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Welcome to Why Make Music.., a podcast where we dive into the world of creativity and inspiration,

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Hosted by ThinkTimm..
 we're broadcasting from the Planet Earth
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Now without further ado, lets to think, to talk, and to explore…

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Why Make Music...

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Hey, hey, hey, hey,

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Welcome, welcome to Why Make Music dot dot dot.

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I'm your host, ThinkTimm. That's T-H-I-N-K-T-I-M-M.

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For those who are just tuning in for the first time,

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allow me to introduce myself.

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I am what you may call a ThinkTimm.

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I am a creator of sound, a musician of sorts,

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a creative entity that loves and embraces

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the beautiful thing called music.

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Welcome to the podcast, Why Make Music dot dot dot.

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It's the question, the answer, the solution to everything

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that you hear, you feel, and create.

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Welcome to episode twenty-four.

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Now, what is so special about episode twenty-four?

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Hmm. Could it be that it's one more than episode twenty-three?

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One better than the great number twenty-three

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is the number twenty-four.

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Divisible by three, it would give you the number eight,

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and you turn the number eight on its side,

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and it is the symbol for infinity.

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So, welcome. Today on Why Make Music...

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we are going to talk.

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We're going to chop it up a bit.

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We are going to have a good old-fashioned therapy session.

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We're going to dig into the minds of the things that baffle me

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as a creator of music, a maker of sound, as a independent producer.

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There are so many of us that we can never,

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and we'll never get our shine unless we sell our soul to the devil,

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meaning that we make compromises that will put us on top.

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The reason I say compromise is because based upon the research,

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there is so many independent projects existing that it is so hard

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for a producer that's not attached to a label that's not attached to the right artist

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that does not necessarily have the right visibility

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that he or she may never get there just due.

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When you're going into the thought of wanting to take your material public,

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meaning that you want to share and distribute your music to the listening audience

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that you want to make it accessible for anyone to download your music

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without your curation of playing.

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That's the risk you take. I say risk that you take because

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there are so many great unknown creators that

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where do we begin to even listen?

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I know it seems as though I'm saying a lot,

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but I'm being as real as I can. Realistically think about it.

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I have goals. I have aspirations of greatness. I have aspirations of

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creating a community where everybody knows my

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music, they know my sound, and it's not like it was

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say 20 years ago, 25 years ago, 30, 40, 50 years ago.

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We have the internet. We are not selling music to a recreation center.

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We are not selling music out of our trunks.

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We are not DJing parties. We are not doing block parties.

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We are playing to the internet that everybody with a connection

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with a smartphone can access and the question I have

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other than why make music dot dot dot

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is what are you going to do to make yourself stand out?

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What are you willing to play compromise?

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What are you willing to do to get that opportunity to make you

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better, more accessible, more appealing to the average

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general listening audience?

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Why do I say average general listening audience?

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I chose those words purposely because

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the average general listening audience doesn't listen.

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They don't pick the music that they want to hear.

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They pick and listen to the music, the artists, the videos

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that are put in front of them on their smart devices.

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They frequent the top 200, top 40, top 10, the countdown,

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the list, the whatever's popping at the moment.

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And is that proper?

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It could be if

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you're one of those people in that selected category.

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Now, as a creator, the question is, do you want to be popular?

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Do you want to be at that peak?

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Are you working for that?

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Or are you just doing what you do and you're trying to share?

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Now, don't get me wrong.

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I would not turn down anyone that would approach

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ThinkTimm T-H-I-N-K-T-I-M-M with a deal and offer a split.

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I've said it once before, 10% of nothing is nothing.

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I am not greedy by any means, but I do realize

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like playing any game, like making a goal,

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like scoring a point, like winning the lottery,

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winning at bingo, like getting a participation

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award.

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We need motivation.

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My motivation is to crack, crack the code,

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to take a unknown order.

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I'm not young, I am old.

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I am over the hill.

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I am past my prime.

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I could be having a midlife crisis as

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I speak to you currently, but I'm not.

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I'm just being honest.

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I'm being me, because that's all I can be.

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I make music, because that's what I do.

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Now, would I say that the music that I'm making

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is unnecessary?

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Am I saying that the music I make is not

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worthy of being shared?

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No, by no means am I implying anything of the sort.

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What I'm saying is that to put your

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music onto the internet, on streaming platforms,

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on social media, on YouTube to be shared,

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to sit down and be 24 episodes into a podcast

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that is not cracking the top 1,000 podcasts

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that may not be talking to anyone but myself.

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It is part of the game that I want to play

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to somehow grow organically and deliver a sound

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of music that I created to people to listen to,

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because I originally wanted to, when I was younger,

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make music not knowing that this was a viable income,

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because it was so hard to share music with people

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you did not know.

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I say people that you didn't know,

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because there was not an internet,

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there was not, excuse me, there was not a easy upload

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to create an avenue for your music to be heard.

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To even be recorded properly, it took money,

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not money to buy equipment, money to, excuse me,

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to go into a studio and pay by the hour,

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to at times come up with an idea,

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to master a sound. What we're doing here

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with technology has simplified, it has evened

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the playing field, it has made it so much easier,

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so easy

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that thousands of people do it daily.

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I say that again, thousands of people make music daily,

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but what are their intent?

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Me, I tell you, I'll say, my goal

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is not to be a household name.

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The music industry is a multi-billion dollar industry,

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meaning the names you know, the people you like,

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the reason that the average general music listener

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listens to music is because

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they hear what the music industry

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puts out for them to hear.

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They see what the music industry

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wants them to see.

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Now is that a good thing?

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It could be, obviously it is, because

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a few weeks ago, I'm sure we all knew and heard of

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the person that did a show at a major sporting event

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months ago during Christmas holidays,

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another well-named performer

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performed at another sporting event.

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If that person was equally talented,

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but not known, would you have watched?

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There is a system in place that allows

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familiarity to become the normal accepted route to take.

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What if you don't want to be that?

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What if you are just wanting to make music?

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Why did the majority, and I mean all,

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of the nominees for best new artists

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at the 2025 Grammy Awards

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all have an average of years in the business

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of at least six or seven years?

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I do believe the minimum years out

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has been three. The maximum years in existence

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in this machine called music business

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was 13 or 14. One artist literally

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was on their fifth album, nominated for

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best new artist.

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Did that artist deserve to be nominated?

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Yes, because the record music business

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just accepted her currently.

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Another young lady was quoted in Rolling Stone

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this week to say,

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I'm paraphrasing, but

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I've been doing this. Where were you?

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You are just catching up to what I've been doing.

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Do you understand the work ethic that these artists,

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these creatives put in to get to that

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mountain top?

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Work, time, effort put into it

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when no one's watching, when no one

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is listening. They are working.

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We are working. We are putting together

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material with no audience to listen to.

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The music that we create, does that mean we're crazy?

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No, that just means that we love what we do.

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Do you understand when was the last time

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you as an average music listener

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did something forever, for a long time,

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that had no promise of an immediate payoff,

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or no promise of any payoff?

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Do you know what it takes to write a song,

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put it together, make it sound as perfect

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as you wanted, and not have an avenue,

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an expectation, a map, a roadway, a path

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for it to travel? But yet you work that hard

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because it is self-satisfying.

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It is self-fulfilling.

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I say that because I understand

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that journey. I understand that work.

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You have to love what you're doing,

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what you're creating in order to do it.

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I have a vast catalog of material.

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I literally, within arm's reach, have

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cassette tapes dated 1998,

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dated 1992. I was not famous.

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I was not anything other than a

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creative person wanting to make,

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wanting to share my music,

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my creativity with my friends around me.

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Have you ever played a sport?

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Have you ever played basketball?

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Do you know the time it takes to

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become great and good enough

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to compete in the NBA?

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Under 5,000 professional basketball players

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have played in the National Basketball Association.

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Everyone on a team is the best from where

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they come from.

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From the number one player to the 12th man,

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to the D. Lee, to the G. Lee,

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to the college recruit,

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they have worked and sacrificed

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to have the opportunity

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to play on the biggest stage ever.

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Why am I segueing to basketball?

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Because this is episode 24.

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Do you understand the significance

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of the number 24?

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One of the greatest players with the greatest

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work ethic, war number 24.

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Do you understand what it's like

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to work hard, to work harder,

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to outwork, to become legendary?

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And if it didn't work, would the work

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the person put in stop?

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That's the question you must ask yourself

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when you're putting in that work.

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Are you prepared for the outcome?

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Are you prepared for

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the time that you must show and prove

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that you are better, that you deserve to be

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where you are?

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That's Why Make Music dot dot dot.

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That is the reason, that is the answer,

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that is the passion that if you ask

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any person that does something that they

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love to do, why they do it, they will

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tell you, yeah, it would be nice

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to win a award, it would be nice

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to be compensated, but I do

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this anyway. This is what I do

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because this is who I am.

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This weekend was NBA All-Star weekend.

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This weekend a young man

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won the slam dunk contest

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for the third year in a row.

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He has a two-way deal.

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What does that mean? That means that he

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does not even hold a guaranteed spot

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on a major

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NBA team.

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His salary is

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five hundred and some odd thousand

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dollars a year.

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What's your salary?

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You would not be able to name

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this young man unless

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you were not the average

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general watcher of basketball.

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Do you understand

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what it is to work

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hard? Do you understand the point that I

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am making?

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You must do

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what you do

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and you must do it

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because it's something that you want to do.

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It is something that you want to

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personally achieve.

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Something that you find as

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a point of satisfaction that no one

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can outwork you. No one

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can outdo you and no one should have

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to usher you in through the door to

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make you complete your goal.

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That's why I make music. That's why

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I want to make any type of

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financial gain from this because it is

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here. It's like finding a treasure chest.

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It's like finding a

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old book. Music tells a story. Music

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transcends time culture. It is a

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mental exercise. It is a stress reliever.

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It is a workout partner. It is the sound

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of life, liberty, love.

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It is the sound of your thoughts.

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It is everything that

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ever should be can be

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relayed and put to music.

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Do you understand music notes? Transverse

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the universe. Music notes is akin to

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physics, mathematics, reading,

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literary, literally

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everything, literature,

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life, science, history.

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When people marched into battle

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they played music. When people won

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battles they played music. When people die

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they play music. Long after you're gone

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they will play your music

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and praise you for being you.

