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Celebrating the power of possibility.

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I'm Sean P. Turner and I believe that anything is possible.

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Welcome to Anything is Possible. I'm Hallerin Hilton Hill.

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It is always such a joy to come to you with these great stories about great people whose lives prove that anything is possible.

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And this is Sean Turner. Welcome to the broadcast.

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Thank you for having me.

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I am so excited to have you in this space, in this room, because I think the world of you.

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Likewise.

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I've been working together for a few years. I've known you for a while. We had these great conversations.

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But let me start with a compliment, right?

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One of the things that I always just thoroughly impressed me about you was how reliable you were.

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Like, you were one of the young men that I met that if you gave your word, that's what you did.

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You did it on time and it was structured. I remember the first meeting we had with you, you sat down and you had your tech geek like I am.

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And you had your iPad and a pencil. And when I looked at the notes you were taking, I mean every, I'm like, this dude is a nerd like me.

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Just a little bit.

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Where did that come from?

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Honestly, being raised by old folks and being around old folks who had that mentality.

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Tell me about that. I mean, I grew up in Memphis, Tennessee, mostly in an area called Woodstock.

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Around my grandmother, she was very, very present.

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What was her name?

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Her name was Helen Wallace and she was special. Very, very special.

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What was special about Miss Helen?

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Oh my goodness. She was the glue for her family. I mean, for years I saw sacrifice.

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I saw peace. I learned what peace was through my grandmother and I think her reach and her impact on our family, even though she's no longer with us, I mean it still exists.

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I mean, she just left such a mark on all of us and impacted us in such a way.

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She set the framework for being a person of hard work, dedication, that kind of a thing.

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Absolutely.

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Tell me about your parents. Tell me about growing up in Memphis and tell me about when music, as the old folks say, as we say often, got a hold of you.

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It got hold too.

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It got hold to me early on. Again, I have to go back to my grandmother.

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She was always in church every time the lights were on or the doors were unlocked or, you know, anytime there was something going on, my grandmother was there.

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And because of that, and me being around her, my mother would be working.

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My dad, I'm kind of all over the place, but my dad was not very much so in my life early on.

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I always tell people that song, Papa Was a Rolling Stone, was written for my dad.

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I love him. He's a great man and we do have a relationship now, but early on he was not present.

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And because of that, I spent a lot of time with my grandmother.

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Well, my mom worked.

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And so those times with Granny, as I affectionately called her, were spent at church in choir rehearsal most often.

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My grandmother was known for two things, singing in the choir and managing the church kitchen.

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So she was the chef at the church for any and all occasions.

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And so those times sitting in her lap in choir rehearsal shaped my life.

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And back then I didn't know it or I didn't realize how much of an impact it was having on me.

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I was just there with Granny, you know.

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But looking back, that formed my whole approach to music, my approach to just relationships and life in general.

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Do you remember the first time you played the piano?

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Kind of.

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I was like any other kid that when rehearsal was over, I would go to the piano and just kind of tinker or, again,

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with my grandmother always being in church, if there was a funeral or something, you know,

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a repass after the funeral took place, the actual funeral services.

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And when she was back in the kitchen serving food and I was waiting for her to finish doing all of the things,

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I would sneak into the sanctuary and just kind of peck around on the piano.

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But I mean, it was literally pecking, investigating, not really taking it seriously.

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It was just something to do to kill time then.

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But my earliest, I would say, just pull to music or when music got a hold to me was at our home church.

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So I spent a lot of time between two churches.

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One was Little John Missionary Baptist Church or as the locals call it, Lil John.

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And that was my grandmother's church which was in the Woodstock area.

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But then the other church that really had an impact on my life was Barin Missionary Baptist Church,

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which was in South Memphis.

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And so it was at Barin where they had an angel choir.

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And being a church kid, my mom, being a church kid, I had to sing in the angel choir.

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And for whatever reason, I volunteered to direct the choir.

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I don't know my mom.

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How old were you?

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Probably six.

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I mean, I was a youngster for sure.

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This had to be kindergarten or first grade.

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And so that was my first, like, in my mind, real pull to want to participate or to want to do something.

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I mean, other kids were singing, but I just distinctly remember feeling like I shouldn't be singing.

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Like I should be in front of this group.

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There's this call on your life to lead.

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Perhaps.

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And to bring people together.

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And maybe, I don't know if it's leadership as much as you love to see people come together.

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Oh, absolutely.

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And then what happens when they collaborate well?

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It makes something greater than the sum of the parts.

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It's funny that you said that.

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That feels like the story of my life.

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That's crazy that you pointed that out because I just shared that with the gospel choir last week.

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And I think that that was my favorite part of this whole experience.

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The whole thing of being in an ensemble and starting with a song or a project that seems intimidating or seems like a tall task.

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And, you know, people being frustrated on the front end because they can't see the end goal or they can't really hear how it's going to come together.

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But the celebration that takes place at the end when you get there and the harmonies are there and the synergy is there is what fuels me.

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Because so much takes place along with that.

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Become rotary builds.

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People start to actually like each other.

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And there's so much just organic things that take place when people come together.

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And it's funny.

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But to hear you point that out makes me feel like that's something I've been doing my whole life.

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Possibility powered by Covenant Health, Home Federal, and the Knoxville News Sentinel.

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You're an agent of possibility.

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By the way, this is anything that's possible.

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This is Sean Turner.

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He is a maestro, a musician extraordinaire, as you will find out.

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So you're directing the Angel Choir.

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Yep.

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And you're in school.

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I'm in school.

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And the very first instrument I played was bass drum.

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I was always one of those kids because of my situation.

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I was on the tails of others.

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So I was in choir rehearsal because of my grandmother.

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But then I ended up in the middle school band, concert band, when I was in first grade because of my brother, my older brother.

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How many siblings do you have?

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So just with my mom too and my dad again being that dad, Rolling Stone 12.

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Wow.

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Yeah.

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So you're playing the bass drum.

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I'm playing the bass drum with my older brother because I couldn't walk home alone.

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I was in first grade.

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And the band director, I was sitting in the back of the room.

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There was an old bass drum just kind of laying on the floor.

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And again, I distinctly remember reaching over and just like kind of tapping it, being a kid, but also like noticing what's taking place in the room.

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So I wasn't randomly hitting the drum.

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I was in sync.

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And the band director noticed and soon after got permission from the principal for me to be in the middle school band, which started at fifth grade.

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This was a K-3 school.

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So in first grade, my mom has pictures of me standing on a stool playing bass drum in an actual concert with the middle school band.

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And that's when it all started.

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So it's interesting that your possibility, the possibility of your life is emerging on the tails of other people's possibility.

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And then you become this agent of possibility, which is a beautiful thing.

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So you go through school, you're in band.

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I'm in band.

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I'm playing drums.

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By the time I get to fifth grade, we got a xylophone.

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And because I had been playing the longest compared to the other guys that were also fifth graders, the band director decided that I would explore xylophone.

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And so xylophone is a percussion instrument.

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It's just like a large piano.

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You just strike it with mallets.

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And so he started kind of teaching me the major scale, just C major scale, basic stuff and the grand staff because all I had been reading was rhythms.

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I had not taken formal piano lessons.

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They had no real formal music training.

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And so he kind of caught me up a little bit, spent a little extra time with me.

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I would stay after school just to kind of get a grip on it.

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And eventually I would take what I learned from the xylophone and transfer it over to the piano.

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I mean, it's the same instrument.

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So I would take what I was doing with my hands and just start to do it with my fingers.

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By the time you get to high school, what's going on?

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By the time I get to high school, I had played eighth grade graduation because I had gotten comfortable enough on piano.

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So I played the school song in eighth grade graduation, freshman year, a marching.

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So you're in the pride of the Southland band.

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Well, that's freshman year of college, freshman year of high school.

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You're in the marching band.

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I'm in the marching band, yeah, because I had had all those years of playing percussion instruments.

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And when you're in a high school band, of course, there might be some down time or sectional time.

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But never sectional time, I ran to the practice room and I would tinker on the piano.

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So then you make this leap to come to the University of Tennessee.

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Yes.

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And you're in the pride of the Southland band.

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Mm-hmm, playing bass drum.

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Did you imagine any of this?

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No.

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I had not been to a UT game or visited or anything of that nature.

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In fact, being a product of military parents, soldiers, I felt kind of influenced by that.

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And I respected it a lot.

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I had done four years of ROTC in high school.

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And so I kind of set myself up to potentially go into military as an option.

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So I only applied to UT.

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That was the only school I applied to, which looking back was kind of silly or courageous

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or I don't know.

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But I just decided my senior year after having played piano in church, I had started playing for a church.

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I was like, ah, this may be something I can do.

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So I auditioned to get into the jazz program.

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And I sent an audition tape to get into the marching band.

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And the rest is kind of history.

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What did you think you were going to do with this?

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I really didn't know.

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What did you think the possibility of your life was?

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Well, I felt like having grown up in church and being self-taught on piano,

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I wanted to be able to understand what I was playing.

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For so many years, I would say I guess from eighth grade on,

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I was kind of taking mental pictures of chords so that it could kind of help me when I came back to relearn something.

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I didn't have the theory to understand, oh, this is a two-chord or this is a five-chord and how the chords functioned.

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And so I wanted to know that stuff.

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Growing up in Memphis, there were so many killer players everywhere.

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And these were people who were self-taught and beast.

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Oh my goodness, so many that came through churches and it was a situation where oftentimes it felt like there were people even sitting in the congregation

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that weren't playing on Sunday that if they wanted to, could come up to the piano and absolutely shred.

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But a lot of them, I noticed some of them could read and did have some music theory,

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but many were just self-taught and just had a gift or just played out of need.

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And I just wanted something different.

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What you did and you studied with the legendary Donald Brown.

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Lifetaining. Absolutely life-changing.

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Do you remember the moment when you found God or God found you?

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Yes, I was probably seven or eight years old at Berea Missionary Baptist Church, again in South Memphis on Reigns Road to be specific.

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And it was a Palm Sunday and Dr. Edward Parker was a pastor at that time and he was a dynamic speaker, someone that I looked up to and respected.

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Because again, not with my dad being absent, it was the deacons and the pastors and the guys at church that kind of showed me how to be a man.

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And so him being someone who I respected and even noticed as a child was very academic and well read, well versed in the scripture.

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He just had an impact on me and the culture of that church in the 90s was so lit, as we say now.

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Oh my goodness. I mean the energy in the room on every Sunday was just dynamic.

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It was a place where you almost had to be dead to not feel something in that room.

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And it was a Palm Sunday in 1995 or 96 when I just felt that nudge and gave my life to Christ.

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Tell us what you're doing now.

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Still serving in church. That's the main thing. That's the call of my life.

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You have a family now.

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Have a family. Oh my goodness.

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So the main thing right now is I'm super proud to serve on staff as a Berea Highest Baptist Church.

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There I conduct the choir and orchestra every week. That's my main responsibilities and goodness.

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I've been there a year or so now, but I have about 21 years now of official ministry.

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It all began when I was about 15. That's when I started out on my own.

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Like nobody's standing over me. I'm playing the organ and teaching the pards and working with the pastor to pick songs at 15, which was crazy.

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But 21 years later, we're still doing it. And outside of my responsibilities as a Berea Heights, I'm super proud to be directing the UT Gospel Choir,

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which is an official ensemble within the College of Music in the UT Coral Department.

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And so if you know anything about Gospel Choir at UT for a long time, there was love United Gospel Choir.

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Right.

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And they were around for over 30 years or so and really made an impact on this area.

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But the pandemic kind of took them or they just kind of disappeared during the pandemic like many choirs.

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And so Dr. Kyle Whodan, who was recently at UT as the Associate Director of Coral Activities,

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noticed that there was no Gospel Choir and decided to restart one about a year or two ago.

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And so it started off, you know, very raw and just had a couple of members, maybe six members or so.

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And in year two or year three, whatever this is now, we have about 25 singers.

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One thing that's really special about the choir is that it's part of the UT community school so anybody can be a part.

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I have freshman students, senior students, but then I also have people who may be in their 70s and retired.

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And so it's a really special thing.

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And in many ways, reminds me or makes me feel like that's what heaven will be like, you know.

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The ability of music to bring people together is amazing.

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Unmatched.

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It creates new possibilities, this whole thing of teaching people parts and seeing people sing together and work together, right?

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And especially when they don't see that it's possible.

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That's why I called you an agent of possibility.

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But there's another through line that I see in your story.

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Here's the through line that I see from a young man on the tails of all of these possibility people in your life.

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You were trying to figure out how to do life.

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You wanted to learn how to play.

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Your father, you wanted a father figure in your life because you wanted somebody to teach you how to play life, right?

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Yeah, I see what you did there.

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You wanted a deeper relationship with God because you wanted to know how to play life.

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And that essence is something in you that I want to honor and acknowledge.

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I'm really proud of you, Sean Turner.

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Thank you.

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You are a person of possibility and I've watched you bring people together.

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I've watched you have been up close and seen you as a young man in our community do that.

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And I want to celebrate you as an agent of possibility and of representative of all the great things that are possible.

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Oh, please don't get away without mentioning your wife and your daughter.

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Of course.

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My wife is Jenae Turner.

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She works at the University of Tennessee in the College of Access for Dr. Tyvee Small and she is all ball.

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She loves UT.

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I have a little girl named Scarlett Paisley Turner, SPT2.

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She's three years old and she lights up my life.

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She has a great personality and just the best little spirit and I just love seeing her develop along the way.

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And man, thank you for that compliment.

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It's not lost on me the impact that you had on my life.

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I mean, those years of serving together was a game changer for me.

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You heard me say earlier that being around you is like being around a walking masterclass of many subjects.

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I got to see you like work on several projects at one time and sit back and wonder like how is he doing all of these things?

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Are you doing radio and TV and you would come in to breakfast and I'm like cross-eyed and sleepy and you've already been up.

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Watch the stars come up at the park and ridden.

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And I'm like, how? What kind of person are you?

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And since we're no longer serving together, I've been literally pulling and gleaning from so much that I just saw you do.

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Again, that's I guess my story, being on the tales of others.

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You inspired me as well and I wish you all the best going forward.

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Man, Iron Sharpens, Iron.

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Sean Turner, thank you for being on anything is possible.

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Thank you for having me.