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I've got to be careful when I'm drinking. My dad's the same. I don't go sniffing for scraps,

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but if I'm in a mood and I start into theJjack, I will not back down. If someone's looking, I'm

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off. It's like sex, heat, our bodies colliding, pounding each other. Sometimes, after we help

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each other up, shake hands, admire each other's bloody faces, even hug. Hello and welcome to

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What Kind of Man Are You, the podcast about men, masculinity, and you and Degan and I being friends.

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I'm Chris Garbutt, a writer and communications professional.

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I'm Degan Davis. I'm a poet and a writer and a Gestalt therapist. I'm just laughing. We were

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deciding what poem to read just a few minutes ago, and this is on friendship. And here we have two

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guys pounding each other, then at the end, coming up and saying, you know, respecting one another's

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strength, even hugging. And that story was told to me by a relative, you know, big guy gets into

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fights sometimes, and he said, it's happened more than once. And I've got stories afterwards of that.

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So we're coming at friendship from the start, from what may seem at the beginning very far

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from the idea of friendship, male friendship. But one of the things I thought we could do at the

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beginning was actually talk about famous male friends and duos. Okay, so I'll throw some out

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and let's make a little. Let's riff. Let's riff. Okay. These are, well, one of the most classic

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Sherlock Holmes and Watson. Oh, yeah. And then I was going to the 70s and 80s for television,

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Starsky and Hutch. Yep. Bowen Luke Duke from the Dooms of Pazard. I'm really sure

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where that stands. They're brothers, though. So brothers and friends, I guess. Brothers and friends.

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I mean, some of these being very classic duos, Batman and Robin. I was even thinking Calvin

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and Hobbes, they're friends. Yeah. Robin and Hobbes. That's my favorite cartoon. And Robinhood

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Little John. Yeah. Do you any others that you can? Well, off the top of my head, I can think of

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Lenin McCartney. Right. Who else? I felt so good. I felt so proud of Lenin McCartney. Yeah.

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Yeah, one of the faults. I blanked myself out. Interesting. You mentioned Lenin and McCartney

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because we're talking about friendship this podcast. We're also talking about mentorship. And I think

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they are different, right? Friendship doesn't have any hierarchy in that way. And mentorship often

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does. But you mentioned music and the Beatles. And I've got some stories of musicians have mentored

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others. I guess there's also Tom Sawyer and Huck Finn. Right. I've been preparing for this podcast

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over the last week and really thinking about male friendship. You had to pause there. It's not that

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easy, I found in the last week, to think of works of art, classic television shows that are centered

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on male friendship. Hmm. Again, I'm saying to readers, listener, prove me wrong. Prove us wrong.

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Prove us wrong. But that's a good point, though. And you know, and I think you have this whole

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subgenre of friendship art movies around the word bro and the word bro man. And to me, that has this

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kind of faint ridiculousness to it. And I'd love your take on this because in my sense, bro is always

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either like two guys that are maybe drinking buddies or they're kind of lost and they hang

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out with each other. There's something lost about a bro or a bro man. Is that your interesting?

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That yours take? The first time I heard the term bromance was after there was a movie that came

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out. I think it had Paul Rudd in it. I don't know who else was in it, but it was called I Love You Man.

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Right. I never saw that movie, but that's the first time I heard the term bromance.

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And when I think about bromance, it feels vaguely, does it feel vaguely homophobic to you? Yeah.

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Yeah. Men can't say they love each other because that means they might be gay.

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Exactly. And it's like, what? Yeah. On the other hand, it's true. This is a fact of our existence

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in our society. You and I call each other man all the time. Bro feels like kind of a distancing word

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to me. You are more like a brother to me than a lover. And it's like, we're both straight men.

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I handle this. Yeah. There's an inherent suspicion or judgment inside the word,

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particularly bromance, but bros. I suppose you could say like, yeah, they're bros,

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but a lot of time it has that suspicion in it. I was thinking, there's no comparable word for

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female friendship. I can't think of one that you could throw people with that faint sense of homophobic

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or just that discomfort of men being together. So you have to have some slightly ridiculous

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phrase to name it. But I can't think of one like that friends call each other like bestie or best

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BFF. That doesn't have a negative connotation. No, that's true. That has closeness. Maybe we

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talk about the male script, right? Yeah. I have loved the Elena Farente quartet of novels,

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which begins with my brilliant friend. It's a set of four novels. And that is one of the most

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profound examinations and explorations of female friendship I have ever read. And it follows this

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incredible bond, these intimate betrayals, love, jealousy, the incredible distance over their

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lives. It follows about 40 or 50 years and this unbreakable closeness. And I felt myself longing

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to read about male friendship in that way, the complexity of it, particularly over a lifetime.

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And I want to say to the listeners, please prove us wrong. Maybe there are wonderful stories that

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go into the intricacy of male friendships, but I don't feel that they are as present in culture.

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Well, we talk about in previous episodes about mediated connection, everything between men

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tends to have to be through an activity or talking about that activity. So sports was our last episode.

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Let's think about some of these people we mentioned. A lot of those

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hairs of friends worked together or they made music together. We'll put masks on together.

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Or put masks on. Oh, Batman. But they worked together. But even Starsky and Hush, they worked

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together. Sure. I just thought of another one, Butch Cassidy and the Sundance Kid. They were

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doing a job together. Don Quixote and Sancho on an adventure. Right. Right. And so I guess even

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Frodo and the band of Hobbits had to, you know, there might be something to them though. It feels

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like it shows a little more vulnerability. The Hobbit friendship. Yeah, the Hobbit friendship

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and Lord of the Rings might be. Well, they're cute, right? They can get away with it because

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they're cute and they're the underdog. Right. When they head to Mordor with their swords,

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we're so backing the underdog. Right. So their friendship, which can seem sweet, is bonded by

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this iron will and bravery. Yeah, true. And also it's a bit hierarchical in the sense that they

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refer to Frodo as Mr. Frodo. Right. He just refers to them as their nicknames. To me,

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when we talk about bro, bro-mance, the opposite of that, and I don't have a word for it,

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would be the untouchable iron male friendship. If friends are going through a war, a sports event,

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a game, a tragedy, divorce, and any intense experience that you share with a friend,

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I think that it's almost, I had the image of iron being melted and a smithy, you know,

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blacksmith's shop and being recast as something. It's almost as if the ingredients of this friendship

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becomes joined and recast in this unbreakable way. And that to me seems like an almost archetypal

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story in men. Can you give me an example? Well, one I'll give you from my grandfather, my mother's

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father. He was a paratrooper and in the Second World War, and he commanded a group of men,

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a squadron of men, and one of them challenged him early on. They were, I think, only 18 years old.

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And this man named Jim challenged my grandfather, and they fought like the opening poem. They fought

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it out. And at the end, they did the exact same thing. They one helped the other up. From that

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moment, they were inextricably bound. To add to that, they parachuted into Sicily, into Germany.

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They were held in Stalig 8, the prison camp together. They escaped from this prison camp,

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right close to Auschwitz, and walked back. And I was just looking last night at the walk they took

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from just outside Auschwitz to Odessa, at least a thousand kilometers. They at night living off

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routes. I mean, this sounds almost Homeric, right? The return home, right? But I think it was, in a

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way. And the two of them, my mother said after that, he was even called Uncle Jim. He came into

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the family. He married a cousin. All to say, their friendship, I think, had an iron core to it.

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And they were with each other for the rest of their lives. I'm not saying that's the only way

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that male friendship bonds. But I can't imagine them being called bros. It doesn't feel right. I feel

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like there's a respect granted to a friendship like that. The term that comes to mind is brothers and

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arms. There is literary language for that, like a friendship forged in steel, you know, that kind

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of idea. And I think there is something to a connection you have with someone where you've

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been through. There's nothing like that kind of experience that you or I have ever seen.

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No, although to say that, we have both been married in the past and divorced and separated.

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I'm not saying that's a war, but in an interior way, it's a shocking alteration in your life.

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A shocking loss. And you were there for me. And was I there for you? Yes, you were. And indeed,

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I would say that divorce was probably the worst thing I ever went through. And that includes

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losing a parent. That includes any other breakup I've been through, because you get into a marriage

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expecting it to last forever. And when it doesn't, that is that is a lot of pain. It's an enormous

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amount of pain. And you know, Chris, I think I'd like to devote a whole other episode to separation

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and divorce, because I think it is the unspoken and unscripted ceremony of many male coming into

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themselves, almost like a ceremony of becoming becoming an adult. And there's a lot around

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that, of course, we need other rights. But I think that's certainly working as a therapist for so

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long. So many times I have seen that that the end of a marriage really means in a way the beginning

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of a different kind of adulthood. Yes. Yes, I agree with that. It is completely

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unscripted, unritualized. The only rituals you go through are with lawyers. It is unscripted.

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Certainly what you and other friends did for me, we didn't have a script to read, but we made one.

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I'll remember as my marriage was ending. And I'm very happy to say now I'm good friends with my

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ex. And this feels very far away to speak about. But in that it certainly wasn't when it was happening.

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And I remember calling you and other friends and envisioning the life to come and saying,

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I want to buy a piece of land somewhere and I want to build something. And would you come with me

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and help me? And it was almost like the practicality of actually having a piece of land was grounding

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the idea of hammering nails into wood and creating something. And it turned out I didn't quite do it

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that way, although I did buy property. But I think the concrete nature of building a future and

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friends to imagine populating this future with or engaging with them, it was really a lifeline.

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And also just to sit and say, hey, you know, have a beer with me. This is a really that kind of a

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hard time. Yeah. Yeah. And so thank you. You're welcome. And thank you. It really, it is interesting

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after a breakup. I've had some great relationships and all except the one I'm in right now broke up.

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And I turned to my male friends in those times. And it's not like I ignored my female friends and

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didn't talk about it with them. But it is interesting that that was my instinct. And most of those

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conversations were some of the most real I ever had with you and with a couple of other my other

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friends. It's certainly a time when you do eat friends. It's not forged in the a clash of war

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and utter survival in the external sense. But I think it is in the internal sense. Yeah. Yeah.

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I feel so blessed to have you and others as close friends working from a coming from a counseling

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perspective. Sometimes I play that role for a time, right? Someone is divorcing and they are

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dissociated and they are in profound shock. The idea that marriage is forever. And so part of that

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role as a therapist is to hold that place, almost a placeholder. And you need to get this kind of

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support out there. And sometimes that just means them saying, I've known this person for 20 years,

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but they've never really known what's actually going on in here. Right. And for them to risk that.

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And I think that's something really important in terms of the whole bro thing and using language

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like bromance. That removes risk and vulnerability. That's right. Yeah. And so, you know, if you call

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someone bro, then it's like, I like you, but I've still got the shield on and we can enjoy the game

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together. But, you know, I'm not going to actually say I like you. Yeah. Although I mean, of course,

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you have men getting absolutely drunk and really weeping, right? Yes, that's true. I love somebody

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gets very drunk and says, I love you, man, or I just, I love you. Would say wouldn't normally say

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oh my God, you're the best friend anyone could ever have. That's an outlet for sure. And I think

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beer has actually really helped men probably even come closer to that, you know, right? Man, you

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mean a lot to me or this kind of thing. But I think the danger is that that's sometimes the

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only intimacy. Right. And of course, then, I mean, you don't remember those words, you know,

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there's something about taking the risk with someone and saying, yeah, you mean a lot to me.

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Yeah. We don't live forever on this earth, you know. Yeah. So you mean a lot to me, Chris.

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Thank you. And actually, I would like to get into that. But let's take a break and we'll come back

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after this interlude. So we are back. I'm just realizing, Chris, that just before the break,

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I used my broly voice. I was like, I didn't mean a lot to me. Oh, interesting. And I don't think

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there's anything wrong with that, right? We have to. We're always mediating these pieces.

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But I think we're going to talk about our friendship. Yeah. I thought maybe

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it'll be fun to reminisce how we met and how we became friends and what led to this podcast,

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like how the conversations we've had and the things we've done to want to explore this topic more.

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Yep. So when we first met, I was running a reading series. And I think I was involved with,

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it was connected to a literary magazine, that's right. And we had started this literary

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reading series to promote the magazine and to raise funds for it. And Degan had submitted some

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poems and we wanted to publish them. And the people we published who were in the city,

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we asked them to do a reading at the reading series. And I don't know if we actually talked on

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the phone or if it was voicemail back and forth, but we arranged to meet in the same

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bar that we had this reading series. And Degan was interested in volunteering for the magazine.

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And so we met at this bar, the green room outside with the dappled light coming through the trees,

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leaves, I remember actually. Oh, really? That's so romantic, didn't it? Yeah.

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A bromantic, a dappled light. See how easy it is. Right? I was reading what you might even consider

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a rowy book. Alexandria Quartet. Alexandria Quartet by, was it Lawrence Dural? Which at the

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time I thought was so amazing. There you go. That's the answer to Elena Farente. That's maybe

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the male quartet of books. Could be. It's very male. And I have to say, reading it, however many

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30 years later, doesn't stand up. It's romantic in its own way. Is it male friendship? So I remember

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it's like a lot of kind of characters that were in their 20s and 30s, almost like beat, like living

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in small little apartments and maybe studying in Cairo or Alexandria. They were living in

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Alexandria and he was an artist or writer. There's four books in this one book and

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three named after a different woman and one named after a man. And I don't know, I was disappointed.

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It felt very bro-y to me, actually. I think this was about a few months after because this to me,

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I've talked about, you were talking about those moments of iron, right? There's at least, that's a

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very fierce image or warrior image, but the moments of connection, right? And when one day at a

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reading series, when I was just getting to know you, the reading series you were running, I had

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someone ask me if I could put out on the tables an advertisement for another reading series.

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And I came to you as the CEO of the Grand Suba and said, hey, is this cool? And I think probably

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you were doing a lot of things and you're like, our reading series is what we want to promote,

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but sure, go ahead. Something like that. But I didn't, I was just getting to know you. I was new

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to Toronto, so I put it out, but I really felt I think I messed this up. And I remember very

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clearly being in my apartment and thinking, I think I'm done. I think I don't want to be part of

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the reading series that like leave it. Yeah. Oh, because of that. And now that's just for whatever

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reason, I just thought I had done something and maybe you were like, whatever, I just felt judged.

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I felt like I messed it up, right? And I think these things happen and who knows what else had been

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going on in my mind. And I remember saying, I think I'm just going to not just show up anymore.

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I'm just going to be out and then going, no, I'm going to call you. And I really,

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I think about time stopping in that moment because I could have not. It's like the subway doors.

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Right. Yeah. Sliding doors. The sliding doors. But, and here's a sense where I think we,

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this is a big topic too, fate. How do we influence our fate? But I call and I said, I mentioned,

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I don't know if you remember this. I actually don't remember this. So I called and said,

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hey, I just wanted you to know, it sounds ridiculous now, right? But I just want you to know,

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I felt pretty bad about that. And you said, maybe I don't even remember it or that's totally fine.

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And it sounds so silly. But I think because sometimes men don't speak, sometimes many of us

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don't speak about those niggles that we have, those moments of hurt, those moments of confusion,

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and the doors close and the subway moves on. And to me, that cemented us or at least an

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early cement. And I felt so relieved. So I'm glad I'm happy that my 30 year ago self did that.

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And that we're here talking about this. I'm grateful too. What if you hadn't made that call

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and ghosted the reading series and never saw you again? And that makes me very sad. And this is

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the kind of thing you think about your partner, the person you're in a relationship with. Imagine

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if I never asked her out or imagine if my wife now is someone I used to work with and imagine if I

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because I didn't take the job at first and then they came back to me with more money, which was

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awesome. But honestly, I don't think about it with my friends all that much. And it's interesting to

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think about these moments where it could have a friendship that's lasted 30 years. What would

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have that been? And one of the things I think about with our friendship is that it is not like

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any friendship I've had with the men. We, I think we have both cried in each other's company.

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And not about the Leafs losing another series. But actually about personal things. And I'm so

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grateful for that. And it's not something I expect from relationships with men. So thank you for that.

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But you're very welcome. Maybe I'll share a story then very much on that wavelength.

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Talking about this was, I think around the time of my separation or just before it. And in the

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second episode on sports, I spoke about having two or three years, which were very difficult,

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especially particularly around sports and around being bullied and not for all different reasons,

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not having a voice to stand up, not having the knowledge of how to do it, which I thankfully

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did learn later, a lot to do with words. But then I didn't have it. I had kept those years very hidden

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away deep at a little tiny chamber of my heart almost becomes a speck. And I had mentioned

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some of the scenes I shared a couple of the last episode about this man saying what an arm on the

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queer after a good thrill and just not knowing how to respond and feeling this burning shame.

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And that went on in different ways for a number of years. So I'll never forget this moment coming

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to visit you in Riverdale and feeling perhaps some separation was in the air in my marriage,

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but it was early. But more than I think beginning to unearth this speck of a chamber in my heart

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and pull it to the surface, which is a strange kind of witching hour, right? Or a witching time,

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right? You begin to unearth this stuff that has been buried for a long time and you start to feel

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never these memories more vividly. And I don't know where I really got this from. I don't remember

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anyone saying share stuff with your friends. But I'll remember sitting on a couch in your apartment,

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a big, long hardwood floors. And in the evening, and I was tired of being on a plane. And I said

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to you, and just as the words were coming that I was going to share something, I actually thought

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I will A, be struck by lightning. And that's okay, I'll just die. B, you will reject me. I'm tired.

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And I'll just say screw you. I don't know what I just but but I did think these things. I did

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have this trepidation. And I said, I think something very simple. Chris, I had a couple of years where

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I was really bullied. And to me, the moment after that breath, for you, it may have been nothing,

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half a second, it was like expanse of time, where the clock goes, and everything stops and the

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colors change. I'm suspended in this moment, where I am bringing out the most painful thing I can say.

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And do you remember this? I remember the conversation. You have since told me what it meant to you,

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but it didn't seem like a big deal to me at the time. You're watching a movie, it's just me saying,

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hey, God, I was young, had these hard years. Yeah, it's like you were bullied. So was I.

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So the interior and the exterior are wildly different. And you said from what I remember,

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oh man, that that sucks. And I had some similar experiences. And just to continue for a moment

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with this, in that interior and exterior play, and I will say this listeners,

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in the moment after you normalized and just said, whatever, that happened to me too. But

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and we're there. I was very tired. And I think when you've been holding a weight for we were talking

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25 years, right? If there's an incredible exhaustion after that. And I think I said to you, Chris,

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I need to go to sleep right now. And you're like, no problem. I was gonna I was sleeping on the couch.

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And I closed my eyes. And this is where life outside of gender masculinity femininity, all of

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this, this is where the sort of subconscious in the place I think of art and of our deepest shame

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and also possibility. I closed my eyes and my subconscious had immediately created an image.

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And the image was that I or a homeless man with rags and sweat stained armpits was pulling a

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vast garbage can full of black banana peels, stained coffee cups, stinking reeking garbage.

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And he or I was pulling it up the stairs into a marble mansion. I think the friendship that we had

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was that mansion. It wasn't actually a mansion. I think it was like a beautiful, it was a palace.

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It was something absolutely grand and spacious and light and beautiful. And here I am pulling in the

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darkest stuff of me. And I'm in awe of that living or waking dream that was saying, you have done

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this. And of course, these pieces have to integrate, right? It wasn't that angels came down and stripped

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me of my clothes and gave me a beautiful suit, right? But robe over you. But I think ultimately,

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that's where I am now, I'm wearing the robe now. Right. And it took years, but that place to risk

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bringing in. And I think that's shame, that's trauma and bringing it to be witnessed. And I want to

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say this, as you said to me, thank you for being there for that. That probably was the biggest

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moment of me transforming my shame in my life. But thank you. You've told me that before. And

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it's, it's funny because having been able to be that person for you, that gives me gratitude too,

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because I just feel like it's a friendship where we can do that. And if you can, if I can do that

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for you, you can do that for me. And I can certainly say you have, although there is another time I'd

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like to talk about that, isn't you and me, a friend who lives outside of the province emailed me one

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day. And we had always emailed, we had that kind of rowy kind of relationship. And he was still one

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of my closest friends, but we'd be like, ah, f you, blah, blah, blah, joking around. Good friends.

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But this email he sent me was like, completely vulnerable. So he said to me,

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things have not been good for me. I've been having suicidal thoughts. And I've been seeing a therapist

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and I'm on medication now. And I've been feeling really rough. And I emailed him back and just

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said, wow, that's similar to what I said to you, I think it's just, that's really rough. And I've

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been there because I have been on antidepressants and I have been in therapy. I'm still in therapy.

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And that's really all I told him and just said, whatever you need, just feel free to email or

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call or whatever. And his wife emails me the next day and said, I don't know what you said to him,

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but he's in a great mood now. And I feel good about that. No, that's it. And I'm not trying to

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say how great I am here. But I do feel really good about that. And it was an anti-bro moment.

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He took the risk to reach out and you met him in a different place.

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The one thing I feel about our friendship and our history, I felt it almost from the moment

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I met you is that you and I have been able to go there without something bad happening.

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Like a break and then a repair, you mean? No, more like we don't have to have something

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bad in our life happen before we can talk about our feelings, quote unquote. We could do that

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before divorce and because one thing I remember when we first met, I was reading that book

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and you had read it, the Alexandria Quartet. So when we met, I was sitting at the table and I

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put the book down. He said, oh, you, you, you. Degan says, I can't remember what it was. There

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was something that you loved about how he described the ocean or the sea hitting the shore. And

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there was a line that you really liked. That was 30 years ago, so I don't expect you to remember it.

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But that's not the kind of thing a guy usually would say. When you start a friendship, you're

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getting to know somebody. Right. And so what do you risk early on? And I think I've paid the price

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sometimes for, this is an interesting topic too, how much we put out and how much we hold back

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and when we take risks. And certainly I felt like I got burned perhaps for being too enthusiastic

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very early. And that's a whole other topic. And at that time, maybe it was a bit mediated or titrated,

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but I think you can pay the price. I know in my own life, I've had people who I think judged me

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for being maybe an archetypal sense, having overt feminine energy. For example, if you think about

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that, I'm talking purely archetypal, not man, woman here, but the idea of flowing creative energy

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and masculine archetypal energy being controlled and aggressive or contained.

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And this way, and I think to me, health is a balance of those to say, I will hold myself in

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here, I will express myself there. And because had you been somebody else, it might have been like,

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what the F and what are you talking about? Perhaps. But we connected. Or it could have been like,

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all right, weirdo. Sure. Yeah, exactly. I just want to say for a moment here that the words

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about your friend and your friend had come reaching out to you and you supporting him,

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you know, we carry each other. And it seems like we can carry each other with almost the smallest

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gestures. That's what touches me so much about that he didn't need you to fly out there. No.

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Or whatever else, he just needed to speak it and be heard. And have you say, I'm there,

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is there if there's anything I can do? And I think that seems so simple when you

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express it now and tell that story. But it's not simple for people who do not have the language.

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How many times I have said to a male client, who do you have that you could share even that you're

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having a bad day? Some say, nobody, we don't talk about anything. And so the work then is,

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who comes to mind if you were going to express something? If you had to, sometimes I say,

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if someone put a gun to your head and you had to say something to help, there's a gun to my head.

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Yeah. In a way, the skin goes back to this poem, right? I think we can do a podcast purely on

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violence. And I think we should. And I think we should have few. We have men's violence against

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men. We have men's violence against women. We have all kinds of pieces, famicide even. It's a huge

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topic. But I do think if we go back to the poem, this finesse and rain, this ballet and murder,

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this let's say, this physicality, strength and vulnerability, right? How do we work that?

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How do we work that within this male script? And just to say this piece around them reaching out,

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you, I think that's a way of being held. He was held in that and we do it in little ways.

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One of the things after my first breakup with a serious girlfriend was my first girlfriend. And

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we lasted for three years. And so when we broke up, I didn't know what to do as myself. And she

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referred to me as overly sensitive and I cried a lot. And I would consider myself sensitive person.

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I take things very personally and that's something I've had to work on. And so I'm not an aggressive

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guy. I could count on two or three fingers the number of times I've actually been violent,

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maybe a little more with siblings when I was a kid. So this idea, I always talk about how my

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primary value is kindness. And I've had people scoff at me. Once someone asked me in a job interview

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what I valued most. And that's what I said. I didn't even expect to say that, but that's what I said.

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And then they reworked the question so that I would say something else, right? And in the

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long run, I think that actually kindness has served me well in the workplace. But what my tendency

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takes me away from is the fact that as you say in the poem, some people really get something out of

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being aggressive and expressing things. Yeah. What's that movie Goon? It's a movie about hockey.

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That's got Jay Perusial. He's a Canadian actor. And he talks about how hockey players will get into

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fights. And afterwards, they'll be like, good fight, good fight. And in my mind, it's like,

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why would you say that? In that moment, you hated each other. And this is a world that I don't

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belong to. And as I mentioned, I also got bullied as a kid. And I must have weighed three pounds at

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age 10. So I was super skinny. I did run around a lot. I played sports a lot, but I could eat everything

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in my house and still not gain weight. And being that person who couldn't defend himself,

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like people always talk about how you have to learn to defend yourself when you're a kid.

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For me, it was always like, if I learned to fight, I would still lose every fight.

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Right. Just because of my lack of bulk. It makes a big difference, really, doesn't it?

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Yeah. When the kids in my class, a couple of them had, quite a few of them had failed a few

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grades and they worked on farms. Oh, and so they would be older as well.

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They were older and bigger. And also, the sad, the terrible thing is also,

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there was a lot of violence in a lot of these families. So they actually were trained in a way.

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They could see what could be done and what was done to them. So it's a really different world.

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Right. Yeah. And so I think about, I read an article about a mixed martial arts fighter.

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And he was poetic about the beauty of the violence in mixed martial arts. I can't stand

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watching it. Like, to me, it's a dumb sport. I think it's reprehensible myself. But there's

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something in it where people find something energizing and exciting. And I don't know,

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we talked a bit in sports about how it's this kind of gladiator thing. And again,

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there's that finesse and rage. And so first thing I thought, when I thought about that in terms of

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hockey, Marty McSorley, the enforcer and Wayne Gretzky, the guy he was protecting. And there's

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a friendship, right? There's an integration of these forces within two bodies. Right. Yeah. And

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those of you who are listening who are under 50th, when Wayne Gretzky out traded to the LA Kings,

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he demanded that Marty McSorley come along because he felt he needed someone like that to

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other team goons off of him. Yeah. And that was a shield. But there's that's a loving thing to do

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in a way like you are. I am protecting you. And you are going to do great things because of my

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protection. Yeah. And that's also old school male female relationships too, right? Very much

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how that archetypal kind of archetypal. I think we might need to get our heads around that and take

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a break. Welcome back to what kind of man are you? Well, we have been speaking about in a sense,

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these two, these kind of polarities, I suppose, in one sense, vulnerability and the other a kind of

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shielding or physical adeptness or violence. And this brings to mind a Facebook comment that we

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had just recently, someone saying, could you do a podcast on raising a boy today? And that certainly

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we will get on this because that's a question that comes up so often. And just to plant a seed of

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some of the things we would talk about in that would be that I don't want to see, let's say,

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violence or let's say aggressiveness and vulnerability. I don't want to put a judgment

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on the places, particularly aggression, aggression and vulnerability, because growing up as a boy,

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there are arrows, right? There are slings of arrows. And so how do you mediate that? And I think

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ultimately, just to give it all away, I think what we're looking at is a way to strengthen the

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ability to be vulnerable at certain times and also the ability to withstand or stick up for yourself,

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whatever form that is. And I think there's a lot of other pieces, but I think that would be a central

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core for me to look at how to raise boys in this time. And I will say the last thing is that they're

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both equally important because I was an example where I did not know how to defend through language

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or physicality or even through internal worth. It doesn't have to be that you become a martial

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arts fighter to be able to hold your ground. It is a lot to do with your inner sense of the worst.

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That will take you far without it and then with bullying, shame or the very difficult things

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that can happen. Abuse, sexual abuse, being targeted by a teacher in a class and being

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shamed, whatever may have happened, that's the deadly place. When we're raising boys,

369
00:41:31,840 --> 00:41:35,440
we're teaching them how to be men. It's not the whole thing, right? But certainly,

370
00:41:35,440 --> 00:41:44,800
same with girls. And there's nuance to this because there are trans kids, there are tomboy's,

371
00:41:44,800 --> 00:41:50,320
there are boys who are just more feminine and there are girls who are more masculine, etc. etc.

372
00:41:50,960 --> 00:41:58,560
So when we raise kids, we want them to be good people. But we live in a culture where they are

373
00:41:58,560 --> 00:42:05,280
gendered whether we want them to be or not. And they are seen as that gender. Where I'm going

374
00:42:05,280 --> 00:42:11,600
with this because I do think this is a whole other topic for another episode is how do we learn?

375
00:42:12,320 --> 00:42:17,600
How do we learn to be men? How have we learned to be men? It takes us a little outside the

376
00:42:17,600 --> 00:42:22,480
friendship thing, but you were just talking to me about this. One of the subjects that

377
00:42:22,480 --> 00:42:28,960
Chris and I have been talking about is mentorship, which I think stand adjacent to friendship. And

378
00:42:28,960 --> 00:42:36,160
I mentioned earlier that of course one of the differences is it has a hierarchy to it. I don't

379
00:42:36,160 --> 00:42:42,640
know how you feel, Chris. I feel we don't speak about mentorship very openly. We might in particular,

380
00:42:42,640 --> 00:42:49,120
like perhaps there's a corporate culture and there's a culture within where one person, man,

381
00:42:49,120 --> 00:42:54,960
let's say, takes on another and leads them through in a law firm in this or that. Sure. But that's

382
00:42:54,960 --> 00:43:01,360
not usually gender related. That's not gender related. And it's also it's sort of prescribed in

383
00:43:01,360 --> 00:43:07,120
a particular workplace. But I just feel like we don't speak about mentorship yet. It's happening

384
00:43:07,120 --> 00:43:13,680
all the time. And I'd like to bring a couple of examples of mentorship that I find very touching,

385
00:43:13,680 --> 00:43:20,000
particularly around music. And I think one idea, perhaps why mentorship is not so openly spoken

386
00:43:20,000 --> 00:43:25,360
about is that I think there's still part of the mass script of a kind of individualism,

387
00:43:26,000 --> 00:43:35,280
a kind of sense of I get there on my own. Well, what I'll say about individualism is that this

388
00:43:35,280 --> 00:43:40,320
is an experience I still have to this day. And I've had since I was a little kid, which is

389
00:43:41,040 --> 00:43:44,720
when I don't know how to do something, I get really mad at myself.

390
00:43:44,720 --> 00:43:50,320
Right. Even though there's no reason for me to have known how to do it. And it's usually around

391
00:43:50,320 --> 00:43:57,280
something handy, right? Which you should have known how to do this. So, you know, but nobody ever

392
00:43:57,280 --> 00:44:06,240
taught me how to fix a downspout. I got mad at myself once because I couldn't do it. But there

393
00:44:06,240 --> 00:44:11,600
is this idea, this is what it brings to mind with individualism is you're kind of shamed for not

394
00:44:11,600 --> 00:44:19,840
knowing something as if you should have been born with it. Well, that actually leads very well into

395
00:44:19,840 --> 00:44:27,440
my question, Degan, which is, you know, you talked about these mentors who you never met.

396
00:44:27,440 --> 00:44:31,600
Did you, is there someone who was a mentor to you in your actual life?

397
00:44:31,600 --> 00:44:37,120
That's a great question. It's interesting, this question, because I think one of the,

398
00:44:37,120 --> 00:44:43,200
when I grew up the way I did, I, we talk about individualism. And another way to look at it is

399
00:44:43,200 --> 00:44:50,720
that those of us who grew up without a lot of, say, emotional support have to learn to do things on

400
00:44:50,720 --> 00:44:59,120
our own. And so it becomes very difficult to reach out for help. And you kind of think,

401
00:44:59,120 --> 00:45:04,880
I certainly thought for a long time, I can do it all myself. And then I reached a point where it

402
00:45:04,880 --> 00:45:10,240
was actually, I can't, I'll answer this question in different ways. One was I'm thinking about you,

403
00:45:10,240 --> 00:45:16,640
because we used to meet weekly at Poppers Pub and other places and exchange writing.

404
00:45:16,640 --> 00:45:22,960
Right. And there's something about, about showing a piece of writing. We still do this now. We did

405
00:45:22,960 --> 00:45:29,280
this last night, two nights ago. And to show a piece of writing and to have you say, here it's

406
00:45:29,280 --> 00:45:35,520
working here, it's not, that's mentorship. That's, you're saying, what I've seen in my

407
00:45:36,160 --> 00:45:42,000
understanding of literature and, and here's my take. And that took a very long time for me to be

408
00:45:42,000 --> 00:45:49,360
able to ingest and, and make, and now it's easy, but it wasn't. And so I would say you and others

409
00:45:49,360 --> 00:45:55,600
in that way were mentors. I think a good friend of mine named Stan Draglin, who passed away a

410
00:45:55,600 --> 00:46:01,680
couple of years ago. He was a dear friend. He began Brick Magazine and Brick Books. And he

411
00:46:01,680 --> 00:46:08,080
published actually a lot on masculinity as well. And he was older than me by about 30 years, 25

412
00:46:08,080 --> 00:46:15,840
years. It wasn't in an explicit way. We did, he did edit my work at times. But I think he, he was

413
00:46:15,840 --> 00:46:28,960
an older man who had remarkable experience in reading and in thinking, in consciousness of

414
00:46:29,680 --> 00:46:34,400
how we do approach a sentence, how to approach a work of art if you're trying to write it,

415
00:46:34,400 --> 00:46:40,480
or even a project. And there was something about his integrity and in everything he did

416
00:46:40,480 --> 00:46:45,680
and talks he would give. But I was around for five years when I lived in St. John's. And I think

417
00:46:45,680 --> 00:46:50,640
that was a kind of informal mentorship. But I suppose one of the beautiful things was too,

418
00:46:50,640 --> 00:46:55,600
we used to play music together. Right. He would bring these songs from the 30s, you know. And so

419
00:46:55,600 --> 00:47:00,080
he would, yeah, he would be a mentor of music in a way. He would say, let's play Rock Island Wine.

420
00:47:00,080 --> 00:47:04,240
I think that was more from the 50s. And I would come out and say, sure. And now let's play Bizarro

421
00:47:04,240 --> 00:47:12,160
Love Triangle. And so we exchanged, right. So musical polyglot. Yes. And I know we talk about

422
00:47:12,160 --> 00:47:16,800
mentorship and friendship. I think sometimes they can blend because there were moments where he felt

423
00:47:16,800 --> 00:47:22,160
like he was the man of letters, right? With this, with this history. And I was like, whoa,

424
00:47:22,160 --> 00:47:25,840
I could learn a lot. And there were times where I'm like, yeah, you know, I'm going to

425
00:47:25,840 --> 00:47:31,200
play this guitar riff and we could share back and forth. So first, I'm going to tell you a

426
00:47:31,200 --> 00:47:35,920
joke because you brought that segment in. Oh, we didn't do dad joke of the week yet.

427
00:47:35,920 --> 00:47:41,920
We're doing it now. I'm in a requested knock knock. Who's there interrupting cow?

428
00:47:44,400 --> 00:47:53,280
Not doing it. Oh, terrible. All right. Okay, dads can be friends or whatever.

429
00:47:53,280 --> 00:48:01,280
A question. We were talking about mentorship. I think what is coming to me here is that

430
00:48:02,480 --> 00:48:10,640
I don't think the male script has a lot of sub clauses around mentorship, right? And I'm thinking

431
00:48:10,640 --> 00:48:16,320
a lot about writers or musicians here. So I know more about them than, I don't know, than lawyers.

432
00:48:16,320 --> 00:48:23,200
But I think they end up certainly mentoring one another in different ways. I'm thinking about

433
00:48:23,200 --> 00:48:30,800
James Joyce, who was very influenced and deeply impacted by Ibsen, the playwright, who I think

434
00:48:30,800 --> 00:48:37,280
he felt, oh, here's someone who is writing words and dialogue as they are spoken,

435
00:48:37,840 --> 00:48:42,400
which when he did that in Dubliners, he couldn't get Dubliners published for about a decade because

436
00:48:42,400 --> 00:48:48,880
it was obscene to many publishers. And in fact, that happened to him throughout his publishing

437
00:48:48,880 --> 00:48:55,920
life. Ulysses was banned and that. But all to say, he knew very early on that he needed a teacher.

438
00:48:57,600 --> 00:49:04,480
In a way, very arrogant and brilliant mind who he rejected Yates way early on and said,

439
00:49:04,480 --> 00:49:09,040
what, you don't have anything to teach me. He said something about Yates. This is funny to switch

440
00:49:09,040 --> 00:49:16,800
the mentorship role. He said, I've met Yates when it's too late for him. How's that for self-confidence?

441
00:49:16,800 --> 00:49:20,000
And you know, I think he knew himself. I could use some of that.

442
00:49:20,720 --> 00:49:27,360
So I think we artists find those we need. And I wanted to tell two quick stories that I

443
00:49:27,360 --> 00:49:34,080
absolutely love in music. One was there's a beautiful and brilliant autobiography by Bruce

444
00:49:34,080 --> 00:49:40,240
Bernstein. I forget the title. And if you can get it on audio, he reads it and it's wonderful.

445
00:49:40,880 --> 00:49:46,640
And in it, he talks about being influenced by Bob Dylan early on. And you can hear it very much

446
00:49:46,640 --> 00:49:53,120
in those first albums. And one day he, I think he's he's put out is maybe like it was the Born

447
00:49:53,120 --> 00:50:01,520
to Run album. And a backstage, he in some event, he meets Dylan. And so just like we would be with

448
00:50:01,520 --> 00:50:08,560
someone who has met so much to us, he puts out his hand and Bob Dylan says, if there's anything I can

449
00:50:08,560 --> 00:50:16,000
do for you and means it, you know, and Bruce Bernstein thinks as if you could do any more than

450
00:50:16,000 --> 00:50:22,800
you've already. But I thought the acknowledgement of that that struck me as as rare that this

451
00:50:22,800 --> 00:50:27,040
particularly between men, you know, particularly you think about, you know, Kendrick Lamar and

452
00:50:27,040 --> 00:50:32,000
Drake right now, you know, this this these that extreme, but these kind of professional jealousies,

453
00:50:32,000 --> 00:50:37,280
let's say. And here's these people absolutely saying you meant so much to me. The craft of our

454
00:50:37,280 --> 00:50:42,720
art is so important. And there's just one other short one that I love. There's a writer named Alex

455
00:50:42,720 --> 00:50:47,600
Ross, who is the staff writer for music in New Yorker. And he's written a brilliant book. I

456
00:50:47,600 --> 00:50:52,080
keep using brilliant, but they are they are I'll stand by it, called The Rest is Noise,

457
00:50:52,080 --> 00:50:59,120
which is a history of 20th century classical music. And there's a moment where Igor Stravinsky,

458
00:50:59,120 --> 00:51:04,960
right of spring composer, is in a bar in New York, I think it's New York, and Charlie Parker is

459
00:51:04,960 --> 00:51:11,920
playing, you know, the great saxophonist of the bebop era. And Charlie Parker spy Stravinsky,

460
00:51:11,920 --> 00:51:16,720
you know, sitting at a table. Yeah, I recognize recognize him and is picking up his scotch.

461
00:51:16,720 --> 00:51:23,040
And Charlie Parker, genius as he was, blends in the opening of Right of Spring. Wow,

462
00:51:24,320 --> 00:51:30,400
something like that. This minor slippery melody and Stravinsky chokes and is, it is, you know,

463
00:51:30,960 --> 00:51:35,360
he's scotch down and looks up. And there's Charlie Parker, there's this nod to

464
00:51:36,160 --> 00:51:40,320
how much he's meant to in this little moment, you know, yeah, yeah, it's beautiful.

465
00:51:40,320 --> 00:51:49,520
So I just want to mention something else. And we had talked about it recently, the tragically hip.

466
00:51:50,480 --> 00:51:56,720
I remember sitting with my daughter, I have two daughters and a son and my daughter, who's 14,

467
00:51:56,720 --> 00:52:03,040
almost 15. We were in Huntsville at a cottage and Gordon Downey had been diagnosed with brain

468
00:52:03,040 --> 00:52:08,400
cancer. This was his last show. And I think it was. And it was televised on the one in Kingston.

469
00:52:08,400 --> 00:52:14,160
Yeah. Yes. And I wanted her to stay up for this. So she's sitting on my lap. I'll never forget it.

470
00:52:14,160 --> 00:52:19,520
And we're listening to them, all of these songs that I think have really been for us and for many,

471
00:52:19,520 --> 00:52:25,040
many people, a kind of soundtrack to our lives. We were about their age, right? We're about their age.

472
00:52:25,040 --> 00:52:31,600
And so everything from, you know, nautical disaster, I'm blow at high dough and New Orleans is sinking.

473
00:52:31,600 --> 00:52:37,040
New Orleans is sinking right through all the way through, you know, locked in a trunk of a car

474
00:52:37,040 --> 00:52:46,160
and on and on poets and here is this band on stage. And, you know, there are moments that they know

475
00:52:46,160 --> 00:52:51,520
this is their last show and they have known each other literally their entire lives or certainly

476
00:52:51,520 --> 00:52:57,360
since 16, 17 years old. And there are moments there are hugs. There are moments where they're

477
00:52:57,360 --> 00:53:03,840
kissing on the lips and they are hugging and they are crying in front of millions of people.

478
00:53:03,840 --> 00:53:11,920
And I think I heard a woman on Facebook say how rare that was to see and how beautiful and almost

479
00:53:11,920 --> 00:53:22,240
how relaxed she could feel that men could actually show show love in this way. And yeah, cool.

480
00:53:22,240 --> 00:53:25,840
Okay. So you've thrown me some difficult ones. The last one was not so difficult,

481
00:53:25,840 --> 00:53:30,720
but you asked if I was a feminist and it's just great question. But, you know, these are all

482
00:53:30,720 --> 00:53:35,920
podcasts in themselves. Yeah. And I feel like I am. But you go back to episode two for that.

483
00:53:36,800 --> 00:53:44,240
Have you ever said to a male friend or someone who's not your family who's male that you love them?

484
00:53:44,240 --> 00:53:49,920
Or would you? Or would I say that to you? And no. Oh, then probably not. Or would you? Or yeah,

485
00:53:49,920 --> 00:53:59,040
anyway. Yeah, it's a good question because it is so wrapped up in romantic love.

486
00:53:59,040 --> 00:54:05,600
Like, I think it's fair to say we love each other and we have love for each other.

487
00:54:05,600 --> 00:54:11,120
Yeah. And I could easily say I love this guy, but that's not the same thing.

488
00:54:11,120 --> 00:54:14,960
A little hint of bro. Yeah, it's a little bit bro-y.

489
00:54:18,400 --> 00:54:22,160
I guess not. And I got to be honest, I don't know

490
00:54:22,160 --> 00:54:32,400
that I would. I don't think I'd even say it to my brother. Sorry, Tim. But

491
00:54:35,520 --> 00:54:41,120
it's sort of a shame, but at the same time, is that necessary? I don't know. I mean,

492
00:54:42,240 --> 00:54:50,000
I think it's where there's a level of vulnerability and caring that is a form of love.

493
00:54:50,000 --> 00:54:54,080
Listening itself can be a form of love. Just what you did for your friend.

494
00:54:54,080 --> 00:54:59,840
Yeah. Right. And it's not romantic love. And that doesn't make it any

495
00:54:59,840 --> 00:55:08,800
same. It's no different from having family members. You love your family. So that's where I would

496
00:55:08,800 --> 00:55:14,640
land. I guess it just feels weird because I love you feels like a pronouncement.

497
00:55:14,640 --> 00:55:22,000
And even when it's a partner, it's super vulnerable. Yes. So that's my answer.

498
00:55:22,000 --> 00:55:25,840
It's not very, I don't find it very satisfactory, but there we are.

499
00:55:25,840 --> 00:55:32,320
And I just want to say, I certainly feel we have love and care and I'm holding it.

500
00:55:32,320 --> 00:55:40,160
I'm not asking. No, that's deep to be told that at all in that one. Because I feel,

501
00:55:40,160 --> 00:55:45,680
our friendship is strong. You've been one of my best friends, half my life, two-thirds of my life.

502
00:55:47,200 --> 00:55:53,920
But I do think there are also generations around this. Language means something to different

503
00:55:53,920 --> 00:56:01,520
times. And I remember a female client once who said, my father will not say those words,

504
00:56:01,520 --> 00:56:07,680
but he will spend 18 hours looking at the very best car for me. And he'll come out and say,

505
00:56:07,680 --> 00:56:13,280
I just want, you know, in his quiet manner, I just want you to know that I've come, you know,

506
00:56:13,280 --> 00:56:20,880
50 best cars and I created that for you to kind of compare me. And it's like, I've understood

507
00:56:20,880 --> 00:56:25,120
that that's love. Right. And that happens in a lot of...

508
00:56:26,880 --> 00:56:32,160
Well, on that note, I just want to say to my listeners, I love all of you.

509
00:56:32,160 --> 00:56:39,600
You love them, but you don't let me. Oh, man. We're going to have a fight after this.

510
00:56:40,960 --> 00:56:46,400
And we may hug at the end of... So, yeah, thanks everyone for listening. I just want to

511
00:56:47,040 --> 00:56:53,760
say that if you love us, please give us a five-star rating on your favorite podcast platform

512
00:56:53,760 --> 00:57:01,680
and say nice things about us and tell your friends. We're sort of speaking into the void at the moment.

513
00:57:01,680 --> 00:57:07,200
So we'd love to love to hear your thoughts and your opinions and feel free to get in touch with us.

514
00:57:07,200 --> 00:57:12,480
Listeners, I love you more than Chris. Oh, well. I just want to say. Yeah, sure he does. Yeah.

515
00:57:20,880 --> 00:57:25,040
What kind of man are you is hosted by Chris Garbutt and Degan Davis,

516
00:57:25,040 --> 00:57:31,600
produced by Chris Garbutt at VQC Media. You can support us at buymeacoffee.com

517
00:57:31,600 --> 00:57:37,440
slash Chris Garbutt. Music composed and performed by Degan Davis. You can buy Degan's book at

518
00:57:37,440 --> 00:57:55,600
brickbooks.ca. Thank you to all our supporters and listeners.

