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Mark my words, I feel like going into the next few years, there's going to be a bigger

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trend of people working multiple part-time jobs in startups and creative fields.

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I think that's really one of the best ways to diversify work at the moment.

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No more of this working a full-time job just for them to lay you off.

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I would not bet anything on not getting laid off over the next few years just because,

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yeah, dominoes are falling, but yes, mark my words, we're going to see more people

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working part-time jobs and rotating them out as they see fit, but no more of this putting

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all your eggs in one basket.

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Hey, this is Jules and welcome to the pool party.

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Today we are going to be talking about creative work, portfolios especially, and not resumes

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or cover letters because I really feel that you can find all that information online.

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And I also feel that for the creative field, to be honest, a lot of times people will hire

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you just because they like you, they like working with you, but also because you have

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good work.

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And one of the best ways to show off your creative work is through online portfolios,

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social media, and more.

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So we're going to touch upon that a little bit today in this episode of the pool party.

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Let's dive in.

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Hey, this is Jules and welcome to the pool party.

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Today we are going to talk about skills for work-life balance, also discussing portfolio,

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where to make your portfolio, some guidelines for your first portfolio site, and then we're

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also going to talk about just general tips for getting hired for your first creative

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job as a person in your 20s.

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I want to start this episode off by saying that it is going to meander a little bit and

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that's because while I could give you a template and a format for doing all these things, I

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also want to advise you to do your own research, go online, research how to make a good cover

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letter, resume, find ways to interview.

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But this is all kind of public knowledge that I think is and can be a bit cookie cutter,

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but the reality is I think finding a job these days, especially in the year 2024 is a lot

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more difficult and especially in the creative career.

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There's not a lot of hard and fast rules.

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Some of the ways that people find jobs tend to be very kismet.

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Sometimes people hire based on vibes and I know that can all sound really daunting, frustrating

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and annoying, but there is a way to develop a process in order to essentially get your

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bucket, find your container, which is your career, and keep on putting little drops in

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it.

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We're going to be talking about portfolio.

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I am a graphic designer, a visual designer, an illustrator.

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I also work with people in the creative field on the project management side, and so I'm

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going to advise you on how I've made my portfolio just based upon my background and experience.

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So to start this episode off, if you want some good examples of portfolios, what you

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can do is go to websites like website godly.

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You can go to design inspiration.

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If you go to typo, you can even look at my website, julia.me, you can go to websites

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like Shillington where students go through a graphic design course and then display their

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work just to see what is out there.

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And again, we're talking about visual design today, but if you ever go shopping online

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and you find artwork from your favorite artist or fashion designer, take note of what you

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see out there, what's working for you as a consumer, someone who's buying products, because

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this is what's going to help you make your portfolio.

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You want to take the same sort of tactics that are cooking your eyes and apply that

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to your work.

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And so some of what we're going to be talking about today is a little bit of layouts, but

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we're only going to touch upon this briefly.

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So your portfolio these days, what you want is a website, some place online where you

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can display and show your work.

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But you might have a few questions.

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For example, since this is such a broad topic, you might want to consider which website to

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host your work on.

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Social media, Instagram, TikTok, what about all these other websites like Behance, Dribbble,

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Creative Market?

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There are a ton of websites to host your work as a creative.

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And what I would advise is to just pick one website, a place to host your work, and then

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one form of social media to start with.

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So let's go ahead and talk about website.

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Personally, I like to use Squarespace as my poster for my portfolio.

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I've been on Squarespace basically ever since they've existed.

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And this is not a sponsored plug, but it is a plug because I think Squarespace is one

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of the more agile, adaptable, and easy to use websites for displaying work.

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You can go in as independent creative and then basically scale to an agency on Squarespace.

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There are a lot of different tools on there to show you work, even start private memberships.

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You can go online and compare for yourself.

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The subscriptions start at around $15 a month.

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That's not including purchasing a domain, but let's go ahead and just talk about some

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other websites where you can host your work.

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I believe Adobe, if you are a student, also has a free product or service where you can

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host your work.

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One thing I do suggest is that if you're starting out, you do want to buy a domain, buy your

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name or buy something that you can stick with for a few years.

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Your domain is going to cost you generally about $20 a year.

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Don't pay anything more than $20, but your domain is basically my website, juliasparrow.me.

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I own that and I pay for it every year.

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I definitely think that it's important to own your URL because if you think about it,

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if you end up expanding your advertising, you make business cards, you have QR codes

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floating around in the universe.

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If you want to keep your URL the same, you can always buy additional ones, but I would

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say that stick with the same URL you originally started with.

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For example, if I wanted to eventually make my website The Pool Party and do like thepoolparty.com,

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I don't even know if that domain is available, but you get the idea, and route my current

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portfolio to that domain, I could do that, but I also have juliasparrow.me.

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So that's a little bit of the technical side, but I would say that's like first things first.

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Pick a website, a hosting platform that you like, that you feel like you can stick with,

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that you can afford the subscription price of, and then choose a domain that you're willing

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to keep for many years.

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Just know that if you ever want an additional domain, you can link it to your original site,

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but have your first domain be something simple like your name or something that applies to

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your work.

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Make sure that isn't too many letters long.

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You want to be able to discuss your URL and spell it out loud for people.

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If you need more help on ways to find good names, you can listen to the episode on how

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to name your brand, and I discuss a little bit about domains and URLs in that episode.

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I'm not going to get into the weeds of all the offers that are out there for students,

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but if you are a student, take advantage of this because a lot of websites offer discounts

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and promotions for student artists, designers.

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If you have a student ID, then you can basically get a discounted website, sometimes even a

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free one, depending on who you choose as your host.

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Now, when it comes to the content of your website, the most basic websites are going

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to contain at least three projects that are demonstrative of work that you want to do

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in the future.

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Your portfolio website needs to contain three projects that show work that you've done in

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the past.

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This can be personal projects, work you've been paid for, imaginary projects.

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If you are in the visual creative field, it needs to show your skill level, your ability

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to execute, and then essentially how you would market and showcase that product on your website.

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And we want to keep it simple, but show your best work.

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And the reason why I'm saying only choose three projects to start is because if you're

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making your website from scratch, the amount of opportunities and ways you can build your

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website is very large.

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I want to use a little bit of a case study and an example right now, since I'm podcasting

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to you today.

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I think a really good example of a portfolio website that is advanced, but keeps it simple

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is Alex Cooper's Unwell website.

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If you go to that website, Unwell is basically the podcasting network that she created after

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Call Her Daddy.

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She has three different podcasts on the Unwell network that basically shows her body of work.

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I believe there's three different podcasts on there.

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So if you want to think about your portfolio being the work that you want to do in the

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future, if you're an illustrator, you need three illustrations on your website, really

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strong illustrations that you feel demonstrate what you could do in the future, what you

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want to do.

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If you are a website designer, you want three websites on your website that do the same

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thing.

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They can be as simple or complex as you want, but ideally you're showing off work that

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you would like to do in the future.

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And then for me, for example, I'm a digital and graphic designer.

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I have all sorts of visuals I've created on Photoshop, illustrations that I've drawn

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on my iPad over the year.

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And as I've created a lot of different types of work, I have a lookbook that kind of shows

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different styles that you can click through and look at.

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The whole point of this is that we're showing what we can do, but we're also trying to

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basically build some tracks.

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We're trying to chart a path of where we want to go.

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And then over time, we can dig this path a little bit deeper with more body of work.

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If we're a river, we don't need to create the Grand Canyon today, but we just got to

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take our stick in the sand and then chart a little bit of a path of what our work represents.

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So at this point of the episode, I'm going to tell you everything they taught me at Shillington,

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which is a graphic design school that I went to in the year 2019.

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It was pretty special when I went to Shillington because I was a fresh grad from Sanford.

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I had already gotten my undergraduate degree, but I realized that I wanted some more practical

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skills to be able to apply some of the design thinking I learned doing research, but I wanted

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a hard skill like graphic design in order to be able to work with the public.

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A little bit about me, I got my first or one of my internships was at an urban studies

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nonprofit organization.

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This nonprofit org was called the Center for Urban Pedagogy and it's based in Brooklyn.

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They go by CUP for short, but what CUP did was essentially bridge graphic designers with

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community organizations and then help them form partnerships where they could then design

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materials that would actually get information that was needed by the public into the hands

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of individuals.

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Going back to my design education, I thought this was super cool, but had no idea how to

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do any design in Photoshop or use any of the tools that I saw designers use, especially

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when I interned at places like the storefront for art and architecture as a communications

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intern.

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I saw a lot of designers do some pretty cool gallery mockups and floor plans on Photoshop

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and I realized that was a skill set that I wanted to learn and I wanted to do things

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just like that.

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So going back to 2019, I decided to study part-time graphic design program with Shillington

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and at the time I was in person in New York going to school part-time, I believe it was

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like two to three days a week and I would work at restaurants.

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I had two restaurant jobs and I would work the brunch shift at 5 a.m. up until noon and

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then when I got off of work, I would do my design homework for several hours and then

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I would go to Shillington, which was a design program in the afternoon.

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Some days I'd also work two restaurant shifts.

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It was insane, but it was a really great program and I wanted to be in New York and really

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before the pandemic started, I had this vision of being a designer in this city.

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I just really wanted that lifestyle.

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So one of the great things that Shillington taught me was essentially all the hard skills

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you need to be a designer.

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So that's everything I go over in this podcast.

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It's branding, typography, how to mood board.

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These are all skills you can actually learn on your own, but sometimes people don't really

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give you that information unless you work with them, unless you're in the industry

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or in my case, I feel like this is information that should be more widely available and that's

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the reason why I've made this podcast.

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While skills are a great thing to learn, I think it's important to realize that you can

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go to design school.

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Sure, you can do that or you can learn them on YouTube.

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I think there are a lot of really great tutorials that are free that are made by other graphic

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designers, artists and creatives and you don't necessarily need to go to a design school

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or get a degree, which I know many people do, but I will tell you that in the year 2024,

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you can very much teach yourself a skill, put together a portfolio and then start selling

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that skill online.

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If you have demonstrated the ability to perform that skill before, if you have a good landing

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page or website that showcases that skill, that's really all you need.

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That is like the proof of work that you have and then working with people is really just

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a matter of putting together a reasonable contract, giving yourself a market rate salary

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or hourly pay as a freelance designer.

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I think the going rate in the United States especially for entry level designers is probably

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around 20 to 25 dollars.

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If you are going to school full time and you need a part time job, you could advertise

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your skills hourly or project rate just based upon that rate and then as you get more experience

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and then more people who want to hire you back, you can continue to raise that rate.

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It really just depends on how quickly you can execute and also the amount of demand

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that you have for your projects.

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It's really up to you.

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If you have more time and availability to wait, you don't have to necessarily charge

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like on the lower end, but it's all about what you can sell and being realistic about

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what you can afford to make and what makes sense for you and your lifestyle.

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There are also a lot of really great worksheets online for figuring out how much to charge.

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I took a course through I Love Creatives with their Squarespace Design course after I did

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Shillington.

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I particularly like this graphic design course because they went into detail on how much

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you should charge just based upon how much you need to live and the area you live, what

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you like to do.

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It can be really variable and so I think it's worth it to take a look at spreadsheets that

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are out there online.

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You might be able to make your own, but consider what you need to live and then charge according

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to that.

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I think this is important because first of all, we all need to pay rent, buy groceries,

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pay for yoga memberships or healthcare, chiropractors, whatever you need and other people are not

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going to figure out this cost of living for you.

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This is really something that you have to do for yourself.

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And from that point, you can put together a service for or a package for your services.

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So I was talking about portfolio and this is what they taught me at Shillington.

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Shillington was a really interesting program because we worked on project work every single

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week.

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We started out with a typography project, doing posters and basically mocking up brands, creating

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logos and then we would choose our best projects and showcase three of them on our portfolio.

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I would say that these days, your portfolio you make should basically contain the same

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thing like three projects that you think are exemplary.

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You can also teach yourself these skills online.

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But I would also say that if you are designing on your own, choose a category of design that

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you like to make and try to have a few examples of strong work in that area.

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After I graduated from Shillington, I realized I really liked to make whimsical illustrations

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and graphics.

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So sometimes I would spend just two hours every day pumping out illustrations just to

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get my work going and having that proof of work that I could deliver the types of illustrations

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that I wanted to.

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It was also nice because when you're creating on your own, you have more time to play and

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figure things out.

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It kept my skills sharp.

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And then also if you go onto my website these days in the illustration and graphic design

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section, a lot of those visuals I made were actually projects I made for myself just in

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my free time.

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So I think this is important to consider and find what you like and what you want to make

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and just keep on doing it and display it online because if you're competing with other designers

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and illustrators out there who maybe have three portfolio projects that are in different

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areas, that might look good to a recruiter who doesn't really have a lot of design background

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who might just be looking for someone who can put together a good visual package.

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I think that works for generalist jobs.

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But as you get further along in your design and creative career, everyone kind of finds

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like a specialty that they're good at and I think honing down your interests shows a

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sense of like focus.

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It shows that you know what you're good at and then also as you apply for jobs and tell

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them what you're looking to do, it shows that you've at least thought about it in advance.

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I think that there are a lot of people who use the portfolios to find jobs and in that

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case I think there's also differing opinions on how to display your portfolio.

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If you are in the user experience and interface design lane of design, basically people just

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want to see user interface and user design portfolios.

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I've talked to folks who say that you should not have illustration on your website if you

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do this and I think that makes it hard for people who like myself who have skills in

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both and maybe want to show both.

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But I've gotten a lot of feedback in the past that it's important to showcase just user

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interface and user experience skills on a single portfolio and then if you're selling

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illustrations for example, that's another website.

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As someone who's worked independently a lot by myself over the past few years, I don't

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follow that advice.

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That's why I think really you need to figure out what works for you because there's a lot

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of competing advice out there on what it means to stand out and look different but also showcase

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a really strong skill set and I think you have to make these decisions for yourself.

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There is a gamble between looking like everyone else by having the same portfolio projects

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that show a wide array of work and then there's also a gamble but I think a huge reward to

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know who you are, know what you like, really showcase that work and not budge on it.

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I think that shows at least a sense of direction, strong work ethic and I think people, my opinion,

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I like to work with people who have strong opinions and know what they like to do.

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I don't like to work with people who just try to be bland and corporate because I think

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those are the people that kind of just go with whatever the whims of the crowd are doing

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and I don't like that because I find it frustrating.

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The world changes all the time.

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Are you just going to change your mind when the trends change?

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I think it's important to actually put your foot down and form an opinion of what you

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want to do, think about what dreams you have for yourself and then form your portfolio

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around this general direction.

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So I've mentioned a few veins of what your portfolio can do for you.

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I think if you're pretty early on in your journey of showcasing your work online, you

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can have a specific purpose for each webpage you have.

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So one of the tricky things about having a portfolio site just for let's say corporate

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work, user experience design and graphic design and then having a website for selling illustrations

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is then you're on the hook and on the line for paying for multiple domains, multiple

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subscriptions possibly.

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I think that was one of the biggest things getting in the way with me wanting to make

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multiple sites, especially when I got the feedback from user experience designers who

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told me you should have a portfolio for one site.

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I think there's a way around this where you make a landing page for specific offerings

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that you have.

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For example, one of the ways I've gotten around this is by showcasing a landing page of my

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work on juliaspara.me.

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I show a lot of the work and the highlights that I've done and then also I have a services

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page just for illustrations if anyone would ever want to purchase an illustration pack

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for me.

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I think it's good to think about your portfolio or your website as a series of landing pages

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that have one goal and if your homepage has like a singular goal of showcasing all the

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work that you've done before, that works and I chose to do that with mine.

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On the other hand, if you are selling services and you have multiple services, think about

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having one webpage per service.

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One thing that's really confusing is if you try to accomplish many goals on a single web,

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you're trying to have your about page, your contact, and all of these things on one page,

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there needs to be at least say about 70% of a single web page needs to have one goal and

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that goal needs to be pretty clear whether that's like showing an overview of your work,

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which is great for landing pages and homepages, or let's say you go further into a website

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and then you're just showcasing a blog or a gallery or a lookbook of options.

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This is why it's a good idea to have multiple pages, but try not to stray too far from one

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singular goal per website.

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So I think one thing that can be confusing to people is if they don't really know what

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they want to showcase, I'd say at least try to define who you are, have some search engine

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optimized wording on your website.

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For example, people know to look for a graphic designer, an illustrator, or a digital designer

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or web designer if they're looking for those types of people.

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However, I saw this on LinkedIn once, no one knows to Google a unicorn or what that really

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means and so you want to be as specific as possible just for the main reason that think

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about what people are going to Google or type into a search engine when they're looking

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for someone who does the work that you do.

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I'm going to add on another suggestion for showcasing your work that is pretty lightweight,

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social media.

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And when I talk about social media, I want to give you some guidelines, but there's some

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room to play with this.

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You can make a new Instagram portfolio or you can make a new Instagram page or TikTok

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page to showcase specific work that you do.

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But one thing I want you to consider is making a new social media just for showcasing work.

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For example, don't showcase work on your personal page if you wouldn't want a recruiter

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to see what's also on your personal page.

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Granted, there are many people who hire these days who are not recruiters who wouldn't

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mind, for example, you smoking at like some after party and like seeing a picture that

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maybe there are a lot of people who really don't care.

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But I would say that the people who usually make decisions for more corporate bodies tend

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to be a little bit more conservative.

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And that's not really something that I personally agree with or adhere to.

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But if you're looking to get hired, for example, by a more corporate company, just keep a separate

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social page for things that are personal and then a separate social page for things you

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want to get hired for.

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For example, if you have an Instagram page and you're an actor, don't post anything

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on the acting page that you wouldn't do as an actor.

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Same thing as a designer.

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If you wouldn't do any of the things as a designer at a design job, don't create content

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that shows you doing that on that page.

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I think that just streamlines your messaging and it helps because sure, we're multi-dimensional

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people and we all have personal life, work life, etc.

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But sometimes people do judge and you never know who is going to be looking at your portfolio,

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who might be able to offer you a job and what they might be thinking based upon what they

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see on your Instagram.

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Meanwhile, while some of these recruiters might be a little bit more conservative, we

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also live in a world where creatives are people who do lots of different things, are out there,

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out of the box.

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Yeah, just be like mindful of what kind of audience you want to attract by making your

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social profile.

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And I think if you're just starting out in your creative career, don't double down on

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any one direction, just keep things separate because then as you're out in the world and

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you're meeting people, you have the choice of what you want people to see.

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You can give people a very specific Instagram handle based upon the context in which you

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meet them and you don't have to feel self-conscious or nervous about if you did the right thing.

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Just diversify your social media.

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I talk a lot about separation and hygiene with social media and I even mentioned in

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the last podcast that you might want to consider having a separate phone for your personal

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life and then a separate phone for your work.

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And I think this also helps when you log into your social media for work on your work phone

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and then your personal social media on your personal phone.

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I think in the digital age, it's nice to have some sort of boundary to where you can throw

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one phone in a closet or something if you're working and you don't want to see your personal

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messages or similarly, if you're at Coachella and having a good time, you're on your personal

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phone and then you don't have your work socials on that phone buzzing you when you're just

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trying to have fun.

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I think that type of separation is not only really good for mental health, but it also

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keeps things easy for you so that you don't have to accidentally worry if you did something

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that is going to impact your job.

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It's that simple.

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And on the front of phones being expensive, there's actually a lot of cheap phones these

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days that are smartphones that you could just pay 80 bucks for and you get a SIM card, maybe

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you get like a Mint Mobile or something for your work phone.

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There's a lot of ways to have a separate phone these days that could make it nice and easy

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for you.

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So generally speaking, you're going to want to follow the rules of the industry for that

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social media that you're using for that job.

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If you are a designer, an actor, model, etc.

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If you wouldn't do whatever you're doing at the job, don't put it on your Instagram.

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If you're a model and you model bikinis, that's perfect.

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Put that on your Instagram.

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However, if you're also an Instagram model or your model who is on Instagram, who is

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also a graphic designer, consider making those two Instagrams separate because you just want

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to streamline your messaging.

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A lot of people probably will not care if you're a model and you also graphic designer, but

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it might be confusing to some people if you mishmash it all on one page.

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Again, I don't know why this is, but it shows actually some sort of ability to focus and

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switch hats if you keep them separate.

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And it shows some forethought, I think.

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Everyone has to have all your social medias, but you get to decide who you give what to.

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And that's just my opinion.

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So again, I'm talking about a lot of different industries here for all of these different

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social medias.

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Ask people within your industry what they would do to get hired.

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Don't ask people outside of the industry.

400
00:27:05,680 --> 00:27:09,620
It's going to vary and you could do that, but it might just be more confusing.

401
00:27:09,620 --> 00:27:14,400
Ask people who are doing what you want to do and then follow that advice.

402
00:27:14,400 --> 00:27:19,280
I think in the world of artificial intelligence and people asking chat GPT for advice, get

403
00:27:19,280 --> 00:27:24,720
your butt on LinkedIn and actually look people up and take the time to talk with them.

404
00:27:24,720 --> 00:27:30,120
I think that people will actually be able to tell you the nuances of the social interactions

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that take place in work environments.

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00:27:32,560 --> 00:27:37,400
I think work professionalism and culture is really unique in that people will of course

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00:27:37,400 --> 00:27:40,200
tell you one thing, but what they actually do is another.

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00:27:40,200 --> 00:27:43,080
So try to form some strong relationships with people.

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Use sociologists and build some trust to actually get the real info.

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And online research will only get you so far.

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I think it's worthwhile to think about how you show up authentically, who you want to

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00:27:54,440 --> 00:27:59,620
be, and then just talk to everyone and consider all information as valuable in the search

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for what you want to do.

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00:28:00,880 --> 00:28:06,280
But once you find and narrow down what you want to do, really take the time to find some

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00:28:06,280 --> 00:28:10,740
sources of inspiration that make sense to you and then go directly to those people and

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00:28:10,740 --> 00:28:14,720
try to find a way where you can provide some value to them and then get the info that you

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00:28:14,720 --> 00:28:17,400
need in order to help you on your individual journey.

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00:28:17,400 --> 00:28:20,920
No one is really going to make your career happen for you.

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And I wish that was something that someone told me when I was younger.

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00:28:24,480 --> 00:28:29,040
I'm someone who has a lot of credentials and studied a lot, but the reality is that

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00:28:29,040 --> 00:28:33,040
careers are made out there in the world when you're talking to people, when you're working

422
00:28:33,040 --> 00:28:38,520
with them, and you never know who needs help with what you are specialized in.

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00:28:38,520 --> 00:28:43,240
And a lot of people sometimes don't ask, so sometimes it has to be you that initiates

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00:28:43,240 --> 00:28:45,680
the conversation and offers a helping hand.

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00:28:45,680 --> 00:28:50,120
Also, I feel like these conversations shouldn't be like pulling teeth, so that is a good indicator

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00:28:50,120 --> 00:28:53,480
usually if someone is meant to work with you and be on your path.

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00:28:53,480 --> 00:28:57,760
If a conversation is a little bit too hard to have and people seem resistant to speak

428
00:28:57,760 --> 00:28:59,880
with you, it's okay to just move on.

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00:28:59,880 --> 00:29:04,680
Some people aren't ready for what you have to offer or ready to be honest, and that has

430
00:29:04,680 --> 00:29:08,320
nothing to do with you, don't take it personally, it's just life.

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00:29:08,320 --> 00:29:12,400
You never know where you meet people and it's always worth trying again, even on a different

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00:29:12,400 --> 00:29:17,320
day, but it's important to give people time and space they need to make decisions.

433
00:29:17,320 --> 00:29:21,400
Okay, so let's talk a little bit now about how to read the room.

434
00:29:21,400 --> 00:29:25,400
Whenever you hop on a call with someone, let's say you decide to have a one-on-one with them,

435
00:29:25,400 --> 00:29:29,240
and you're like, hey, my name is Jules, I want to talk to you about XYZ, I feel like

436
00:29:29,240 --> 00:29:32,480
it'd be really interesting, you'd find some commonality, we went to the same school or

437
00:29:32,480 --> 00:29:36,000
we have the same interests, I really want to know more about this, this is why I think

438
00:29:36,000 --> 00:29:37,840
I would be a great person to talk to.

439
00:29:37,840 --> 00:29:41,640
When you get on a call with them, I think it's really important to have some questions

440
00:29:41,640 --> 00:29:46,280
lined up already, have at least three of them, dive right in, be conversational, but also

441
00:29:46,280 --> 00:29:47,280
read the room.

442
00:29:47,280 --> 00:29:50,720
So if someone actually gets on a call with you, chances are that they do want to talk

443
00:29:50,720 --> 00:29:51,720
with you.

444
00:29:51,720 --> 00:29:54,920
There are many occasions where you might actually be talking to people who might be good to

445
00:29:54,920 --> 00:29:57,240
work with, where you don't find them on a call.

446
00:29:57,240 --> 00:30:01,320
Let's say that you're at a party and you're talking with them, people rarely want to talk

447
00:30:01,320 --> 00:30:06,080
about work things at parties, however, if they do, that is interesting.

448
00:30:06,080 --> 00:30:10,720
Some people don't want to, and it's really important to be able to understand what people

449
00:30:10,720 --> 00:30:15,200
are in the mood for, what you're in the mood for, and this is why I'm actually really not

450
00:30:15,200 --> 00:30:17,920
a huge fan of not being at parties sober.

451
00:30:17,920 --> 00:30:22,640
I think that sometimes when people drink too much or smoke too much or whatever are just

452
00:30:22,640 --> 00:30:27,840
not sober enough to read the room, sometimes little slips can happen and we can't always

453
00:30:27,840 --> 00:30:30,120
control how other people perceive us.

454
00:30:30,120 --> 00:30:34,440
It's really nice when you're going out in the world and trying to interact with people

455
00:30:34,440 --> 00:30:40,040
and widen your network to be on top of it, to represent the best version of you, like

456
00:30:40,040 --> 00:30:45,280
the whole version of you that is not afraid of making social faux pas and that's just

457
00:30:45,280 --> 00:30:50,360
my opinion of one of the ways that makes it easier to go in and read the room.

458
00:30:50,360 --> 00:30:55,160
There is no shame in declining events if you don't feel fully prepared for them.

459
00:30:55,160 --> 00:30:58,080
I hear people at times say, you know what, show up as you are.

460
00:30:58,080 --> 00:31:02,640
I think if you are truly in a situation where people don't mind how you show up, that's

461
00:31:02,640 --> 00:31:03,640
totally cool.

462
00:31:03,640 --> 00:31:07,120
Maybe those people are actually your friends, but these are not networking events.

463
00:31:07,120 --> 00:31:11,080
I think that when you're going to networking events, you've got to be prepared for a little

464
00:31:11,080 --> 00:31:12,160
bit of everything.

465
00:31:12,160 --> 00:31:16,200
People asking you what you do for work, especially if you're at an event working it.

466
00:31:16,200 --> 00:31:18,280
I think talking about work is fair game.

467
00:31:18,280 --> 00:31:22,440
I've been to events before where I am working them and people seem to not really understand

468
00:31:22,440 --> 00:31:24,920
that and are in a different mindset.

469
00:31:24,920 --> 00:31:28,400
That's just a little bit of a misalignment and I get that, I understand it.

470
00:31:28,400 --> 00:31:30,920
Maybe they're just not in the mood for work talk.

471
00:31:30,920 --> 00:31:35,680
I don't need to talk to them about work, but if I'm there to network and discuss work,

472
00:31:35,680 --> 00:31:38,200
then I'm going to do it and they can go on their merry way.

473
00:31:38,200 --> 00:31:41,360
I don't care how they feel about what I'm discussing.

474
00:31:41,360 --> 00:31:46,240
Alright, so one thing I find really interesting actually when I meet other creatives and they

475
00:31:46,240 --> 00:31:49,840
tell me about the work they do, if they're a graphic designer or designer, is that a

476
00:31:49,840 --> 00:31:53,840
lot of times people open up to me about this insecurity that they have with their creative

477
00:31:53,840 --> 00:31:54,840
work.

478
00:31:54,840 --> 00:31:59,040
I think this is a really important topic to talk about because I will tell you that is

479
00:31:59,040 --> 00:32:00,040
really normal.

480
00:32:00,040 --> 00:32:04,200
I think insecurity comes and goes especially as a creative, especially if you really care

481
00:32:04,200 --> 00:32:08,120
about what you do and you want to make a really big impact with your work.

482
00:32:08,120 --> 00:32:11,800
One of the worst things that you could ever do though is basically stop practicing, stop

483
00:32:11,800 --> 00:32:16,360
putting yourself out there just because you're not feeling super well or life gets in the

484
00:32:16,360 --> 00:32:17,360
way.

485
00:32:17,360 --> 00:32:21,760
I had a mentor once who basically said that when you're working, you're swimming and any

486
00:32:21,760 --> 00:32:25,120
major city that you're in is a pool and you need to be swimming.

487
00:32:25,120 --> 00:32:28,680
If you're not trying to put yourself out there or at least make an impression, you might

488
00:32:28,680 --> 00:32:29,680
be sinking.

489
00:32:29,680 --> 00:32:34,200
I don't mean to scare anyone, but I think that is just a result of American capitalism.

490
00:32:34,200 --> 00:32:39,000
I think some of us have maybe larger or smaller safety nets, but the reality of it is if you

491
00:32:39,000 --> 00:32:42,960
don't have a safety net, you don't have the luxury to stop working.

492
00:32:42,960 --> 00:32:48,520
And so it's really important to plan for your body and being healthy and being able to manage

493
00:32:48,520 --> 00:32:49,680
how you feel.

494
00:32:49,680 --> 00:32:54,600
The fact you're going to probably have to continue to make connections and working for

495
00:32:54,600 --> 00:32:56,640
the majority of your adult life.

496
00:32:56,640 --> 00:33:00,760
There are of course ways that people find to make income passively, but I will tell

497
00:33:00,760 --> 00:33:06,400
you that passive income at first is way more work than any other active work.

498
00:33:06,400 --> 00:33:09,640
And so while that is a great goal to work towards, you're still going to have to put

499
00:33:09,640 --> 00:33:10,760
yourself out there.

500
00:33:10,760 --> 00:33:11,760
It takes time.

501
00:33:11,760 --> 00:33:13,720
It takes discipline, dedication.

502
00:33:13,720 --> 00:33:18,160
It takes putting aside an hour that maybe you would rather spend hours when you have

503
00:33:18,160 --> 00:33:19,320
free time.

504
00:33:19,320 --> 00:33:25,120
And this is another reason why I try to encourage creatives not to feel so pulled with FOMO

505
00:33:25,120 --> 00:33:30,120
and events because the reality is what would you do with that time for yourself if you

506
00:33:30,120 --> 00:33:32,360
were not going out to events?

507
00:33:32,360 --> 00:33:33,360
And events are great.

508
00:33:33,360 --> 00:33:36,080
It's good to meet people, but also be real with yourself.

509
00:33:36,080 --> 00:33:39,640
Like balance that with actually putting in time to your work and your craft.

510
00:33:39,640 --> 00:33:43,880
It doesn't matter how many people, if you're not ready, if you haven't put in the practice

511
00:33:43,880 --> 00:33:49,600
to be a good designer, then people can't hire you without proof of that work.

512
00:33:49,600 --> 00:33:55,920
It doesn't matter if you know some top designer who you met on Tinder for who is going to

513
00:33:55,920 --> 00:33:57,760
New York Fashion Week.

514
00:33:57,760 --> 00:34:00,520
Everybody else who has Tinder has access to that person.

515
00:34:00,520 --> 00:34:02,200
So I'm just trying to keep it real with you.

516
00:34:02,200 --> 00:34:06,520
Be very real with what your skills are that you have to offer and how fast you can make

517
00:34:06,520 --> 00:34:10,600
a turnaround because I think it's cliche, but it is true.

518
00:34:10,600 --> 00:34:13,640
Preparation and timing is luck.

519
00:34:13,640 --> 00:34:14,960
And be ready for luck.

520
00:34:14,960 --> 00:34:16,840
Be ready for good things to happen.

521
00:34:16,840 --> 00:34:21,200
That means just bringing in the best energy to your work, putting in practice, taking

522
00:34:21,200 --> 00:34:24,920
care of yourself, and then knowing that the right opportunities will come when you're

523
00:34:24,920 --> 00:34:25,920
ready for them.

524
00:34:25,920 --> 00:34:29,800
But a lot of things are just not going to feel right if you're not staying healthy because

525
00:34:29,800 --> 00:34:32,080
your body hurts, first of all.

526
00:34:32,080 --> 00:34:37,040
And if you're not practicing, you might not ever feel ready because I think instead of

527
00:34:37,040 --> 00:34:41,200
manufacturing confidence and faking it till you make it, you can prove to yourself that

528
00:34:41,200 --> 00:34:46,440
you can do it by just showing up and putting in the little work every single day until

529
00:34:46,440 --> 00:34:51,660
you feel like you can deliver on predetermined timeline and be consistent.

530
00:34:51,660 --> 00:34:54,640
And I do want to say it actually is really daunting sometimes.

531
00:34:54,640 --> 00:34:57,760
The world has changed a lot, I think, especially since COVID.

532
00:34:57,760 --> 00:35:01,860
Many people have dealt with layoffs over the years and changing work, pivoting.

533
00:35:01,860 --> 00:35:03,720
I think it's actually super common.

534
00:35:03,720 --> 00:35:04,880
Don't feel alone.

535
00:35:04,880 --> 00:35:10,200
But if you're dealing with a, let's say, crisis of belief, faith, and confidence in

536
00:35:10,200 --> 00:35:14,880
your work, it might not hurt to seek therapy or journal about it.

537
00:35:14,880 --> 00:35:20,040
I think therapy is like a really great first line of approach for people who are maybe

538
00:35:20,040 --> 00:35:22,800
just unsure of what's going on with work and life.

539
00:35:22,800 --> 00:35:26,640
But it gets to a point where I think maybe you feel a little bit more confident and then

540
00:35:26,640 --> 00:35:28,760
what you need next is maybe a coach.

541
00:35:28,760 --> 00:35:31,220
I think there are a lot of really great creative coaches out there.

542
00:35:31,220 --> 00:35:36,100
And I even started working with one over the past few weeks who has been amazing and helping

543
00:35:36,100 --> 00:35:39,360
me think about the things that actually really matter to me.

544
00:35:39,360 --> 00:35:44,000
And then we went back into the artwork I used to do before I even worked at an AI startup

545
00:35:44,000 --> 00:35:46,960
and all the reasons why I love being creative.

546
00:35:46,960 --> 00:35:51,360
And these were some of the things that I forgot about, but I needed a neutral person to help

547
00:35:51,360 --> 00:35:52,900
me remember.

548
00:35:52,900 --> 00:35:55,440
And also the accountability too, I think is really priceless.

549
00:35:55,440 --> 00:35:59,400
So don't knock investments in working with a coach or a therapist.

550
00:35:59,400 --> 00:36:03,240
I think these are investments towards the you that you truly want to be, that you can

551
00:36:03,240 --> 00:36:04,240
be.

552
00:36:04,240 --> 00:36:07,880
And sometimes you just need someone to help you keep you accountable along the way.

553
00:36:07,880 --> 00:36:09,480
I think the struggle is real.

554
00:36:09,480 --> 00:36:14,160
I think it's common, but I don't think it's also something to be normalized.

555
00:36:14,160 --> 00:36:18,560
And so I think that's something that I've been reckoning with over these past few months

556
00:36:18,560 --> 00:36:21,960
as I've been a little bit more of a hermit with my creativity.

557
00:36:21,960 --> 00:36:26,480
I show up on this podcast every week, but I also have spent a lot of time taking care

558
00:36:26,480 --> 00:36:32,160
of myself, like pouring hours into my work, into my portfolio, crafting services and spending

559
00:36:32,160 --> 00:36:37,100
time thinking about the mindset that helps me feel most creative, like the health level

560
00:36:37,100 --> 00:36:39,920
I need in order to be producing.

561
00:36:39,920 --> 00:36:44,560
And it is a lot of maintenance and with a lot of work comes a lot of maintenance.

562
00:36:44,560 --> 00:36:48,800
And so I try not to be too hard on myself and everyone needs a break.

563
00:36:48,800 --> 00:36:54,600
It's impossible to expect even a machine to keep on going without any oil checks or

564
00:36:54,600 --> 00:36:55,600
maintenance.

565
00:36:55,600 --> 00:36:58,440
So don't treat yourself like a machine in that sense.

566
00:36:58,440 --> 00:37:03,640
Like be human, be a work of biology and give yourself the time you need to rest.

567
00:37:03,640 --> 00:37:08,460
I think another thing that kind of comes into crisis for creative sometimes is this need

568
00:37:08,460 --> 00:37:14,600
for structure and also this question of whether art school is necessary or even super important

569
00:37:14,600 --> 00:37:21,260
if you can learn all the skills online essentially or hire a tutor or someone like literally

570
00:37:21,260 --> 00:37:26,080
anyone in the world these days you can connect with online and get more skills.

571
00:37:26,080 --> 00:37:29,600
And I think that's beautiful because if there's really a skill that you want to learn, you

572
00:37:29,600 --> 00:37:33,840
can hire a private tutor or coach like in any country in the world.

573
00:37:33,840 --> 00:37:38,440
I had a friend even who hired someone who was in South America and the exchange rate

574
00:37:38,440 --> 00:37:39,440
was great.

575
00:37:39,440 --> 00:37:43,880
They're a great producer, but yeah, that's how they get like affordable tutoring for

576
00:37:43,880 --> 00:37:45,000
production work.

577
00:37:45,000 --> 00:37:46,240
And I think that's super smart.

578
00:37:46,240 --> 00:37:51,320
I feel like some of us who come from more traditional educational backgrounds, especially

579
00:37:51,320 --> 00:37:56,200
from the big schools or whatever, sometimes put so much work, mental work into needing

580
00:37:56,200 --> 00:38:00,560
a credential, but the reality is nobody really cares about what kind of pieces of paper you

581
00:38:00,560 --> 00:38:04,400
have unless those pieces of paper are what they want you to produce for them.

582
00:38:04,400 --> 00:38:05,400
You know what I'm saying?

583
00:38:05,400 --> 00:38:10,040
So it's no one's asking you, no one wants to pay you for your Stanford or your Harvard

584
00:38:10,040 --> 00:38:12,480
degree, for example, maybe they want to pay you for your artwork.

585
00:38:12,480 --> 00:38:14,800
What you need to be doing is making that artwork.

586
00:38:14,800 --> 00:38:17,480
And if you go to school, I just want to be very real with you.

587
00:38:17,480 --> 00:38:21,280
The people that you're going to be learning from, they might have practice in the industry,

588
00:38:21,280 --> 00:38:23,040
but their current job is academia.

589
00:38:23,040 --> 00:38:27,000
Their job is to teach you, to guide you, but it is not to build your career.

590
00:38:27,000 --> 00:38:28,880
And I think everyone's career is going to be different.

591
00:38:28,880 --> 00:38:32,920
The world changes so much that things that work for people two years ago don't work for

592
00:38:32,920 --> 00:38:33,920
them now.

593
00:38:33,920 --> 00:38:39,060
People build careers overnight on TikTok and podcasting.

594
00:38:39,060 --> 00:38:40,480
That's just the reality of it.

595
00:38:40,480 --> 00:38:44,080
So if you're being consistent, you're putting out the work and you're keeping up the vibes

596
00:38:44,080 --> 00:38:48,780
and meeting people that honestly, to me, I have more confidence in you and your ability

597
00:38:48,780 --> 00:38:53,640
to succeed than I do with people who just graduated with an art degree, especially if

598
00:38:53,640 --> 00:38:57,780
they've never worked as an artist before and they don't understand what timelines are and

599
00:38:57,780 --> 00:38:59,960
what demands are and turnarounds.

600
00:38:59,960 --> 00:39:05,360
The reality is that working as an artist and being a working artist is, it's a marathon.

601
00:39:05,360 --> 00:39:08,320
It's probably harder than being a stripper at the club, honestly.

602
00:39:08,320 --> 00:39:10,400
And I feel like, honestly, shout out to strippers.

603
00:39:10,400 --> 00:39:15,080
I feel like they put in a lot of work to show up literally naked in vans for people.

604
00:39:15,080 --> 00:39:17,400
That's what being a designer is like sometimes.

605
00:39:17,400 --> 00:39:21,720
And this is not to knock getting more skills or upleveling your training, but I just want

606
00:39:21,720 --> 00:39:22,720
to be real.

607
00:39:22,720 --> 00:39:25,920
School and pursuing education is a full-time endeavor.

608
00:39:25,920 --> 00:39:29,800
And if you are working a full-time job and considering school, you don't always have

609
00:39:29,800 --> 00:39:30,800
to do that.

610
00:39:30,800 --> 00:39:34,960
I think that all of these really traditional paths that people used to follow and require

611
00:39:34,960 --> 00:39:38,120
are no longer needed, especially when the world is changing so fast.

612
00:39:38,120 --> 00:39:42,080
It's impossible to expect everyone to have a four-year degree in the skill set that you're

613
00:39:42,080 --> 00:39:46,620
asking for, especially in a world where we ask graphic designers to also be motion designers

614
00:39:46,620 --> 00:39:49,260
and good at social media and know how to work in startups.

615
00:39:49,260 --> 00:39:50,560
I would say just get a job.

616
00:39:50,560 --> 00:39:55,200
Get a job, learn how to do it really well, and respect your craft, respect your time,

617
00:39:55,200 --> 00:39:59,960
and know how to provide your outputs in a way that feels comfortable to you.

618
00:39:59,960 --> 00:40:01,600
And no one can really tell you how to do that.

619
00:40:01,600 --> 00:40:03,800
You have to be honest with yourself and figure it out.

620
00:40:03,800 --> 00:40:05,280
No one will do it for you.

621
00:40:05,280 --> 00:40:11,120
And that's why I say just get a job, work, and develop your relationships, your boundaries,

622
00:40:11,120 --> 00:40:12,960
and your skills for speaking with people.

623
00:40:12,960 --> 00:40:17,160
Now, if that sounds like a lot, I just want you to be realistic with how much time you

624
00:40:17,160 --> 00:40:18,340
have to dedicate.

625
00:40:18,340 --> 00:40:22,360
If it's starting to impact your sleep schedule, maybe don't do that.

626
00:40:22,360 --> 00:40:24,160
It's impacting your internal peace.

627
00:40:24,160 --> 00:40:29,160
Re-evaluate, cultivate some patience, black out your calendar, and show up no matter what

628
00:40:29,160 --> 00:40:30,760
for your practice.

629
00:40:30,760 --> 00:40:35,600
Meet with people, get them on the phone, even if it's to discuss their work or to discuss

630
00:40:35,600 --> 00:40:36,600
your own.

631
00:40:36,600 --> 00:40:41,080
Get feedback from people and ask lots of different people to form your own opinion.

632
00:40:41,080 --> 00:40:45,780
I think chances are you might need to rearrange or re-evaluate if you're not feeling good

633
00:40:45,780 --> 00:40:47,680
about the creative work that you're doing.

634
00:40:47,680 --> 00:40:52,400
Now, to tell you a little bit about my story, I graduated from Stanford in 2018.

635
00:40:52,400 --> 00:40:55,760
My first job out of school was working as a recruiting coordinator at Google.

636
00:40:55,760 --> 00:40:57,400
I really did not like it.

637
00:40:57,400 --> 00:40:59,360
Nothing to do with the company overall.

638
00:40:59,360 --> 00:41:04,800
I just really had no desire to go into resources and operations or recruiting path at a tech

639
00:41:04,800 --> 00:41:05,800
company.

640
00:41:05,800 --> 00:41:10,020
The year was 2018 and I also learned that a lot of the success metrics were just based

641
00:41:10,020 --> 00:41:12,880
on how many people you could schedule on a calendar.

642
00:41:12,880 --> 00:41:17,200
It was really similar to what many hosts do at restaurants, which is not to knock the

643
00:41:17,200 --> 00:41:21,600
job of hosting, but I just felt that I wasn't actually connecting with people on the way

644
00:41:21,600 --> 00:41:24,640
that I thought that human resources people do.

645
00:41:24,640 --> 00:41:28,720
I think the lore of choosing a predetermined path like this in the tech industry works

646
00:41:28,720 --> 00:41:33,000
for some people, but for me personally, it triggered an existential crisis, especially

647
00:41:33,000 --> 00:41:37,640
as someone who took a lot of art classes, really did a lot of art, and worked with people

648
00:41:37,640 --> 00:41:39,760
in a sociological context.

649
00:41:39,760 --> 00:41:42,000
For me, I quit this job after three months.

650
00:41:42,000 --> 00:41:43,120
I went back home to Vegas.

651
00:41:43,120 --> 00:41:47,360
I worked in restaurants for four more months and just started investing my money, which

652
00:41:47,360 --> 00:41:49,560
then I was able to move out to New York.

653
00:41:49,560 --> 00:41:50,960
But I kept on working in restaurants.

654
00:41:50,960 --> 00:41:55,480
I knew I wanted to be a designer, so took on an assistantship job I found on Craigslist

655
00:41:55,480 --> 00:41:59,680
with a jewelry designer for a few months as I was working in restaurants, as I was going

656
00:41:59,680 --> 00:42:01,100
to Shillington part time.

657
00:42:01,100 --> 00:42:02,320
And then COVID happened.

658
00:42:02,320 --> 00:42:05,440
When that happened, basically my restaurant jobs closed down.

659
00:42:05,440 --> 00:42:11,440
I was collecting unemployment because many people were, who especially worked in jobs

660
00:42:11,440 --> 00:42:16,400
that could no longer be open because it was 2020 in New York.

661
00:42:16,400 --> 00:42:19,240
And at that point, I had to use my network to get design jobs.

662
00:42:19,240 --> 00:42:24,440
I was still in school part time, but I knew how to turn over deliverables quickly because

663
00:42:24,440 --> 00:42:25,920
I was really passionate about design.

664
00:42:25,920 --> 00:42:28,600
I had done it even before being in school part time.

665
00:42:28,600 --> 00:42:32,360
And I had to move back home to Vegas and I was paying New York rent while still living

666
00:42:32,360 --> 00:42:34,280
with my parents in Vegas again.

667
00:42:34,280 --> 00:42:38,040
And living in New York City full time was really not for me at that moment.

668
00:42:38,040 --> 00:42:43,280
I had really wished that I could have graduated and done the whole New York City thing full

669
00:42:43,280 --> 00:42:47,040
time, but that just wasn't the alignment of how things worked out.

670
00:42:47,040 --> 00:42:50,160
But I spent nine months at home in Vegas working online.

671
00:42:50,160 --> 00:42:53,260
I found a job at a social media agency.

672
00:42:53,260 --> 00:42:58,120
And then I saved up enough money through working and investing again, which let me go back

673
00:42:58,120 --> 00:43:00,520
to New York City for just a couple of weeks.

674
00:43:00,520 --> 00:43:03,560
And from there, I ended up moving to Maui.

675
00:43:03,560 --> 00:43:05,840
And I planned on just being there for a couple of weeks.

676
00:43:05,840 --> 00:43:07,720
I ended up staying for three years.

677
00:43:07,720 --> 00:43:10,720
And obviously those three years didn't just fly by.

678
00:43:10,720 --> 00:43:13,360
In that time, I did all sorts of jobs.

679
00:43:13,360 --> 00:43:14,680
I worked at an AI startup.

680
00:43:14,680 --> 00:43:20,360
I worked on myself a lot because as you can hear from 2018 to 2020, a lot of things happened

681
00:43:20,360 --> 00:43:23,000
and I just needed to give myself a break.

682
00:43:23,000 --> 00:43:26,480
But I knew I still loved being creative and that I wanted to work.

683
00:43:26,480 --> 00:43:30,520
And so that kind of brings me back to now where I feel like in the world of today, it's

684
00:43:30,520 --> 00:43:33,840
really important to figure out what works for you.

685
00:43:33,840 --> 00:43:39,040
And I think working online is one of the biggest gifts because you don't have to be anywhere.

686
00:43:39,040 --> 00:43:40,520
You can take your work with you.

687
00:43:40,520 --> 00:43:43,480
There are really practical reasons why it's good to be mobile.

688
00:43:43,480 --> 00:43:48,720
There are natural disasters, for example, just all across the West Coast every summer,

689
00:43:48,720 --> 00:43:52,840
fires, hurricanes, Houston, for talking about Texas.

690
00:43:52,840 --> 00:43:57,320
And even sometimes tech work is not always guaranteed.

691
00:43:57,320 --> 00:44:02,160
So I think that it's nice to have sources of income and ways of getting money that aren't

692
00:44:02,160 --> 00:44:05,720
really on the clock where you have to be at a job full time.

693
00:44:05,720 --> 00:44:09,200
And it might sound a lot of moving around and hard to figure out, but the reality is

694
00:44:09,200 --> 00:44:10,200
it is.

695
00:44:10,200 --> 00:44:12,400
So at times I've had to give myself a break.

696
00:44:12,400 --> 00:44:14,240
I'd say cut yourself some slack.

697
00:44:14,240 --> 00:44:17,120
This is not easy, but people still do it.

698
00:44:17,120 --> 00:44:20,880
And at the end of the day, I've had to ask myself, how much does this matter to me?

699
00:44:20,880 --> 00:44:25,400
And this is something I've continued to do, creative work and finding a way to put myself

700
00:44:25,400 --> 00:44:27,480
out there despite all these changes.

701
00:44:27,480 --> 00:44:29,560
And so I feel like this is my path.

702
00:44:29,560 --> 00:44:33,760
And you might not always know what is on your journey, but I think it's important to ask

703
00:44:33,760 --> 00:44:36,560
yourself the hard questions, keep on trying.

704
00:44:36,560 --> 00:44:41,800
And just I think with a lot of destruction and the death of the old is a promise of the

705
00:44:41,800 --> 00:44:42,800
birth of a new.

706
00:44:42,800 --> 00:44:45,120
And that's one of the things that keeps me going.

707
00:44:45,120 --> 00:44:46,120
Yeah.

708
00:44:46,120 --> 00:44:49,320
And amid all this too, I think it's really nice to have a coach because I've learned

709
00:44:49,320 --> 00:44:53,920
to try to have fun still in all of this because a lot, there are a lot of things in life that

710
00:44:53,920 --> 00:44:56,480
are not super fun, it can be really hard.

711
00:44:56,480 --> 00:44:59,440
Trust me, I know it can be really hard.

712
00:44:59,440 --> 00:45:05,040
There are a lot of isms many of us are facing and situations and circumstances, but I think

713
00:45:05,040 --> 00:45:12,840
the only way that we have out of these structure forced upon us are creativity.

714
00:45:12,840 --> 00:45:17,240
And that is why I think it's worth engaging in because it's no longer just about us as

715
00:45:17,240 --> 00:45:21,280
individuals and what we're doing, but it's much larger than that.

716
00:45:21,280 --> 00:45:25,040
And I think that's what I live for is being a part of something larger than me.

717
00:45:25,040 --> 00:45:27,240
So that is this episode of the pool party.

718
00:45:27,240 --> 00:45:29,720
We went through a lot of places on this episode.

719
00:45:29,720 --> 00:45:32,640
I think it's because work is really complicated, honestly.

720
00:45:32,640 --> 00:45:36,680
And if I were just to tell you how to craft a cover letter, a resume and do your portfolio,

721
00:45:36,680 --> 00:45:42,320
I feel like I would be doing you a disservice because the reality of it is a lot more complex.

722
00:45:42,320 --> 00:45:46,820
I think some of this reality is also hidden at times in traditional education models.

723
00:45:46,820 --> 00:45:51,720
And I feel that it is possible to learn everything you need to know in order to make it as a

724
00:45:51,720 --> 00:45:52,880
creative today.

725
00:45:52,880 --> 00:45:56,400
And so that's why I shared my two cents and then some.

726
00:45:56,400 --> 00:46:00,840
And if you have any questions or thoughts, maybe even your own journey to share, I would

727
00:46:00,840 --> 00:46:02,080
love to hear about it.

728
00:46:02,080 --> 00:46:08,520
You can contact me at my website, juliaspirit.me.

729
00:46:08,520 --> 00:46:12,320
This has been this episode of the pool party and I will talk to you next week.

730
00:46:12,320 --> 00:46:16,360
Oh, and if you haven't already, go ahead and rate this podcast five stars.

731
00:46:16,360 --> 00:46:21,600
Tell me wherever you listen to podcasts and you can also go to my website, juliaspirit.me.

732
00:46:21,600 --> 00:46:25,440
And if you're looking for an illustrator, I am now offering a three illustration and

733
00:46:25,440 --> 00:46:32,720
graphic design package for podcasters, musicians, maybe you're a DJ, maybe you have a podcast,

734
00:46:32,720 --> 00:46:34,760
you're up and coming and you need key art.

735
00:46:34,760 --> 00:46:36,040
I would love to do that for you.

736
00:46:36,040 --> 00:46:39,140
We can even work on social media, but let's fill out your key art first.

737
00:46:39,140 --> 00:46:46,720
So hit me up online and I will talk to you soon.

