Warning! Radioactive zone detected! Please enter with...
Take a break and enjoy the show.
Welcome back everyone, it is 10.30 and you know what that means, it is time for our show Retro Review, presented by me, Henry Lockley.
And me, Jess Daly. We are here to review media and pop culture from our childhood, however we want to do something slightly different today, isn't that right Henry?
Yeah, so since we have a new show coming to the network, we thought why don't we go and review one of their most popular episodes.
This is interesting and this is why I think we wanted to do this, is because originally this show only had three members on it, but now they have a fourth.
Yes, so Devin Michael Corus has only just joined the show as a second host, which is apparently a controversial decision according to their fan base.
People always get mad about changing dynamics, I mean we know that here.
Yeah, that's it. And he was so popular in his own little circles, and it makes sense why he was chosen, because no, actually whilst doing research I found out that he was a child star in a sitcom, which I don't think a lot of people know.
No way! Which one?
So it was called Nat and Kat's Average Life, it only lasted like once, do you remember it?
I don't, was it any good?
Yeah, well I mean it was, it was his first show, it was a kickstart thing.
Yeah, I mean no one remembers it, nobody remembers that he was in it, so now this is their first big opportunity.
Yeah, and before we get into a proper review of that, because I do want to talk about that, we'll ponder on this revelation with a song. This is When I Get There by Maya Isakawas.
I can't believe they're in a sitcom.
It's really wild, it's very exciting.
No, I'm kidding.
The station plays the song through its halls, trying to give the cast what little calming joy it can, as they stand there and watch their new castmate open the door to the green room.
The lights flicker, telling each other, God's not again.
From their perspective all he does is take a step forward, but from his...
...the spotlight that shines above you in this fog-ridden room.
The wallpapers on the four walls begin slowly peeling away.
The upholstery on the chairs crack and begin to mold.
The smell of rotting wood attacks your senses as time seems to speed ahead, roaring this room to its own finish line.
The wall cracks and falls away, and reveals a door.
Hello?
What's this?
Your hellos echo around.
You...
...see a light turn on underneath the door ahead of you.
Oh man.
If I turn around behind me...
Nothing there. It's just a rotting brick wall. Its wallpaper is peeling away. There's like water stains.
What...what is...
Oh, come on.
I'm gonna go...
...and as I open the door, I'm paying attention to what I can hear from the other side.
You hear the slight crackles and buzzing of an ambient light, but nothing...
...no movement or anything.
Okay. Then I just open it.
You open and the door almost falls off its hinges with how heavily it swings.
It creaks and ahead of you stretches this long, long hallway.
It's completely empty. It has the same peeling wallpaper, these water stains on the ceiling.
There are doors going all the way down to another door at the end.
But there is only one door with a light shining underneath it, and it's the closest one to you.
Oh, fuck this. And I'll just beeline it towards that...that one door.
You open the door. It opens with a creak and as it does, the smell of the rot leaves immediately.
You step through into an open and bare space.
This area is clearly used for lots and lots of different things.
You can hear the sounds of a crowd behind you.
As the door shuts itself, you turn and the door is completely different.
Underneath, you can hear people milling around and just the conversation.
There is a poster on the wall that says,
PodCon, special guests, our Iflin life.
The rest of the cast is stood and sat around in the room, clearly waiting for you to arrive.
There is a date on the PodCon poster and it is set two years after this current date that you stepped foot inside of the radio station.
Hey, you made it.
What's happening?
Come on, DMC. We gotta give the presentation. Come on, everybody's been waiting for you. Right, everybody?
There is someone who walks on stage a little frantic.
It's this man who's dressed in nice clothes. He's got a smile on his face, but you can't see the smile.
You just know that it's there because his face kind of looks like if a mannequin had a painted face,
but it was scrubbed really hard with a wire brush and is all chipped and shaved away.
It doesn't look wooden underneath his face at all. It looks fleshy, but there are these like heavy scratch marks.
As he speaks, it sounds like he's trying to talk through water. His voice is muffled.
It sounds like he's drowning as he's speaking to you, but you can understand him perfectly.
Oh, my God. Okay, good. Good. You're here. All right, everyone. The show is about to begin.
As I'm taking in my surroundings, I get nervous. There's a bit of nervousness and uncertainty there.
And almost like a switch as it starts to set in, you know, getting handed like a mic, getting like I've been in this situation before,
getting prepped for like a panel and the audience noises.
I throw on just a very quick one of those emergency smiles, very classic, and try to center myself, look around.
I look down at my shirt, if it's presentable, and find my seat next to my co-host.
Having a look around, it's a full house. 250 people are like aligning seats that go all the way back.
You notice the same, you can like read their expressions, but this same like scrubbing wire brushed expression is on all of them in these different ways.
Each one of them looks like an art doll, one that you would pose for drawing.
They all sit in the chair and they move and talk to each other anxiously waiting, excited for this.
The energy is like is pretty exciting, actually.
Okay, so hello everyone. It's so nice to be here.
I'm just going to introduce, as you all know, this is the cast and crew of Art Iflin Life.
We have Riverlake here, the host, as you all know.
We have Charlie here, the wonderful sound mixer, and as you know, there are several different characters on the show.
We have Victoria, the producer, and you would also know them as other characters on it.
And then, Devin Mikelouros we have, who is the second host.
As my name is called, it's very enthusiastic of a wave and slow retreat of the hand,
as it doesn't feel like the same energy has been granted to me as the other three.
So, we're going to do some quick conversations.
We have some questions for everyone and then we're going to go over to some Q&A from the audience.
So, River, first of all, truly congratulations for all this.
Iflin is an incredible show. It inspires so many people we can really tell, as we can see.
So, where did you come up with a show that is partly real, partly fantasy? What was the inspiration for that?
Yeah, thanks so much for asking. And thanks for the compliment, Rick. I really appreciate it.
And thank you to everybody for the cheers. As you know, they feed my soul, so I love and appreciate it very, very much.
We've talked a little bit about this on the internet and everybody who is part of the Patreon knows as well.
We've released content regarding this specifically.
It essentially is just a part of what this show was spun from and what it was spun out of.
It was nothing that was planned. It was nothing that was premeditated.
It truly was just me and my lovely friend, Charlie, and another guest that we had in the studio having fun
and sort of trying to do something that we knew was funny that was very funny to us,
but also helped us to sort of like metabolize these weird things that had happened to us on campus in the past week before the show.
And from there, it essentially just it was a natural course of progression, right?
Because we've talked about this a lot, Charlie and I and Vic as well.
It's very important to us that we reflect what's happening in the world because all of us care so deeply about everything that happens in our communities.
And it is such a privilege to be able to reflect those stories and process those stories together with an audience on radio in this format that we all love so much.
So that's kind of where it comes from. It comes from this spark of creativity and this deep care for the people around us.
That's beautiful, truly.
Actually, you know, speaking of Charlie, I got one for you. You know, you kind of started, you know, with River, like at the mixing board, on more of the technical side.
But then you, through the course of the show, kind of became this beloved cast member as well.
How was, you know, how was that shift in your role?
How did that change how you mixed the show? How did that change how you approached, you know, making this type of thing is from the mixing board to, you know, kind of both mixing and cast member?
Yeah. Well, yeah. Well, I mean, we could talk about my mixing and where it started and where it is now.
But I don't want to embarrass myself too much.
But when I started, it started great and it got even greater. Yeah.
Charlie's got so much talent behind the board.
River is is omitting so many flubs and dead airspace and bad mixes.
And, oh, God, that time that I left my ringtone in because I didn't realize I was Bluetooth connected into the speakers and my mom was calling.
And anyway, that's the ringtone. The ringtone bit is still like it's still a cornerstone. Everybody loves it.
Yes, it's iconic. We sold. I actually see a few people that have the ringtone. The ringtone teachers go in. Yeah.
I look and I've gotten much better with it.
I think that actually what drove me to get better with it was the fact I wasn't supposed to be on the show.
Right. I was just, you know, trying to come up with silly ideas with my friend and then put her on the air and make her sound good, allegedly.
And then it's just, you know, I was in the room. So and, you know, honestly, forgive me.
But sometimes I just chime in and a character voice would just show up.
And it's actually every time, every time I'm blown away.
And I think it was I think it was that I think it was getting to actually feel what it was to be a part of the show made me suddenly care a lot more about what it sounded like as a finished product.
And so I switched majors. So by sociology and hello sound design, I am and I just intended to get better at it.
So, yeah, that's what made me care. That's great. Absolutely.
No, that's that's great. I mean, hey, who hasn't changed their major for passion projects in their time or from passion projects to something possibly more.
Yeah, but the thing is, we never found this would still this would have this would have been dead at graduation, you know, like all of our relationships.
That's what's so interesting is it, you know, you know, Vic, you know, because producers are normally like a step away from the production, you know, how does being friends like how how is that dynamic and how did that shift, you know, in your approach to producing the show.
Like, do you think it's better to be close? Would you think that you would rather have that kind of, you know, step away? You're such a beloved member.
Like people know it's rare for people nowadays to know producers, you know, I mean, but people are like, know you because of the show and then your other projects that you've gone on to do.
You know, how does how does being friends with everyone kind of change that approach?
Honestly, I mean, so at first we really weren't friends. First, I mean, I was I was chill with River. I was chill with River. We would karaoke together.
And I knew Charlie, like I knew people. But like we weren't like tight, right? It was two of them against the world. They were killing it. And like, you know, part of being a producer is recognizing a good thing when you see it.
And I think after kind of knowing them individually and then seeing what kind of magic they were making in the studio, I've loved production and, you know, running shows and things like that pretty much forever. I've been fliering since I was a wee thing. And I just I knew that they needed a hand and that I could make something that was already great, even more popular than it was starting to be.
And, you know, through that relationship building, I think was how we got our friendship. Like, that's the core and the heart of our friendship. And that's not to say that if we didn't have the show, we wouldn't be friends. Like, that's not it at all. But, you know, no, but it's like a meeting kind of it's like, you know, it was the catalyst to the friendship.
And that kind of became, you know, they trusted me more. Right. Like, it deepened our understanding of one another. And I'm forever grateful personally. Don't let Charlie, you know, cop out. They are like she is so much more useful and more integral to this than she likes to let on.
You know, River is this visionary and really it's hard not being inspired by them. And I think that that's really an important part of friendship is being forever inspired by the people you choose to spend your time with. Yeah, absolutely. Yeah. No, truly.
So, Devin, how it.
Yeah. No. Okay. Sorry. So we actually were running out of time a little bit in this bit. So we're actually just going to go to some like audience questions and then we'll have like a bit of an FAQ like back and forth.
You just time to like times, you know, some people's answers went a little long.
Give the people what they want. Right. So, yeah, no, absolutely. That's it.
We actually have for you and I point out in the audience.
So we actually have we have someone with a microphone that teenage girl comes up. Hi.
So, there's what sorry this one's for for Charlie.
You know, you're always playing you play so many different characters on the on the show. Do you have do you have like a favorite like someone who you really, you know, like you connect with or just like a favorite a favorite person character that you are.
Um, you know, I would say that it's hard for me to pick one favorite Mr. Johnstein.
Big, big, big favorite.
Because I think that he's interesting. And I think that weirdly, you know, for a fantasy chimney sweep, I think he's had a remarkable glow up and like an arc, especially considering, I think, if we were to time it out, he has like 15 minutes, like total air time across the last, you know, couple of years.
And also, I am just putting it together. But that person in the back with a weird thing that they I didn't know what that was. But it's a Johnstein cosplay.
That's a good sweep.
Huge huge for something amazing.
But, you know what,
Teddy is kind of undeniably my favorite.
Mostly because they're simple at this point. Like I just like if I just don't know what to interject.
I just know that I can just pull a Teddy and like fall out of a vent somewhere or like just you know, trip over.
You know, a couple of bowling pins class and like emerge. Yeah, it's just fun. It's easy.
And and so I really like those two for very different reasons. Yeah.
Thank you. Thank you. Passes the microphone back.
All the guys got is like slightly bigger. He's got a beard that just has the very slights of grays on him.
Hi.
Those are big, you know, huge fan of like everything.
But Vic, I just want to like I was wondering like what advice would like you because like me and my friends, we kind of want to do something like this.
What advice would you give to someone like starting out like start starting on this, you know, kind of audio kind of journey here?
You know, don't be afraid to take risks. Don't be afraid to take chances. Really try to channel whatever vision that you have and don't compromise.
You know, if you can keep from, you know, betraying your beliefs and just kind of stay true to who you are and speak truth to power.
I really think that that's you know, that's the essence. That's how you distill what you really, you know, want to put out there in the world.
And don't be afraid of fans and don't be afraid of change either, you know, as people have kind of come into the space and, you know, we've we've added, you know, like Charlie, for example, and Charlie comes comes in as their new character.
You know, and she's she's representing, you know, what she wants to put out there. Like she's open to what I have to say as the producer. Right.
I'm open to suggestions that other people have. Like we all try to kind of work in this space together.
Yeah, like what?
Right. Right. Like if you go hand in hand.
If I can, you know, just tack on just a little bit to that, especially, you know, the taking risks, trying something new thing, it could work out and pay out in dividends.
You know, like we wouldn't we wouldn't be here if, you know, River, Vic, Charlie didn't take a chance on bringing me bringing me on.
You know, and so we got cosplayers now like this.
Staying true to your true to your product and and your vision goes hand in hand with expansion and growth.
Just don't be afraid of growth. Don't be afraid to change.
Right. Yeah, totally. Yeah.
Did you finish saying what you were trying to say?
Yeah, yeah, totally. I think that DMC summed it up pretty well.
You know, don't I don't think I have anything to add. I think that's it. Yeah.
All right. Thank you. Thank you. I like I like younger guy comes up.
He's like got a cosplay of one of the characters from the show. He's wearing this like varsity jacket and he's like painted himself all green and has like his hair slicked back.
Like, like, yeah. Hi.
So I'm just I just want to go.
Go dragons.
Because of, you know, being, you know, like River, you've been at like every episode.
Like what what what do you have like a fave or something that's like it like an episode that's important to you one that you like, you know, like the most or just one that that is like meaningful to you.
Is there is there one that sticks out at all?
This is like early like generation or like, you know, late.
Anytime anytime in there.
First of all, kick ass cosplay.
That looks Did you make that jacket?
Yeah, I did. Yeah. Yeah.
Incredible.
That looks so cool.
You should you should like take a picture and tag me on Instagram because I want to see more of the patches.
Okay. Yeah. Yeah.
And great question. And I really appreciate I appreciate you asking it because it means I get to gush.
Yeah, I.
This I feel like this is kind of a cop out answer, but I just.
The most.
The last episode that we did this past season was just very, very, very special to me.
It meant a lot to be able to bring in so many of the folks who had worked with us over the seasons.
And to be able to announce what we were moving forward into and have that moment of celebration live with everybody.
It meant a lot to be able to sit in a room with all of my incredible friends and peers and coworkers and just revel in that.
Well, also at the same time, being able to tie in so tight, tie up so many of the loose ends that have been left,
bring stories to completion and sort of finish everything up in the corner of Ifland that we were living in so that we could pack up camp and pick up and move along to the next gleaming shore.
So it was very, very, very special to me to be together with all of them one last time before moving on.
Thank you. Thank you. Yeah. Tag me on Instagram.
I will do. I will do.
They pass the microphone to the next person and then that person asks a question.
They pass to the next. That person answers a question.
And DMC through this the most you get is a what's everyone's.
Hey, if everyone had a moment, what would that.
What would that like favorite moment, what would that be? What does everyone do?
It's always everyone questions. Yeah.
Throughout this the whole time, you slowly start to see the.
I'll be a plastic smile on DMC's face fade.
Very, very slowly, like he at some point he would, you know, try to interject and realize that they're not they're not stopping or giving him space to
express himself.
And, and slowly it he stops even trying.
As the questions keep coming in.
What one of those everyone questions he waits patiently for his turn and he just kind of.
What is this?
No, no, no, seriously.
What, what is this?
Like what's going on here?
It's a junkie. It's normal.
Don't know. Don't tell don't don't tell me that this is this is normal.
What's not normal about it, man.
Almost all the questions, all of the questions are about everyone else.
We're gonna we're gonna take a break.
No, no, no, no, no. Yeah. You know what is wrong with you. What is all of you and I'm addressing the audience.
Devin.
These are our fans, man.
You don't think you don't think I know what this is that this isn't some sort of, oh, like look into your future and if no, not some ghosts of Christmas future bullshit.
Devin, I really don't want to do this on stage. Can we step back for a minute.
I've been stepping back this whole time.
This whole time.
Everyone.
Everyone is going to love me.
My show.
My career was popular because of me. Your show.
Got popular because of the gimmick.
This all of this is just as much mine as it is yours.
We're gonna we're gonna call like a small, just a small break, you know, people are getting, you know, it's hard up here with the lights.
River stands up and
she gets like right up in DMC space.
And she does not have a smile on her face.
Guys can be and she says, No, you can't.
You can't just walk on stage
and get everything that we have worked so hard for.
And she's pointing behind her to Vic and Charlie.
You don't just get to take what we've made.
We're supposed to be a team, guys.
Then why even ask me on.
I turn around flip a chair.
If the if the moderator is wearing a hat that's knocked off to
I don't care what's in the what's in the shadows.
I'm I'm getting out from that situation.
Vic is pacing and smoking furiously, like pulling furiously on their vaporizer and just texting
in their phone between going guys, guys, lots of reassurance.
Once we're out of
the lot of us are out of the view of the audience.
Charlie just sort of looks at DMC.
Not really saying anything, but just sort of like.
Man.
What?
What, Charlie?
You got on the show, you know, like
like you said, we got popular because of a gimmick or whatever.
The.
That rising tide lift your ship up to and.
So.
Whatever.
They.
Don't ask enough questions about you.
You.
Are still on and.
What you're making money.
You got work.
Is that not good enough for you somehow?
Is that something you could get elsewhere?
You don't think I don't know what this is.
I.
Show hasn't even recorded yet.
The fuck are you talking about?
I mean, I'm I can contribute.
Yeah.
Dude, are you high or something?
Like, no, no, no.
What you are, you already showed up late.
Is that what you were doing before you came on stage getting fucked?
Like, what is going on?
We were in the station.
Some weird shit happened.
The door kept opening, closing, opening, closing.
And I went to go check out the green room.
And now I'm here.
That wasn't more than an hour ago.
All right.
We're not in the station.
We drove here.
For River.
Guys, guys, we need to diffuse the situation.
All right.
This is getting really fucking heavy.
River.
It's not appropriate to ask people if they're high.
It's DMC.
You're you're doing your work.
And, you know, we're going to get you to a place where you've got your own fans
in this show, where they know you for who you are and what you do.
I like I told you it was all going to work out.
That's not what I need.
Right.
I need to know how to get out of here because this none of that I'm pointing.
I'm pointing at doors.
I'm pointing at in the direction of the stage.
None of this is actually happening right now.
Move.
And I'm going to go towards the stage.
As you begin to storm toward the stage, the air begins to grow stale.
And as you pass the first curtain before you reach the stage,
there is a door that sits between the stage and you.
Now, the door has these like slight offshoots that have this same water
colored wallpaper around.
No one seems to be noticing it, though, if any of the other cast come on,
they will either just pass, walk straight onto the stage or will.
Ignore it.
Right.
And it's like, oh, because it's so dark, it's so scary.
Are there is like the moderator persons?
Are there any audience members in the stages?
Like what's happening?
There's a bit of a weird energy on stage.
I think they have had people leave the room.
Because until they find out if people are coming back on stage to the
moderator is not there.
looking at you because you did blow up in front of everyone. But aside from that, it's people are leaving.
River has gathered Charlie and Vic and is leaning over to Vic and sort of as you're like doing a turn looking around what's happening around you, you can hear her very quietly under her breath asking Vic like, are you seeing anything on social media? Or what's going on?
I'm doing everything I can. You know, I gotta, people are already talking about it.
Social media is is a buzz at the minute. There are there are like your like Reddit account, the like Twitter people are like, there's a video of that is already going around.
No, that's not important. I'm going to smack the phone out of a hand. I'm assuming that there's a phone out. I'm going to go to one of the crew and like, have them face me, try and get any what is what is happening? Who are you
get me out of here? I don't want to be here.
Dude, you can leave.
I think that might be for the best man. This is we're gonna need to have a meeting our sponsors are gonna go fucking crazy.
No, fuck the sponsors.
You're not understanding me. This is some sort of I'm hallucinating. This is this is not real. I am so I'm confronted with what is the insecurities? What am I supposed to what am I supposed to do? Am I learning something here?
It doesn't seem like it.
You don't I'm doing looking at River door, Charlie door.
What's over there?
Fuck this. I don't care what's on the other side of that. I'm gonna storm my way towards that door. Grab the handle and shut the door.
Grab the handle and shove my way through and the ambient noise of of electrics and people and crowds it just ends as soon as you open the door and you step foot back inside of that hallway. The door shuts behind you. There is no light on under it that same sickly stale air and the and the the rotting wood.
There is a light down the hall underneath another door that lights.
I see it and notice it and no, but no. Where's that first door? I'm gonna try my best to figure out where I am and approximate direction and start.
It's a you know where you came from. You can see down it just ends into it's just a brick wall. It's it's what looks like the green room that you stepped in but it's old and it's tattered. There is no door leading out from it. But it is there still.
I
take a minute pace in front of it. Try and get as much information as I can out put my ear against it. See if I can hear another audience or something. Nothing. It's dead. There's no noise. I'm looking up into the like the void the darkness the mildew. What? What am I supposed to do? What's on the other side of that door?
I'm supposed to just this isn't right for me. I'm
supposed to share the stage give Charlie my seat. What is happening?
You are capable and deserving of love.
You are capable and deserving of love. You are capable and deserving of love. No, you're not. You just.
You just know what to say and who to say it to. And they just want something from you. That's not love. Mom and dad. That's.
They're just looking out for you. You. You did not. You did not. You did not peak at the age of 7 months full of love for your mom. You did not seek the paupers. You did not seek the drypens for being, 이것 exception.
You did not, you did not, you did not peek at the age of seven on fucking Nat and Kat's average life.
You are capable and deserving of love.
And I will slowly turn that knob and push the door open.
The sound of noise hits you again. It's another crowd setting. Different this time though. It is a theatre, you think? It's a green room, definitely.
There's walls that are heavily signed with so many autographs in Sharpie. You, as your eyes flick around the room, it is ten years past the date that you stepped foot inside the studio.
You look and your eye catches yourself in a mirror. Your face betrays how young you should be. Mid-30s? You look far older.
Who the fuck are you?
Your hand brushes against a small pamphlet. It is a reunion special. It is just wrapped as you can kind of gather from the noise of people. Someone opens the door into the room.
Hi, um, Devin. Sorry, we have, it's just, you know, we need, we need you just to, because people want some signings and they brought some things. So yeah, just when you're ready. She seems skittish at you.
Yeah, yeah, I'll look back at the mirror. I'll be right out.
She closes the door.
I take a moment to gather my surroundings.
Try and decide how I'm going to go into this.
Realize that's futile and just push through the door.
You are met in the hall pretty quick by Vic. The show was a huge success. It blew up. It ended when it should have. It is so like cult beloved. It's not by any means the biggest thing you've made, but it is the first real thing you made. It's been 10 years. About, I'd say about six or seven since it closed. What do you look like?
Vic has, their face is slightly more lined. You can tell that they probably use very fancy skin cream to make sure that they look really good. They smell exquisitely expensive. They have a shaved head. Their makeup is just as kind of low key as it used to be. But everything about them just appears pricier.
They're wearing combat boots, but they have the double F symbol of Fendi. They have very low key name brands that are kind of matching on them. Something that's very unassuming that you wouldn't necessarily know at first glance would be designer.
And it almost just looks like a glow up. Like this person has been exactly the same person all this time, but their shoulder, their shoulders are a little bit, you know, squarer. Their back is a little bit straighter. Their chin is held a little bit higher. And they kind of look down their nose at you. What are you doing, man? Always with you. Always, always bringing up the rear. How many years has it been?
Vic, Vic, I'm sorry.
For what?
For what? And I very quick smile flashes as I as I start. I don't I don't even know what I'm apologizing for. I just I'm late again.
It's cool. I kind of baked it into the timeline, if you know what I mean. And they wink at you.
They kind of take this small case out of their inner breast pocket and put on these very kind of sleek, sharp edged glasses. And that's like kind of the first sign of age that you can see on them. They sort of kind of like peer at you through them.
I got a good guy I can recommend to you if you want to take a couple years off. I mean, you wear you wear it well. I'm not trying to shit talk you man. I'm just saying.
It's like, it's OK. Yeah, how many years has it has it been?
Since the last time we talked? Maybe check in, you know, we feel OK.
Just a little, little hungry, you know.
Oh, let me tell you, the snacks are so much better than what we used to have. Oh, come here. Let me show you. Gone are the days of the vending machine.
If you walk down the hallway, you get some of the hors d'oeuvres that are waiting for you, but then are rushed along by just someone who's managing the building.
How swanky are we talking here? Like like crowd size and venue like this is this can't be like up and motion like big.
The anniversary. I mean, you know, it's important. People are pretty excited. It's about I don't know, maybe four, five thousand people.
Thousand? Yeah, I mean, you know, nothing too overwhelming, not like 10K in an arena or something.
No. Yeah, and and they're they're here to see River, Charlie, you and me.
Yeah, if one's made a big difference to people, man.
Vic, you would know that River isn't there. She doesn't make appearances anymore. They bowed out gracefully just just toward the end.
It's kind of why the show began to wrap people. We struggled to find someone to fit in.
DMC took over for a bit and the show kind of was like, OK, let's go out on our own terms.
Vic holds that information until like they meet up with Charlie.
Would I be able to put that together based on context? I'm willing to roll.
I don't I don't think it constitutes actually rolling is one of those posters look like one of the posters look like Robin.
Yeah, I think we all know the posters are like the logo really big and like silhouette. Yeah, something really obscure.
You got like a character artist to to draw all of all of the characters in the show.
There's no names mentioned. It's like our if-land life is like big on it, but it's it's it's it's more of a character piece than it is people who are going to be turning up.
Give me a give me a brains. Let's say four. No, you do get an adversity token.
Oh, my God. Mechanics. We're playing a game.
You don't really piece it together, but stood and as you think of it, there are flashes of a life lived, not just, you know, stepping through these halls like that is so fuzzy.
That feels like a dream. But these past 10 years, you remember recording the last episode like you're remembering events.
It's all very hazy, though. It's all it feels like this fog has almost seeped into your bones and it is now just everything of of you.
It's it's such a haze. Vic and DMC, you walk in to this big not a hall, but it's almost like a merch stall.
And there are like crowds of people were like waiting for you.
They have lines that they've designated for each of you.
Charlie, you already sat when they walk in. Can I actually be hovering over the sound guy who is actually doing the sound for this?
And I just be like. No, Vic needs you need to turn Vicks up and you need to turn the down.
You don't want to miss what Vic is saying, and DMC sometimes gets excited and and and and shouts.
You got to balance them a little bit better. And also, you should listen to Charlie to the to the sound tech as we come up.
They know exactly what they're talking about. Oh, here you made it. Good. Good.
Look who I found. Yeah, yeah, good. Also, the I'm I'm concerned about the MP3 title that I see on your screen there.
That's like three theme songs ago. I think somebody gave you the wrong stuff. So I had to say on I'll get just get like, look, keep your phone on.
I'll get it to you in a second. You know, I'm paying someone to do this, right?
Well, you know, you're paying someone to do it, but it's like.
It's our thing, so what is what does Charlie look like 10 years down the line?
Still goth in a way that has become a little awkward.
Like still is, you know, dress still dressed in a little bit of a loud like statement kind of gothic way, loud chokers and things a little bit more piercings, a little bit more tattoos.
I would like Robin, is it too overstepping for me to ask DMC to make a brains roll?
Please do. Go for it. What is the number that we're trying to hit here?
Make a brains roll at a DC of six. DC of six. Six.
There are pins all over Charlie's like outfit.
Charlie has some new tattoos from when you last saw her.
There is, as Robin said, like as you're seeing things and people like memories are coming back to you and you know that this is a reunion.
Charlie's been working on big shows like doing sound design for stuff that is way popular.
And making big money getting like adaptations kind of money.
Every pin, every tattoo is about Evelyn.
With that context and you know the shade of memories.
DMC is going to do something that normal real life DMC probably wouldn't have have initially thought to do.
Honestly, like this is just as much your show as it is theirs.
Motioning to the sound tech.
Whatever you need to make happen. Please make it happen.
If you need me. You have my number.
Just I'll be paying attention to it. I'm going to go.
I'm going to go.
Dude.
And Charlie like sort of like kicks out your chair.
That's like real sweet of you and all but
and she like kind of nods to the nameplate at your spot on this panel that says DMC host.
That's your show.
And she like takes a seat.
Oh yeah I forgot to tell you. River's not coming.
What?
Yeah you know she's got a lot going on.
Lots of things happening. Doesn't really do you know smaller events like this.
So it's you. It's you. I mean that's that's you know.
This is all about you man.
Sure. Do they know?
Oh Charlie.
No. The pointing towards like the direction of the most noise crowd noise.
Oh the crowd the crowd.
You know I'm not sure but they will soon won't they.
So big smile and do your best. They'll love you.
They always do. Yep. I'm going to go get some snacks to make sure we're good on stage.
Champagne cocktail anything. You guys want anything? Yes please. All right cool.
Old fashioned? Yeah.
I'm good. I'm good. The facial expression on DMC is only can only read New Fear Unlocked.
And he'll catatonic like start making his way towards the stage to accept his fate.
As DMC walks someone goes oh Devin Michael Kors. Oh my god. Hi. Hi. Oh my god. This is bad. Hi. I'm so sorry.
I'm Rebecca. I've been a huge fan since you know like you came on like that time.
Oh my god. I love it. I love I you know the whole thing. It's so exciting to see one.
Actually I have I have I have. How are you? How are you?
I'm doing I'm doing really good. I just need to breathe you know.
I'm just I'm just I'm just I wouldn't be able to do this at all. Yeah.
I actually I'm I this is so actually what do you she pulls out like a little like crocheted like plushie.
And like I'm so sorry. This is weird. I shouldn't I shouldn't really be back here. Would you mind giving this to River?
So it's like it's it's bad. I shouldn't. I just don't I just don't think she's here. There was like some rumors or like they haven't seen him.
So I just wanted to like make sure that you know everyone I got I think I got ones for others as well.
I'll take the take the plushie. Look at it.
Big wide grin across my face. No she's here. Yeah.
I'll make sure this makes it to her. Oh my god. That's that. Yeah that would be that would be amazing.
I I won't I would I would say I would say I was hoping of course that's so fun.
Okay. Yeah. Thank you. Thank you so much. I got the like backstage thing so then I'll be at like signing stuff. I have things later.
That's so exciting. Okay. I'll I'll yeah make sure make sure you make sure you you tag River.
Yeah. Okay. Yeah. Yeah. Absolutely. Okay. Yeah. All right. Have a have a great day.
Thank you. You too. Bye bye bye bye bye.
I'm going to hold on to it.
And.
And at the table I'm going to put it on the table and make a little makeshift card that says River.
With the plushie behind it.
And just sit there and wait until the show starts.
I'll do some signings. I'll do I'll do whatever. But like if this is.
What. Hard work and.
And like straight up like in DMC's head generosity will get him is and then then why why try you know why why try and be nice.
The air once again grows stale as you wait as you wait for the show to start as people start coming in and.
You know seeing everyone sat there.
There is this.
Hum behind you and as you turn you see the door with the fraying wallpaper people seem to just be not passing through it but just walking around it not paying it any heed.
I.
I hover for a little bit and.
As people are stopping by and or as people come by if they like see you say hi to me a wave or like interact with them for a little bit but.
I pull out whatever iteration of messaging device is relevant to 10 years in the future from now and.
Start drafting a message.
Hey.
Listen.
I'm here.
For the long haul.
As much as you need.
As or as little as you need.
I think. Honestly. Oil.
Has got some legs.
I like to be a part of it.
But if. You really. Really truly. Don't need.
DMC in the picture.
Please let me know.
And I will save that as a draft to River.
Before I walk away.
The noise once again leaves that sound of.
The Hall of Fame lights humming.
Comes back.
The door closes the light underneath that door turns off.
There are.
Three.
Doors.
Continuing along this hallway.
It's not the underneath that lights up though each one has a window a small just more look into that time rather than you being able to walk through it at the end of the whole.
There is a door that is on the floor.
Lying flat.
I want to look into the first one what do I see.
Do you think that DMC ever fell in love and got married.
I don't think I don't think married I think he's had to do way too much growing to get married at a certain point like to get married at a.
Typical let's say typical age I think he's doing like.
I this is the first he's he's pulling a Keanu and he's got like he and and his girlfriend are like.
He and his partner are you know.
Aging well together.
It's.
Five six years later those that those grays are showing.
Pretty heavy now and it's you and this person who you can't really tell the expression of or features of but you see them and it seems.
Seems all right.
The next window you walk to this is an additional.
Five odd years later.
And you can feel this as you're walking every step you get slightly slower your body you can see it it's the wrinkles are on your hand you can feel the like age in your bones as you take steps forward.
Do you do you speak to any of the cast.
You speak to anyone keep in contact with River or Vic or Charlie.
I think Vic.
Is the most I keep in contact with but I know it's it's mostly like in my in in DMC said in my head as DMC.
It feels closer to a professional courtesy.
Than it is an actual friendship.
Every now and again.
DMC will try and reach out to Charlie and.
When you reach out to Charlie.
She always assumes it's an emergency.
And it's like.
Immediately sat.
Not in the friendliest way.
But in a.
We've been through it kind of way.
Yeah.
At this point it's.
More for the acknowledgement than it is any sort of like.
Relationship or bonding.
It's just to be acknowledged even if that acknowledgement is tinged just with a bit of disdain.
You see through the window.
Yourself 45 years old now.
Sending a text we can imagine is a text putting your phone down and.
I gather the impression that time moves in hours.
And.
Checking your phone and putting it back down as kind of wait for that response to happen.
You go over to the next window an additional 10 years.
I don't want to know.
What happens after that second door.
I know.
How long it's been I can feel how long it's been.
But I make the conscious effort.
To turn my gaze away from what that door looks like.
And you do.
Don't see what it is.
You.
Continue to get older as you walk toward this door that's on the ground again you to open it almost like a trap door.
But there is a light that shines from.
Where the floor should be.
You look back down the hall this is the last door there is truly nothing else here.
The hall is twisted like a spiral going down doors are on the ceiling on the ground side to side.
And there is this door.
I'm going to sit down next to it.
And reflect.
For as long as it takes.
It's more difficult getting down than you're used to.
What.
What is it that this feeling is what is this.
Moment.
For.
Devin Michael chorus.
It's been.
It's weird surely it cannot be longer than an hour hour and a half maybe but then again it has been 50 years.
You feel that you know it you have these hazed memories of a life lived and you are sat on the ground next to a door what is that.
Devin Michael chorus DMC.
As far back as I can remember.
That just that didn't mean anything.
Unless it was.
On a screen in the credits.
On a playbill.
Set over the radio station.
The growing.
Realization and the growing emotion here is that.
Whatever DMC whatever that means.
Is just as much as.
Is put out into the world as.
The person receives.
You are capable of love.
And therefore deserving of love.
And therefore deserving of it.
This is going to be big.
And.
I cannot let.
DMC I can't let.
Ego get in the way of it.
If that light is hellfire.
I just hope that it's deserved.
That.
I look back at all the doors.
That that version was a real asshole.
Okay.
I really hope that this is either the end or takes me back to the radio station.
Whoever is up to this.
I don't think I can take much more.
I'm old now.
And I'll open the door.
It's another green room.
But it's one that you recognize.
It's not the one of the radio station.
But it is one at the university's radio station.
It's.
Where it should be in relation to the door.
But for you, you need to jump into whatever this is.
I'm going to do my best to minimize the amount of damage that this is going to do.
And.
I don't care because I'm old now.
How ridiculous that makes me look.
As you.
Put one foot in front of the other.
The green room stretches.
Almost refusing you to land.
You fall and.
As you fall.
You continue to.
As you fall.
You continue to get older.
You continue to age and your skin sags from you and.
The door that you opened as it slams shut it catches just a small nip.
On your wrist.
Just part of your wrinkled skin and you.
Begin to unravel.
Like a blanket.
It begins tearing this wrinkled skin from your arm and it.
Starts pulling from your chest and your face as you age and you.
All of a sudden land.
You find yourself steady footed.
In the green room of the university.
These hazed memories kind of hit back at you work dried up.
There was nothing you did the concert a couple times but there was just no need.
And no money coming into it it was just no point.
You get a job after.
You.
Did some nothing job that didn't mean anything just to pay rent.
And you get a text one day from the dean of the university.
They were your classmate in the same year they text you saying that they need a manager for the radio station.
And if you wanted to do that if you wanted to manage the university's radio station I mean it's nice now.
It's it's it's busy not like it used to be when it was just you and some pizza boxes it's like people now turn up to it.
There was a lot of deliberation there.
Lots of back and forth of like.
What are the expectations why specifically.
DMC.
And I think ultimately it is a.
It is a reluctant yes.
It is your.
Not first day by any means it's time has kind of lost all meaning now.
You catch yourself in the mirror in this green room and you are.
Nothing your skin has truly peeled off it trails as a ribbon to the door.
You look and you see.
I don't know not you.
Someone who's just lived a life of constant put downs nothing you do ever makes any impact you are always last pick.
You are always consistently plus one never invited.
In your hand you find an envelope and you know that you're going to the hallway to stick up new bulletin onto the board.
Yeah.
I'm going to open up that envelope look at the bulletin.
This is a task that you do every few months.
It is something that the university is so proud of and especially the radio station.
It was a show that was recorded.
God what 40 years ago at this point.
And.
There are there are pictures and clippings everywhere all over the board.
But of the people who were in this little show.
Victoria's new huge hit Charlie is is really like hitting base with with doing sound design like won an award for like sound design one loads River doesn't work anymore.
But she you know has individual wins still gets huge amount of royalties and donates.
There are also little clips of guests people who you add on who went off to do huge things.
It's a bulletin that you have to you have to stick it up.
As you're describing all of this and like all of this is being.
Showing on the bulletin everything the grip on the paper gets tighter and tighter and there's no way it's not going to have wrinkles when it gets posted up.
You know how when you walk into a radio station there's always some sort of like.
Either the live show the live the live out going is playing right now it is one of the first recordings from when.
Our if the life got picked up.
And I.
Cannot the life of me recognize I recognize River.
There's a side character that we know for sure is Charlie going on.
There's another voice.
Hello.
I just.
Sounds so alien.
Hi.
I hesitate with the bulletin.
I rip it in half.
I don't walk towards the green room.
Hello.
My name stick around to see.
Anyone noticed.
I walk out.
As you walk you clock.
A picture.
Hangs above the door.
It is of.
What should be today.
The first recording in this new studio.
It is of.
River.
Charlie and Vic.
And you do find it weird because you were there but why aren't you in it.
Somebody has to take the picture.
A door opens behind you that smell of stale air.
Yeah, I, I get it.
And I.
Don't fight it.
I have no thoughts.
To ponder over no realizations no enlightenment to share with this.
Whatever is happening here I just accept.
What this is.
And I walk through.
Your foot lands on.
Fairly plush carpet.
Your hands feel cold metal holding a chair in your hand as you step through into the green room.
You are in the radio station.
No time has passed but you remember all of it.
You can hear the rest of the cast behind you you.
You feel like it has been not hours but actual decades since you've been here.
There is a.
Small piece of metal and even though your face is obscured and lengthened you can normally tell that it's you but looking in you still see this old defeated man.
Dude, I really feel like we should be staying.
It's not safe man it's not fucking safe.
Like, like not alone is like rule one.
So step in I hear all of this.
Aged so much.
Chair.
Look at it as I slowly lower it feels so.
Heavy but also all of this feels trivial and.
I look into the I take in my surroundings once again, as I have for the last eight decades.
The chair down.
Pop it up against the one I let myself feel the wall.
As my hand brushes and finds.
Because a light switch.
Trying to figure out this is if this is real.
I like it on and off.
Those cheap fluorescent lights that always give that pretty harsh hum do flick on and then you hear the ditty as they flick off and they flip back on again.
I do it one more time.
Dude, dude.
Good. I thought the lights were totally out.
They were.
Remind me what you all just saw.
I mean you walked into that room with a metal chair.
No, no, no, no.
Before before that.
The door was open.
Yeah, the door that we've locked like a bajillion times got open.
And all the doors slammed closed and then this one creaked open and you just went for it.
What the fuck were you thinking?
Yeah, like what if there's an intruder in here?
In fact, like get back.
Like seriously.
No, it's I think it's OK.
See, and I'll flick it off and on again.
It's just probably some something with the power.
I mean, I would be really inclined to believe that it wasn't for the fact that the door had opened like five times and also somebody moved the chair and then it slammed closed in my face and all the doors slammed closed.
I honestly I feel like there are more important things to to worry about than just some weird creaky old radio station, you know.
Vick strides up to you and like grabs your face with their hand like your chin is like in between their thumb and their index finger and they're like what's wrong with you?
Do you understand?
We are in here.
It is creepy.
You were gone.
We were worried.
Now is not the time for your trademark DMC levity.
OK, wait, wait, wait.
I was I was gone.
I mean, you went in that room.
We followed you in.
It was creepy.
If I suddenly walked into a room of a door that just magically opened by itself and all the lights went out and they were playing our fucking show across the loudspeaker and no one's answering any of my fucking text messages, you wouldn't be freaked out.
OK, yes, that's that's weird, right?
I just know.
Yeah.
Yeah, it's weird.
It's weird.
OK, OK.
Then we figure this out together.
I just I just had to know.
OK, green room is clear.
No one's in there.
I think.
I think something is definitely going on here.
And there's a bit of like
a little bit of glassiness in his eyes as he says that.
But I think I think if we're together,
we'll be OK.
OK, yeah, dude, we need to stay together.
OK, we can't do this without you.
We've got to.
You've got to stick together.
Honestly, I.
We can do this.
If I was if I wasn't here, if it was someone else, we can do we did.
We'd be OK.
Yeah.
Anything else weird that that that.
Might have noticed maybe.
Yeah, you're kind of.
Kind of you're kind of acting a little weird.
Are you?
Yeah, maybe you should sit down, dude.
You look a little pale.
I just maybe too many too too much to do.
Do you know, like.
And in like Texas Chainsaw Massacre in like the very beginning,
not with your harsh.
Charlie, come on.
It's no, it's just like, you know, that girl in the beginning is like
they pick her up and she's in the back and they're like, oh, everything's fine.
She's like, no, everything's not.
And she's all glassy eyed and weird.
Yeah.
And then it's just DMC look like.
You there's something weird going on here and you have like a weird.
That kind of vibe happening here.
Did you see something?
Yeah, that's what I'm curious about.
In the green room.
Was there something in the green room that we didn't see?
She like steps around him to try and get a look in there and see like looking
over his shoulder, even as she's asking.
You feel a tug on the back of your shirt, River.
I'm not going to go in there.
I just wanted to look and see.
What did I just say?
I'm still here.
Right.
OK, OK, OK.
I sorry for being weird.
This is all.
Just really, really, really scary.
And. OK, let's all go into the green room together.
I'm not. I'm not trying to take over.
I'm just suggesting something that we that is something we do because we cannot
stay the same.
We cannot remain here scared.
Yeah, dude, you need to sit down.
What is going on?
Let's just remember where the breakers are.
I feel like maybe we can find them and flip them and see if we can get something
working. Yeah, yeah.
They're yeah, they're they're in the sound room.
Look, but we've got look, we've got water and we've got and we've got snacks.
Yeah. Pretzels and shit in the break room.
I didn't get chainsaw massacred.
If that's what you're worried about.
Oh, I will drink some water.
Yes. And we can go.
I can work on getting the power on.
No, no, no, no. We're not splitting up.
OK. Yeah.
We also do.
I mean, somebody moved the chairs.
Somebody unlocked the door.
Somebody slammed that door.
Vic, is your phone working now, now that the lights are back?
I check. I check my phone.
It's full signal, but it was before as well.
You struggle to load any website, even though you have 5G in this area.
No, it's fucking done. So, man, I don't get it.
I know one's replying to my text messages they're sending.
It says delivered.
Um.
Do you see is there like something else that's going on?
Because you're acting really strangely and a lot of weird things have happened and it's just a little weird that you
rush forward and are turning around and saying all this stuff to us and it feels like you're trying to say something else.
And I'm honestly feeling kind of uncomfortable right now.
No, no, no, no. It's.
With everything going on and.
I just.
Did you move the chairs?
No, no, I didn't move the chairs. I wish I did.
Fuck, did you move the chairs?
No, no, I just.
You wouldn't do that guys.
Answer your question. It's.
Things are weird.
But you're not going to believe me when I tell you.
Okay, yeah.
All right. Cool, cool.
That makes me feel even worse.
Is this like a thing that that like people do on like in like is it like a prank like a first day in the new studio kind of prank where you're trying to freak us out and stuff?
Because like to be honest, I don't know you well enough for you to do a prank like that on me.
And like I and I like I I mean I love the spirit. The energy is is.
Charlie, he's professional.
He's a professional. He wouldn't do you wouldn't do that right. I mean you're not going to put an egg on my face. I told these guys you're cool.
I know that's mean.
But it would be so much better if it was because.
Okay.
It was like it was so many years y'all.
I went to go check the green room. I opened the door and there were all these other doors. There was this panel and then there was a show and you were there and you were there and you're so mean.
And I realized that's because I was mean.
You're you're looking at me like I'm yeah I see this is why this is why this is why. Okay. Okay.
I wasn't. Let's go to the green. Let's go back. Let's go to the break room if we can get the fucking door open. Let's sit down and just take a minute and maybe some Doritos.
Yeah, yeah, yeah. Exactly. You just your blood sugars tossed as you walk into the recording booth and you see the closet.
You remember that when all the lights started going mad and there was a door that was getting banged on really fast and loud.
This is that door.
There's something behind the door.
Even though he's like already denied it she's like turning around and looking at DMC almost asking him and then like flicks her gaze away to Charlie and Vic to kind of try and disperse the implication in that, but then turns around back to the door.
And maybe steps back a little bit.
I don't know.
I don't know that's not me.
Believe me, I wish I wish.
Who the fuck is in here. We're not kidding around. No, maybe it's the property manager.
No, no, no, no, no, no, don't.
Don't don't please, please, please. I'm so sorry. I'm sorry. I if you don't, if you don't need me here, I can. I'm okay. You have such a great show already.
Stay put. What are you talking about the show? Let's get out of here. You're. Let's go.
And we all just need to take a deep breath for a second. Okay, if this is a prank. The entire point is to turn off all the energy, all the lights in the house so that we can go and go into the break room and get scared by whoever is in there.
So, next logical step. Let's go flip the breakers and fix this.
No, no, no, no, no, you can't. You can't. You're going to be you're going to learn some things about you that you're not going to like.
DMC, I am. Hey, I'm being so serious right now. I need you to shut up. I need you to stop talking to me because you are fucking sending me down a spiral. Okay, no, I know.
I'm freaking out. This is that's the code word for our for the improv. This is serious scene done. Nothing is happening. I didn't do anything here. This is weird and creepy. Please don't answer that door, River.
Hey, hey, I listen to him. Okay, River. Really? That's a safe word.
Don't go over there. Charlie, can we all just sit down? Can we just take a beat? Can we just take a minute and think about this, please?
I feel like all of us are trying to make sense of something that doesn't make any fucking sense right now. And that's okay. But we need to just take a fucking moment.
It's someone knocking on the inside of a door. Why don't I just go in there and we have two options from my standpoint. We leave that door and we get out of here and we call the cops or we go in that door and I punch who's ever in there in the fucking face.
And if we sit down, they're probably going to like jump out or something anyway. You know, why prolong it?
Yeah, I'm I'm I just I don't want to sit here and be scared all night long. I just want to get to work on our show that we came here to do. So honestly, and we need lights and electricity to do that. And I really want to hit someone anyway.
DMC, I get that you're freaked out. I think maybe this is just jitters.
We should just I think the best solution here is maybe to just cut to the end.
DMC you feel a squeeze like a hand on your shoulder.
And Vic is beside you and standing kind of shoulder to shoulder almost.
DMC squeezes back Vic and then looks at River.
Deflates.
Yeah.
Just skip to the end.
That's
that's the best we can hope for, I think.
And then Charlie takes a microphone out of a stand, grips it in her hand and like wraps the cord around her fist a bunch of times.
And it's like,
please have like the cops on standby in case this is a fucking manager and she's going to open the door.
She tries.
The door is fully locked.
You being as close as you are, you can hear
static on the other end, like something like someone trying to tune a radio that's
off. But as you do try, you hear behind you something unlock in the hallway. The door to the security office opens slightly.
Hang on. Hang on.
And then she walks
past everyone and is like,
keep an eye on that.
Something's
I'll follow behind you, Charlie.
I'm just going to go alone. Yeah, this doesn't feel good, guys.
Oh, actually, this is good. River, this is good.
Cameras. If someone is in here, we can see in the cameras.
Well, if the cameras have power. Yeah.
Well, I'm hearing signs of power. I'm hearing static and some lights are working. So could be a generator. I mean, yeah. Yeah.
Some something.
But still, I don't know.
Let's just see.
I'm here with you.
Thank you so much for listening to frequencies. This show was created by patchwork productions and features the voice and creative talents of Candice McCaffey aka Candice Magnificent Sloan aka art plebe Christian aka Kappa Dylan
Appellian aka Super Dylan and Robin Eckberg aka Captain Krayle.
This episode of frequencies was edited and sound designed by Dylan Appellian.
Thank you to everyone who makes this show possible by subscribing to our Patreon with an extra special thank you to Callum Meadow Parker Lang and Rodrigo.
Thank you.