1
00:00:00,000 --> 00:00:04,500
Warning! Radioactive zone detected! Please enter with...

2
00:00:04,500 --> 00:00:09,000
Take a break and enjoy the show.

3
00:00:09,000 --> 00:00:15,500
Welcome back everyone, it is 10.30 and you know what that means, it is time for our show Retro Review, presented by me, Henry Lockley.

4
00:00:15,500 --> 00:00:26,000
And me, Jess Daly. We are here to review media and pop culture from our childhood, however we want to do something slightly different today, isn't that right Henry?

5
00:00:26,000 --> 00:00:34,000
Yeah, so since we have a new show coming to the network, we thought why don't we go and review one of their most popular episodes.

6
00:00:34,000 --> 00:00:48,000
This is interesting and this is why I think we wanted to do this, is because originally this show only had three members on it, but now they have a fourth.

7
00:00:48,000 --> 00:00:57,000
Yes, so Devin Michael Corus has only just joined the show as a second host, which is apparently a controversial decision according to their fan base.

8
00:00:57,000 --> 00:01:01,000
People always get mad about changing dynamics, I mean we know that here.

9
00:01:01,000 --> 00:01:14,000
Yeah, that's it. And he was so popular in his own little circles, and it makes sense why he was chosen, because no, actually whilst doing research I found out that he was a child star in a sitcom, which I don't think a lot of people know.

10
00:01:14,000 --> 00:01:15,000
No way! Which one?

11
00:01:15,000 --> 00:01:20,000
So it was called Nat and Kat's Average Life, it only lasted like once, do you remember it?

12
00:01:20,000 --> 00:01:22,000
I don't, was it any good?

13
00:01:22,000 --> 00:01:29,000
Yeah, well I mean it was, it was his first show, it was a kickstart thing.

14
00:01:29,000 --> 00:01:37,000
Yeah, I mean no one remembers it, nobody remembers that he was in it, so now this is their first big opportunity.

15
00:01:37,000 --> 00:01:49,000
Yeah, and before we get into a proper review of that, because I do want to talk about that, we'll ponder on this revelation with a song. This is When I Get There by Maya Isakawas.

16
00:01:49,000 --> 00:01:51,000
I can't believe they're in a sitcom.

17
00:01:51,000 --> 00:01:53,000
It's really wild, it's very exciting.

18
00:01:53,000 --> 00:02:18,000
No, I'm kidding.

19
00:02:18,000 --> 00:02:30,000
The station plays the song through its halls, trying to give the cast what little calming joy it can, as they stand there and watch their new castmate open the door to the green room.

20
00:02:30,000 --> 00:02:35,000
The lights flicker, telling each other, God's not again.

21
00:02:35,000 --> 00:02:42,000
From their perspective all he does is take a step forward, but from his...

22
00:02:42,000 --> 00:02:49,000
...the spotlight that shines above you in this fog-ridden room.

23
00:02:49,000 --> 00:02:54,000
The wallpapers on the four walls begin slowly peeling away.

24
00:02:54,000 --> 00:02:59,000
The upholstery on the chairs crack and begin to mold.

25
00:02:59,000 --> 00:03:10,000
The smell of rotting wood attacks your senses as time seems to speed ahead, roaring this room to its own finish line.

26
00:03:10,000 --> 00:03:15,000
The wall cracks and falls away, and reveals a door.

27
00:03:15,000 --> 00:03:19,000
Hello?

28
00:03:19,000 --> 00:03:22,000
What's this?

29
00:03:22,000 --> 00:03:28,000
Your hellos echo around.

30
00:03:28,000 --> 00:03:31,000
You...

31
00:03:31,000 --> 00:03:39,000
...see a light turn on underneath the door ahead of you.

32
00:03:39,000 --> 00:03:43,000
Oh man.

33
00:03:43,000 --> 00:03:46,000
If I turn around behind me...

34
00:03:46,000 --> 00:03:57,000
Nothing there. It's just a rotting brick wall. Its wallpaper is peeling away. There's like water stains.

35
00:03:57,000 --> 00:04:00,000
What...what is...

36
00:04:00,000 --> 00:04:03,000
Oh, come on.

37
00:04:03,000 --> 00:04:06,000
I'm gonna go...

38
00:04:06,000 --> 00:04:16,000
...and as I open the door, I'm paying attention to what I can hear from the other side.

39
00:04:16,000 --> 00:04:25,000
You hear the slight crackles and buzzing of an ambient light, but nothing...

40
00:04:25,000 --> 00:04:30,000
...no movement or anything.

41
00:04:30,000 --> 00:04:34,000
Okay. Then I just open it.

42
00:04:34,000 --> 00:04:43,000
You open and the door almost falls off its hinges with how heavily it swings.

43
00:04:43,000 --> 00:04:49,000
It creaks and ahead of you stretches this long, long hallway.

44
00:04:49,000 --> 00:04:56,000
It's completely empty. It has the same peeling wallpaper, these water stains on the ceiling.

45
00:04:56,000 --> 00:05:01,000
There are doors going all the way down to another door at the end.

46
00:05:01,000 --> 00:05:07,000
But there is only one door with a light shining underneath it, and it's the closest one to you.

47
00:05:07,000 --> 00:05:15,000
Oh, fuck this. And I'll just beeline it towards that...that one door.

48
00:05:15,000 --> 00:05:25,000
You open the door. It opens with a creak and as it does, the smell of the rot leaves immediately.

49
00:05:25,000 --> 00:05:32,000
You step through into an open and bare space.

50
00:05:32,000 --> 00:05:35,000
This area is clearly used for lots and lots of different things.

51
00:05:35,000 --> 00:05:39,000
You can hear the sounds of a crowd behind you.

52
00:05:39,000 --> 00:05:44,000
As the door shuts itself, you turn and the door is completely different.

53
00:05:44,000 --> 00:05:48,000
Underneath, you can hear people milling around and just the conversation.

54
00:05:48,000 --> 00:05:50,000
There is a poster on the wall that says,

55
00:05:50,000 --> 00:05:55,000
PodCon, special guests, our Iflin life.

56
00:05:55,000 --> 00:06:04,000
The rest of the cast is stood and sat around in the room, clearly waiting for you to arrive.

57
00:06:04,000 --> 00:06:16,000
There is a date on the PodCon poster and it is set two years after this current date that you stepped foot inside of the radio station.

58
00:06:16,000 --> 00:06:17,000
Hey, you made it.

59
00:06:17,000 --> 00:06:20,000
Hey, you made it.

60
00:06:20,000 --> 00:06:23,000
What's happening?

61
00:06:23,000 --> 00:06:35,000
Come on, DMC. We gotta give the presentation. Come on, everybody's been waiting for you. Right, everybody?

62
00:06:35,000 --> 00:06:40,000
There is someone who walks on stage a little frantic.

63
00:06:40,000 --> 00:06:49,000
It's this man who's dressed in nice clothes. He's got a smile on his face, but you can't see the smile.

64
00:06:49,000 --> 00:06:57,000
You just know that it's there because his face kind of looks like if a mannequin had a painted face,

65
00:06:57,000 --> 00:07:04,000
but it was scrubbed really hard with a wire brush and is all chipped and shaved away.

66
00:07:04,000 --> 00:07:10,000
It doesn't look wooden underneath his face at all. It looks fleshy, but there are these like heavy scratch marks.

67
00:07:10,000 --> 00:07:16,000
As he speaks, it sounds like he's trying to talk through water. His voice is muffled.

68
00:07:16,000 --> 00:07:22,000
It sounds like he's drowning as he's speaking to you, but you can understand him perfectly.

69
00:07:22,000 --> 00:07:28,000
Oh, my God. Okay, good. Good. You're here. All right, everyone. The show is about to begin.

70
00:07:28,000 --> 00:07:35,000
As I'm taking in my surroundings, I get nervous. There's a bit of nervousness and uncertainty there.

71
00:07:35,000 --> 00:07:46,000
And almost like a switch as it starts to set in, you know, getting handed like a mic, getting like I've been in this situation before,

72
00:07:46,000 --> 00:07:52,000
getting prepped for like a panel and the audience noises.

73
00:07:52,000 --> 00:08:04,000
I throw on just a very quick one of those emergency smiles, very classic, and try to center myself, look around.

74
00:08:04,000 --> 00:08:12,000
I look down at my shirt, if it's presentable, and find my seat next to my co-host.

75
00:08:12,000 --> 00:08:21,000
Having a look around, it's a full house. 250 people are like aligning seats that go all the way back.

76
00:08:21,000 --> 00:08:32,000
You notice the same, you can like read their expressions, but this same like scrubbing wire brushed expression is on all of them in these different ways.

77
00:08:32,000 --> 00:08:39,000
Each one of them looks like an art doll, one that you would pose for drawing.

78
00:08:39,000 --> 00:08:45,000
They all sit in the chair and they move and talk to each other anxiously waiting, excited for this.

79
00:08:45,000 --> 00:08:49,000
The energy is like is pretty exciting, actually.

80
00:08:49,000 --> 00:08:54,000
Okay, so hello everyone. It's so nice to be here.

81
00:08:54,000 --> 00:09:00,000
I'm just going to introduce, as you all know, this is the cast and crew of Art Iflin Life.

82
00:09:00,000 --> 00:09:06,000
We have Riverlake here, the host, as you all know.

83
00:09:06,000 --> 00:09:14,000
We have Charlie here, the wonderful sound mixer, and as you know, there are several different characters on the show.

84
00:09:14,000 --> 00:09:21,000
We have Victoria, the producer, and you would also know them as other characters on it.

85
00:09:21,000 --> 00:09:28,000
And then, Devin Mikelouros we have, who is the second host.

86
00:09:28,000 --> 00:09:36,000
As my name is called, it's very enthusiastic of a wave and slow retreat of the hand,

87
00:09:36,000 --> 00:09:43,000
as it doesn't feel like the same energy has been granted to me as the other three.

88
00:09:43,000 --> 00:09:48,000
So, we're going to do some quick conversations.

89
00:09:48,000 --> 00:09:52,000
We have some questions for everyone and then we're going to go over to some Q&A from the audience.

90
00:09:52,000 --> 00:09:58,000
So, River, first of all, truly congratulations for all this.

91
00:09:58,000 --> 00:10:06,000
Iflin is an incredible show. It inspires so many people we can really tell, as we can see.

92
00:10:06,000 --> 00:10:15,000
So, where did you come up with a show that is partly real, partly fantasy? What was the inspiration for that?

93
00:10:15,000 --> 00:10:21,000
Yeah, thanks so much for asking. And thanks for the compliment, Rick. I really appreciate it.

94
00:10:21,000 --> 00:10:28,000
And thank you to everybody for the cheers. As you know, they feed my soul, so I love and appreciate it very, very much.

95
00:10:28,000 --> 00:10:36,000
We've talked a little bit about this on the internet and everybody who is part of the Patreon knows as well.

96
00:10:36,000 --> 00:10:39,000
We've released content regarding this specifically.

97
00:10:39,000 --> 00:10:50,000
It essentially is just a part of what this show was spun from and what it was spun out of.

98
00:10:50,000 --> 00:10:57,000
It was nothing that was planned. It was nothing that was premeditated.

99
00:10:57,000 --> 00:11:07,000
It truly was just me and my lovely friend, Charlie, and another guest that we had in the studio having fun

100
00:11:07,000 --> 00:11:16,000
and sort of trying to do something that we knew was funny that was very funny to us,

101
00:11:16,000 --> 00:11:25,000
but also helped us to sort of like metabolize these weird things that had happened to us on campus in the past week before the show.

102
00:11:25,000 --> 00:11:31,000
And from there, it essentially just it was a natural course of progression, right?

103
00:11:31,000 --> 00:11:35,000
Because we've talked about this a lot, Charlie and I and Vic as well.

104
00:11:35,000 --> 00:11:45,000
It's very important to us that we reflect what's happening in the world because all of us care so deeply about everything that happens in our communities.

105
00:11:45,000 --> 00:11:59,000
And it is such a privilege to be able to reflect those stories and process those stories together with an audience on radio in this format that we all love so much.

106
00:11:59,000 --> 00:12:07,000
So that's kind of where it comes from. It comes from this spark of creativity and this deep care for the people around us.

107
00:12:07,000 --> 00:12:09,000
That's beautiful, truly.

108
00:12:09,000 --> 00:12:19,000
Actually, you know, speaking of Charlie, I got one for you. You know, you kind of started, you know, with River, like at the mixing board, on more of the technical side.

109
00:12:19,000 --> 00:12:26,000
But then you, through the course of the show, kind of became this beloved cast member as well.

110
00:12:26,000 --> 00:12:31,000
How was, you know, how was that shift in your role?

111
00:12:31,000 --> 00:12:43,000
How did that change how you mixed the show? How did that change how you approached, you know, making this type of thing is from the mixing board to, you know, kind of both mixing and cast member?

112
00:12:43,000 --> 00:12:52,000
Yeah. Well, yeah. Well, I mean, we could talk about my mixing and where it started and where it is now.

113
00:12:52,000 --> 00:12:56,000
But I don't want to embarrass myself too much.

114
00:12:56,000 --> 00:13:01,000
But when I started, it started great and it got even greater. Yeah.

115
00:13:01,000 --> 00:13:07,000
Charlie's got so much talent behind the board.

116
00:13:07,000 --> 00:13:20,000
River is is omitting so many flubs and dead airspace and bad mixes.

117
00:13:20,000 --> 00:13:33,000
And, oh, God, that time that I left my ringtone in because I didn't realize I was Bluetooth connected into the speakers and my mom was calling.

118
00:13:33,000 --> 00:13:42,000
And anyway, that's the ringtone. The ringtone bit is still like it's still a cornerstone. Everybody loves it.

119
00:13:42,000 --> 00:13:50,000
Yes, it's iconic. We sold. I actually see a few people that have the ringtone. The ringtone teachers go in. Yeah.

120
00:13:50,000 --> 00:13:53,000
I look and I've gotten much better with it.

121
00:13:53,000 --> 00:14:02,000
I think that actually what drove me to get better with it was the fact I wasn't supposed to be on the show.

122
00:14:02,000 --> 00:14:12,000
Right. I was just, you know, trying to come up with silly ideas with my friend and then put her on the air and make her sound good, allegedly.

123
00:14:12,000 --> 00:14:20,000
And then it's just, you know, I was in the room. So and, you know, honestly, forgive me.

124
00:14:20,000 --> 00:14:28,000
But sometimes I just chime in and a character voice would just show up.

125
00:14:28,000 --> 00:14:35,000
And it's actually every time, every time I'm blown away.

126
00:14:35,000 --> 00:14:51,000
And I think it was I think it was that I think it was getting to actually feel what it was to be a part of the show made me suddenly care a lot more about what it sounded like as a finished product.

127
00:14:51,000 --> 00:15:08,000
And so I switched majors. So by sociology and hello sound design, I am and I just intended to get better at it.

128
00:15:08,000 --> 00:15:14,000
So, yeah, that's what made me care. That's great. Absolutely.

129
00:15:14,000 --> 00:15:24,000
No, that's that's great. I mean, hey, who hasn't changed their major for passion projects in their time or from passion projects to something possibly more.

130
00:15:24,000 --> 00:15:35,000
Yeah, but the thing is, we never found this would still this would have this would have been dead at graduation, you know, like all of our relationships.

131
00:15:35,000 --> 00:15:51,000
That's what's so interesting is it, you know, you know, Vic, you know, because producers are normally like a step away from the production, you know, how does being friends like how how is that dynamic and how did that shift, you know, in your approach to producing the show.

132
00:15:51,000 --> 00:15:58,000
Like, do you think it's better to be close? Would you think that you would rather have that kind of, you know, step away? You're such a beloved member.

133
00:15:58,000 --> 00:16:07,000
Like people know it's rare for people nowadays to know producers, you know, I mean, but people are like, know you because of the show and then your other projects that you've gone on to do.

134
00:16:07,000 --> 00:16:12,000
You know, how does how does being friends with everyone kind of change that approach?

135
00:16:12,000 --> 00:16:22,000
Honestly, I mean, so at first we really weren't friends. First, I mean, I was I was chill with River. I was chill with River. We would karaoke together.

136
00:16:22,000 --> 00:16:34,000
And I knew Charlie, like I knew people. But like we weren't like tight, right? It was two of them against the world. They were killing it. And like, you know, part of being a producer is recognizing a good thing when you see it.

137
00:16:34,000 --> 00:16:57,000
And I think after kind of knowing them individually and then seeing what kind of magic they were making in the studio, I've loved production and, you know, running shows and things like that pretty much forever. I've been fliering since I was a wee thing. And I just I knew that they needed a hand and that I could make something that was already great, even more popular than it was starting to be.

138
00:16:57,000 --> 00:17:15,000
And, you know, through that relationship building, I think was how we got our friendship. Like, that's the core and the heart of our friendship. And that's not to say that if we didn't have the show, we wouldn't be friends. Like, that's not it at all. But, you know, no, but it's like a meeting kind of it's like, you know, it was the catalyst to the friendship.

139
00:17:15,000 --> 00:17:35,000
And that kind of became, you know, they trusted me more. Right. Like, it deepened our understanding of one another. And I'm forever grateful personally. Don't let Charlie, you know, cop out. They are like she is so much more useful and more integral to this than she likes to let on.

140
00:17:35,000 --> 00:17:50,000
You know, River is this visionary and really it's hard not being inspired by them. And I think that that's really an important part of friendship is being forever inspired by the people you choose to spend your time with. Yeah, absolutely. Yeah. No, truly.

141
00:17:50,000 --> 00:17:56,000
So, Devin, how it.

142
00:17:56,000 --> 00:18:10,000
Yeah. No. Okay. Sorry. So we actually were running out of time a little bit in this bit. So we're actually just going to go to some like audience questions and then we'll have like a bit of an FAQ like back and forth.

143
00:18:10,000 --> 00:18:15,000
You just time to like times, you know, some people's answers went a little long.

144
00:18:15,000 --> 00:18:19,000
Give the people what they want. Right. So, yeah, no, absolutely. That's it.

145
00:18:19,000 --> 00:18:24,000
We actually have for you and I point out in the audience.

146
00:18:24,000 --> 00:18:29,000
So we actually have we have someone with a microphone that teenage girl comes up. Hi.

147
00:18:29,000 --> 00:18:33,000
So, there's what sorry this one's for for Charlie.

148
00:18:33,000 --> 00:18:47,000
You know, you're always playing you play so many different characters on the on the show. Do you have do you have like a favorite like someone who you really, you know, like you connect with or just like a favorite a favorite person character that you are.

149
00:18:47,000 --> 00:18:56,000
Um, you know, I would say that it's hard for me to pick one favorite Mr. Johnstein.

150
00:18:56,000 --> 00:19:01,000
Big, big, big favorite.

151
00:19:01,000 --> 00:19:28,000
Because I think that he's interesting. And I think that weirdly, you know, for a fantasy chimney sweep, I think he's had a remarkable glow up and like an arc, especially considering, I think, if we were to time it out, he has like 15 minutes, like total air time across the last, you know, couple of years.

152
00:19:28,000 --> 00:19:37,000
And also, I am just putting it together. But that person in the back with a weird thing that they I didn't know what that was. But it's a Johnstein cosplay.

153
00:19:37,000 --> 00:19:39,000
That's a good sweep.

154
00:19:39,000 --> 00:19:45,000
Huge huge for something amazing.

155
00:19:45,000 --> 00:19:50,000
But, you know what,

156
00:19:50,000 --> 00:19:55,000
Teddy is kind of undeniably my favorite.

157
00:19:55,000 --> 00:20:03,000
Mostly because they're simple at this point. Like I just like if I just don't know what to interject.

158
00:20:03,000 --> 00:20:14,000
I just know that I can just pull a Teddy and like fall out of a vent somewhere or like just you know, trip over.

159
00:20:14,000 --> 00:20:22,000
You know, a couple of bowling pins class and like emerge. Yeah, it's just fun. It's easy.

160
00:20:22,000 --> 00:20:29,000
And and so I really like those two for very different reasons. Yeah.

161
00:20:29,000 --> 00:20:33,000
Thank you. Thank you. Passes the microphone back.

162
00:20:33,000 --> 00:20:42,000
All the guys got is like slightly bigger. He's got a beard that just has the very slights of grays on him.

163
00:20:42,000 --> 00:20:44,000
Hi.

164
00:20:44,000 --> 00:20:49,000
Those are big, you know, huge fan of like everything.

165
00:20:49,000 --> 00:20:57,000
But Vic, I just want to like I was wondering like what advice would like you because like me and my friends, we kind of want to do something like this.

166
00:20:57,000 --> 00:21:09,000
What advice would you give to someone like starting out like start starting on this, you know, kind of audio kind of journey here?

167
00:21:09,000 --> 00:21:20,000
You know, don't be afraid to take risks. Don't be afraid to take chances. Really try to channel whatever vision that you have and don't compromise.

168
00:21:20,000 --> 00:21:28,000
You know, if you can keep from, you know, betraying your beliefs and just kind of stay true to who you are and speak truth to power.

169
00:21:28,000 --> 00:21:36,000
I really think that that's you know, that's the essence. That's how you distill what you really, you know, want to put out there in the world.

170
00:21:36,000 --> 00:21:48,000
And don't be afraid of fans and don't be afraid of change either, you know, as people have kind of come into the space and, you know, we've we've added, you know, like Charlie, for example, and Charlie comes comes in as their new character.

171
00:21:48,000 --> 00:21:56,000
You know, and she's she's representing, you know, what she wants to put out there. Like she's open to what I have to say as the producer. Right.

172
00:21:56,000 --> 00:22:02,000
I'm open to suggestions that other people have. Like we all try to kind of work in this space together.

173
00:22:02,000 --> 00:22:03,000
Yeah, like what?

174
00:22:03,000 --> 00:22:08,000
Right. Right. Like if you go hand in hand.

175
00:22:08,000 --> 00:22:20,000
If I can, you know, just tack on just a little bit to that, especially, you know, the taking risks, trying something new thing, it could work out and pay out in dividends.

176
00:22:20,000 --> 00:22:30,000
You know, like we wouldn't we wouldn't be here if, you know, River, Vic, Charlie didn't take a chance on bringing me bringing me on.

177
00:22:30,000 --> 00:22:35,000
You know, and so we got cosplayers now like this.

178
00:22:35,000 --> 00:22:44,000
Staying true to your true to your product and and your vision goes hand in hand with expansion and growth.

179
00:22:44,000 --> 00:22:48,000
Just don't be afraid of growth. Don't be afraid to change.

180
00:22:48,000 --> 00:22:51,000
Right. Yeah, totally. Yeah.

181
00:22:51,000 --> 00:22:54,000
Did you finish saying what you were trying to say?

182
00:22:54,000 --> 00:23:00,000
Yeah, yeah, totally. I think that DMC summed it up pretty well.

183
00:23:00,000 --> 00:23:06,000
You know, don't I don't think I have anything to add. I think that's it. Yeah.

184
00:23:06,000 --> 00:23:10,000
All right. Thank you. Thank you. I like I like younger guy comes up.

185
00:23:10,000 --> 00:23:25,000
He's like got a cosplay of one of the characters from the show. He's wearing this like varsity jacket and he's like painted himself all green and has like his hair slicked back.

186
00:23:25,000 --> 00:23:29,000
Like, like, yeah. Hi.

187
00:23:29,000 --> 00:23:33,000
So I'm just I just want to go.

188
00:23:33,000 --> 00:23:40,000
Go dragons.

189
00:23:40,000 --> 00:23:45,000
Because of, you know, being, you know, like River, you've been at like every episode.

190
00:23:45,000 --> 00:23:57,000
Like what what what do you have like a fave or something that's like it like an episode that's important to you one that you like, you know, like the most or just one that that is like meaningful to you.

191
00:23:57,000 --> 00:23:59,000
Is there is there one that sticks out at all?

192
00:23:59,000 --> 00:24:03,000
This is like early like generation or like, you know, late.

193
00:24:03,000 --> 00:24:05,000
Anytime anytime in there.

194
00:24:05,000 --> 00:24:08,000
First of all, kick ass cosplay.

195
00:24:08,000 --> 00:24:10,000
That looks Did you make that jacket?

196
00:24:10,000 --> 00:24:12,000
Yeah, I did. Yeah. Yeah.

197
00:24:12,000 --> 00:24:14,000
Incredible.

198
00:24:14,000 --> 00:24:16,000
That looks so cool.

199
00:24:16,000 --> 00:24:21,000
You should you should like take a picture and tag me on Instagram because I want to see more of the patches.

200
00:24:21,000 --> 00:24:23,000
Okay. Yeah. Yeah.

201
00:24:23,000 --> 00:24:30,000
And great question. And I really appreciate I appreciate you asking it because it means I get to gush.

202
00:24:30,000 --> 00:24:33,000
Yeah, I.

203
00:24:33,000 --> 00:24:38,000
This I feel like this is kind of a cop out answer, but I just.

204
00:24:38,000 --> 00:24:40,000
The most.

205
00:24:40,000 --> 00:24:49,000
The last episode that we did this past season was just very, very, very special to me.

206
00:24:49,000 --> 00:24:59,000
It meant a lot to be able to bring in so many of the folks who had worked with us over the seasons.

207
00:24:59,000 --> 00:25:10,000
And to be able to announce what we were moving forward into and have that moment of celebration live with everybody.

208
00:25:10,000 --> 00:25:21,000
It meant a lot to be able to sit in a room with all of my incredible friends and peers and coworkers and just revel in that.

209
00:25:21,000 --> 00:25:29,000
Well, also at the same time, being able to tie in so tight, tie up so many of the loose ends that have been left,

210
00:25:29,000 --> 00:25:47,000
bring stories to completion and sort of finish everything up in the corner of Ifland that we were living in so that we could pack up camp and pick up and move along to the next gleaming shore.

211
00:25:47,000 --> 00:25:56,000
So it was very, very, very special to me to be together with all of them one last time before moving on.

212
00:25:56,000 --> 00:26:00,000
Thank you. Thank you. Yeah. Tag me on Instagram.

213
00:26:00,000 --> 00:26:03,000
I will do. I will do.

214
00:26:03,000 --> 00:26:07,000
They pass the microphone to the next person and then that person asks a question.

215
00:26:07,000 --> 00:26:11,000
They pass to the next. That person answers a question.

216
00:26:11,000 --> 00:26:20,000
And DMC through this the most you get is a what's everyone's.

217
00:26:20,000 --> 00:26:22,000
Hey, if everyone had a moment, what would that.

218
00:26:22,000 --> 00:26:26,000
What would that like favorite moment, what would that be? What does everyone do?

219
00:26:26,000 --> 00:26:30,000
It's always everyone questions. Yeah.

220
00:26:30,000 --> 00:26:38,000
Throughout this the whole time, you slowly start to see the.

221
00:26:38,000 --> 00:26:44,000
I'll be a plastic smile on DMC's face fade.

222
00:26:44,000 --> 00:26:59,000
Very, very slowly, like he at some point he would, you know, try to interject and realize that they're not they're not stopping or giving him space to

223
00:26:59,000 --> 00:27:02,000
express himself.

224
00:27:02,000 --> 00:27:09,000
And, and slowly it he stops even trying.

225
00:27:09,000 --> 00:27:15,000
As the questions keep coming in.

226
00:27:15,000 --> 00:27:23,000
What one of those everyone questions he waits patiently for his turn and he just kind of.

227
00:27:23,000 --> 00:27:28,000
What is this?

228
00:27:28,000 --> 00:27:30,000
No, no, no, seriously.

229
00:27:30,000 --> 00:27:34,000
What, what is this?

230
00:27:34,000 --> 00:27:39,000
Like what's going on here?

231
00:27:39,000 --> 00:27:44,000
It's a junkie. It's normal.

232
00:27:44,000 --> 00:27:49,000
Don't know. Don't tell don't don't tell me that this is this is normal.

233
00:27:49,000 --> 00:27:52,000
What's not normal about it, man.

234
00:27:52,000 --> 00:28:00,000
Almost all the questions, all of the questions are about everyone else.

235
00:28:00,000 --> 00:28:04,000
We're gonna we're gonna take a break.

236
00:28:04,000 --> 00:28:11,000
No, no, no, no, no. Yeah. You know what is wrong with you. What is all of you and I'm addressing the audience.

237
00:28:11,000 --> 00:28:13,000
Devin.

238
00:28:13,000 --> 00:28:17,000
These are our fans, man.

239
00:28:17,000 --> 00:28:28,000
You don't think you don't think I know what this is that this isn't some sort of, oh, like look into your future and if no, not some ghosts of Christmas future bullshit.

240
00:28:28,000 --> 00:28:35,000
Devin, I really don't want to do this on stage. Can we step back for a minute.

241
00:28:35,000 --> 00:28:39,000
I've been stepping back this whole time.

242
00:28:39,000 --> 00:28:43,000
This whole time.

243
00:28:43,000 --> 00:28:45,000
Everyone.

244
00:28:45,000 --> 00:28:49,000
Everyone is going to love me.

245
00:28:49,000 --> 00:28:51,000
My show.

246
00:28:51,000 --> 00:28:57,000
My career was popular because of me. Your show.

247
00:28:57,000 --> 00:29:00,000
Got popular because of the gimmick.

248
00:29:00,000 --> 00:29:09,000
This all of this is just as much mine as it is yours.

249
00:29:09,000 --> 00:29:19,000
We're gonna we're gonna call like a small, just a small break, you know, people are getting, you know, it's hard up here with the lights.

250
00:29:19,000 --> 00:29:23,000
River stands up and

251
00:29:23,000 --> 00:29:28,000
she gets like right up in DMC space.

252
00:29:28,000 --> 00:29:31,000
And she does not have a smile on her face.

253
00:29:31,000 --> 00:29:36,000
Guys can be and she says, No, you can't.

254
00:29:36,000 --> 00:29:40,000
You can't just walk on stage

255
00:29:40,000 --> 00:29:46,000
and get everything that we have worked so hard for.

256
00:29:46,000 --> 00:29:53,000
And she's pointing behind her to Vic and Charlie.

257
00:29:53,000 --> 00:29:56,000
You don't just get to take what we've made.

258
00:29:56,000 --> 00:30:00,000
We're supposed to be a team, guys.

259
00:30:00,000 --> 00:30:03,000
Then why even ask me on.

260
00:30:03,000 --> 00:30:06,000
I turn around flip a chair.

261
00:30:06,000 --> 00:30:12,000
If the if the moderator is wearing a hat that's knocked off to

262
00:30:12,000 --> 00:30:16,000
I don't care what's in the what's in the shadows.

263
00:30:16,000 --> 00:30:21,000
I'm I'm getting out from that situation.

264
00:30:21,000 --> 00:30:29,000
Vic is pacing and smoking furiously, like pulling furiously on their vaporizer and just texting

265
00:30:29,000 --> 00:30:34,000
in their phone between going guys, guys, lots of reassurance.

266
00:30:34,000 --> 00:30:37,000
Once we're out of

267
00:30:37,000 --> 00:30:41,000
the lot of us are out of the view of the audience.

268
00:30:41,000 --> 00:30:45,000
Charlie just sort of looks at DMC.

269
00:30:45,000 --> 00:30:52,000
Not really saying anything, but just sort of like.

270
00:30:52,000 --> 00:30:54,000
Man.

271
00:30:54,000 --> 00:30:56,000
What?

272
00:30:56,000 --> 00:31:02,000
What, Charlie?

273
00:31:02,000 --> 00:31:10,000
You got on the show, you know, like

274
00:31:10,000 --> 00:31:17,000
like you said, we got popular because of a gimmick or whatever.

275
00:31:17,000 --> 00:31:19,000
The.

276
00:31:19,000 --> 00:31:26,000
That rising tide lift your ship up to and.

277
00:31:26,000 --> 00:31:28,000
So.

278
00:31:28,000 --> 00:31:30,000
Whatever.

279
00:31:30,000 --> 00:31:33,000
They.

280
00:31:33,000 --> 00:31:39,000
Don't ask enough questions about you.

281
00:31:39,000 --> 00:31:42,000
You.

282
00:31:42,000 --> 00:31:46,000
Are still on and.

283
00:31:46,000 --> 00:31:48,000
What you're making money.

284
00:31:48,000 --> 00:31:50,000
You got work.

285
00:31:50,000 --> 00:31:54,000
Is that not good enough for you somehow?

286
00:31:54,000 --> 00:32:03,000
Is that something you could get elsewhere?

287
00:32:03,000 --> 00:32:08,000
You don't think I don't know what this is.

288
00:32:08,000 --> 00:32:10,000
I.

289
00:32:10,000 --> 00:32:12,000
Show hasn't even recorded yet.

290
00:32:12,000 --> 00:32:15,000
The fuck are you talking about?

291
00:32:15,000 --> 00:32:19,000
I mean, I'm I can contribute.

292
00:32:19,000 --> 00:32:20,000
Yeah.

293
00:32:20,000 --> 00:32:22,000
Dude, are you high or something?

294
00:32:22,000 --> 00:32:25,000
Like, no, no, no.

295
00:32:25,000 --> 00:32:27,000
What you are, you already showed up late.

296
00:32:27,000 --> 00:32:30,000
Is that what you were doing before you came on stage getting fucked?

297
00:32:30,000 --> 00:32:32,000
Like, what is going on?

298
00:32:32,000 --> 00:32:35,000
We were in the station.

299
00:32:35,000 --> 00:32:38,000
Some weird shit happened.

300
00:32:38,000 --> 00:32:41,000
The door kept opening, closing, opening, closing.

301
00:32:41,000 --> 00:32:43,000
And I went to go check out the green room.

302
00:32:43,000 --> 00:32:45,000
And now I'm here.

303
00:32:45,000 --> 00:32:47,000
That wasn't more than an hour ago.

304
00:32:47,000 --> 00:32:48,000
All right.

305
00:32:48,000 --> 00:32:49,000
We're not in the station.

306
00:32:49,000 --> 00:32:52,000
We drove here.

307
00:32:52,000 --> 00:32:53,000
For River.

308
00:32:53,000 --> 00:32:56,000
Guys, guys, we need to diffuse the situation.

309
00:32:56,000 --> 00:32:57,000
All right.

310
00:32:57,000 --> 00:32:58,000
This is getting really fucking heavy.

311
00:32:58,000 --> 00:32:59,000
River.

312
00:32:59,000 --> 00:33:01,000
It's not appropriate to ask people if they're high.

313
00:33:01,000 --> 00:33:02,000
It's DMC.

314
00:33:02,000 --> 00:33:03,000
You're you're doing your work.

315
00:33:03,000 --> 00:33:06,000
And, you know, we're going to get you to a place where you've got your own fans

316
00:33:06,000 --> 00:33:09,000
in this show, where they know you for who you are and what you do.

317
00:33:09,000 --> 00:33:11,000
I like I told you it was all going to work out.

318
00:33:11,000 --> 00:33:12,000
That's not what I need.

319
00:33:12,000 --> 00:33:13,000
Right.

320
00:33:13,000 --> 00:33:18,000
I need to know how to get out of here because this none of that I'm pointing.

321
00:33:18,000 --> 00:33:19,000
I'm pointing at doors.

322
00:33:19,000 --> 00:33:21,000
I'm pointing at in the direction of the stage.

323
00:33:21,000 --> 00:33:28,000
None of this is actually happening right now.

324
00:33:28,000 --> 00:33:29,000
Move.

325
00:33:29,000 --> 00:33:32,000
And I'm going to go towards the stage.

326
00:33:32,000 --> 00:33:40,000
As you begin to storm toward the stage, the air begins to grow stale.

327
00:33:40,000 --> 00:33:48,000
And as you pass the first curtain before you reach the stage,

328
00:33:48,000 --> 00:33:55,000
there is a door that sits between the stage and you.

329
00:33:55,000 --> 00:34:02,000
Now, the door has these like slight offshoots that have this same water

330
00:34:02,000 --> 00:34:06,000
colored wallpaper around.

331
00:34:06,000 --> 00:34:11,000
No one seems to be noticing it, though, if any of the other cast come on,

332
00:34:11,000 --> 00:34:16,000
they will either just pass, walk straight onto the stage or will.

333
00:34:16,000 --> 00:34:18,000
Ignore it.

334
00:34:18,000 --> 00:34:20,000
Right.

335
00:34:20,000 --> 00:34:26,000
And it's like, oh, because it's so dark, it's so scary.

336
00:34:26,000 --> 00:34:30,000
Are there is like the moderator persons?

337
00:34:30,000 --> 00:34:32,000
Are there any audience members in the stages?

338
00:34:32,000 --> 00:34:33,000
Like what's happening?

339
00:34:33,000 --> 00:34:35,000
There's a bit of a weird energy on stage.

340
00:34:35,000 --> 00:34:39,000
I think they have had people leave the room.

341
00:34:39,000 --> 00:34:45,000
Because until they find out if people are coming back on stage to the

342
00:34:45,000 --> 00:34:46,000
moderator is not there.

343
00:34:46,000 --> 00:34:50,960
looking at you because you did blow up in front of everyone. But aside from that, it's people are leaving.

344
00:34:50,960 --> 00:35:05,840
River has gathered Charlie and Vic and is leaning over to Vic and sort of as you're like doing a turn looking around what's happening around you, you can hear her very quietly under her breath asking Vic like, are you seeing anything on social media? Or what's going on?

345
00:35:05,860 --> 00:35:09,320
I'm doing everything I can. You know, I gotta, people are already talking about it.

346
00:35:09,320 --> 00:35:21,720
Social media is is a buzz at the minute. There are there are like your like Reddit account, the like Twitter people are like, there's a video of that is already going around.

347
00:35:21,760 --> 00:35:39,080
No, that's not important. I'm going to smack the phone out of a hand. I'm assuming that there's a phone out. I'm going to go to one of the crew and like, have them face me, try and get any what is what is happening? Who are you

348
00:35:39,080 --> 00:35:42,040
get me out of here? I don't want to be here.

349
00:35:43,400 --> 00:35:45,360
Dude, you can leave.

350
00:35:45,480 --> 00:35:51,120
I think that might be for the best man. This is we're gonna need to have a meeting our sponsors are gonna go fucking crazy.

351
00:35:51,600 --> 00:35:54,400
No, fuck the sponsors.

352
00:35:54,400 --> 00:36:16,760
You're not understanding me. This is some sort of I'm hallucinating. This is this is not real. I am so I'm confronted with what is the insecurities? What am I supposed to what am I supposed to do? Am I learning something here?

353
00:36:18,640 --> 00:36:19,640
It doesn't seem like it.

354
00:36:19,640 --> 00:36:29,720
You don't I'm doing looking at River door, Charlie door.

355
00:36:31,960 --> 00:36:32,960
What's over there?

356
00:36:33,960 --> 00:36:45,480
Fuck this. I don't care what's on the other side of that. I'm gonna storm my way towards that door. Grab the handle and shut the door.

357
00:36:45,480 --> 00:37:13,320
Grab the handle and shove my way through and the ambient noise of of electrics and people and crowds it just ends as soon as you open the door and you step foot back inside of that hallway. The door shuts behind you. There is no light on under it that same sickly stale air and the and the the rotting wood.

358
00:37:13,320 --> 00:37:17,360
There is a light down the hall underneath another door that lights.

359
00:37:19,160 --> 00:37:31,880
I see it and notice it and no, but no. Where's that first door? I'm gonna try my best to figure out where I am and approximate direction and start.

360
00:37:31,880 --> 00:37:49,400
It's a you know where you came from. You can see down it just ends into it's just a brick wall. It's it's what looks like the green room that you stepped in but it's old and it's tattered. There is no door leading out from it. But it is there still.

361
00:37:50,200 --> 00:37:50,720
I

362
00:37:50,720 --> 00:38:16,560
take a minute pace in front of it. Try and get as much information as I can out put my ear against it. See if I can hear another audience or something. Nothing. It's dead. There's no noise. I'm looking up into the like the void the darkness the mildew. What? What am I supposed to do? What's on the other side of that door?

363
00:38:16,560 --> 00:38:20,760
I'm supposed to just this isn't right for me. I'm

364
00:38:22,080 --> 00:38:27,080
supposed to share the stage give Charlie my seat. What is happening?

365
00:38:32,400 --> 00:38:36,200
You are capable and deserving of love.

366
00:38:36,200 --> 00:38:53,480
You are capable and deserving of love. You are capable and deserving of love. No, you're not. You just.

367
00:38:53,480 --> 00:39:10,560
You just know what to say and who to say it to. And they just want something from you. That's not love. Mom and dad. That's.

368
00:39:10,560 --> 00:39:35,800
They're just looking out for you. You. You did not. You did not. You did not peak at the age of 7 months full of love for your mom. You did not seek the paupers. You did not seek the drypens for being, 이것 exception.

369
00:39:35,800 --> 00:39:44,800
You did not, you did not, you did not peek at the age of seven on fucking Nat and Kat's average life.

370
00:39:48,800 --> 00:39:52,800
You are capable and deserving of love.

371
00:39:55,800 --> 00:40:01,800
And I will slowly turn that knob and push the door open.

372
00:40:01,800 --> 00:40:12,800
The sound of noise hits you again. It's another crowd setting. Different this time though. It is a theatre, you think? It's a green room, definitely.

373
00:40:12,800 --> 00:40:36,800
There's walls that are heavily signed with so many autographs in Sharpie. You, as your eyes flick around the room, it is ten years past the date that you stepped foot inside the studio.

374
00:40:36,800 --> 00:40:48,800
You look and your eye catches yourself in a mirror. Your face betrays how young you should be. Mid-30s? You look far older.

375
00:40:49,800 --> 00:40:52,800
Who the fuck are you?

376
00:40:52,800 --> 00:41:16,800
Your hand brushes against a small pamphlet. It is a reunion special. It is just wrapped as you can kind of gather from the noise of people. Someone opens the door into the room.

377
00:41:16,800 --> 00:41:35,800
Hi, um, Devin. Sorry, we have, it's just, you know, we need, we need you just to, because people want some signings and they brought some things. So yeah, just when you're ready. She seems skittish at you.

378
00:41:36,800 --> 00:41:41,800
Yeah, yeah, I'll look back at the mirror. I'll be right out.

379
00:41:42,800 --> 00:41:44,800
She closes the door.

380
00:41:44,800 --> 00:41:50,800
I take a moment to gather my surroundings.

381
00:41:51,800 --> 00:41:57,800
Try and decide how I'm going to go into this.

382
00:41:58,800 --> 00:42:02,800
Realize that's futile and just push through the door.

383
00:42:02,800 --> 00:42:28,800
You are met in the hall pretty quick by Vic. The show was a huge success. It blew up. It ended when it should have. It is so like cult beloved. It's not by any means the biggest thing you've made, but it is the first real thing you made. It's been 10 years. About, I'd say about six or seven since it closed. What do you look like?

384
00:42:28,800 --> 00:42:54,800
Vic has, their face is slightly more lined. You can tell that they probably use very fancy skin cream to make sure that they look really good. They smell exquisitely expensive. They have a shaved head. Their makeup is just as kind of low key as it used to be. But everything about them just appears pricier.

385
00:42:54,800 --> 00:43:09,800
They're wearing combat boots, but they have the double F symbol of Fendi. They have very low key name brands that are kind of matching on them. Something that's very unassuming that you wouldn't necessarily know at first glance would be designer.

386
00:43:09,800 --> 00:43:33,800
And it almost just looks like a glow up. Like this person has been exactly the same person all this time, but their shoulder, their shoulders are a little bit, you know, squarer. Their back is a little bit straighter. Their chin is held a little bit higher. And they kind of look down their nose at you. What are you doing, man? Always with you. Always, always bringing up the rear. How many years has it been?

387
00:43:33,800 --> 00:43:39,800
Vic, Vic, I'm sorry.

388
00:43:40,800 --> 00:43:41,800
For what?

389
00:43:41,800 --> 00:44:05,800
For what? And I very quick smile flashes as I as I start. I don't I don't even know what I'm apologizing for. I just I'm late again.

390
00:44:05,800 --> 00:44:11,800
It's cool. I kind of baked it into the timeline, if you know what I mean. And they wink at you.

391
00:44:12,800 --> 00:44:28,800
They kind of take this small case out of their inner breast pocket and put on these very kind of sleek, sharp edged glasses. And that's like kind of the first sign of age that you can see on them. They sort of kind of like peer at you through them.

392
00:44:28,800 --> 00:44:41,800
I got a good guy I can recommend to you if you want to take a couple years off. I mean, you wear you wear it well. I'm not trying to shit talk you man. I'm just saying.

393
00:44:42,800 --> 00:44:49,800
It's like, it's OK. Yeah, how many years has it has it been?

394
00:44:49,800 --> 00:44:57,800
Since the last time we talked? Maybe check in, you know, we feel OK.

395
00:44:58,800 --> 00:45:01,800
Just a little, little hungry, you know.

396
00:45:02,800 --> 00:45:09,800
Oh, let me tell you, the snacks are so much better than what we used to have. Oh, come here. Let me show you. Gone are the days of the vending machine.

397
00:45:09,800 --> 00:45:21,800
If you walk down the hallway, you get some of the hors d'oeuvres that are waiting for you, but then are rushed along by just someone who's managing the building.

398
00:45:22,800 --> 00:45:32,800
How swanky are we talking here? Like like crowd size and venue like this is this can't be like up and motion like big.

399
00:45:32,800 --> 00:45:42,800
The anniversary. I mean, you know, it's important. People are pretty excited. It's about I don't know, maybe four, five thousand people.

400
00:45:43,800 --> 00:45:50,800
Thousand? Yeah, I mean, you know, nothing too overwhelming, not like 10K in an arena or something.

401
00:45:50,800 --> 00:46:01,800
No. Yeah, and and they're they're here to see River, Charlie, you and me.

402
00:46:02,800 --> 00:46:05,800
Yeah, if one's made a big difference to people, man.

403
00:46:05,800 --> 00:46:19,800
Vic, you would know that River isn't there. She doesn't make appearances anymore. They bowed out gracefully just just toward the end.

404
00:46:20,800 --> 00:46:25,800
It's kind of why the show began to wrap people. We struggled to find someone to fit in.

405
00:46:26,800 --> 00:46:31,800
DMC took over for a bit and the show kind of was like, OK, let's go out on our own terms.

406
00:46:31,800 --> 00:46:37,800
Vic holds that information until like they meet up with Charlie.

407
00:46:38,800 --> 00:46:44,800
Would I be able to put that together based on context? I'm willing to roll.

408
00:46:45,800 --> 00:46:53,800
I don't I don't think it constitutes actually rolling is one of those posters look like one of the posters look like Robin.

409
00:46:53,800 --> 00:47:04,800
Yeah, I think we all know the posters are like the logo really big and like silhouette. Yeah, something really obscure.

410
00:47:05,800 --> 00:47:12,800
You got like a character artist to to draw all of all of the characters in the show.

411
00:47:12,800 --> 00:47:22,800
There's no names mentioned. It's like our if-land life is like big on it, but it's it's it's it's more of a character piece than it is people who are going to be turning up.

412
00:47:23,800 --> 00:47:29,800
Give me a give me a brains. Let's say four. No, you do get an adversity token.

413
00:47:30,800 --> 00:47:33,800
Oh, my God. Mechanics. We're playing a game.

414
00:47:33,800 --> 00:47:54,800
You don't really piece it together, but stood and as you think of it, there are flashes of a life lived, not just, you know, stepping through these halls like that is so fuzzy.

415
00:47:54,800 --> 00:48:03,800
That feels like a dream. But these past 10 years, you remember recording the last episode like you're remembering events.

416
00:48:04,800 --> 00:48:14,800
It's all very hazy, though. It's all it feels like this fog has almost seeped into your bones and it is now just everything of of you.

417
00:48:14,800 --> 00:48:25,800
It's it's such a haze. Vic and DMC, you walk in to this big not a hall, but it's almost like a merch stall.

418
00:48:26,800 --> 00:48:29,800
And there are like crowds of people were like waiting for you.

419
00:48:30,800 --> 00:48:33,800
They have lines that they've designated for each of you.

420
00:48:33,800 --> 00:48:46,800
Charlie, you already sat when they walk in. Can I actually be hovering over the sound guy who is actually doing the sound for this?

421
00:48:47,800 --> 00:48:54,800
And I just be like. No, Vic needs you need to turn Vicks up and you need to turn the down.

422
00:48:54,800 --> 00:49:02,800
You don't want to miss what Vic is saying, and DMC sometimes gets excited and and and and shouts.

423
00:49:03,800 --> 00:49:11,800
You got to balance them a little bit better. And also, you should listen to Charlie to the to the sound tech as we come up.

424
00:49:12,800 --> 00:49:16,800
They know exactly what they're talking about. Oh, here you made it. Good. Good.

425
00:49:16,800 --> 00:49:27,800
Look who I found. Yeah, yeah, good. Also, the I'm I'm concerned about the MP3 title that I see on your screen there.

426
00:49:28,800 --> 00:49:39,800
That's like three theme songs ago. I think somebody gave you the wrong stuff. So I had to say on I'll get just get like, look, keep your phone on.

427
00:49:40,800 --> 00:49:43,800
I'll get it to you in a second. You know, I'm paying someone to do this, right?

428
00:49:43,800 --> 00:49:46,800
Well, you know, you're paying someone to do it, but it's like.

429
00:49:49,800 --> 00:49:54,800
It's our thing, so what is what does Charlie look like 10 years down the line?

430
00:49:55,800 --> 00:50:03,800
Still goth in a way that has become a little awkward.

431
00:50:03,800 --> 00:50:24,800
Like still is, you know, dress still dressed in a little bit of a loud like statement kind of gothic way, loud chokers and things a little bit more piercings, a little bit more tattoos.

432
00:50:24,800 --> 00:50:32,800
I would like Robin, is it too overstepping for me to ask DMC to make a brains roll?

433
00:50:33,800 --> 00:50:38,800
Please do. Go for it. What is the number that we're trying to hit here?

434
00:50:39,800 --> 00:50:45,800
Make a brains roll at a DC of six. DC of six. Six.

435
00:50:45,800 --> 00:50:53,800
There are pins all over Charlie's like outfit.

436
00:50:54,800 --> 00:50:58,800
Charlie has some new tattoos from when you last saw her.

437
00:50:58,800 --> 00:51:16,800
There is, as Robin said, like as you're seeing things and people like memories are coming back to you and you know that this is a reunion.

438
00:51:17,800 --> 00:51:26,800
Charlie's been working on big shows like doing sound design for stuff that is way popular.

439
00:51:26,800 --> 00:51:37,800
And making big money getting like adaptations kind of money.

440
00:51:38,800 --> 00:51:44,800
Every pin, every tattoo is about Evelyn.

441
00:51:45,800 --> 00:51:51,800
With that context and you know the shade of memories.

442
00:51:51,800 --> 00:52:07,800
DMC is going to do something that normal real life DMC probably wouldn't have have initially thought to do.

443
00:52:08,800 --> 00:52:16,800
Honestly, like this is just as much your show as it is theirs.

444
00:52:16,800 --> 00:52:20,800
Motioning to the sound tech.

445
00:52:21,800 --> 00:52:27,800
Whatever you need to make happen. Please make it happen.

446
00:52:28,800 --> 00:52:35,800
If you need me. You have my number.

447
00:52:36,800 --> 00:52:43,800
Just I'll be paying attention to it. I'm going to go.

448
00:52:43,800 --> 00:52:46,800
I'm going to go.

449
00:52:47,800 --> 00:52:49,800
Dude.

450
00:52:50,800 --> 00:52:57,800
And Charlie like sort of like kicks out your chair.

451
00:52:58,800 --> 00:53:04,800
That's like real sweet of you and all but

452
00:53:04,800 --> 00:53:18,800
and she like kind of nods to the nameplate at your spot on this panel that says DMC host.

453
00:53:19,800 --> 00:53:21,800
That's your show.

454
00:53:22,800 --> 00:53:26,800
And she like takes a seat.

455
00:53:27,800 --> 00:53:30,800
Oh yeah I forgot to tell you. River's not coming.

456
00:53:30,800 --> 00:53:33,800
What?

457
00:53:34,800 --> 00:53:36,800
Yeah you know she's got a lot going on.

458
00:53:37,800 --> 00:53:43,800
Lots of things happening. Doesn't really do you know smaller events like this.

459
00:53:44,800 --> 00:53:47,800
So it's you. It's you. I mean that's that's you know.

460
00:53:48,800 --> 00:53:51,800
This is all about you man.

461
00:53:52,800 --> 00:53:57,800
Sure. Do they know?

462
00:53:57,800 --> 00:53:59,800
Oh Charlie.

463
00:54:00,800 --> 00:54:04,800
No. The pointing towards like the direction of the most noise crowd noise.

464
00:54:05,800 --> 00:54:08,800
Oh the crowd the crowd.

465
00:54:09,800 --> 00:54:12,800
You know I'm not sure but they will soon won't they.

466
00:54:13,800 --> 00:54:17,800
So big smile and do your best. They'll love you.

467
00:54:18,800 --> 00:54:23,800
They always do. Yep. I'm going to go get some snacks to make sure we're good on stage.

468
00:54:23,800 --> 00:54:27,800
Champagne cocktail anything. You guys want anything? Yes please. All right cool.

469
00:54:28,800 --> 00:54:31,800
Old fashioned? Yeah.

470
00:54:32,800 --> 00:54:40,800
I'm good. I'm good. The facial expression on DMC is only can only read New Fear Unlocked.

471
00:54:40,800 --> 00:54:52,800
And he'll catatonic like start making his way towards the stage to accept his fate.

472
00:54:53,800 --> 00:55:03,800
As DMC walks someone goes oh Devin Michael Kors. Oh my god. Hi. Hi. Oh my god. This is bad. Hi. I'm so sorry.

473
00:55:03,800 --> 00:55:12,800
I'm Rebecca. I've been a huge fan since you know like you came on like that time.

474
00:55:13,800 --> 00:55:19,800
Oh my god. I love it. I love I you know the whole thing. It's so exciting to see one.

475
00:55:20,800 --> 00:55:24,800
Actually I have I have I have. How are you? How are you?

476
00:55:25,800 --> 00:55:29,800
I'm doing I'm doing really good. I just need to breathe you know.

477
00:55:29,800 --> 00:55:35,800
I'm just I'm just I'm just I wouldn't be able to do this at all. Yeah.

478
00:55:36,800 --> 00:55:45,800
I actually I'm I this is so actually what do you she pulls out like a little like crocheted like plushie.

479
00:55:45,800 --> 00:55:59,800
And like I'm so sorry. This is weird. I shouldn't I shouldn't really be back here. Would you mind giving this to River?

480
00:56:00,800 --> 00:56:09,800
So it's like it's it's bad. I shouldn't. I just don't I just don't think she's here. There was like some rumors or like they haven't seen him.

481
00:56:09,800 --> 00:56:15,800
So I just wanted to like make sure that you know everyone I got I think I got ones for others as well.

482
00:56:16,800 --> 00:56:23,800
I'll take the take the plushie. Look at it.

483
00:56:25,800 --> 00:56:32,800
Big wide grin across my face. No she's here. Yeah.

484
00:56:32,800 --> 00:56:39,800
I'll make sure this makes it to her. Oh my god. That's that. Yeah that would be that would be amazing.

485
00:56:40,800 --> 00:56:47,800
I I won't I would I would say I would say I was hoping of course that's so fun.

486
00:56:48,800 --> 00:56:57,800
Okay. Yeah. Thank you. Thank you so much. I got the like backstage thing so then I'll be at like signing stuff. I have things later.

487
00:56:57,800 --> 00:57:03,800
That's so exciting. Okay. I'll I'll yeah make sure make sure you make sure you you tag River.

488
00:57:04,800 --> 00:57:11,800
Yeah. Okay. Yeah. Yeah. Absolutely. Okay. Yeah. All right. Have a have a great day.

489
00:57:12,800 --> 00:57:15,800
Thank you. You too. Bye bye bye bye bye.

490
00:57:16,800 --> 00:57:17,800
I'm going to hold on to it.

491
00:57:18,800 --> 00:57:19,800
And.

492
00:57:19,800 --> 00:57:28,800
And at the table I'm going to put it on the table and make a little makeshift card that says River.

493
00:57:29,800 --> 00:57:30,800
With the plushie behind it.

494
00:57:34,800 --> 00:57:36,800
And just sit there and wait until the show starts.

495
00:57:37,800 --> 00:57:43,800
I'll do some signings. I'll do I'll do whatever. But like if this is.

496
00:57:43,800 --> 00:57:50,800
What. Hard work and.

497
00:57:52,800 --> 00:58:02,800
And like straight up like in DMC's head generosity will get him is and then then why why try you know why why try and be nice.

498
00:58:02,800 --> 00:58:13,800
The air once again grows stale as you wait as you wait for the show to start as people start coming in and.

499
00:58:14,800 --> 00:58:16,800
You know seeing everyone sat there.

500
00:58:18,800 --> 00:58:19,800
There is this.

501
00:58:19,800 --> 00:58:32,800
Hum behind you and as you turn you see the door with the fraying wallpaper people seem to just be not passing through it but just walking around it not paying it any heed.

502
00:58:33,800 --> 00:58:34,800
I.

503
00:58:37,800 --> 00:58:40,800
I hover for a little bit and.

504
00:58:40,800 --> 00:58:49,800
As people are stopping by and or as people come by if they like see you say hi to me a wave or like interact with them for a little bit but.

505
00:58:52,800 --> 00:59:00,800
I pull out whatever iteration of messaging device is relevant to 10 years in the future from now and.

506
00:59:00,800 --> 00:59:03,800
Start drafting a message.

507
00:59:05,800 --> 00:59:06,800
Hey.

508
00:59:08,800 --> 00:59:09,800
Listen.

509
00:59:11,800 --> 00:59:12,800
I'm here.

510
00:59:13,800 --> 00:59:14,800
For the long haul.

511
00:59:17,800 --> 00:59:18,800
As much as you need.

512
00:59:19,800 --> 00:59:20,800
As or as little as you need.

513
00:59:20,800 --> 00:59:28,800
I think. Honestly. Oil.

514
00:59:29,800 --> 00:59:30,800
Has got some legs.

515
00:59:32,800 --> 00:59:33,800
I like to be a part of it.

516
00:59:33,800 --> 00:59:48,800
But if. You really. Really truly. Don't need.

517
00:59:48,800 --> 01:00:03,800
DMC in the picture.

518
01:00:04,800 --> 01:00:05,800
Please let me know.

519
01:00:08,800 --> 01:00:12,800
And I will save that as a draft to River.

520
01:00:13,800 --> 01:00:14,800
Before I walk away.

521
01:00:14,800 --> 01:00:18,800
The noise once again leaves that sound of.

522
01:00:19,800 --> 01:00:21,800
The Hall of Fame lights humming.

523
01:00:22,800 --> 01:00:23,800
Comes back.

524
01:00:25,800 --> 01:00:30,800
The door closes the light underneath that door turns off.

525
01:00:31,800 --> 01:00:32,800
There are.

526
01:00:34,800 --> 01:00:35,800
Three.

527
01:00:36,800 --> 01:00:37,800
Doors.

528
01:00:37,800 --> 01:00:44,800
Continuing along this hallway.

529
01:00:45,800 --> 01:00:54,800
It's not the underneath that lights up though each one has a window a small just more look into that time rather than you being able to walk through it at the end of the whole.

530
01:00:55,800 --> 01:00:58,800
There is a door that is on the floor.

531
01:00:59,800 --> 01:01:00,800
Lying flat.

532
01:01:00,800 --> 01:01:05,800
I want to look into the first one what do I see.

533
01:01:06,800 --> 01:01:09,800
Do you think that DMC ever fell in love and got married.

534
01:01:10,800 --> 01:01:19,800
I don't think I don't think married I think he's had to do way too much growing to get married at a certain point like to get married at a.

535
01:01:20,800 --> 01:01:23,800
Typical let's say typical age I think he's doing like.

536
01:01:23,800 --> 01:01:31,800
I this is the first he's he's pulling a Keanu and he's got like he and and his girlfriend are like.

537
01:01:32,800 --> 01:01:34,800
He and his partner are you know.

538
01:01:35,800 --> 01:01:37,800
Aging well together.

539
01:01:38,800 --> 01:01:39,800
It's.

540
01:01:41,800 --> 01:01:45,800
Five six years later those that those grays are showing.

541
01:01:45,800 --> 01:01:56,800
Pretty heavy now and it's you and this person who you can't really tell the expression of or features of but you see them and it seems.

542
01:01:57,800 --> 01:01:58,800
Seems all right.

543
01:02:00,800 --> 01:02:04,800
The next window you walk to this is an additional.

544
01:02:05,800 --> 01:02:07,800
Five odd years later.

545
01:02:07,800 --> 01:02:22,800
And you can feel this as you're walking every step you get slightly slower your body you can see it it's the wrinkles are on your hand you can feel the like age in your bones as you take steps forward.

546
01:02:23,800 --> 01:02:26,800
Do you do you speak to any of the cast.

547
01:02:26,800 --> 01:02:35,800
You speak to anyone keep in contact with River or Vic or Charlie.

548
01:02:37,800 --> 01:02:39,800
I think Vic.

549
01:02:40,800 --> 01:02:49,800
Is the most I keep in contact with but I know it's it's mostly like in my in in DMC said in my head as DMC.

550
01:02:49,800 --> 01:02:55,800
It feels closer to a professional courtesy.

551
01:02:56,800 --> 01:02:58,800
Than it is an actual friendship.

552
01:02:59,800 --> 01:03:01,800
Every now and again.

553
01:03:02,800 --> 01:03:06,800
DMC will try and reach out to Charlie and.

554
01:03:07,800 --> 01:03:09,800
When you reach out to Charlie.

555
01:03:10,800 --> 01:03:12,800
She always assumes it's an emergency.

556
01:03:12,800 --> 01:03:20,800
And it's like.

557
01:03:21,800 --> 01:03:22,800
Immediately sat.

558
01:03:23,800 --> 01:03:25,800
Not in the friendliest way.

559
01:03:27,800 --> 01:03:28,800
But in a.

560
01:03:30,800 --> 01:03:34,800
We've been through it kind of way.

561
01:03:35,800 --> 01:03:36,800
Yeah.

562
01:03:36,800 --> 01:03:41,800
At this point it's.

563
01:03:42,800 --> 01:03:47,800
More for the acknowledgement than it is any sort of like.

564
01:03:49,800 --> 01:03:50,800
Relationship or bonding.

565
01:03:51,800 --> 01:03:57,800
It's just to be acknowledged even if that acknowledgement is tinged just with a bit of disdain.

566
01:04:00,800 --> 01:04:03,800
You see through the window.

567
01:04:03,800 --> 01:04:06,800
Yourself 45 years old now.

568
01:04:07,800 --> 01:04:11,800
Sending a text we can imagine is a text putting your phone down and.

569
01:04:12,800 --> 01:04:16,800
I gather the impression that time moves in hours.

570
01:04:17,800 --> 01:04:18,800
And.

571
01:04:19,800 --> 01:04:24,800
Checking your phone and putting it back down as kind of wait for that response to happen.

572
01:04:25,800 --> 01:04:29,800
You go over to the next window an additional 10 years.

573
01:04:29,800 --> 01:04:32,800
I don't want to know.

574
01:04:33,800 --> 01:04:36,800
What happens after that second door.

575
01:04:37,800 --> 01:04:38,800
I know.

576
01:04:39,800 --> 01:04:43,800
How long it's been I can feel how long it's been.

577
01:04:46,800 --> 01:04:48,800
But I make the conscious effort.

578
01:04:49,800 --> 01:04:53,800
To turn my gaze away from what that door looks like.

579
01:04:55,800 --> 01:04:56,800
And you do.

580
01:04:56,800 --> 01:04:58,800
Don't see what it is.

581
01:04:59,800 --> 01:05:00,800
You.

582
01:05:02,800 --> 01:05:10,800
Continue to get older as you walk toward this door that's on the ground again you to open it almost like a trap door.

583
01:05:11,800 --> 01:05:14,800
But there is a light that shines from.

584
01:05:15,800 --> 01:05:17,800
Where the floor should be.

585
01:05:18,800 --> 01:05:23,800
You look back down the hall this is the last door there is truly nothing else here.

586
01:05:23,800 --> 01:05:31,800
The hall is twisted like a spiral going down doors are on the ceiling on the ground side to side.

587
01:05:33,800 --> 01:05:35,800
And there is this door.

588
01:05:38,800 --> 01:05:40,800
I'm going to sit down next to it.

589
01:05:42,800 --> 01:05:44,800
And reflect.

590
01:05:45,800 --> 01:05:47,800
For as long as it takes.

591
01:05:47,800 --> 01:05:51,800
It's more difficult getting down than you're used to.

592
01:05:54,800 --> 01:05:55,800
What.

593
01:05:57,800 --> 01:06:02,800
What is it that this feeling is what is this.

594
01:06:03,800 --> 01:06:04,800
Moment.

595
01:06:05,800 --> 01:06:06,800
For.

596
01:06:06,800 --> 01:06:08,800
Devin Michael chorus.

597
01:06:09,800 --> 01:06:10,800
It's been.

598
01:06:10,800 --> 01:06:21,800
It's weird surely it cannot be longer than an hour hour and a half maybe but then again it has been 50 years.

599
01:06:22,800 --> 01:06:31,800
You feel that you know it you have these hazed memories of a life lived and you are sat on the ground next to a door what is that.

600
01:06:31,800 --> 01:06:38,800
Devin Michael chorus DMC.

601
01:06:39,800 --> 01:06:42,800
As far back as I can remember.

602
01:06:45,800 --> 01:06:49,800
That just that didn't mean anything.

603
01:06:49,800 --> 01:06:51,800
Unless it was.

604
01:06:51,800 --> 01:06:54,800
On a screen in the credits.

605
01:06:54,800 --> 01:07:02,800
On a playbill.

606
01:07:02,800 --> 01:07:04,800
Set over the radio station.

607
01:07:05,800 --> 01:07:06,800
The growing.

608
01:07:07,800 --> 01:07:11,800
Realization and the growing emotion here is that.

609
01:07:14,800 --> 01:07:18,800
Whatever DMC whatever that means.

610
01:07:18,800 --> 01:07:22,800
Is just as much as.

611
01:07:24,800 --> 01:07:27,800
Is put out into the world as.

612
01:07:28,800 --> 01:07:30,800
The person receives.

613
01:07:34,800 --> 01:07:36,800
You are capable of love.

614
01:07:41,800 --> 01:07:43,800
And therefore deserving of love.

615
01:07:43,800 --> 01:07:48,800
And therefore deserving of it.

616
01:07:51,800 --> 01:07:54,800
This is going to be big.

617
01:07:58,800 --> 01:07:59,800
And.

618
01:08:01,800 --> 01:08:04,800
I cannot let.

619
01:08:08,800 --> 01:08:10,800
DMC I can't let.

620
01:08:10,800 --> 01:08:13,800
Ego get in the way of it.

621
01:08:16,800 --> 01:08:19,800
If that light is hellfire.

622
01:08:20,800 --> 01:08:24,800
I just hope that it's deserved.

623
01:08:29,800 --> 01:08:30,800
That.

624
01:08:31,800 --> 01:08:33,800
I look back at all the doors.

625
01:08:33,800 --> 01:08:39,800
That that version was a real asshole.

626
01:08:41,800 --> 01:08:42,800
Okay.

627
01:08:46,800 --> 01:08:50,800
I really hope that this is either the end or takes me back to the radio station.

628
01:08:50,800 --> 01:08:53,800
Whoever is up to this.

629
01:08:55,800 --> 01:08:58,800
I don't think I can take much more.

630
01:08:58,800 --> 01:09:02,800
I'm old now.

631
01:09:03,800 --> 01:09:06,800
And I'll open the door.

632
01:09:08,800 --> 01:09:12,800
It's another green room.

633
01:09:13,800 --> 01:09:15,800
But it's one that you recognize.

634
01:09:16,800 --> 01:09:18,800
It's not the one of the radio station.

635
01:09:19,800 --> 01:09:24,800
But it is one at the university's radio station.

636
01:09:24,800 --> 01:09:26,800
It's.

637
01:09:26,800 --> 01:09:29,800
Where it should be in relation to the door.

638
01:09:29,800 --> 01:09:33,800
But for you, you need to jump into whatever this is.

639
01:09:36,800 --> 01:09:43,800
I'm going to do my best to minimize the amount of damage that this is going to do.

640
01:09:44,800 --> 01:09:45,800
And.

641
01:09:47,800 --> 01:09:49,800
I don't care because I'm old now.

642
01:09:49,800 --> 01:09:52,800
How ridiculous that makes me look.

643
01:09:53,800 --> 01:09:54,800
As you.

644
01:09:55,800 --> 01:09:57,800
Put one foot in front of the other.

645
01:09:58,800 --> 01:10:01,800
The green room stretches.

646
01:10:02,800 --> 01:10:06,800
Almost refusing you to land.

647
01:10:07,800 --> 01:10:09,800
You fall and.

648
01:10:10,800 --> 01:10:12,800
As you fall.

649
01:10:13,800 --> 01:10:15,800
You continue to.

650
01:10:15,800 --> 01:10:18,800
As you fall.

651
01:10:19,800 --> 01:10:21,800
You continue to get older.

652
01:10:21,800 --> 01:10:26,800
You continue to age and your skin sags from you and.

653
01:10:27,800 --> 01:10:33,800
The door that you opened as it slams shut it catches just a small nip.

654
01:10:34,800 --> 01:10:36,800
On your wrist.

655
01:10:36,800 --> 01:10:40,800
Just part of your wrinkled skin and you.

656
01:10:41,800 --> 01:10:43,800
Begin to unravel.

657
01:10:43,800 --> 01:10:45,800
Like a blanket.

658
01:10:45,800 --> 01:10:50,800
It begins tearing this wrinkled skin from your arm and it.

659
01:10:50,800 --> 01:10:57,800
Starts pulling from your chest and your face as you age and you.

660
01:10:57,800 --> 01:10:59,800
All of a sudden land.

661
01:11:00,800 --> 01:11:02,800
You find yourself steady footed.

662
01:11:04,800 --> 01:11:07,800
In the green room of the university.

663
01:11:07,800 --> 01:11:12,800
These hazed memories kind of hit back at you work dried up.

664
01:11:13,800 --> 01:11:18,800
There was nothing you did the concert a couple times but there was just no need.

665
01:11:20,800 --> 01:11:23,800
And no money coming into it it was just no point.

666
01:11:24,800 --> 01:11:27,800
You get a job after.

667
01:11:27,800 --> 01:11:28,800
You.

668
01:11:29,800 --> 01:11:33,800
Did some nothing job that didn't mean anything just to pay rent.

669
01:11:33,800 --> 01:11:38,800
And you get a text one day from the dean of the university.

670
01:11:39,800 --> 01:11:46,800
They were your classmate in the same year they text you saying that they need a manager for the radio station.

671
01:11:46,800 --> 01:11:53,800
And if you wanted to do that if you wanted to manage the university's radio station I mean it's nice now.

672
01:11:53,800 --> 01:12:02,800
It's it's it's busy not like it used to be when it was just you and some pizza boxes it's like people now turn up to it.

673
01:12:03,800 --> 01:12:06,800
There was a lot of deliberation there.

674
01:12:06,800 --> 01:12:09,800
Lots of back and forth of like.

675
01:12:10,800 --> 01:12:15,800
What are the expectations why specifically.

676
01:12:17,800 --> 01:12:19,800
DMC.

677
01:12:19,800 --> 01:12:24,800
And I think ultimately it is a.

678
01:12:26,800 --> 01:12:30,800
It is a reluctant yes.

679
01:12:31,800 --> 01:12:32,800
It is your.

680
01:12:33,800 --> 01:12:40,800
Not first day by any means it's time has kind of lost all meaning now.

681
01:12:42,800 --> 01:12:47,800
You catch yourself in the mirror in this green room and you are.

682
01:12:47,800 --> 01:12:55,800
Nothing your skin has truly peeled off it trails as a ribbon to the door.

683
01:12:57,800 --> 01:12:59,800
You look and you see.

684
01:13:00,800 --> 01:13:02,800
I don't know not you.

685
01:13:04,800 --> 01:13:14,800
Someone who's just lived a life of constant put downs nothing you do ever makes any impact you are always last pick.

686
01:13:14,800 --> 01:13:20,800
You are always consistently plus one never invited.

687
01:13:21,800 --> 01:13:31,800
In your hand you find an envelope and you know that you're going to the hallway to stick up new bulletin onto the board.

688
01:13:32,800 --> 01:13:33,800
Yeah.

689
01:13:34,800 --> 01:13:39,800
I'm going to open up that envelope look at the bulletin.

690
01:13:39,800 --> 01:13:44,800
This is a task that you do every few months.

691
01:13:44,800 --> 01:13:52,800
It is something that the university is so proud of and especially the radio station.

692
01:13:52,800 --> 01:13:55,800
It was a show that was recorded.

693
01:13:55,800 --> 01:13:59,800
God what 40 years ago at this point.

694
01:13:59,800 --> 01:14:01,800
And.

695
01:14:02,800 --> 01:14:06,800
There are there are pictures and clippings everywhere all over the board.

696
01:14:06,800 --> 01:14:13,800
But of the people who were in this little show.

697
01:14:14,800 --> 01:14:29,800
Victoria's new huge hit Charlie is is really like hitting base with with doing sound design like won an award for like sound design one loads River doesn't work anymore.

698
01:14:29,800 --> 01:14:37,800
But she you know has individual wins still gets huge amount of royalties and donates.

699
01:14:37,800 --> 01:14:43,800
There are also little clips of guests people who you add on who went off to do huge things.

700
01:14:43,800 --> 01:14:48,800
It's a bulletin that you have to you have to stick it up.

701
01:14:48,800 --> 01:14:52,800
As you're describing all of this and like all of this is being.

702
01:14:52,800 --> 01:15:06,800
Showing on the bulletin everything the grip on the paper gets tighter and tighter and there's no way it's not going to have wrinkles when it gets posted up.

703
01:15:06,800 --> 01:15:13,800
You know how when you walk into a radio station there's always some sort of like.

704
01:15:13,800 --> 01:15:28,800
Either the live show the live the live out going is playing right now it is one of the first recordings from when.

705
01:15:28,800 --> 01:15:33,800
Our if the life got picked up.

706
01:15:33,800 --> 01:15:35,800
And I.

707
01:15:35,800 --> 01:15:43,800
Cannot the life of me recognize I recognize River.

708
01:15:43,800 --> 01:15:48,800
There's a side character that we know for sure is Charlie going on.

709
01:15:48,800 --> 01:15:51,800
There's another voice.

710
01:15:51,800 --> 01:15:52,800
Hello.

711
01:15:52,800 --> 01:15:55,800
I just.

712
01:15:55,800 --> 01:15:59,800
Sounds so alien.

713
01:15:59,800 --> 01:16:00,800
Hi.

714
01:16:00,800 --> 01:16:05,800
Hi.

715
01:16:05,800 --> 01:16:11,800
I hesitate with the bulletin.

716
01:16:11,800 --> 01:16:15,800
I rip it in half.

717
01:16:15,800 --> 01:16:18,800
I don't walk towards the green room.

718
01:16:18,800 --> 01:16:19,800
Hello.

719
01:16:19,800 --> 01:16:22,800
My name stick around to see.

720
01:16:22,800 --> 01:16:26,800
Anyone noticed.

721
01:16:26,800 --> 01:16:30,800
I walk out.

722
01:16:30,800 --> 01:16:34,800
As you walk you clock.

723
01:16:34,800 --> 01:16:36,800
A picture.

724
01:16:36,800 --> 01:16:39,800
Hangs above the door.

725
01:16:39,800 --> 01:16:41,800
It is of.

726
01:16:41,800 --> 01:16:43,800
What should be today.

727
01:16:43,800 --> 01:16:47,800
The first recording in this new studio.

728
01:16:47,800 --> 01:16:49,800
It is of.

729
01:16:49,800 --> 01:16:50,800
River.

730
01:16:50,800 --> 01:16:53,800
Charlie and Vic.

731
01:16:53,800 --> 01:16:59,800
And you do find it weird because you were there but why aren't you in it.

732
01:16:59,800 --> 01:17:07,800
Somebody has to take the picture.

733
01:17:07,800 --> 01:17:16,800
A door opens behind you that smell of stale air.

734
01:17:16,800 --> 01:17:21,800
Yeah, I, I get it.

735
01:17:21,800 --> 01:17:23,800
And I.

736
01:17:23,800 --> 01:17:25,800
Don't fight it.

737
01:17:25,800 --> 01:17:28,800
I have no thoughts.

738
01:17:28,800 --> 01:17:34,800
To ponder over no realizations no enlightenment to share with this.

739
01:17:34,800 --> 01:17:42,800
Whatever is happening here I just accept.

740
01:17:42,800 --> 01:17:48,800
What this is.

741
01:17:48,800 --> 01:17:53,800
And I walk through.

742
01:17:53,800 --> 01:17:56,800
Your foot lands on.

743
01:17:56,800 --> 01:18:00,800
Fairly plush carpet.

744
01:18:00,800 --> 01:18:09,800
Your hands feel cold metal holding a chair in your hand as you step through into the green room.

745
01:18:09,800 --> 01:18:12,800
You are in the radio station.

746
01:18:12,800 --> 01:18:18,800
No time has passed but you remember all of it.

747
01:18:18,800 --> 01:18:24,800
You can hear the rest of the cast behind you you.

748
01:18:24,800 --> 01:18:33,800
You feel like it has been not hours but actual decades since you've been here.

749
01:18:33,800 --> 01:18:35,800
There is a.

750
01:18:35,800 --> 01:18:47,800
Small piece of metal and even though your face is obscured and lengthened you can normally tell that it's you but looking in you still see this old defeated man.

751
01:18:47,800 --> 01:18:49,800
Dude, I really feel like we should be staying.

752
01:18:49,800 --> 01:18:52,800
It's not safe man it's not fucking safe.

753
01:18:52,800 --> 01:18:57,800
Like, like not alone is like rule one.

754
01:18:57,800 --> 01:19:02,800
So step in I hear all of this.

755
01:19:02,800 --> 01:19:06,800
Aged so much.

756
01:19:06,800 --> 01:19:10,800
Chair.

757
01:19:10,800 --> 01:19:15,800
Look at it as I slowly lower it feels so.

758
01:19:15,800 --> 01:19:23,800
Heavy but also all of this feels trivial and.

759
01:19:23,800 --> 01:19:31,800
I look into the I take in my surroundings once again, as I have for the last eight decades.

760
01:19:31,800 --> 01:19:33,800
The chair down.

761
01:19:33,800 --> 01:19:38,800
Pop it up against the one I let myself feel the wall.

762
01:19:38,800 --> 01:19:41,800
As my hand brushes and finds.

763
01:19:41,800 --> 01:19:45,800
Because a light switch.

764
01:19:45,800 --> 01:19:50,800
Trying to figure out this is if this is real.

765
01:19:50,800 --> 01:19:54,800
I like it on and off.

766
01:19:54,800 --> 01:20:06,800
Those cheap fluorescent lights that always give that pretty harsh hum do flick on and then you hear the ditty as they flick off and they flip back on again.

767
01:20:06,800 --> 01:20:12,800
I do it one more time.

768
01:20:12,800 --> 01:20:15,800
Dude, dude.

769
01:20:15,800 --> 01:20:18,800
Good. I thought the lights were totally out.

770
01:20:18,800 --> 01:20:24,800
They were.

771
01:20:24,800 --> 01:20:28,800
Remind me what you all just saw.

772
01:20:28,800 --> 01:20:33,800
I mean you walked into that room with a metal chair.

773
01:20:33,800 --> 01:20:34,800
No, no, no, no.

774
01:20:34,800 --> 01:20:36,800
Before before that.

775
01:20:36,800 --> 01:20:38,800
The door was open.

776
01:20:38,800 --> 01:20:43,800
Yeah, the door that we've locked like a bajillion times got open.

777
01:20:43,800 --> 01:20:49,800
And all the doors slammed closed and then this one creaked open and you just went for it.

778
01:20:49,800 --> 01:20:51,800
What the fuck were you thinking?

779
01:20:51,800 --> 01:20:54,800
Yeah, like what if there's an intruder in here?

780
01:20:54,800 --> 01:20:56,800
In fact, like get back.

781
01:20:56,800 --> 01:20:58,800
Like seriously.

782
01:20:58,800 --> 01:21:01,800
No, it's I think it's OK.

783
01:21:01,800 --> 01:21:04,800
See, and I'll flick it off and on again.

784
01:21:04,800 --> 01:21:11,800
It's just probably some something with the power.

785
01:21:11,800 --> 01:21:23,800
I mean, I would be really inclined to believe that it wasn't for the fact that the door had opened like five times and also somebody moved the chair and then it slammed closed in my face and all the doors slammed closed.

786
01:21:23,800 --> 01:21:34,800
I honestly I feel like there are more important things to to worry about than just some weird creaky old radio station, you know.

787
01:21:34,800 --> 01:21:48,800
Vick strides up to you and like grabs your face with their hand like your chin is like in between their thumb and their index finger and they're like what's wrong with you?

788
01:21:48,800 --> 01:21:49,800
Do you understand?

789
01:21:49,800 --> 01:21:50,800
We are in here.

790
01:21:50,800 --> 01:21:51,800
It is creepy.

791
01:21:51,800 --> 01:21:52,800
You were gone.

792
01:21:52,800 --> 01:21:53,800
We were worried.

793
01:21:53,800 --> 01:21:56,800
Now is not the time for your trademark DMC levity.

794
01:21:56,800 --> 01:21:58,800
OK, wait, wait, wait.

795
01:21:58,800 --> 01:21:59,800
I was I was gone.

796
01:21:59,800 --> 01:22:01,800
I mean, you went in that room.

797
01:22:01,800 --> 01:22:02,800
We followed you in.

798
01:22:02,800 --> 01:22:04,800
It was creepy.

799
01:22:04,800 --> 01:22:17,800
If I suddenly walked into a room of a door that just magically opened by itself and all the lights went out and they were playing our fucking show across the loudspeaker and no one's answering any of my fucking text messages, you wouldn't be freaked out.

800
01:22:17,800 --> 01:22:20,800
OK, yes, that's that's weird, right?

801
01:22:20,800 --> 01:22:22,800
I just know.

802
01:22:22,800 --> 01:22:23,800
Yeah.

803
01:22:23,800 --> 01:22:24,800
Yeah, it's weird.

804
01:22:24,800 --> 01:22:25,800
It's weird.

805
01:22:25,800 --> 01:22:26,800
OK, OK.

806
01:22:26,800 --> 01:22:27,800
OK, OK.

807
01:22:27,800 --> 01:22:32,800
Then we figure this out together.

808
01:22:32,800 --> 01:22:33,800
I just I just had to know.

809
01:22:33,800 --> 01:22:36,800
OK, green room is clear.

810
01:22:36,800 --> 01:22:38,800
No one's in there.

811
01:22:38,800 --> 01:22:41,800
I think.

812
01:22:41,800 --> 01:22:44,800
I think something is definitely going on here.

813
01:22:44,800 --> 01:22:49,800
And there's a bit of like

814
01:22:49,800 --> 01:22:54,800
a little bit of glassiness in his eyes as he says that.

815
01:22:54,800 --> 01:22:59,800
But I think I think if we're together,

816
01:22:59,800 --> 01:23:00,800
we'll be OK.

817
01:23:00,800 --> 01:23:02,800
OK, yeah, dude, we need to stay together.

818
01:23:02,800 --> 01:23:04,800
OK, we can't do this without you.

819
01:23:04,800 --> 01:23:06,800
We've got to.

820
01:23:06,800 --> 01:23:09,800
You've got to stick together.

821
01:23:09,800 --> 01:23:12,800
Honestly, I.

822
01:23:12,800 --> 01:23:14,800
We can do this.

823
01:23:14,800 --> 01:23:18,800
If I was if I wasn't here, if it was someone else, we can do we did.

824
01:23:18,800 --> 01:23:20,800
We'd be OK.

825
01:23:20,800 --> 01:23:21,800
Yeah.

826
01:23:21,800 --> 01:23:24,800
Anything else weird that that that.

827
01:23:24,800 --> 01:23:27,800
Might have noticed maybe.

828
01:23:27,800 --> 01:23:29,800
Yeah, you're kind of.

829
01:23:29,800 --> 01:23:31,800
Kind of you're kind of acting a little weird.

830
01:23:31,800 --> 01:23:32,800
Are you?

831
01:23:32,800 --> 01:23:34,800
Yeah, maybe you should sit down, dude.

832
01:23:34,800 --> 01:23:35,800
You look a little pale.

833
01:23:35,800 --> 01:23:39,800
I just maybe too many too too much to do.

834
01:23:39,800 --> 01:23:44,800
Do you know, like.

835
01:23:44,800 --> 01:23:48,800
And in like Texas Chainsaw Massacre in like the very beginning,

836
01:23:48,800 --> 01:23:49,800
not with your harsh.

837
01:23:49,800 --> 01:23:51,800
Charlie, come on.

838
01:23:51,800 --> 01:23:56,800
It's no, it's just like, you know, that girl in the beginning is like

839
01:23:56,800 --> 01:23:59,800
they pick her up and she's in the back and they're like, oh, everything's fine.

840
01:23:59,800 --> 01:24:01,800
She's like, no, everything's not.

841
01:24:01,800 --> 01:24:04,800
And she's all glassy eyed and weird.

842
01:24:04,800 --> 01:24:05,800
Yeah.

843
01:24:05,800 --> 01:24:09,800
And then it's just DMC look like.

844
01:24:09,800 --> 01:24:15,800
You there's something weird going on here and you have like a weird.

845
01:24:15,800 --> 01:24:18,800
That kind of vibe happening here.

846
01:24:18,800 --> 01:24:20,800
Did you see something?

847
01:24:20,800 --> 01:24:23,800
Yeah, that's what I'm curious about.

848
01:24:23,800 --> 01:24:24,800
In the green room.

849
01:24:24,800 --> 01:24:28,800
Was there something in the green room that we didn't see?

850
01:24:28,800 --> 01:24:34,800
She like steps around him to try and get a look in there and see like looking

851
01:24:34,800 --> 01:24:37,800
over his shoulder, even as she's asking.

852
01:24:37,800 --> 01:24:41,800
You feel a tug on the back of your shirt, River.

853
01:24:41,800 --> 01:24:43,800
I'm not going to go in there.

854
01:24:43,800 --> 01:24:44,800
I just wanted to look and see.

855
01:24:44,800 --> 01:24:46,800
What did I just say?

856
01:24:46,800 --> 01:24:48,800
I'm still here.

857
01:24:48,800 --> 01:24:49,800
Right.

858
01:24:49,800 --> 01:24:51,800
OK, OK, OK.

859
01:24:51,800 --> 01:24:54,800
I sorry for being weird.

860
01:24:54,800 --> 01:24:56,800
This is all.

861
01:24:56,800 --> 01:25:00,800
Just really, really, really scary.

862
01:25:00,800 --> 01:25:07,800
And. OK, let's all go into the green room together.

863
01:25:07,800 --> 01:25:14,800
I'm not. I'm not trying to take over.

864
01:25:14,800 --> 01:25:18,800
I'm just suggesting something that we that is something we do because we cannot

865
01:25:18,800 --> 01:25:19,800
stay the same.

866
01:25:19,800 --> 01:25:26,800
We cannot remain here scared.

867
01:25:26,800 --> 01:25:28,800
Yeah, dude, you need to sit down.

868
01:25:28,800 --> 01:25:30,800
What is going on?

869
01:25:30,800 --> 01:25:33,800
Let's just remember where the breakers are.

870
01:25:33,800 --> 01:25:36,800
I feel like maybe we can find them and flip them and see if we can get something

871
01:25:36,800 --> 01:25:38,800
working. Yeah, yeah.

872
01:25:38,800 --> 01:25:42,800
They're yeah, they're they're in the sound room.

873
01:25:42,800 --> 01:25:48,800
Look, but we've got look, we've got water and we've got and we've got snacks.

874
01:25:48,800 --> 01:25:51,800
Yeah. Pretzels and shit in the break room.

875
01:25:51,800 --> 01:25:54,800
I didn't get chainsaw massacred.

876
01:25:54,800 --> 01:25:56,800
If that's what you're worried about.

877
01:25:56,800 --> 01:25:59,800
Oh, I will drink some water.

878
01:25:59,800 --> 01:26:01,800
Yes. And we can go.

879
01:26:01,800 --> 01:26:03,800
I can work on getting the power on.

880
01:26:03,800 --> 01:26:06,800
No, no, no, no. We're not splitting up.

881
01:26:06,800 --> 01:26:10,800
OK. Yeah.

882
01:26:10,800 --> 01:26:12,800
We also do.

883
01:26:12,800 --> 01:26:15,800
I mean, somebody moved the chairs.

884
01:26:15,800 --> 01:26:17,800
Somebody unlocked the door.

885
01:26:17,800 --> 01:26:21,800
Somebody slammed that door.

886
01:26:21,800 --> 01:26:27,800
Vic, is your phone working now, now that the lights are back?

887
01:26:27,800 --> 01:26:29,800
I check. I check my phone.

888
01:26:29,800 --> 01:26:35,800
It's full signal, but it was before as well.

889
01:26:35,800 --> 01:26:42,800
You struggle to load any website, even though you have 5G in this area.

890
01:26:42,800 --> 01:26:44,800
No, it's fucking done. So, man, I don't get it.

891
01:26:44,800 --> 01:26:47,800
I know one's replying to my text messages they're sending.

892
01:26:47,800 --> 01:26:50,800
It says delivered.

893
01:26:50,800 --> 01:26:54,800
Um.

894
01:26:54,800 --> 01:27:01,800
Do you see is there like something else that's going on?

895
01:27:01,800 --> 01:27:06,800
Because you're acting really strangely and a lot of weird things have happened and it's just a little weird that you

896
01:27:06,800 --> 01:27:13,800
rush forward and are turning around and saying all this stuff to us and it feels like you're trying to say something else.

897
01:27:13,800 --> 01:27:18,800
And I'm honestly feeling kind of uncomfortable right now.

898
01:27:18,800 --> 01:27:22,800
No, no, no, no. It's.

899
01:27:22,800 --> 01:27:27,800
With everything going on and.

900
01:27:27,800 --> 01:27:29,800
I just.

901
01:27:29,800 --> 01:27:31,800
Did you move the chairs?

902
01:27:31,800 --> 01:27:34,800
No, no, I didn't move the chairs. I wish I did.

903
01:27:34,800 --> 01:27:36,800
Fuck, did you move the chairs?

904
01:27:36,800 --> 01:27:38,800
No, no, I just.

905
01:27:38,800 --> 01:27:39,800
You wouldn't do that guys.

906
01:27:39,800 --> 01:27:41,800
Answer your question. It's.

907
01:27:41,800 --> 01:27:43,800
Things are weird.

908
01:27:43,800 --> 01:27:45,800
Things are weird.

909
01:27:45,800 --> 01:27:50,800
But you're not going to believe me when I tell you.

910
01:27:50,800 --> 01:27:52,800
Okay, yeah.

911
01:27:52,800 --> 01:27:55,800
All right. Cool, cool.

912
01:27:55,800 --> 01:27:59,800
That makes me feel even worse.

913
01:27:59,800 --> 01:28:09,800
Is this like a thing that that like people do on like in like is it like a prank like a first day in the new studio kind of prank where you're trying to freak us out and stuff?

914
01:28:09,800 --> 01:28:14,800
Because like to be honest, I don't know you well enough for you to do a prank like that on me.

915
01:28:14,800 --> 01:28:20,800
And like I and I like I I mean I love the spirit. The energy is is.

916
01:28:20,800 --> 01:28:21,800
Charlie, he's professional.

917
01:28:21,800 --> 01:28:27,800
He's a professional. He wouldn't do you wouldn't do that right. I mean you're not going to put an egg on my face. I told these guys you're cool.

918
01:28:27,800 --> 01:28:30,800
I know that's mean.

919
01:28:30,800 --> 01:28:37,800
But it would be so much better if it was because.

920
01:28:37,800 --> 01:28:41,800
Okay.

921
01:28:41,800 --> 01:28:45,800
It was like it was so many years y'all.

922
01:28:45,800 --> 01:28:55,800
I went to go check the green room. I opened the door and there were all these other doors. There was this panel and then there was a show and you were there and you were there and you're so mean.

923
01:28:55,800 --> 01:29:00,800
And I realized that's because I was mean.

924
01:29:00,800 --> 01:29:08,800
You're you're looking at me like I'm yeah I see this is why this is why this is why. Okay. Okay.

925
01:29:08,800 --> 01:29:18,800
I wasn't. Let's go to the green. Let's go back. Let's go to the break room if we can get the fucking door open. Let's sit down and just take a minute and maybe some Doritos.

926
01:29:18,800 --> 01:29:29,800
Yeah, yeah, yeah. Exactly. You just your blood sugars tossed as you walk into the recording booth and you see the closet.

927
01:29:29,800 --> 01:29:43,800
You remember that when all the lights started going mad and there was a door that was getting banged on really fast and loud.

928
01:29:43,800 --> 01:29:46,800
This is that door.

929
01:29:46,800 --> 01:29:48,800
There's something behind the door.

930
01:29:48,800 --> 01:30:04,800
Even though he's like already denied it she's like turning around and looking at DMC almost asking him and then like flicks her gaze away to Charlie and Vic to kind of try and disperse the implication in that, but then turns around back to the door.

931
01:30:04,800 --> 01:30:11,800
And maybe steps back a little bit.

932
01:30:11,800 --> 01:30:12,800
I don't know.

933
01:30:12,800 --> 01:30:14,800
I don't know that's not me.

934
01:30:14,800 --> 01:30:20,800
Believe me, I wish I wish.

935
01:30:20,800 --> 01:30:26,800
Who the fuck is in here. We're not kidding around. No, maybe it's the property manager.

936
01:30:26,800 --> 01:30:28,800
No, no, no, no, no, no, don't.

937
01:30:28,800 --> 01:30:39,800
Don't don't please, please, please. I'm so sorry. I'm sorry. I if you don't, if you don't need me here, I can. I'm okay. You have such a great show already.

938
01:30:39,800 --> 01:30:45,800
Stay put. What are you talking about the show? Let's get out of here. You're. Let's go.

939
01:30:45,800 --> 01:30:59,800
And we all just need to take a deep breath for a second. Okay, if this is a prank. The entire point is to turn off all the energy, all the lights in the house so that we can go and go into the break room and get scared by whoever is in there.

940
01:30:59,800 --> 01:31:05,800
So, next logical step. Let's go flip the breakers and fix this.

941
01:31:05,800 --> 01:31:12,800
No, no, no, no, no, you can't. You can't. You're going to be you're going to learn some things about you that you're not going to like.

942
01:31:12,800 --> 01:31:22,800
DMC, I am. Hey, I'm being so serious right now. I need you to shut up. I need you to stop talking to me because you are fucking sending me down a spiral. Okay, no, I know.

943
01:31:22,800 --> 01:31:37,800
I'm freaking out. This is that's the code word for our for the improv. This is serious scene done. Nothing is happening. I didn't do anything here. This is weird and creepy. Please don't answer that door, River.

944
01:31:37,800 --> 01:31:44,800
Hey, hey, I listen to him. Okay, River. Really? That's a safe word.

945
01:31:44,800 --> 01:31:52,800
Don't go over there. Charlie, can we all just sit down? Can we just take a beat? Can we just take a minute and think about this, please?

946
01:31:52,800 --> 01:32:01,800
I feel like all of us are trying to make sense of something that doesn't make any fucking sense right now. And that's okay. But we need to just take a fucking moment.

947
01:32:01,800 --> 01:32:26,800
It's someone knocking on the inside of a door. Why don't I just go in there and we have two options from my standpoint. We leave that door and we get out of here and we call the cops or we go in that door and I punch who's ever in there in the fucking face.

948
01:32:26,800 --> 01:32:33,800
And if we sit down, they're probably going to like jump out or something anyway. You know, why prolong it?

949
01:32:33,800 --> 01:32:56,800
Yeah, I'm I'm I just I don't want to sit here and be scared all night long. I just want to get to work on our show that we came here to do. So honestly, and we need lights and electricity to do that. And I really want to hit someone anyway.

950
01:32:56,800 --> 01:33:03,800
DMC, I get that you're freaked out. I think maybe this is just jitters.

951
01:33:03,800 --> 01:33:09,800
We should just I think the best solution here is maybe to just cut to the end.

952
01:33:09,800 --> 01:33:13,800
DMC you feel a squeeze like a hand on your shoulder.

953
01:33:13,800 --> 01:33:19,800
And Vic is beside you and standing kind of shoulder to shoulder almost.

954
01:33:19,800 --> 01:33:28,800
DMC squeezes back Vic and then looks at River.

955
01:33:28,800 --> 01:33:30,800
Deflates.

956
01:33:30,800 --> 01:33:32,800
Yeah.

957
01:33:32,800 --> 01:33:35,800
Just skip to the end.

958
01:33:35,800 --> 01:33:38,800
That's

959
01:33:38,800 --> 01:33:42,800
that's the best we can hope for, I think.

960
01:33:42,800 --> 01:33:58,800
And then Charlie takes a microphone out of a stand, grips it in her hand and like wraps the cord around her fist a bunch of times.

961
01:33:58,800 --> 01:34:02,800
And it's like,

962
01:34:02,800 --> 01:34:13,800
please have like the cops on standby in case this is a fucking manager and she's going to open the door.

963
01:34:13,800 --> 01:34:15,800
She tries.

964
01:34:15,800 --> 01:34:18,800
The door is fully locked.

965
01:34:18,800 --> 01:34:23,800
You being as close as you are, you can hear

966
01:34:23,800 --> 01:34:35,800
static on the other end, like something like someone trying to tune a radio that's

967
01:34:35,800 --> 01:34:54,800
off. But as you do try, you hear behind you something unlock in the hallway. The door to the security office opens slightly.

968
01:34:54,800 --> 01:34:59,800
Hang on. Hang on.

969
01:34:59,800 --> 01:35:05,800
And then she walks

970
01:35:05,800 --> 01:35:11,800
past everyone and is like,

971
01:35:11,800 --> 01:35:13,800
keep an eye on that.

972
01:35:13,800 --> 01:35:18,800
Something's

973
01:35:18,800 --> 01:35:21,800
I'll follow behind you, Charlie.

974
01:35:21,800 --> 01:35:29,800
I'm just going to go alone. Yeah, this doesn't feel good, guys.

975
01:35:29,800 --> 01:35:32,800
Oh, actually, this is good. River, this is good.

976
01:35:32,800 --> 01:35:36,800
Cameras. If someone is in here, we can see in the cameras.

977
01:35:36,800 --> 01:35:40,800
Well, if the cameras have power. Yeah.

978
01:35:40,800 --> 01:35:51,800
Well, I'm hearing signs of power. I'm hearing static and some lights are working. So could be a generator. I mean, yeah. Yeah.

979
01:35:51,800 --> 01:35:54,800
Some something.

980
01:35:54,800 --> 01:35:56,800
But still, I don't know.

981
01:35:56,800 --> 01:35:58,800
Let's just see.

982
01:35:58,800 --> 01:36:15,800
I'm here with you.

983
01:36:15,800 --> 01:36:31,800
Thank you so much for listening to frequencies. This show was created by patchwork productions and features the voice and creative talents of Candice McCaffey aka Candice Magnificent Sloan aka art plebe Christian aka Kappa Dylan

984
01:36:31,800 --> 01:36:36,800
Appellian aka Super Dylan and Robin Eckberg aka Captain Krayle.

985
01:36:36,800 --> 01:36:41,800
This episode of frequencies was edited and sound designed by Dylan Appellian.

986
01:36:41,800 --> 01:36:53,800
Thank you to everyone who makes this show possible by subscribing to our Patreon with an extra special thank you to Callum Meadow Parker Lang and Rodrigo.

987
01:37:11,800 --> 01:37:14,800
Thank you.