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Hey friends, it's Jules and welcome to the pool party.

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I thought we would do something a little bit different today and in the same vein of talking

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about branding, creativity, design, what it takes to make design, I wanted to switch it

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up a little bit and talk about self-care for creatives and when it's time to reassess,

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revisit and revise our work.

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And when I'm talking about our work, this broader context of the roles we do, how we

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define ourselves as multi-hyphenates, maybe you're a designer, photographer, someone

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who has your own business and in that case, you're able to make decisions and decide

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what you work on but sometimes that task can be quite daunting.

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Honestly, with the internet and social media, there have been many new businesses I've

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seen my friends and collaborators be able to make over the years and while it's exciting,

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I think some of the social media platforms we see don't really show all of the work

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that goes behind being a producer, what it takes to build a business with longevity and

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to be honest, I think many folks really figure it out on the fly.

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As a person who is in my 20s, my late 20s now, I find that I see people start new ventures

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all the time and it's really hard to know whether that idea is going to be something

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that lasts a season or a long time.

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I genuinely don't believe that anyone can tell you what the answer is, what's going

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to happen next and the reality is you just have to check in with yourself.

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You have to be very real about what is working for you, why it's working, if you're learning,

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if it's contributing to your goals and if it isn't anymore, why that might be and everything

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is a learning process.

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I think work is one of the things that we will, whether we like to or not, have to engage

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with for a large part of our lives and since the pandemic, work has also gone remote.

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Work has changed, titles have changed, it's consolidated, become more quick and I think

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sometimes it's hard not to change.

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Things are rapidly changing, especially for the creative industry and while you might

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have been a producer even early on in your career, it's very easy to even transition

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to a creative director role but then the context in which you work, what companies you work

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for can also change.

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So this is exciting, there's a lot of room to grow and develop but I also find that there's

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this issue that comes up which can at times be paralyzing and that's this question, what

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do I really want to do, what do you want to do and what is it going to look like in the

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next few years?

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I think due to the unpredictable nature of the creative industry and over the past few

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years we've seen a slowdown even in the amount of jobs that are offered to some creatives,

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it can be hard for people to plan and planning is great because it helps to create realistic

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goals and find skills to improve upon but the truth is I think that as quickly as industries

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change into your job titles, so do our internal compasses and we have to make decisions quickly.

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And so in this podcast today, I want to talk a bit about this concept of creating an offer

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that really makes sense to you with what you're aligned with in this moment, this season of

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your life and some things to consider as you're offering a new service as a creative or even

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product and then I want to talk a bit about this Japanese concept of Ikigai and you may

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have heard this before but I think it's important to revisit especially for creatives because

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I mentioned this a few times, I think one of the issues that creatives run into is that

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let's say you're a designer, graphic designer, it's really easy to work for an agency, get

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work assigned to you and continue doing that work for months, maybe even years and then

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not really think about the business aspect, how this work comes in, how much you get paid

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and to even really grow beyond that role other than churning out projects and increasing

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speed and efficiency.

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I find that many designers and creatives, they get into this line of work not to necessarily

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become a more efficient part of a creative machine but because they have a true deep

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and deep love of design process, they like the way it engages their brain and I think

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this is a fantastic way to get involved in the industry but there are a few paths to

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go and at the end of the day, I think one of the most beautiful outcomes is to maintain

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creative decisions and design thinking and apply that to your skill set and even design

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and create a job, a career that you truly love, that you feel really benefits the people

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you work with and makes the world a better place and I think these are pieces of a triangle

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that fall flat with many designers as they start to get their first few industry jobs

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and it's because the work is tough, it's not always easy going, sometimes there are

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long hours demanding clients and it becomes a mental game, a game of prioritizing what

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you value, what you truly want to get out of a role and then not letting all the other

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factors that might slip in, other people's stress get to you and why you decided to start

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in the first place.

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So again, we're going to talk about a bit of self-care for creatives today, when it's

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time to reassess, revisit and revise and then as we begin to talk about crafting an offer

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that really speaks to you, what you love and what you need in the season of your life,

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we'll discuss this Japanese concept of Ikigai.

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So let's dive in!

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As we've discussed this grand project of branding, values and essentially building

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companies from scratch, that is oftentimes what people set out to do with the goal of

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branding and design.

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And in my opinion, I think that some of the best companies and brands start with really

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strong values of services that they offer and what they essentially want to branch out

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and do in the world.

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The reality is that over the years, we've seen across many industries that people will

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sometimes use branding and hire brand marketers in order to essentially create a mask and

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beautiful packaging that masks up a much more sinister reality of the work life culture

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they're creating, false promises of product that aren't actually creating the outcomes

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that they want, yet they sell a ton because the branding is beautiful, there is this whole

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vibe and there is a psychology to branding and marketing where if it looks good, it must

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be good.

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I think this is one of the realities and the truths behind branding that sometimes designers

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can fall into.

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Oftentimes when you take on a job, you can ask your employer a few questions and then

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obviously everyone wants a job to work out in their best favor, but what do you do when

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the role you were promised ends up becoming something that really drags you down and no

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longer aligns with your values?

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The product mission that you were sold isn't actually firm and then as a designer and an

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artist, you're being tasked with this role of putting on makeup around an idea that isn't

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so pretty and taking this ugly idea in order to sell it to the broader public.

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This is actually something that's really common in the design industry, especially when it

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comes to roles where people hire in-house designers and they hire them to do a branding

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project but the product isn't quite done yet.

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I have had many friends over the years who have worked for startups or have been contracted

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by companies and they fell in love with the creative work and they get excited because

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they want to work for a big brand and make a good salary, but then they find out that

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they don't really believe in the product that they're building.

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And so we're going to go back to this question of when is it a good time to recess and revisit

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and revise the work that you do?

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In my opinion, that time is any time where it feels like what you're doing no longer

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aligns with your personal values.

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And in this podcast, I've talked a lot about people who might be going out and starting

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their own venture and they get the opportunity to build from scratch.

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Maybe that's you right now and that's a great place to be in.

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But for many designers and artists and creatives, maybe you've taken on a job where your role

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has been compartmentalized and there are lots of things about the job that you enjoy.

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You get to apply your skill set, but maybe you no longer believe in what your company

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is doing.

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There is a phrase that maybe you've heard of before and I think it really applies in

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this scenario.

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If it's not a hell yes, it's a hell no.

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In my opinion, I think one of the great goals of branding, especially for yourself, is to

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become more of yourself, to get to know your talents and share that with people.

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And branding is not a scam in this sense.

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Branding is not a scam in this sense.

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There are many people who will hire branders, unfortunately with the malicious intent of

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pulling a fast one on the public to really try to get something through the door.

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And truthfully, that's a red flag.

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And it's hard to describe when you know it's happening, but when you recognize that it

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is, your instincts are so important.

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I got into design because I thought it was a great way of communicating to the public.

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I wanted to inspire people and help them be more connected with each other.

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I learned about mood boarding, brand values, and creating artwork that would translate

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a vision to a wide variety of people and that to me felt like a superpower.

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It is a superpower and I think it's one that needs to be used carefully.

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Some of you may have the pleasure of working on projects that do offer a lot of good to

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people.

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Whether that because you're working on a project that is meant to assist organizations that

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are connecting people with resources that they need or putting on events that bring

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a lot of value.

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There are also projects out there, many companies I feel, that get into any line of work essentially

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to churn profit, to productize, to sell, and not even really sometimes vet their products,

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but they understand that you need money and the biggest thing that they ever want to do

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is just maximize profit.

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I feel like this is probably one of the most shallow values you could have, especially

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because you could maximize profit while helping people.

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And I don't think that these two things are mutually exclusive, but I have seen a trend

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over the years where people will maximize profit at any cost, especially at the cost

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of relationships to people, the health of the environment, and quality of design work.

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Now that last one I think probably pales in comparison to the first two.

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It's really important to keep good working relationships with people and I think there

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is also a biological clock that we all run on and that is the health of our earth.

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In the digital age, a few creatives, many creatives out there work with deliverables

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that are not made on print products, do not need to be made in a factory, and there may

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be this misconception that because people are not working with physical products, there

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isn't a cost, a biological cost.

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But there's a lot of strain I've seen put on creatives who work around the clock in

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the digital age and this leads to burnout.

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I think before people even can recognize what's happening, the cycle of making money, of being

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attached to a computer happens so quickly, people can't unplug and I've experienced

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this myself even.

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It gets really scary because there's this question of how do you stop?

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Is the work going to be relevant?

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I don't really know how to answer any one of these questions to be honest, but I'll

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give you an example, when I worked in social media, a lot of times there would be new trends

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developing every single day and while we could plan as much as possible for a calendar, if

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you want to act on a trend and maximize viewership, you have to act within frankly a one to two

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day window and if you don't, it's highly likely you'll pass on the opportunity to

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grow at the pace of that trend and you'll miss out.

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There's a lot of this fear of missing out that happens I think with companies and marketers,

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people who create this content, but I feel that it can create a really unhealthy dynamic

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and I think it's interesting that oftentimes people very early on in their career are hired

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in task with this burden of creating trending content.

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I genuinely feel it's because there's also a big burnout period that happens after making

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this type of content for months on end and I think now with this discussion of a surgeon

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general warning on social media and consuming content, I also want to flag that in the background,

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I do think that there is a cost to making this type of content.

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When I used to work at a social media agency, I wouldn't just be making trending content

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for a single account, I would be making it across all accounts and while I know the boxes

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to tick for a trend and what it needs to look like in order to be passable to an audience,

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I was operating so quickly that at times it didn't necessarily matter if I was hitting

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the process of a good design flow, what mattered is that we got it out the door fast and I

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think for me that satisfaction of creating good design really went down and I started

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to prioritize pleasing the algorithm but from this point of view of not doing it necessarily

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for myself even but for all of these brand accounts that I worked on and my agency was

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tasked with.

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Now I know there are many people who think that this might be a dream role of working

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with many celebrities and big brands, honestly I think at the start of your career it really

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is and it can be but and that's not to knock all of the great benefits that I got from

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doing this type of work and the audiences I got to touch but it did come at this cost

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of where I was no longer satisfied with any of these metrics and I started to feel a high

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level of disdain for the feedback that I would get that I knew would not necessarily matter

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for the design or for the content because what mattered most of all was that we just

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kept on making more and then these people who we worked with had content to put out

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and it's challenging because when you work in a digital sense for algorithms, a lot of

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times volume does count a lot so does consistency and timing but when the trends change so quickly

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it can become a huge burnout role to essentially be on multiple accounts creating content and

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not really being able to retain any of that creativity or talent for yourself so I started

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to feel extremely drained doing this type of work but I was also burdened with this

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fact that I was really early on in my career and that most people actually would only really

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want to hire me for social media work not for some of these longer term brand or design

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projects that might have a slower pace so I think it's interesting now in this guys

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of pop psychology and when it comes to talking about burnout there's this idea that we can

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control our burnouts and essentially the rate at which it happens by having boundaries and

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sometimes those boundaries don't necessarily look like communicating that you can't do

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a certain type of work but it's also turning off the computer past a certain hour I know

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some folks who genuinely could not do that working in a social media context especially

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with the type of clientele that they work with and I find that this is extremely bad

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for mental health and it's really good to get ahead of this so while I couldn't have

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predicted my level of burnout I feel that when you go into a role it's important to

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have at least a few days out of the week in which you do absolutely log off at 5pm I know

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that sometimes last minute things come up but I genuinely don't believe it's fair for

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employers to ask their employees to stay on or be available for edits or changes past

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8pm especially when the workload is such that it's going to be there the next day and that

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there are deadlines multiple deadlines coming up in the same week I at the beginning of

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my career would just say yes to anything and there are times for sure where you definitely

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need to say yes if there's if these are like the only projects you can work on but I got

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so used to saying yes to the point where I just even if I was so burnt out and I had

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nothing to offer creatively I would feel anxiety saying no so I've gotten a bit into this

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personal story of my burnouts and I wish I could tell you that I handled it the right

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way but realistically what happened was that I hit a wall where I wasn't setting where

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I wasn't setting boundaries that one day I found a backup project that I could do that

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would make me enough money in the meantime and I put in my two weeks notice if I had

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the opportunity to go back I really wish that I actually practice having stronger boundaries

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before putting in my notice and I'll tell you why it's because I didn't really solve

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this problem I had with boundaries and saying yes or no to work I just delayed it but here's

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the problem I was working weekends nights taking on freelance projects on the side of

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a full-time creative job and this is what I probably would have done instead to create

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boundaries on the side instead of essentially cold turkey putting in a two weeks notice

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so here are some ways that you can have a better sense of boundaries and your own creative

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direction and I think that these ideas that I'm going to offer you are also what's going

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to help preserve your sense of creativity your personal mental space and then also help

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you feel like you have a better control of your creative process and this first one might

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be obvious but it's go on a social media cleanse I think that there are many roles these days

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where creatives are tasked with knowing what the trends are and that has developed into

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a chronic sense of being online genuinely there's no reason why you need to be scrolling

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on your phone on the weekends or after work especially if you work in the realm of social

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media I know that it might seem hard to delete the app sometimes but I was discussing this

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with a friend the other day I feel that the algorithms and the trends have gotten so good

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at hooking people's attention that the act of it becomes as addictive if not as harmful

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as basically vaping constantly and the dopamine rush you get becomes so highly charged that

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it's hard to tell when you've gotten your fill and so what I would do

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instead is some people even say that they have another phone or a separate iPad for

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social media and their work socials I think this is also a really good idea just for hygiene

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to keep it separate have that work phone use it only during the day and then put it aside

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don't mix your work and your personal phone and social media together I think that may

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lead to a lot of problems and there are also times too where I saw people who worked in

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social media accidentally post to professional accounts when they were really actually like

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at a bar trying to have a good time with their friends and I think you can avoid that just

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by having a separate phone of course not everyone can afford this until I think that at some

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point you do need to develop a personal boundary of just fully shutting off socials and only

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responding and logging in when it's needed at this moment in time I've gone on the longest

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social cleanse I've ever gone I haven't logged on to Instagram or TikTok in about three weeks

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but before that I would log in just once a week to post and respond to direct messages

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and then I would delete that from my phone and the reason why I did this was because

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I got into this really destructive cycle of scrolling just to feel like I was knowing

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what was going on in the world but the reality is new things happen all the time and I started

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prioritizing what was happening on my phone more so than actually being a person in the

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world and going out to events and talking to people around me in order to get a sense

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of what was happening in my own life one thing that's really good to do if you decide to

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go on a social media cleanse is to actually tell your close friends and the people you

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meet who might be new friends that you have social media boundaries or that you are not

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going online as often these days just so they know that you're not ignoring them and I know

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this seems like a little extra task but interestingly enough when I'm not on social media as much

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I text my friends more I actually directly send them photos and videos and that's something

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that makes me happy because I want to be intentional about what I put out into the world and I

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don't just want to contribute to the sense of FOMO that I know people get from seeing

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other people's Instagram stories this might seem like a bit of a chant tangent but I genuinely

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feel that platforms like Instagram are made with intention of preying on FOMO which is

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like the fear of missing out and that sense of anxiety that you might have if you're

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not at an event but what I see so often with friends and people who work in social or chronically

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online is that they basically never rest and I started to get this feeling of hanging out

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with my friends who work in social media that they're just constantly trained and they

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never really have a sense of peace and genuinely that would impact my health as well so what

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do you do instead of being on social media there are so many things to do you can go

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to an art library I visited Los Angeles recently and Glendale has a beautiful art library called

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the brand and you can go for free get a library card and there are so many books on art how

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to draw on music magazines and biographies of artists that are so entertaining and you

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can even listen to podcasts they have there it's a beautiful space I think that what's

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wanting in the world is the sense of self-reflection of time away from the pressure of creating

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content that only fuels the sense of this fear of missing out and then wanting people

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to get out to do more but I'm starting to feel that people are doing more than enough

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but they're not resting and that's not the type of world I want to live in so I want

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you to consider what would the version of you who has what you want do about this particular

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scenario and I think sometimes we act so much from this place of not having enough not being

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enough and I think social media is largely responsible for this and it's not the aspect

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of seeing your friends online I think it's that genuinely the algorithms are predatory

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and they manufacture this anxiety because it's to their benefit it keeps you online

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it keeps you hooked it keeps you doing things you might not even feel like you want to do

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just to impress people you might not even care about and there are studies on this and

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I think if you are chronically online or if you use social media enough you will know

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how this feels I think instead of overdoing it one thing that's good to cultivate especially

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for creatives is this thing that I call Jomo which is the joy of missing out so let's talk

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a little bit more about this but first let's go on a break

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Hey!

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Do you love this podcast?

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Alright, I'm gonna need you to follow it, read it 5 stars and share it with a friend.

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I'm asking because this helps me continue to make more of these podcasts, give you my

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thoughts on branding, design and free advice.

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Also head over to JuliaEspero.me that's J-U-L-I-A-E-S-P-E-R-O.me and sign up for my newsletter.

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Alright, thanks and let's get back into the podcast.

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There were moments in my early 20s where I would go out just to say that I did.

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I wanted to have a packed calendar, experience everything.

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I was living in San Francisco and if there was ever a moment where I experienced any

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sort of downtime, I felt sad.

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It didn't matter what I was doing as long as I had plans, I somehow felt that I was

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making the most of my life.

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The problem is I'd come home feeling empty and depleted.

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Now in my late 20s, I'm trying to switch over to this sense of JOMO, this joy of missing

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out as opposed to the fear of missing out I faced in my early 20s.

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So in my late 20s, I set goals for my personal work and I itch to make them happen.

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When I finally do, I feel relieved and I think one of the reasons why I'm able to do this

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is because I save energy, I prioritize rest, care, relaxation.

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I made a list of things that I genuinely enjoy doing and that's reading, going to libraries,

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taking long showers, doing my YouTube workouts.

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These are all things that I love doing in my free time, especially when the clock hits

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5pm and I know that it's important to do these things because later on, they fuel my

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creative battery and my ability to produce work.

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I feel inspired by the activities I have outside of work and while they might not actively

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be making me money, I know I'm investing back into myself.

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So I have a little bit of a list for some quick advice when it comes to finding your

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personal true nor's and developing this sense of intuition of what might fuel you, what

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might replenish you.

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And it's quite simple, it's just four things.

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And the first piece of advice I have is don't take advice from people who aren't taking

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the same risk you are.

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And I think pursuing a creative career is a very special and particular type of risk.

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Like I mentioned, I think it requires a certain amount of rest and reflection, piecing together

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inspiration, but also devoting time to work and pursuing your craft.

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And this was something I noticed that a lot of people around me in my early 20s were not

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doing.

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They were on a very defined career path as engineers or maybe pursuing academia.

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But for me, I had to learn about my own creative cycle, what helps me create the best work.

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And sometimes I would get advice from people to work hard, play hard.

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But the reality is they weren't taking the same risks as me.

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They didn't have the same vision for their future that I did.

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And when I followed that advice, work hard, play hard, I actually didn't really have

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any energy to make creative work I felt proud of.

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While that might have worked for someone else, they were following a different life path

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and they were taking a different set of risks.

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So again, don't take advice from people who aren't taking the same risks you are.

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They don't have the same things on the line.

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They may not even have the same vision.

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Ultimately, that's for you to decide.

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But if you're in a phase of gathering information, take other people's advice with a grain of

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salt and really don't ask advice from people who don't have the life that you wish to

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have.

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Some people want to be there for you as a friend when you're going through a rough

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time.

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But unless they have the life that you might want to take inspiration from, seriously,

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don't even ask for it.

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Don't listen to it.

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Or you can be present for it, but in one year, out the other and cap the amount of time you

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spend listening to that advice.

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You need to find what your true north is.

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And I think that the most well rested bodies and rested minds will create a sense of true

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north for creatives where you will know what the next step is.

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So that's actually advice number two.

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Don't take advice from people who aren't living the kind of life you want to live.

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And while we can get a lot of FOMO and inspiration from people online, maybe try to meet people

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out in the wild who are living the life that you want.

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And there might be aspects of their life that you really enjoy, and there might be other

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aspects that you don't.

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And that might just be because it's their life, it's their personal choice.

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And so you can essentially pick and choose, but don't get obsessed with the highlight reel

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of someone else's life.

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Because the reality is, I know many people who work extremely draining hours, whose life

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looks really good on social media, but I would not trade my life for theirs in a single second.

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All right, piece of advice number three, investing in self might be the best investment.

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And I think that this is important to learn, not just from an educational sense in pursuing

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your career, or even spending money on things that you think will help you with your career.

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I think you can take time and learn to discipline yourself with time.

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And I find that really setting boundaries and limits with the work and social media

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is important because time is your personal currency that you can then use to devote to

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things that actually interest you.

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And I think for this fourth piece of advice, it's super important to find things that

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actually interest you, but it's only going to come when you have even the smallest amount

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of time to devote to yourself.

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Even if today you only have 30 minutes, spend 30 minutes in silence, maybe spend even 10

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minutes of that 30 minutes in silence, just asking yourself what you like, what you want

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to do, and then allow yourself to engage with that joy of doing the things that you like.

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And this all ties back into the joy of missing out because all of us have a limited amount

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of time.

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I don't mean for this to get dark, but going back to that biological clock, we live on

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the earth and the earth has its own timeline, but we also have our own timeline.

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Many of us may live a long life, but some of us will not.

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And I think it's really important to understand the biological processes of our bodies, the

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rest they need in order to feel creative and nourish the relationships that we need in

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order to feel motivated.

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And I think this is a really delicate balance to maintain these days, especially when there

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are all these little earworms and trends and social media platforms vying for our attention.

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I think that really dedicating time to ourselves and exploration and pouring into ourselves

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is truly the only way out of this mess.

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And lastly, I just want to leave you with this before we go into this concept of Ikigai.

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Just because you can do something doesn't mean you necessarily should.

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And this is something that I wish I had really internalized early on in my career.

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I think sometimes people treat creatives, especially designers, like magicians, and

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I think having the talent and the skills to use a lot of different tools to read boards,

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storyboard, and create a vision is extremely powerful.

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But just because you can do something quickly or you can sell the vision of a product doesn't

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necessarily mean you should.

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None of us creates within a silo and I think it's important to take a step back to get

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to know what kind of world we want to live in and if what we're doing every day is contributing

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to that world that we want to create, that we can tolerate living in.

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So lastly, we're going to talk about this Japanese concept of Ikigai and I think this

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is really important for examining when you make your first offer.

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And if you are going on the path of freelancing, you work for yourself.

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This Japanese concept of Ikigai has become really popular and it's this mix of what you're

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good at, what you like, what people need, and what can make you money.

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Let's say that you're in a career that you don't particularly enjoy.

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That might be the piece of your life that makes you money.

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And then there are a few other buckets you can fill in terms of knowing what you're good

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at, what you like, and what people need.

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So maybe today what you spend your time investing in is just doing this journaling exercise,

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taking a walk, listening to this podcast, and really truly answering, taking the time

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to find a piece of the puzzle to all of these things.

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And I think it's important to understand that you're not going to know right away.

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This is not a question to be answered overnight, but the beauty of this is we can keep on returning

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to these questions.

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What am I good at?

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What do I like?

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What do people need?

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What can make me money?

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And over time, the hope is that we can create our own individual sense of balance that fulfills

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all these needs and reaches back to a broader sense of value that isn't necessarily based

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on just maximizing profit or increasing shareholder yields.

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It's going to pour back into us.

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And I think this is really important because you're only early in your career for so long

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and then suddenly you're mid-weight and then you're senior and then you're the creative

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director.

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I think it's important to recognize that we are always the creative director of our own

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lives and that starts with right now.

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That starts with today, the types of thoughts that we tell ourselves, the types of habits

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we engage with.

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And I think it can be a lot more simple than we make it out to be.

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That is my episode today on self-care for creatives when it's time to reassess and revisit

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and revise.

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I would love to hear from you and what you have done in your life if you're creative,

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if you've worked in burnout creative roles, or if you've found the perfect balance.

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I would venture to guess that not many people have, but we're all working on this together

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and I find that online community is so important in finding your true-knowers and finding a

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sense of strength in making the right decisions for you.

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If you could please give this episode a like or five stars, follow it.

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Wherever you listen to this podcast is now available on all streaming platforms.

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And if you have any more questions about branding and design, you can listen to the other episodes

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in this series and most of all, you can always visit my website, juliaaspero.me.

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J-U-L-I-A-E as in elephant, S-P-E-R-O dot me.

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Alright, thank you for listening to the pool party and I will talk to you next time.

