WEBVTT

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everybody this is food for thought thoughts if

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it were you and this is neogentrics welcome back

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everybody this is season two it is 2021 now i've

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been around for a while i haven't been able to

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upload a lot of episodes like i initially wanted

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to last year but i mean there was so much going

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on there's a lot of debate how everyone was even

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worried about who was going to be the president

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and i must admit That was definitely an issue

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at some point. But with that being said, now,

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of course, we have a new president. It's Joe

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Biden. But what can we do? That hasn't stopped

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me in the slightest. I am still going to go about

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giving you all the same information, the same

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historical context, the same stuff that you have

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expected from me for the last two to three years.

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And on top of that, my channel for my retro gaming.

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We'll be starting back up this year as well,

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not to mention all my books. So, as my books

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come out, I will be giving more information and

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more details on those moving forward. Now, let's

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go ahead and go into today's topic of discussion

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that I wish to cover. And the topic is fiction,

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or rather, fiction stories as a whole. Okay?

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First question is, what is fiction? What defines

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the terms of fiction as a whole, as far as stories

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go? Fiction stories are generally a narrative

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form in any medium consisting of people, events,

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places, but mostly stuff that's imaginary. Based

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on historical accuracy or fact. In its most narrow

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usage. It's essentially fiction refers to written

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narratives in a prose. Or specifically in novels.

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Or novelles or short stories. Things that people

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tend to write that are shorter than an average

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book. More broadly though. Fiction has come to

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essentially encompass. The imaginary expression

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of any form included, but not limited to just

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writings, but also live theatrical performances

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such as films, TV programs, dramas, radio dramas,

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comics, role -playing, and even video games.

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The whole encompassness of fiction is the whole

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theme of your imagination, which brings out its

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definition. The work of fiction implies the...

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inventive construction of an imaginary world

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and most commonly its Fictionality is publicly

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acknowledged so its audience typically expects

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to deviate from in some way or somehow From the

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real world rather than presenting only characters

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who actually exist or portray them as factually

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true, okay But you still have to make it somewhat

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believable. So keep that in mind Fiction is generally

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understood as not adhering to the real world,

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which consequently leaves its themes and its

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context such as if how it relates to the real

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world or real issues open to various interpretations,

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like you can think of it however you want. This

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is how most of my stories are written. Characters'

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events within fictional works may even exist

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in their own context, entirely separate from

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the known physical universe or an independent

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fictional universe that you've created. Most

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of the stories that I write, that's their context.

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In contrast, you know, to fiction, it is a traditional

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opposite. Nonfiction in which the creator assumes

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responsibility for presenting only the historical

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and factual truth. But I'm not covering nonfiction

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today. Okay. But despite the usual distinction

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between fiction and non -fiction, some modern

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works blur that boundary, particularly ones that

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fall under a certain experimental genre for storytelling,

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including post -modern fiction, auto -fiction,

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which is still fairly new even now, or creative

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non -fiction. like non -fiction novels and docudramas,

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as well as literary frauds, which are falsely

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marked for some reason as non -fiction. None

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of those are non -fiction. All of those are fiction.

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But I digress. At any rate, let me take a short

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break here real quick, clear my throat, and we'll

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go into the different formats, shall we? All

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right, everybody, and we're back. So in the last

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segment, we covered the essential definition

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of fiction and, you know, what it incorporates

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or portrays as fiction. And, you know, again,

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to sum it up in a nutshell, it's essentially

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an imaginary world of the construction of the

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creator, the person who came up with it, the

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person who designed it. They still have to give

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some truth, some historical facts and stuff to

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make it enough that it's believable. But it's

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understood that it's fiction and it's acknowledged

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as such. And in today's society, it's a lot easier

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to acknowledge a fictional world and believe

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that to be true than it is to acknowledge the

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real world. Though, at the moment, it may seem

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like non -fiction sells more, and a lot of people

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want to know what's going on lively, but there

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are actually way more people that are more interested

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in the fictional genre than there is non -fiction,

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because they know that, essentially, they've

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come to terms that, rather, that reality sucks,

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it's not going to improve, and they don't like

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people. So, with that being said, fiction has

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basically spawned off into several different

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formats, including additional genres as well.

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And I'll cover some of those additional genres

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either later in this episode or in another. So,

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beginning with the formats, you know, traditional

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fiction includes, and I'm going to go ahead and

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list off some here, novels, short stories, fables,

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which I haven't seen very many of anymore. legends,

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myths, fairy tales, epics, and even narrative

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poetry. It still exists in plays, though they're

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not as common as they used to be, except during

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Shakespearean times and older 1900s eras going

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backwards to like the 18th or 17th century. This

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includes operas, musicals, dramas, puppet plays,

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which... I don't remember the last time I've

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seen a puppet play. And various kinds of theatrical

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dances. Usually when I think of that, your first

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response would be to go to some type of Asian

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theater. However, fiction may also encompass

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comic books and many other animated cartoons,

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stop motion, anime, manga, films, video games,

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and even radio programs, and some television

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programs as well, such as comedies and dramas.

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The list goes on, but that's just a light summary

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of everything. At any rate, the internet has

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had this major impact on the creation and distribution

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of fiction. You can pretty much find it anywhere.

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It calls into the question of the feasibility

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of copyright, which means the ability to earn

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royalties or even being paid as a copyright holder.

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Digital libraries such as Project Gutenberg make

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public domain texts more readily available, so

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the combination of inexpensive home computers,

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internet creativity of its users... I mean, it's

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led to new forms of fiction such as interactive

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computer games and even computer -generated comics.

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Which, might I add, are not that much fun to

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read, but they're interesting nonetheless. There

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are countless forums for fanfiction which can

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be found online, which, you know, loyal followers

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of a specific fictional realm, region, genre,

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it's still typically fiction, but they create

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and distribute derivative stories from their

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original hosts, like their take on the whole

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thing, or their possibility on the whole thing.

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The internet is also used for the development

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of blog fiction, where a story is delivered through

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a blog, either as a flash section or a serial

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blog, or even collaborative fiction, where a

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story is written sequentially by different authors,

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or the entire text can be revised by anyone,

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including Wikipedia. So, just something to keep

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in mind. There are different types of literary

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fiction. though that is considered the standard,

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and are distinguished by relative length, and

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they include short fiction, which is basically

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the boundary between a long story and a novella,

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which is kind of vague, but the short stories

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are commonly fewer than 7 ,500 words or 7 ,500

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words. It's a short story, so, yeah. Then there's

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the novella, which I mentioned before. It's essentially

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a 17 ,500 word story to about 40 ,000 words at

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the most. A good example of stories like this

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would be Robert Louis Stevenson's Strange Case

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of Dr. Jekyll and Mr. Hyde. That came out in

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1886, I do believe. And Joseph Conrad's Heart

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of Darkness. Now that one came out in 1899. Still

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really, really good stories. they're over 17

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,500 words, but not quite 40 ,000 words. But

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they're clearly over the 7 ,500 word limit, so

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they're not a short story. And then you have

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the standard novels, which are over 40 ,000 words

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or more in length. Okay. So those are the general

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formats that fiction has essentially taken and

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examples of what they are. In the next piece,

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we're going to cover what, genre fiction is and

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what it means and what it's broken down into.

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And then we'll follow that up with literary fiction

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and what it encompasses. Okay? All right, everybody.

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And we're back. So let's go ahead and discuss

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the genre of fiction. Like I mentioned before,

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fiction is commonly broken down into a variety

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of different genres. You know, subsets of fiction,

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if you will. Each differentiated by a particular

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unifying tone or style or setting. A set of narrative

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techniques or archetypes or tropes. media content

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or either popularity defined by a certain criterion

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that it follows. For example, science fiction.

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It predicts or supposes technologies that are

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not based in the reality at the time of the work's

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creation. An example of that would be Jules Verne's

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novel From the Earth to the Moon. That was published

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in 1865. 1969 astronaut Neil Armstrong and Buzz

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Aldrin became the first persons to land on the

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moon. The book came out before the initial attempt

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to reach the moon. So while that story had its

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set theme, when the actual thing occurred, there

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was some clear differences between the two. Then

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there's another category, historical fiction,

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which places imaginary characters into real historical

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events. In 1814, historical novel Waverly Sir

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Walter Scott's fictional character, Edward Waverly,

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meets a figure from history, Bonnie Prince Charlie,

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and takes part in the Battle of the, what was

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it, Prestipans, I think that's what it is. Some

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works of fiction are slightly or greatly reimagined

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based on some original true story or constructed

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biography. Often when fictional story is based

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on fact, there will be additions and subtractions

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from the true story to make it more interesting.

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An example of this would be Tim O 'Brien's The

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Things They Carried. It's a 1990s series of short

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stories about the Vietnam War. Super popular,

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by the way, but again, really, really good. Then

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there's the fictional works that involve, explicitly

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involve supernatural, magical, or scientifical

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possibilities. Those are often classified under

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the genre of fantasy, including Lewis Carroll's

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1864 novel, the fable well -known Alice's Adventures

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in Wonderland. because everyone knows Alice Adventures

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in Wonderland, or the more popular J .K. Rowling's

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Harry Potter series, or J .R .R. Tolkien's The

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Lord of the Rings. Those fall into the category

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of fantasy. Creators of fantasy sometimes introduce

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imaginary creatures, beings such as dragons and

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fairies, to help bring about what they're talking

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about. Now, the genre of fiction itself is...

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pretty big thing to cover. And like I said, it

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has many sub -genres. And that's something that

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I'll have to come back to because it's really

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in -depth and it covers more than the standard.

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So if I don't get to it in this episode, I'll

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definitely come back to it in another subsequent

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episode as a bonus. But genre fictions are known

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as popular fictions. It's a term used in the

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trade book a book trade, sorry, for fictional

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works written with the intent of fitting into

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a specific literary genre in order to appeal

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to readers and fans already familiar with that

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genre. There are a number of literary figures

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who have written fiction in that type of genre.

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I named a few already. There are others like

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John Vanville, who publishes crime novels as

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Benjamin Black. And both Doris Lessing and Margaret

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Atwood have written science fiction as well.

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George Sim... How do you say this guy's name?

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Simenon, the creator of the Migrant Detective

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novels. I mean, they've done really, really well.

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And these genres that they write into are really,

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really popular. Now, before I end this and move

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forward with the rest of what fiction is... Like

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I said, I'll come back and cover the genres of

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fiction. But the main genres of fiction are crime,

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fantasy, romance, science fiction, western, inspirational.

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That's apparently fiction. Historical fiction

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and horror. Now, those I'll come back into cover

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more readily later. But I want to start off by

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at least introducing the whole continuity and

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genre of fiction as a whole. Now, more commercially,

00:16:40.409 --> 00:16:43.870
oriented genre fiction has been dismissed by

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literary critics as poorly written, but it doesn't

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change the fact that it's still there. So, like

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I said, I'll come back and talk about the history

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of genres and all the different genres, but essentially

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right now I just want to cover, you know, what

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is fiction. Okay, there's not really much left

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there to cover as far as fiction is concerned,

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but we do have the next section that I would

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like to cover and get straight to the point.

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Now, literature as a whole is a whole other topic,

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a whole other debacle. Something else to look

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into more depth, but one of the things I want

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to touch on in this episode that I may go into

00:17:42.420 --> 00:17:44.420
more detail later when I cover genre fiction

00:17:44.420 --> 00:17:48.230
is literary fiction. That's a term used in the

00:17:48.230 --> 00:17:50.470
book trade to distinguish novels that are regarded

00:17:50.470 --> 00:17:57.390
as having literary merit for most commercial

00:17:57.390 --> 00:18:02.490
or, as they claim, genre fiction. An example

00:18:02.490 --> 00:18:04.990
of what I'm talking about would be Neal Stephenson.

00:18:05.250 --> 00:18:08.470
He has suggested that while any definition would

00:18:08.470 --> 00:18:12.789
be simplistic, there is today a general culture

00:18:12.789 --> 00:18:14.869
difference between literary and genre fiction,

00:18:15.029 --> 00:18:18.680
apparently. On one hand, literary authors nowadays

00:18:18.680 --> 00:18:23.119
are frequently supported by patronage, with employment

00:18:23.119 --> 00:18:28.039
at a university or a similar institution. And

00:18:28.039 --> 00:18:31.480
with the continuation of such positions determined

00:18:31.480 --> 00:18:36.480
not by book sales, but by critical acclaim by

00:18:36.480 --> 00:18:40.079
other established literary authors and critics.

00:18:40.299 --> 00:18:42.900
On the other hand, we... You know, he suggests

00:18:42.900 --> 00:18:45.200
that genre fiction writers tend to support themselves

00:18:45.200 --> 00:18:48.920
by book sales. However, in the interview with,

00:18:48.920 --> 00:18:52.660
like, John Updike, he lamented that the category

00:18:52.660 --> 00:18:54.980
of literary fiction has sprung up recently to

00:18:54.980 --> 00:18:58.640
torment people like me who just set out to write

00:18:58.640 --> 00:19:00.960
books, and if anybody wanted to read them, terrific,

00:19:01.299 --> 00:19:04.039
the more the merrier. You know, I'm a genre writer

00:19:04.039 --> 00:19:07.720
of a sort. I write literary fiction, which is

00:19:07.720 --> 00:19:12.750
like spy fiction or chick lit. You know, likewise,

00:19:12.869 --> 00:19:16.309
on the Charlie Rose show, he argued that this

00:19:16.309 --> 00:19:18.849
term, when applied to his work, greatly limited

00:19:18.849 --> 00:19:21.049
him and his expectations of what might come of

00:19:21.049 --> 00:19:23.490
his writing. So he doesn't like it very much.

00:19:23.509 --> 00:19:25.809
I don't like it very much, personally, because,

00:19:25.950 --> 00:19:27.650
you know, I'm a writer myself. I don't just do

00:19:27.650 --> 00:19:32.789
podcasts, you know. Additionally, he suggested

00:19:32.789 --> 00:19:35.210
that all his works are just literary, simply

00:19:35.210 --> 00:19:37.950
because they are written in words. And that's

00:19:37.950 --> 00:19:40.450
essentially what literary means, or literature

00:19:40.450 --> 00:19:43.589
as a whole. But society has started putting labels

00:19:43.589 --> 00:19:48.049
on everything, limiting what writers can do.

00:19:48.170 --> 00:19:50.410
It hasn't limited their creativity or anything,

00:19:50.670 --> 00:19:53.009
but by putting a label on something and putting

00:19:53.009 --> 00:19:56.049
a certain fact to it, it has basically limited

00:19:56.049 --> 00:19:59.369
what they can do to put their writing into those

00:19:59.369 --> 00:20:01.430
said categories just so they can make money.

00:20:02.509 --> 00:20:04.630
A lot of people like to write just to write,

00:20:04.690 --> 00:20:06.390
but they do need to make money off of it, otherwise

00:20:06.390 --> 00:20:08.029
they can't support themselves to do it, which

00:20:08.029 --> 00:20:12.759
is like us who make podcasts. Essentially, literary

00:20:12.759 --> 00:20:15.240
fiction often involves social commentary, political

00:20:15.240 --> 00:20:18.900
criticisms, or reflection on the human condition.

00:20:19.019 --> 00:20:22.740
In general, it focuses on the introspective or

00:20:22.740 --> 00:20:25.960
in -depth character studies of interesting, complex,

00:20:26.019 --> 00:20:28.579
and developed characters. This contrasts with

00:20:28.579 --> 00:20:30.900
the genre fiction where the plot is the central

00:20:30.900 --> 00:20:35.039
concern. But usually in literary fiction, the

00:20:35.039 --> 00:20:37.180
focus is on the inner story of the characters

00:20:37.180 --> 00:20:42.630
who drive the plot. detailed motives to elicit

00:20:42.630 --> 00:20:45.430
emotional involvement in the reader. The style

00:20:45.430 --> 00:20:48.210
of literary fiction is often described as elegantly

00:20:48.210 --> 00:20:53.549
written, lyrical, and layered, and the tone of

00:20:53.549 --> 00:20:56.710
literary fiction can be darker than the general

00:20:56.710 --> 00:20:59.849
genre of fiction. While the pace of literary

00:20:59.849 --> 00:21:03.750
fiction may be slower than popular fiction, as

00:21:03.750 --> 00:21:06.900
Terrence Raffley noted, Literary fiction, by

00:21:06.900 --> 00:21:10.099
its nature, allows itself to dawdle, to linger

00:21:10.099 --> 00:21:13.420
on stray beauties even at the risk of losing

00:21:13.420 --> 00:21:17.440
its way. And, you know, he's right. But, you

00:21:17.440 --> 00:21:22.279
know, again, it's subject to personal thought,

00:21:22.380 --> 00:21:25.019
personal appearance, personal reference. It's

00:21:25.019 --> 00:21:30.380
up to you. You can see it kind of hit home with

00:21:30.380 --> 00:21:33.410
me even a little bit. But again, I mean, it's

00:21:33.410 --> 00:21:35.190
these limitations that makes it harder for us

00:21:35.190 --> 00:21:37.589
to write. We write because we like writing, and

00:21:37.589 --> 00:21:38.869
we know there are people out there that like

00:21:38.869 --> 00:21:41.750
listening or reading these authentic, realistic,

00:21:41.970 --> 00:21:44.289
newer type of stories. And by putting them into

00:21:44.289 --> 00:21:46.630
categories, yeah, people will tend to flock to

00:21:46.630 --> 00:21:49.170
more things of that category. But what if you

00:21:49.170 --> 00:21:50.990
write a story, like me, that's general fiction

00:21:50.990 --> 00:21:53.809
that fits into multiple categories? You can't

00:21:53.809 --> 00:21:56.529
simply just put it under one and be done with

00:21:56.529 --> 00:22:01.500
it. You know? So, but... That's it for that,

00:22:01.599 --> 00:22:05.380
guys. All we have left to cover is literary realism

00:22:05.380 --> 00:22:08.420
as far as fiction is concerned. And that'll be

00:22:08.420 --> 00:22:11.720
it. So we'll take a short break here, and then

00:22:11.720 --> 00:22:32.440
we'll get into it. All right, everybody. Last

00:22:32.440 --> 00:22:37.579
but not least, realism. Literary realism. Well,

00:22:37.779 --> 00:22:41.960
that's a whole other ballgame right there. But

00:22:41.960 --> 00:22:45.920
realism in general or realistic fiction. Let's

00:22:45.920 --> 00:22:49.160
go with that. That's the only thing left for

00:22:49.160 --> 00:22:51.099
us to cover. So let's go ahead and get into that.

00:22:52.140 --> 00:22:54.819
I'm going to try to simplify it as much as I

00:22:54.819 --> 00:23:00.890
possibly can. Realistic fiction, which typically

00:23:00.890 --> 00:23:03.910
involves a story whose basic setting, time, location,

00:23:03.970 --> 00:23:08.589
place in the real world is real and whose events

00:23:08.589 --> 00:23:11.309
could feasibly happen in a real life setting.

00:23:13.369 --> 00:23:16.650
Non -realistic fiction involves a story where

00:23:16.650 --> 00:23:20.730
the opposite is the case. So often being set

00:23:20.730 --> 00:23:24.529
in an entirely imaginary universe or alternate

00:23:24.529 --> 00:23:26.789
history of the world other than the current.

00:23:27.160 --> 00:23:31.759
currently understood as true, or some other non

00:23:31.759 --> 00:23:33.900
-existent location or time period, sometimes

00:23:33.900 --> 00:23:38.160
even presenting impossible technology or defiance

00:23:38.160 --> 00:23:40.299
of the current understood laws of nature. However,

00:23:40.440 --> 00:23:44.299
all types of fiction arguably invite their audience

00:23:44.299 --> 00:23:49.059
to explore real ideas, issues, possibilities,

00:23:49.420 --> 00:23:54.559
anything in an otherwise imaginary setting or

00:23:54.559 --> 00:23:57.039
using what is understood about reality to mentally

00:23:57.039 --> 00:24:04.099
construct something similar to reality, though

00:24:04.099 --> 00:24:06.640
still distinct from it in some way or another.

00:24:06.859 --> 00:24:10.559
In terms of traditional separation between fiction

00:24:10.559 --> 00:24:13.900
and non -fiction, the lines are now commonly

00:24:13.900 --> 00:24:16.500
understood as blurred. I think I mentioned that

00:24:16.500 --> 00:24:20.220
earlier. showing more of an overlap nowadays

00:24:20.220 --> 00:24:23.359
than neutral exclusion. So even fiction usually

00:24:23.359 --> 00:24:28.160
has elements of or grounding it to truth in some

00:24:28.160 --> 00:24:30.359
way or another. The distinction between the two

00:24:30.359 --> 00:24:33.000
may be best defined from the perspective of the

00:24:33.000 --> 00:24:36.279
audience, so it depends on the reader. according

00:24:36.279 --> 00:24:39.220
to whom a work is regarded as non -fiction. If

00:24:39.220 --> 00:24:41.420
its people, places, and events are all historical

00:24:41.420 --> 00:24:43.380
and factually real, while a work is regarded

00:24:43.380 --> 00:24:46.559
as fiction, if it deviates from reality in any

00:24:46.559 --> 00:24:49.480
of those areas, the distinction between fiction

00:24:49.480 --> 00:24:54.140
and non -fiction is further obscured by its understanding

00:24:54.140 --> 00:24:58.559
of the person reading it. On one hand, the truth

00:24:58.559 --> 00:25:00.440
can be presented through imaginary channels,

00:25:00.740 --> 00:25:05.490
constructions, while on the other hand, imagination

00:25:05.490 --> 00:25:09.789
can just as well bring about significant conclusions

00:25:09.789 --> 00:25:14.750
about what's true and it's reality so I can see

00:25:14.750 --> 00:25:17.829
how this would be an issue for some people being

00:25:17.829 --> 00:25:20.509
able to essentially tell the difference between

00:25:20.509 --> 00:25:24.819
the two because it's so close I mean when Cops

00:25:24.819 --> 00:25:26.700
and police officers look at possible scenarios

00:25:26.700 --> 00:25:28.240
when they're trying to come up with laws and

00:25:28.240 --> 00:25:30.220
regulations. They have to run through the possible

00:25:30.220 --> 00:25:32.279
scenario. Yeah, these scenarios are fiction,

00:25:32.400 --> 00:25:34.720
but the fact is that they're likely to happen.

00:25:35.000 --> 00:25:41.920
So they're realistic, just not possible at the

00:25:41.920 --> 00:25:45.339
moment, but entirely possible should the right

00:25:45.339 --> 00:25:49.039
situation occur. So can fiction be applied to

00:25:49.039 --> 00:25:51.640
reality? Yes. And that's the whole point of realistic

00:25:51.640 --> 00:25:57.240
fiction. Literary critic James Wood argued that

00:25:57.240 --> 00:26:05.440
fiction is both artifice and versatile. In other

00:26:05.440 --> 00:26:08.299
words, it means that it requires both creative

00:26:08.299 --> 00:26:11.539
invention as well as some acceptable degree of

00:26:11.539 --> 00:26:16.480
believability. A notion often encapsulated in

00:26:16.480 --> 00:26:21.220
the poet Samuel Taylor Coleridge's terms would

00:26:21.220 --> 00:26:28.470
be Willing suspension of. I'm sorry. Willing

00:26:28.470 --> 00:26:34.529
suspension of. Disbelief. Also. Creating the

00:26:34.529 --> 00:26:40.410
whole thought of. You know. It begs the question.

00:26:40.470 --> 00:26:44.630
Do you believe me or not? By providing a situation.

00:26:44.769 --> 00:26:47.710
That theoretically could happen. And still founding

00:26:47.710 --> 00:26:53.630
it on some level. Of truth. Also. Infinite fictional

00:26:53.630 --> 00:26:56.670
possibilities themselves signal the impossibility

00:26:56.670 --> 00:27:01.309
of fully knowing what reality it truly dictates

00:27:01.309 --> 00:27:07.769
on whether or not it is or not real. How would

00:27:07.769 --> 00:27:10.390
I want to say this? It essentially demonstrates

00:27:10.390 --> 00:27:13.349
that there is no criterion to measure constructs

00:27:13.349 --> 00:27:16.630
of reality. I mean, if you want to talk about

00:27:16.630 --> 00:27:18.950
the whole outlines and defines of reality, that's

00:27:18.950 --> 00:27:23.220
a whole other podcast right there. You know,

00:27:23.220 --> 00:27:28.299
the connotations of what is reality. But, again,

00:27:28.420 --> 00:27:31.680
like I said, that's a whole other thing right

00:27:31.680 --> 00:27:37.079
there in itself. So, realistic fiction is the

00:27:37.079 --> 00:27:39.339
only other part of this that I haven't covered

00:27:39.339 --> 00:27:42.279
yet. But, essentially, it just talks about the

00:27:42.279 --> 00:27:46.240
whole thin line between what we know as true

00:27:46.240 --> 00:27:50.299
and what we know as false. It's just something

00:27:50.299 --> 00:27:56.519
to keep in mind when looking into what kind of

00:27:56.519 --> 00:27:59.400
writing style you wish to have and what you wish

00:27:59.400 --> 00:28:04.740
to cover in the future. I guess one thing I should

00:28:04.740 --> 00:28:06.859
definitely point out is that there is a difference,

00:28:06.920 --> 00:28:09.319
like I said before, between literary fiction

00:28:09.319 --> 00:28:12.539
and genre fiction. But I'll go into that more

00:28:12.539 --> 00:28:18.180
depth later. It's a whole... That's a whole other

00:28:18.180 --> 00:28:24.660
can of worms on its own. But again, I'd like

00:28:24.660 --> 00:28:26.680
to thank all you guys for listening and supporting

00:28:26.680 --> 00:28:29.980
my channel as always. I hope you all enjoy the

00:28:29.980 --> 00:28:33.019
rest of your day. Please be safe. If you wish

00:28:33.019 --> 00:28:34.579
to follow me and learn more about what's going

00:28:34.579 --> 00:28:37.440
on or listen to more of my podcasts, check me

00:28:37.440 --> 00:28:41.240
out at ReconTowers .com. This is your host, Neogentrix,

00:28:41.400 --> 00:28:44.720
signing out. Enjoy the rest of your day.
