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Soren, welcome back! I feel like it's been a half minute since we've been in this studio.

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Uh, yeah, it's been a second, but for the audience it will have been a week.

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But in that week, we've had a little bit of a glow up. We've got some new signage,

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we've got some table decorations. Compliments to Chris, our designer.

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Well, I dare say, yeah, I'll take it. I'll take it. Working on accepting compliments.

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Thanks, Soren. Yep, it's our pride-themed succulent pot.

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It's modern art. It's modern art.

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Yeah. And not so modern art, but I just think it's fun.

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Yeah, I think that it invokes emotion. Thusly, it is also art.

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I agree. I agree. How you been?

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Me? Well, I've been swell. We just had AP tests, so that's kind of what's going on in my life.

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But, no, I think I've been doing wonderfully. How about you?

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I'm good. It feels like spring has been very busy, but I am absolutely looking forward to

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summer. You must be too. Oh, I was just talking to my mom earlier.

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I'm so excited for summer. I've been, like, hiking pretty much every day trying to in there,

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or like at least getting some exercise. And I'm gearing up for, like, summer. I'm so excited.

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Actually, I considered about, like, applying for a trail maintenance job at Acadia National Park.

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That would be right up your alley. I would love that. But also, it's an hour drive

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and, like, 40-hour work weeks. So I don't know if that's, like, feasible.

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Yeah. Yeah, yeah. Yeah. For our listeners outside of maybe the main area, Acadia National Park is

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Mount Desert Island, Far Harbor. And it's probably one of the spots. When I talk to friends who don't

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live in Maine, they've all heard of Far Harbor or Acadia National Park. It's beautiful.

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It's the second most visited national park in the nation, I believe. Yeah, yeah.

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I believe it, actually. It's absolutely gorgeous. Yeah.

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And here's what I know about you. You take energy from being outside, being in nature,

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being physically active. Well, I feel like, I don't know, that's like a pillar of my existence. I think,

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like, movement and the outdoors. Yeah. I think it's such a rewarding experience to be out there.

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Yeah. And it's really beautiful. And it fills your cup. Yeah, yeah. 100%.

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Speaking of other things that might fill your cup. Yeah. Today's topic, queer media.

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Yeah. I'm excited about that. Yeah. I think that it's a super interesting topic because I feel like

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we have quite different perspectives on it, right? Yeah, we do. Yeah, yeah. We do. We've talked about

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this already a little bit in warming up today. Yeah. So let's get into it. Yeah. So for our

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listeners who might not be as familiar with just sort of the more robust way that we're using the

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term media, for the purposes of this conversation, when we say media, we're talking about all of it.

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We're talking about music, TV, movies. We're talking about magazines and books and even

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TikTok. Yeah, yeah. Social media platforms. Yeah, social media. Thank you. I was struggling.

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Really, like any content that an individual might engage with, which is like a very broad category.

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But I think, like, our media defines so much of our cultural outlook. Absolutely. And can be so,

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like, pivotal to individuals like experience and the way they view the world. Yeah. So it really,

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although it may seem like frivolous media, it is super important to the human experience,

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at least in the modern world. 100%. And I think what makes this conversation so exciting for me

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and interesting for me is there's a little bit of a chicken and egg thing. When I talk about

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the role of media is does media shape us? Or do we shape the media? And maybe there's some relationship

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that goes back and forth. And it's kind of the snake eating tail kind of image for me. But what

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I think about when I think about the role of media in influencing and reflecting queer culture,

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I think about how much has changed. And for somebody from my generation, sadly, how much

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still remains the same. Yeah. Well, like, the interesting thing about how queer people have

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been represented in media is like decades ago, the vast majority of queer representations were

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negative and or non existent. And now we have, like such a wide variety of content that is

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positively catered towards queer people. But we also do still have a lot of stigmatized media.

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And I think that like the media of the past has impacted, like, older generations and their image

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of queer people considerably. Like you were talking about Silence of the Lambs earlier, actually.

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Yeah. Yeah. So in some of my DEI and B training, I talk a lot about the role of media, not just on

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LGBTQ plus identities, but really on shaping either reinforcing stereotypes, shaping maybe

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unconscious bias of how we think about communities that we don't necessarily have lived experience

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with or a lot of interactions with. And so when I think about growing up in the 80s and early 90s,

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and I think about what was available for queer role models on TV, there are absolutely, well,

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let me say it a different way. I can think of more negative depictions of LGBTQ plus identities in

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media than I can positive. And I think that's the difference you were talking about in modern media

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is in modern media, we now can identify more queer positive storylines and characters than what I

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remember growing up with. And so to your point, The Silence of the Lambs, which was a movie that

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absolutely pointed me in the direction professionally of behavioral health, mental health.

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I watched The Silence of the Lambs when I was in high school. And I said, that's what I want to do.

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I want to be Jodie Foster. I want to dig into the mind of folks who are not well,

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and figure out what makes them tick. Like it was fascinating to me what she did in that as a

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character of that movie. And I remember reading books by the author of The Silence of the Lambs

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back then as well. And what some folks might not even know is the character of Hannibal Lecter

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shows up in several other books, which some have been made movies and some have not been made into

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movies, but the movie Red Dragon, the movie Hannibal, there's now a TV, a recent TV series

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based on the Hannibal Lecter character. So very like from a pop cultural phenomenon,

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Thomas Hardy's works books have been absolutely. And what folks also remember about the movie The

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Silence of the Lambs is the put the lotion in the basket character. And when I think back of

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watching that movie, I remember wanting to be Jodie Foster. And I remember being terrified

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of this person who was impersonating a woman, you know, in my formulated mind, the whole concept of

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transgender identities was not really talked about or known in the eighties and early nineties.

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And I just remember it being a character that was disgusting. It was a character we were supposed to

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loathe, fear, and maybe pity. I think watching as an adult, there's elements of you feel sad,

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you're just confused. Well, I remember that being like my primary emotion after watching that film.

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Like a mix of disgust and pity, which I think falls in line with the vast majority of the queer

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portrayals. Being queer or trans was seen as predatory and a mental illness in the time period.

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And I feel like the character of Bill was the name. Buffalo Bill. Buffalo Bill perfectly

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encapsulates the two like primary ideas that were or rather emotions that were associated with

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queer people at the time. Yeah. Well, and it's a direct parallel to what we saw in movies like Psycho,

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where again, this crazed murderous individual dressing up like his mother in Psycho. Spoiler

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alerts for folks who haven't seen these movies. Didn't that movie come out in like the 40s? Yeah.

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Yeah. So there is a fascinating documentary that I believe is available even still on Netflix called

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Disclosure. And one of the producers behind the movie Disclosure or the documentary Disclosure

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is Laverne Cox, known from Orange is the New Black and other really prominent movies, one of the first

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openly trans actors, actresses to actually win awards for their work. And the whole documentary

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Disclosure is really about the depiction of non-binary or trans identities from silent movies all

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the way up until recent times and how some of them have improved in terms of the depictions,

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but some sadly have remained the same characters that we're supposed to fear or feel sorry for,

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or who are supposed to reflect mental illness. As a clinical social worker, I can parallel

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what was even going on clinically in the DSM, the Diagnostic Statistical Manual of Mental Health

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Disorders, where homosexuality, transvestism lived as diagnosed conditions in the American

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Psychological Association's literal Bible, the clinicians diagnosing. So again, it gets to that

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chicken egg snake in its own tail, like which comes first? This horribly harmful and inaccurate

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depiction of queer identities and then the media follows suit? Or did we have these stereotypes in

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the media that medical science is then following suit? Yeah, well I feel like especially for like

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mental illness diagnoses, especially with our like limited understanding of like neurochemistry, this

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is I feel like the most heavily impacted by culture of like the entirety of the medical field.

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Yeah. Right, and it's really dependent on what society deems to be a disorder of the mind.

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100%. Like what we deem to be irregular, abnormal, and something that needs to be fixed. Right,

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it can be treated, therefore it can be cured. Yeah, yeah, and I think like the transition for like

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trans-genderism in the DSM-5 going from like being trans as the issue to the gender dysphoria

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as the issue. I think that's a really interesting, I guess, like transition that we made as far as

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diagnosis goes. 100%, it's probably one of the most impactful from modern diagnosing perspectives.

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One of the most, I think, impactful changes into the current DSM that we as clinicians use now.

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Yeah, yeah. Yeah, you know, when we were talking about this earlier, you had shared that you're

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maybe not as familiar with some of the old movies. Like I was rattling off a bunch of movies that-

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And honestly, like in one year and out the other. I think that it's really interesting because we

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talk about in these old movies, queer people being portrayed as predatory. But like, as far as media

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that I watched in my youth that I found to be like sort of fundamental and pivotal and something that

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really brought me a lot of joy. I wasn't exposed to a lot of these negative depictions of queer

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people. Instead, like I remember watching Big Mouth and seeing the character of Matthew develop

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and just being elated because I felt like someone like me was being depicted.

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And obviously, to some extent, Matthew is a stereotype, but also I feel like Big Mouth does

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a really fantastic job of portraying the teenage emotions through its vulgarity and humor.

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Yeah, and arguably Matthew's character is probably the healthiest character of all the characters on

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that cartoon. Which is like a huge flip from some of these other movies and media that we're talking

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about. You know, as you were talking, I was thinking about even though you haven't necessarily seen

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all the movies that I was talking about, The Crying Game, I Now Pronounce You, Chuck and Larry,

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Chasing Amy, The Talented Mr. Ripley, I mean, on and on. I haven't necessarily seen them. However,

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in current news media, in some news media, those stereotypes persist. This whole narrative that

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men dressed as women are trying to get into women's bathrooms to perpetrate some kind of sexual

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violence. Well, we can see like the shadows of these negative depictions in like what culture

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views these people as, right? Like I feel like, especially like a lot of parents these days or

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like older people only have the exposure of these, like I would say quite vile projections of what

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it means to be trans. And that's the only data that they're operating off of. That's the only

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like image that they have of trans people. So obviously from those images, when you hear that

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trans people are going to be going into like others bathrooms, that is like scary and inflammatory,

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but it's entirely misinformed as far as perspective. And like they don't view them as actual people.

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Like, actually, I think that's a big problem that I have with a lot of queer media is like, in order

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to fit it into like a palatable and digestible plot, you need to boil down queer characters

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to the stereotypes which define their like group, right? And I think that leads to a really shallow

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and hollow projection of what it means to be queer. But that's what you have to do in order to create

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a successful franchise in media. That's right. That's right. Because we know that it's a business,

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just like any other business. And so sales and advertising dollars and tickets, and all of the

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revenue associated with Hollywood, it's feeding what the masses might want to consume. Yeah, yeah.

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Yeah, for sure. It's been for me, it's been this looking back at the role of media in my life over

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the last four years, kind of years, is when you were describing that sense of elation with the

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character on Big Mouth Matthew, when I watched the show Heartstopper for the first time,

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my heart literally stopped. It was as an adult, like just within the last couple years,

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it was one of the first times that I've seen queer characters that weren't the victim of violence.

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They weren't dead by the third episode. They weren't accused of murder by the fourth episode.

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They were struggling with everyday teen problems. That depiction of queer joy and gender euphoria

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did not exist when I was growing up. Yeah. Oh, another show that just like I was so

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elated when watching some of the depictions in it, and I found to be a really impactful show

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in my early teens, was Sex Education. Oh, yeah. It's such a good show.

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The normalization of this idea of a spectrum and non-binary identities from both a sexuality

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perspective and a gender perspective, but how these characters are just so seamlessly woven

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into the scope of the show that I remember shows, you might not be able to relate to some of this,

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but I remember shows like Growing Pains and Family Ties, like those 80s family sitcoms.

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There was the very special episode where the LGBTQ plus character has a cameo and then they're

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never to be seen again. Yeah. And it was really about how the main characters react to this

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non-traditional character who's entered the storyline. And that wasn't my... I didn't want

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to see myself reflected as a stand on or a wild one. Yeah, yeah. My storyline was playing out and

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I wanted more than just a very special episode. I wanted a whole nine season arc of what a life

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similar to mine might look like. Yeah. And I think another problem that using stereotypes presents

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is you are not creating a character with other aspects to your personality. There's no dimension.

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You're putting a gay person on stage, having them be gay, and then having them leave. An exit.

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Obviously, we're talking about specifically the queer aspect right now, but I feel like boiling

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down an individual to exclusively being queer is such a disservice to them. And what I really

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liked about the depictions in Sex Education is, A, yes, being queer was an important thing,

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but it wasn't the personality. It wasn't the only personality traits. It was simply a variable

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thrown into the mix. And with Sex Education, they showed such a variety of experiences.

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Obviously, the main character's best friend was one end of the spectrum. And then there was the

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bully guy. Yeah, that's right. And I thought that that showed two very different yet parallel

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experiences as being a gay man. Yeah. Which went throughout several seasons. Yeah, yeah. I mean,

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it wasn't just to your point. It wasn't just a walk-on role. I mean, these are main characters

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living their main character lives. And I feel the same way about Heartstopper. I remember watching

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the FX series Pose, which is a telling of queer life in 80s New York and drag culture and drag

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ball culture. And that show makes history having the most openly trans actors on that show

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portraying trans characters. So actually using folks with lived experience to play folks with

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lived experience. And it's just such an inclusive, in some ways heartbreaking, because it also in that

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period of time is full on AIDS crisis. Yeah. And so it's gay New York City, drag ball culture,

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and this epidemic that was killing thousands of individuals to an incredibly tone deaf

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administration who didn't seem to care. And so the telling of all those stories interwoven

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is such a moving drama. There are heartbreaking moments, but there are such moments of queer joy

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created in these shows. And you and I could go on and on. I mean, from TV, the depiction of queer

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identities in more modern TV series, they're not the very special episodes. Yeah. These are woven

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within the fabric of who these characters are. Yeah. And then we have music, right? We have

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a whole generation of queer musicians and artists, Little Nas X, Troye Sivan, who are

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not hiding this element of their sexuality or gender. They're writing lyrics and singing from

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their experience. Ben Platt's new song, Ben Platt is Broadway. Yeah, I'm familiar.

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Evan Hansen, Roland Deere, and so on. Yeah, politician. I love that show. That was a good

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show. But Ben Platt's new single is called Andrew. And it's told from his perspective of

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a queer boy who's fallen in love with his classmate. And I related to every lyric of that song,

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thinking about my own middle school, early high school days. It's just, I sometimes sit in

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awesome with folks your age. And there are moments that I think about what might, how might my

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adolescence have looked different if every time I turned on the radio, there was a queer artist

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performing. If every time I turned on the TV or went to the movie theater or sat in a show,

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traveling show, I saw queer characters depicted positively instead of every time turning on the

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TV, it was the queer character is struggling with substance use disorder, struggling with homelessness,

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struggling with being bullied, murderous rages, deceitful, malicious intent. That was every queer

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character I saw. Yeah. Actually, I think another part of the music industry that's been really

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formulative in my development is like show tunes. I love show tunes. Actually, I've been listening

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to a lot of Mean Girls and Heathers. Same. And I think the depiction of queer characters,

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like I love my dead gay son, obviously like unfortunate situation. But I think that song is

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so slick. Yeah. Yeah. My husband and I just got back from New York City actually last weekend.

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And one of the shows we saw just recently was a show called Ann Juliet, which is a modern

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retelling of Romeo and Juliet, which asks the question, why does Juliet have to die?

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Why does Juliet have to die at the end of Romeo and Juliet? What would happen if Juliet allows

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Romeo to be dead and finds that her life can continue without her teenage boyfriend? But the

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LGBTQ plus storylines woven within Ann Juliet, and it's all, and the soundtrack is all Brittany,

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Katie Perry, Kelly Clarkson, Backstreet Boys. It is a my 90s, early 2000s playlist. It was such an

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empowering energy ridden show that also highlighted queer joy. Yeah. Yeah. It's an amazing show.

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You and I were also talking about this idea of allies and the number of musicians and performers

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who are very public about their allyship and supporting the community. And that has become

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a part of their brand. So of course we were talking about Taylor Swift, my girl, Tay, my girl, Tay.

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But how this has become an incredible part of who she is and the culture of her fandom that she

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creates. She is a fierce ally. She never made anybody less gay. And therefore, she's a very

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her fan base feels very similar to that. And her fan base, with the exception of being 50 year old

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gay guys, it's primarily adolescents and young adults who are resonating with these lyrics.

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I think like the like, I think allyship is such an interesting thing to look at because like,

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I don't know, when I do like Taylor Swift's music, but when I first saw Come Down, Calm Down, Come Out,

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I was like, I kind of scoffed at it a little. Yeah. Because I do think that it's a very important

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thing. And I love allies for being allies. But also there's part of me that like wants to gatekeep

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and be like, this is, this is like my thing. This is my in groups. Yeah, I get that stuff. Like,

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don't steal that from us. I get that. I also because I am such a Swifty, you know this,

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because I am such a Swifty, I know a little bit about like the backstories of these songs and how

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the videos get made and what shows up. So the video for Calm Down is very intentionally over the top.

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Yeah, yeah. And the cameos, lots of- I like that. Yeah, the video is just a banger. But it really

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was an attempt to push back on critics who at the time were criticizing her for trying to cash in

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on this idea of allyship, that it was performative, that she was throwing bones. Oh, so she was

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intentionally evocative with it. 100%. Oh, I think that that shifts my viewpoint a little. 100%.

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Yeah, she leaned all the way into it. And therefore her fans lean all the way into it. Yeah.

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Yeah. Well, I think it really is like allies are very important. And I think that goes for like,

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allying with any downtrodden group, you need as a person of privilege to represent groups that are

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not privileged. And I have an immense amount of privilege, like my socioeconomic status,

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the color of my skin, the area in which I'm raised. And it is my obligation to attempt to aid other

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minority downtrodden groups and attempt to make the world a better and easier place to live in

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for everybody. Yeah, you and I are carbon copies of that mentality for sure. And what I love also

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about this conversation with queer media and allies is we've seen an evolution of the portrayal of an

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ally also happen through queer media. And so what used to be the stereotypical ally was the

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one single youngish woman who hung out with the gays because she feels safer, it's less pressure,

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they'll tell it like it is, it's the it's the sassy gay boy, my sassy gay best friends. I think like,

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I was talking to one of my friends who is, dare I say flaming. Yeah. And he feels used by a lot

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of the women that attempt to like enter his life and become friends with him. Because they're

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interesting. Because they're looking for him to like fit into a box, be like the stereotype,

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which they think he is. And like, he doesn't feel like they're attempting to create a connection

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with him. He feels like they're attempting to like, hang out with a model of a personality type,

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right? Interesting. But also to he forms very genuine relationships, and he really enjoys those.

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Just like, I don't know, he also too has a really interesting perspective on queer media. I think

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we've talked about it a lot. And he feels that maybe as some internalized homophobia. But he

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sort of like scoffs at and thinks that there's too much queer representation. Which I think is a

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super interesting perspective. Yeah, because he's like, I love gay people, whatever. He's like very

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ally. Well, he's very gay. But he always says I'm very ally, but like, too much gays. Like, yeah,

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I couldn't disagree with him more. Coming from a childhood where none of this existed, or none of

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it. Yeah, yeah. As a perspective, like I'm, I'm of the mindset that we only need more of it to make

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up for the horrendous lack of representation, lack of healthy representation. That's been in

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existence for decades. Yeah, I say bring it on. But bring it on in a way that feels seamless,

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and doesn't feel forced. Yeah, yeah. Like some of the shows we've been referencing,

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master that. Well, like I was saying, like, being queer isn't like, the thing. It's just a facet of

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being like a human. It should not be the thing that the emphasis is placed upon. The episode is

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written around. Yeah, yeah. Um, but like, forgot where I was going with that. My apologies.

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But I think it's a fascinating conversation and one that maybe in future episodes, we should invite

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your friend in to have this conversation live. And in the moment, I, my perspective as a almost

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50 year old gay man, and as a behavioral health professional, I know the, I know the impact that

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lack of representation and inclusion had on my upbringing and some of the internalized homophobia

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that I had to manage and struggled with because in part of I think this, the lack of representation

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in the media around me. So I come from that perspective and clinically, I know the value

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of representation. And I would argue, and I, if your friend was here, I would say,

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having that opinion also comes from a place of privilege. Yeah. The privilege of saying,

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we have too much representation. I was going to comment on that because like that,

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I think that statement comes out of like a not understanding what it is like to operate as a

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queer person in a vacuum, not having any semblance of cultural identity. Right. And you're just flying

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blind. Yeah. But I think it's super interesting because they thought that it's oversaturated.

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Yeah. And I say, we can't have enough of it. Bring it on more and more and more, more and more. And

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again, that is me saying we have decades of reparative work to do. Yeah. So having more

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of it in a meaningful, intentional way is only going to better this next generation. Yeah. Yeah.

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Of queer youth who need desperately to have a different role model experience to have.

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I mean, I actually, maybe I'm being quite optimistic and maybe even bordering on

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naive here, but I think if the media can get their shit together and start

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intentionally dismissing the stereotypes of the past, perhaps things like internalized homophobia,

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perhaps things like externalized homophobia and transphobia can be extinguished by increasing

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the representation of this community and depicting us in a way that doesn't have us killing our moms,

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burying women in our basement dungeons, or manipulating people so we can get them in the sack.

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Well, I think in the future, like the very close future, and to some extent now, at least in my

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generation, like being queer and the queer experience has become so normalized that it's

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just seen as like a universal experience to some extent. And like it's no longer of interest. Yeah.

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It's just become a very regular thing. Yeah. It's not a hot button topic anymore. It's just, oh,

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that's a thing that's happening. It's a thing. Yeah. Yeah. Rather than like it being a controversial

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issue or whatever, it's just a normal part of living in society. Yeah. And I think that that

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is the place where we need to be at. Yeah. Yeah. Yeah. It doesn't, it's no longer. I think it's the

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place we're headed to. I think you're right. I think you're right. I'm excited to continue

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this conversation. You're providing us a little spoiler of what our next episode is going to be

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about around stigma and mental health. So we'll get there next week. Soran, this has been a super

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interesting conversation with you today. I think it's been marvelous. I love it. Taylor,

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if you're listening, call me. Call me. All right, all thanks so much for spending another episode of

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inspired insights podcast. I am Chris McLaughlin. I'm Soran Peterson. And we'll see you next time.

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See ya. Inspired insights podcast has been brought to you by inspired consulting group LLC.

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Edited and produced by Amanda Seidel. Music by Derek Herter. Copyright 2024, all rights reserved.

