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The Insect Expo is Australia's largest convention of bug lovers, scientists, nerds, artists,

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weirdos and everything in between.

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It's a labor of love of Dr. Burt Candusio, his daughter, Jess and his team at the Central

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Victorian Regional Insect Collection, and it brings a kitsch, eccentric and homely vibe

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to the sleepy town of Wood End.

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For the past two years, I've made the safer pilgrimage to the Buffalo Sports Stadium,

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butterflies, moths, stick insects and other creepy crawlies in tow.

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I'm Clarice and I'm an insect taxidermist second and a genetic student at Melbourne

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Uni First.

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My interest in bugs started young, way too young to remember.

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I collected insects and I was lucky enough to have a really supportive mum who at one

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point helped me trap a wasp using a picnic basket and a tupperware and subsequently

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euthanized it in our fridge and freezer.

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Needless to say, my dad got a massive shock when he opened the freezer to get some ice

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cream that night.

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As a kid, I thought my interest in insects was weird, anti-social even.

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Luckily I grew out of this when, as a teenager hosting a sleepover, my friends discovered

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the insect collection that had been collecting dust under my bed and to my surprise, they

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were delighted.

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Three years ago, seeing the demand for odysseys and curiosities, I decided to open up my

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shop Insect Emporium as an alternative to working minimum wage at KFC.

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And I haven't looked back since, it's been a dream job and I'm a firm believer that

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the people who like insects are some of the nicest people out.

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However, when Jess messaged me on Instagram about the Insect Expo in 2022, I thought it

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was some kind of extremely elaborate scam.

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I couldn't get my head around it.

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How could there possibly be enough people interested in bugs and other creepy crawlies

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to justify an expo?

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I only became convinced of its legitimacy later when Bert called me up to confirm if

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I was interested.

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I was pumped.

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I was a 20 year old uni student and I was on the expo list alongside some of the biggest

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names in the oddities community in Melbourne.

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People like Violet Eyes Entomology, Rest in Pieces and Articulated Imagination, all huge

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names whose work I admired.

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Over the next few weeks, I grinded my ass off to somehow pass my epigenetics and evolutionary

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genetics class, in addition to pinning and framing about 40 butterflies and creepy crawlies.

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Still, I was terrified.

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What if no one came?

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Do enough people really like bugs to come to a sports stadium in a little regional Victorian

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town, buy a ticket and THEN buy a bug from me?

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What if I'm an abject failure?

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What if all the other, older, more experienced taxidermists laugh at me?

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The expo rolled around on a Friday and lo and behold, no one laughed me out of the house.

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Bert opened the expo with a really squeaky microphone and people began to trickle in.

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It was slow by virtue of it being both a school and work day and it was cold.

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I sold a whip scorpion to a nice young collector who was after something spooky and unique.

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The next day, however, was a completely different story.

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I was astonished by the number of people and the diversity of the crowd.

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Kids vibrating with excitement at stick insects and tarantulas.

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Collectors young and old scouring the taxidermy stores for Spanish moon moths and deaf-said

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hawkmoths, entomologists talking passionately with citizen scientists, people inexplicably

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dressed as bugs.

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It was a good day for my wallet but a great day for my soul.

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I left the expo that weekend invigorated, convinced that bugs and those who love bugs

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have the power to heal the world through their sincerity, their empathy for all things weird

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and their unconventional creative ways of thinking.

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That's why this year I brought along my bestie Zofia to help document it.

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Hi, my name's Zofia.

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I'm a science communicator from Melbourne but more importantly, I'm Clarice's friend

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from high school.

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And Zofia, before we get started on documenting all the awesome things here, I just wanted

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to address the elephant in the room.

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Do you think that my job is weird?

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Well.

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Yeah.

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Yeah?

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Yeah, do you think your job is weird?

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You have a giant Tupperware container of bugs that you keep under your bed and bring out

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at parties?

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Yeah, yeah.

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I find it goes down well when it's like 1am at a house party and people have had like

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four or five drinks.

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You know, it really gets people in the mood for bugs.

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Yeah, yeah, yeah.

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No, I've experienced this.

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The Tupperware container comes out, the people love it.

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And the people cheer, one more bug, one more bug, and I'll pull out whatever bugs I have.

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You know, and you know, it's always met with raucous applause.

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Yeah, yeah.

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Which is, you know, most of these people, while sober, don't even think twice about,

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you know, bugs they see on the street.

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So you know, maybe that's the secret to getting people to empathize more with bugs is to just

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get them absolutely plastered.

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Anyway, as I briefly mentioned earlier, I hid my insect collection as a kid because

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I thought it would cement my status as a weirdo and a freak.

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But what exactly is weird or freaky about collecting bugs?

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Maybe media is to blame.

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The cultural trickle down of Lolita's creepy lepidopterous main character and Sylvia Plath's

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entomology related daddy issues?

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That could be the case.

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The widespread and easily used archetype of the cruel and selfish collector who would

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rather keep beauty dead in a museum than allow it to roam alive in the wild.

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But how closely do real collectors resemble this archetype?

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I know I, alongside most other collectors I've met, are animal lovers who responsibly

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source.

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But despite running insect aquarium for three years now, I'm still only scratching the

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surface of the question.

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Who are collectors and why do they collect?

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And I'm eager to find out.

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And what better way to do this than to interview a man with over 30,000 insect specimens?

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Cleve Heard is a collector and amateur entomologist.

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Amateur here meaning someone who does what he does out of pure love, for what he does

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is by no means unprofessional.

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Just letting you know that.

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Yeah, no worries.

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But yeah, would you be able to introduce yourself and what you've got here?

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My name's Cleve Heard and I've been collecting for more than 40 years.

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I've got about 30,000 specimens in my collection now.

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We're conducting this interview in front of a large case filled with hundreds of beautiful,

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highly sought after bird wing butterflies that Cleve collected on one of his many trips

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to Papua New Guinea.

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Many of the cases are built by Cleve himself and he goes to great lengths to maintain the

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collection and ward off museum beetles, whose favourite snack are the insect collections

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of careless people.

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Maintaining his collections, it seems, is a full time job and costly at that.

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You were telling me earlier that if you had to replace the pins in your collection, I

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can't remember the figure, could you say it for us?

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Yeah, I worked it out roughly, it's about $2,500 worth of pins, so to replace the pins.

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Absolutely insane.

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A lot of pins, yeah.

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But by far, the craziest thing about Cleve's collection is that this isn't even his day

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job.

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It's so interesting that I think you're transitioning towards doing this as your full

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time job, but for a long time this wasn't your full time job.

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No, no, well still not really.

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I'm a carpenter by trade so I've done that most of my life so I'm just trying to wind

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that down and wind this up, transition into doing this a bit more full time if I can make

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enough money out of it to pay for my hobby as well, as well as make a living, that'd

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be awesome.

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But Cleve is not just a collector, he also breeds Australian moths as part of his collection

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process.

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And in doing so, he documents aspects of their life cycles, some of which have never before

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been documented.

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That's so cool, yeah.

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So by doing that, have you been able to contribute to the body of the scientific knowledge about

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these moths?

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Yeah, there's a few scientific papers in the process of being written on a few things,

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so I'm hoping to get a few papers written, especially on distribution, food plant records,

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things like that.

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It's all great, I love it.

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In our era of hyper-specialised science, where people such as myself and Sophia have to undergo

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years and years of late nights cramming for exams, red bull addiction and procrastinative

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doom scrolling to become qualified researchers, it's pretty revitalising to see someone who's

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been able to contribute so much to science while still retaining his love for it.

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And it's just amazing, someone like you has so much knowledge just from years and years

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of just passion.

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Yeah, well when you're passionate about something you want to learn, it's not hard to learn

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when you're passionate because you want to know and you just remember and it just goes

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with it.

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Anyone who's passionate about anything they do, they seem to be able to absorb the knowledge

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because they want to know and they just love it.

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It goes hand in hand with all sorts of things.

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So if you're really passionate and you really love it, you learn, just learn by default.

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Cleve is what you'd call a citizen scientist.

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Someone not academically trained in a particular field, but a valuable contributor nonetheless.

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Looking around the expo, there are many, many citizen scientists and much, much work to

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do regardless of age or experience level.

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Older gentlemen digitising the ant section of the central regional Victorian insect collection?

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Check.

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Young woman dedicating her free weekends to help survey ant blue butterflies for threatened

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species conservancy?

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Check.

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The list goes on and on.

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Anyway, moving on.

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How do you see the role of your collection as opposed to an official museum collection

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or something like that?

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Museums have got, in recent times they've had a lot of collections being donated and

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they're short of room, they're short of staff, they're short of funding as many of these

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things go.

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But I hope to be able to deposit my collection when the time's right.

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I'm not ready to give it away yet.

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When the time's right I can deposit it in one of the institutes, many of which in Queensland

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or Sydney or, yeah, I haven't really got that far yet, but hopefully they'll want it and

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I'll take it.

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They'll be interested in the Australian stuff probably more so than the OTC stuff.

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Yeah, I'd like to leave it to one of my children or something like that, but they're not really

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that way inclined.

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So I don't know if they'll look after it.

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But I'll certainly find a home for it somewhere one day.

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Surely, just give it to me.

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Awesome.

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Yeah, thanks so much.

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We left our chat with Cleve with a very optimistic impression of collectors.

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Cleve was no creepy archetype but rather a soft-spoken carpenter, passionate about collecting

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butterflies and studying them.

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Cleve among other collectors and taxidermists, sources specimens responsibly and sustainably.

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Despite people like Cleve, many are still understandably sceptical about butterfly collection.

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Nobody likes to see a thing of beauty killed.

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However, this is where people need to actually be educated on what exactly responsible and

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sustainable sourcing means.

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Yeah, right.

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So Clarice, you're a taxidermist who sources responsibly and sustainably.

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So maybe you're best fit to answer this.

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How can killing butterflies possibly be responsible or sustainable?

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And wouldn't collecting butterflies put those butterflies that get collected at greater

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risk of extinction?

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Okay, so first things first, sourcing responsibly means different things for different collectors

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and taxidermists.

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I personally only buy specimens from farms, mostly in Indonesia and Peru.

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These are farms which are set up on patches of rainforests and they often coincide with

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ecotourism initiatives.

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So these farms are mutually beneficial for both local people and rainforest ecosystems.

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Selling farm specimens and facilitating ecotourism allows local economies to bloom and also incentivizes

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the protection of rainforests, as more money can be made from insect farming than from

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logging or industrial agriculture.

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Ultimately, this means that buying insects from these initiatives, you are actually helping

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preserve insect habitat and it is the destruction of insect habitat, not insect collection,

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that poses a greatest threat to insect extinction.

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These conservation through development strategies are actually recommended by the IUCN, International

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Union for the Conservation of Nature, in preference to national park strategies when it comes

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to developing nations, as they more tightly link conservation with development opportunities.

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So for us laypeople, what are national park strategies?

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So national park strategies are basically strategies for conservation which involve

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completely protecting an area of land and all of the animals within it.

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So you can't go to, say for instance, Yellowstone National Park and kill bison.

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And this works really well in developed countries because we have less of a need to rely on

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the land for our own economic benefit.

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But in developing countries, unfortunately, national park strategies do not work as well

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because there are less economic opportunities for people and people are more likely to then

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poach from these national parks in an unregulated way.

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So that's really, really interesting, but Cleve was saying that he's personally collecting

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these butterflies.

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How can personally catching butterflies be responsible or sustainable?

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What if too many people collect from the wild?

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Is that going to depopulate these wild populations of butterflies?

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Yeah.

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So interesting you mention over collection.

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Off record, Cleve actually mentioned a study done in the 60s by two biologists called Dr.

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Carver and Dr. Detear Menon.

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The two purposefully tried to over collect a butterfly called the Baltimore in fields

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in New England and they failed.

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So this study should be taken with several grains of salt.

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The butterfly species collected was common and obviously the results of this study cannot

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be applied uniformly to every environment.

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However, it shows that unlike vertebrate hunting and poaching, which generally plummets vertebrate

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numbers due to long generation time and low initial population numbers, invertebrate collection

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is far less likely to do so due to short generation time and higher initial invertebrate numbers.

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And when you say vertebrate hunting, that's what we'd sort of traditionally think of as

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poaching.

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So tigers, rhinos.

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Yep.

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Gorillas, et cetera.

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So like all of those animals, of course, have really, really long generation times and they

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spend a lot of time rearing their young, et cetera.

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Whereas insects, a lot of insects, you know, they have generation times of only a few weeks.

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The longest generation time, I think, and I might need to be corrected on this, is for

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a specific type of cicada in the US, which actually lives underground for 17 years.

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And it comes up to scream for three weeks and then dies, which is honestly the ideal

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lifestyle.

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But aside from these rare exceptions, most invertebrates have comparatively quite short

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generation times.

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So because of this, when invertebrates are caught, it's far easier for them to repopulate

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an area that might have been depopulated by catching insects.

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So wild collection can also be regulated and monitored, as is the case in Papua New Guinea,

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where Cleve gets a majority of his overseas specimens.

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Now Papua New Guinea is really, really unique in that its government officially recognizes

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insects as a renewable resource.

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And in doing so, a farming and trading agency was established which issues export permits

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for insects.

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So it's only through their paperwork, their certification, that sites endangered species

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are not being harvested unlawfully, that specimens can actually exit the country.

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So what are sites endangered species?

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So sites endangered species are species which are on a list put out by the IUCN.

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So these are species which are protected species, essentially.

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They're endangered species and they're recognized as such across borders.

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So yeah, that's why it's really important that specimens that are site species, endangered

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species or protected species, are labeled as such so that governing bodies can actually

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understand if specimens are being illegally poached.

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And Australia is really serious on the endangered species front too.

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That's why I'm so glad that the farmers I buy from actually fill out all the paperwork

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for me.

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What is the paperwork situation like for insect taxidermy?

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Oh, it would be a nightmare to fill out myself, I'll tell you that.

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So my paperwork includes date collected, euthanasia methods, species names, how the specimens

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are sterilized, which is for biosecurity reasons, and also if there are any site species present.

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Actually one time my paperwork fell off a parcel and I got a really scary letter from

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the Department of Agriculture which said that if I didn't provide paperwork, my specimens

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were gonna be incinerated and I would either get a $10,000 fine or a few years in prison.

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Luckily I had a PDF copy of the paperwork to send them.

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Otherwise that seriously would have done a number on my Fitzroy Inner North lifestyle.

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How would you slay on the streets of the Inner North if you were in prison for smuggling?

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There would be no Brunswick Street Arleigh Montag, there would be no pints at the Black

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Cat, there would be no yayas, it would be impossible.

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I'm not sure how I could deal with being in prison for smuggling wildlife.

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Smuggling insects?

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Yeah, no, I couldn't.

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I would not survive.

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With a community as diverse and colorful as a community of collectors and taxidermists,

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it's no wonder that regardless of how legally scrupulous the vast majority are, there are

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those who are not.

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And sometimes these characters are the most hot-headed.

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A few years back when I was just starting to get into collecting, I contacted a seller

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on eBay.

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He had beautiful specimens and great prices, but something seemed off.

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Every message he sent me was angry and choleric.

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He seemed almost annoyed that I was trying to buy off of him.

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So I looked up his username and I found some aged beef on insect.net.

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I'm so excited to hear this ancient beef from insect.net.

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This is everything to me right now.

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Yeah, but unfortunately this post has since been deleted.

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So we'll have to do our best to approximate its tone and content, sans being specific

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about the seller himself, as I wouldn't want to misrepresent a real person, but rather

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to give insight into the petty and outlandish dramas that you can find on insect trading

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websites in dark corners of the internet.

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Without further ado, the aged beef.

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Username Butterflylover69.

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Hi everyone.

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I'm just getting into collecting and I've come across an eBay seller by the name of Redacted.

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This seller has a great selection on their eBay, but they claim to have around 400,000

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specimens in their personal collection.

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Seems a bit outlandish to me.

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Username Ornithopsoficionado420.

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Yeah, I've bought from Redacted before.

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Would not recommend it.

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He sold me an A1 birdwing with a broken antenna.

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Username Redacted.

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And on what basis, Ornithopsoficionado420, should anyone believe you?

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I'll have you know my collection sits at a comfortable 400,000 specimens.

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Far more extensive than anything you could ever get your grubby little paws on.

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Username Ornithopsoficionado420.

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Yeah right, you fraud.

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Username Redacted.

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A fraud?

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A fraud?

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How dare you?

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How dare you call me a fraud?

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I'll have you know that I obtained my PhD with high distinction from Leap University

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and now I am the number one supplier in the United States.

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How ironic of you, you plebeian Ornithopsoficionado420 to have such a name when I have the most extensive

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collection of bird wings in the United States.

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Who are you?

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00:22:15,480 --> 00:22:20,600
Ornithopsoficionado420, who the fuck are you?

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00:22:20,600 --> 00:22:26,040
Redacted's profile picture on insect.net was dated to say the least.

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It's a seafia-tinted film photo of a handsome young man in wrestling gear.

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A quick Google reverse image search reveals it's of the Leap University wrestling team

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1965.

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00:22:40,880 --> 00:22:46,640
And is sitting front and center, shoulders back, muscles flexed with a neck like the

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rocks and an intimidating stare.

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This is the kind of man you wouldn't want to cross, not even 50 years later, on an archived

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insect collectors forum populated by meek butterfly nerds.

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Years passed and I forgot about Redacted.

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00:23:04,520 --> 00:23:09,280
So you can imagine my surprise when one day I was browsing the New York Times and his

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name was in the headlines.

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00:23:11,800 --> 00:23:19,240
Long Island Man Redacted facing up to 20 years in prison under wildlife smuggling charges.

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Long story short, after losing his importation license a year before, he'd illegally traded

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00:23:24,780 --> 00:23:31,840
around 200,000 US dollars worth of specimens, some of them on the Sites list, by telling

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00:23:31,840 --> 00:23:36,600
his suppliers to disguise specimens by mislabelling them as paper ornamentations.

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Screw US Fish and Wildlife Service, they are a gang of orangutans, he had been quoted.

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The world of insect collecting can get messy as seen by Redacted's final anti-authoritative

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stand.

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Forums like insect.net are routinely filled with arguments about all too strict collecting

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laws and which species should be on protected lists.

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But bug collectors, even at their worst, most slimy larval state, are motivated by passion,

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a passion for the beauty of the natural world.

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And at their best, that is for the vast majority of bug collectors, this passion metamorphizes

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into citizen science and conservation projects.

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Thanks for joining us for this week's episode of Thoughts That Bug Me and tune in the next

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time to learn about the fascinating world of insects in art.

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Thanks for listening, see you later grubs.

