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Hey, I want to welcome you all to Why Make Music.

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My name is ThinkTimm and I will be your host.

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I came up with the idea of a podcast, by the way.

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This is episode one.

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My first time doing this, so I hope that you enjoy.

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I hope that you give us a listen.

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I hope you subscribe and I hope that you follow.

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I never said those words out loud before.

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But here we go.

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Why Make Music is going to be a podcast about the creative process behind why I make music.

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It's going to talk about the love I have for songs and the love I have for the influences

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that have crafted me to basically want to be creative, feel the need to be creative.

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A little about myself before we really get into it.

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I'm a hobbyist musician, a new independent artist.

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I have a collaboration for distribution through United Masters.

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So basically you pay a fee, you upload your music.

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It needs to be mastered.

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They mastered it, but you can master it prior to it.

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They allow you to put it out and distribute it to all major streaming platforms.

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Spotify, Apple Music, Amazon, Tidal, YouTube.

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They have a connection with SoundCloud.

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You can talk to their customer service and have your stuff submitted on SoundCloud.

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Now I know you can put stuff on SoundCloud by yourself, but this is all to monetize and

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they keep track of your publishing.

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Of course you do have to sign up for publishing ASCAP or BMI more or less to make sure you

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get your money right.

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So I am trying my best to be creative and trying to crack into this whole digital music

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phase and social platforms.

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And it's not something that I am really fluid at.

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I am learning as I go along.

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So in 2024, it seems as though there are no more record companies really majorly.

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You can get more exposure by basically marketing yourself and trying your best to get out there

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and connect to the people.

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So this is my way of doing so.

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Once again, about me.

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I have been doing music since the days of the 808 and the Tascam 424 4-track recorders

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where you had to actually really play tracks over top of tracks as far as traditional instruments.

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I mess around with bass guitar and play a little bit of guitar, regular guitar.

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Keyboards workstations have been a good situation to fill up all the other things, all the other

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sounds that you need because you can do anything.

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Back then, if you were good, you could layer tracks, you could program your keyboard.

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My favorite keyboard from back in the day was the Roland XP-50.

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Little brother to the XP-80, I think it is.

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But that was cool.

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It allowed you to program to a 3.5-disc card and save a few songs and everything.

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So I had a history of performing.

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I had a little band at one point, this is years ago, probably long before some young

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folks that are listening to this podcast were born.

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And we did a few things, nothing major.

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You know, like I said, I am a hobbyist musician.

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I am someone who does music because I enjoyed it.

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I've always enjoyed it.

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My love for music has always been there.

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My love for art and all things creative.

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It's a shame that I wasn't born in a different time, but if I was born at a different time,

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I wouldn't have the life I have now.

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But I love it and I love my life, so it's all good.

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But technology that is available for everyone to utilize now, and I think a lot of people

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take for granted, didn't exist.

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So there was no way that without really going out and attempting to meet and interact and

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really meet people and talk to people, there was no way that you were going to reach a

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large mass of people.

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I'm talking back in the late or early, maybe the early 90s.

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Let's go back that far.

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I'm going to date myself a little bit.

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So if you think about this, if I'm back in, say, 1992, 93, and I'm attempting to get a

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band together locally, other than going to spots in my area that musicians were playing

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and knowing people who knew somebody or you always have your group of people that are

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creative musicians.

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Back then, people just like today, everybody was making music, so it was like everybody

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either had a home studio or you were paying for studio time for the hour.

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If you were lucky enough to know someone who had a computer, desktop, laptops for week

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at the time frame, and they were running program Cakewalk, something, you know, and studios

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were charging outrageous prices to record you and you had a handful of people who were

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basically in an area that were monopolizing off of all the young talent that wanted to

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get things done.

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Growing up on a block, I grew up on, there was always a crew of rappers, singers, musicians,

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people who were doing things, legendary people that if you know me and you can sit back and

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smile and laugh because I'm not putting names out there like that, but yeah, there were

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some cool folks out there that did their thing and rapped and none of them are famous.

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I'm like, there were a few that tried to have record deals and shoot, they got airplay and

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it was good.

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There were people who at that time frame, I didn't look up to them, I looked up to them,

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but I admire what they were doing.

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Me and myself, my household was a musical household.

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My father was a musician, not a full time hobbyist.

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He had bands, you know how it was.

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He was put up in the 70s, so therefore, of course, you know, bands were there, cover

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bands doing whatever, go do little gigs here and there, but my house was a rehearsal house,

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so therefore me and my brother were direct offshoots of that type of experience.

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You know, like the instruments are there, my brother's awesome on drums, he's a good

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dude, but we had equipment in the household.

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We had giant sun speakers, bass amps, guitar amps, full set of drums, keyboards, everything.

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A couple blocks over, a friend of his had a record recording studio and I'm talking

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like yeah, they had like real wax records and they did stuff and I was always impressed

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to go over there because his house didn't look like a house, his house looked like a

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big room and then the dining room, there were keyboards and then downstairs there was the

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recording room and so forth and so on, but that's where I come from, so therefore it

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was a situation when Pops had rehearsal and somebody stepped off the instrument, you might

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be fortunate enough to have to go sit there and fill in a little bit, you know, so it

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seemed natural, but long story short, you were playing, you were having fun, then all

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of a sudden everybody wanted to be a musician, a star, a rap star, hip hop star, I'm not

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going to lie to you, lip syncing was the thing back in the day, you know, that was really

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big, that's the one thing that really got me to plug the instruments in because you

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were basically singing to someone else's song holding real instruments and you weren't

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plugged in and then me and my friends were like hey, let's plug these things in and see

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what happens, you know, so but that's where it all began and once I started doing it,

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I couldn't stop doing it, so here it is years and years later, many iterations of myself

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later, tons and tons and tons of tracks recorded, for example, there's tons of things that I

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will probably never ever ever play for you guys and I don't know if that's because I

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will never play them or if it's, I don't know, right now I'm trying to navigate this whole

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publishing copyright thing so I guess you can put indistinct music in the background

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of your podcast, I don't know how it goes if you want to put all original material,

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I'm like I'm sure there's still copyright publishing issues that I'm going to have to

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incur as life goes on, I'm going to have to figure this out as we go, but I hope that

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you're enjoying it so far.

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Second of all, let me tell you how I feel about speaking.

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I tend to speak a little quick.

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I am trying my best, I am using a method of tapping my finger as I talk, I've learned

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this from a speech therapist to keep pace of what you're saying and you know sometimes

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when you watch the news or you watch media and you realize that folks talk at a very

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steady pace, they're very intent on everything they say so I am trying my best to do that

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impersonation of a journalist.

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So tune in to ThinkTimm, why make music?

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Anywho, what we're going to do here, we're going to talk about the creative process,

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where do the ideas come from, why can some people just slow and other people have to

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toil, we're going to talk about lyrical content, how serious is lyric writing?

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Think about it, some of the greatest songs you've ever heard, are they really about what

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you think they're about?

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What's the process of writing a song?

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Do you really want to know the process behind writing a song?

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Your favorite song that you like, do you know why the person wrote that song?

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I don't know, but those are the questions you have to ask yourself when you think about

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why make music.

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Music is everywhere, music is in commercials, music is in the background of TV shows, music

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is the closing credits of a movie, the opening credits of a movie.

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When you're going to the, when you're watching a movie, you see a trailer or something and

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they put a song in the trailer that's not even in the movie.

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It gives you a feeling, it pulls you in, it makes you feel a certain way.

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Now I don't have a degree in sociology, I don't have a degree in musicology, ha ha ha

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shot, but anywho.

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These are questions I ask myself.

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Sometimes when you ask yourself questions, you sit back and you think like, oh, maybe

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I'll get an answer.

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Most of the time you don't, you think about it and you do whatever.

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But yeah, point three.

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I want to figure out a way to integrate this podcast and perhaps as it evolves, it will

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be able to visually, I'll do some screen recording of drum tracks on a laptop computer, whatever.

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Oh, the DAWs I use, I use April Logic Pro and I use FL Studios, I like them both.

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I flip-flop back and forth between them depending on what I'm doing.

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I want to show everyone that the creative process, if you just let it flow, it's kind

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of easy.

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And like I said, I'm not the greatest musician in the world.

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I get it done.

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If you have any questions at one point, I guess I'll do the podcast thing and say, oh,

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you can reach me at such and such.

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Like I said, I'm ThinkTimm , T-H-I-N-K-T-I-M-M.

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Normally I tend to say that T-H-I-N-K-T-I-2-M's.

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This moniker that I came up with years ago, eons ago.

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All my social media accounts, I can be reached on by that Twitter.

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I'm not really heavy on any social media accounts.

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I do have a graphic arts, Star Wars, Marvel, anything that interests me.

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My account is called WDMNation.

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So that's WDMNation on Instagram.

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And it's some artwork, digital artwork I've done of trying to become proficient at it.

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They say that anything you do for 10,000 hours, you'll become great at it.

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And I'm getting my hours in more or less.

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So yeah, you should check us out.

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But anyway, back to the music.

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So this is what we're going to do here.

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This is episode one.

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And this is the introduction.

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This is just me trying to figure out flow.

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No, I did not do an outline.

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I recorded this.

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This is my second time putting this down.

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The reason why it's the second time is because yesterday when I did it, I got distracted,

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had to leave, had to come back.

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I reapproached it this morning and I felt as though I didn't even want to listen to

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what I did yesterday.

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I didn't even want to revisit it.

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I said, let's just start fresh, start right now.

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So today is Friday.

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It's August 23rd.

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Once I'm done doing this, I will actually try to post this and put this up.

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I might do a little tweaking.

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I'm going to try to keep it as raw as possible.

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Two nights ago, I had my first listening party on Bandcamp.

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It started around 9 p.m.

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It ran until about 11 because like I said, I put out 26 songs and they were all instrumental.

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They were funky.

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They covered a wide range of sounds more or less.

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I think it was a good response.

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I was happy with that.

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Prior to that, I put out this other EP called Demotional.

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It had nine tracks on, which the nine tracks are included on the Demotional… Caught  Feelings larger

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project.

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The reason why it's called Demotional is because all the titles of all the songs are basically

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based upon emotions.

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We have like bewildered, angst, giddy.

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I'm like very trivial names and I am learning them.

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The reason why I say I'm learning them is because basically I'm going to be honest with

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you and tell the story that I passed on to a friend of mine during a listening party.

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That basically when I record music, since I record such a high volume of tracks, the

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date I start the track is the date I label the track and I save it in the hard drive

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as such.

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To me, a lot of songs are dated by 0823 2024.

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I might have a few notes after and at the end of it so this way I can remember what

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I was doing more or less, but that is the basic process.

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So therefore, unless the song really manifests into a song with lyrical content.

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Now mind you, all the songs I do record, they are recorded in a format that will be, that

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is very friendly and transferable over to a song thing, you know, intro, verse, chorus,

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bridge, so forth and so on.

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But when you record a lot, I'm not going to lie to you that creating a name for something

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and calling it something when there's no idea where the thought is going, I can never do.

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So it's easier for me to keep track of things.

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So I am still currently with this project that is out.

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I am learning the names of the songs currently because to me, some songs are just basic numerical

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dates and numbers and they've been with me for a long time.

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So that's the system I use and don't get me wrong, the songs sometimes manifest and they

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become some cool, cool songs.

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But anywho, so like I was saying, I would like to put up videos so this way you can

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see that, oh, it's a fun thing.

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It doesn't have to be a stressful thing.

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I'm like, you can like music and you can create music.

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Music is such a thing that the funnier view I have of music is that if you can play music

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and no one reacts to what you're doing and no one cringes or blinks an eye when it comes

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on, I think you did it.

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You have to realize that there are only so many notes that can be played.

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There are so many chords.

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There's only so many chords that you can play.

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Sometimes you'll come across something, a change or progression that's very familiar.

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Like don't get me wrong, I know a little bit of music theory.

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I don't know a lot.

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I'm not a trained musician, but there is such a familiar sound that you hear that you can

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relate it back to something.

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Sometimes the things that are more natural are the things that go unnoticed.

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It creates a feeling.

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It makes you remember things.

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It takes you off to a place.

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Now, with that being said, I want to give a shout out to all the very creative people

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that are out there in the music industry right now, currently independent artists, major

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artists that are doing their thing because right now is a great time to be alive.

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I'm not going to lie to you because I'm not a really good conduit for saying what's going

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on currently or whatever, but certain things do come to my attention.

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I don't really necessarily listen to the radio.

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If something comes across, I'll do a deep dive into someone's catalog and I listen to

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things and I take what I take and I take it in.

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I have no hate or no type of ill, nothing to say about anyone who's making music because

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music should be made.

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But it's a great time because as a musician, as a music maker, as a hobbyist, I can, you

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can, we all can record our thoughts, get them out there, upload them, have them played,

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platform play, SoundCloud, Bandcamp.

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There's tons that you can just interact.

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You can build your own audience.

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You can build your own sound.

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You can create your own world.

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This was unheard of when I was younger.

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This was something that, oh, you had to naturally go to a certain area and realize like, oh,

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this area had a certain sound.

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Oh, let's go over here.

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They do this over this side or whatever.

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Back in the day, like when I was in high school, college, like, oh, people did music, but it's

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like, oh, it was only relative to the areas that they were in to find someone else.

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You had to leave that area like, oh, punk might have been popping over here.

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Then you have people who wanted to do rock music, rappers, R&B singers, the boy, paying

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group thing, the R&B groups.

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It's a great time, but right now it's like a situation because of technology.

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You can find that anywhere and everywhere and you don't necessarily even know where

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these people are coming from.

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You know, like locations are disclosed.

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We're all on planet Earth.

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That's more or less it.

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We are part of the world wide web of information.

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Crazy.

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But it's a good thing, more or less.

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So like I said, this is episode one and this is me just basically brainstorming and trying

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to feel my way through this.

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I'm sure I'm going to put up all the basic bells and whistles that go along with the

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social media connecting to fans.

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I don't want to call you fans.

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People who listen, whatever.

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Folks who listen to music, folks who listen to me, folks who want to stream the stuff

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I do, folks who depends on what you are, what your finances are.

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If you want to buy it, buy it.

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If you don't want to buy it, don't buy it.

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If you want to stream it, stream it.

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You don't want to listen to it, don't listen to it.

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But I hope that you take something from this.

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I am trying my best to find a way to make some type of financial scenario.

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I think nowadays call it passive finance, passive revenue, I guess more or less because

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you put things out there.

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If I put this on the internet right now, this will live on the internet forever.

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So I try my best to be mindful, be respectful and not to say anything crazy.

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I'm only going to talk about the projects that I'm in.

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I will critique those things heavily.

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I will make reference to things I find to be cool influences.

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So you figure I'm not going to lie to you.

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Let's play a guessing game here.

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I grew up in the 80s.

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I came to my fullest musical awareness in the 80s.

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00:25:09,440 --> 00:25:16,960
Some of my greatest influences were hot and popping in the 80s.

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00:25:16,960 --> 00:25:26,160
The longevity of an artist is based upon their creativity or was based upon their creativity.

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This was before people had to branch away from music and have other scenarios going

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on.

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00:25:34,800 --> 00:25:41,960
In the day, there were musicians that were great musicians and great writers of music

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that never ever, ever reached the level of stardom or the level of success that some

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00:25:50,040 --> 00:25:56,840
independent artists have reached in 2024.

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Some of the greatest songs you might have ever heard might have been One Hit Wonders.

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You never know, a lot of great musicians now are producers.

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They're still doing music, but they're no longer the front man for their scenario.

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Man, let me tell you, music is forever.

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Music is everywhere.

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It's cool to have a genuine, a genuine, genuine respect for something.

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When you do that, and then the thing that you like is everywhere.

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Now, my question to you is, is it everywhere or is it everywhere just to you because you're

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00:26:44,440 --> 00:26:47,440
paying attention to it?

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For example, if you are into, let's say, you're a cosplayer.

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I'm going to get all nerdy on you right now.

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00:27:02,440 --> 00:27:11,880
There is a world that you can live in where people make and create and recreate things

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00:27:11,880 --> 00:27:20,520
they see in movies, TV shows, comic books, all sorts of visual media, and they make it.

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They go to the Comic Con, they go to the comic fair as they post on Instagram.

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These people are so talented, they don't get their proper due.

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They are the lower level of costume designers that when you're watching your favorite movie

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00:27:35,360 --> 00:27:41,920
or your favorite TV show and you see something cool, you see something created.

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This is where that idea brews from.

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It starts.

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It starts at a base level of you being in your home, you doing something that you love,

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00:27:51,240 --> 00:27:57,100
you've created, and you don't know who to share it with.

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Visual media, oddly enough, which I think is going to be, it's the gift and the curse

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00:28:02,560 --> 00:28:03,560
of the world.

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It allows us to share so much.

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It allows us to create and hate.

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It's crazy.

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I don't get it.

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00:28:15,320 --> 00:28:22,080
But anywho, what I'm saying is that we all have to find a platform.

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I am right now.

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And so what you're going to do with me is that you're going to go on a journey.

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00:28:28,960 --> 00:28:35,440
If you go to any of the websites or social media, things that I post, you realize that

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00:28:35,440 --> 00:28:40,360
there are a few key things that I am trying to establish.

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Nothing comes immediately and we are all on a journey of trying to figure things out.

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00:28:48,880 --> 00:28:57,560
The fact that it's taken me this long to get to the point that I am trying to embrace all

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00:28:57,560 --> 00:29:03,520
forms of media and trying to reach out to all forms of folks.

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00:29:03,520 --> 00:29:08,400
Don't get me wrong, I listen to tons of podcasts.

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Some of them are comedies, some of them are self-help, some of them are music-based, some

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00:29:15,000 --> 00:29:19,000
of them are fandom-based based upon the things that you like.

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00:29:19,000 --> 00:29:20,440
And I can engulf myself.

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00:29:20,440 --> 00:29:25,000
I can just dive into them and listen to them forever and ever and ever.

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00:29:25,000 --> 00:29:30,000
Maybe, just maybe, I might be this for someone else.

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00:29:30,000 --> 00:29:31,120
I don't know.

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Maybe somebody somewhere.

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00:29:32,800 --> 00:29:37,000
Hopefully I can grow an audience base.

353
00:29:37,000 --> 00:29:42,680
And you guys could write in the comments, yo, Tim, think about this.

354
00:29:42,680 --> 00:29:46,440
Yo, you could tell me why you make music.

355
00:29:46,440 --> 00:29:48,640
You know, just like why make music?

356
00:29:48,640 --> 00:29:55,680
That's why when I was thinking about doing this and I was thinking about how to title

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00:29:55,680 --> 00:30:04,320
and what to call this show, I said, hmm, what will catch my attention?

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00:30:04,320 --> 00:30:05,320
Creative.

359
00:30:05,320 --> 00:30:09,040
You gotta be creative.

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00:30:09,040 --> 00:30:16,480
Why make music is a question that I think that if you were to meet any person that you

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00:30:16,480 --> 00:30:26,000
like that's in the music industry that's creative and you ask them why they do it, I think you

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00:30:26,000 --> 00:30:28,960
might really start a conversation.

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00:30:28,960 --> 00:30:35,800
Now, I'm not saying that I will ever interview somebody because I don't know anyone to interview.

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00:30:35,800 --> 00:30:40,880
And the people that I would probably interview, you probably wouldn't know them, so it would

365
00:30:40,880 --> 00:30:43,320
be no sense in me interviewing them.

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00:30:43,320 --> 00:30:51,000
But if ever I get to that point and I could interact with folks and somehow I figure out

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00:30:51,000 --> 00:30:54,280
how to play this media game.

368
00:30:54,280 --> 00:30:58,680
And that's a grand question to ask.

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00:30:58,680 --> 00:31:01,320
Why make music?

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00:31:01,320 --> 00:31:02,320
It's hard.

371
00:31:02,320 --> 00:31:03,760
You gotta think.

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00:31:03,760 --> 00:31:05,240
Music art.

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00:31:05,240 --> 00:31:14,840
Music and art are things that are mediums that are based on people liking or not liking

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00:31:14,840 --> 00:31:18,440
what you do.

375
00:31:18,440 --> 00:31:28,600
There's nothing odder than to ask someone to openly criticize.

376
00:31:28,600 --> 00:31:30,080
Give me your approval.

377
00:31:30,080 --> 00:31:31,080
Tell me.

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00:31:31,080 --> 00:31:33,800
Tell me you like what I do.

379
00:31:33,800 --> 00:31:41,040
Could you imagine if you went on a job interview and that's basically what it is.

380
00:31:41,040 --> 00:31:46,080
You go to a job interview, you are qualified with a certain amount of skills, obviously

381
00:31:46,080 --> 00:31:50,040
just to get you into the door, your resume, so forth and so on.

382
00:31:50,040 --> 00:31:54,000
And the person says, so tell me about yourself.

383
00:31:54,000 --> 00:32:04,720
And you have to put it out there and then the HR department, the hiring committee, the

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00:32:04,720 --> 00:32:11,680
main hiring guy, hiring girl, whoever the person may be, makes a decision based upon

385
00:32:11,680 --> 00:32:15,520
what you say at that moment.

386
00:32:15,520 --> 00:32:23,400
So as a musician, as a creative, we put out a product.

387
00:32:23,400 --> 00:32:31,160
There was a line in a song a while ago, a long time ago, I don't know.

388
00:32:31,160 --> 00:32:35,800
It's a young woman, she's older now, but she has an independent record label and always

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00:32:35,800 --> 00:32:36,800
been independent.

390
00:32:36,800 --> 00:32:45,640
And in one of her songs, she mentions the fact that records are recordings.

391
00:32:45,640 --> 00:32:54,280
At one point, a record was a recording to basically just capture what was done.

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00:32:54,280 --> 00:32:59,040
So you would record it at one time.

393
00:32:59,040 --> 00:33:04,920
You will record it as though it was only going to be done one time and that became the record.

394
00:33:04,920 --> 00:33:13,360
The record was the best representation of that moment encapsulated in time.

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You know, so therefore people gave their best, people gave their all for that one perfect

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00:33:19,520 --> 00:33:20,520
take.

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00:33:20,520 --> 00:33:24,880
Now, don't get me wrong.

398
00:33:24,880 --> 00:33:27,200
Nothing's done perfect in one take.

399
00:33:27,200 --> 00:33:35,720
There's plenty of practice that goes into that one take, but what we say record and

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00:33:35,720 --> 00:33:38,240
record, you don't understand.

401
00:33:38,240 --> 00:33:44,200
It's like if someone says, oh, that's going to be on your permanent record, oh, you'll

402
00:33:44,200 --> 00:33:45,200
get offended.

403
00:33:45,200 --> 00:33:49,000
We've all seen an episode at TV show where it's like, oh, we're going to write this on

404
00:33:49,000 --> 00:33:51,360
your permanent record.

405
00:33:51,360 --> 00:33:53,720
And then each day you get freaked out.

406
00:33:53,720 --> 00:33:58,680
You're thinking like, oh my God, this is going to be committed to my record of all time.

407
00:33:58,680 --> 00:34:03,120
As a creator, when you create art, that's your permanent record.

408
00:34:03,120 --> 00:34:09,720
When you create music, if we weren't creating so much music, that could be your permanent

409
00:34:09,720 --> 00:34:10,720
record.

410
00:34:10,720 --> 00:34:17,160
But right now, in the world that we're living in right now, you have an opportunity to put

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00:34:17,160 --> 00:34:22,320
out something, stand by what you put out.

412
00:34:22,320 --> 00:34:26,800
You know what the opposite of the permanent record is?

413
00:34:26,800 --> 00:34:30,360
It's the remix.

414
00:34:30,360 --> 00:34:33,560
Think about it.

415
00:34:33,560 --> 00:34:37,160
So you put out an idea and it's good.

416
00:34:37,160 --> 00:34:39,880
And someone else likes it a little better than you like it, or they have a different

417
00:34:39,880 --> 00:34:41,280
idea of what they do.

418
00:34:41,280 --> 00:34:44,360
They take your permanent record and they remix it.

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00:34:44,360 --> 00:34:45,720
They change it up a little bit.

420
00:34:45,720 --> 00:34:47,800
It might reach a few more people.

421
00:34:47,800 --> 00:34:49,480
I don't know.

422
00:34:49,480 --> 00:34:51,280
This is just me being me.

423
00:34:51,280 --> 00:34:57,120
So once again, let's talk about what we're going to do.

424
00:34:57,120 --> 00:35:04,200
So I promise you, the next episode, I'm going to try to do this once a week.

425
00:35:04,200 --> 00:35:12,760
And episode two, I'm going to try to have more of a agenda and outline and maybe we

426
00:35:12,760 --> 00:35:14,760
can touch on certain things.

427
00:35:14,760 --> 00:35:19,960
I'll put this up and hopefully, I guess, I don't know.

428
00:35:19,960 --> 00:35:24,040
I haven't even tried to test to see how the system goes because right now, currently,

429
00:35:24,040 --> 00:35:25,040
this should not be on.

430
00:35:25,040 --> 00:35:27,160
This is not going to make it to Spotify.

431
00:35:27,160 --> 00:35:31,600
This is not going to make it to any major streaming platform.

432
00:35:31,600 --> 00:35:34,080
Apple podcasts or whatever scenario.

433
00:35:34,080 --> 00:35:41,520
I have to submit this to the RSS podcasting scenario and it's going to be like a little

434
00:35:41,520 --> 00:35:42,520
wavelength.

435
00:35:42,520 --> 00:35:43,920
So I don't know.

436
00:35:43,920 --> 00:35:45,880
Maybe one person, two people might hear this.

437
00:35:45,880 --> 00:35:46,880
I don't know.

438
00:35:46,880 --> 00:35:50,520
Maybe my family and friends might hear this and say, oh, Tim, I don't know why you're

439
00:35:50,520 --> 00:35:51,520
doing this.

440
00:35:51,520 --> 00:35:52,520
You're crazy.

441
00:35:52,520 --> 00:35:53,520
You're wasting your time.

442
00:35:53,520 --> 00:35:58,600
You have obviously too much time on your hands of doing things.

443
00:35:58,600 --> 00:36:03,480
And shockingly, I've been doing this for like 35 minutes so far.

444
00:36:03,480 --> 00:36:11,400
So if I can do 35 minutes to 40 minutes a day, a week on this and this is something

445
00:36:11,400 --> 00:36:15,720
that you guys want to listen to and you want to tune into, it can grow.

446
00:36:15,720 --> 00:36:22,960
But this right here, you're watching me plant the first seed of a podcast future of me talking

447
00:36:22,960 --> 00:36:23,960
and me explaining.

448
00:36:23,960 --> 00:36:29,400
It's like therapy, you know, because I'm not going to lie.

449
00:36:29,400 --> 00:36:31,960
I don't really talk a lot like this.

450
00:36:31,960 --> 00:36:33,440
I talk a lot to my family.

451
00:36:33,440 --> 00:36:35,160
I talk a lot to my few friends.

452
00:36:35,160 --> 00:36:39,000
I keep my circle really tight.

453
00:36:39,000 --> 00:36:43,600
But this is a way that we can get to know each other.

454
00:36:43,600 --> 00:36:53,080
So what I'm going to ask you to do is like this podcast, subscribe to this podcast, follow

455
00:36:53,080 --> 00:36:55,800
this podcast.

456
00:36:55,800 --> 00:37:06,480
On social media, I'm think Tim, T-H-I-M-M. No, I said it wrong.

457
00:37:06,480 --> 00:37:07,480
T-H-I-N-K.

458
00:37:07,480 --> 00:37:08,480
T-I-M-M.

459
00:37:08,480 --> 00:37:09,480
That's it.

460
00:37:09,480 --> 00:37:10,480
T-H-I-N-K.

461
00:37:10,480 --> 00:37:11,480
T-I-M-M.

462
00:37:11,480 --> 00:37:13,880
That's it.

463
00:37:13,880 --> 00:37:14,880
T-H-I-N-K.

464
00:37:14,880 --> 00:37:15,880
T-I-M-M.

465
00:37:15,880 --> 00:37:16,880
Funny story.

466
00:37:16,880 --> 00:37:19,280
I got some tracks from back in the day.

467
00:37:19,280 --> 00:37:22,280
I'm doing it.

468
00:37:22,280 --> 00:37:23,280
T-H-I-N-K.

469
00:37:23,280 --> 00:37:24,280
T-I-M-M.

470
00:37:24,280 --> 00:37:25,280
It was fly.

471
00:37:25,280 --> 00:37:26,280
It was good.

472
00:37:26,280 --> 00:37:29,280
It was killing it.

473
00:37:29,280 --> 00:37:33,240
So social media, check me out.

474
00:37:33,240 --> 00:37:37,840
Instagram, SoundCloud, Twitter.

475
00:37:37,840 --> 00:37:46,640
You may not get anything good because in all honesty, in all honesty, guess what?

476
00:37:46,640 --> 00:37:48,960
I really don't do too much on social media.

477
00:37:48,960 --> 00:37:49,960
I'm learning.

478
00:37:49,960 --> 00:37:54,520
I've been more active in the last three months on social media as far as trying to talk about

479
00:37:54,520 --> 00:37:58,080
music and talk about things I'm doing than I've ever been.

480
00:37:58,080 --> 00:38:05,040
If you go to my Instagram account for the WDMN Nation, I got years worth of pictures

481
00:38:05,040 --> 00:38:06,040
and things or whatever.

482
00:38:06,040 --> 00:38:09,720
I'm a huge Star Wars fan, a huge Marvel fan.

483
00:38:09,720 --> 00:38:13,240
I always say I think my family should be sponsored by Disney.

484
00:38:13,240 --> 00:38:16,920
You know, I could live off of that stuff.

485
00:38:16,920 --> 00:38:22,360
But that's a podcast for a different time unless you want to go that route.

486
00:38:22,360 --> 00:38:28,760
So what you do is you hit me up, leave some comments, leave some questions because guess

487
00:38:28,760 --> 00:38:29,760
what?

488
00:38:29,760 --> 00:38:30,760
There's music at Marvel.

489
00:38:30,760 --> 00:38:33,760
There's music at Star Wars.

490
00:38:33,760 --> 00:38:37,800
You got that dude, that old guy, who I'm talking about.

491
00:38:37,800 --> 00:38:39,880
I promise I'm not going to say any names.

492
00:38:39,880 --> 00:38:40,880
I want to talk about people.

493
00:38:40,880 --> 00:38:44,560
I'm going to talk about them not in a bad way, but I'm going to talk about them in a good

494
00:38:44,560 --> 00:38:45,920
way.

495
00:38:45,920 --> 00:38:49,840
And I am not going to say their names because I'm not going to do that.

496
00:38:49,840 --> 00:38:52,680
I am not that person.

497
00:38:52,680 --> 00:38:54,600
So I'm not here to plug anything.

498
00:38:54,600 --> 00:39:01,480
I'm here to talk about me, talk about how I feel about music, and we will see how it

499
00:39:01,480 --> 00:39:04,840
goes.

500
00:39:04,840 --> 00:39:06,960
So that's it.

501
00:39:06,960 --> 00:39:07,960
There's music everywhere.

502
00:39:07,960 --> 00:39:09,400
You got to ask a question.

503
00:39:09,400 --> 00:39:10,400
I make music.

504
00:39:10,400 --> 00:39:14,840
It's something that can cover everything.

505
00:39:14,840 --> 00:39:21,480
If ever this becomes a show that I can interview people, perhaps I can talk to these people,

506
00:39:21,480 --> 00:39:24,480
talk to these other creators, find out why they do it.

507
00:39:24,480 --> 00:39:27,560
It's a very lax situation.

508
00:39:27,560 --> 00:39:35,760
I bet you a lot of the answer is going to be because I don't know how not to make music.

509
00:39:35,760 --> 00:39:42,040
I think that we should take a poll, make a graph, a chart.

510
00:39:42,040 --> 00:39:44,800
So we'll start talking to people.

511
00:39:44,800 --> 00:39:52,880
If you're a musician and you're listening to this, in the comments or in the thing,

512
00:39:52,880 --> 00:39:53,880
make a hashtag.

513
00:39:53,880 --> 00:39:54,880
That's what they call it.

514
00:39:54,880 --> 00:39:55,880
Hashtag.

515
00:39:55,880 --> 00:39:56,880
You know, I'm old.

516
00:39:56,880 --> 00:39:59,400
I have a sign, a hashtag.

517
00:39:59,400 --> 00:40:00,640
Why make music?

518
00:40:00,640 --> 00:40:01,760
And tell your story.

519
00:40:01,760 --> 00:40:04,440
Tell me why you make music.

520
00:40:04,440 --> 00:40:05,440
Tell me what is it?

521
00:40:05,440 --> 00:40:06,440
What is it that drives you?

522
00:40:06,440 --> 00:40:07,440
What is it?

523
00:40:07,440 --> 00:40:13,760
I'm like, I don't care if you hum on tape, if you whistle while you work, if you write

524
00:40:13,760 --> 00:40:18,680
lyrics in the back of your copy book, your notebook, on your notes, on your phone, if

525
00:40:18,680 --> 00:40:19,680
you...

526
00:40:19,680 --> 00:40:24,560
How many people have a section in their memos that are songs that you would never, ever,

527
00:40:24,560 --> 00:40:25,560
ever hear?

528
00:40:25,560 --> 00:40:27,800
The lyrics that you know are cool.

529
00:40:27,800 --> 00:40:29,320
The cool, best lyrics.

530
00:40:29,320 --> 00:40:34,040
And like I said, you don't have to explain why you wrote the lyrics.

531
00:40:34,040 --> 00:40:35,320
Let us interpret why.

532
00:40:35,320 --> 00:40:41,800
Let the listener, let the other person other than you figure out why.

533
00:40:41,800 --> 00:40:44,620
All we want to know is what made you do it?

534
00:40:44,620 --> 00:40:53,280
Do you know how crazy it is to want to create something and put it out there for other people

535
00:40:53,280 --> 00:40:57,960
to listen to without you being present?

536
00:40:57,960 --> 00:41:00,760
That's insanity.

537
00:41:00,760 --> 00:41:03,160
That is something I am learning to live with.

538
00:41:03,160 --> 00:41:05,560
Like, oh, you put your material out there.

539
00:41:05,560 --> 00:41:10,400
That means that, oh, I'm not there to play it for you.

540
00:41:10,400 --> 00:41:14,100
That means that you can play it whenever you want to play it.

541
00:41:14,100 --> 00:41:19,200
You can listen to it whenever you want to listen to it, when it's convenient for you.

542
00:41:19,200 --> 00:41:26,000
You can dissect what I'm saying and think what I'm saying is important.

543
00:41:26,000 --> 00:41:31,160
You can dissect what I'm saying and think what I'm saying isn't important.

544
00:41:31,160 --> 00:41:32,880
I'm not there to defend it.

545
00:41:32,880 --> 00:41:34,680
I'm not there to sell it.

546
00:41:34,680 --> 00:41:35,680
I'm going to record it.

547
00:41:35,680 --> 00:41:37,680
I'm going to put it up there.

548
00:41:37,680 --> 00:41:41,000
And then my job is going to be done.

549
00:41:41,000 --> 00:41:43,360
And I'm going to move on to the next thing.

550
00:41:43,360 --> 00:41:53,640
And hopefully we can build a nice little foundation of crazy information that you will sit back

551
00:41:53,640 --> 00:42:00,200
one day and say, oh, man, you know what I heard this dude think Timm said?

552
00:42:00,200 --> 00:42:02,320
He said da da da.

553
00:42:02,320 --> 00:42:03,320
And that made sense.

554
00:42:03,320 --> 00:42:06,320
You understand that?

555
00:42:06,320 --> 00:42:13,320
This is how you exchange information.

556
00:42:13,320 --> 00:42:17,080
You know, I'm not trying to be a storyteller.

557
00:42:17,080 --> 00:42:20,000
I don't think I have a story to tell.

558
00:42:20,000 --> 00:42:36,160
I just think that I like to share and I'm not regularly a people person, but sometimes

559
00:42:36,160 --> 00:42:44,040
all these things that are in your head are just your thoughts and these are the things

560
00:42:44,040 --> 00:42:47,640
that you're saying to yourself.

561
00:42:47,640 --> 00:42:55,040
And when you record them, I don't even think I'm going to play this back.

562
00:42:55,040 --> 00:42:58,120
This is going out just like this.

563
00:42:58,120 --> 00:43:02,080
And we're going to see how it goes.

564
00:43:02,080 --> 00:43:12,000
You record them and you think, wow, this is okay.

565
00:43:12,000 --> 00:43:13,680
Think about everything you do.

566
00:43:13,680 --> 00:43:16,640
Maybe that's why they call me think Tim.

567
00:43:16,640 --> 00:43:19,640
I think too much.

568
00:43:19,640 --> 00:43:27,680
I think I have a story about why I call myself think Tim.

569
00:43:27,680 --> 00:43:31,120
And I realized this a while ago, but I'm not going to go into this later.

570
00:43:31,120 --> 00:43:37,080
I'm not going to give away everything in episode one, but we're going to work this out.

571
00:43:37,080 --> 00:43:49,360
So once again, I want you to like, follow, subscribe, look at my bio and there is all

572
00:43:49,360 --> 00:43:53,560
the links for all the social media things there.

573
00:43:53,560 --> 00:43:56,960
I'm not going to lie to you.

574
00:43:56,960 --> 00:43:59,360
I started a Patreon.

575
00:43:59,360 --> 00:44:03,480
I don't have any subscribers.

576
00:44:03,480 --> 00:44:04,480
There's tiers on there.

577
00:44:04,480 --> 00:44:07,480
I looked up how to do it and how to mark how to put the thing together.

578
00:44:07,480 --> 00:44:15,520
So I put it together and I promise you, if you were to subscribe to those things, the

579
00:44:15,520 --> 00:44:19,960
more people I have to interact with me, the more I'll do.

580
00:44:19,960 --> 00:44:21,080
I'm not going to lie to you.

581
00:44:21,080 --> 00:44:26,960
So if you want to have a good time, you want to have a fun experience or if you need a

582
00:44:26,960 --> 00:44:31,960
friend, if you need a friend, just come up here.

583
00:44:31,960 --> 00:44:32,960
It's like, let me stop.

584
00:44:32,960 --> 00:44:34,280
Let me stop.

585
00:44:34,280 --> 00:44:38,560
If you need an experience and you're creative and you want to share and you want to share

586
00:44:38,560 --> 00:44:43,600
with me or you want to share my stuff or you have an idea for something, let me know.

587
00:44:43,600 --> 00:44:45,160
I'm not going to lie to you.

588
00:44:45,160 --> 00:44:46,160
I am shocked.

589
00:44:46,160 --> 00:44:47,160
I am at 44 minutes.

590
00:44:47,160 --> 00:44:54,760
And if I say I'm at 44 minutes, 44 seconds, you know what I'm talking about, man.

591
00:44:54,760 --> 00:44:55,760
You got me.

592
00:44:55,760 --> 00:45:02,800
So once again, why make music episode one?

593
00:45:02,800 --> 00:45:03,800
I'm your host.

594
00:45:03,800 --> 00:45:04,800
ThinkTimm.

595
00:45:04,800 --> 00:45:09,440
I don't know when I'm hosting because a lot of times when you have to have hosts, when

596
00:45:09,440 --> 00:45:11,440
you're a host, you have to have other people.

597
00:45:11,440 --> 00:45:15,800
I don't have nobody but me here.

598
00:45:15,800 --> 00:45:20,960
So ThinkTimm , if nothing else.

599
00:45:20,960 --> 00:45:50,400
Peace out.

