WEBVTT

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Crazy. We actually made it. Some people would

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probably give up by now, but we didn't give up.

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No, you know, and thankfully, I think the people

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were digging it. Yeah, yeah, we've gotten this

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far, and it's already been, like, almost a year

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later. So, yeah, it's awesome. I'm excited. What

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are we talking about today, though? Well, you

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know, when we were discussing, like, topics for

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the season, we were, like, one of the things

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I had hit you up was, like, you know, we got

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to do something for the ladies because not only

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do we love the ladies. But they play an important

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role in Mexico's rich cinema history. Oh, yeah,

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absolutely. So we wanted to talk about two women

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today. And hopefully this becomes an ongoing

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segment that we can do to give back to International

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Women's Month. Yeah, that's a good idea. When

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you pitched it to me at first, I was like, yeah,

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that's a great idea. And then it intertwined

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with International Women's Month. hell yeah perfect

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it just fits i was like you know what yeah we

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got to do this more so it's like this is an ongoing

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series so you know not a special type of episode

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but it's like it's going to be a theme for future

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episodes for sure yeah because i mean i think

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when we first talked about it too i had a job

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like is there any any women behind the camera

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that we can talk about and i know you said there

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wasn't really much uh in that part of uh yeah

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there isn't really much there's a lot of writers

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for sure but not so much behind the camera other

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than the one that we're going to talk about today

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yeah exactly Yeah, not so much, but there's been

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plenty in front of the camera. And, you know,

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we all fucking love them. How can you not, right?

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Yeah, exactly. So today's episode, we're going

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to be talking about two pretty big names. One

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of them is going to be Isela Vega, which I'm

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sure a lot of listeners probably already know

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who she is or have seen her. Internationally.

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Yeah, she's an international star. And the second

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woman we're going to talk about is Angelica Chayin.

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My favorite. Yeah, she's gorgeous. I'm not a

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big blonde guy, but yeah. You know, when we get

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to her half of the show, I definitely want to

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talk about it because in the movie we're talking

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about, man, she looks so good in all black, man.

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She had like the black wig on and stuff. She

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was hot. Yeah, yeah, yeah. But okay, so let's

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get into it, right? What are we calling this?

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Las Bellas de Trash Mix, right? Las Bellas de

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Trash Mix. So this will be part one and then

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part two will come out who knows when later on.

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But yeah, it'll be like an ongoing kind of thing

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we're going to do. All right, so let's start

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running into it, right? So the first woman we're

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going to talk about is Isela Vega. And again,

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I'm sure most of you already know who she is,

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maybe have seen something without even knowing

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she was in it. But her name, you know, she's

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born Isela Vega Durazo. She was born November

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5th, 1939 in Hermosillo, Sonora. You know, I

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mean, I guess we can go into her family. Right.

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So she's like one of six children of the family.

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And I know. Right. Kind of kind of crazy. But,

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you know, she kind of grew up, you know, as a

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I guess as a working class family. She grew up

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on a farm, you know, living living that life,

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I guess. And I can't imagine that it's any any

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easy to to live a farm life in 1930s Mexico or

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actually 1940s when she was growing up. um you

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know but she soon began her career in modeling

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in the 50s uh i believe she was she won uh she

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was she was titled uh miss something right um

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yeah i think so yeah she was in a pageant right

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yeah god damn it i can't believe i forgot um

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but yeah so she won like a you know like the

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fucking the the miss whatever in 1957 i think

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it was and from there she got her acting career

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going in 1960 which her first movie would have

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been verano violenta or sorry violento that's

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usually how it starts with these actresses they

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always start off doing pageants or modeling and

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then that's where they get the attention from

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producers so this is a perfect example as long

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as you look good right yeah we'll put you in

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a movie And that she did, but she was more than

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just that. Like we said, her first movie is Verano

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Violento, which was directed by Alfonso Corona.

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I guess it was a smaller role. She played a woman

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named Carmen in there. And from there, her career

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just kind of blossomed into what we later knew

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her for. She began doing music in 1969. She had

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her first record, De Mi Departamento, and that

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was released on Pure List Records, which is,

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you know, it's a Mexican label. A lot of Mexican

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releases were put out on that label. I have plenty

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45s and stuff. And actually, when I was listening,

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I was actually listening to that record on the

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way here today just to kind of get in the mood

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for her. Have you heard that record? I haven't

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now, but I think I know what you're talking about.

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It's pretty good. I guess it would be considered

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Latin pop for the time, I guess. Kind of cheesecake

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-y. Immediately, you put it on and fans of Serge

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Gainsbourg would immediately recognize it because

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she has a cover of, I don't know how to pronounce

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it, Je T 'Aime Mon Plus. I don't know. I'm sure

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some French person is going to get mad at me

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butchering that. But yeah, so she did a cover

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of that. And of course, she had, you know, original

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songs. But she also wrote for soundtracks, which

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I think the majority of people who know her are

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going to know her from Sam Peckinpah's Bring

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Me the Head of Alfredo Garcia, which she did

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a song on there. Benny's song, I believe it's

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called. And I think that's where people are probably

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going to know her from. Bang, bang, bang, bang.

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Great movie, but that's far from being her best

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movie, I would say. Yeah, I mean, but that is

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like a really iconic movie and very important

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for her career. Very important for her career,

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yeah. So that came shortly after her first international

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role, which was in 1973. That was called Deadly

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Trackers, and that was directed by Barry Shearer.

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Because I think, so that was 73, and I think

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Bring Me the Head of Alfredo Garcia is 1974,

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right? Or is it later than that? I think it is.

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I think it's 74. Yeah, yeah, yeah. And from then

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on, I mean, she became just a huge, iconic, she

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was a sex symbol, she was a model, she was the

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first Latin woman to... be on the cover of Playboy.

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I mean, that's, you know, that's pretty iconic.

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And from then on, she just kind of, you know,

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she blew up. She started producing in 1980. And

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I think people know this movie too, Navajeros,

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which is directed by Eloy de la Iglesia, which

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Severn put out a really nice version of that

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movie on Blu -ray. If you haven't seen that,

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highly recommended. You did that one at the festival,

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the Trash Max, right? Yeah, fucking amazing movie.

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Yeah, it's a Mexican co -production. Mexican

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-Spain co -production. They call it the Kinky

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movie. Highly recommended. Seek it out. I'm sure

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Severin is not sold out on that yet, but go hit

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up Jaime or Ethan or whoever is at your local

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convention because that movie is a fucking banger.

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Oh, yeah. But then that led to her directing

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her first movie, which is the movie we're going

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to talk about today. 1986, she wrote, directed,

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and produced Las Amantes del Señor de la Noche.

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Which is Lovers of the Lord of the Night. Fucking

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amazing movie. Oh, yeah, that's a great one.

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For a first and only directed movie, yeah. Yeah,

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if this is your one and only, she fucking nailed

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it. It's an amazing movie. But again, she acted

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all the way throughout her entire career, really.

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She did plenty of novellas. I think her last

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screen credit was in 2020, which was a Netflix

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show called La Casa de los Flores. which I haven't

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actually watched, to be honest with you. A lot

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of people always tell me about it. They're like,

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you should watch it. I'm like, yeah, sure. I

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never did, or it's like I canceled Netflix. But

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I know people really love that show for sure.

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I mean, yeah, I've read nothing but great things

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about it, but it's just I haven't sat down to

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actually watch it. I mean, that goes to show

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you. So her first movie was in the 60s. Her last

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acting credit was 60 years later. I mean, that's

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a 60 -year career in entertainment. That's crazy.

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Absolutely crazy. She's won plenty of awards.

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She has five Ariel Awards under her belt. She

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was nominated multiple times. She was nominated

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for Las Reglas del Juego. She was nominated for

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Traiganme el Cabeza de Alfredo Garcia, which

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we just talked about, Bring Me the Head of Alfredo

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Garcia, El Jeremias. And her first win was for

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Alfredo Ripstein's Love, Yuda Negra. We kind

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of mentioned that in Mario Mother. Yeah, we did.

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Yeah, yeah. Very important movie for her. A really

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bad looking movie for Mario Mother. Which is

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ironic. You said that he did not like his role

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in that movie, right? He liked it, but it kind

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of made him look bad because that movie just

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got so controversial. So he kind of just didn't

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really want to be part of it after that. It made

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him look bad, I guess, in other words. It was

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too arthouse for him. Too arthouse and then just

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too controversial. He was just like, yeah. But

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for her, it was a good thing. She won an award

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and people love her for that movie even. It's

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a great movie. It is a good movie, oh yeah. But

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Mario Mata, like I said, he was just like, no.

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That was his thing. In every interview, he's

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like, oh yeah, great movie, but yeah, it's a

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stain in my career. He's like, give me a gun

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and I want to just shoot. I don't want to play

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a priest or none of this shit. Yeah, he's like,

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yeah, I'm not doing that anymore. She also won

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for Herod's Law as a supporting actress. She

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won for Fuera del Cielo. And she also won for

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Las Horas Contigo. And she also won a Lifetime

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Achievement in 2017, which... I remember that,

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yeah. Yeah, and thankfully she was alive to receive

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that because there's nothing worse than seeing

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someone get a lifetime achievement posthumously.

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You know, we got to celebrate these people while

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they're alive. Especially someone like Gisela

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Vega whose contributions were, you know, I mean,

00:12:18.639 --> 00:12:22.539
immeasurable. Like we said, she was in entertainment

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for 60 fucking years. I mean, that's a long fucking

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time. And she worked with a lot of big names.

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Huge names. Let's do a little list of some people

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that she worked with. She won her first Ariel

00:12:35.159 --> 00:12:39.559
in working with Arturo Ripstein. She worked with

00:12:39.559 --> 00:12:46.639
Rene Cardona Jr. Who didn't? She worked with

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Sam Peckinpah, obviously. Cantinflas, who's a

00:12:50.379 --> 00:12:56.139
huge legendary Mexican comedian. Pedro Armendariz.

00:12:56.440 --> 00:13:00.379
Legendary. Legendary, yeah. Glenn Ford. Boris

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Karloff. Chris Christopherson. She worked with

00:13:03.600 --> 00:13:06.519
Mil Mascaras. Mario Almada, of course, like we

00:13:06.519 --> 00:13:10.320
just said. Warren Oates. She worked with Emilio

00:13:10.320 --> 00:13:14.139
El Indio Fernandez, who, you know. Rumor is he

00:13:14.139 --> 00:13:17.080
is the statue, the model of the statue for the

00:13:17.080 --> 00:13:21.860
Oscar Awards. I mean, and that's just a small

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sample of some legendary names that she worked

00:13:24.500 --> 00:13:27.080
with. But that's enough to tell you that, yeah,

00:13:27.120 --> 00:13:29.379
she's worked for a long time and worked with

00:13:29.379 --> 00:13:32.059
a lot of great people. Exactly, exactly. Very,

00:13:32.080 --> 00:13:34.720
very talented actors. And someone of that nature,

00:13:34.899 --> 00:13:37.519
it's like you're bound to work with the greats

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and the legends of Mexican cinema when you've

00:13:39.480 --> 00:13:43.559
been around for that long. to be a woman, no

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less, and have, you know, the important roles

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that she was able to play. And I know, you know,

00:13:49.960 --> 00:13:52.440
people probably think of Isela Vega and just

00:13:52.440 --> 00:13:54.539
think, oh, she got naked, you know, whatever,

00:13:54.679 --> 00:13:58.840
whatever. She definitely accepted that. You know,

00:13:58.860 --> 00:14:01.399
she wore that with pride. She considered herself

00:14:01.399 --> 00:14:03.840
a sex symbol. Yeah, just kind of a hippie, too,

00:14:03.879 --> 00:14:05.919
in other words. I wouldn't say a hippie, per

00:14:05.919 --> 00:14:07.559
se, but she was part of that whole, you know,

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counterculture type of style. Yeah, yeah, yeah.

00:14:10.590 --> 00:14:14.830
um and you know it served her well and you know

00:14:14.830 --> 00:14:18.669
she she basically she had her way like she was

00:14:18.669 --> 00:14:22.409
able to to uh um maneuver through her career

00:14:22.409 --> 00:14:24.450
the way she wanted to do it and not a lot of

00:14:24.450 --> 00:14:27.549
people especially in mexico right uh can say

00:14:27.549 --> 00:14:32.039
that we should leave it in there oh i'm gonna

00:14:32.039 --> 00:14:35.080
i'm gonna leave it in we're we're next to a uh

00:14:35.080 --> 00:14:37.500
uh there's a taquero next door to where we're

00:14:37.500 --> 00:14:39.519
recording for a one -year -old's birthday party

00:14:39.519 --> 00:14:42.139
so and you know mexican one -year -old birthday

00:14:42.139 --> 00:14:49.700
parties go crazy so let's do just a quick little

00:14:49.700 --> 00:14:52.220
selected filmography here to give people uh you

00:14:52.220 --> 00:14:55.779
know a couple uh of some movies that they could

00:14:55.779 --> 00:14:58.419
search out for Isela Vega, right? So Verano Violento,

00:14:58.480 --> 00:15:02.580
which was her first role, 1960. Enigma de Muerte,

00:15:02.659 --> 00:15:05.559
1969. That's when she worked with Mil Mascaras,

00:15:05.620 --> 00:15:09.220
yeah. The Deadly Trackers, which was her first

00:15:09.220 --> 00:15:12.659
international role, which led her to her next

00:15:12.659 --> 00:15:14.960
role, Bring Me the Head of Alfredo Garcia, 1974.

00:15:16.730 --> 00:15:21.450
1977, she worked with Arturo Ripstein in La Viuda

00:15:21.450 --> 00:15:26.389
Negra. Navajeros, as we just said, in 1980. Las

00:15:26.389 --> 00:15:28.450
Amantes del Señor de la Noche, which we're talking

00:15:28.450 --> 00:15:33.610
about today. Gente Bien, 1997, was a long -standing

00:15:33.610 --> 00:15:36.429
novella in Mexico where she had a recurring role

00:15:36.429 --> 00:15:39.929
there. La Ley de Herodes, a .k .a. Herod's Law.

00:15:41.830 --> 00:15:46.100
Fuera del Cielo in 2006. uh infierno which is

00:15:46.100 --> 00:15:49.299
a fucking classic um if you haven't seen i think

00:15:49.299 --> 00:15:51.460
that one's pretty widely available oh yeah you

00:15:51.460 --> 00:15:55.620
can watch that anyway yeah so to be vick youtube

00:15:55.620 --> 00:16:00.519
probably probably on tv right now um las horas

00:16:00.519 --> 00:16:03.340
contigo and then of course her final role casa

00:16:03.340 --> 00:16:05.919
de flores in 2020 which was a netflix production

00:16:05.919 --> 00:16:10.539
so a lot of good stuff there for everybody too

00:16:10.539 --> 00:16:13.830
yeah i i wanted to kind of you know touch on

00:16:13.830 --> 00:16:16.090
different, different styles of movies and stuff

00:16:16.090 --> 00:16:19.509
that she worked on. So, yeah, I mean, that's

00:16:19.509 --> 00:16:21.590
just a quick little background on who Isela Vega

00:16:21.590 --> 00:16:25.210
was. And I guess we can, you know, you want to

00:16:25.210 --> 00:16:27.470
talk about the next woman or you want to go into

00:16:27.470 --> 00:16:30.250
the movie first? Up to you. What do you want

00:16:30.250 --> 00:16:31.830
to do? What do you think will work better? Yeah,

00:16:31.870 --> 00:16:33.350
let's go into the movie. Yeah, let's go to the

00:16:33.350 --> 00:16:36.450
movie. So the movie that we're talking about

00:16:36.450 --> 00:16:41.330
is Las Amantes del Señor de la Noche. And, you

00:16:41.330 --> 00:16:44.570
know, I, I was lucky enough to see this in theater

00:16:44.570 --> 00:16:48.190
at the Academy Museum when Abram Castillo did

00:16:48.190 --> 00:16:51.289
Mexico Maleficarum and Armando was there. Yeah.

00:16:51.309 --> 00:16:53.090
I even got invited to the closing reception.

00:16:53.269 --> 00:16:57.149
Damn. Which I met her daughter, Shaula. Damn.

00:16:57.149 --> 00:16:59.529
Oh, Shaula, sorry. Yeah, Shaula. Yeah, I met

00:16:59.529 --> 00:17:01.289
Shaula. Everyone introduced me to her. She was,

00:17:01.350 --> 00:17:03.610
like, super nice. And then, obviously, when she

00:17:03.610 --> 00:17:05.150
was on stage talking about her mom and everything

00:17:05.150 --> 00:17:06.750
else, super awesome. Oh, yeah. That was, yeah.

00:17:06.890 --> 00:17:08.690
Yeah. She was pretty instrumental in getting

00:17:08.690 --> 00:17:12.329
that. Because I don't know if this is ever going

00:17:12.329 --> 00:17:14.470
to play again in public. Yeah, from what I understand,

00:17:14.529 --> 00:17:18.349
the movie was just hitting, remember, in Churubusco,

00:17:18.349 --> 00:17:19.829
you know, the elements and everything. There

00:17:19.829 --> 00:17:22.549
was a lot of legal tape around it. But, yeah,

00:17:22.569 --> 00:17:24.809
somehow the Academy and then Abraham, they managed

00:17:24.809 --> 00:17:27.849
to get the movie restored and then screened it

00:17:27.849 --> 00:17:33.670
for his programming. And this movie, when it

00:17:33.670 --> 00:17:37.309
screened, I had only seen pictures of it. I had

00:17:37.309 --> 00:17:40.710
never seen any clips of it. Yeah, it was one

00:17:40.710 --> 00:17:42.349
of those movies that a lot of people knew of

00:17:42.349 --> 00:17:43.970
but really never watched just because it was

00:17:43.970 --> 00:17:47.049
so hard to get. Especially even now, you can't

00:17:47.049 --> 00:17:49.190
really just fucking find a copy because it's

00:17:49.190 --> 00:17:51.930
so rare to find on tape. There's no disc. It

00:17:51.930 --> 00:17:55.029
used to air on TV, kind of. Not so much. But

00:17:55.029 --> 00:17:57.069
even then, it's such an obscurity. So when this

00:17:57.069 --> 00:17:59.089
was, you know... playing at the academy it's

00:17:59.089 --> 00:18:01.109
like i have to fucking be there yeah yeah exactly

00:18:01.109 --> 00:18:02.650
so what's funny is i bought a ticket already

00:18:02.650 --> 00:18:04.750
knowing but then abraham's like hey i'm gonna

00:18:04.750 --> 00:18:06.710
send you an email for the opening and the closing

00:18:06.710 --> 00:18:08.309
reception i was like oh okay so i was like oh

00:18:08.309 --> 00:18:09.690
shit i could have just fucking went for free

00:18:09.690 --> 00:18:14.410
but yeah he's second hand scalping yeah but yeah

00:18:14.410 --> 00:18:15.970
so of course i was like either way i'm gonna

00:18:15.970 --> 00:18:17.630
go you know that was like the one that i was

00:18:17.630 --> 00:18:19.930
gonna go for sure i gotta see this new restoration

00:18:19.930 --> 00:18:23.089
and i need to kind of revisit that movie because

00:18:23.089 --> 00:18:25.289
i barely remember much of it too because that

00:18:25.289 --> 00:18:29.779
was a thing but yeah So Las Amantes del Señor

00:18:29.779 --> 00:18:32.980
de la Noche was written, directed, and produced

00:18:32.980 --> 00:18:36.160
by Isela Vega, but also, I guess, co -written

00:18:36.160 --> 00:18:40.759
by Hugo Arguelles, who I wasn't really too familiar

00:18:40.759 --> 00:18:42.640
with. I don't know. I mean, yeah, I don't know.

00:18:42.740 --> 00:18:44.660
I don't really know. Maybe he was just brought

00:18:44.660 --> 00:18:48.259
in as a writing partner to get certain things

00:18:48.259 --> 00:18:52.960
done. I mean, who knows? But it was shot by Angel...

00:18:54.440 --> 00:18:57.299
I can't even pronounce this. What is this? Bilbatúa?

00:18:58.119 --> 00:19:00.400
Yeah, Bilbatúa. Oh, yeah, yeah, yeah. Oh, yeah,

00:19:00.440 --> 00:19:02.980
oh, yeah. Oh, an amazing cinematographer. Crazy,

00:19:03.240 --> 00:19:06.200
right? This guy's amazing. Some movies that you

00:19:06.200 --> 00:19:09.119
would know him for would be like Perro Callejero,

00:19:09.180 --> 00:19:13.019
Muerte o Sangre. Sorry, Muerte o Sangre Fría.

00:19:14.319 --> 00:19:17.740
Tiempo de Lobos. Yeah, crazy. Crazy filmography.

00:19:18.860 --> 00:19:23.660
And also a fucking stacked cast. Yeah, that's

00:19:23.660 --> 00:19:25.619
the crazy part about this movie. They're such

00:19:25.619 --> 00:19:29.519
a great cast in this movie. Here's just a couple

00:19:29.519 --> 00:19:33.359
of them. So Isela Vega, obviously, she plays

00:19:33.359 --> 00:19:37.380
Amparo. We have Emilio Elindio Fernandez, who

00:19:37.380 --> 00:19:42.130
plays Don Venustiano. Crazy name. I feel like

00:19:42.130 --> 00:19:44.089
if I had a dog, I'd name him Venustiano. That's

00:19:44.089 --> 00:19:48.789
a sick -ass name. Elena de Haro, she played Venus.

00:19:50.410 --> 00:19:55.210
Irma Serrano, a .k .a. La Tigresa. Super, super

00:19:55.210 --> 00:19:58.950
famous woman. That was actually her rival at

00:19:58.950 --> 00:20:01.160
one point. remember yeah they were rivals but

00:20:01.160 --> 00:20:03.319
then they somehow just became acquainted and

00:20:03.319 --> 00:20:05.680
then yeah they ended up and started in this movie

00:20:05.680 --> 00:20:07.339
i mean they did another movie before that if

00:20:07.339 --> 00:20:10.759
i recall from what i remember is that um she

00:20:10.759 --> 00:20:17.220
basically called in a a favor from uh from edema

00:20:17.220 --> 00:20:19.640
this is uh he said that i'm talking about basically

00:20:19.640 --> 00:20:23.640
like hey you owe you owe me for uh for some past

00:20:23.640 --> 00:20:26.200
drama shit and basically told her you're you're

00:20:26.200 --> 00:20:27.880
gonna play this fucking role and she said okay

00:20:27.880 --> 00:20:31.960
i'll do it And she plays Saurina, which she plays

00:20:31.960 --> 00:20:34.859
the witch, I guess you could say, in this movie.

00:20:36.559 --> 00:20:40.319
It also has Lilia Prado, who plays Selena, another

00:20:40.319 --> 00:20:45.299
Golden Age actress, crazy resume, over 100 screen

00:20:45.299 --> 00:20:50.839
credits. It also has Isela's son, Arturo Vasquez.

00:20:50.900 --> 00:20:54.549
He plays the love interest of Venus. And then

00:20:54.549 --> 00:20:56.170
I believe he does the songs in the movie, too.

00:20:56.210 --> 00:20:58.049
Those, like, pop -sounding songs. Oh, does he

00:20:58.049 --> 00:20:59.769
really? Yeah, I think those are his music. Because

00:20:59.769 --> 00:21:03.609
he's also a singer, yeah. That's sick. And then,

00:21:03.670 --> 00:21:06.609
you know, just a little... I guess he's integral,

00:21:06.710 --> 00:21:09.670
but not really. Andres Garcia, he plays El Cazador,

00:21:09.730 --> 00:21:13.089
who is, like, the... He's, like, the lover, right?

00:21:13.329 --> 00:21:16.690
The lover. Of Venus' moment? Yeah, so we'll get

00:21:16.690 --> 00:21:18.170
into that in a little bit. Because there was

00:21:18.170 --> 00:21:20.609
a point where I thought it was Amparo's love.

00:21:21.230 --> 00:21:26.099
So, yeah, we'll get into it, right? um so this

00:21:26.099 --> 00:21:29.140
movie is if i can sum it up before we talk about

00:21:29.140 --> 00:21:32.319
it is basically a full core movie mashed together

00:21:32.319 --> 00:21:36.880
with like a teenage love drama um it really it

00:21:36.880 --> 00:21:39.059
kind of plays in two parts where the first half

00:21:39.059 --> 00:21:43.200
is more melodrama than than a full core or a

00:21:43.200 --> 00:21:45.420
fantasy movie yeah that's what's funny is that

00:21:45.420 --> 00:21:47.220
it just starts off like that and then immediately

00:21:47.220 --> 00:21:50.170
like you know It starts building up, you're like,

00:21:50.250 --> 00:21:52.049
oh shit, where's this going? Then it gets pretty

00:21:52.049 --> 00:21:56.009
fucking wild. Yeah, it gets pretty wild. It starts

00:21:56.009 --> 00:21:59.450
off with this really sick monologue, which I'll

00:21:59.450 --> 00:22:30.539
play a clip for. But, you know, it kind of talks

00:22:30.539 --> 00:22:34.200
about paganism against Christianity in the, sorry,

00:22:34.359 --> 00:22:38.559
the Christian church in Mexico and stuff. And

00:22:38.559 --> 00:22:40.480
I mean, I know I don't have to break down what

00:22:40.480 --> 00:22:45.609
paganism is for people, but, you know, really

00:22:45.609 --> 00:22:49.450
kind of sets the tone because like you said this

00:22:49.450 --> 00:22:52.670
is a a full -core movie that deals with witchcraft

00:22:52.670 --> 00:22:55.750
and black magic and spells and all kinds of shit

00:22:55.750 --> 00:23:00.069
and um we're just immediately introduced into

00:23:00.069 --> 00:23:03.089
that and we're introduced to the two main to

00:23:03.089 --> 00:23:05.170
the two main women which would be amparo and

00:23:05.170 --> 00:23:07.769
venus where they're talking about you know i

00:23:07.769 --> 00:23:10.950
guess it's venus is asking amparo You know, tell

00:23:10.950 --> 00:23:12.509
me about my mom. You know, I want to know about

00:23:12.509 --> 00:23:14.630
my mom and who she was. And, you know, why did

00:23:14.630 --> 00:23:18.250
my dad hate me? You know, the typical single

00:23:18.250 --> 00:23:22.250
single child syndrome. Right. My dad hates me,

00:23:22.309 --> 00:23:24.349
which I guess he kind of did. I don't know if

00:23:24.349 --> 00:23:26.289
he did or not, though. He just seemed kind of

00:23:26.289 --> 00:23:28.769
distant from her, if anything. He was very aloof

00:23:28.769 --> 00:23:32.769
with with like family dynamics, like wanted her

00:23:32.769 --> 00:23:36.170
to marry her cousin and basically just didn't

00:23:36.170 --> 00:23:40.250
treat her as. as his own child really just like

00:23:40.250 --> 00:23:43.029
a product basically that's what it was he just

00:23:43.029 --> 00:23:44.750
treated her like you know like hey you have to

00:23:44.750 --> 00:23:47.869
do this that's it and i'm sure that stems from

00:23:47.869 --> 00:23:50.250
the the love triangle that we'll talk about in

00:23:50.250 --> 00:23:52.410
a little bit because you know you know venus's

00:23:52.410 --> 00:23:55.450
mom ended up into a into a love triangle with

00:23:55.450 --> 00:24:01.049
el cazador and amparo but um I don't know. He's

00:24:01.049 --> 00:24:03.470
like, she's asking her about, you know, mom,

00:24:03.529 --> 00:24:06.349
tell me or tell me about my mom and the owl that,

00:24:06.349 --> 00:24:08.430
you know, that was constantly showing up. And

00:24:08.430 --> 00:24:11.170
of course, owls are seen as, you know, spiritual

00:24:11.170 --> 00:24:14.769
guides or wisdom in, you know, black magic and

00:24:14.769 --> 00:24:17.049
witchcraft and stuff. So I feel like every time

00:24:17.049 --> 00:24:19.250
you see an owl in this movie, it's always with

00:24:19.250 --> 00:24:23.490
intent is probably the ghost of Venus's mom popping

00:24:23.490 --> 00:24:25.789
up and be like, yeah, I'm watching you. Yeah,

00:24:25.789 --> 00:24:29.039
good call. Cuéntame de mi mamá. Ay, otra vez.

00:24:29.400 --> 00:24:31.619
Cuéntame cuándo se murió y qué cantó la lechuza.

00:24:32.920 --> 00:24:35.559
Pues tenías como un mes de nacida y empezaron

00:24:35.559 --> 00:24:38.980
a pasar cosas muy extrañas en la casa. La lechuza

00:24:38.980 --> 00:24:40.880
y luego el perro anduvo escarbe y escarbe por

00:24:40.880 --> 00:24:43.599
toda la casa. No, si los animales ven y oyen

00:24:43.599 --> 00:24:45.940
cosas que nosotros no vemos ni oímos. ¿Y por

00:24:45.940 --> 00:24:48.119
qué dicen que mi papá la mató? ¿Porque tenía

00:24:48.119 --> 00:24:52.740
un amante? Esas son cosas que te decían en la

00:24:52.740 --> 00:25:00.349
escuela para hacerte llorar. And then, of course,

00:25:00.430 --> 00:25:05.670
you know, no good love story has a clean love,

00:25:05.809 --> 00:25:09.869
right? So, Venus and Pedro, who is her love interest,

00:25:09.970 --> 00:25:13.869
played by Isela's son, you know, his mom fucking

00:25:13.869 --> 00:25:16.170
hates Venus. Yeah, literally immediately when

00:25:16.170 --> 00:25:18.809
we meet the mom, she's just like, you know, she's

00:25:18.809 --> 00:25:20.309
showing her distaste for her. She's low class.

00:25:22.639 --> 00:25:29.009
Yeah, it's kind of like a social. drama right

00:25:29.009 --> 00:25:32.509
because it's like obviously uh pedro's mancelina

00:25:32.509 --> 00:25:35.730
feels that pedro's way too good for for venues

00:25:35.730 --> 00:25:38.210
you know she's like this byproduct of probably

00:25:38.210 --> 00:25:41.930
uh an affair child you know um so she really

00:25:41.930 --> 00:25:44.309
treats her like shit which is you know she gets

00:25:44.309 --> 00:25:46.349
what she's kind of what she's asking for later

00:25:46.349 --> 00:25:49.809
but it's kind of fucked up and you know she she

00:25:49.809 --> 00:25:52.470
wants to send pedro to new orleans to go to school

00:25:53.160 --> 00:25:54.839
to some prestigious school. I didn't even, I

00:25:54.839 --> 00:25:56.380
couldn't even catch it. I couldn't, the copy

00:25:56.380 --> 00:25:58.980
we watched was kind of crappy, so I couldn't

00:25:58.980 --> 00:26:00.700
really hear. But I remember, yeah, the New Orleans,

00:26:00.799 --> 00:26:04.619
that's so random. But, you know, it made me think,

00:26:04.640 --> 00:26:07.000
like, why New Orleans? Was that, was that like

00:26:07.000 --> 00:26:10.279
a purpose, a purposeful, like, location because

00:26:10.279 --> 00:26:13.160
New Orleans is like, you know, known for its

00:26:13.160 --> 00:26:15.660
voodooism and shit like that? Or was it just

00:26:15.660 --> 00:26:17.180
some random, fuck it, I know what New Orleans

00:26:17.180 --> 00:26:22.349
is. Let's listen to New Orleans. Don't get so

00:26:22.349 --> 00:26:24.789
excited, son. You're not in the age to think

00:26:24.789 --> 00:26:26.109
seriously. Your studies are the first thing that

00:26:26.109 --> 00:26:30.089
come to mind. Is everything okay? I just spoke

00:26:30.089 --> 00:26:32.670
to my brother Alexis. The Loyola University is

00:26:32.670 --> 00:26:34.930
very exclusive. Not everyone is accepted there.

00:26:35.390 --> 00:26:36.930
Thanks to the fact that my brother Alexis has

00:26:36.930 --> 00:26:38.910
made an exception with us because he belongs

00:26:38.910 --> 00:26:41.309
to your father's family, it's an opportunity

00:26:41.309 --> 00:26:44.069
that you won't get to see again, my son. Listen

00:26:44.069 --> 00:26:47.519
to me. Yeah, because he goes to New Orleans and

00:26:47.519 --> 00:26:50.440
he becomes susceptible to all the spells and

00:26:50.440 --> 00:26:56.359
fucking sorcery that they put on him. Yeah. I

00:26:56.359 --> 00:27:00.019
don't know. For sure. It kind of intertwines

00:27:00.019 --> 00:27:02.599
from there, you know. Yeah, this is all set -up

00:27:02.599 --> 00:27:06.480
stuff, too. This is all in the first 10 minutes

00:27:06.480 --> 00:27:12.009
of the movie. You know, Vanus, of course. She

00:27:12.009 --> 00:27:15.230
finally realizes that Pedro is no longer going

00:27:15.230 --> 00:27:17.170
to be with her because he's going to move. And

00:27:17.170 --> 00:27:19.609
Pedro, you know, typical asshole fashion is like,

00:27:19.690 --> 00:27:21.710
yeah, you know, it's only a year. I'll come back.

00:27:21.730 --> 00:27:25.849
Like, you know, it's no big deal. And, of course,

00:27:25.910 --> 00:27:29.630
he doesn't come back. They never do. They never

00:27:29.630 --> 00:27:32.309
do, right? He, oh, I'll send you love letters

00:27:32.309 --> 00:27:35.069
and I'll call you. And, no, we learn that he

00:27:35.069 --> 00:27:40.049
ends up with another Jaina. As always. That's

00:27:40.049 --> 00:27:44.089
the way it goes. But, you know, one of the things

00:27:44.089 --> 00:27:46.569
about this movie that I, you know, it really

00:27:46.569 --> 00:27:53.029
paints El Indio as, like, a fragile, dying man,

00:27:53.250 --> 00:27:56.950
which you normally wouldn't, you wouldn't see

00:27:56.950 --> 00:27:58.589
him in this type of role. Like, he's normally,

00:27:58.589 --> 00:28:01.250
like, a fucking, you know, machismo. Yeah, very

00:28:01.250 --> 00:28:05.230
serious and always just, you know, he's in action,

00:28:05.329 --> 00:28:07.589
I guess, in other words. Yeah. Here, he's just,

00:28:07.630 --> 00:28:10.660
he's always just sitting. or in bed like yeah

00:28:10.660 --> 00:28:12.319
or he's just like blankets yeah there we go like

00:28:12.319 --> 00:28:14.140
he's sitting or he's just in bed like he's not

00:28:14.140 --> 00:28:16.359
really doing anything he's already old which

00:28:16.359 --> 00:28:19.099
is you know to say he was already in real life

00:28:19.099 --> 00:28:21.240
oh yeah for sure so i think that's another part

00:28:21.240 --> 00:28:23.380
of the reason why why he was like fuck it i'll

00:28:23.380 --> 00:28:28.539
play that role but i'm not gonna get up you get

00:28:28.539 --> 00:28:30.460
me for this wimpy role but i'm gonna be in bed

00:28:30.460 --> 00:28:33.640
the whole time you can um but he really does

00:28:33.640 --> 00:28:35.779
have kind of like a weak character because you

00:28:35.779 --> 00:28:38.019
know you know, when we're introduced to him,

00:28:38.059 --> 00:28:39.759
he's, you know, he learns that he's sick, whatever,

00:28:40.039 --> 00:28:42.900
Amparo is his caretaker, and he keeps asking

00:28:42.900 --> 00:28:44.880
her, like, you know, what was the deal with this

00:28:44.880 --> 00:28:47.220
fucking man, and my wife, I know she was having

00:28:47.220 --> 00:28:49.140
an affair, and Amparo keeps trying to play it

00:28:49.140 --> 00:28:51.579
down, like, no, he was, he was my lover, you

00:28:51.579 --> 00:28:53.859
know, he loved me, he didn't love your wife,

00:28:54.240 --> 00:28:58.900
and I mean, obviously, I mean, there's no, there's

00:28:58.900 --> 00:29:01.480
no real subtext there, it's obvious that his

00:29:01.480 --> 00:29:05.259
uh his disdain for you know venus his daughter

00:29:05.259 --> 00:29:08.480
is is spawned from that when he caught his wife

00:29:08.480 --> 00:29:11.039
having an affair with the uh with another man

00:29:11.039 --> 00:29:17.119
right um and you know there's there's a really

00:29:17.119 --> 00:29:21.059
cool sequence there where um when he's asking

00:29:21.059 --> 00:29:26.539
about about the hunter um that's when we kind

00:29:26.539 --> 00:29:32.069
of you know you start to to see like the um Amparo's

00:29:32.069 --> 00:29:35.269
I guess mind kind of twirling there because at

00:29:35.269 --> 00:29:37.869
this point we don't really know who El Cazador

00:29:37.869 --> 00:29:40.970
is like we don't know if he really was you know

00:29:40.970 --> 00:29:44.829
his or sorry her her love interest was he actually

00:29:44.829 --> 00:29:49.349
having an affair with Don Venustiano's wife but

00:29:49.349 --> 00:29:53.009
he fucking kills him he's like fuck you I'm gonna

00:29:53.009 --> 00:29:57.630
I'm gonna kill her and this fool and Yeah, I

00:29:57.630 --> 00:29:59.569
don't know, man. It was... That scene was kind

00:29:59.569 --> 00:30:01.369
of sick, actually. Like, he just... He walks

00:30:01.369 --> 00:30:04.309
up and just fucking... Charles Bronson style.

00:30:04.369 --> 00:30:52.119
Just... Just starts blasting and shit. Um...

00:30:52.119 --> 00:30:55.539
And then, uh... Of course, right after that,

00:30:55.559 --> 00:30:59.980
Amparo goes through like a, I guess like a ritual.

00:31:00.460 --> 00:31:04.839
And this is a vegans beware. There's a live chicken

00:31:04.839 --> 00:31:07.940
that gets fucking murdered in this movie. Right

00:31:07.940 --> 00:31:10.980
in front of you. I completely forgot about that

00:31:10.980 --> 00:31:12.099
when I was watching it the other day. I was like,

00:31:12.140 --> 00:31:13.980
oh, shit. I remember at the academy, everybody

00:31:13.980 --> 00:31:17.720
was just like, oh. Everybody was terrified. I

00:31:17.720 --> 00:31:19.240
was just like, it was like funny because the

00:31:19.240 --> 00:31:22.000
lady cuts it, right? Yeah, I got it. Yeah, that

00:31:22.000 --> 00:31:23.400
one lady. And then she cuts it. And I remember

00:31:23.400 --> 00:31:25.079
she's just laughing and then the blood spattering.

00:31:25.339 --> 00:31:27.980
Yeah, she fucking. chops off the chicken's head,

00:31:28.220 --> 00:31:30.500
just grabs it and starts pouring all the blood

00:31:30.500 --> 00:31:33.460
all over Isla Vega and they're like smearing

00:31:33.460 --> 00:31:34.420
it all over themselves. Yeah, I remember that

00:31:34.420 --> 00:31:36.119
kind of people were like, oh, what? Some people

00:31:36.119 --> 00:31:37.740
were kind of laughing, kind of not wanting to

00:31:37.740 --> 00:31:39.859
laugh. I was just fucking cracking up because

00:31:39.859 --> 00:31:41.720
that was perfect. This is what I wanted to see.

00:31:42.720 --> 00:31:44.259
That's what I thought it was going to be the

00:31:44.259 --> 00:31:45.799
whole time. Like, I wanted to see like black

00:31:45.799 --> 00:31:48.759
magic crazy shit, but it doesn't really get that

00:31:48.759 --> 00:31:51.579
crazy until about the 40 minute mark. This was

00:31:51.579 --> 00:31:54.160
like the, so this scene where the help chops

00:31:54.160 --> 00:31:57.019
off the chicken's head is, uh what kind it was

00:31:57.019 --> 00:31:59.960
plays as the transition between teenage love

00:31:59.960 --> 00:32:04.359
melodrama and fantasy folk horror because um

00:32:04.359 --> 00:32:07.740
you know for those who know uh you know it's

00:32:07.740 --> 00:32:09.980
kind of tradition or not tradition but superstition

00:32:09.980 --> 00:32:12.720
in mexico chopping off the head of a black chicken

00:32:12.720 --> 00:32:15.960
and using his blood is kind of like a uh like

00:32:15.960 --> 00:32:20.579
a cleansing or like a transition period um which

00:32:20.579 --> 00:32:24.039
obviously from then umpato kind of um you know

00:32:24.039 --> 00:32:26.440
she takes venus under her wing and introduces

00:32:26.440 --> 00:32:31.920
her to saurina who was the uh the witch of the

00:32:31.920 --> 00:32:35.319
town and really sets the tone for the second

00:32:35.319 --> 00:32:38.960
half oh yeah um this is like basically the tigresos

00:32:38.960 --> 00:32:41.299
movie right here yeah yeah as soon as yeah when

00:32:41.299 --> 00:32:43.859
she when she when she finally shows up on screen

00:32:43.859 --> 00:32:46.299
it's like i mean she commands like the the the

00:32:46.299 --> 00:32:50.150
movie like It's no nonsense. She doesn't fuck

00:32:50.150 --> 00:32:56.789
around. Basically gives Venus the spells and

00:32:56.789 --> 00:33:01.390
the rituals to do to get Pedro to come back and

00:33:01.390 --> 00:33:03.630
be her love slave. Not even just to come back

00:33:03.630 --> 00:33:05.869
and be in love with her, but to be her love slave.

00:33:06.390 --> 00:33:11.170
He has no say in this. But, you know, she does

00:33:11.170 --> 00:33:14.740
it. And, of course, being a teenager. You don't

00:33:14.740 --> 00:33:16.359
really pay attention or you don't really care.

00:33:16.460 --> 00:33:18.700
You just want what you want. So she completely

00:33:18.700 --> 00:33:42.839
fucks up the ritual. Oh, yeah, of course. No

00:33:42.839 --> 00:33:47.480
hay peor miedo que el miedo mismo. Pero a veces

00:33:47.480 --> 00:33:51.759
la fuerza del mal es lo mejor que uno tiene.

00:33:52.700 --> 00:33:57.619
Platícame. Estoy muy confundida. Por culpa del

00:33:57.619 --> 00:34:02.559
hombre que tú quieres. Sí, sé que me ama. Estoy

00:34:02.559 --> 00:34:07.039
segura de ello. Bueno, no es cierto. Mejor dicho,

00:34:07.039 --> 00:34:08.599
he venido para que usted me asegure que va a

00:34:08.599 --> 00:34:14.199
volver. Pues si haces lo que yo te ordene, el

00:34:14.199 --> 00:34:17.860
hombre que tú quieras te servirá de esclavo.

00:34:18.159 --> 00:34:22.079
Solo me interesa uno. ¿Y no te corresponde? Sí,

00:34:22.199 --> 00:34:24.820
pero se fue hoy y tengo miedo de que me olvide.

00:34:25.239 --> 00:34:30.639
Quiero que regrese. Piénsalo bien. ¿De veras

00:34:30.639 --> 00:34:35.320
quieres que regrese? Sí. Es tu amor mayor que

00:34:35.320 --> 00:34:40.719
tu miedo. Mi único miedo es que no regrese. Toma,

00:34:40.719 --> 00:34:46.099
güey. Tal vez tengas que hacer cosas que te asombren

00:34:46.099 --> 00:34:53.940
o no te gusten. Pero si quieres que él vuelva.

00:34:55.159 --> 00:35:01.119
Haré lo que sea. Ahí donde dice señor de la noche,

00:35:01.340 --> 00:35:07.400
lee, que yo te oiga. ¿Cómo se llama él? Pedro.

00:35:35.730 --> 00:35:38.409
No, yo me llamo Venus por Venustiana, como mi

00:35:38.409 --> 00:35:45.159
papá. Ven, hostiana. Vaya nombrecito. Lee, lee,

00:35:45.179 --> 00:35:50.059
lee. Que yo te oiga. Fuerte la invocación. Señor

00:35:50.059 --> 00:35:52.840
de la noche, haz que Pedro venga donde yo me

00:35:52.840 --> 00:35:55.739
encuentro. Pedro, ¿dónde estás que no te veo?

00:35:56.099 --> 00:35:59.519
No me envías mensajeros. Enviarlos quiero con

00:35:59.519 --> 00:36:02.340
tres libres pacientes, tres cerdos corrientes

00:36:02.340 --> 00:36:04.860
y tres diablos de los más sapientes, para que

00:36:04.860 --> 00:36:07.380
te digan de mis males y te cuenten de mis bienes.

00:36:07.480 --> 00:36:10.989
Y te corten el taco. Y el vaso y la vena del

00:36:10.989 --> 00:36:13.670
espinazo. De la cuerda cañonera siete diablos

00:36:13.670 --> 00:36:18.289
te tiran de ella. Que te traben y te tengan sin

00:36:18.289 --> 00:36:21.389
dejarte reposar. Hasta que te vengas conmigo

00:36:21.389 --> 00:36:26.650
a cazar. Sigue, sigue. ¿Por qué paras? Los conjuros

00:36:26.650 --> 00:36:29.949
hay que hacerlos. Con fe. O si no quieres que

00:36:29.949 --> 00:36:39.599
él vuelva. Sigue. Barrabás. Satanás. Del Cebu

00:36:39.599 --> 00:36:43.679
y Lucifer. Venid y llamad a las siete capitanías

00:36:43.679 --> 00:36:46.900
de los diablos y enviad al diablo Cojuelo para

00:36:46.900 --> 00:36:50.539
que me traiga a Pedro. Ahora repite conmigo.

00:36:50.659 --> 00:36:57.239
En nombre de Belial, Astaroth y Lucifer. En nombre

00:36:57.239 --> 00:37:01.780
de Belial, Astaroth y Lucifer. En nombre de Adonai.

00:37:02.079 --> 00:37:06.440
En nombre de Adonai. Que del corazón de Pedro

00:37:06.440 --> 00:37:11.039
entre. Que en el corazón de Pedro entréis. Y

00:37:11.039 --> 00:37:17.900
sangre, fuego y tierra le deis. Y guerra y sangre

00:37:17.900 --> 00:37:22.079
y fuego le deis. Para que no pueda parar hasta

00:37:22.079 --> 00:37:25.099
que me venga a buscar. Para que no pueda parar

00:37:25.099 --> 00:37:28.239
hasta que me venga a buscar. ¿Tienes fe en mí?

00:37:29.639 --> 00:37:34.000
Este conjuro lo vas a repetir diario trece días.

00:37:37.869 --> 00:37:41.349
Cuando no se escuchen las campanas, las campanas

00:37:41.349 --> 00:37:45.989
rompen los conjuros. Por eso los cristianos se

00:37:45.989 --> 00:37:50.230
pasan la vida tocando campanas. No, llévatelo.

00:37:51.610 --> 00:37:53.929
Apréndetelo de memoria hasta que lo digas sin

00:37:53.929 --> 00:37:58.329
titubear. Solo así te escucharán quienes te deben

00:37:58.329 --> 00:38:04.210
de escuchar. ¿Y luego? Primero haz los trece

00:38:04.210 --> 00:38:11.219
días y luego regresas a verme. Take this and

00:38:11.219 --> 00:38:14.059
keep it close to you when you make your invocations.

00:38:15.199 --> 00:38:23.760
Wrap it around this. Take it. Take that money.

00:38:24.380 --> 00:38:32.880
I don't care. Not hers. Let's go. Thank you,

00:38:32.880 --> 00:38:37.179
Sabrina. and then that's when yeah shit really

00:38:37.179 --> 00:38:40.400
shit really goes crazy right then and there you

00:38:40.400 --> 00:38:42.940
know like uh saudina's house is all decked out

00:38:42.940 --> 00:38:45.840
and i guess there's another in that scene too

00:38:45.840 --> 00:38:48.739
um there's like owls and frogs all over the place

00:38:48.739 --> 00:38:51.059
again and i'm sure it was probably venus's mom

00:38:51.059 --> 00:38:53.860
like you know stay away from this lady maybe

00:38:53.860 --> 00:38:56.119
she has a history with her what i'm pretty sure

00:38:56.119 --> 00:38:58.320
amparo had a history with her too because i mean

00:38:58.320 --> 00:39:03.869
amparo obviously already knew her and um knew

00:39:03.869 --> 00:39:06.849
that Saurina would be able to, I guess, bring

00:39:06.849 --> 00:39:09.989
Pedro back to her life. That's a good call, yeah.

00:39:10.170 --> 00:39:14.269
I didn't think about that before. When I was

00:39:14.269 --> 00:39:17.210
watching it, it made me think, I wonder if Amparo

00:39:17.210 --> 00:39:20.889
at some point had gone to Saurina to cast a spell

00:39:20.889 --> 00:39:25.429
on El Cazador, the lover, and either it didn't

00:39:25.429 --> 00:39:27.150
work or maybe she didn't go through with it.

00:39:27.190 --> 00:39:31.050
I don't know. um but there's a really good scene

00:39:31.050 --> 00:39:35.449
there where um venus is is like uh you know it's

00:39:35.449 --> 00:39:37.750
late at night she had gone through her rituals

00:39:37.750 --> 00:39:39.869
and i don't i don't know if she's like half asleep

00:39:39.869 --> 00:39:42.909
or she's in asleep but it's like a dream sequence

00:39:42.909 --> 00:39:46.110
where she thinks she's having sex with pedro

00:39:46.110 --> 00:39:50.030
but it ends up being i guess like a uh like an

00:39:50.030 --> 00:39:51.909
incantation of the devil right like it's like

00:39:51.909 --> 00:39:55.650
yeah But then it turns out it's, what was it,

00:39:55.670 --> 00:39:57.789
the gardener? I thought it was her cousin, right?

00:39:57.949 --> 00:39:59.650
Yeah, oh, there we go. Her cousin, Abed. Her

00:39:59.650 --> 00:40:02.690
cousin, yeah. Who, of course, her dad wanted

00:40:02.690 --> 00:40:05.730
her to marry. And so there was already, like,

00:40:05.750 --> 00:40:07.869
you know, family drama there, right? Because

00:40:07.869 --> 00:40:11.150
a la prima se arrima, you know, in Mexico. And

00:40:11.150 --> 00:40:14.369
she fucking stabbed this fool and killed him.

00:40:16.010 --> 00:40:20.039
But I don't know. I mean. The scene is so dark

00:40:20.039 --> 00:40:25.960
and I watched it on a Russian bootleg. So I couldn't

00:40:25.960 --> 00:40:27.980
really tell what exactly what was happening.

00:40:28.059 --> 00:40:31.980
But I mean, for what I figure was that she fucking

00:40:31.980 --> 00:40:36.639
was trying to kill. The devil. Yeah, but it's

00:40:36.639 --> 00:40:38.920
not. But it's not the devil. And it ends up being

00:40:38.920 --> 00:40:41.679
the cousin who was assaulting her. And that's

00:40:41.679 --> 00:40:44.099
exactly he was trying to. Well, I don't know

00:40:44.099 --> 00:40:46.000
if he ever really assaulted. He was trying to.

00:40:47.009 --> 00:40:49.570
Because when Don Venustiano told him, like, yeah,

00:40:49.590 --> 00:40:51.050
you know, I want you to marry my daughter and,

00:40:51.070 --> 00:40:52.769
you know, you guys will take over the terrenos

00:40:52.769 --> 00:40:55.070
and all that shit. So he was trying to. She wanted

00:40:55.070 --> 00:40:57.590
no part of it. But I don't know if he ever actually,

00:40:57.730 --> 00:41:01.289
you know, physically did anything with her. At

00:41:01.289 --> 00:41:02.949
least not that I saw in the copy that I saw.

00:41:03.670 --> 00:41:06.809
And then from there, you know, the fucking town

00:41:06.809 --> 00:41:12.289
basically revolts against her. They fucking,

00:41:12.329 --> 00:41:14.949
they want to lynch her. They go up to the house

00:41:14.949 --> 00:41:18.969
after Venustiano dies. They want to fucking,

00:41:19.150 --> 00:41:22.010
you know, they want to kill her, but Amparo basically

00:41:22.010 --> 00:41:28.329
sacrifices herself and calls upon the lord of

00:41:28.329 --> 00:41:33.750
the night, you know, Satanas, to... to basically

00:41:33.750 --> 00:41:36.889
take her instead of Venus so that Venus can continue

00:41:36.889 --> 00:42:11.380
to live. Que me tome a mí. Que me tome a mí.

00:42:30.639 --> 00:42:33.559
To me, it almost seemed like she did that because

00:42:33.559 --> 00:42:37.699
she finally realized the cazador didn't love

00:42:37.699 --> 00:42:43.260
her. The house, she had no say in it. When Venustiano

00:42:43.260 --> 00:42:44.980
died, he basically left her out of the will.

00:42:45.079 --> 00:42:48.059
She got absolutely nothing. She kind of just

00:42:48.059 --> 00:42:51.340
wasted her life raising this girl. Yeah, and

00:42:51.340 --> 00:42:53.440
it wasn't even her daughter to raise. So it's

00:42:53.440 --> 00:42:57.059
kind of like, fuck it, I need to just go. So

00:42:57.059 --> 00:43:00.659
it was really sad, but it's also really gruesome.

00:43:00.719 --> 00:43:05.280
Yeah, I remember that. Spoiler alert, they fucking

00:43:05.280 --> 00:43:09.719
hack Isela Vega into pieces. You see her arms,

00:43:09.719 --> 00:43:13.239
her legs, her head, she was decapitated. And

00:43:13.239 --> 00:43:16.559
the whole time, Venus is on a tree watching this,

00:43:16.719 --> 00:43:19.800
and there's an owl watching Venus at the same

00:43:19.800 --> 00:43:21.960
time. So again, the owl plays a big part, and

00:43:21.960 --> 00:43:28.449
I'm sure it was her mom. But kind of cut in between

00:43:28.449 --> 00:43:31.429
that, you see a guy coming up on a horse. Now,

00:43:31.469 --> 00:43:33.230
I originally thought that, oh, maybe this is

00:43:33.230 --> 00:43:36.929
the fucking devil coming to claim Amparo's body.

00:43:37.469 --> 00:43:40.070
It ends up being fucking Pedro. The fucking spell

00:43:40.070 --> 00:43:42.590
finally worked. Yeah, he came back. But he came

00:43:42.590 --> 00:43:46.670
back as a punker. He's like an all black. His

00:43:46.670 --> 00:43:49.530
hair is, like, kind of fixed up. But that ending

00:43:49.530 --> 00:43:51.210
was weird because, remember, I told you this

00:43:51.210 --> 00:43:52.949
earlier before we recorded. It's like, I think

00:43:52.949 --> 00:43:54.670
this ending is different than the Academy one.

00:43:55.050 --> 00:43:57.329
I feel like it is because I didn't remember this

00:43:57.329 --> 00:43:59.369
ending, but I couldn't find another version.

00:43:59.469 --> 00:44:01.449
Because everything was the same ending, which

00:44:01.449 --> 00:44:03.469
was, you know, with him, but then he had, like,

00:44:03.489 --> 00:44:06.409
the makeup on. But the Academy, remember, it

00:44:06.409 --> 00:44:08.699
just ends with him. They show him. And then the

00:44:08.699 --> 00:44:10.380
credits are rolling with his song playing. Yeah,

00:44:10.420 --> 00:44:12.579
exactly. But this one has, like, the whole, like,

00:44:12.599 --> 00:44:14.260
came there, but then he has, like, that whole

00:44:14.260 --> 00:44:16.360
makeup shit on. Yeah, yeah. I was like, wait,

00:44:16.380 --> 00:44:18.239
I don't remember this. He had, like, his Ziggy

00:44:18.239 --> 00:44:21.000
Stardust makeup on. He looked like a punker.

00:44:21.000 --> 00:44:22.639
That totally threw me off. I was like, wait,

00:44:22.719 --> 00:44:24.619
what in the hell? I don't remember this from

00:44:24.619 --> 00:44:26.460
the Academy. So, I don't know. I guess there's

00:44:26.460 --> 00:44:29.420
two endings. I mean, the mystery continues. Yeah,

00:44:29.440 --> 00:44:30.840
they end the same, but it's just like, yeah,

00:44:30.860 --> 00:44:35.019
the appearance was different. Yeah, it was different.

00:44:36.339 --> 00:44:40.179
Hopefully, this movie can get released eventually.

00:44:40.199 --> 00:44:44.719
I feel like this would be a great Severin release

00:44:44.719 --> 00:44:48.960
for another addition to their full horror box

00:44:48.960 --> 00:44:50.559
sets. Yeah, I'm surprised it wasn't. See, I kept

00:44:50.559 --> 00:44:51.679
thinking that was probably going to be one of

00:44:51.679 --> 00:44:53.940
them one day, but so far, nothing. I don't know.

00:44:54.599 --> 00:44:56.940
I don't know. Hopefully, we can talk to David

00:44:56.940 --> 00:44:58.179
and be like, hey, man, you got to go after this

00:44:58.179 --> 00:45:00.300
movie. Who even knows if this movie is available

00:45:00.300 --> 00:45:04.710
to license? If the Academy had to go through

00:45:04.710 --> 00:45:08.170
hoops to fucking play this movie, then who knows

00:45:08.170 --> 00:45:10.469
how easy it would be to release it. That could

00:45:10.469 --> 00:45:14.750
be the situation. Arturo might be involved. Wink,

00:45:14.750 --> 00:45:21.130
wink. I think I told you the drama, Joey. We'll

00:45:21.130 --> 00:45:25.849
keep that off the airways. Hopefully this gets

00:45:25.849 --> 00:45:28.090
released because this really is an amazing movie.

00:45:30.659 --> 00:45:34.179
I really think that... If more people saw it,

00:45:34.239 --> 00:45:36.260
people would fucking dig it for sure. Oh, absolutely.

00:45:36.280 --> 00:45:40.099
That would become a new favorite for sure. Yeah,

00:45:40.119 --> 00:45:41.840
I think people really would dig it because it

00:45:41.840 --> 00:45:43.800
does play two... It's like two different movies

00:45:43.800 --> 00:45:45.780
in one. You got the teenage melodrama, as we

00:45:45.780 --> 00:45:49.400
said. Granted, the horror doesn't really start

00:45:49.400 --> 00:45:51.099
until halfway through the movie, but that doesn't

00:45:51.099 --> 00:45:53.059
matter because it really does take a hold of...

00:45:53.059 --> 00:45:57.480
And it really does... It really does draw and

00:45:57.480 --> 00:46:00.960
lean on the drama aspect and why we even care

00:46:00.960 --> 00:46:03.139
about these characters to begin with. Yeah, but

00:46:03.139 --> 00:46:05.480
it builds up really good and a good story and

00:46:05.480 --> 00:46:08.820
very graphic too. Surprising. I didn't realize,

00:46:08.940 --> 00:46:11.139
I didn't remember it being that graphic. Yeah,

00:46:11.139 --> 00:46:13.440
but no, it's pretty crazy. I went back and I

00:46:13.440 --> 00:46:16.449
was like, I don't know when I... First saw it,

00:46:16.489 --> 00:46:18.269
I went to my letterbox and I was like, why did

00:46:18.269 --> 00:46:20.849
I say this was a black comedy on my letterbox?

00:46:20.929 --> 00:46:23.170
I must have seen something that made me laugh

00:46:23.170 --> 00:46:24.530
internally and thought, oh, this is hilarious.

00:46:24.530 --> 00:46:25.570
Well, that was the funny part because remember

00:46:25.570 --> 00:46:27.610
when Abraham was talking to Shaola, the daughter,

00:46:27.690 --> 00:46:30.130
she was like, yeah, there's a lot of dark humor

00:46:30.130 --> 00:46:31.849
in there and this is like humor my mom was into.

00:46:31.969 --> 00:46:33.849
So it's like, okay, I kind of see why. But it's

00:46:33.849 --> 00:46:36.349
not very appropriate humor. So I kind of understand

00:46:36.349 --> 00:46:38.090
what she was saying because there are certain

00:46:38.090 --> 00:46:40.760
scenes where it's like. It's not going to catch

00:46:40.760 --> 00:46:42.719
people's, you know, right away. It's going to

00:46:42.719 --> 00:46:44.400
be like, oh, I think that was supposed to be

00:46:44.400 --> 00:46:46.480
funny. Yeah, yeah, yeah. So I kind of caught

00:46:46.480 --> 00:46:48.519
that, yeah, on some scenes at least. especially

00:46:48.519 --> 00:46:50.059
the chicken scene it's like it's not supposed

00:46:50.059 --> 00:46:51.639
to be funny because you know she's supposed to

00:46:51.639 --> 00:46:53.699
be doing a retro but then it's like it's kind

00:46:53.699 --> 00:46:55.440
of funny just the way it builds up and everything

00:46:55.440 --> 00:46:57.539
it's kind of shocking so it's like yeah dark

00:46:57.539 --> 00:47:00.079
humor and i feel like the the humor comes from

00:47:00.079 --> 00:47:01.840
like the side character in this in this movie

00:47:01.840 --> 00:47:03.920
like you know the help when she chops off yeah

00:47:03.920 --> 00:47:06.559
it's not mostly the the main cast it's just like

00:47:06.559 --> 00:47:08.719
the people on the side like even elindia like

00:47:08.719 --> 00:47:10.980
even his character's kind of just like it's not

00:47:10.980 --> 00:47:13.000
he's not funny but it's just like he's just ridiculous

00:47:13.000 --> 00:47:15.500
yeah yeah this old man that's just like whatever

00:47:16.679 --> 00:47:19.519
I have to have my own way, you know. And then

00:47:19.519 --> 00:47:23.599
he fucking, I mean, he basically sold out to

00:47:23.599 --> 00:47:28.119
the enemy. He ends up selling the house to Selena's

00:47:28.119 --> 00:47:31.440
family, right? And, of course, Selena's like,

00:47:31.500 --> 00:47:32.980
oh, we didn't even talk about that when Selena

00:47:32.980 --> 00:47:38.539
died. There's like a scene where Venus goes to

00:47:38.539 --> 00:47:42.699
Saurina by herself and she gets a voodoo doll.

00:47:43.159 --> 00:47:45.800
oh and she's like you know you attack it like

00:47:45.800 --> 00:47:48.639
this and so she's stabbing it and then the next

00:47:48.639 --> 00:47:52.480
scene uh selena who's been a bitch to to venus

00:47:52.480 --> 00:47:55.019
the whole movie is like standing on a stool or

00:47:55.019 --> 00:47:57.539
some shit and she like trips and fucking gets

00:47:57.539 --> 00:47:59.760
impaled pretty nasty too actually it's pretty

00:47:59.760 --> 00:48:01.820
there's there's like blood and shit like yeah

00:48:01.820 --> 00:48:03.619
oh yeah horror fans are gonna love that part

00:48:03.619 --> 00:48:05.539
yeah yeah she got what she deserved because she

00:48:05.539 --> 00:48:08.239
was a complete literally the minute we see this

00:48:08.239 --> 00:48:09.760
woman she's already hating on her and it's like

00:48:09.760 --> 00:48:15.900
damn fuck this Sorry, guys. This is an episode

00:48:15.900 --> 00:48:17.880
for the ladies, but we're going to say... But

00:48:17.880 --> 00:48:19.900
she was a really bad person for sure. I think

00:48:19.900 --> 00:48:22.239
that justifies the word, but yeah. No, yeah,

00:48:22.320 --> 00:48:26.599
she absolutely was. She was a horrible person.

00:48:27.579 --> 00:48:30.619
Did not give a fuck about anything other than

00:48:30.619 --> 00:48:32.980
her own prestige, which who knows if she even

00:48:32.980 --> 00:48:37.300
had any prestige. I mean, she worked at a veterinarian

00:48:37.300 --> 00:48:41.409
clinic or some shit. But yeah, she was savage.

00:48:41.489 --> 00:48:43.369
She got what she fucking deserved. Amparo, on

00:48:43.369 --> 00:48:45.630
the other hand, she didn't. She went out, you

00:48:45.630 --> 00:48:47.829
know, sacrificing herself. Yeah, that part was

00:48:47.829 --> 00:48:53.489
like, man, I feel bad for this woman. I found

00:48:53.489 --> 00:48:55.809
it interesting, too, that this was shot in Michoacan.

00:48:55.929 --> 00:48:58.170
I've never been to Michoacan, so I didn't know.

00:48:58.469 --> 00:49:00.590
Oh, yeah, me too, actually. Like, I knew it was

00:49:00.590 --> 00:49:01.849
filmed there, but I was like, oh, I don't recognize

00:49:01.849 --> 00:49:04.329
this, like, kind of part of Michoacan, at least,

00:49:04.409 --> 00:49:06.409
because it's all wooded area. Yeah, yeah. But

00:49:06.409 --> 00:49:08.130
it was still really nice to look at the beautiful

00:49:08.130 --> 00:49:12.119
scenery and everything. in Sahuayo and Jiquilpan,

00:49:12.300 --> 00:49:15.119
Michoacan. Never been, never heard of them. I've

00:49:15.119 --> 00:49:16.920
never been to them. But I know of them, but yeah,

00:49:16.960 --> 00:49:20.260
it's mostly a wooded area. And then, you know,

00:49:20.280 --> 00:49:24.460
I was trying to look into Producciones Cinematográficas

00:49:24.460 --> 00:49:26.820
Fénix, because that's the production house that

00:49:26.820 --> 00:49:29.510
put this together. But, I mean, as far as I can

00:49:29.510 --> 00:49:32.289
see, this was the only movie that had them attached

00:49:32.289 --> 00:49:33.650
to it. So, I don't know. Do you know anything

00:49:33.650 --> 00:49:36.210
about that? Was that, like, her production house?

00:49:36.210 --> 00:49:37.849
That was probably hers, yeah, I would think.

00:49:38.030 --> 00:49:39.469
Because I couldn't find anything either. So,

00:49:39.550 --> 00:49:41.090
more than likely, that's just hers. That's usually

00:49:41.090 --> 00:49:42.630
how it goes with these production companies.

00:49:42.730 --> 00:49:45.369
Like, when you see these names, it's just something

00:49:45.369 --> 00:49:47.210
that they made up, basically. So, that was probably

00:49:47.210 --> 00:49:49.650
hers, more than likely. Probably. I mean, seeing

00:49:49.650 --> 00:49:52.650
that it was her only, like... director credit

00:49:52.650 --> 00:49:54.630
this is probably just fucking and then i remember

00:49:54.630 --> 00:49:57.010
in the academy abraham was like yeah so you know

00:49:57.010 --> 00:50:00.090
he did this movie and that was it that was she

00:50:00.090 --> 00:50:02.389
was after she was done that was it for her she

00:50:02.389 --> 00:50:04.650
said i'm not doing that anymore i mean i can't

00:50:04.650 --> 00:50:06.650
imagine that writing directing and producing

00:50:06.650 --> 00:50:09.409
a movie yeah she did a lot yeah that's crazy

00:50:09.409 --> 00:50:12.929
she did this all on her own but it's a good one

00:50:12.929 --> 00:50:15.489
oh yeah that was the thing that's like she's

00:50:15.489 --> 00:50:17.329
never made a whole movie by herself like that

00:50:17.329 --> 00:50:19.010
and then for it to turn out like this that's

00:50:19.010 --> 00:50:22.619
great And if I remember, if I recall from, you

00:50:22.619 --> 00:50:25.699
know, when Abraham was doing the like the introduction

00:50:25.699 --> 00:50:30.880
keynote for this movie, he said that this spawned

00:50:30.880 --> 00:50:35.579
because of, you know, the lack of trust that

00:50:35.579 --> 00:50:37.539
she got in previous productions. Right. Like

00:50:37.539 --> 00:50:40.380
where she felt like people weren't really like

00:50:40.380 --> 00:50:43.699
giving her authority or listening to her. Yeah.

00:50:43.860 --> 00:50:45.639
Especially her being a woman. It's like, well,

00:50:45.679 --> 00:50:47.420
why do we need to listen to you? You know. Yeah,

00:50:47.460 --> 00:50:49.019
so she's like, fuck these, I'm going to do them

00:50:49.019 --> 00:50:51.800
by myself. So she did it herself, yeah. And she

00:50:51.800 --> 00:50:54.760
did a great job. Well, hopefully it'll get released,

00:50:54.820 --> 00:50:57.579
like we said. Severin, I'm looking at you. Severin,

00:50:57.579 --> 00:51:00.519
Indicator. Actually, Indicator would be a really

00:51:00.519 --> 00:51:04.199
good release for this as well. Either one, whatever.

00:51:04.619 --> 00:51:07.760
But cross your fingers, guys. And if not, if

00:51:07.760 --> 00:51:10.599
you guys want to watch a horrible copy online,

00:51:11.340 --> 00:51:14.579
it's out there. Yeah, or if you have like...

00:51:14.780 --> 00:51:16.380
I don't know. If you come across the VHS, which

00:51:16.380 --> 00:51:19.820
was released on, you sell a Vega video. She had

00:51:19.820 --> 00:51:23.079
a video label at the time. I remember it was

00:51:23.079 --> 00:51:24.719
two episodes ago. I think you were talking about,

00:51:24.760 --> 00:51:26.880
she had her own video. Yeah. And that was one

00:51:26.880 --> 00:51:28.960
of the movies that she put out, but it's super

00:51:28.960 --> 00:51:31.260
hard to find. And then when it is for sale, people

00:51:31.260 --> 00:51:34.159
of course want to flip it for a lot. And it's

00:51:34.159 --> 00:51:36.400
like, yeah, I'm not spending $200 on a tape right

00:51:36.400 --> 00:51:40.219
now. Yeah, that's crazy. I mean, look, I always

00:51:40.219 --> 00:51:42.460
say this is one of those type of movies where

00:51:42.460 --> 00:51:45.860
I would only spend that money because it doesn't

00:51:45.860 --> 00:51:48.219
exist on any other format. That is one of them.

00:51:48.260 --> 00:51:50.019
And I'm sure that the tape looks a lot better

00:51:50.019 --> 00:51:52.900
than the crappy version I saw online. Yeah, unfortunately.

00:51:53.320 --> 00:51:59.199
But, I mean, at least it's there. On ok .ru,

00:51:59.340 --> 00:52:03.150
R -U, whatever you want to call it. you know

00:52:03.150 --> 00:52:06.769
those damn russians man they uh all right well

00:52:06.769 --> 00:52:10.090
uh hopefully we sum that up good enough for for

00:52:10.090 --> 00:52:12.590
people and they want to seek it out but let's

00:52:12.590 --> 00:52:14.550
uh let's move on to the next woman and i'm gonna

00:52:14.550 --> 00:52:18.909
let armando take control of this one um who are

00:52:18.909 --> 00:52:21.469
we talking about next talking about angelica

00:52:21.469 --> 00:52:24.929
chayeen the blonde bombshell from the 70s and

00:52:24.929 --> 00:52:28.389
80s and kind of the 90s but mostly the 70s and

00:52:28.389 --> 00:52:31.090
80s for sure 80s for sure that's like her main

00:52:32.139 --> 00:52:35.260
her big her biggest uh era yeah her biggest era

00:52:35.260 --> 00:52:38.219
for sure yeah so angelica chain was born on may

00:52:38.219 --> 00:52:43.440
24th 1956 in orizaba vera cruz have you ever

00:52:43.440 --> 00:52:45.920
been over there i have not been to vera cruz

00:52:45.920 --> 00:52:49.559
no beautiful country i mean beautiful state half

00:52:49.559 --> 00:52:52.260
so she's half mexican half lebanese her father's

00:52:52.260 --> 00:52:56.039
lebanese and her mother's mexican she started

00:52:56.039 --> 00:52:58.420
off modeling for photo novellas when she was

00:52:58.420 --> 00:53:00.039
a teenager for those who don't know what a photo

00:53:00.039 --> 00:53:02.940
novella is it's basically like a A photographic

00:53:02.940 --> 00:53:04.699
novel or comic book, whatever you want to call

00:53:04.699 --> 00:53:06.519
it. So she was really young when she was doing

00:53:06.519 --> 00:53:08.579
that. Was it like graphic novels? Yeah, kind

00:53:08.579 --> 00:53:10.019
of like that. Yeah, and it's just like pictures

00:53:10.019 --> 00:53:11.840
of them, you know, and then they put the little

00:53:11.840 --> 00:53:13.960
bubbles there. So she was doing stuff like that.

00:53:14.079 --> 00:53:17.579
She was a teenager. She wasn't even 18 yet. She

00:53:17.579 --> 00:53:19.900
was 17 when she did her first movie, which was

00:53:19.900 --> 00:53:22.699
El Santo Blue Demon versus Dr. Frankenstein.

00:53:22.800 --> 00:53:25.059
Banger. It's a great one, yeah. I'm surprised

00:53:25.059 --> 00:53:26.820
how young she was. That's kind of crazy to be

00:53:26.820 --> 00:53:28.579
your first movie. You're working with Santo and

00:53:28.579 --> 00:53:30.699
Blue Demon. Yeah, and at 17 to top it off. She

00:53:30.699 --> 00:53:32.420
wasn't even 18 yet. Like, she was still really

00:53:32.420 --> 00:53:37.860
young. And, yeah, so 58 acting credits and all

00:53:37.860 --> 00:53:40.639
of them mostly being just these sex comedies.

00:53:40.639 --> 00:53:42.159
Yeah, the Fichetta. Literally all of them. She

00:53:42.159 --> 00:53:44.780
was in all the fucking Fichetta movies. All the

00:53:44.780 --> 00:53:46.699
classics, at least. Oh, yeah, all the main ones.

00:53:46.800 --> 00:53:49.440
And then she was known for dancing, so she did

00:53:49.440 --> 00:53:51.320
a little bit of a dancing, you know, during the

00:53:51.320 --> 00:53:54.429
clubs. And then she's known for her figure, of

00:53:54.429 --> 00:53:56.829
course. Beautiful body, you know, everywhere.

00:53:58.570 --> 00:54:01.469
You know already. You don't have to explain it

00:54:01.469 --> 00:54:06.170
to me. She has a beautiful body. And then, of

00:54:06.170 --> 00:54:09.210
course, her blonde hair. But she dyed her blonde

00:54:09.210 --> 00:54:11.070
hair, of course. She's not a natural blonde.

00:54:11.630 --> 00:54:14.110
What was her natural color? I believe it's just

00:54:14.110 --> 00:54:15.929
like, yeah, she has a brunette. Like a brunette

00:54:15.929 --> 00:54:17.389
or something? I believe so, yeah. But she's always

00:54:17.389 --> 00:54:20.809
been known as being a blonde. And she's, I think

00:54:20.809 --> 00:54:22.849
from what I recall, she still does dye it blonde.

00:54:23.389 --> 00:54:25.309
Even in her old age, she still dyes it blonde.

00:54:25.789 --> 00:54:28.730
Yeah, I saw one picture of her online, I guess

00:54:28.730 --> 00:54:30.690
that popped up like a couple years ago. It was

00:54:30.690 --> 00:54:32.650
like the only picture that people have seen,

00:54:32.769 --> 00:54:35.050
you know, in the last however many years. And

00:54:35.050 --> 00:54:36.489
yeah, she had blonde hair. She had blonde hair

00:54:36.489 --> 00:54:39.469
and it still died. You can tell right away. No

00:54:39.469 --> 00:54:41.710
way, she still has that blonde hair, but even

00:54:41.710 --> 00:54:44.090
then, but yeah. So that's what she's known for

00:54:44.090 --> 00:54:46.130
is being the blonde, you know, blonde haired,

00:54:46.130 --> 00:54:48.190
you know, woman. And she looks great, you know,

00:54:48.230 --> 00:54:50.630
I mean. I'm not a blonde guy, you know. I like

00:54:50.630 --> 00:54:52.489
my brunettes, you know. Shout out to the brunettes.

00:54:52.789 --> 00:54:54.769
What's up? Some of these blondes, you know, they

00:54:54.769 --> 00:54:56.670
catch your eye right away, and Angelica Chang

00:54:56.670 --> 00:54:58.329
was one of them. I remember even as a kid, I

00:54:58.329 --> 00:55:03.050
was like, wow. Like, oh, wow. We'll talk about

00:55:03.050 --> 00:55:04.650
it when we talk about the movie, but she had

00:55:04.650 --> 00:55:08.889
like a black, I love long, black, wavy hair.

00:55:09.070 --> 00:55:12.250
That's like, I love that. Yeah, she's not always

00:55:12.250 --> 00:55:14.030
a blonde in some movies, but yeah, we'll get

00:55:14.030 --> 00:55:17.219
to that in a moment. And, yeah, so and then,

00:55:17.260 --> 00:55:19.840
of course, you know, her being part of the sex

00:55:19.840 --> 00:55:21.860
comedy eras from the 70s and 80s, she worked

00:55:21.860 --> 00:55:25.239
with Victor Manuel El Guero Castro. He was an

00:55:25.239 --> 00:55:28.099
actor. He was a director, a writer, a producer

00:55:28.099 --> 00:55:31.320
for these kind of movies. And, of course, he

00:55:31.320 --> 00:55:33.539
worked with the producer Guillermo Calderon,

00:55:33.639 --> 00:55:36.280
which we all know as the godfather of, like,

00:55:36.280 --> 00:55:39.380
the rumberas and the sex comedies, like the ficheras.

00:55:40.300 --> 00:55:42.820
She worked with, of course, Rene Cardona and

00:55:42.820 --> 00:55:49.340
Rene Cardona Jr. And then, yeah. And, of course,

00:55:49.340 --> 00:55:53.440
you know, our homie, Adolfo Martinez -Sodares.

00:55:53.519 --> 00:55:56.000
Oh, of course, yeah. Shout out to Adolfo. So

00:55:56.000 --> 00:55:57.599
that's who she worked with a lot. She was an

00:55:57.599 --> 00:56:00.380
exclusive actress for Frontera Films for many,

00:56:00.460 --> 00:56:02.260
many years. But, of course, she still worked

00:56:02.260 --> 00:56:05.739
with other producers, of course. and so did they

00:56:05.739 --> 00:56:09.099
do did they contract uh uh i was about to say

00:56:09.099 --> 00:56:11.179
artists uh actors and stuff kind of like how

00:56:11.179 --> 00:56:12.579
yeah back in the day they used to do that yeah

00:56:12.579 --> 00:56:14.679
so like her she was one of their exclusive actors

00:56:14.679 --> 00:56:17.679
and then alfonso sayas was whom by the way she

00:56:17.679 --> 00:56:21.420
actually dated in real life yeah lucky yeah she

00:56:21.420 --> 00:56:23.440
was with him for quite a while and yeah they

00:56:23.440 --> 00:56:25.179
broke up but you know they still worked together

00:56:25.179 --> 00:56:27.280
and they were still cool you know i think even

00:56:27.280 --> 00:56:30.059
when alfonso died She actually went to his funeral

00:56:30.059 --> 00:56:32.300
and everything. I think the picture that I saw

00:56:32.300 --> 00:56:34.659
is when is I think that was like around that

00:56:34.659 --> 00:56:38.079
time. Yeah. At least that's from the article

00:56:38.079 --> 00:56:39.780
that I read. It was like around that time is

00:56:39.780 --> 00:56:41.260
when people started asking, what the fuck happened

00:56:41.260 --> 00:56:43.579
to Angelica Jane? And, you know, that picture.

00:56:43.639 --> 00:56:45.460
Not a lot of people see her anymore, really talk

00:56:45.460 --> 00:56:47.480
about her. But when he died, yeah, they had the

00:56:47.480 --> 00:56:50.000
service. And she popped up and kind of surprised

00:56:50.000 --> 00:56:52.639
people. It's like, well, what the fuck? I mean,

00:56:52.679 --> 00:56:54.800
yeah, she literally just disappeared from the

00:56:54.800 --> 00:56:56.599
face of the earth. But there's a reason why,

00:56:56.659 --> 00:56:58.519
of course. So let's get into it. So, of course,

00:56:58.599 --> 00:57:01.079
you know, 80s, you know, she's everywhere. And

00:57:01.079 --> 00:57:04.380
in the 90s, she meets a Pepsi mogul and a hotel

00:57:04.380 --> 00:57:07.539
mogul by the name of Enrique Molina Sobrino.

00:57:09.460 --> 00:57:13.940
And so the rumor is that he was really jealous

00:57:13.940 --> 00:57:15.800
and everything. So he, like, you know, married

00:57:15.800 --> 00:57:18.519
her, obviously, told her to retire. He didn't

00:57:18.519 --> 00:57:20.059
want her to be in movies anymore, getting naked.

00:57:22.219 --> 00:57:25.000
It's amazing how a guy will objectify a woman

00:57:25.000 --> 00:57:26.519
and be like, I don't want you to do that no more.

00:57:26.519 --> 00:57:29.679
I love you. Get married to me only. Yeah, basically.

00:57:29.760 --> 00:57:32.659
Fuck you, man. He's very jealous. Yeah, he told

00:57:32.659 --> 00:57:35.800
her, just retire. Of course, him being wealthy,

00:57:35.940 --> 00:57:37.139
he's like, she doesn't have to work anymore.

00:57:37.579 --> 00:57:41.539
Yeah, that helps. And then one rumor I heard

00:57:41.539 --> 00:57:43.780
that he wanted a lot of her movies destroyed,

00:57:43.980 --> 00:57:45.880
or at least parts of the movies destroyed. He

00:57:45.880 --> 00:57:47.940
didn't want nobody to see that stuff anymore.

00:57:48.199 --> 00:57:50.019
Oh, my God. But, of course, that never happened.

00:57:50.239 --> 00:57:51.900
Thank God. But that was something that he, I

00:57:51.900 --> 00:57:54.000
guess, was trying to do at one point was get

00:57:54.000 --> 00:57:56.760
rid of her movies or her scenes at least. Oh,

00:57:56.800 --> 00:57:58.780
my God. Can you imagine if he would have done

00:57:58.780 --> 00:58:01.519
that? We would have lost on so much. I know.

00:58:01.960 --> 00:58:03.579
That's why I was a little scared when I read

00:58:03.579 --> 00:58:06.480
about that. I was like, oh, what? That's not

00:58:06.480 --> 00:58:08.420
like he doesn't have the money to be able to

00:58:08.420 --> 00:58:11.119
do that. The dude is a fucking billionaire. Yeah,

00:58:11.179 --> 00:58:14.280
exactly. So I was like, oh, wow. This guy's pretty

00:58:14.280 --> 00:58:16.500
intense. But, hey, I guess he really loves her.

00:58:18.019 --> 00:58:19.760
Or he bought her. I don't know. I don't know.

00:58:19.860 --> 00:58:22.079
Yeah, they've been married ever since. Yeah,

00:58:22.139 --> 00:58:25.559
I think, what, 91? Yeah, I think 91 was her final

00:58:25.559 --> 00:58:28.699
credit. And then she just completely vanished.

00:58:28.699 --> 00:58:30.119
And that was around the time she even got married.

00:58:31.380 --> 00:58:35.440
And, well, let's see. Some selected filmography

00:58:35.440 --> 00:58:37.920
I picked out, like, you know, movies of her that

00:58:37.920 --> 00:58:39.880
she's in and that I think people should see are

00:58:39.880 --> 00:58:43.320
obviously her first movie, Santi Blurima with

00:58:43.320 --> 00:58:46.039
Dr. Frankenstein. the sales that was one that

00:58:46.039 --> 00:58:49.219
you pointed out i see yeah i don't know did you

00:58:49.219 --> 00:58:52.139
see that one you know it's it's kind of a hard

00:58:52.139 --> 00:58:55.199
movie to watch it is yeah when i got a copy of

00:58:55.199 --> 00:58:57.219
them i was excited oh finally i can watch this

00:58:57.219 --> 00:59:01.719
fucking movie i was like yeah but i remember

00:59:01.719 --> 00:59:03.820
in the movie though for sure yeah that's a good

00:59:03.820 --> 00:59:08.389
one sex on the reason of course you know I'm

00:59:08.389 --> 00:59:09.969
glad you pointed that one out. I forgot to point

00:59:09.969 --> 00:59:12.190
that one out. She's beautiful in that movie.

00:59:12.469 --> 00:59:16.309
Oh, wow. My goodness. Was that her first movie

00:59:16.309 --> 00:59:18.489
with Frontera Films? Yeah, that was her first

00:59:18.489 --> 00:59:20.809
film with Frontera Films. And then Dia de los

00:59:20.809 --> 00:59:22.750
Albañiles, of course, which we talked about in

00:59:22.750 --> 00:59:26.090
the last episode. Ratas de la Ciudad. Yeah, that

00:59:26.090 --> 00:59:27.690
was probably my first time when I saw her, actually,

00:59:27.710 --> 00:59:29.650
too. Like, it was that movie, of course. Ratas

00:59:29.650 --> 00:59:31.409
de la Ciudad? Yeah, I was like, oh, she's really

00:59:31.409 --> 00:59:33.190
pretty. And she caught my eye because she's blonde.

00:59:33.329 --> 00:59:34.869
And then, like, she only does one nude scene.

00:59:34.969 --> 00:59:36.429
And, of course, the nude scene that I saw as

00:59:36.429 --> 00:59:37.550
a kid, you know, they blocked. And I was like,

00:59:37.590 --> 00:59:41.349
oh, man. Amardo went straight to Pornhub. Ratas

00:59:41.349 --> 00:59:45.670
de la Ciudad. This is before the online porn,

00:59:45.769 --> 00:59:47.510
so you couldn't find it. So you had to kind of

00:59:47.510 --> 00:59:50.130
just be like, man. Hopefully you find it eventually.

00:59:50.530 --> 00:59:54.469
Yeah. Verduleros, yeah. And then Hembras de Tierra

00:59:54.469 --> 00:59:56.969
Caliente, which was one of her last movies. La

00:59:56.969 --> 00:59:59.250
Tentacion with Enrique Gomez Vallejo. Have you

00:59:59.250 --> 01:00:00.690
seen that one, Joey? I have not seen that one.

01:00:00.769 --> 01:00:01.730
You need to fucking see it. I'm going to have

01:00:01.730 --> 01:00:02.789
to send you that. Yeah, you got to send me that

01:00:02.789 --> 01:00:04.210
one. I definitely want to watch it. I don't know

01:00:04.210 --> 01:00:06.269
if that's her last or if Hembras was her last,

01:00:06.329 --> 01:00:08.889
but either one, those are great ones. Her final

01:00:08.889 --> 01:00:13.530
films are great. Is it a sex comedy? Dentación

01:00:13.530 --> 01:00:15.969
is like a drama. Some people like to describe

01:00:15.969 --> 01:00:17.969
it as like a pingu kind of type of film, where

01:00:17.969 --> 01:00:20.110
it's really violent and pretty intense. Yeah,

01:00:20.210 --> 01:00:21.989
and this one, she plays a woman that wins the

01:00:21.989 --> 01:00:25.190
lottery, and then she gets control of these guys.

01:00:25.269 --> 01:00:27.429
She has them working for her, and then they get

01:00:27.429 --> 01:00:29.269
tired of her being a bitch to them. I'm sorry.

01:00:30.769 --> 01:00:34.550
I'm sorry. Being an evil woman to them, you know?

01:00:35.339 --> 01:00:37.079
So they all band together. They're like, you

01:00:37.079 --> 01:00:39.079
know what? We're just going to take over. We're

01:00:39.079 --> 01:00:40.260
going to get her money, and then we're going

01:00:40.260 --> 01:00:43.079
to kill her. Damn. Yeah, it's a crazy movie,

01:00:43.239 --> 01:00:45.460
actually. I definitely got to watch this. And

01:00:45.460 --> 01:00:47.780
then Hembras de Tierra Caliente. That one, she's

01:00:47.780 --> 01:00:50.159
just pretty innocent in that movie. But then

01:00:50.159 --> 01:00:52.260
people in that town, they think she's not so

01:00:52.260 --> 01:00:54.099
innocent. She's probably the one sleeping with

01:00:54.099 --> 01:00:56.900
a lot of husbands. Typical. It's a great movie.

01:00:57.019 --> 01:00:58.780
I love that movie. Just because she's beautiful

01:00:58.780 --> 01:01:00.780
and the men look at her, they think she's the

01:01:00.780 --> 01:01:03.219
one. Yeah, exactly. But that's a great one. I

01:01:03.219 --> 01:01:05.929
love that movie. So, yeah, those are great ones.

01:01:06.710 --> 01:01:09.030
And, yeah, those are the ones that I think people

01:01:09.030 --> 01:01:10.530
should see. And the one that we're going to talk

01:01:10.530 --> 01:01:12.510
about, that's a messy, obviously. And we're going

01:01:12.510 --> 01:01:15.730
to talk about El Diario Intimo de Una Cabaretera

01:01:15.730 --> 01:01:20.309
from 1989, which was from Frontera Films. And

01:01:20.309 --> 01:01:22.949
like Joey said, yeah, she wears a dark wig in

01:01:22.949 --> 01:01:25.050
this movie. She's got blonde hair, red hair.

01:01:25.690 --> 01:01:29.590
She's a brunette. She's got black hair. She's

01:01:29.590 --> 01:01:31.530
like the master of disguise in this movie. Yeah.

01:01:32.030 --> 01:01:35.139
So the funny thing is. The blonde hair, of course,

01:01:35.199 --> 01:01:37.699
that's her natural quote -unquote hair. And the

01:01:37.699 --> 01:01:40.500
red hair is supposed to be a symbolism of sin

01:01:40.500 --> 01:01:43.500
and seduction. And then they took the idea from

01:01:43.500 --> 01:01:46.019
Lilith, from the Jewish legend. So she's the

01:01:46.019 --> 01:01:48.440
queen of hell, Lucifer's wife, and Lilith is

01:01:48.440 --> 01:01:50.340
supposed to have red hair as well. Oh, okay.

01:01:50.480 --> 01:01:53.039
So, yeah, that's where they took it from. So

01:01:53.039 --> 01:01:55.579
sin and seduction, the red hair. Yeah, I can

01:01:55.579 --> 01:01:57.679
see it. Blonde, beautiful, innocent, you know,

01:01:57.699 --> 01:02:00.400
because her role right there. Colored eyes and

01:02:00.400 --> 01:02:03.690
shit, yeah. so yeah let's break down that one

01:02:03.690 --> 01:02:08.210
now so let's go into it and that was what 1980

01:02:08.210 --> 01:02:11.690
this is 1989 1989 yep that's when it came out

01:02:11.690 --> 01:02:13.230
it looks like they shot it maybe a year before

01:02:13.230 --> 01:02:15.150
maybe that's what it looked like to me at least

01:02:15.150 --> 01:02:18.969
but i know the date is of release was 1989 and

01:02:18.969 --> 01:02:22.070
this was by directed by gilberto martinez solares

01:02:22.070 --> 01:02:26.849
written by gilberto nissan adolfo and it's a

01:02:26.849 --> 01:02:30.869
drama it's a film more and then it's like a true

01:02:30.869 --> 01:02:33.210
crime kind of movie it kind of yeah it kind of

01:02:33.210 --> 01:02:35.449
goes all over the place but it works out really

01:02:35.449 --> 01:02:37.590
good she really does play like a really sick

01:02:37.590 --> 01:02:39.809
like a really good femme fatale in this yeah

01:02:39.809 --> 01:02:44.030
exactly so let's see joey points out opens with

01:02:44.030 --> 01:02:47.130
a monologue about how mexico city is huge and

01:02:47.130 --> 01:02:49.730
this story takes place within the city and how

01:02:49.730 --> 01:02:51.590
this is a story that can happen to absolutely

01:02:51.590 --> 01:02:54.409
anybody which i thought was it was it's kind

01:02:54.409 --> 01:02:58.349
of a funny intro but it's you know yeah it's

01:02:58.349 --> 01:03:19.369
so it sets the tone it does set the tone i mean

01:03:19.369 --> 01:03:21.449
because so right then and there you learn that

01:03:21.449 --> 01:03:26.699
you know it's uh well It's Lina Santos' character,

01:03:26.840 --> 01:03:28.440
right? Yeah, so it starts off with this lady

01:03:28.440 --> 01:03:32.199
named Marta, played by Lina Santos. She's writing

01:03:32.199 --> 01:03:36.320
in her diary, which is the intimate diary of

01:03:36.320 --> 01:03:39.460
a cabaret girl. That's the English title. So

01:03:39.460 --> 01:03:41.000
she's writing in her journal about how she fell

01:03:41.000 --> 01:03:42.980
in love with this guy, the owner of the cabaret,

01:03:43.099 --> 01:03:47.219
Marcelo. He's promising her a rich life. Telling

01:03:47.219 --> 01:03:49.380
her sweet nothings. Yep, her singing career is

01:03:49.380 --> 01:03:50.980
going to take off, blah, blah, blah. You know,

01:03:51.019 --> 01:03:54.119
typical stuff like that. Desde niña, mi mayor

01:03:54.119 --> 01:03:56.679
ambición había sido convertirme en una vedette

01:03:56.679 --> 01:03:59.940
famosa. Gracias a Dios, lo he conseguido plenamente.

01:04:01.260 --> 01:04:04.500
Estoy feliz, porque además estoy profundamente

01:04:04.500 --> 01:04:07.159
enamorada del dueño del cabaret donde actúo,

01:04:07.239 --> 01:04:11.599
a quien le debo el éxito de mi carrera. Él personalmente

01:04:11.599 --> 01:04:14.980
supervisa mis rutinas, dedicándome todo su tiempo

01:04:14.980 --> 01:04:19.480
a pesar de sus múltiples ocupaciones. Ay, yo

01:04:19.480 --> 01:04:22.219
no sé qué haría sin él, que ha sido mi apoyo.

01:04:22.880 --> 01:04:28.219
Mi creador, mi todo. Es guapísimo. Está separado

01:04:28.219 --> 01:04:31.059
de su mujer y se va a casar conmigo. Se llama

01:04:31.059 --> 01:04:33.699
Marcelo. Then when she tells him she's pregnant

01:04:33.699 --> 01:04:35.980
with his kid, she's like, whoa, whoa, no, no,

01:04:36.019 --> 01:04:37.739
I'm married. You know, I can't have this kid.

01:04:37.780 --> 01:04:39.480
You gotta abort it. He immediately switches.

01:04:39.659 --> 01:04:41.519
Yeah, he's like, no, he can't have this. No.

01:04:41.659 --> 01:04:43.599
And she's like, no, I want to, blah, blah, blah.

01:04:44.179 --> 01:04:47.039
¿Cómo que vas a tener un hijo mío? ¿Sí? ¿Que

01:04:47.039 --> 01:04:50.780
no te da gusto? No. Y hay que evitar que lo tengas.

01:04:51.920 --> 01:04:59.940
Tienes que ver a un médico. Yo pensé que ibas

01:04:59.940 --> 01:05:03.099
a estar encantado. No tenía por qué estarlo.

01:05:03.219 --> 01:05:06.139
Tú sabes bien que yo soy un hombre casado. Pero

01:05:06.139 --> 01:05:08.400
que no estás separado, que no te ibas a divorciar.

01:05:08.900 --> 01:05:11.960
No es tan fácil. ¿Ya fuiste a ver al médico?

01:05:12.480 --> 01:05:16.719
Él puede arreglarlo todo. No, mi amor. Tengo

01:05:16.719 --> 01:05:22.420
cuatro meses. Algo hay que hacer. he pretty much

01:05:22.420 --> 01:05:25.239
ghosts her like he pretends that he left if i

01:05:25.239 --> 01:05:27.400
recall yeah he pretend he left i remember he

01:05:27.400 --> 01:05:30.599
says like oh you know yeah he's not in town but

01:05:30.599 --> 01:05:32.699
then she manages to see that he's he is never

01:05:32.699 --> 01:05:35.480
left he's just with his wife now was that actually

01:05:35.480 --> 01:05:36.840
his wife though because they don't it seemed

01:05:36.840 --> 01:05:39.300
like it was just another chick that i know i

01:05:39.300 --> 01:05:40.980
mean you know they never say they never really

01:05:40.980 --> 01:05:43.219
say yeah but it just didn't seem like yeah you're

01:05:43.219 --> 01:05:44.800
right yeah i don't know but supposedly he said

01:05:44.800 --> 01:05:48.380
that's his wife And then, yeah, so she's pregnant.

01:05:48.500 --> 01:05:50.539
And then she's not pregnant with one kid. She's

01:05:50.539 --> 01:05:54.340
pregnant with two kids. Twins. Two girls. And

01:05:54.340 --> 01:05:56.639
their names are Jessica. What was it? Angelica.

01:05:57.380 --> 01:05:59.480
Angelica and Jessica. Yeah, Angelica and Jessica.

01:06:00.179 --> 01:06:02.760
And, of course, you know, she has the babies.

01:06:03.059 --> 01:06:05.219
And then she kills herself. Actually, the mom,

01:06:05.260 --> 01:06:08.559
Martha, she ends up not wanting to do this. You

01:06:08.559 --> 01:06:10.440
know, she can't live like this. You think that

01:06:10.440 --> 01:06:13.059
was, like, the guilt of having to give up the

01:06:13.059 --> 01:06:15.599
twins for adoption? Or was she just, like? I

01:06:15.599 --> 01:06:17.900
don't want to do this no more. She just couldn't

01:06:17.900 --> 01:06:20.420
do it. So she kills herself in the bathtub. Pretty

01:06:20.420 --> 01:06:22.579
gruesome scene. Yeah, she slits her wrist pretty

01:06:22.579 --> 01:06:25.099
deep. And then the babies go up for adoption.

01:06:25.840 --> 01:06:28.280
And then one of them goes to a rich family. The

01:06:28.280 --> 01:06:30.500
other one goes to kind of a wealthy family too.

01:06:30.579 --> 01:06:32.539
But they're not really the greatest parents ever.

01:06:32.559 --> 01:06:34.519
It's a broken household for sure. Pretty much,

01:06:34.639 --> 01:06:37.360
yeah. The fucking husband is this complete scumbag.

01:06:38.219 --> 01:06:41.119
Once they adopt her and he's like, fuck you,

01:06:41.139 --> 01:06:43.800
I'm leaving. Like I didn't want no damn kid you

01:06:43.800 --> 01:06:45.659
wanted the kid you keep the kid Yeah, it's funny

01:06:45.659 --> 01:06:47.780
when they adopt and they show the adoption scene

01:06:47.780 --> 01:06:49.820
to have the parent like all happy and the other

01:06:49.820 --> 01:07:07.010
ones are like the dad's like It's a pretty funny

01:07:07.010 --> 01:07:10.429
montage because you can go through when they

01:07:10.429 --> 01:07:13.949
get adopted and then it's like elementary school

01:07:13.949 --> 01:07:16.829
scene where it kind of cuts in between both of

01:07:16.829 --> 01:07:19.650
them. Then it goes to middle school age. Yeah,

01:07:19.650 --> 01:07:23.429
Angelica's doing good in school. She's in tennis,

01:07:23.550 --> 01:07:25.969
I believe. She's doing tennis and basketball

01:07:25.969 --> 01:07:31.130
and all kinds of shit. Jessica's like... She's

01:07:31.130 --> 01:07:34.510
a troublemaker. Because she grew up with no family.

01:07:35.070 --> 01:07:38.710
Obviously, it's setting the tone for the movie.

01:07:38.750 --> 01:07:41.610
She got caught smoking, they say. And then they

01:07:41.610 --> 01:07:44.469
say that she's been reading these porn magazines.

01:07:44.469 --> 01:07:46.489
Yeah, it was like Pulp Erotica or some shit.

01:07:48.110 --> 01:07:50.489
Really bad girl. And she has a mean little face.

01:07:50.590 --> 01:07:53.969
And the other girls all smiling and stuff. And

01:07:53.969 --> 01:07:57.150
yeah, it sets the tone from there. Angelica gets

01:07:57.150 --> 01:08:01.880
married to, what is he? So, I don't know if he

01:08:01.880 --> 01:08:04.119
started off as a lawyer, but he ends up being

01:08:04.119 --> 01:08:05.599
the warden for a women's prison. Yeah, he ends

01:08:05.599 --> 01:08:06.420
up becoming the warden for a women's prison.

01:08:06.500 --> 01:08:09.880
A very good career. And then, you know, he got...

01:08:09.880 --> 01:08:12.960
And we should say, too, that she's a lawyer herself

01:08:12.960 --> 01:08:15.199
in that time. Yeah, she's a lawyer. On Helica's

01:08:15.199 --> 01:08:18.140
character, yeah. And then Jessica, she's a...

01:08:18.800 --> 01:08:23.039
She's just trash. She becomes a schemer. She's

01:08:23.039 --> 01:08:27.560
always jumping in front of cars. Her racket is

01:08:27.560 --> 01:08:30.880
jumping in front of moving cars and trying to

01:08:30.880 --> 01:08:33.640
get them to pay her out instead of going through

01:08:33.640 --> 01:08:37.100
insurances so she can just get cash. That's her

01:08:37.100 --> 01:08:39.079
whole fucking scheme throughout this whole time.

01:08:39.199 --> 01:08:43.420
Just jumping in cars, jumping in cars. And scheming,

01:08:43.420 --> 01:08:46.069
man. That's all she does. She's a liar. There's,

01:08:46.090 --> 01:08:47.890
like, the doctor was like, we're going to have

01:08:47.890 --> 01:08:50.210
to operate on you. She's like, oh, fuck. So she

01:08:50.210 --> 01:08:52.029
just, like, grabs all her shit and leaves the

01:08:52.029 --> 01:08:58.210
hospital. Yeah. And then that's when she meets

01:08:58.210 --> 01:09:01.170
the coin guy, remember? Yeah, that was Cesar

01:09:01.170 --> 01:09:03.189
Bono, wasn't it? Yeah, Cesar Bono under a different

01:09:03.189 --> 01:09:06.350
voice. Yeah, he does not have the na -na -na

01:09:06.350 --> 01:09:08.710
-na -na voice. It's like a deep voice, and it's

01:09:08.710 --> 01:09:10.369
like, what? It just threw me off, too. I was

01:09:10.369 --> 01:09:13.489
like, what the fuck? Yeah, so she meets this,

01:09:13.529 --> 01:09:16.800
like, coin rare coin seller she starts working

01:09:16.800 --> 01:09:19.699
with him of course they fall in love well she

01:09:19.699 --> 01:09:22.920
he falls in love yeah he's just like all right

01:09:22.920 --> 01:09:24.779
i'll marry him you know i'll get money off him

01:09:24.779 --> 01:09:27.260
so she's married to this guy that she doesn't

01:09:27.260 --> 01:09:29.640
even fucking like meanwhile her twin is living

01:09:29.640 --> 01:09:32.579
the life you know she's working you know successfully

01:09:32.579 --> 01:09:34.619
with her husband in the women's prison which

01:09:34.619 --> 01:09:36.979
is very corrupt we gotta say to her husband is

01:09:36.979 --> 01:09:41.119
better yeah so they're trying to like you know

01:09:42.029 --> 01:09:43.649
Clean up the prison, basically, because it's

01:09:43.649 --> 01:09:46.029
been so corrupted. You got women prisoners here

01:09:46.029 --> 01:09:49.270
getting favorable treatment. There's drugs being

01:09:49.270 --> 01:09:52.109
run in there. And Pedro Infante's character.

01:09:52.770 --> 01:09:55.170
Trying to go in there with an iron fist. Trying

01:09:55.170 --> 01:09:58.770
to clean it up. And, of course, there's a guard

01:09:58.770 --> 01:10:01.069
there that's corrupt, and he's all like, fuck.

01:10:01.329 --> 01:10:04.189
He's going to ruin everything for us. Was he

01:10:04.189 --> 01:10:08.939
working for a cartel, or was he like a... Like

01:10:08.939 --> 01:10:10.760
a sex trafficker? Because I know he was trying

01:10:10.760 --> 01:10:13.600
to get one inmate to leave. It's like half and

01:10:13.600 --> 01:10:15.279
half. Yeah, I just remember some of the prisoner

01:10:15.279 --> 01:10:17.180
girls were like prostituting, remember? Yeah,

01:10:17.180 --> 01:10:19.239
yeah. So there was a prostitution ring and then

01:10:19.239 --> 01:10:20.819
there was like a drug ring. So yeah, it was like

01:10:20.819 --> 01:10:23.560
a criminal. Because remember the main prisoner

01:10:23.560 --> 01:10:25.159
girl there, remember? She was the one that called

01:10:25.159 --> 01:10:27.680
the shots. She's like dating like a mobster or

01:10:27.680 --> 01:10:36.750
whatever. Yeah, yeah. Criminal leader. He did

01:10:36.750 --> 01:10:39.689
what he wanted with the inmates. And for him,

01:10:39.729 --> 01:10:42.829
Pedro and Angelica, they only meant a nuisance

01:10:42.829 --> 01:10:45.149
that had to be eliminated. Hey, what did he tell

01:10:45.149 --> 01:10:47.449
you about the motel? What do you want me to say?

01:10:47.550 --> 01:10:49.689
He put it in my file and they keep an eye on

01:10:49.689 --> 01:10:52.930
me. Old bitch. How is it possible that you had

01:10:52.930 --> 01:10:55.310
the motel there and so in sight? Before, they

01:10:55.310 --> 01:10:57.609
didn't even check us, man. It's just that the

01:10:57.609 --> 01:11:00.229
other director was intelligent. He was late.

01:11:01.869 --> 01:11:06.899
But this is San Francisco de Asís. ¿Y qué onda

01:11:06.899 --> 01:11:12.079
con mi asunto? Aguántate tantito, mi amor. En

01:11:12.079 --> 01:11:15.880
menos de 15 días arreglamos esto. ¿A poco no

01:11:15.880 --> 01:11:19.300
te gustó la presencia que te traje? A ti se te

01:11:19.300 --> 01:11:21.220
pagó mucha feria para que yo tuviera mi celda

01:11:21.220 --> 01:11:23.760
aparte. Y no para andar cuidando a tus pendejas.

01:11:26.199 --> 01:11:29.420
Apaguen este radio, carajo. No dejan dormir.

01:11:30.439 --> 01:11:32.760
Ese pinche licenciado cree que va a poder conmigo.

01:11:48.789 --> 01:12:03.170
So yeah. So that's basically how it goes. You

01:12:03.170 --> 01:12:06.050
know, it's like trouble here with this girl and

01:12:06.050 --> 01:12:08.050
this girl is trying to fix the trouble that's

01:12:08.050 --> 01:12:13.069
going on. And then Jessica kills the coin collector.

01:12:13.270 --> 01:12:15.409
One day she's like, you know what? Fuck, you

01:12:15.409 --> 01:12:17.890
know, I'm just done. The guy's like, why are

01:12:17.890 --> 01:12:20.130
you always out? Blah, blah, blah. She fucking

01:12:20.130 --> 01:12:23.369
kills him with a fire poker. She fucks them up.

01:12:23.430 --> 01:12:25.090
Yeah. And of course, to make it even more dramatic.

01:12:25.109 --> 01:12:27.920
So she leaves town. so it looks like she's not

01:12:27.920 --> 01:12:30.500
there obviously yeah yeah she gets a bomb set

01:12:30.500 --> 01:12:33.479
up the bomb goes off when she's like vacationing

01:12:34.760 --> 01:12:37.479
It's like, whoa. Yeah, she goes through great

01:12:37.479 --> 01:12:41.479
lengths to get money off of men, and specifically

01:12:41.479 --> 01:12:45.239
men. That scene was hilarious. Even the scene

01:12:45.239 --> 01:12:48.180
before that, when she starts to rob him, he's

01:12:48.180 --> 01:12:50.079
like, oh, I'll be back. I got to go buy some

01:12:50.079 --> 01:12:52.840
ancient coins. And so she's like, all right.

01:12:52.960 --> 01:12:55.619
She locks the door, starts stealing all his money

01:12:55.619 --> 01:12:58.640
from the bank and his coins, and he comes back

01:12:58.640 --> 01:13:00.819
like, ha -ha, surprise. I came with an engagement

01:13:00.819 --> 01:13:03.539
ring. Oh, yeah, that scene was hilarious. And

01:13:03.539 --> 01:13:04.720
she's like, all right, well, fuck this fool.

01:13:04.779 --> 01:13:34.760
I'm just going to kill him. Jessica, I thought

01:13:34.760 --> 01:13:39.359
women were superficial and silly, but you're

01:13:39.359 --> 01:13:46.539
so different. Well, what's all this about? I

01:13:46.539 --> 01:13:55.439
want you to marry me. It's beautiful. The truth,

01:13:55.539 --> 01:14:00.000
I don't know what to say. Thank you for proposing

01:14:00.000 --> 01:14:03.159
it to me. It's very beautiful. So, yeah, that's

01:14:03.159 --> 01:14:05.180
when she goes to Puerto Vallarta and then she

01:14:05.180 --> 01:14:07.500
meets this younger guy. But then she ends up

01:14:07.500 --> 01:14:09.479
falling for the younger guy's dad, which is played

01:14:09.479 --> 01:14:12.600
by Hugo Stiglitz. Oh, yeah. And this is Don Martin,

01:14:12.739 --> 01:14:15.239
correct? Yeah, Don Martin. Yeah, Don Martin is

01:14:15.239 --> 01:14:17.779
Hugo Stiglitz's character. But before she does

01:14:17.779 --> 01:14:21.260
that, remember that we can't skip over the threesome

01:14:21.260 --> 01:14:25.460
scene. Yeah, so before any of this happens, there's

01:14:25.460 --> 01:14:27.300
a certain threesome scene that a lot of people,

01:14:27.319 --> 01:14:29.909
I think, remember. At least I know of. But good

01:14:29.909 --> 01:14:31.149
thing you brought it up because I forgot today.

01:14:32.649 --> 01:14:34.090
There's no way we could have talked about that.

01:14:34.090 --> 01:14:35.890
Yeah, so there's a scene where, you know, she's

01:14:35.890 --> 01:14:37.430
walking in the streets. These guys are trying

01:14:37.430 --> 01:14:40.210
to pick her up. And then they're like, yeah,

01:14:40.289 --> 01:14:42.970
come have a drink with us, you know. She pulls

01:14:42.970 --> 01:14:45.869
out a fucking gat on these people. She's like,

01:14:45.970 --> 01:14:48.289
oh, you know, we're just fucking, you know, we're

01:14:48.289 --> 01:14:49.510
just trying to, you know, hang out. We're not

01:14:49.510 --> 01:14:52.050
trouble. But then she gives in. She's like, all

01:14:52.050 --> 01:14:53.890
right, I'll party with you guys. So they go to

01:14:53.890 --> 01:14:55.369
a, I don't know if it's a hotel or one of their

01:14:55.369 --> 01:14:58.689
guys' rooms. they start fucking macking on her

01:14:58.689 --> 01:15:01.210
vamos a la playa by those trials starts playing

01:15:01.210 --> 01:15:05.989
yeah it plays an important part of the scene

01:15:05.989 --> 01:15:08.930
for some reason but yeah yeah so she's just getting

01:15:08.930 --> 01:15:11.250
at it with these two guys and it's pretty raunchy

01:15:11.250 --> 01:15:14.010
scene i was just like it's it's pretty yeah it's

01:15:14.010 --> 01:15:16.210
pretty steamy i mean i was like whoa it's like

01:15:16.210 --> 01:15:19.310
it's like one step below a hardcore scene i know

01:15:19.310 --> 01:15:21.649
yeah literally they like get on her and then

01:15:21.649 --> 01:15:24.109
both of them are on her I mean, you don't see

01:15:24.109 --> 01:15:26.130
anything, obviously, but it's more than enough

01:15:26.130 --> 01:15:27.630
to be like, damn, they're actually going at it.

01:15:27.750 --> 01:15:30.989
Yeah, they definitely. Yeah. You know, let's

01:15:30.989 --> 01:15:32.729
say they were definitely excited to shoot that

01:15:32.729 --> 01:15:34.609
scene, those guys. Oh, yeah, they were very excited,

01:15:34.770 --> 01:15:36.210
yeah. Well, I don't know about one of them. One

01:15:36.210 --> 01:15:39.989
of them was Enrique Gomez Vadios' boy, but I'm

01:15:39.989 --> 01:15:41.409
not going to get into that right now. Oh, okay.

01:15:41.729 --> 01:15:44.689
We'll do it another time. But one of those actors

01:15:44.689 --> 01:15:53.039
was, yeah, a familiar face for me. Es muy peligroso

01:15:53.039 --> 01:15:55.380
andar en la ciudad. No, ¿por qué lo piensas?

01:15:55.460 --> 01:15:57.960
Yo me sé cuidar solita. Pues abusada, porque

01:15:57.960 --> 01:15:59.600
luego hay unos cabrones que se quieren pasar

01:15:59.600 --> 01:16:03.960
de listos. ¿Como ustedes? No te pongas así. Solo

01:16:03.960 --> 01:16:07.119
estábamos bromeando. No seas tan agresiva, mi

01:16:07.119 --> 01:16:08.899
amor. ¿Por qué no guardas esa pistolita y te

01:16:08.899 --> 01:16:16.539
vienes a pasear con nosotros, eh? Bueno. Pensándolo

01:16:16.539 --> 01:16:24.789
bien, no están tan mal. Vámonos. Ahora sí, mi

01:16:24.789 --> 01:16:26.470
reina, vas a ver que con los otros dos te vas

01:16:26.470 --> 01:16:29.569
a dar una divertida. A ver si como Roncan duerme.

01:16:37.109 --> 01:16:41.930
Te dije, pinche Carlos, ahora sí nos sacamos

01:16:41.930 --> 01:16:51.039
la lotería. Nos vamos a comer a este cuero. So,

01:16:51.039 --> 01:16:53.359
yeah, after that, you know, the threesome, the

01:16:53.359 --> 01:16:56.300
blomming, moving to Puerto Vallarta, meeting

01:16:56.300 --> 01:16:59.119
the new guy. She ends up marrying the older guy,

01:16:59.260 --> 01:17:02.220
obviously. Yeah, so she basically, when she first

01:17:02.220 --> 01:17:05.699
goes to Puerto Vallarta, she meets Martin. Yeah.

01:17:07.220 --> 01:17:09.739
And he's like, yeah, baby, I love you, whatever.

01:17:09.939 --> 01:17:13.079
And then she sees Don Martin, who's played by

01:17:13.079 --> 01:17:15.659
Hugo Stieglitz. And she's like, yeah, fuck this

01:17:15.659 --> 01:17:17.060
young fool. I'm going to go for this older guy

01:17:17.060 --> 01:17:18.699
because he's the one, obviously, with the money.

01:17:19.479 --> 01:17:21.960
And the younger guy is played by Roberto Palazuelos,

01:17:21.960 --> 01:17:24.020
one of his earlier roles. And people would know

01:17:24.020 --> 01:17:26.039
him from Don't Panic, which Vinegar Syndrome

01:17:26.039 --> 01:17:27.500
released. I know all the horror fans are going

01:17:27.500 --> 01:17:29.220
to. Yeah, they'll recognize that face. Yeah,

01:17:29.239 --> 01:17:33.859
for sure. Yeah. But I mean, the whole scene with

01:17:33.859 --> 01:17:36.439
like the whole sequence with Hugo Stieglitz,

01:17:36.539 --> 01:17:40.710
like that part of the movie. I liked it a lot,

01:17:40.789 --> 01:17:42.390
actually. He's dressed up like when they get

01:17:42.390 --> 01:17:44.930
married. He has his whole charro outfit. Yeah,

01:17:45.029 --> 01:17:46.850
that was a great scene. And then the two guys

01:17:46.850 --> 01:17:49.189
from the threesome were there. It turns out they're

01:17:49.189 --> 01:17:52.069
friends with the son. They're like, hey, that's

01:17:52.069 --> 01:17:53.409
the girl that robbed us. That's the one we told

01:17:53.409 --> 01:17:57.489
you about. as friends do right they probably

01:17:57.489 --> 01:17:59.069
went to like man we hooked up with this fine

01:17:59.069 --> 01:18:01.569
ass girl so that already sets off like you know

01:18:01.569 --> 01:18:03.569
martin right there he's like oh shit so she is

01:18:03.569 --> 01:18:04.890
really trouble you know she's probably just using

01:18:04.890 --> 01:18:07.149
my dad so he's like trying to warn his dad like

01:18:07.149 --> 01:18:08.829
hey you know you shouldn't be with her you know

01:18:08.829 --> 01:18:11.489
why did you marry her and this causes like a

01:18:11.489 --> 01:18:13.210
friction with them it's like you know he's like

01:18:13.210 --> 01:18:15.449
no i'm in love with her you know i am not doing

01:18:15.449 --> 01:18:18.350
not separating as you know as as happens when

01:18:18.350 --> 01:18:22.449
you have a beautiful woman you know yeah seducing

01:18:22.449 --> 01:18:24.409
i should say so that causes you know them to

01:18:24.409 --> 01:18:26.590
separate like he stops living with his dad and

01:18:26.590 --> 01:18:28.510
everything but he's still trying to convince

01:18:28.510 --> 01:18:30.369
him like hey you know she's trouble she's gonna

01:18:30.369 --> 01:18:32.970
do something to you and that she does and she

01:18:32.970 --> 01:18:36.109
does she she poisons him yeah he asked he asked

01:18:36.109 --> 01:18:38.789
her to to get him a couple shots of mescal and

01:18:38.789 --> 01:18:42.380
she just puts arsenic in it instead And then

01:18:42.380 --> 01:18:44.300
when he's arguing with his son about her, he's

01:18:44.300 --> 01:18:46.039
like, no, I'm not going to separate blah, blah,

01:18:46.060 --> 01:18:48.239
blah. And then he fucking falls over. Oh, yeah,

01:18:48.279 --> 01:18:49.479
yeah. He has like a heart attack or something.

01:18:49.479 --> 01:18:50.800
He starts getting a heart attack and then he

01:18:50.800 --> 01:18:54.479
trips over the stairs. That stunt was sick, actually.

01:18:54.479 --> 01:18:56.399
Yeah. He does like a fucking flip over. Yeah,

01:18:56.399 --> 01:18:58.560
he flips over. It's so dramatic, too. It's like

01:18:58.560 --> 01:19:03.159
down. Slow -mo. Yeah. It's like, oh, my God.

01:19:04.239 --> 01:19:06.880
So, yeah. So she ends up inheriting, remember?

01:19:07.420 --> 01:19:10.260
She inherits all his fortune. She managed to

01:19:10.260 --> 01:19:12.600
get that. Her son's trying to fight it. Like,

01:19:12.640 --> 01:19:15.100
nah, she's not going to get this. I deserve it,

01:19:15.140 --> 01:19:18.079
you know. So that kind of sets off the tone from

01:19:18.079 --> 01:19:21.159
there. And the other side of the story is the

01:19:21.159 --> 01:19:25.739
prison. Corrupt. Yeah. I will say, though, like.

01:19:26.319 --> 01:19:28.199
you know this movie is kind of like a nature

01:19:28.199 --> 01:19:30.359
versus nurture is like the you know undertone

01:19:30.359 --> 01:19:32.659
you know one obviously grows up you know in a

01:19:32.659 --> 01:19:34.800
in a good household becomes a lawyer and gets

01:19:34.800 --> 01:19:36.600
married the other one obviously you know you

01:19:36.600 --> 01:19:38.819
know she schemes her way up but besides that

01:19:38.819 --> 01:19:41.520
like they really don't have any like the stories

01:19:41.520 --> 01:19:43.699
don't really intertwine it's just like this happens

01:19:43.699 --> 01:19:45.739
then this happens and this happens yeah but then

01:19:45.739 --> 01:19:48.279
it kind of intertwines near the end when you

01:19:48.279 --> 01:19:50.520
know because so while this is all going claudio

01:19:50.520 --> 01:19:53.260
bias his character he's the lawyer the one that

01:19:53.260 --> 01:19:56.390
narrates the movie too He's all obsessed with

01:19:56.390 --> 01:19:58.829
Angelica, I remember. Oh, yeah. He really liked

01:19:58.829 --> 01:20:00.630
her. He was supposed to represent her in one

01:20:00.630 --> 01:20:09.189
of her car crash cases. So before that, Julio,

01:20:09.369 --> 01:20:16.310
because he's Angelica's husband, sorry. So throughout

01:20:16.310 --> 01:20:18.989
his tenure of being the warden, he knows that

01:20:18.989 --> 01:20:21.109
there's corruption. He's trying to snuff it out,

01:20:21.189 --> 01:20:26.340
but he gets caught by... the the the guards right

01:20:26.340 --> 01:20:28.279
yeah they know that he knows so they're trying

01:20:28.279 --> 01:20:31.100
to kill him and they actually do when he finds

01:20:31.100 --> 01:20:34.680
out that there is a like a like a smuggling ring

01:20:34.680 --> 01:20:37.420
going on and he gets fucking hacked in the face

01:20:37.420 --> 01:20:41.420
by like a like a meat hook um and he dies and

01:20:41.420 --> 01:20:45.600
that's what sets up the romance between um the

01:20:45.600 --> 01:20:49.880
new guy uh what was his name um uh i can't uh

01:20:49.880 --> 01:20:56.789
god damn it what that was Damn it, what the fuck

01:20:56.789 --> 01:21:01.409
was his name? Well, regardless, I forgot his

01:21:01.409 --> 01:21:03.729
name, but he plays the lawyer, like you said,

01:21:03.810 --> 01:21:07.170
and after Julio dies, that's when he's like,

01:21:07.250 --> 01:21:11.010
all right, he has his chance now with Angelica,

01:21:11.010 --> 01:21:15.010
and he's slowly... Yeah, he's credited as Licenciado

01:21:15.010 --> 01:21:18.930
Solares. There you go, Solares. And that's when

01:21:18.930 --> 01:21:21.189
he, like you said, that's when he snakes his

01:21:21.189 --> 01:21:24.989
way in. Yeah. ¿Quién dio el pase de entrada y

01:21:24.989 --> 01:21:27.789
salida al reclusorio de este camión? Fui yo,

01:21:27.829 --> 01:21:32.569
señor. Este no es el camión que nos surte habitualmente

01:21:32.569 --> 01:21:35.130
la carne. Cambiamos de proveedor, señor. ¿Con

01:21:35.130 --> 01:21:37.250
autorización de quién? Señor, yo pensé que era

01:21:37.250 --> 01:21:39.329
lo mejor para que... ¡Abra el cofre, por favor!

01:22:31.039 --> 01:22:59.779
No, yo no estoy nervioso para nada, señor. and

01:22:59.779 --> 01:23:01.539
he's obsessed with one sister first, but then

01:23:01.539 --> 01:23:03.199
he meets this one. So he's like, oh, I'll get

01:23:03.199 --> 01:23:05.300
with her. But then he suspects that they're probably

01:23:05.300 --> 01:23:07.500
twins. Oh, yeah, that's right. Because didn't

01:23:07.500 --> 01:23:11.880
she scheme him? Or he represented someone that

01:23:11.880 --> 01:23:16.420
she jumped in front? That's how it began with

01:23:16.420 --> 01:23:19.359
him. He was obsessed with her. And he was looking

01:23:19.359 --> 01:23:23.779
for her. And then he sees the picture of the

01:23:23.779 --> 01:23:26.319
girl, the innocent one. He's like, oh, that's

01:23:26.319 --> 01:23:28.989
probably her. Or maybe, I don't know. But then

01:23:28.989 --> 01:23:31.390
he starts drawing on the newspaper. Yeah, you're

01:23:31.390 --> 01:23:33.090
right. This could be her. Maybe that's her twin.

01:23:34.229 --> 01:23:36.670
And then, yeah, after that, near the end of the

01:23:36.670 --> 01:23:39.470
movie, it's like, yeah. They never really meet,

01:23:39.569 --> 01:23:42.510
the sisters, obviously. And then Solaris just

01:23:42.510 --> 01:23:44.350
doesn't want to introduce them. He knows that

01:23:44.350 --> 01:23:46.210
he probably could, but he just doesn't want to.

01:23:46.810 --> 01:23:48.909
He wants to keep it separate. He wants to just

01:23:48.909 --> 01:23:50.529
start a new life with this woman. Yeah, yeah,

01:23:50.630 --> 01:23:54.659
yeah. And finally, so... uh jessica gets caught

01:23:54.659 --> 01:23:57.159
up in in a murder you know she gets caught putting

01:23:57.159 --> 01:24:00.680
arsenic you know by uh i guess uh martin don

01:24:00.680 --> 01:24:03.800
martin's son does like a you know a private autopsy

01:24:03.800 --> 01:24:05.920
or whatever they find out he was poisoned so

01:24:05.920 --> 01:24:08.880
she gets arrested and right when she was trying

01:24:08.880 --> 01:24:11.079
to scheme another rich guy exactly i know she

01:24:11.079 --> 01:24:13.279
already set her hooks into someone else right

01:24:13.279 --> 01:24:16.479
when she was about to um but that's you know

01:24:16.479 --> 01:24:19.439
this is where the stories finally almost cross

01:24:19.439 --> 01:24:23.380
is that she gets arrested and gets sent to The

01:24:23.380 --> 01:24:25.260
woman's prison. That same woman's prison. That

01:24:25.260 --> 01:24:28.159
Angelica was now the warden. She becomes the

01:24:28.159 --> 01:24:29.420
warden, right? Yeah, she becomes the warden.

01:24:30.000 --> 01:24:34.779
But she doesn't see the sister, Jessica, go get

01:24:34.779 --> 01:24:37.220
arrested. Even though she's like, Angelica. I

01:24:37.220 --> 01:24:38.479
don't even know if she remembers her name, but

01:24:38.479 --> 01:24:40.560
she's like, Hermana, Hermana. Yeah, because she

01:24:40.560 --> 01:24:42.180
was the only one that knew she had a twin sister.

01:24:42.279 --> 01:24:44.100
Yeah. The other one didn't know she had a sister.

01:24:46.029 --> 01:24:48.869
And, you know, the payoff, it kind of sucked

01:24:48.869 --> 01:24:51.010
a little bit because I actually wanted to see

01:24:51.010 --> 01:24:52.590
them cross paths. Yeah, that's what I was hoping

01:24:52.590 --> 01:24:54.630
for, too, some kind of crossover. But, no, it

01:24:54.630 --> 01:24:56.670
just ends all weird. And then even with Solaris,

01:24:56.670 --> 01:24:58.189
like, he's just in the car all like, oh, shit.

01:24:58.229 --> 01:24:59.789
Well, he saw her and was like, oh, fuck, let

01:24:59.789 --> 01:25:01.369
me get in the car real quick. Yeah, the way it's

01:25:01.369 --> 01:25:03.090
so set up, it's so awkward. It's like, what the

01:25:03.090 --> 01:25:06.170
fuck? And then it just ends. I forgot what he

01:25:06.170 --> 01:25:07.449
says at the end, but yeah, and then it's like,

01:25:07.470 --> 01:25:09.050
what, that's it? It's like, oh, man, come on.

01:25:09.350 --> 01:25:10.989
I was expecting a little bit more from that ending,

01:25:11.069 --> 01:25:12.930
but it was still a good movie, though. That's

01:25:12.930 --> 01:25:14.369
the thing. I do actually really like that movie

01:25:14.369 --> 01:25:17.939
a lot. No, the movie is great. I just feel like

01:25:17.939 --> 01:25:21.100
it leaves a little bit to be desired. Like I

01:25:21.100 --> 01:25:23.500
said, I really wanted them to cross paths. Yeah,

01:25:23.500 --> 01:25:26.479
at least once. And I feel like that would have

01:25:26.479 --> 01:25:29.380
been perfect if she would have seen her and then

01:25:29.380 --> 01:25:31.539
realized like, oh, she went down the wrong path.

01:25:31.880 --> 01:25:35.500
And now she's responsible for keeping her straight

01:25:35.500 --> 01:25:38.340
in the women's prison. I feel like that could

01:25:38.340 --> 01:25:41.079
have been the ending right there. Yeah. They

01:25:41.079 --> 01:25:43.140
just leave it on a cliffhanger. Not even a cliffhanger.

01:25:43.900 --> 01:25:46.180
it's just weird like i said like i told you it's

01:25:46.180 --> 01:25:49.579
like solara caesar he's like oh shit and then

01:25:49.579 --> 01:25:51.199
gets her in the car you know and he's like all

01:25:51.199 --> 01:25:54.300
right let's go and then they just drive off while

01:25:54.300 --> 01:25:56.699
the other one's getting sent to the prison yeah

01:25:56.699 --> 01:25:59.920
but other than that you know it's really very

01:25:59.920 --> 01:26:03.680
fucking sleazy you know it's dramatic it's very

01:26:03.680 --> 01:26:07.000
dramatic and um the title's a little misleading

01:26:07.000 --> 01:26:10.289
though the audio well there's there's all of

01:26:10.289 --> 01:26:13.449
what maybe two minutes of a cabaret scene and

01:26:13.449 --> 01:26:17.789
a diary not so much of an intimate diary story

01:26:17.789 --> 01:26:20.369
but you know but even that like like you said

01:26:20.369 --> 01:26:22.850
the voiceovers are from so it's not even like

01:26:23.720 --> 01:26:26.140
at one point i thought we were listening to marta's

01:26:26.140 --> 01:26:28.060
character lena santos but and then i was like

01:26:28.060 --> 01:26:30.479
wait that's not even her talking like who who's

01:26:30.479 --> 01:26:33.039
who's having these flashbacks like of like what's

01:26:33.039 --> 01:26:35.000
happening here yeah only once when she's talking

01:26:35.000 --> 01:26:37.220
remember it's like oh i met the guy yeah yeah

01:26:37.220 --> 01:26:40.140
after that it's just yeah so large it's narrating

01:26:40.140 --> 01:26:42.220
yeah yeah that was weird too when you think about

01:26:42.220 --> 01:26:47.789
it yeah I don't know. But the movie is so far

01:26:47.789 --> 01:26:50.930
different from anything that I'm used to of that

01:26:50.930 --> 01:26:54.489
era of Frontera Films. Yeah, this was very different

01:26:54.489 --> 01:26:56.869
for them. This was, like, I think pretty much

01:26:56.869 --> 01:26:59.149
near the end of their sex comedy era. So this

01:26:59.149 --> 01:27:00.430
was, like, their first time trying something

01:27:00.430 --> 01:27:01.729
a little bit different. They're like, all right,

01:27:01.789 --> 01:27:04.229
let's start with the drama, but let's make it

01:27:04.229 --> 01:27:08.470
really criminal -oriented. Let's keep the titties

01:27:08.470 --> 01:27:10.510
in there. Oh, yeah. Let's go drama. Yeah, we

01:27:10.510 --> 01:27:12.489
got to keep the nudity in there, of course. Tastefully,

01:27:12.489 --> 01:27:16.970
of course. Yeah, and Helga Chayen gets naked

01:27:16.970 --> 01:27:19.649
a lot in this movie. So for the Chayen fans who

01:27:19.649 --> 01:27:22.829
are pervs, you'll like this one. Yeah, so if

01:27:22.829 --> 01:27:24.529
you like her as a blonde, she's there naked as

01:27:24.529 --> 01:27:26.149
a blonde because there are several scenes with

01:27:26.149 --> 01:27:28.029
her having sex with Beathering Font. Oh, yeah.

01:27:28.670 --> 01:27:30.189
And then there are scenes, of course, with her

01:27:30.189 --> 01:27:32.909
wearing the red hired wig and then the dark hair.

01:27:32.970 --> 01:27:34.829
The dark hair. That was my favorite, dude. Oh,

01:27:34.989 --> 01:27:39.409
my God. The threesome scene. Oh, my goodness.

01:27:39.550 --> 01:27:43.100
That was so wild. I was just like, whoa, okay.

01:27:43.699 --> 01:27:47.220
They went for it. They went for it. And the song

01:27:47.220 --> 01:27:49.699
just added more character to it. I know. Why

01:27:49.699 --> 01:27:52.300
did they choose this? It's not off -putting,

01:27:52.300 --> 01:27:53.659
but it just feels like it's kind of out of left

01:27:53.659 --> 01:27:55.850
field. Yeah. And then the rest of the music was

01:27:55.850 --> 01:27:59.810
scored by Ernesto Cortazar. But how much of that?

01:27:59.850 --> 01:28:03.250
Because there was some library in there. Yeah,

01:28:03.310 --> 01:28:04.729
there was some library in there from old George.

01:28:04.949 --> 01:28:07.229
Not a whole lot of old George, but there's enough

01:28:07.229 --> 01:28:09.090
in there to know. If you know his music, you'll

01:28:09.090 --> 01:28:11.289
recognize it right away. There was one song in

01:28:11.289 --> 01:28:13.609
particular. I was like, holy. I think I have

01:28:13.609 --> 01:28:15.890
it. Flying Spider, maybe. Maybe. It might have

01:28:15.890 --> 01:28:16.789
been Flying Spider. Because I know that's the

01:28:16.789 --> 01:28:20.590
more common one was Flying Spider. Yeah. As soon

01:28:20.590 --> 01:28:22.329
as I heard it, I was like, oh, fuck. I was like,

01:28:22.369 --> 01:28:25.640
that's not Ernesto or whatever. Yeah, Cortezar.

01:28:25.640 --> 01:28:27.659
But the rest was Cortezar for sure. And it's

01:28:27.659 --> 01:28:30.619
really dramatic and eerie. Yeah, it's kind of

01:28:30.619 --> 01:28:36.680
like lo -fi, like stabbing. The chords really

01:28:36.680 --> 01:28:40.479
are abrupt. The chord progression isn't really

01:28:40.479 --> 01:28:43.960
very romantic or dramatic or anything, but it's

01:28:43.960 --> 01:28:47.880
very abrupt. So I like that. I like the music

01:28:47.880 --> 01:28:49.560
angle there. And then, of course, them adding

01:28:49.560 --> 01:28:51.779
the old George stuff. I was like, oh, cool. Right

01:28:51.779 --> 01:28:53.399
away, I recognized it. I was like, oh, I know

01:28:53.399 --> 01:28:55.220
these two songs that are playing. Shout out to

01:28:55.220 --> 01:28:57.760
Medium Music. Yeah, Medium Music. More on that

01:28:57.760 --> 01:29:01.920
eventually. We'll get to that. Yeah, dude. I

01:29:01.920 --> 01:29:05.819
think, is this, I mean, obviously, there's a

01:29:05.819 --> 01:29:08.140
tape of this that exists, but how available is

01:29:08.140 --> 01:29:10.460
this to people to watch? Yeah, there's a tape.

01:29:10.479 --> 01:29:12.420
There's a DVD. I think it kind of still sells.

01:29:12.500 --> 01:29:15.430
Not really, not much as before. It's on Picaria

01:29:15.430 --> 01:29:17.470
Nacional. It's finally streaming on there. Oh,

01:29:17.470 --> 01:29:18.989
sick. That was one that wasn't streaming there

01:29:18.989 --> 01:29:20.529
for a while. But, yeah, finally it's streaming

01:29:20.529 --> 01:29:22.510
there. And if you guys haven't signed up for

01:29:22.510 --> 01:29:24.630
Picaria Nacional yet, please do. Yeah, what the

01:29:24.630 --> 01:29:25.829
fuck are you doing? Yeah, what the fuck are you

01:29:25.829 --> 01:29:28.310
doing? Cancel Netflix because how much is Netflix?

01:29:28.590 --> 01:29:30.930
I don't know. It's like $17 now or something.

01:29:31.029 --> 01:29:33.390
$25 I think. Oh, that's fucking crazy. I don't

01:29:33.390 --> 01:29:36.010
know. Picaria is like $5, $6. And you get all

01:29:36.010 --> 01:29:39.050
the comedy, the sleaze that you want. Yep. There's

01:29:39.050 --> 01:29:42.909
no trying to get naked on Netflix. Yeah, exactly.

01:29:44.300 --> 01:29:46.760
but uh but yeah seek this one out this both of

01:29:46.760 --> 01:29:48.359
these movies are actually really amazing movies

01:29:48.359 --> 01:29:52.640
are great yeah and you know i know one thing

01:29:52.640 --> 01:29:53.979
that someone told me was that man why do you

01:29:53.979 --> 01:29:55.880
guys speed run through these movies but we just

01:29:55.880 --> 01:29:57.500
kind of want to give you a taste of it you know

01:29:57.500 --> 01:29:59.539
i want we want you guys to see the movie you

01:29:59.539 --> 01:30:01.460
know i don't want you to listen to us and then

01:30:01.460 --> 01:30:03.579
already know everything that happens in a movie

01:30:03.579 --> 01:30:06.569
you know yeah if we do whole Yeah, you're gonna

01:30:06.569 --> 01:30:08.810
get bored. Yeah, you know, no one wants a fucking

01:30:08.810 --> 01:30:11.970
scene -by -scene breakdown, you know? Yeah, exactly.

01:30:12.029 --> 01:30:14.350
We're telling you what you're gonna see and what

01:30:14.350 --> 01:30:16.649
you're gonna definitely like from what you see.

01:30:17.710 --> 01:30:20.930
And hopefully, you know, enough to entice you

01:30:20.930 --> 01:30:22.729
to watch these movies because they really are

01:30:22.729 --> 01:30:25.109
great. And, you know, not to joke around about

01:30:25.109 --> 01:30:26.989
it, but they, you know, they do get dramatic.

01:30:27.069 --> 01:30:29.649
They do get very serious. You know, the horror

01:30:29.649 --> 01:30:33.949
stuff in Amantis is really good. The horror fans

01:30:33.949 --> 01:30:35.890
are going to love that. Oh, yeah. If you like

01:30:35.890 --> 01:30:37.909
horror, you're going to love this movie. No doubt.

01:30:38.170 --> 01:30:40.829
There's no bullshit here. This is probably one

01:30:40.829 --> 01:30:43.399
of the best Mexican 80s horror movies ever. And,

01:30:43.420 --> 01:30:44.979
you know, unfortunately, that's the harder one

01:30:44.979 --> 01:30:47.619
to find. But, you know, I'm telling you, you

01:30:47.619 --> 01:30:49.100
guys are going to fucking love this one. If you

01:30:49.100 --> 01:30:50.760
haven't already seen it, you're going to love

01:30:50.760 --> 01:30:52.899
it. If you have seen it, you're more than likely

01:30:52.899 --> 01:30:56.159
going to be a fan of it. I know I am Joey's fan.

01:30:56.399 --> 01:31:03.500
I loved it. Yeah, I loved it. And so, you know,

01:31:03.500 --> 01:31:05.159
I don't know when this is going to come out,

01:31:05.199 --> 01:31:07.880
but when it does, you know, you want to give

01:31:07.880 --> 01:31:11.859
a little bit of a sneak peek of. next month's

01:31:11.859 --> 01:31:13.800
episode that's kind of kind of a tie -in with

01:31:13.800 --> 01:31:18.479
a live theatrical screen so near the end of april

01:31:18.479 --> 01:31:20.880
we'll announce the date pretty soon but near

01:31:20.880 --> 01:31:22.560
the end of april we will be screening at the

01:31:22.560 --> 01:31:24.800
frida cinema me and mike joey will be there hopefully

01:31:24.800 --> 01:31:27.479
yeah i'll be there okay he better be there we're

01:31:27.479 --> 01:31:29.020
gonna put him on the phone hey you're on the

01:31:29.020 --> 01:31:30.859
hey you're here bro you can get me on zoom and

01:31:30.859 --> 01:31:34.239
project me right So, yeah, later in April, we're

01:31:34.239 --> 01:31:36.939
going to be screening a very violent movie. So

01:31:36.939 --> 01:31:39.640
I'm pretty glad. This will be the debut for 2025.

01:31:39.840 --> 01:31:42.380
It's going to be a very violent movie. You're

01:31:42.380 --> 01:31:45.020
going to be very excited when you see it. It's

01:31:45.020 --> 01:31:47.619
a wild one. A very wild one. I'm telling you,

01:31:47.640 --> 01:31:51.659
very violent. No bullshit. But I want people

01:31:51.659 --> 01:31:54.399
to know, too, that it's going to be kind of an

01:31:54.399 --> 01:31:56.859
interactive show, right? Oh, yeah. You want some

01:31:56.859 --> 01:31:58.640
crowd participation for this one. Yeah, so I

01:31:58.640 --> 01:32:00.640
was telling Joey, like, you know what? I want

01:32:00.640 --> 01:32:03.159
people to be in this podcast. And by that, I

01:32:03.159 --> 01:32:06.140
mean I want to hear people reacting to it. So

01:32:06.140 --> 01:32:08.279
we're going to be recording the interactions.

01:32:09.479 --> 01:32:11.260
And then after the movie's over, I want to hear

01:32:11.260 --> 01:32:13.399
from you guys. So if you guys buy a ticket and

01:32:13.399 --> 01:32:16.180
see this movie, stay tuned. I want you guys to

01:32:16.180 --> 01:32:17.760
stick around. Me and Joey are going to ask you

01:32:17.760 --> 01:32:20.020
what you guys thought about the movie, what was

01:32:20.020 --> 01:32:21.939
your favorite scene, et cetera, et cetera. So,

01:32:21.939 --> 01:32:24.680
yeah. And you guys will be on the episode. I'm

01:32:24.680 --> 01:32:28.899
going to edit it all in. Yeah. So, yeah, I mean.

01:32:29.369 --> 01:32:33.210
I don't want to spoil it yet. I want to say it

01:32:33.210 --> 01:32:36.390
so bad because it's a fucking banger that people

01:32:36.390 --> 01:32:40.489
do love this movie already. It's going to guarantee

01:32:40.489 --> 01:32:43.449
it's going to please the crowd. You're going

01:32:43.449 --> 01:32:45.609
to be like, damn, this is fucking awesome. Well,

01:32:45.649 --> 01:32:47.989
I'm sure as soon as they hear the little snippet

01:32:47.989 --> 01:32:49.489
after this show, they're going to know exactly

01:32:49.489 --> 01:32:53.270
what movie it is. So again, once we announce

01:32:53.270 --> 01:32:56.050
it, buy a ticket and we're going to be there.

01:32:56.090 --> 01:32:58.439
We're going to be recording you all. and show

01:32:58.439 --> 01:33:02.579
up support man um uh you know i i know armando

01:33:02.579 --> 01:33:04.359
enjoys doing this and i fucking love doing it

01:33:04.359 --> 01:33:06.500
so thank you for you know actually inviting me

01:33:06.500 --> 01:33:08.079
armando to be a part of this because it has been

01:33:08.079 --> 01:33:11.180
fun and you know we do want more people to be

01:33:11.180 --> 01:33:14.239
involved um you know we're working on getting

01:33:14.239 --> 01:33:17.199
more interviews we're working on tons of stuff

01:33:17.199 --> 01:33:20.380
so um you know keep hitting us up with your ideas

01:33:21.199 --> 01:33:24.000
Please tell everybody about the show. Tell your

01:33:24.000 --> 01:33:27.220
tia, your tios, your primas, whoever. Subscribe

01:33:27.220 --> 01:33:31.100
to us. Give us a rating. Leave us a review. Be

01:33:31.100 --> 01:33:34.619
cool. Hit us up whenever. Don't be a lurker,

01:33:34.659 --> 01:33:37.140
man. Don't just be a lurker. Don't just watch

01:33:37.140 --> 01:33:40.399
the stories and don't interact. If you guys have

01:33:40.399 --> 01:33:43.399
a question for any of us, just hit us up. We're

01:33:43.399 --> 01:33:48.500
here. We're not mean or anything. We'll fucking

01:33:48.500 --> 01:33:51.649
respond. I mean, I kind of take long to respond.

01:33:52.750 --> 01:33:54.689
But I get bombarded with messages sometimes.

01:33:54.750 --> 01:33:57.310
So I'm just like, oh. I'm like twisting around.

01:33:57.369 --> 01:34:00.369
I'm like, sorry, guys. But no, either way, like

01:34:00.369 --> 01:34:02.869
I said, we'll respond to you guys. We're not

01:34:02.869 --> 01:34:04.289
going to leave you unread. We're not going to

01:34:04.289 --> 01:34:07.229
thumbs you up. We want to talk to you guys. So

01:34:07.229 --> 01:34:09.250
yeah, hit us up. And like I said, when we do

01:34:09.250 --> 01:34:11.930
this episode, be there. And I want to hear you

01:34:11.930 --> 01:34:15.510
guys talk. End of April, guys. Keep an eye out

01:34:15.510 --> 01:34:17.590
for the calendar. Keep it open. We'll announce

01:34:17.590 --> 01:34:19.489
it pretty soon. If it's not this week, it'll

01:34:19.489 --> 01:34:21.149
probably be the week after. But yeah, we'll announce

01:34:21.149 --> 01:34:26.189
it for sure soon. Maybe I'll get a fake wig of

01:34:26.189 --> 01:34:28.750
some Liberty Spikes or something. Something,

01:34:28.829 --> 01:34:31.609
yeah. I don't know what I want to wear. I don't

01:34:31.609 --> 01:34:34.510
know. What should I wear that day? I don't know.

01:34:34.770 --> 01:34:36.729
We'll figure it out. I'll bring a flamethrower.

01:34:39.619 --> 01:34:42.680
Roasting fools. All right. And with that, let's

01:34:42.680 --> 01:34:45.560
end it. Here's a little trailer for next month's

01:34:45.560 --> 01:34:48.220
episode and a screening that Armando and Mikey

01:34:48.220 --> 01:34:50.279
are going to be doing at the Frida Cinema. So,

01:34:50.279 --> 01:35:08.869
peace. See you later. You thought you got rid

01:35:08.869 --> 01:35:15.909
of us, didn't you? Back! Loco! Piquingo! Pantera,

01:35:15.930 --> 01:38:01.720
you know what to do! That's it! Let's go! I'm

01:38:01.720 --> 01:38:01.720
a policeman!