Hi, I'm comic creator Tom Zoller, and you are
listening to the Geekcast Radio Network. Honey,
it was a dream! Boy, I'm glad I shared that!
Hi, I'm comic creator Tom Zoller, and you are
listening to The Pull Bag. You've just jumped
inside The Pull Bag. Join TFG1 Mike and the rest
of the comic crew here at the GCRN as they make
their great escape into comics. From DC, Marvel,
and Image to IDW, Boom Studios, and Xenoscope,
we have everything right here. We cover things
like Transformers, He -Man, Super Heroes, TMNT,
and Radiant Black. Yeah, we have all that and
so much more. It's all inside the pull bag here
on the Geekcast Radio Network. So, without further
ado, it's time to talk about the comics we're
reading right now, here inside the pull bag.
Hello and welcome to the 578th episode of The
Pull Bag. I'm your host, Steve, Drew, and Mike,
and today is a special interview. Now, this is
not normally what the plan was going to be, but
since my good buddy in comic reading with the
TMNT from IDW Publishing, Joe Reed, can't find
his comics, unfortunately, or can't... It's a
whole thing, folks. but the turtles comics will
return and we also have a gi joe special missions
episode that was already pre -recorded but uh
today folks because out of the blue somebody
messaged me and said shh don't share this yet
and i'm like if that's what i think it is you're
about to give me a heart attack holy crap today
i welcome back for the first time since 2017
let me make sure i get this right because it's
funny folks because 10 years ago in 2015, I remember
this without even looking at the website, even
though I have both interviews pulled up. September
12th of 2015 was the first time I got to interview
this person. And then sometime in August of 2017
is when he gave us his warning label. Oh boy.
So basically this new interview X number of years
later is falling between all of that. But yeah,
you know him. You love him. I welcome back cartoonist,
writer, artist, all -around awesome guy, Mr.
Tom Zoller. Hey, how you doing? Yeah, I'm surviving.
That's... surviving the best I can, I guess.
How have you been, sir? Oh, busy. Yeah, lots
of life stuff. Traveling way too much. Much but
all good. Mm -hmm. Yep, yep. So that's where
this came from. Got it. Uh -huh. Uh -huh. So
most people know Mr. Zahler from such titles
as his work on My Little Pony at IDW Publishing.
And then there are all of his creator -owned
series with Love and Capes and all of the multiple
series that include that whole. Because what
are you on the holiday issues now? The holiday
tales now or something? I saw something on the
website about the holiday episodes. After the
fifth volume, I moved it to Patreon. I did one
during COVID. Then I did a Christmas issue. And
now it kind of survives as like 64 page thick
comic books. It just makes it easier to get a
new one out now and then. Yep. What we're really
here to talk about long distance. Warning label,
as I mentioned, Cupid's Arrows, Time and Vine,
and most recently, the Ghost Whiskerer. Uh -huh.
There are two of them. Oh, there's two of those.
No, no, there are two cats. It's Ghost Whiskerers,
plural. There's only one. Yeah, I said Ghost
Whiskerers. Oh, okay. Maybe I didn't. I don't
know. I don't know. I always end up screwing
things up in these intros. So, yeah. So it's
been 10 years almost to the day when I first
interviewed Tom. And we are here to talk about
long distance. And I have been begging him for
the last 10 years for more long distance. And
here we are all these years later. And look,
folks, more long distance. I can be worn down.
Right. Come on now. I haven't begged you all
that much. Yeah, so long distance then. For those
that don't know, for those who have been living
under a rock, who haven't listened to myself
and our good buddy Jesse W. Jackson from Set
Lusting Bruce and Perfectly Good Podcast and
JKL Media and whatever else other things Jesse
does, tell us, for those that didn't listen to
that first interview that we did 10 years ago.
Remind everybody or maybe reintroduce everyone
to the premise and concept of long distance and
where the idea came from and who Jeremy was.
Oh, OK. So long distance is a comic about a couple
that meet in an airport during a snowstorm and
they hit it off and they decide to date. But
neither one lives near each other. One of them
lives in Ohio. One of them lives in Illinois.
So it's their chronicle trying to figure out
how to make this work. Visually, the comic uses
color to tell the story. So all the scenes that
take place in Columbus have a greenish tint to
them. All the scenes that take place in Chicago
have an orange tint. That way you always know
where the story is happening without me trying
to do a bunch of establishing shots. You can
bounce back and forth and it's really easy to
tell. Every time they go to a different location,
it's a different color. That's kind of the rule
for it. And then they text each other and they
email and all of those different types of telepresence
appear in the book. Because that's one of the
things I've been in more than a few long distance
relationships, probably because I travel so much.
That's how I meet people. And one of those was
kind of the inspiration for for telling this
particular story. And as. time went on originally
this was invented or created as a sitcom pitch
for a tv show called situation comedy that aired
on bravo in like 2003 2004 2004 um and i took
that story and turned it into a comic about 10
years later and the thing that had changed in
those 10 years was texting and voice you know
um voice call or visual calls and um you know,
the FaceTime stuff like that, where it makes
it possible a different degree of telepresence.
And I thought that was really easy, really interesting
to explore because you're apart from somebody,
but you're not completely apart from the person.
Like you're actually still always connected in
a way that previous long distance relationships
weren't. Yeah. So I wanted to try and see what
I could do with that whole reality. Yeah, absolutely.
So the book came as a four -issue. Each issue
is double -sized, so essentially it's an eight
-issue story, if you count classic comic books.
And yeah, it was always, as a sitcom, there's
a point near the end where you find out how the
characters make their relationship work. And
to me, that was always where the other... other
seasons of it as a comic book would take place
or other seasons of it as a TV show. Like I would
explore that there's a double page spread. That
double page spread could have been years worth
of material. Um, but not knowing. How I could
get the book to survive that long at that way,
I'd kind of skip over that part and apply it
there and kind of have it as a proof of concept.
It was one of the reasons it was hard to figure
out how to come back to it because the ending
was very much the ending I was looking for. I
didn't know what else to do with it until I did.
And you asked about Jeremy. The book is dedicated
to my friend Jeremy Dale. He passed away in 2000.
Oh, man. 2014, I think. 2015. I'll blur together.
I'm so sorry, dude. Yeah. Yeah, it was it was
pretty sudden and unexpected. I remember getting
a text from his wife and just being completely
shocked because, you know, he's younger than
me. And, yeah, it was just like this weird confluence
of events that happened. So, yeah, I dedicated
the book to him. Very cool. Very cool. Yeah,
so there's a point in the book, and this is not
a spoiler because this book has been out for
10 years, folks. Go give yourself a copy. But
there's a point in the book where you have, like
you said, this two -page spread where the entire
map opens up and you have various points on the
map of where Carter and Lee, the main characters,
go and to and fro and this, that, and everything
else. little blurbs about each stop and what
what happened and you know the year that was
and that the less said about that the better
and and graham and everything else and all this
and all that and my thinking was oh i can't wait
to read that story 10 years from now and i was
like well because again you you tease it and
it's a good t you know all of those things are
a great tease and maybe there aren't legs on
every one of those stories that are on the map
but when i read it back then and when i the so
before so i read it again right before we did
this the first time i've read it in six years
the last time i read it before this was in 2019
okay i don't know why i read it in 2019 but i
just did it was just one of those things so i'm
just like i need to go back to that i need to
reread long distance again i need something different
and lord if only i knew what was coming after
so yeah i did you know and to this day i still
love the story every bit of it and it is and
will always be one of if not the best romance
comic comic out there oh thank you you're very
kind absolutely So the question now is how many
ideas have you had since 10 years ago till now
that you just haven't done with the series? Oh,
you know, not all that many. Cause anytime I
really think about approaching all the travels
they take in the middle that timing wise would
change. This was a issue I had with love and
capes when I came back to it too, was that if,
if I picked up where I left off, that moment
is frozen in time. And the further I get from
it, the more it becomes a period piece. And I
wasn't as interested in that. It's the kind of
thing that if I came back to it or if it became
a TV show, I would probably approach some things
differently. I mean, the, the, the core story
would remain the same, but I don't know everything
I would have done with the stuff that's implied
that happens. in the, in the intervening years,
I'd, I'd probably change some of that. Those
were all like general ideas, but they were also
kind of sketched out a little bit. Um, probably
they refer to the year of hell and I, I have
a pretty good idea what happened there. Um, but
there, there's also, there's a couple of things
that are, I don't know if they're implied, but
they're, they're always, they were always in
the story that I wrote, but they're not overt
until, Honestly, part of what happened, because
occasionally people would ask me for a sequel
to this, is that the pandemic happened. And suddenly
I went from traveling all the time to being home
all the time. I really love traveling. I love
conventions. I love getting to meet people who
read my book. And it's kind of how I store up
the energy to work in the studio for as much
as I have to to get a book out. But I figured
out that I bought the house because I liked it.
living here and i like i have a stupid travel
schedule that services the most awesome thing
in my life which is getting to draw write and
draw comics but it like when everybody was cooking
at home it changes the way you approach food
and suddenly i was cooking differently and there
was a you know there was a lot to enjoy about
it and as i realized that i realized there was
a part where carter and lee the characters in
the book would hit a point where maybe they don't
want to travel anymore And the other thing actually
that weirdly occurred to me is I've started traveling
internationally for my little pony convention.
So it's a nice little training wheel way to get
onto places. And there's a lot of places that
have gone. And for, you know, one of the things
you do when you travel, I have figured out is
that you go to the top of really tall places.
Like there's always somewhere that's got a church
bell tower or clock tower or I was in Bruges
and I went to the top of the church that you
see in the movie in Bruges. I did all that kind
of stuff. And it's fine. And the experiences
are great. That's not the point I'm talking about.
But as I get a little bit older, like it's still
– like I don't have any problem doing it. But
I realize that there will come a point in my
life when I won't be able to do that stuff. the
way that I can do it now. So there are certain
things I want to make sure that I take advantage
of and realizing that what happened to Carter
and Lee, like they're not going to want to live
out of a suitcase or, uh, you know, stay a year
in a place and then move everything over and
over. Like that's going to get tiring. So it
occurred to me that it'd be really interesting
to find out what point that happened and how
they dealt with it. Yeah, absolutely. So long
distance now, I'm going to sound like Jeremy
Piven from Gross Point Blank here. Ten years?
Ten years? Long distance. The Travel Miles Club
is 20 new pages of Cotter and Lee's adventures.
You just mentioned all of this about your traveling
and need to want to do it now because much later
you're not going to be able to do it and whatever.
But when did you first... like work on this.
Like this didn't just happen. Like you didn't
just draw this two months ago. No, I had the
idea. It was percolating last year. Um, maybe
the, maybe the year before I remember talking
to my publisher about it in April of 24. And
then I actually did an artist residency at a
place called Chateau Orkavo. in the south of
france in january which was this awesome magical
experience and i i'm going to try to do more
artist residencies because it was so awesome
but what being away allowed me to do was focus
and i wrote and drew the 20 pages while i was
in france so chateau and i i drew the book there
very cool very cool awesome awesome So you have
the Kickstarter and I'm going to be getting this
interview up as soon as I possibly can. But as
of right now, Tuesday night, August, what the
hell day? 19th. 19th. We have, let me refresh
the page just to make sure I have an accurate
count here. Come on. Come on, internet. My internet's
slow. Oh, okay. I've got it open too. Yeah, it's
82 backers, got 28 days to go, $3 ,524. You met
the goal. Yep, funded in six hours. Yep, funded
in six, which I am not surprised. Not because
it's you, not because it's long distance, but
just because it's honestly, yeah, it is because
of that. you know, you get the word out about
that. Like I'm telling you, man, like I've only
done one episode of the pullback about the, about
the comic, but I need to do more promotion of
that old episode that Jesse and I did because
man, more, more people need to read this dang
book. It is. So the, the, the original story,
cause it is, it's so good. And it's like, like
I said, folks, the beginning of the, of the episode.
I don't even think I said hello to you. I don't
even remember. I think the last thing I sent
you was, hey, new, I think it was like last year,
new interview, whatever, whatever, whatever,
something, something, it was something last year.
All of a sudden, out of the blue, I get a message
and I'm like, you're like, don't share this,
but I'm like, if you don't do this to me. If
that's not what I think it is, because you don't
do this to me. Because, yeah. But, yeah. Met
the goal already. So we got 28 days to go with
the stretch goals and everything else. Long distance,
the Travel Miles Club. 20 new pages. Luckily,
folks, he didn't torture me too much. He allowed
me to read the story. I've read it. It's great.
I'm not going to say a damn thing about it. The
only thing I will say is thank you for making
Sydney the most important part of part of that
story. Well, I forget. Was it a birthday present
or did I buy that from? I don't remember. So
years ago, this is a Patreon commission or something.
I think I owed you a commission, but I don't
remember. So back in 2017, 2018, somewhere along
the lines, folks. I ended up with a commission
from Tom and because Tom knows me at that point,
Tom knew me for two years and he knows of not
that I don't not like any of his other work.
But at that point in time, he knew what I liked
and he knew what I wanted because two years in,
I'm like, OK, when's more? At that point, I really
was asking. I'm like, okay, when's more? Like,
really, I remember asking a couple of times in
2016, 2017. And you're like, fine, do this. I
know what it was. I remember what it was. It
was Small Business Saturday that year. Oh, okay.
It was a Small Business Saturday. That's what
it was. Yeah, yeah, yeah. And you drew me a Carter
and Lee. in Sydney, Australia, with the opera
house in the background. And they've got their
arms up, or she's got her arms, they both have
their arms up in the air. I don't remember. I
can't see it. It's back in the back there. But
she says, frequent flyer miles, baby. And I'm
like, oh, cool. Very awesome. And before you
had even offered to show me the new story, I
asked you, I said, so does Australia come in
at any point? Just out of curiosity, considering
that print from X number of years ago. Little
did I know. It's I can't say what it is, folks,
because you're just going to have to read the
story 28 days from now. But yeah, no. So the
let me get back to the questions here and off
the Kickstarter page. Uh, so the next part of
the question says, and this is, this is a future
question. How many miles can we travel in the
long distance club? Is this just the first leg
of the next flight of the, by of the blues? Every
time I come back to something like this and I
try to do it with most of my projects. Now I
want everything I do to be effectively the last
thing I do. In that, like Cupid's Arrows, because
I got canceled in the second season, it's going
to take a lot of effort to do volumes three and
four. So I want everything to be complete when
I do it and not have to come back when I'm not
ready to. So to me, this is definitive until
I come up with a better idea. That was the same
way I was with Love and Capes where I got exactly
to the place that story was always going to end.
It's the birth of the first kid. I really felt
like I nailed the ending and I didn't want to
do the crappy last season of Scrubs. I wanted
to end on the high note. But I never... to keep
sub -referencing. I never wanted to do that Sarah
Michelle Gellar, there's no way that I'm ever
going to do this show on the WB or on UPN kind
of thing. I was never going to say I would never
come back to it, but if I came back to it, it'd
have to be the right story. And Greg Weissman,
who does Young Justice and Gargoyles, is actually
a fan of the book, which blows my mind. And he
came up to me at a show and asked really conspiratorially
because I thought he's going to ask about something
else. And he says, are you ever going to do more
Love and Capes? And I'm like, well, you know,
I would, but I don't know what to do. And like,
you know, there are these problems with the story
that I can't work out and I don't like I don't
need to come back to Love and Capes. He's like,
well, I got an idea. I'm like, okay, tell me
your idea, Mr. Young Justice. And then he told
me an idea, and I'm like, oh, crap, that solves
all my problems. And I figured out the next five
pages in the next hour, and I'm like, okay, well,
I guess I'm coming back. So that was the start
of the fifth volume. Where, same thing, it jumped
ahead in time, and then there were two kids instead
of one, and that, from a production point of
view, it means that I could tell baby stories
i can tell toddler stories i didn't have to follow
the arc of any individual kid and tie myself
to that yeah where the you know loving capes
was dating engagement newlywed kids like it was
always built with that structure and if i was
going to follow their son that's committing to
18 to 21 years of loving cape stuff and i didn't
know if i could do that but being able to drop
in and out and jump ahead a little bit each time
That makes it a little easier to do. So all of
which is to say the same way, if I come up with
something worthy enough of coming back to long
distance, I will. But one, the book's been out
of print for like three years now, four years,
if not more. The fact that working with rocket
ship publishing, I'm able to get the book back
into existence. That's really important to me.
Covers much better. I don't know what I was thinking
the last time the covers much better. Production
is going to be great. There's going to be a hardback
version. I think we're talking about if we, if
we hit the right number, I'll actually put the
original sitcom script in the back of it. And
then the new 20 page story. So there will be
a lot of stuff to it to make it worth being.
You know, a really good collector's edition of
the book that I did 10 years ago. Very cool.
Very cool. I don't think the original trade paperback
cover was all that bad. It's not bad, but when
I look at the new one, I don't know why I didn't
do that one first. Well, because the new one
is, you're talking about the green and the orange
one, right? Yeah, that's because that is specifically
just Carter and Lee with the background of where
they are from. That isn't them. The way I look
at the original cover is they're connecting on
the map. They're making a connection over their
locations because it is a long distance. Right.
I think that I because the original idea was
them on like a. like a stony leap map. Yeah.
Yeah. And like, I was really worried about selling
the initial concept of the, the color changing.
And since they were putting them on the map,
made it difficult to do the colors because I
couldn't, I had to show enough to make the map
work, but I, by the way, the book set up that
every place should be a different color and Indiana
gets in the way as happens to them in the book.
So, uh, doing something that was a glorified
new version of the original four covers and technically
the fifth, because, um, earlier this year and
the last year I put a digital version of long
distance up. on Kindle, on Amazon, because now
that I have the rights back, I can do that. And
now I did a new cover for it as well. Actually,
I take it back. I didn't do a new cover. I recolored
the original cover because each cover had the
two of them separated by distance and different
colors so that the covers would read different.
So there wasn't even the canonical colors of
the comic book. It was using just different colors.
So you knew what was going on. And I think it
worked much better, um, with the second version
that I did. Uh, yeah, I'm just, I'm really happy
with the cover. It's got good movement. You know,
I've learned how to draw marginally better in
the last 10 years. So as an artist, that's the
thing. Like I, like I'm. proud of work that i've
done before but i always want to be getting better
like if i look at something i did 10 years ago
and it let go yeah that was the peak of my talents
i like that you know you're heading in the wrong
direction well no it wasn't the peak but that's
where you like let's just say specifically to
this story that's where it started oh yeah and
and that's and that's the that's the for you
as the creator for you as the artist of the the
style you could that's your starting point That's
your guide to this is what I didn't like. This
is what I did like. Let's take this, this and
this and let's improve upon it. Kind of a thing.
So speaking of writing an artistic style, how
would you define your writing and artistic style?
Oh, my my writing is very sitcom play. Aaron
Sorkin naturalistic. I really love dialogue.
I try to reign that in so I'm not leaning on
it. But it's my favorite thing to write. So,
you know, they're both very deft in wordplay
and Gilmore Girls -like. The art has been a progression.
When I did Love and Capes, it was very much animated,
DCAU animated universe style. So Long Distance
started my tradition of... still cartoony but
slightly more realistic slightly more grounded
i still try to with love and capes there was
an initial rule that i had that everything was
inked with a french curve so it was one of the
ways i put energy and pop into the backgrounds
was to keep everything a little bit like off
center or you know just more natural and long
distance was like the the middle ground with
that. Like there are structures that are drawn
with a ruler. Um, well long distance is also
the first book I did completely digitally. So
it was the, you know, ruler, ruler tool in clip
studio. Um, so it lives in a little more of a
grounded physical universe, but it's also, it
plays to the strengths that I have as an artist
with keeping things kind of, light and bouncy
and cartoony. And, you know, the big thing is
that the, the characters in love and capes have
those DCAU eyes where the guys all have dots
for eyes and the women have larger eyes. And
this, you know, they're there. Everybody's built
on the same structure. Like I, I took all the
stuff that I would have changed about love and
capes potentially and change that in long distance.
And this has been my pretty well de facto style
from this to time and vine to Cupid's arrows
to, um, a warning label, not in that order, but
yeah. Right. Yeah. Very cool. Very cool. So the
evolution of your style, are you happy with the
evolution? I am. I feel, uh, I keep trying to
figure out like guardrails, but I also try to
figure out ways to push it in each one. Like
I, it's not that I'm trying to do that, like
milk call Disney house style, but I like how,
And the first 20 Disney films all look like they
were drawn in the same style. And sometimes I
have trouble figuring out exactly where those
boundaries are to have characters interact with
each other. I do like stuff on the slightly more
realistic scale. Like one of the problems with
love and capes was that it was hard to draw a
glass that would look right in Mark's hand and
look right in Abby's hand. Like you had sessions
to the universe that way. Love and capes is probably,
changed since the initial book too it's very
you know I always think of Charles Schultz's
Peanuts where if you look at the strips from
the 50s they don't look the same as the strips
you know from the 90s but nobody ever complained
like it was just him figuring out how to draw
the characters He didn't, you know, there's stuff
you figure out and change along the way. It happened
to Superman. It happened to everybody else. So
I see that in love and capes, but I've never
had anyone mentioned it to me. Um, same way with,
and it has been exploring at post love and capes,
the long distance style and everything that I've
done since then. Um, but I'll like long distance
had the, the special color palette, which was
a different, uh, story choice. When I got into
Time and Vine, I was trying to use the color
palette to just color time different eras. When
I did Warning Label, I did the limited color
palette because Webtoon liked the long -distance
palette, but I didn't want to repeat it. And
that also was my first webcomic. different format
with the infinite vertical scroll and everything
was built on you know all the panels are the
same size and then when i got into cupid's arrows
i started playing around a little more with that
that scroll format and the things you could do
with it ghost whiskers i started bringing in
textures trying to make it look like it was drawn
on paper that had tooth to it so every time every
time i come up with a new project even if the
general drawing style is similar there's always
some other challenge i'm throwing in there to
something to explore something to become a new
tool in my toolbox very cool very cool so the
promotions for long distance the travel miles
club is currently going on now for the next 28
days for the kickstarter even though you already
met your goal like we said there's a bunch of
stretch goals folks head on over there the link
will be in the show notes uh, for the Kickstarter.
Uh, I will also link to Tom's website as well.
You can get all his social media stuff over there.
What else have you got going on? Anything else
you want to promote or anything like that? Oh,
let's see. Um, ghost whiskers is my other new
book that came out in January. It's about a boy
and his two cats who see ghosts. Um, that kind
of got buried a little bit because of all the
diamond stuff that happened. So, um, I want to
point people to that. Cupid's Arrows Volume 2
just came out through Rocketship. I'm going to
be drawing Angry Birds for Rocketship as well.
So when we wrap up here, I'm going to be drawing
another page of that. Yeah, past that, there'll
be more Lovin' Capes. There'll be more Cupid's
Arrows. Those are both on deck. Yeah, I'm just
trying to keep making more stuff and traveling.
at three conventions in a row i'm doing a my
little pony convention in seattle and then i'll
be at dragon con which i think is where you and
i met right no i've never been to dragon con
we've never met in person oh okay i thought we
had sorry um and then uh you're probably thinking
of michael bailey from from uh the fortress of
bailey podcasting network or whatever. No, we've
never met. Yeah. Um, yeah. And then, uh, then
I'll be in Germany for a, my little pony convention
the week after that. Very cool. Very cool. Yeah.
Awesome. Awesome. All right, folks, that's, uh,
that's long distance. Then now, and, the travel
miles club and all that good stuff. Like I said,
the link will be in the show notes, head on over
to the Kickstarter campaign, even though it's
already fully funded. Get on over there. Get
whichever tier you prefer. Check it out. You
can now get the entire story, including the 20
new pages of the Travel Miles Club. I'm telling
you, folks, you're going to love this book. And
if you don't, you have no soul and you're wrong.
So, yeah, that's going to do it for this episode
of The Pull Bag next time. Even if I have to
take a... blue, red, purple, and orange bandana
and tie his arms and legs together. We will get
Joe Reed in here. We will be doing some sort
of whatever the next TMNT comic is that we have
to do for the pull bag. We will be getting that
done. So that's what's coming up here next inside
the pull bag. You can follow me on social media.
I'm at TF2 and Mike on Twitter. Yes, real people
still call it Twitter because, you know. A letter
is just a letter. A letter is not a name. I'm
also on Instagram at TFG1 Mike Presents. You
can head on over to geekcastradio .com. You can
check out all the podcasts and all the podcast
episodes we have over there. We are 16 and a
half years in. We have just over 4 ,000 audio
episodes of podcasting. 16 and a half years yes
folks i am a machine but it's not just me it's
steve megatron it's optimus solo it's a bunch
of other people that that do podcasts with and
for us as well so yeah make your great escape
into comics and unleash the geek in you and we
will catch you next time here inside the pull
bag warning sign number three spontaneous vocalization
I go in there, and I figure, okay, if I sell
them, if all goes, fuck, crying out loud, that's
fine, but could we cultivate it another day?
Because we're like very, we're in air and trouble
something. Some words that go right there. I
just spoke to Sophia. I blew it. I blew it with
you. That's the reason for Hyman. What? You've
just heard the latest episode of The Pullback,
the GCRN's first comic review and discussion
podcast. There are several ways to get in touch
with us and leave feedback for the show. You
can visit the website geekcastradio .com where
you can comment on the episode and all of our
different podcasts. You can rate and leave a
review for the show on iTunes. Be sure to leave
us feedback. Become a fan of us on Facebook,
facebook .com slash thepullbag. Send us an email,
feedback at geekcastradio .com. Follow us on
Twitter at thepullbag and at geekcastradio. So
until next time, make your great escape into
comics and unleash the geek in you.