> 00:59:55.480
Meyer, Sergio Sanchez, you have Raul Araiza,

00:59:55.940 --> 01:00:00.679
Enrique Rocha. Crazy, crazy lineup. And they

01:00:00.679 --> 01:00:03.260
all fucking bring these stories to life in a

01:00:03.260 --> 01:00:08.050
way that are very relatable to some. You know,

01:00:08.090 --> 01:00:11.909
it's the month of love, man. And, you know, some

01:00:11.909 --> 01:00:15.730
of us only know pain, you know. Speaking for

01:00:15.730 --> 01:00:20.250
myself. Yeah. So, yeah, this is a good one to

01:00:20.250 --> 01:00:21.909
watch on Valentine's Day. It's like, hey, you

01:00:21.909 --> 01:00:23.190
want to watch something a little bit more rated

01:00:23.190 --> 01:00:26.750
R? Put this on. Steamy, man. Sexy, man. Or, you

01:00:26.750 --> 01:00:28.190
know, if you're feeling, I don't know, it's like

01:00:28.190 --> 01:00:30.590
just, you know, kind of calm down, chill. Just

01:00:30.590 --> 01:00:34.119
put on Corazon Parados. I'm going to see what

01:00:34.119 --> 01:00:35.260
my girlfriend will want to watch. I'll be like,

01:00:35.320 --> 01:00:36.599
you want to watch one of these two? She'll probably

01:00:36.599 --> 01:00:40.820
be like, who's that bitch in this story? I know

01:00:40.820 --> 01:00:44.369
you got a girl that goes like that. Nah. She'll

01:00:44.369 --> 01:00:46.349
probably just be like, she'll probably be like,

01:00:46.369 --> 01:00:47.849
yeah, maybe. And then she'll just be like, nah,

01:00:48.050 --> 01:00:50.269
let's just hang out. She's going to hit you with

01:00:50.269 --> 01:00:53.570
a side eye. What are you trying to tell me? Which

01:00:53.570 --> 01:00:55.210
one of these stories is happening right now?

01:00:58.250 --> 01:01:01.590
But, you know, we wanted to keep it a little

01:01:01.590 --> 01:01:03.590
lighthearted this month. It's just, you know,

01:01:03.590 --> 01:01:07.780
a story of love and a story of heartbreak. Yeah,

01:01:07.840 --> 01:01:09.300
so it was perfect, like I said. And we picked

01:01:09.300 --> 01:01:11.460
two really good ones, I think, especially with

01:01:11.460 --> 01:01:13.440
the Bajeras Infieles. That was, like, a great

01:01:13.440 --> 01:01:14.639
one. I think that's one that's going to catch

01:01:14.639 --> 01:01:16.400
eyes, for sure. That'll be the one that I think,

01:01:16.480 --> 01:01:18.579
if anyone, you know, I'm assuming we'll link

01:01:18.579 --> 01:01:21.420
the movies again, but if anyone does end up watching

01:01:21.420 --> 01:01:23.619
these movies, I think that's going to be the

01:01:23.619 --> 01:01:27.139
one that people like more than Un Corazon Para

01:01:27.139 --> 01:01:29.300
Dos. Because, like I said, that one obviously

01:01:29.300 --> 01:01:32.300
feels more like a TV movie, which it is, you

01:01:32.300 --> 01:01:34.599
know, it was produced with the Televisa shit,

01:01:34.679 --> 01:01:39.280
but it's like... that one is just kind of a generic

01:01:39.280 --> 01:01:42.440
love story and I think you get more bang for

01:01:42.440 --> 01:01:45.460
your buck in the second movie with the cast the

01:01:45.460 --> 01:01:51.320
stories it's just salacious at best if you like

01:01:51.320 --> 01:01:54.460
Satanico Pandemonium you like Enrique Rocha plays

01:01:54.460 --> 01:01:58.960
a psycho here I think worse than the devil. I

01:01:58.960 --> 01:02:01.679
mean, some would say, man. Some would say there's

01:02:01.679 --> 01:02:04.139
nothing worse than a cheater. Yeah. And he was

01:02:04.139 --> 01:02:05.679
more than a cheater. He was a cheater. He was

01:02:05.679 --> 01:02:10.320
an obsessive psycho fucking. Yeah. With a very

01:02:10.320 --> 01:02:13.619
familiar name. Oh, yeah. I saw that. I was like,

01:02:13.659 --> 01:02:18.260
yeah, hell yeah. I was like, man. But, yeah.

01:02:18.360 --> 01:02:21.760
So, what do we got planned next? Yeah. Next month,

01:02:21.840 --> 01:02:25.679
we're going to, we have our, you know. an annual

01:02:25.679 --> 01:02:28.199
theme that I want to keep going every, uh, international

01:02:28.199 --> 01:02:30.119
women's month. You know, we're going to highlight

01:02:30.119 --> 01:02:35.579
a couple, uh, women of the trash mix world. Um,

01:02:36.489 --> 01:02:38.969
that i think uh you know they they deserve a

01:02:38.969 --> 01:02:40.650
little bit more shine you know sometimes you

01:02:40.650 --> 01:02:42.889
know they can kind of get pushed aside or whatever

01:02:42.889 --> 01:02:45.429
but you know bring them to the forefront so we're

01:02:45.429 --> 01:02:47.670
we're gonna you know we have a confirmed guest

01:02:47.670 --> 01:02:49.710
for that so you know there's gonna be three of

01:02:49.710 --> 01:02:51.969
us we're gonna have three different stories and

01:02:51.969 --> 01:02:54.230
three different uh women that we're gonna be

01:02:54.230 --> 01:02:57.309
talking about different eras actually yeah different

01:02:57.309 --> 01:03:00.559
eras different actresses the movies are pretty

01:03:00.559 --> 01:03:03.059
unique too oh yeah the choices are pretty unique

01:03:03.059 --> 01:03:06.139
yeah they spread across uh different decades

01:03:06.139 --> 01:03:09.400
different genres um and different you know all

01:03:09.400 --> 01:03:12.820
together different different stories but um you

01:03:12.820 --> 01:03:15.519
know 2026 is already looking like a like a big

01:03:15.519 --> 01:03:18.159
year for us man you know i know we're we're lining

01:03:18.159 --> 01:03:20.320
up hopefully some more guests you know we got

01:03:20.320 --> 01:03:23.320
some ideas Um, you know, we've got some other

01:03:23.320 --> 01:03:26.800
side quests, uh, stuff that's happening that

01:03:26.800 --> 01:03:30.000
we won't spoil, but you know, once it gets announced,

01:03:30.039 --> 01:03:31.960
you get, you know, obviously we'll announce it

01:03:31.960 --> 01:03:35.360
as well. Um, and yeah, man, just hopefully people

01:03:35.360 --> 01:03:37.340
are digging it. You know, we're trying to give

01:03:37.340 --> 01:03:40.760
everyone a little taste of everything of Mexico,

01:03:40.800 --> 01:03:43.139
not just the horror shit, not just the action

01:03:43.139 --> 01:03:45.800
shit, you know, everything. Yeah. Everything.

01:03:45.840 --> 01:03:47.659
Cause that's always been the goal. It's like

01:03:47.659 --> 01:03:50.000
just spread awareness of Mexican cinema as a

01:03:50.000 --> 01:03:53.639
whole. The good stuff, the bad stuff, the unknown

01:03:53.639 --> 01:03:56.139
stuff or the stuff that never really got like

01:03:56.139 --> 01:03:59.360
a lot of attention. Yeah. Or in our case with

01:03:59.360 --> 01:04:01.699
our special project, something that nobody knew

01:04:01.699 --> 01:04:04.659
about. Yeah, exactly. No one was talking about

01:04:04.659 --> 01:04:08.039
it. Exactly. So, you know, as usual, you know,

01:04:08.039 --> 01:04:12.500
like, follow, subscribe, rate, leave a comment,

01:04:12.539 --> 01:04:15.530
leave a review, share. tell your tia tell your

01:04:15.530 --> 01:04:17.469
tia always look at the show notes like i said

01:04:17.469 --> 01:04:18.789
that's where you get to watch the movie sometimes

01:04:18.789 --> 01:04:20.469
you know i find it interesting i mean i think

01:04:20.469 --> 01:04:22.690
that kind of proves that you know sometimes people

01:04:22.690 --> 01:04:25.829
don't actually listen because i've had so many

01:04:25.829 --> 01:04:28.230
people like hey where can i watch this it's in

01:04:28.230 --> 01:04:30.269
the show notes man we've said it every single

01:04:30.269 --> 01:04:31.969
time it's in the show notes yeah we're gonna

01:04:31.969 --> 01:04:34.530
have to um yeah but you know look at our show

01:04:34.530 --> 01:04:37.550
notes yeah always look at the show notes don't

01:04:37.550 --> 01:04:39.650
skip it yeah don't skip man the show notes will

01:04:39.650 --> 01:04:42.090
have everything linked uh and i try to keep it

01:04:42.090 --> 01:04:43.550
short too like that way it's not like a long

01:04:43.550 --> 01:04:45.429
rate it's like it's enough for you to like breeze

01:04:45.429 --> 01:04:47.829
through yeah yeah just an idea yeah i didn't

01:04:47.829 --> 01:04:52.650
use ai to make the holes paragraph uh a six paragraph

01:04:52.650 --> 01:04:55.309
six paragraph description of what the show is

01:04:55.309 --> 01:04:57.449
going to be yeah unless you want me to do that

01:04:57.449 --> 01:05:02.489
i can do that well as always we appreciate appreciate

01:05:02.489 --> 01:05:05.889
you guys um kept it light and easy for this one

01:05:05.889 --> 01:05:08.510
so hopefully you guys will seek out these movies

01:05:08.510 --> 01:05:11.590
and enjoy it and yeah yeah let us know like i

01:05:11.590 --> 01:05:12.849
said if you guys are watching them let us know

01:05:12.849 --> 01:05:17.489
message us don't yeah just just tell us yeah

01:05:18.539 --> 01:05:21.059
Just don't be a hater. We don't want the haters

01:05:21.059 --> 01:05:27.639
coming out. We're fine. Alright, guys. I guess

01:05:27.639 --> 01:05:29.800
we'll talk to you guys next month. See you soon.

01:05:29.980 --> 01:06:02.659
Peace. Me mandó a llamar. ¿Quieres una copa?

01:06:02.980 --> 01:06:10.519
No, gracias. Yo no tomo. Vas a necesitar dinero

01:06:10.519 --> 01:06:14.960
para ver crecer a tu hijo. Sé que tu madre trabaja,

01:06:14.960 --> 01:06:19.260
pero no le alcanza el dinero. Mi madre sabrá

01:06:19.260 --> 01:06:23.320
qué hacer. ¿De veras no quieres una copa? Ya

01:06:23.320 --> 01:06:27.179
le dije que no tomo. Llegará el día. in que tendrás

01:06:27.179 --> 01:06:32.139
que hacerlo, por gusto o por necesidad. No lo

01:06:32.139 --> 01:06:36.239
entiendo. Mira, María, la mayoría de todas, cuando

01:06:36.239 --> 01:06:39.980
salen del penal, se dedican a la golfería. Y

01:06:39.980 --> 01:06:45.039
tú no serás una excepción, ¿verdad, María? Pero

01:06:45.039 --> 01:06:48.139
yo tengo una carrera, y soy maestra, y volveré

01:06:48.139 --> 01:06:52.199
a ejercer. ¿Y tú crees que el magisterio va a

01:06:52.199 --> 01:06:57.000
aceptar a una esconvicta de maestra? No seas

01:06:57.000 --> 01:07:01.059
tonta, muchacha. Yo puedo ayudarte. Necesitarás

01:07:01.059 --> 01:07:04.320
dinero para tu hijo y yo puedo proporcionártelo.

01:07:05.320 --> 01:07:08.480
Pues pierde su tiempo porque yo no soy de esas.

01:07:09.300 --> 01:07:13.280
Escucha, María. Vas a pasar muchos años aquí

01:07:13.280 --> 01:07:16.559
y yo puedo hacer que el penal sea un infierno

01:07:16.559 --> 01:07:23.079
para ti. O la paz es bien. Tú decides, linda.

01:07:24.619 --> 01:07:28.260
Y espero que tu decisión sea pronto porque soy

01:07:28.260 --> 01:07:31.760
muy impaciente. Puedes retirarte.