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Radio Verté presents A Hooga by Corey Zimmerman.

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Misery Guts Act 3

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On the curb before Frank Wright and Brothers News Dealer, a newsboy in a newsboy cab waiting

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for the town to buzz to life, carries the day's headline on the tip of his tongue.

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Ford's Promise of Tomorrow.

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One millionth Tin Lizzie rolls off assembly line.

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The Public Square.

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Burrowed buildings of limestone block, red brick, candy-striped awnings, all-American

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storefronts at the heart of an all-American town.

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At the crest of each façade, etched in granite, the name of the character each structure is

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intended to portray.

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H.H.

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Orndorf.

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Randolph.

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Churchill.

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Emerson.

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Hanlon.

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And above all, upon a yellow water tower in the distance, in bold white letters, Canton.

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1825.

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Settler Isaac Swan, believing his new town to be the antipod to Canton, China, names

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it rightly so.

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Jones Park.

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An oval oasis of maple and poplar trees sitting snug in the arms of the town square, where

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a brick pathway runs down its center.

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Circling about a Liberty Pole, the path approaches an octagonal bandstand, where early rising

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folk sit cross-legged, deep in shallow conversation, drawing a fine line between one thing and

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another in the twilight of their lives.

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And if one were to spin around on their heels and look directly south from its steps, they'd

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spot that newsboy in the newsboy cap, waiting for the town to buzz to life.

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The stray fleas with its tail between its legs, as the most popular horseless carriage

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in America, the Ford Model T, putters east down Elm.

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In just past Holly's flower shop, it takes a left at the beer house, where a man in a

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top hat advertises,

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Budweiser is a friend of mine, as a lone drunkard washes his face in a water trough.

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Rumbling and bobbling over the brickwork, the Ford heads north up East Side Square,

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for Messers, Day Brothers & Co., Kimball's Hardware, Shatsky & Schlark Clothers, Miss

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Willard Milliney's Dress Shop, and the Opera House.

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Having not seen a Broadway show come through in some years, a poster in the window displays

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the world's greatest photo player, Charlie Chaplin, Six Cents.

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Taking a left on Chestnut, the Tin Lizzy heads west, passing Wylsted Meat Market and Anderson's

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Grocer, as Anderson the Grocer sweeps the dusty sidewalk before his elaborate window

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display, as a streetcar jangles south on its track, past Mason's, Campbell's, Durham

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Tobacco, the Bean Dean Company, and just across Elm, where the trolley comes to a brief stop.

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The pillar of the community, the First National Bank.

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The corner building stands stern and proud, its face aimed directly for the park from

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a 45-degree angle, sure to keep the business district in its periphery.

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The ledges of its second-story windows, grumpy brows, shading downward peering eyes, scrowling

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down its nose upon the humble townsfolk.

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The Bank, always on guard, protecting its paper heart behind 10-gauge steel.

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A brand new 1915 Page Fleetwood zooms up Elm Street and skids to a stop out front.

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The luxurious roomy five-seater, four-door touring body in Rochelleau Blue, straw-colored

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wheels and nickel trimmings is a sight to be seen.

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Mr. Olsen steps out in a bowler hat and shuts the door with velvet gloves, so to speak.

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Meanwhile, the Bank's guard, armed with a.45 caliber revolver on his side, strolls

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up with a holler, woo-wee, and a long but quick country drawl.

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Was wondering how you'd darn near beat me this morning, Mr. Olsen?

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Good morning, Edward," says Mr. Olsen, keys jangling.

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Yes, the Fleetwood is second to none, had her brought down from Chicago this weekend.

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Edward, tall and lanky, with bushy sideburns, rolling on his heels, hands in his pockets,

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elbows locked, field tanned, dusty old top hat inherited from his paw, adding a good

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foot of fortune to his 6'6", clicks his cheek, and clicks his heels with a, well,

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yep, says Mr. Olsen, and, uh, guess we oughta.

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Inside, they toss their hats, and Mr. Olsen locks the door behind them, readying the drawers

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before a steady stream of check cashers, steady trickling come Friday when it's all pissed

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away at the beer house.

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Mr. Olsen makes his way to the vault and spins the dial, electric chandeliers buzz, dull

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yellow hue slow to chase away any lingering ghosts, and Edward takes his station by the

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door.

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How's best?

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Asks Mr. Olsen.

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Ankle's doing fine, says Edward, hopping out of position to open the heavy drapes, allowing

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brilliant blue light to flood in.

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Mr. Olsen pulls open the vault door and walks in.

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Edward continues in a half shout, raising his wobbly chin to note, up and walking again.

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Now there's no doubting amongst no one, Edward is a people person, to say the very least.

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Still, city life suits Edward as awkwardly as his trousers hang on his hips, starched,

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rising high tied to the ankle.

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Edward is a good guard, assuming so to say the least, seeing his job has chiefly amounted

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to that of doorman, fingers crossed.

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You see, not long after moving to town, Edward got his footing as a clerk at Anderson's Grocer,

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quick to show off his skills, adding and subtracting on his fingers.

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Edward is a farm boy at heart and heart, specializing in muck, dirt, and animal deitris, but has

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a mastery of cornfield math, a particular gift inherited from his pop, or so he claims.

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But when that darn number clunker, as he calls it, showed up on the counter at Anderson's

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one day, its keys confounding his knuckle joints, not to speak of his thinker, as his

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ticker sped up, his mouth dried and bittered with the taste of panic, he came to the realization

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that his finger counting services were numbered.

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So it came time for the greenhorn slicker to move along and find employment elsewhere,

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and what better place than the House of Numbers, the first national bank.

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Edward counts nine times out of ten, rushing off his darn feet.

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He darn beats Mr. Olsen to the door each morning, but today by God, he's determined it's a

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country drawl.

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Refusing to clutch his tenth finger in his fist, it curls into a stubborn hook.

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Sure Edward is favored enough, and rightly so, as he adds and subtracts each customer

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as they come and go, remembering each patron counting the letters in their names, and greeting

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them so by number rather than name, and so on.

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Nonetheless, it is essential to note that Edward's wife, Bess, is somewhat of a local

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celebritant herself, known for her award-winning meatloaf.

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A good couple years before Edward and Bess moved off the farm, Bess inherited a meatloaf

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recipe from her great-aunt Louisa.

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Rather, she found it in a music box after she croaked.

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You see, Louisa suffered from rheumatoid arthritis, a godforsaken disease attacking the joints

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in a hellish manner.

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And to make things worse, the nightmare condition produced sweat-drenched dreams of being maimed

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and killed.

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And night after night, Aunt Louisa was said to be slaughtered by a stranger with an 8-inch

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cane knife, unless she helped herself to a hefty serving of her special meatloaf before

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bed.

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And upon discovering the recipe in the music box, Bess baked herself up a steaming batch

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before Louisa was even cold in the ground.

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That's the day Edward got his feet wet as a taste tester, and that batch of meatloaf,

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well, it right out knocked his size 13s right out from under him.

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And Edward spent the afternoon lying about the prairie grass, babbling on about leprechauns

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and such, and he's never been the same since.

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It wasn't but one year into taste testing when Edward caught word of a steamy meatloaf

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competition down south at the Illinois State Fair.

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And after a good nudging, he convinced Bess to throw together some bacon, red and yellow

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peppers, garlic powder, thyme, parsley, some taters, sourdough breadcrumbs, saltine crackers,

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grated cheese, Worcestershire sauce, which he cannot pronounce, a cup of ketchup, at

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least one egg, and a dash of salt and pepper, using only 75-25 ground beef, and cooking

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it up precisely according to Aunt Louisa's recipe to the tea, secret ingredient in all.

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The judges put on their bibs, loosened their trousers, and went to town on those thick

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slices of meat leaning against generous heapings of mashed potatoes.

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The results ranged from too moist to too dry, and from too heavily seasoned to too bland

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on the opposite end of the meatloaf specter.

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Some loaves were thick with topping, while others had little to no topping at all.

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Downright ludicrous, if you ask Bess.

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Overall it was a good selection of various meatloaf styles, resulting in plates lit clean

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and happy swollen guts before the judges shared comments with unexplainable laughter that

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kicked one back in his chair and carefully made notes on score sheets ranging from one

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wrong to five right, and they were quickly unanimous in their votes.

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Auntie's meatloaf was to take home the top prize.

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My Auntie Louisa always made it when we were younger, Bess told to Canton Register, and

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when my husband Edward proposed I enter, when we learned of the contest and all, well, I

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was a bit hesitant to be honest, and if it wasn't for my poor Edward spending his Saturdays

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with a swollen gut, I wouldn't be here today.

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And of course, I must thank my Aunt Louisa, when she was going through her bowel starthritis,

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she said the only thing that during made her feel good was a hefty serving of meatloaf,

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but now that she's done passed on, gotta bless her soul, I want her special meatloaf

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to bring the same joy to others as it did to us children, a tribute to her I suppose.

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The secret ingredient to Auntie's meatloaf, cannabis sativa, a rather skunky weed found

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growing in the ditch down on the farm.

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It's too bad Bess was rushed off her feet like that.

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Goddamn potholes, says Mr. Olsen, closing the vault door behind him, but leaving it

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unlocked.

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Hell, I'm considering paving the streets with my own damn money.

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Do that and heck, Mr. Olsen, Bess might even have you over for meatloaf, says Edward,

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rocking anxiously on his feet, fingers counting as they do.

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The Lord knows I could use a good meal.

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Roxy burnt my omelet again.

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I offered to hire hell, but hell, I'm starting to think she's trying to tell me something,

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Edward.

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Woman, mysterious creatures, says Edward, house Friday, asks Mr. Olsen.

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Sir, meatloaf, says Mr. Olsen, making his way to unlock the front door.

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I'll have her get right to it, sir, says Edward, as a young brunette enters, cradling

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a Fontana Milano handbag that matches the tone of her long neck and slender wrists.

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You don't have to do that, Edward, I'm just joshing you.

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Good morning, Rose.

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Morning, number four, says Edward, as Rose rolls her eyes.

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Good morning, Mr. Olsen, you have an appointment with the mayor at nine, says Rose.

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Hell, Rose, it's 8.58, says Mr. Olsen, looking at his father's gold pocket watch.

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And here I thought you were on my good books.

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Mr. President.

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A full baritone booms from behind, and Mr. Olsen spins around on his heels in feigned

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surprise for the mayor.

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The mayor, yet another short, squatty man, red in face, suit beyond his means.

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He wears a larger-than-life mustache, bulbous nose, and a comb over atop a pair of round

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shoulders.

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With a vigorous handshake, Mayor, nice to see you.

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How's Mabel?

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Oh, finer than frog hair, says the mayor, asking, and how's that darling of mine?

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Burnt my almond again, I tell you.

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Bo-dacious, break open that checkbook, Mr. President, and hire Roxy some help already.

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You damn flumadiddle.

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Hell, I wouldn't let Mabel within ten feet of a flame.

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Did you get a chance to read the register this morning?

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Asks Mr. Olsen.

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I did, I did.

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For strong coffee, I might add.

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One long drawn-out hour later, exiting Mr. Olsen's office, beads of sweat collect on

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the mayor's brow as he dabs at them with a silk handkerchief monogrammed with his initials.

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F.U.

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Frank Underwood won his seat through an extensive network of friends and family who helped him

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commit voter fraud.

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Hired as well through ill-gotten gains, has a gambling and alcohol addiction, married

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Betty Snyder in 1898, with whom he has three children, two boys suffering an inherited

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obesity and a daughter none too much to look her.

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And hell, he's been trying to auction her off at lodge meetings to men three, four times

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her age.

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A longtime member of the Knights of Columbus, a divine hatred for Truman, and is madly in

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love with Ms. Roxy Olsen.

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Hogwash The icicle's gonna get an egg to the face,

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says the mayor in a hogtail.

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I told Roxy just as much this morning over eggs, says Mr. Olsen.

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If I had my druthers, I'd give that scoundrel a piece of my mind.

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Anyhow, say hello to Roxy for me, the mayor says, pausing to rub his chin.

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Still, my wife could sure use a zing to her name, and in an off-Scottish accent, in a

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Spanish roll of the tongue.

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Roxy!

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Coffee a bit strong this morning?

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asks Mr. Olsen.

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And the mayor leans in close.

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Brandy!

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Thought my office smelled mighty sweet.

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Mighty early, Mayor.

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Mighty early, says Mr. Olsen.

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Care to swap jobs for a day?

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asks the mayor.

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I suppose.

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You've got a meeting in five at the board of directors, says Mr. Olsen, and all their

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interests will be in attendance.

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In that case, says the mayor, I'll return to my brandy.

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Wise decision, Mayor.

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Single malt, says the mayor.

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Want it in hand to poke her off that Randolph.

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Scoundrel, I tell ya.

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Anyhow, I'll drop in on my old darling.

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I'm sure she'd love to see Mabel.

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We can make a dinner of it, says Mr. Olsen, growing somewhat weary of the man.

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Take care now, and watch that loose brick on your way out.

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The mayor steps out onto the sidewalk in full baritone and carols.

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00:16:22,480 --> 00:16:26,760
You're the flower of my heart, sweet Roxy.

223
00:16:26,760 --> 00:16:31,680
He pauses to fire up a finely rolled Gordo, just as an old Jeffrey Rambler rumbles up.

224
00:16:31,680 --> 00:16:36,120
And he heeds mindless, head in a cloud of smoke, straight for the loose brick.

225
00:16:36,120 --> 00:16:39,240
I trust that you will find your love still mine, sweet-

226
00:16:39,240 --> 00:16:40,560
Ouch, son of a-

227
00:16:40,560 --> 00:16:43,520
Rolling his ankle on the brick.

228
00:16:43,520 --> 00:16:45,120
And limping away.

229
00:16:45,120 --> 00:16:46,560
Mabel.

230
00:16:46,560 --> 00:17:04,440
What kind of name is Mabel, anyhow?

