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Hi friends, this is Jules and welcome to the pool party.

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I'm really excited to share this episode with you today.

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It is a topic I hold very near and dear to my heart and it's something that I have been

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talking to other people about lately, whether they're designers or they're starting their

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own company, firms, and want to hire designers.

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And this episode is going to be on how to work with designers.

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We've been talking about branding, design, how to create an artist's persona, launch

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yourself as a DIY artist, entrepreneur, etc.

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I have done a variety of all of these things and helped many people create their branding,

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websites, and outreach for any of these particular tasks and let me tell you, it's a lot.

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And it's fun, it definitely is fun, but it is work.

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And ultimately, I believe this is why being a designer is such an important skill to have.

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There's a lot of different design roles out there.

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And ultimately, when you're taking on the task of creating your own project and directing

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it, you're eventually going to need to hire designers.

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So today we're going to talk about the capacity in which you can hire designers, when to do

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it, where to find designers, and the experiences I've had working with agencies both as a

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designer and as someone who has hired agencies.

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I might also tell you some of my thoughts I have on Fiverr.

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Is it good or is it not?

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So let's go ahead and dive in and get into the broader topic of hiring other designers

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and the capacity in which designers could work for you.

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So if you're hiring a designer, we're going to assume that you have projects already.

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There are a few ways you can hire designers and we're going to talk about the types of

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contracts first because these are going to come in handy later when we discuss types

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of tasks you might need to hire a designer for.

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So there are a few capacities.

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There's freelance, contract, part-time, and full-time.

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Depending on who you are and what kind of business you have, that'll mostly determine

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the capacity with which you can work with a designer.

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The other thing to consider is how much money you're making, essentially what kind of design

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work you have, and how consistent you can be in delivering design work to a designer.

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If you are just starting out, let's say that you need a project-based branding or you have

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a little extra design work that you could pass off to a designer, chances are you want

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to work with someone freelance.

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And in a freelance position, this person essentially signs on with you for a contract.

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And there are two ways to do this.

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You could hire someone hourly or project-based.

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The average, I would say, pay rates for a brand spanking new designer.

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A lot of projects start at $25 an hour.

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And you can kind of do an estimate of how many hours you think your project will take.

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For newer designers, sometimes projects take them a bit longer.

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And so I would factor that in, maybe add like an extra 10 hours in there.

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And when you're going with your more experienced mid-weight designers, rates usually start

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at 60 and go upwards of $100.

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Depending on who you're working with and what kind of skills they have, you're also

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going to be paying even more of a premium.

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Now I mentioned earlier that you can hire for hourly or project-based work.

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And I would say definitely figure out what kind of project you have first.

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Sometimes it's easier to hire people project-based, and I'd say that if someone has typical

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experience with a certain project, they have success completing a project outlined like

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you have, they've done it many times before, it might be pretty safe to hire them on a

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project basis.

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And also consider how long that project is going to be.

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For hourly, if your project is even smaller, I'd say hourly makes a lot of sense because

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you can kind of cap your budget as well.

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So if you only have a certain amount of money, let's say that you want to get it started,

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you can start your project hourly.

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Now talking about part-time and full-time, if you have way more budget to regularly work

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with a designer, you're going to want to consider part-time and full-time employment.

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I don't really have too much to say about these two because many agencies, startups,

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small businesses do hire part-time and full-time designers, and the variety of roles that they're

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hiring for are quite a lot.

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And I would say that if you feel like you need to hire part-time or full-time, ideally

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you have consistent work coming in that you can pass off to a designer, and ultimately

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you can afford their salary, you have enough runway for yourself to pay them, and you have

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income or at least some sort of capital.

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So we've been mainly focusing on the DIYers as we talk about this branding, this whole

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branding genre in this task, so we're going to focus mostly on freelance contracts and

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part-time throughout this episode.

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Onto the next topic, I think it'll be particularly helpful to delve into this discussion of when

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to hire a designer.

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So when do you hire a designer?

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I mentioned this before, but you definitely want to make sure that you have regular design

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work coming in, and I'll give you an example of times that I've hired designers in the

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past.

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I've hired designers in the past even as a designer when I had so much design work

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coming in that I couldn't possibly do the amount of design work that I had in a day

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by myself, and then I needed to hire an assistant.

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Hiring a designer also works if you are building a business and the majority of your day-to-day

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tasks, the ones that bring in money, that bring in revenue, are what are on your plate

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and you simply don't have the time to do the branding or the projects, and then you

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might need to hire a designer.

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So I think these are probably the two examples I see most often when people are hiring for

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designers, and there might be a lot of different scenarios that fall outside of this, but I

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highly recommend a few things before you hire your designer.

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You want to know what deliverables you will need, you want to create a project brief,

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and then also find examples you like in order to show your designer the work that you want

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to create.

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And ideally, I have some branding exercises in this podcast.

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You can listen to the big episode on brand values and coming up with branding.

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It's good to know a sense of style that you like.

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If you've been making revenue and you're totally starting from scratch on the branding

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front, it might be a good idea to hire a branding person to get this done for you, but seriously

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I said this many times, I really, truly do not recommend this unless you are making revenue

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and you can justify the cost.

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If this is not the case and you're starting out and you just want branding to look official,

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I highly recommend you do an exercise on services and projects that you could offer for other

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people and try to get started without a cohesive branding, because I've said this many times,

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but branding is simply a representation of what you do, is ultimately not the work you

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will do unless you are a brand designer, in which case my assumption might be that you

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could put together a pretty simple brand package in order to start working.

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So here are some mistakes I see made when people hire designers.

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Thanks to websites like Upwork and Fiverr, there are many people out there who offer

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one-off services for projects or hourly rates for designers.

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Sometimes I see folks hire designers and they don't necessarily know what they want to create.

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And then from there, I think the issue with that is you're placing a lot of room for interpretation

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on the table.

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It gives the designer this burden of figuring out what you need and that's okay if you're

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paying them an hourly rate.

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However, it's also not ideal for you if you're limited on cash and you could just spend some

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time, some of your time figuring out what you want and doing a bit of research.

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It's also going to help you be a bit smarter in working with your designers and you wouldn't

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believe that if people who end up hiring a designer for marketing materials or a website

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and then they just don't have a project brief put together, therefore the designer spends

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quite a bit of time, weeks sometimes, working on a very vague description of a project someone

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gave them, but then once they get to a meeting to discuss a project and show what they've

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been working on, there's a misalignment.

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And I think this misalignment sometimes causes a lot of anxiety for designers and it also

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causes frustration and disappointment in the people who hire designers.

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But I do believe that relationships, even working relationships, are a two-way street

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and the best way to get into them with success is being prepared beforehand.

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Knowing your communication style and how you like to communicate with a designer and having

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very clear project deliverables that you would like to see by the end.

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So if you're just starting out, I really do not expect you to know how long a project

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will take to make or how much high touch you might need with a particular designer.

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When you're hiring, it's also going to vary on the experience that your designer has,

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how long they've been working, if they're working on other projects, and if you've

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worked with this person before.

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Some people have a working relationship with designers that they've worked with in other

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capacities and due to already having a built relationship with this person, sometimes the

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project goes a bit more smoothly and you can clear up expectations easily.

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I do have some thoughts, however, on working with friends, especially in a design capacity

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as a designer or hiring other designers who are friends.

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And I genuinely do not recommend this unless you know someone who has been working for

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many years as a designer.

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The reason why I think this is the case is because I think that it's hard to have boundaries

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in roles where you work with friends.

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And I would say this for any type of service unless it's extremely specific, you know what

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you're delivering, you're excited about the work you're going to do, and you feel like

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you're the best person for the job.

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It's because oftentimes, even if you have a great brief put together and you can explain

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to your designer clearly what you want them to work on, and even if they have great work,

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there's many times where I see people work with their friends and any sort of misalignment

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could potentially get in the way of a friendship that turned into a working relationship.

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And in my opinion, I don't feel like that's a risk that is necessary to take.

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I would suggest even asking your design friends for other recommendations of designers they

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know and that one degree of separation is going to help.

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Because I'll be honest with you, there's a lot of moving pieces when you work with

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a designer and you might like someone's work and style, but a lot of times, sometimes designers

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do many different types of artistic work.

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And while the sentiment is nice of wanting to hire someone for a project, if that's

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not a service they regularly offer, what I see happening is designers are put on the

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spot to create a service and if that's not something that they regularly do, it can be

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an unnecessary use of time and then quite a gamble.

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And so ultimately, that's up to you and I think this can work out in certain capacities,

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but I think in today's job market and with the pace that design moves, it's really important

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to keep this in mind and consider how you value your friendships when you get into working

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with someone.

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And you can work with so many designers these days just by getting connected online unless

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someone really asks to work with you and they feel like it's a great fit, I would avoid

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working with friends.

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So let's get a little bit deeper into talking about creating a project brief because I think

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creating a project brief is essential and can help to prevent some of this miscommunication

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that I have highlighted.

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So a project brief, what is a project brief?

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A project brief is essentially a document, you can write it anywhere, but it's supposed

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to be an outline of what exactly you need from your project, what's expected and what

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the goals of the project are.

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I will give you some examples of projects you could have a brief for, making a poster,

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creating a pitch deck, making a mug, making a website.

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Inside your brief, you're essentially going to name the deliverable that you're going

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to need created and in this example, we're going to use a poster.

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You want to be as specific as possible.

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Okay, you need a poster.

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What is the poster for?

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Is it promoting an event?

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What dimensions does the poster need to be?

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What type of paper is it going to be printed on?

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Where is the poster going to be posted?

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What's the goal?

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This might sound like overkill, but I would even say give the exact text you need to the

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designer with what the poster is going to say and the reason why I encourage you to

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do this is because the worst thing you can do is give a designer some vague text of what

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you want designed on a poster and then say it will change later and then assume that

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the poster is going to look the same or promise you it will not and it's basically like doubling

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the work.

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Not only is it frustrating, there is a cost to this and it's not just a monetary cost.

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I think there is a creative cost in not respecting the design process.

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Knowing that you're going to have to redo work later, I think causes many designers in

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the industry today to reduce the quality that they give on the first round if they know

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that a client is apt for changing their mind.

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It kind of degrades this trust or value that I feel that designers kind of inherently have

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towards their work and how someone might perceive their work.

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And again, I think that cost shows in the final product of the deliverable.

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So yes, when you ask someone to design a poster for you, it doesn't matter if it's for a

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conference or for your buddy's late night after party, have everything exactly in a

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text document as you would need it on the poster and give it to your designer.

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So that might include the title of the event, the date, the time, the theme, any subtext,

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any showtimes, any social media handles, websites or contacts that you want to include on the

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poster.

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And don't be afraid to include a lot if there's anything that you truly do not need later

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on.

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It's much easier to remove than it is to add more.

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I'll say that again, it's much easier to remove extra text than it is to add more, especially

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when you're designing something like a poster.

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I know it might not seem like a lot, but there's some really intricate and cool design you

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can do, especially with grid systems and posters, but it only really works if you know that

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you have all the information.

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There are times where I would really love to design a super cool poster for someone,

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but if they're being kind of wishy washy with me and not giving me all the information,

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it makes me feel like, okay, they're just going to change it later.

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And then I can't really put in my full effort on this first round.

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In my opinion, I think that this is really harmful to the design process and a lot of

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design work out there would be a lot better if people, again, just had the specific information

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that they needed printed and designed beforehand.

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And if they had an idea of what kind of brand aesthetic that they wanted to go for.

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And again, for things like posters, you don't always need to have your branding totally

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done before you give someone a brief for a poster project.

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Sometimes posters and events can even have their own branding.

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And if you keep the font relatively simple, or if it really makes sense for the event,

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I'd say that it's passable.

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Not everything really has to be like so matchy matchy.

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But if you're a big brand with a defined branding package, I would say yes, absolutely

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give that to your designer.

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Make sure they have your fonts, your logo, and any other rules about your brand that

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they might need to have.

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You don't necessarily need to give a full on brand book.

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But if for example, there are hard dos and don'ts with your brand, those are worth mentioning.

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I think having really specific but rich information before starting a project is really useful

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as a designer.

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And you don't need to go overkill.

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I think that sometimes folks want to give a lot of marketing data when it comes to doing

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design deliverables.

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But your designer doesn't really need that.

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I'd say your marketing person does.

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And it's helpful to know what the competition is doing.

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But the designer should really just be focusing on communication.

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What is the goal of this poster?

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What are we trying to do?

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What are we trying to communicate about this event?

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What is the vibe?

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What do we want to get people excited about?

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I think it's ultimately going to be most helpful and successful if your designer is just thinking

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about how this poster is going to look, if it's communicating what it should, and if

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the information that people need in order to attend the event or communicate about it

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is on the poster.

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That doesn't always mean making logos massive.

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There are many times where I design work, whether that's advertisements for social

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media or posters, where I hear people ask to make their logo bigger.

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And frankly, I think that logos are great, you know, they communicate who you are, what

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your brand is, but they don't always take precedent for what should be focused on for

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something like an event poster.

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So keep this in mind and let your designer have some fun and make simple choices as they

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design for you.

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And if they're a good designer, they can defend them well, and I'm sure they will convince

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you that it's actually a good idea.

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So we all have different perspectives, and that's why I think it's important to go in

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and giving your designer all the important information and goals and, you know, things

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like knowing what kind of paper you're going to print on and the dimensions.

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I think these are just basics.

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Designers can't set up a document and even start designing if they don't have those things.

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And so keep that in mind.

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And you would be surprised at the amount of people who expect someone to really just create

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something amazing without having the information.

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As designers, we're trained many times, like from school, at an early stage as a designer

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to get as much information as possible.

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And in the world today where people are busy, they're very reticent or unwilling to give

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more information and the design ultimately suffers.

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It's wasted time, wasted money, and I think it degrades a working relationship that could

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just be improved upon by this simple communication and creating a good template for a brief.

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And if you know that you're going to need a lot of design work, just make a simple template

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on Google Docs.

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Make it as simple as possible.

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Have the objective at the top, the type of deliverable you'll need, the dimensions, what

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kind of product this is going to be printed on.

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If you know the printer you're going to use or who's going to print it, put that on there

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as well.

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And this is going to change depending on what kind of deliverable you're asking for.

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But these first few things I mentioned will relatively stay the same unless we're talking

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about digital work.

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And in that case, you would just mention all the information about the digital work that

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you need done.

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If that's a website where it's going to be hosted.

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If it's a social media ad, where it's going to be posted.

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Instagram stories, Twitter, LinkedIn, Facebook ads.

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Sometimes these dimensions change and it's not always easy or good to assume that your

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designer will know what the dimensions are.

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And again, they could be thinking of something totally different.

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A lot of designers work on multiple tasks, multiple projects throughout the day, especially

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if they're a working career designer.

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And to just assume that your project is the number one top of mind is, I think, frankly

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an error in judgment.

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And it's one that will show in the finished product.

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So again, design is a working relationship and the finished product I think has a lot

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to do with respecting the working relationship and what it takes to create a successful design

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product.

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Next, we'll talk a little bit more about these working relationships and where to find

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a designer and how to set up a process of working together.

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That's coming up in this next bit.

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At this point in the podcast, I wanted to take a break and let you know that this month

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I've created several episodes on branding and design.

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And if this is the first episode you're listening to, feel free to check out the pool party

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and see the episodes I have up on Spotify and on the RSS feed.

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I have been seeing a lot of work these days out in the wild that is essentially poorly

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designed.

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There are a lot of free tools out there these days, especially with AI, where people can

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make some pretty twisted dark fantasies.

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And while these tools are powerful, the best design is often simple.

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And as a designer can tell you, it's still pretty challenging at times to convey all

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the information that is needed to be conveyed, even with some of our most powerful tools

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like Photoshop and some of the process of design is knowing when to peel back, when

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to use restraint.

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My hope is that people continue to use tools to empower their work and communicate what

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they need to communicate.

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But I also see that with more availability of tools, sometimes this communication and

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simplicity is lost.

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And so my hope in making this series of podcasts is to democratize design education to make

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it more widely available so that we can communicate clearly and succinctly and make the world

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a more designed and less noisy and garish place.

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Sometimes I don't even want to get on social media these days.

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I used to really enjoy my little afternoon scrolls, but I feel so turned off by what

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I see even in a design sense on top of all the other world things that it is something

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that's totally driven me to change my habits and how I consume content.

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And that's particularly because I feel a little bit sensitive towards the content I consume

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and the type of art I consume.

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But I made the personal decision to essentially put my foot down and be more intentional about

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what I read, what I see, and how I even develop my own design process.

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Because as I've worked as a designer since 2020, things have not slowed down.

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They've only picked up and been complicated, I think, by the changing economy, other factors,

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new tools.

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And designing is still a job that's out there.

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People are still hiring and I still continue to work as a designer.

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But again, I find that there is a little bit more complexity, a lot more feelings, moods,

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and attitudes when it comes to working in the creative industry because people are impacted

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by all these current events.

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And I think that some sensitivity and respecting the work of artists and designers and people

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who decide to take on this work of forging their own path deserves the respect that it

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deserves.

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And so with this podcast, I hope that you take away what you need for your mission for

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your next journey.

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And if you are a designer, hopefully it also sparks in your mind what you might improve

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in your design process because I feel that many designers, even in an agency or an in-house

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setting have come across a lot of challenges that used to not be that big of an issue.

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So I'd be interested to hear what your thoughts are.

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And if you'd like to comment on this episode, let me know your thoughts.

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And I'm always happy to hear if you have suggestions for the podcast or if there are

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topics that you would like to hear about more.

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Alright, back into today's episode, we're going to talk about where to hire a designer

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and setting up a process for working with your creative designer or your visual designer.

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So I have a few recommendations for finding a designer to work with and this will be in

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a freelance or contract project basis.

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I'm going to go ahead and just list out the typical ways you can find a designer.

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A lot of folks have their work online and in the big mood boarding episode, I mentioned

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websites like Behance, Dribble with 3Bs and websites like Arena and Pinterest.

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A lot of creative people and designers who make it on their own create templates for

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websites like Creative Market and you can also find folks on websites like I Love Creatives.

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There are big directories there for people who are multi-hyphenate creatives and these

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are creatives who work in photography, social media, marketing, graphic and digital design.

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But all of these areas are very specific fields and I will say with just the way the world

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is today, many people do actually have really high quality skills in all of these different

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areas.

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I think by nature of the way work has been over the past four years, I would be surprised

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if you found someone who was even mid or early career who didn't have a variety of these

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skills and I think sometimes people can be really wary of folks who have a variety of

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skills but I'd say take a chance on these people.

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These are often times the most hardworking people.

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The fact that they have a lot of different skills shows that they've continued to work

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despite changing economic factors that sometimes put a demand on more video content or more

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writing.

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These days the trend is now going back to having more people create content for blogs

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and you know at the beginning of this year there were hardly any freelance roles available

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for writers and now it's surging again.

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Many people are looking for editors and writers and you know I used to not write a lot as

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a career or even freelance but I've gotten my first few writing jobs recently just because

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the internet is full of chat gbt content and chat gbt does not have a human touch.

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I will tell you that.

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It doesn't understand subtle humor and it can be really boilerplate in terms of just

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being you know like that's a phrase for being like a little bit too literal and the human

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touch is honestly a lot easier to get from a human.

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Sometimes I see people basically using chat gbt and having to over massage it and so I

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still really believe in hiring human creatives for their work.

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I think it's going to save you time and while you could essentially I suppose try to automate

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I think there is like a high level of distrust in automated work that is created by AI that

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is not reviewed by a creative and I promise you people can tell when the work is not reviewed

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by someone who is a creative director or has experience working with human audiences.

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So on this topic of finding creatives I'm going to give you my thoughts on a few different

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platforms.

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These are questions I get a lot from some of my friends who are hiring designers and

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this first platform is Fiverr.

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If you go on the platform Fiverr there's a lot of folks who basically put up project

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based work where you could hire someone to make a pitch deck for you maybe an illustration.

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I think Fiverr in my opinion is my least favorite platform for finding creatives and getting

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creative work.

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I've made a Fiverr profile probably even in 2016 way before the pandemic and AI.

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I think that Fiverr is definitely oversaturated and you're going to spend a lot of time marketing

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yourself on Fiverr.

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So as a creative if you're on Fiverr sometimes I also don't really trust the people who get

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work on there.

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I've purchased work on Fiverr and the cost that you will pay, the amount of money you

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00:32:27,280 --> 00:32:32,680
will spend for let's say like an illustration will widely vary.

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You might find someone who's in Bhutan who will charge you five dollars an hour for an

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00:32:38,960 --> 00:32:44,480
illustration or someone who's in Chicago who will charge you three hundred dollars.

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Honestly I can't really tell you that there's any sort of consistency I would say look at

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the reviews but I genuinely don't trust the tastes of people who buy work off of Fiverr.

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00:32:55,360 --> 00:33:03,680
I think the quality of design is really sporadic, random, sure you could get the job done but

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you might be missing something in quality of work.

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So I actually see the least high quality work on Fiverr and many of the designers I know

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00:33:14,720 --> 00:33:19,480
and trust who worked in the industry for a really long time would probably never put

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their services on Fiverr just because they are really not wanting to work with people

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who think they can kind of just get like a fast casual type of service and high quality

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00:33:33,840 --> 00:33:34,840
design.

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00:33:34,840 --> 00:33:40,180
I just don't really think that exists and I think there's a big mismatch you'll find

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00:33:40,180 --> 00:33:45,800
in expectations and results if you work as a designer on Fiverr and if you are looking

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00:33:45,800 --> 00:33:47,400
for a designer on Fiverr.

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So I would say avoid.

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Up next Upwork.

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So Upwork is a little bit like Fiverr but somehow I actually trust Upwork more I'll

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tell you why.

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I know many people actually who are early in their career who have set up agencies thanks

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to websites like Upwork they found their first few clients as a social media agency just

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00:34:11,960 --> 00:34:18,720
looking for people who needed their content managed and social media agencies are pretty

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well fleshed out these days.

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I would say that it's competitive and not everyone can do it so the folks who do run

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social media agencies and find their clients on Upwork usually get them on retainer and

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I think if you're just starting out you're going to find a lot more competition among

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00:34:37,000 --> 00:34:42,600
the designers or people offering their services on Upwork but because of that if you're someone

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00:34:42,600 --> 00:34:50,640
looking for services on Upwork you can find a variety of low to high range price work.

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There are people who have been on Upwork for many years who provide high quality design.

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You can take a look at their portfolio.

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I think Upwork is a little bit more realistic in pricing.

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I don't know why this is exactly but I find that Upwork probably has more volume and whatever

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00:35:08,760 --> 00:35:15,520
they've done I find that this is just my assumption that Upwork has catered more towards

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00:35:15,520 --> 00:35:23,760
actually researching what freelancers need and what users who go on the site to look

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00:35:23,760 --> 00:35:28,600
for people to work with therefore they've created a better process that has allowed

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00:35:28,600 --> 00:35:34,620
them to take on more clientele on both ends of the pipeline, creatives and people looking

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00:35:34,620 --> 00:35:38,880
for work and therefore it is a bit more competitive.

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00:35:38,880 --> 00:35:44,960
So this is a great place to look for designers and you can hire within the United States,

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00:35:44,960 --> 00:35:50,640
outside the United States, genuinely speaking if you hire outside of the United States you

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00:35:50,640 --> 00:35:53,860
will probably even pay a lot less.

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00:35:53,860 --> 00:35:58,560
You can fight me on this if you want but there are really talented designers everywhere all

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00:35:58,560 --> 00:36:05,840
around the world who are great at using Photoshop and Illustrator, Adobe Photoshop tools and

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they might just be starting out.

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00:36:07,880 --> 00:36:09,480
You can take a look at their portfolio.

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These are folks that you could probably coach into working with your level of design and

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I'd say if you need a design assistant or someone who is readily available to work on

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00:36:21,800 --> 00:36:28,960
projects where maybe you need images like cut out in bulk or like a newsletter created

448
00:36:28,960 --> 00:36:35,120
and you feel like you could spend maybe a few hours of your time coaching someone on

449
00:36:35,120 --> 00:36:39,160
how to make your newsletter but then they're consistent and they'll do it every week,

450
00:36:39,160 --> 00:36:41,480
I think Upwork is great for that.

451
00:36:41,480 --> 00:36:45,400
So again this is an open marketplace and I do think it takes some time to find someone

452
00:36:45,400 --> 00:36:47,400
that you work well with.

453
00:36:47,400 --> 00:36:52,720
Hire a bunch of different folks for small projects and see who you work best with and

454
00:36:52,720 --> 00:36:55,400
I think that's what Upwork is great for.

455
00:36:55,400 --> 00:36:57,440
Alright, okay.

456
00:36:57,440 --> 00:37:03,120
Now for some businesses I feel that they need creatives who are all-in-one marketers and

457
00:37:03,120 --> 00:37:07,960
also maybe good at creating ads on Canva, shooting photos.

458
00:37:07,960 --> 00:37:13,100
I know a lot of people think this is a lot to ask for but the reality is if you work

459
00:37:13,100 --> 00:37:19,320
in a major city like LA or New York, chances are you do have all these skills and the market

460
00:37:19,320 --> 00:37:21,320
is extremely competitive.

461
00:37:21,320 --> 00:37:28,360
There are folks who have been in and out of the industry working for years and doing multiple

462
00:37:28,360 --> 00:37:35,960
types of creative, maybe even assistant type of work and I think websites like I Love Creatives

463
00:37:35,960 --> 00:37:42,080
are really great for finding folks who do this type of work and I think it really is

464
00:37:42,080 --> 00:37:45,400
up to you with what kind of person you're looking for.

465
00:37:45,400 --> 00:37:50,000
In this episode we're talking about designers but depending on what your design knowledge

466
00:37:50,000 --> 00:37:55,360
is, if you're looking for someone to make ads for you for example, you might want to

467
00:37:55,360 --> 00:38:00,360
find someone who is more of actually a creative marketer because while you want your ads to

468
00:38:00,360 --> 00:38:05,160
be creative and for people to click through, to be honest, a lot of the times people engage

469
00:38:05,160 --> 00:38:12,600
with ads is not necessarily I would say even like quality of art or design.

470
00:38:12,600 --> 00:38:17,920
I think there is a bit of A-B testing that comes into play where you might actually want

471
00:38:17,920 --> 00:38:24,880
to work with someone who's willing to do a variety of different visual designs and be

472
00:38:24,880 --> 00:38:28,460
able to test them and then figure out what works best.

473
00:38:28,460 --> 00:38:32,360
You don't necessarily need someone who's really good at creating art for that.

474
00:38:32,360 --> 00:38:38,320
You need someone who's willing to engage with the process of A-B testing artwork but also

475
00:38:38,320 --> 00:38:44,680
probably has the creative skills to use something like Canva, maybe Illustrator Photoshop, it

476
00:38:44,680 --> 00:38:45,680
doesn't really matter.

477
00:38:45,680 --> 00:38:49,120
They just need to be able to create ads quickly and then test them.

478
00:38:49,120 --> 00:38:53,360
Now let's say that you're looking for someone to make a website for you.

479
00:38:53,360 --> 00:38:57,780
These days you don't have to be a developer, you just need someone who's good at Shopify

480
00:38:57,780 --> 00:39:04,240
and there are a lot of freelancers out there who even specialize in either of these platforms.

481
00:39:04,240 --> 00:39:08,240
Depending on which platform you want is going to depend on what kind of service or product

482
00:39:08,240 --> 00:39:09,500
you're providing.

483
00:39:09,500 --> 00:39:14,920
A lot of e-commerce shops choose Shopify and the reason for that is because you can

484
00:39:14,920 --> 00:39:21,080
highly customize Shopify and get really granular data on retail sales.

485
00:39:21,080 --> 00:39:24,560
There's also a lot of tools that help I think with shipping.

486
00:39:24,560 --> 00:39:31,080
Whereas Squarespace is more I think agile for people who provide online creative services

487
00:39:31,080 --> 00:39:37,080
who might have a few things going for them in terms of e-commerce but maybe web services,

488
00:39:37,080 --> 00:39:39,920
events, brick and mortar shops.

489
00:39:39,920 --> 00:39:45,040
So if you have a lot more going on I think Squarespace is a great website or platform

490
00:39:45,040 --> 00:39:50,160
to use and then you would want to find a creative who is more versed in Squarespace and all

491
00:39:50,160 --> 00:39:51,900
the different tools that are on there.

492
00:39:51,900 --> 00:39:57,800
Because these days Squarespace is a lot more agile and it kind of operates in a way where

493
00:39:57,800 --> 00:40:02,920
you could edit it yourself but if you're not familiar with all the tools on there you could

494
00:40:02,920 --> 00:40:08,320
even set up like an online community and just have it run a subscription service.

495
00:40:08,320 --> 00:40:13,880
You could even run your subscription service directly through Squarespace and all of these

496
00:40:13,880 --> 00:40:16,720
tools were not available two years ago.

497
00:40:16,720 --> 00:40:23,280
This is relatively new but I'd say that Squarespace is advantageous for this reason.

498
00:40:23,280 --> 00:40:30,760
I personally work with Squarespace and I'm not so into the e-commerce world but a lot

499
00:40:30,760 --> 00:40:34,800
of brands these days build their websites with Shopify.

500
00:40:34,800 --> 00:40:41,120
I see celebrity brands use Shopify and they hire someone who is really good at editing

501
00:40:41,120 --> 00:40:45,960
Shopify sites to the point where you couldn't tell that that's a Shopify site.

502
00:40:45,960 --> 00:40:51,160
So those are a few things to consider and it really depends on who you are and what

503
00:40:51,160 --> 00:40:54,360
kind of online community you're looking to build.

504
00:40:54,360 --> 00:41:00,320
I honestly rarely see folks these days looking to hire people to create print and deliverable

505
00:41:00,320 --> 00:41:01,840
projects for them.

506
00:41:01,840 --> 00:41:07,960
I would love to see that more because frankly the internet is clogged these days and I think

507
00:41:07,960 --> 00:41:11,760
there's such a high demand for high quality creative work.

508
00:41:11,760 --> 00:41:17,040
There's so much noise on the internet that I think there is a big gap in well designed

509
00:41:17,040 --> 00:41:18,040
print products.

510
00:41:18,040 --> 00:41:23,560
I know printing can be relatively expensive but there are ways to make it cheaper.

511
00:41:23,560 --> 00:41:30,200
As a side note, one thing I do encourage is for people to consider hiring graphic designers

512
00:41:30,200 --> 00:41:31,200
for print work.

513
00:41:31,200 --> 00:41:35,680
I think there's kind of a gap in the market for really well designed print work and it

514
00:41:35,680 --> 00:41:40,840
does take longer and you have to be kind of sure about what you're offering in a print

515
00:41:40,840 --> 00:41:46,480
sense or what you want to offer in advertising through a print mailer because once you print

516
00:41:46,480 --> 00:41:48,560
it, it's going to be out there for some time.

517
00:41:48,560 --> 00:41:54,240
But I think due to this slowness and a bit more permanency, I would advocate for hiring

518
00:41:54,240 --> 00:42:00,080
a designer to advertise for you with print and that's just my two cents as a side note.

519
00:42:00,080 --> 00:42:05,280
Alright, up next we're going to talk about setting up a process for working with designers

520
00:42:05,280 --> 00:42:09,600
and this is the last section of this podcast.

521
00:42:09,600 --> 00:42:11,440
So setting up a process.

522
00:42:11,440 --> 00:42:17,960
My rule of thumb is if you've done it, you know how to do it and how to explain it to

523
00:42:17,960 --> 00:42:19,280
the person you're hiring.

524
00:42:19,280 --> 00:42:23,360
You have a process and you can even approve upon it from there.

525
00:42:23,360 --> 00:42:28,360
Sometimes I see people hire design assistants or designers and they haven't done the work,

526
00:42:28,360 --> 00:42:29,840
they don't know what they're asking for.

527
00:42:29,840 --> 00:42:32,600
You kind of have to build a process together from scratch.

528
00:42:32,600 --> 00:42:39,200
I find this to be frustrating as a designer and I think it can kind of degrade trust in

529
00:42:39,200 --> 00:42:41,280
the beginning of a working relationship.

530
00:42:41,280 --> 00:42:45,680
So this is why my advice is at least try to do some of the work first before you hire

531
00:42:45,680 --> 00:42:47,080
someone to do it.

532
00:42:47,080 --> 00:42:54,240
I also think this is kind of a low startup cost way of hiring creatives and I think you're

533
00:42:54,240 --> 00:42:59,040
going to have more trust with the person you work with if you educate yourself and take

534
00:42:59,040 --> 00:43:02,440
the time to understand some of these tools.

535
00:43:02,440 --> 00:43:07,720
But when you're hiring a designer, like I said, you can hire for a project based, hourly.

536
00:43:07,720 --> 00:43:15,040
I highly recommend that you don't try to give your designer more than one project to work

537
00:43:15,040 --> 00:43:16,400
on at a time.

538
00:43:16,400 --> 00:43:19,160
I say come in with a brief.

539
00:43:19,160 --> 00:43:25,040
Earlier, we described what creative briefs are and how to describe your project.

540
00:43:25,040 --> 00:43:28,340
I'd say maybe even work with just one project to start with.

541
00:43:28,340 --> 00:43:33,480
If you have a lower budget, you can work hourly and then cap it and then see if you want to

542
00:43:33,480 --> 00:43:36,200
continue to work with that designer.

543
00:43:36,200 --> 00:43:39,920
It's honestly my biggest recommendation if you're on the lower end of a budget.

544
00:43:39,920 --> 00:43:45,600
If you actually have a lot more budget and you want to work with a designer longer term,

545
00:43:45,600 --> 00:43:53,560
I would still say set really clear expectations on what projects you want, what kind of outcomes

546
00:43:53,560 --> 00:43:59,440
you hope to see, and maybe limit the deliverables in the beginning.

547
00:43:59,440 --> 00:44:04,920
You know, one, two, three projects for the start of three months I think is pretty realistic.

548
00:44:04,920 --> 00:44:11,800
In three months, you could potentially get a website, some branding done, and maybe even

549
00:44:11,800 --> 00:44:17,380
like a print deliverable, like a business card or something else creative that you know,

550
00:44:17,380 --> 00:44:19,860
you kind of allow your designer to tinker on.

551
00:44:19,860 --> 00:44:25,520
And at this point, you might be wondering about, so if you're hiring an agency, let's

552
00:44:25,520 --> 00:44:27,440
talk about that.

553
00:44:27,440 --> 00:44:33,280
Because to be honest, if you're hiring an agency, you will be paying a premium.

554
00:44:33,280 --> 00:44:37,240
Doesn't matter what kind of service you're looking at, at minimum, you're going to pay

555
00:44:37,240 --> 00:44:40,440
5k for a project.

556
00:44:40,440 --> 00:44:46,240
Most people when they're just starting out don't have 5k to spend on a project.

557
00:44:46,240 --> 00:44:51,840
And even if you do have the money to spend, I don't recommend this because agencies are

558
00:44:51,840 --> 00:44:57,800
set up in a way where they have multiple people working on one project.

559
00:44:57,800 --> 00:45:03,400
Maybe that's a project manager, a designer, a social person, an illustrator, they can

560
00:45:03,400 --> 00:45:07,040
contact out all the moving pieces of this project.

561
00:45:07,040 --> 00:45:11,160
And the project manager is probably going to, you know, make sure that the scope and

562
00:45:11,160 --> 00:45:14,200
the budget is in line with what you give them.

563
00:45:14,200 --> 00:45:20,920
But I think because you're spending such a large bulk of money, let's say like $5,000

564
00:45:20,920 --> 00:45:27,000
compared to like 50 an hour, the amount of ability you're going to have in controlling

565
00:45:27,000 --> 00:45:29,720
that process is going to be low.

566
00:45:29,720 --> 00:45:37,440
I think this also kind of exacerbates this dynamic with agencies where sometimes expectations

567
00:45:37,440 --> 00:45:39,940
are quite high for a deliverable.

568
00:45:39,940 --> 00:45:46,800
And then clients want to have a high level of touch because of the premium they're paying.

569
00:45:46,800 --> 00:45:50,120
And this is some clients, other clients, you know, they'll pay money and then they'll

570
00:45:50,120 --> 00:45:53,560
just, you know, they'll get what they get and they're happy with it.

571
00:45:53,560 --> 00:45:59,120
But one of the, a little bit of beef I have with agencies is that I'll tell you this

572
00:45:59,120 --> 00:46:04,800
working within an agency and as someone who has hired an agency, agencies have so many

573
00:46:04,800 --> 00:46:09,920
clients that oftentimes they're not just focused on your one project.

574
00:46:09,920 --> 00:46:14,440
Agencies sometimes overstretch designers and assign client work.

575
00:46:14,440 --> 00:46:19,920
And I think clients kind of get this sense that because there is competition within the

576
00:46:19,920 --> 00:46:24,840
agency to work with the designers, they need to communicate constantly.

577
00:46:24,840 --> 00:46:33,000
And I think what this does is it creates this strain where there's a high level of communication,

578
00:46:33,000 --> 00:46:39,320
but maybe not as much of a high level power of execution to meet the demands of someone

579
00:46:39,320 --> 00:46:41,080
who is asking for creative work.

580
00:46:41,080 --> 00:46:46,640
I see sometimes clients go to agencies and act like it's a fast casual restaurant, not

581
00:46:46,640 --> 00:46:51,480
really knowing the process behind how the work is being created.

582
00:46:51,480 --> 00:46:57,320
And then, you know, asking for changes like last minute on the fly, expecting a good quality

583
00:46:57,320 --> 00:46:58,760
work still.

584
00:46:58,760 --> 00:47:03,200
And I think this is really frustrating for both designers and clients because again,

585
00:47:03,200 --> 00:47:08,000
there's that disconnect where maybe you feel like you want, if you're the customer, of

586
00:47:08,000 --> 00:47:13,280
course you would want a high quality level of design and, you know, something to be adapted

587
00:47:13,280 --> 00:47:19,840
quickly, especially in today's age, where you do need to change quickly sometimes.

588
00:47:19,840 --> 00:47:24,560
But because designers are working with so many clients at the agency, oftentimes there's

589
00:47:24,560 --> 00:47:28,880
just not enough time to get to all the last minute changes.

590
00:47:28,880 --> 00:47:34,520
And I think this puts an incredible amount of strain on designers who are kind of asked

591
00:47:34,520 --> 00:47:40,780
to do a lot of project management and internal creative direction.

592
00:47:40,780 --> 00:47:46,080
And honestly, I feel for designers in the creative agency world these days, because

593
00:47:46,080 --> 00:47:48,720
many agencies are pretty strapped.

594
00:47:48,720 --> 00:47:52,800
They've also gone through their own rounds of layoffs.

595
00:47:52,800 --> 00:47:58,400
And what I see sometimes is that creatives are working just so fast with minimal creative

596
00:47:58,400 --> 00:48:03,680
direction that they're asked to give their creative opinion when there isn't really

597
00:48:03,680 --> 00:48:11,680
bandwidth or sometimes the social grace of giving an opinion of what creative should look like.

598
00:48:11,680 --> 00:48:17,960
And then so there's also a lot of back and forth between clients and partners.

599
00:48:17,960 --> 00:48:24,760
And while this is, I think, to some extent ideal for a creative process, too much of

600
00:48:24,760 --> 00:48:28,160
that eventually creates work that isn't strong.

601
00:48:28,160 --> 00:48:33,000
I think too much compromise creates work that is not super defined.

602
00:48:33,000 --> 00:48:34,700
It's just kind of lukewarm.

603
00:48:34,700 --> 00:48:38,640
And then people get the product that they paid for in the end and they gave the opinion

604
00:48:38,640 --> 00:48:40,600
that they wanted to give.

605
00:48:40,600 --> 00:48:46,360
But because designers are so strapped for time, there's really no benefit to arguing

606
00:48:46,360 --> 00:48:48,200
with clients at times.

607
00:48:48,200 --> 00:48:50,440
Sometimes projects need to end when they need to end.

608
00:48:50,440 --> 00:49:00,640
One thing I saw is a graphic on quality, time, and speed when it comes to receiving a creative

609
00:49:00,640 --> 00:49:07,840
profit, so in How to Make It in the New Music Business by Ari Kirsten, he has this graphic

610
00:49:07,840 --> 00:49:13,460
on what you can expect to pay and how long you'll have to wait for creative work.

611
00:49:13,460 --> 00:49:18,320
And so with this graphic, he says, pick two, and it's a Euler diagram.

612
00:49:18,320 --> 00:49:24,800
There's three circles, fast, good, and cheap, and you can only pick two.

613
00:49:24,800 --> 00:49:30,320
So you're either going to get it fast and good, but it's not going to be cheap, or you

614
00:49:30,320 --> 00:49:37,640
can get it good and cheap, but it's not going to be fast, or you can have it fast and cheap,

615
00:49:37,640 --> 00:49:40,160
but it's not going to be good.

616
00:49:40,160 --> 00:49:44,560
And I think this visual basically explains it all.

617
00:49:44,560 --> 00:49:48,680
Whenever you work with freelancers, agencies, you're going to have to pick two.

618
00:49:48,680 --> 00:49:54,280
You're not going to have it all, so you either have a ton of money and a lot of time, and

619
00:49:54,280 --> 00:49:55,440
I think that's ideal.

620
00:49:55,440 --> 00:50:00,560
You're going to get the best work out there with a ton of time and a ton of money, but

621
00:50:00,560 --> 00:50:04,400
what I see these days is a lot of people don't have a lot of time and they don't have a

622
00:50:04,400 --> 00:50:09,640
lot of money, and what I have a hard time explaining is that, honestly, what you're

623
00:50:09,640 --> 00:50:13,320
going to get is going to be fast, but also not good.

624
00:50:13,320 --> 00:50:19,600
And so you need either time or money to at least get something you need good, to be honest.

625
00:50:19,600 --> 00:50:22,320
I think you should not sacrifice good.

626
00:50:22,320 --> 00:50:24,440
So yeah, those are my two cents.

627
00:50:24,440 --> 00:50:29,680
All right, so that was today's episode on how to work with designers, the capacity that

628
00:50:29,680 --> 00:50:31,760
you can work with designers.

629
00:50:31,760 --> 00:50:38,400
Chances are, if you are a DIYer, I recommend hiring a designer freelance, contract, hourly

630
00:50:38,400 --> 00:50:39,400
or by project.

631
00:50:39,400 --> 00:50:44,120
There are a lot of websites to find folks these days, and many people even advertise

632
00:50:44,120 --> 00:50:50,040
themselves on Instagram, Behance, a lot of these creative websites I mentioned.

633
00:50:50,040 --> 00:50:54,960
I think ultimately, maintaining a good working relationship with a human designer is going

634
00:50:54,960 --> 00:50:59,000
to be one of the best things that you do for your projects, no matter what you're working

635
00:50:59,000 --> 00:51:00,000
on.

636
00:51:00,000 --> 00:51:05,360
I also think that word travels fast in the creative sphere, and if you're good to work

637
00:51:05,360 --> 00:51:11,120
with, that type of creative karma goes a long way.

638
00:51:11,120 --> 00:51:16,000
Designers do talk, and they will mention if someone is easy to work with, and I think

639
00:51:16,000 --> 00:51:18,000
that kind of goes both ways.

640
00:51:18,000 --> 00:51:23,720
And so I think as designers, it's really important for us to keep our work high quality,

641
00:51:23,720 --> 00:51:28,280
to choose projects that we want to work on in order to kind of keep that spirit of good

642
00:51:28,280 --> 00:51:29,280
design out there.

643
00:51:29,280 --> 00:51:34,880
But then I think also if you're hiring designers, it's important to also keep that spirit of

644
00:51:34,880 --> 00:51:40,960
wanting to respect the process of design, know what it takes to get good quality design,

645
00:51:40,960 --> 00:51:43,640
and then keep your expectations realistic.

646
00:51:43,640 --> 00:51:47,560
If your budget is cheap, but you want good work, it's probably going to take a lot of

647
00:51:47,560 --> 00:51:50,400
time, months even.

648
00:51:50,400 --> 00:51:55,360
But if you have a lot of money, but not a lot of time, you can hire for the best creative

649
00:51:55,360 --> 00:51:57,040
work out there.

650
00:51:57,040 --> 00:52:04,120
But hardly do I see that people understand this dynamic, and my hope is just to bring

651
00:52:04,120 --> 00:52:05,840
some realism to this.

652
00:52:05,840 --> 00:52:09,880
I think that working with human designers is one of the best things that you can do

653
00:52:09,880 --> 00:52:11,380
for your projects.

654
00:52:11,380 --> 00:52:15,800
You're getting an ally, you're getting another person who will advocate for the work that

655
00:52:15,800 --> 00:52:22,560
you do when you allow them the creative freedom and respect to build up your work.

656
00:52:22,560 --> 00:52:27,360
And at the end of the day, I think your work becomes larger than you, larger than your

657
00:52:27,360 --> 00:52:30,520
brands when you work with another human being.

658
00:52:30,520 --> 00:52:34,560
So this has been the episode on how to work with designers.

659
00:52:34,560 --> 00:52:38,400
And if you have any questions, if you have your two cents to add, I definitely want to

660
00:52:38,400 --> 00:52:39,560
hear from you.

661
00:52:39,560 --> 00:52:45,480
Again, there's more episodes in this series on branding, working with designers, how to

662
00:52:45,480 --> 00:52:48,100
create your own brand and choose your brand values.

663
00:52:48,100 --> 00:52:49,560
So please check those out.

664
00:52:49,560 --> 00:52:52,860
And if you haven't already, go ahead and follow this podcast.

665
00:52:52,860 --> 00:52:54,040
This is the pool party.

666
00:52:54,040 --> 00:52:55,500
My name is Jules.

667
00:52:55,500 --> 00:53:00,940
And if you have any questions on working with designers, your branding, or if you have any

668
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questions or comments, please feel free to reach out to me.

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My website is juliaespero.me.

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That's J-U-L-I-A-E-S-P-E-R-O.

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That's a period, me.

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All right, thank you, and I will talk to you next time.

