WEBVTT

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Welcome to Overeducated and Underemployed. Y

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'all know who it is. This week we've got my dear

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friend Kelly Goddard, who is a singer -songwriter

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and also just like a really fun, hilarious person

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to talk to. She was in bands like the New 76ers.

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She was in a band called the New 76ers, and she's

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currently putting together a new record with

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them. They were on hiatus, and we get into that,

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but they're back in the studio. She also plays

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with Elizabeth Fravel, who was on last week,

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and a few months back as well. They play in a

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band called the Dolce Trio. with Jillian Canning,

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who I hope to have on here soon. She also teaches

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at the Spirit of the Suwannee Kids Music Camp

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or the Suwannee Spirit Kids Music Camp at Spirit

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of the Suwannee Music Park. And so we talk about

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her experiences there as well. I had a great

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time talking to her. We got off the rails a few

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times, so there are some edits here and there,

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but she also played us three songs. I'm super

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excited for y 'all to hear them. Here's my talk

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with Kelly Goddard of the New 76ers and the Dolce

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Trio. Check it out. She opens with a song. I

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don't think it's right. Just because your skin

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is white, you think it's okay to act like that.

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Well, we're down to the wire. What's it gonna

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be? without it. Because we're down to... How's

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it going? It's going good. I'm here with Kelly

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Goddard. She's been in a lot of different bands

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over the years. A couple of ones that come to

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mind are the New 76ers. Her current band that

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I've seen quite a few times is the Dolce Trio,

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but she also does a lot of solo stuff too. That's

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right. Welcome to Overeducated and Underemployed,

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Kelly. Thank you. I'm really glad to be here.

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Do you want to talk about that song for a minute

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before we kind of dive into the rest of it? Yeah.

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It's probably self -explanatory, but I'm a public

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servant. I've worked for the state for 22 years

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or 21 .8 years, something like that. So it was

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really bothersome to me whenever Elon Musk was

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over Doge and just was like coming in and just

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tearing things up, basically just butchering.

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What I thought was the civil service. And I have

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friends who work for USDA that lost their jobs.

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Lots of people affected. So that's where that

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song came from. Yeah. It's really interesting

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when they cut all of the stuff that actually

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works in government and keep the shit that doesn't.

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Yeah. Before I get into kind of my... Typical

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starting point. I'm wondering how nervous you

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are sometimes as a state employee speaking out

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like that in your music. Does that ever make

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you nervous? I mean, it didn't. It didn't used

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to. I don't think it should. I'm still going

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to do it. It feels actually more important than

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ever to do it. I'm not in a union because...

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whatever class I'm in as like a state employee,

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like we can't be in a union, but I support it.

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I support the hell out of it because we don't,

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workers don't get that much choice. And if, I

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don't know if anybody's looked at the state job

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employment, like posting lately, but it's not

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like you're making billions of dollars. We're

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talking like they still have salaries for $29

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,000 a year. Yeah, that's crazy. That required

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degrees. And what are you going to do with that?

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That's poverty level. It really is, and it would

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qualify for welfare. And one of the first jobs

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that I didn't take but was offered was actually

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trying to root out welfare fraud, okay? But that

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job paid so little that I would have qualified

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for welfare. And I'm sitting there thinking,

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am I going to investigate myself? Or like your

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brother or sister? It was just not a job I was

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ever going to do. But I didn't even know what

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the job was when I went in for the interview.

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But I did help start a labor union in graduate

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school. That's cool. That is still running. So

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I also am a big union supporter. More into...

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Yeah, we just kicked... I just jumped in. He

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kicked our ass with that song, so I had to just

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see what couple thoughts I had about it. Especially

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someone that works for the government. Yeah,

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it's a scary time. But I'm going to back up all

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the way to the very beginning. And I'm going

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to ask you the same question I ask everybody

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when I have them on here to begin with. And that's,

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what's the first song? That you remember loving

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as a kid? I've been working on the railroad.

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Okay. All the live long day. All right. Just

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to pass the time away. Actually. It's funny.

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I've had a few people like give me that type

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of answer. And then they're like pop music answer.

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But some people like skip over that kind of song

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entirely. Which is, to be honest, I think like.

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The first time somebody told me their nursery

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rhyme type favorite song, I was like, that's

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not really what I mean. And then I was like,

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actually, that's the perfect answer. But then

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several other people have not even considered

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that. And I'm like, do you even like nursery

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rhymes? They might not have had, but I have this

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vivid memory. My grandma, she was a singer. And

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this was the 80s, so we had the little portable

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tape machines that you could just re -record.

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You could get blank tapes and just record whatever

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you wanted. And she had a ton of them. And so

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there was one of me that I had for years. I have

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no idea where it is. But it was me at four singing

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that song. And it was amazing. It was on key

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and everything? Maybe. You said it was amazing.

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It was cool to hear my four -year -old self.

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I think I was probably 12 or 13. When you found

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it? Yeah, I listened back and I was like, aw,

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that was cute. So then the follow -up, what's

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the first pop song? And by pop song, I just mean

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commercially released song. Do you remember really

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attaching to or being inquisitive about? Probably

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the whole Thriller album. Yeah. Was like... I

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remember, like, being on the back porch of my

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house, like, 9, 10 years old or something, and

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having that record on and making up dance moves

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and stuff with my friends. So, yeah, I think

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that was it, probably. One that I really loved.

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The whole record, all of it. Yeah, yeah. That

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record is great. I got to ask, some people...

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Won't listen to Michael Jackson anymore. Do you

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still listen to Michael? I do. Hell yeah, me

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too. It's like music for me, I don't, I can't.

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It's less about the artist and more about the

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memory at that point. Sure, yeah. Those are such

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treasured memories. I'm just like, I... You mean

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I can't do this again? Sorry, I never did that.

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I just, I feel like when somebody contributes

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something to our culture that... has such an

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impact and is so important and musically like

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great, like thriller. Right. And first of all,

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like nothing's ever been proved about Michael

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Jackson anyway. But what I will say is that let's

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assume that all of our worst fears are true.

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Are we really going to let him also take the

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only good thing, like the good things that he

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contributed to society? Yeah. It's a weird thing

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for me to be like, and then there's also like,

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harry schiffer who's not my favorite comic but

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this joke i love because he's just every great

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artist and we're talking like genius level we're

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just fucking crazy just like bat shit insane

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and i'm not even going to get into the bit but

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it's funny because it's so true yeah i think

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so i mean van gogh cut off his ear and shit i

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mean it's like artistic genius has typically

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not come with the most stable personality right

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there's they usually have some sort of vice that

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is like What the fuck, dude? And I don't know.

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I think it's weird. I think it's weird to want

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to go see someone live who's had a bunch of allegations

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or something like that. I think that's where

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I draw the line. But to stop listening to their

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music or to burn their records or throw them

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away, I feel like that's... yeah wasteful and

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i guess it depends too on the artist and yeah

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what that artist meant to me meatloaf i'm good

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like i don't it's okay so you're saying like

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the allegations can be really bad if the record

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was really good no i'm saying if if i didn't

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like the artist or have like memories that were

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attached to the that music then it wouldn't matter

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to me. It's really easy for people like me to

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boycott the NFL because I don't care about football

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at all. Same. When did you realize that you just

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really loved music as a kid? Because I think

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that comes pretty early for most people. Yeah,

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I was probably three or four. Definitely. I loved

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the nursery rhymes. I read them to my kids when

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they were growing up. I love folk songs. We used

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to have a little... I was a plastic record player.

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Like the Fisher -Price thing? Yeah, exactly.

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With 45s, the little ones. And we had a bunch

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of Disney records. And there's this one guy who

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was always the male voice of the Disney record.

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But it'd be all these great songs like Yankee

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Doodle Dandy and I've Been Working on the Railroad.

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What else? Yeah, so I think I listened to music

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a lot when I was younger. When did you realize

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that you didn't want to just listen to it and

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you wanted to start making it? Was there like

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a moment? Yeah. When I saw the Barbara Mandrell

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show when I was little, like I'm dating myself

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big time, but I was like... Your band name does

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that. It was the three, it was like the three

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sisters and one was a guitar player and singer

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and she had the best 80s flyback hair. And then

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her two sisters played like fiddle and something

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else, maybe saxophone. And then the other was,

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they were killer. They were so cool. And I was

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like, I want to do that. That looks fun. But

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never, I never wanted to like maybe get. To that

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level. When was the first time you picked up

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an instrument? As opposed to just banging on

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pots and pans. Well, I played piano a little

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bit when I was in high school. And never really

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clicked with my teacher. So I gave that up. I've

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never met a normal piano teacher. I'm just kidding.

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One of our mutual friends is a piano teacher,

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so I'm just talking shit. She ain't normal. I'm

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just kidding. To be fair, she's been on the podcast,

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and our listeners know she ain't that normal.

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She's my energy twin. We're talking about Therese

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Wichello. We love her. Who has previously been

00:15:09.679 --> 00:15:12.220
on the podcast, so y 'all have been exposed to

00:15:12.220 --> 00:15:16.779
her wonderful quirkiness. Yes. But yeah, she's

00:15:16.779 --> 00:15:18.980
actually the one that got me back into playing

00:15:18.980 --> 00:15:22.710
piano. Therese. Yeah. We're skipping way ahead

00:15:22.710 --> 00:15:25.389
there, but I want to get there. But yeah, I was

00:15:25.389 --> 00:15:29.309
25 when I started, or maybe my first gig was

00:15:29.309 --> 00:15:33.070
on my 25th birthday. So I think I made like $10.

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If you started loving music at such a young age,

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what do you attribute to the gap there? Self

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-confidence, for sure. I was also really shy.

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to put myself out there I was always very chatty

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don't get me wrong like I'll talk your ear off

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but to put myself out there as a kid I was like

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I don't want to do that so I think that was the

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main thing yeah so were you ever into were you

00:16:03.500 --> 00:16:06.480
ever on like debate club or you ever do any kind

00:16:06.480 --> 00:16:08.860
of public speaking or anything like that but

00:16:08.860 --> 00:16:11.240
now you even do that as like part of your Day

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job quite a bit. Yeah, sometimes not as much

00:16:14.799 --> 00:16:18.559
with my position now, but I've had jobs where

00:16:18.559 --> 00:16:21.799
I worked at Mission San Luis and I was one of

00:16:21.799 --> 00:16:25.679
the interpreters and educators. So I got to talk

00:16:25.679 --> 00:16:29.419
to a lot of people and that definitely helped

00:16:29.419 --> 00:16:32.799
like me just open up and be like, oh, cool. I

00:16:32.799 --> 00:16:36.320
can meet lovely people if I just say hi. So you're

00:16:36.320 --> 00:16:41.120
25. Yeah. And. What was the turning point for

00:16:41.120 --> 00:16:43.700
you? You're like, I'm going to pick up. Yeah,

00:16:43.740 --> 00:16:49.960
so I went to FSU, of course, because I'm Tallahassee

00:16:49.960 --> 00:16:54.980
Lassie. And I studied art history, and my time

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period was Italian Renaissance. I was really

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fortunate and took out a student loan to go study

00:17:03.299 --> 00:17:06.740
in Florence. Oh, cool. I did some study abroad

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in Rome for just 10 days, but it was great. It's

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so cool. It's so cool. When I was over there,

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I would go see live music. I don't know. I was

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away from this place that I had been my whole

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life. I'm discovering new things. I was talking

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in a new language. And I think I was like, I

00:17:27.009 --> 00:17:30.329
could do that if I went home. I also had friends

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that were getting married and I was going to

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write them a song and perform it at their wedding.

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I don't really know how that all came about,

00:17:38.470 --> 00:17:40.549
but it was around that time. And I was like,

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okay, that song, the song is, it was sweet, but.

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A little cringy, maybe. So cringe. So cringe.

00:17:50.549 --> 00:17:52.950
I only said that because you were literally cringing

00:17:52.950 --> 00:17:58.089
when thinking about it. It was the thought. I

00:17:58.089 --> 00:18:01.789
think one thing that's been talked about on this

00:18:01.789 --> 00:18:03.990
podcast quite a bit is you just got to do the

00:18:03.990 --> 00:18:06.789
thing. Yeah. Because the more you do the thing.

00:18:07.390 --> 00:18:08.970
like the better it's going to get. And like the

00:18:08.970 --> 00:18:10.950
first time you do the thing, it's probably not

00:18:10.950 --> 00:18:14.109
going to be great. That's true. But you're only

00:18:14.109 --> 00:18:15.630
going to get better by doing the thing. That's

00:18:15.630 --> 00:18:18.630
right. That's right. Yeah, that's the truth.

00:18:19.150 --> 00:18:23.170
So you're in Italy. Were you like there for a

00:18:23.170 --> 00:18:27.750
semester? Did you start learning an instrument

00:18:27.750 --> 00:18:30.690
there or did you decide when you came back? Yeah,

00:18:30.730 --> 00:18:34.420
I came back, graduated. I started going up to

00:18:34.420 --> 00:18:36.720
the warehouse for open mic nights, and I was

00:18:36.720 --> 00:18:40.720
like, what? This is so cool. Sorry. For some

00:18:40.720 --> 00:18:42.819
reason, I thought your mic was off. Is my mic

00:18:42.819 --> 00:18:46.059
on? No, it's on. Okay. Yeah, so I just started

00:18:46.059 --> 00:18:49.559
going up to open mic nights and seeing the music

00:18:49.559 --> 00:18:53.200
that was happening there. Was this at the warehouse?

00:18:53.579 --> 00:18:59.279
Yep, exactly. And I got up my friend Jeff Callahan.

00:19:00.099 --> 00:19:03.960
Jeff with a G. He was hosting it at the time.

00:19:04.779 --> 00:19:08.660
This was before Doc, but just before. And he

00:19:08.660 --> 00:19:10.700
and I had started playing, like I was singing

00:19:10.700 --> 00:19:14.400
and he would play guitar. And so I went up there

00:19:14.400 --> 00:19:17.559
with him and that's how it all started. I just

00:19:17.559 --> 00:19:22.380
got up my nerve one night to like sing. But I

00:19:22.380 --> 00:19:24.559
didn't play at the time. I was still learning.

00:19:25.039 --> 00:19:27.940
And so like meeting Jeff, he played bluegrass.

00:19:29.000 --> 00:19:31.380
And he would like on his porch on Thursdays,

00:19:31.380 --> 00:19:33.680
he and two buddies would get together and just

00:19:33.680 --> 00:19:36.200
drink natural lights and play a bunch of songs.

00:19:36.299 --> 00:19:38.220
And that's literally how I learned to play guitar.

00:19:38.299 --> 00:19:40.339
I would just go hang with them on Thursdays.

00:19:40.839 --> 00:19:46.200
Nice. Drink way too many shitty beers. Yeah.

00:19:46.240 --> 00:19:48.200
That's the thing about Natty Light is like you

00:19:48.200 --> 00:19:51.079
can drink way too many of them, but it's not

00:19:51.079 --> 00:19:56.420
because you get like too drunk. That's because

00:19:56.420 --> 00:20:00.119
you're trying to. Exactly. Like, how many more

00:20:00.119 --> 00:20:04.660
of these crappy things? Yeah. When did you form

00:20:04.660 --> 00:20:10.500
your first band? Let's see. Probably sometime

00:20:10.500 --> 00:20:15.240
around 2001. Okay. Yeah. I think it was probably,

00:20:15.339 --> 00:20:18.740
it was Blue Moon. Was it before 9 -11 or after

00:20:18.740 --> 00:20:24.039
9 -11? It was... Good question. Don't know. I

00:20:24.039 --> 00:20:26.819
think before. Okay. Yeah, yeah. Probably started

00:20:26.819 --> 00:20:29.420
playing. I just feel like that's such a good

00:20:29.420 --> 00:20:31.660
turning point. Yeah. That everybody remembers

00:20:31.660 --> 00:20:33.579
where they were or whatever. So it's like that

00:20:33.579 --> 00:20:39.140
kind of. Yeah. But I think maybe 2000, 2001 approximately.

00:20:39.779 --> 00:20:42.039
It was called Blue Moon. Blue Moon. And we played

00:20:42.039 --> 00:20:45.259
really only one place except for all the benefits

00:20:45.259 --> 00:20:51.589
in town. And that was Posey's. Okay, yeah, yeah.

00:20:51.670 --> 00:20:55.529
And it's gone. That was fun. We would play there.

00:20:55.829 --> 00:20:57.950
Were you playing covers mostly at that point?

00:20:58.069 --> 00:21:02.430
Yeah, mostly covers. A few originals. I had a

00:21:02.430 --> 00:21:07.650
few. We put out a CD, and it was, I think, mostly

00:21:07.650 --> 00:21:11.730
originals. For our younger listeners, CDs are

00:21:11.730 --> 00:21:17.509
compact discs. Like a circular piece of plastic

00:21:17.509 --> 00:21:19.549
that's shiny on one side. They're going to come

00:21:19.549 --> 00:21:25.069
back. Don't worry. Because at some point, the

00:21:25.069 --> 00:21:26.750
streaming platforms are going to be like, oh.

00:21:26.869 --> 00:21:28.430
It's already starting to happen. So just go ahead

00:21:28.430 --> 00:21:29.690
and get those CDs, kids. CD sales are coming

00:21:29.690 --> 00:21:32.390
back, actually, right now as we speak. I called

00:21:32.390 --> 00:21:35.250
it. Yeah. Like right this second. Physical media

00:21:35.250 --> 00:21:38.170
in general is coming back. Just I think, like.

00:21:38.839 --> 00:21:41.359
house concerts and things where people can be

00:21:41.359 --> 00:21:44.059
like more communal that stuff's coming back too

00:21:44.059 --> 00:21:49.319
because people are just like they're too alone

00:21:49.319 --> 00:21:52.720
they don't want to be alone anymore yeah but

00:21:52.720 --> 00:21:54.579
then you go out for an hour and then you're like

00:21:54.579 --> 00:22:05.960
maybe alone isn't so bad As a teenager, what

00:22:05.960 --> 00:22:07.660
did you, what were you listening to? What were

00:22:07.660 --> 00:22:09.900
you, what was, like, what was, what were your...

00:22:09.900 --> 00:22:13.180
Oh, my God. I was so, like, basically all the,

00:22:13.319 --> 00:22:17.940
like, 80s, 90s R &B. Okay. Like, I was really

00:22:17.940 --> 00:22:24.660
into, even before that, I was really into, like,

00:22:24.779 --> 00:22:27.119
oldies. Because that's what my parents on Saturday,

00:22:27.240 --> 00:22:30.619
they would have, like, friends over. Yeah. Temptations.

00:22:31.279 --> 00:22:35.750
The Commodores. Four Tops. The Beatles, but the

00:22:35.750 --> 00:22:38.670
Beach Boys. Yeah. My dad was like, more Beach

00:22:38.670 --> 00:22:42.210
Boys versus Beatles. That was like a real rivalry

00:22:42.210 --> 00:22:45.589
for a while there. He never was like, fuck the

00:22:45.589 --> 00:22:47.589
Beatles, but he was just like, he didn't have

00:22:47.589 --> 00:22:49.569
a lot of their music. And I don't know if it

00:22:49.569 --> 00:22:52.289
was so much with their fans, but they were in

00:22:52.289 --> 00:22:54.430
competition. Brian Wilson and the Beatles, they

00:22:54.430 --> 00:22:57.329
were in competition with each other. I think

00:22:57.329 --> 00:22:59.890
Beach Boys heard Sgt. Pepper, and that's what

00:22:59.890 --> 00:23:04.339
inspired Smile. There's a really great movie.

00:23:04.579 --> 00:23:06.480
Or Pet Sounds, I think is what they were. Yeah.

00:23:06.519 --> 00:23:08.400
There's a really great movie. I think it's called

00:23:08.400 --> 00:23:10.539
Into the Canyon. Maybe. I'm not sure. But it's

00:23:10.539 --> 00:23:13.839
about that whole scene in Laurel Canyon in California.

00:23:14.240 --> 00:23:16.480
Oh, cool. I'll check that out. I love the John.

00:23:16.480 --> 00:23:18.960
They referenced that, actually. And it wasn't

00:23:18.960 --> 00:23:21.839
as much as a rival that I remember it being more

00:23:21.839 --> 00:23:26.180
like, holy shit, Brian Wilson wrote a song based

00:23:26.180 --> 00:23:28.680
on this song. And they were amazed by it. But

00:23:28.680 --> 00:23:30.880
I don't know. I think it was a friendly rivalry.

00:23:31.519 --> 00:23:33.559
But they were definitely trying to outdo each

00:23:33.559 --> 00:23:35.579
other. Yeah, because they were both pushing the

00:23:35.579 --> 00:23:38.740
limits. Yeah. I love that biopic about the Beach

00:23:38.740 --> 00:23:41.839
Boys with Paul Dono and John Cusack, where Paul

00:23:41.839 --> 00:23:44.259
Dono plays young Brian Wilson and John Cusack

00:23:44.259 --> 00:23:47.279
plays older Brian Wilson. I know the one, but

00:23:47.279 --> 00:23:49.000
I haven't seen it. I know which one you're talking

00:23:49.000 --> 00:23:50.619
about. Oh, it's so good. We should watch it sometime.

00:23:50.819 --> 00:23:53.559
It's one of my... I get really snobby. We should

00:23:53.559 --> 00:23:55.759
watch it and podcast it, and then we can do that

00:23:55.759 --> 00:23:58.990
thing. MST3K it? Yeah, I don't know. It's so

00:23:58.990 --> 00:24:00.710
good. It would be really hard. It would just

00:24:00.710 --> 00:24:04.049
be us being mean to Brian Wilson for two hours.

00:24:08.609 --> 00:24:13.950
Rest in peace. Yeah, but I did get to see the

00:24:13.950 --> 00:24:17.309
Beach Boys with Brian Wilson. Whoa, that's pretty

00:24:17.309 --> 00:24:19.569
cool. It was cool. I never saw the Beach Boys.

00:24:19.769 --> 00:24:22.289
They had some younger guys backing them up to

00:24:22.289 --> 00:24:26.900
fill in the gaps. What year was that? 2010 2011

00:24:26.900 --> 00:24:30.759
it was like it was around it was like after smile

00:24:30.759 --> 00:24:34.160
got completed and released and he got like freed

00:24:34.160 --> 00:24:38.859
of his conservatorship and yeah yeah so it was

00:24:38.859 --> 00:24:44.039
pretty late but not like the last few years of

00:24:44.039 --> 00:24:46.940
his life either it was it was like after he got

00:24:48.059 --> 00:24:50.640
Saved and rescued from his crazy manager. And

00:24:50.640 --> 00:24:52.740
that's what that movie is all about. Wow. I'll

00:24:52.740 --> 00:24:54.539
have to watch it. It's really good. Elizabeth

00:24:54.539 --> 00:24:56.960
Banks is fantastic in it. Is Cusack, is he the

00:24:56.960 --> 00:25:00.319
manager? No, Cusack is Brian Wilson, but old

00:25:00.319 --> 00:25:03.599
Brian Wilson. And Paul Dono is young Brian Wilson.

00:25:03.700 --> 00:25:07.579
Gotcha. And it cuts between the 60s and the 2000s.

00:25:07.579 --> 00:25:12.390
Wow. It's so good. And I get really snobby about

00:25:12.390 --> 00:25:14.869
music biopics sometimes, but I love that one.

00:25:14.930 --> 00:25:16.230
That one's really good. I'm trying to remember

00:25:16.230 --> 00:25:18.690
the name of it. I'll look it up. Yeah, it's whatever.

00:25:18.910 --> 00:25:21.029
We're going to watch it and podcast it. Great.

00:25:21.109 --> 00:25:24.329
It's great. And what did you say? MTXL? MST3.

00:25:24.430 --> 00:25:29.730
Mystery Science Theater 3000. MST3K. I don't

00:25:29.730 --> 00:25:31.710
know about the... We'll definitely watch it.

00:25:31.750 --> 00:25:36.170
The rest is to be determined. You can't even

00:25:36.170 --> 00:25:43.069
say it. We're not doing it. You mentioned briefly

00:25:43.069 --> 00:25:45.309
just a few minutes ago, it sounds like you never

00:25:45.309 --> 00:25:50.089
really wanted to be a famous musician. You were

00:25:50.089 --> 00:25:53.109
like, I didn't want to be that. Yeah, not on

00:25:53.109 --> 00:25:59.549
television. I really like the camaraderie of

00:25:59.549 --> 00:26:03.829
playing music with other people. And I've done

00:26:03.829 --> 00:26:07.859
meditation and been in the same room. with other

00:26:07.859 --> 00:26:11.539
people also meditating and it felt like just

00:26:11.539 --> 00:26:14.559
a little bit more. Like the whole experience

00:26:14.559 --> 00:26:16.940
gets lifted because everybody is like working

00:26:16.940 --> 00:26:20.079
towards like. So do you like playing live or

00:26:20.079 --> 00:26:24.480
recording more? Live. Yeah. Yeah, for sure. And

00:26:24.480 --> 00:26:27.480
yeah, for sure. And I love playing for kids.

00:26:28.220 --> 00:26:31.400
It's so fun. Let's talk about the kids music

00:26:31.400 --> 00:26:33.720
camp for a minute. Yeah. Because we just had

00:26:33.720 --> 00:26:36.599
an episode about that. Awesome. That's right.

00:26:36.680 --> 00:26:38.539
And I think I'm actually going to put this one

00:26:38.539 --> 00:26:42.519
out immediately after that. Cool. Just because

00:26:42.519 --> 00:26:44.339
you've been an instructor there as well, but

00:26:44.339 --> 00:26:45.880
I knew we were going to be sitting down for a

00:26:45.880 --> 00:26:49.039
long talk, so we didn't talk there. But little

00:26:49.039 --> 00:26:50.740
did you know, Kelly was off camera the whole

00:26:50.740 --> 00:26:55.259
time. And right there. Those are my rabbit ears.

00:26:55.400 --> 00:26:58.319
I'm just kidding. How did you get involved with

00:26:58.319 --> 00:27:03.500
that? Through Elizabeth Fravel. Yeah, she invited...

00:27:04.089 --> 00:27:07.869
Jillian and I, Jillian Canning, to go. We all

00:27:07.869 --> 00:27:10.250
play in a trio, the Dolce Trio, together, and

00:27:10.250 --> 00:27:13.170
she has been an instructor there for, I think,

00:27:13.170 --> 00:27:16.579
16 years. 16 years is what she said, yeah. I

00:27:16.579 --> 00:27:18.799
was just editing the episode last night, so it's

00:27:18.799 --> 00:27:23.220
fresh. And we, I say we, the New 76ers, which

00:27:23.220 --> 00:27:27.839
is my other trio, had played there probably 15

00:27:27.839 --> 00:27:33.440
years ago. It was a long time ago. And we just

00:27:33.440 --> 00:27:37.299
never went back. I think my daughter was probably

00:27:37.299 --> 00:27:43.390
five at the time. She's awesome, but she was

00:27:43.390 --> 00:27:46.829
a lot to wrangle as a five -year -old. No, we

00:27:46.829 --> 00:27:49.410
started talking about Israel, so we just had

00:27:49.410 --> 00:27:56.589
to skip right over that. So your daughter was

00:27:56.589 --> 00:28:00.049
a lot to wrangle. Yeah, so we just never got

00:28:00.049 --> 00:28:03.589
really involved when she was young, but she's

00:28:03.589 --> 00:28:06.289
older now, and so is my son. He's going to be

00:28:06.289 --> 00:28:10.130
13 in January. He doesn't like to go with me

00:28:10.130 --> 00:28:14.349
either to kids camp. It's hot. It's hot. Yeah,

00:28:14.410 --> 00:28:18.049
it is hot. I've been, and I love it, but it's

00:28:18.049 --> 00:28:22.410
also, they give you all the weekends. No one

00:28:22.410 --> 00:28:26.230
really wants. Yeah. Let's be real. I was going

00:28:26.230 --> 00:28:28.369
to put it a little bit more diplomatically, but

00:28:28.369 --> 00:28:31.470
that's fine. I was going to put it at the most

00:28:31.470 --> 00:28:33.630
cost -effective weekend. They put you all on

00:28:33.630 --> 00:28:36.269
the most cost -effective weekends. Yep. But they

00:28:36.269 --> 00:28:38.789
give us three a year, which is awesome. Yeah,

00:28:38.789 --> 00:28:42.309
yeah. And I've been there when it's super cold,

00:28:42.369 --> 00:28:44.829
too. It's not always super hot. Yeah. I've had

00:28:44.829 --> 00:28:48.299
to put a space heater in my tent before. I've

00:28:48.299 --> 00:28:50.539
been lucky, and I get to stay as an instructor

00:28:50.539 --> 00:28:52.619
in one of the houses. And the cabins are also

00:28:52.619 --> 00:28:55.039
super available during the camp. That's right.

00:28:55.599 --> 00:28:57.740
It's great. If anybody out there listening has

00:28:57.740 --> 00:29:05.839
kids ages like 4 to, I don't know, 17, that is

00:29:05.839 --> 00:29:10.339
just to play. 6 to 16, but close enough. Okay,

00:29:10.339 --> 00:29:12.819
yeah. So you don't have to have any experience,

00:29:12.900 --> 00:29:14.980
really. They can just come, and it's so fun.

00:29:15.220 --> 00:29:18.410
And you've been teaching there for? Like a year

00:29:18.410 --> 00:29:21.650
and a half. This will be my second full year.

00:29:21.890 --> 00:29:24.930
Yeah. And everybody else I talk to has been doing

00:29:24.930 --> 00:29:28.670
it a super long time. So just as somebody who's

00:29:28.670 --> 00:29:31.670
coming into it new, what's your experience been

00:29:31.670 --> 00:29:36.950
like? Like family. Like just going to family.

00:29:37.470 --> 00:29:39.190
And you knew a lot of the people involved already.

00:29:39.269 --> 00:29:43.269
Yeah, I did. And like some of my friends who...

00:29:43.470 --> 00:29:46.109
we're going just every once in a while are like

00:29:46.109 --> 00:29:47.890
now they're like we're committed we're gonna

00:29:47.890 --> 00:29:51.329
go every time so that's really cool but some

00:29:51.329 --> 00:29:53.650
of the people I didn't know and I've made great

00:29:53.650 --> 00:29:56.630
friends that are now like in Valdosta or Jacksonville

00:29:56.630 --> 00:30:01.430
and to me it's like we can all just be kind and

00:30:01.430 --> 00:30:03.069
play music together it doesn't matter where we

00:30:03.069 --> 00:30:06.829
live or work or what we think or whatever Yeah.

00:30:06.829 --> 00:30:08.910
Yeah. It's just about the music and the kids.

00:30:09.069 --> 00:30:11.730
And then at the end of the weekend, we have this

00:30:11.730 --> 00:30:14.769
concert and they get to perform and they feel

00:30:14.769 --> 00:30:17.849
like awesome. Yeah. Yeah. We talked a lot about

00:30:17.849 --> 00:30:21.750
that, too. Yeah. So I want to go back to the

00:30:21.750 --> 00:30:24.269
New 76ers for a minute because that band has

00:30:24.269 --> 00:30:31.250
been around off and on for 20 years. Yeah. But

00:30:31.250 --> 00:30:33.529
the first question I got to ask you, Kelly, why

00:30:33.529 --> 00:30:42.279
do you hate drummers so much? Actually, that's

00:30:42.279 --> 00:30:45.599
so funny that you say that. Because we used to

00:30:45.599 --> 00:30:48.539
have a rule that we would not play after a band

00:30:48.539 --> 00:30:52.900
with a drummer. It was like, sorry, we can't.

00:30:52.900 --> 00:30:55.460
The vibe is going to just sink. It's going to

00:30:55.460 --> 00:31:01.359
go. It's not worth it. I don't know. I don't

00:31:01.359 --> 00:31:04.920
know why. We've played with Rio a couple times.

00:31:05.039 --> 00:31:08.039
He's played with us. I don't know. I think it's

00:31:08.039 --> 00:31:10.299
just easy as a three -piece. What I'm commenting

00:31:10.299 --> 00:31:13.119
on is the fact that none of her bands that I'm

00:31:13.119 --> 00:31:18.200
aware of have a drummer. Yeah, I didn't think

00:31:18.200 --> 00:31:20.900
about that. I did have one band that had a drummer,

00:31:21.000 --> 00:31:23.839
and that was awesome. It was called The Windfall,

00:31:23.960 --> 00:31:28.579
and it was me and Danny and Scott Campbell and

00:31:28.579 --> 00:31:34.730
Coleman Mackey on bass, and then... Shit. Dave

00:31:34.730 --> 00:31:37.990
Kelsey on drums. Oh, Dave. I've known Dave a

00:31:37.990 --> 00:31:40.670
long time. Yeah. Yeah, his dad was one of my

00:31:40.670 --> 00:31:45.369
professors. Oh, sweet. And then his band, God,

00:31:45.509 --> 00:31:47.609
what was this? There was this band that I absolutely

00:31:47.609 --> 00:31:50.990
loved of his. Was it like the punk grass, like

00:31:50.990 --> 00:31:52.609
bluegrass? Yeah, what was the name of that? It

00:31:52.609 --> 00:31:56.349
was like Send Demons or? Me and the Devil. Me

00:31:56.349 --> 00:31:58.549
and the Devil. Yeah, that band fucking ruled.

00:31:58.829 --> 00:32:00.710
They were cool. That band fucking ruled. And

00:32:00.710 --> 00:32:05.079
I remember Dave broke his arm one time. And played

00:32:05.079 --> 00:32:09.240
in a cast, one -armed. It was fucking awesome.

00:32:09.819 --> 00:32:11.980
I'm sure I remember. Dave is a badass. He's so

00:32:11.980 --> 00:32:14.960
cool. I miss Dave. So I feel like we figured

00:32:14.960 --> 00:32:16.920
it out. Once you worked with Dave Kelsey, you

00:32:16.920 --> 00:32:20.180
were just like, I've peaked on drummers. There's

00:32:20.180 --> 00:32:25.180
nowhere to go but down. But also... You play

00:32:25.180 --> 00:32:28.160
primarily acoustic music. Yeah, and a lot of

00:32:28.160 --> 00:32:32.900
vocal -driven. And so just using, I guess...

00:32:33.400 --> 00:32:37.000
that to drive the song rather than the beat and

00:32:37.000 --> 00:32:39.119
sometimes too i don't want to be like it's one

00:32:39.119 --> 00:32:41.660
more person but it's one more person we have

00:32:41.660 --> 00:32:44.900
this microphone that we use and it's great for

00:32:44.900 --> 00:32:46.880
acoustics but if we added a drummer in there

00:32:46.880 --> 00:32:49.480
it'd be like what the fuck and to be fair it

00:32:49.480 --> 00:32:52.880
only works great like in certain like situations

00:32:52.880 --> 00:32:55.640
sure and for all the folks out there who love

00:32:55.640 --> 00:32:59.039
drums next week i'll be talking to exclusively

00:32:59.039 --> 00:33:03.859
drummers I'll be at a drumming competition. We'll

00:33:03.859 --> 00:33:06.339
make up for all the drum trash talking that we

00:33:06.339 --> 00:33:07.940
do. I'm not against drummers. I'm pro drums.

00:33:08.240 --> 00:33:10.180
I love drums. I don't know. I'm starting to rumor

00:33:10.180 --> 00:33:12.339
that you hate drummers. No, I'm learning how

00:33:12.339 --> 00:33:14.900
to play the Irish drum right now. The modern.

00:33:15.140 --> 00:33:16.940
Yeah. All right. Sweet. Who's teaching you how

00:33:16.940 --> 00:33:21.059
to do that? YouTube. Oh, okay. I ask because

00:33:21.059 --> 00:33:23.759
it sounded like something Seep would teach. Oh,

00:33:23.779 --> 00:33:27.200
maybe. Patty. Patty League. Do you know him?

00:33:28.349 --> 00:33:30.930
He teaches at FSU. He would, he knows how to

00:33:30.930 --> 00:33:33.329
play. I could probably get some lessons from

00:33:33.329 --> 00:33:35.630
him. He'd probably tell me, he'd say, well, you

00:33:35.630 --> 00:33:39.690
just go on YouTube. Yeah. Yeah. Don't waste my

00:33:39.690 --> 00:33:48.609
time. Exactly. I have a lot to do. So when did

00:33:48.609 --> 00:33:54.269
you, you start, I want to back up a little bit

00:33:54.269 --> 00:33:56.549
actually, because I realized I missed a gap here.

00:33:56.789 --> 00:33:59.740
Okay. You go to Italy. You decide, I'm going

00:33:59.740 --> 00:34:02.500
to come back and start going to these open mics.

00:34:04.279 --> 00:34:06.240
And then all of a sudden, you're in a band and

00:34:06.240 --> 00:34:08.139
you're writing original songs. When did you first

00:34:08.139 --> 00:34:12.039
start writing songs? Was it because you were

00:34:12.039 --> 00:34:14.760
in a band? Or did you start writing songs before

00:34:14.760 --> 00:34:20.780
you started performing? Yes. I mean, it was the

00:34:20.780 --> 00:34:22.800
worst song ever. I'm not even going to try and

00:34:22.800 --> 00:34:24.860
replicate it. But when I was in fifth grade,

00:34:24.920 --> 00:34:27.440
me and my best friend came up with this song.

00:34:28.179 --> 00:34:29.659
Everybody's first song is the worst song ever.

00:34:29.699 --> 00:34:31.000
You don't have to qualify. Because my dad had

00:34:31.000 --> 00:34:33.039
a guitar, and I was like, oh, look, I can play.

00:34:33.219 --> 00:34:35.340
And she was like, let's make a song. And it was

00:34:35.340 --> 00:34:39.739
like. I thought you said you weren't going to

00:34:39.739 --> 00:34:46.369
try. I did say that. I lied. But we played it

00:34:46.369 --> 00:34:49.469
for the whole music class because I had a great

00:34:49.469 --> 00:34:52.550
music teacher. And that was, I think, probably

00:34:52.550 --> 00:34:56.010
why I stopped writing. So you wrote that one

00:34:56.010 --> 00:34:58.050
song and then you stopped writing? Yeah, I really

00:34:58.050 --> 00:35:00.630
didn't write much after that. And when did you

00:35:00.630 --> 00:35:04.309
start writing songs on a regular basis? Like

00:35:04.309 --> 00:35:09.570
23, 24. So you were writing songs but too scared

00:35:09.570 --> 00:35:11.670
to play them out and then you went to Italy.

00:35:12.829 --> 00:35:14.750
No, I went to Italy first. You went to Italy

00:35:14.750 --> 00:35:16.909
first. Okay, I'm sorry. For some reason, I thought

00:35:16.909 --> 00:35:18.889
you said you were 25 when you went to Italy.

00:35:18.949 --> 00:35:20.510
I think you said you were 25 when you formed

00:35:20.510 --> 00:35:22.670
your... Played my first gig. First gig, okay.

00:35:22.670 --> 00:35:25.030
At Clyde's and Costello's. So you had been writing

00:35:25.030 --> 00:35:26.949
songs, though, before you played your first gig.

00:35:27.050 --> 00:35:29.210
Did you play any of those songs your first gig,

00:35:29.269 --> 00:35:31.110
or did you only play covers? I don't remember.

00:35:32.849 --> 00:35:34.130
The reason I'm asking is like... It should be

00:35:34.130 --> 00:35:36.789
memorable. I do remember that Danny was there,

00:35:36.829 --> 00:35:39.420
and I was like, aw. He likes me. No, he doesn't.

00:35:40.360 --> 00:35:42.059
Because he had a girlfriend, but I was like,

00:35:42.119 --> 00:35:44.400
oh, he's... Anyway, sorry. No, I think that's

00:35:44.400 --> 00:35:46.880
important because he's been a big part of your

00:35:46.880 --> 00:35:48.960
musical life. Yeah, sure. And your creative life,

00:35:49.039 --> 00:35:51.800
as well as your life. I think it's... Do you

00:35:51.800 --> 00:35:54.179
remember... Did you and Danny just first connect

00:35:54.179 --> 00:35:57.340
over music? Yeah, pretty much. Yeah. I met him

00:35:57.340 --> 00:36:01.590
at the warehouse, also open mic. And he had a

00:36:01.590 --> 00:36:04.869
band, at the time it was called Tanglewood, and

00:36:04.869 --> 00:36:07.250
they later changed it to Stillwood because they

00:36:07.250 --> 00:36:10.230
got sued by the Boston Symphony Orchestra. They're

00:36:10.230 --> 00:36:12.769
like, you can't use the name Tanglewood anywhere.

00:36:14.309 --> 00:36:16.750
So they were like, okay, fine, but we're Stillwood.

00:36:17.250 --> 00:36:23.250
Oh. I remember Stillwood. Yeah. That's a funny

00:36:23.250 --> 00:36:27.710
origin to the name. I just recently had a band.

00:36:28.349 --> 00:36:31.369
Two members of a band called The Arcs on who

00:36:31.369 --> 00:36:34.389
Dan Auerbach's latest group is now called The

00:36:34.389 --> 00:36:37.250
Arcs. And they like worked it all out and everything

00:36:37.250 --> 00:36:39.429
was cool. So fuck the Boston Symphony Orchestra.

00:36:40.090 --> 00:36:43.019
Yeah. I'm just saying. There's ways to work it

00:36:43.019 --> 00:36:45.059
out and everybody's okay. There really is. Just

00:36:45.059 --> 00:36:49.239
don't come play in Boston. Come on. They won't

00:36:49.239 --> 00:36:51.579
even serve two beers at a time. How many Mel's

00:36:51.579 --> 00:36:54.159
Diners have there been? How many Mel's have opened

00:36:54.159 --> 00:36:58.159
diners? All over the place. Monks got sued. There

00:36:58.159 --> 00:37:00.099
was this place called Monks and they got sued.

00:37:00.260 --> 00:37:02.340
What? Yeah, and they had to change to Wells Brothers

00:37:02.340 --> 00:37:07.820
because there's a Monks in Chicago. Yeah, anyway.

00:37:08.799 --> 00:37:11.219
We're getting off track. No, here's the thing,

00:37:11.300 --> 00:37:13.519
though. The common theme on this podcast. Today,

00:37:13.599 --> 00:37:17.920
I was diagnosed. I was told after I'd taken the

00:37:17.920 --> 00:37:21.780
test, I was confirmed that I have ADHD. And I

00:37:21.780 --> 00:37:23.940
was like, thank fuck I do. But now I know. Well,

00:37:23.940 --> 00:37:29.940
welcome to the club, Kelly. Hell yeah. Try to

00:37:29.940 --> 00:37:32.719
keep me on track. We all find each other, whether

00:37:32.719 --> 00:37:36.460
we've been diagnosed or not. It's true. And I

00:37:36.460 --> 00:37:39.440
believe fully that we are all on some spectrum.

00:37:40.059 --> 00:37:42.699
Whether you're over here or... I just think we

00:37:42.699 --> 00:37:45.380
all are. Humanity is a spectrum. Yeah, exactly.

00:37:45.699 --> 00:37:49.219
So don't be a dick. We just went off for 10 minutes.

00:37:50.460 --> 00:37:53.780
No, but I think it's actually important because

00:37:53.780 --> 00:37:58.679
a common theme among almost every interview that

00:37:58.679 --> 00:38:03.519
I've had on here is that corporate greed is usually...

00:38:04.139 --> 00:38:08.460
the thing to blame for all of the bullshit. Yeah.

00:38:08.760 --> 00:38:10.579
And you, especially the bullshit when it comes

00:38:10.579 --> 00:38:13.059
to arts, but like all of it really pretty much

00:38:13.059 --> 00:38:15.659
every industry that you can think of has been

00:38:15.659 --> 00:38:18.639
created so that somebody can get rich literally.

00:38:18.980 --> 00:38:22.320
And that's capitalism, but like late stage capitalism

00:38:22.320 --> 00:38:30.179
is a bitch. Yeah. But I, I, I wonder I, this

00:38:30.179 --> 00:38:35.280
is not like a politics podcast, but When I speak

00:38:35.280 --> 00:38:38.239
to somebody whose music is very political, we're

00:38:38.239 --> 00:38:40.719
going to talk about it a little bit, right? It's

00:38:40.719 --> 00:38:44.159
not like I try to hide my views, and I certainly

00:38:44.159 --> 00:38:47.380
wouldn't be platforming people that are hateful

00:38:47.380 --> 00:38:52.500
or anything like that. My question is, how over

00:38:52.500 --> 00:38:57.079
the last 20 years from when you started in the

00:38:57.079 --> 00:39:01.320
scene of music, how important is having shared

00:39:01.320 --> 00:39:04.840
views become? when it comes to collaborating

00:39:04.840 --> 00:39:07.159
with musicians because I imagine 20 years ago

00:39:07.159 --> 00:39:08.940
it was probably a lot easier to collaborate with

00:39:08.940 --> 00:39:11.119
people that that didn't agree with you on politically

00:39:11.119 --> 00:39:14.219
yeah even if you were doing political music right

00:39:14.219 --> 00:39:20.000
yeah I don't know I think just like in general

00:39:20.000 --> 00:39:23.719
personally I try to avoid people that I'm just

00:39:23.719 --> 00:39:26.920
like there's just a level where I'm like I can't

00:39:27.389 --> 00:39:32.210
Excuse that. I'm sorry. I won't be a jerk about

00:39:32.210 --> 00:39:38.210
it. It's cool. I probably wouldn't work with

00:39:38.210 --> 00:39:40.809
them either way. I've never been put in that

00:39:40.809 --> 00:39:44.849
situation. Actually, that's not true. In my job.

00:39:45.349 --> 00:39:47.909
In my day job. That's a little different. It's

00:39:47.909 --> 00:39:52.750
not a creative endeavor. I think it's important

00:39:52.750 --> 00:39:55.400
to be able to work with people you don't. see

00:39:55.400 --> 00:39:57.679
eye to eye with in those types of situations.

00:39:57.940 --> 00:40:01.380
And you might work at a club where the owner

00:40:01.380 --> 00:40:06.239
is not whatever, but when it comes to collaborating

00:40:06.239 --> 00:40:09.519
musically, maybe not. I don't know what club

00:40:09.519 --> 00:40:11.539
you're talking about. There's a specific one.

00:40:11.579 --> 00:40:13.480
I don't play there. Name names. I don't give

00:40:13.480 --> 00:40:17.360
a fuck. The Jam. Or the House of Music. Oh, House

00:40:17.360 --> 00:40:21.579
of Music? Yeah, I don't agree with the politics.

00:40:23.239 --> 00:40:26.840
It's a beautiful room. It could be more, but...

00:40:26.840 --> 00:40:30.659
Yeah, no, I mean, it's... I've never seen a memorable

00:40:30.659 --> 00:40:35.179
show there. Yeah. I'll leave it at that. I can

00:40:35.179 --> 00:40:36.800
think of one, but it was Catherine's memorial.

00:40:37.079 --> 00:40:39.860
Or, like, her last show. That was the only one.

00:40:39.880 --> 00:40:42.800
Sure, yeah. Her memorial was at the Legion, but...

00:40:42.800 --> 00:40:45.820
That's right. Yeah, but she was still... There

00:40:45.820 --> 00:40:48.920
was, like, a fundraiser for her. Oh, I see. Before

00:40:48.920 --> 00:40:51.440
she passed. I somehow did not... And that was

00:40:51.440 --> 00:40:56.889
the last... Was not aware of that. Anyway. And

00:40:56.889 --> 00:40:59.409
we've talked about Catherine a lot on this podcast

00:40:59.409 --> 00:41:02.230
before, too. So Elizabeth has talked about her

00:41:02.230 --> 00:41:04.230
and the folk opera and everything that's come

00:41:04.230 --> 00:41:06.630
in. But she was a big part of your musical life.

00:41:06.769 --> 00:41:10.869
I'm going to try and reconstruct where we are

00:41:10.869 --> 00:41:14.750
so far and get back on track. Because we do keep,

00:41:14.909 --> 00:41:17.789
we are, this is squirrels chasing squirrels here.

00:41:18.400 --> 00:41:22.980
And it's not just you. Don't worry. Okay, cool.

00:41:23.300 --> 00:41:26.460
Yeah, I know. I'm like, what? I'm just kidding.

00:41:28.000 --> 00:41:30.619
So you're writing songs, but you're not playing

00:41:30.619 --> 00:41:32.940
them. And then you play your first show at 25.

00:41:33.440 --> 00:41:37.400
And Danny's there. He comes to support. When

00:41:37.400 --> 00:41:40.260
do y 'all form a band? Do y 'all start dating

00:41:40.260 --> 00:41:42.199
before you form a band? Or do you form a band

00:41:42.199 --> 00:41:44.239
before you start dating? Yes, we started dating.

00:41:44.519 --> 00:41:46.539
Okay. And then he joined the band, basically.

00:41:47.440 --> 00:41:50.699
And he joined? He joined Blue Moon. Okay, okay.

00:41:50.980 --> 00:41:54.219
Yeah. We were all friends, though. Like, we all

00:41:54.219 --> 00:41:56.920
hung out at the warehouse on the open mic night

00:41:56.920 --> 00:41:59.820
and knew each other and would pick on the porch,

00:41:59.920 --> 00:42:03.099
that kind of thing. But that was, yeah, when

00:42:03.099 --> 00:42:06.000
we started dating, that's when he joined. Gotcha.

00:42:06.139 --> 00:42:09.079
Yep. And then my brother joined after that. And

00:42:09.079 --> 00:42:11.840
then you kicked everybody else out? No, actually,

00:42:11.980 --> 00:42:15.860
what happened was... Because New 76ers, as it

00:42:15.860 --> 00:42:18.199
stands now, is your brother, you, and Danny.

00:42:18.300 --> 00:42:21.619
Yep, and it was from that, like when Blue Moon

00:42:21.619 --> 00:42:25.940
basically lost our gig at Posey's because it

00:42:25.940 --> 00:42:28.400
got washed away. You had like a residency type

00:42:28.400 --> 00:42:30.420
thing there? It was like once a month or something.

00:42:30.480 --> 00:42:33.340
Like we didn't, we really didn't play out. We

00:42:33.340 --> 00:42:35.760
just play on the porch and we play at Posey's.

00:42:35.840 --> 00:42:38.500
That's it. They fed us and they let us drink

00:42:38.500 --> 00:42:44.409
for free. For four hours. We have a four -hour

00:42:44.409 --> 00:42:47.269
time slot. Can I get one of those, too? Oh, thank

00:42:47.269 --> 00:42:51.449
you. Yeah, so Blue Moon, we stopped playing at

00:42:51.449 --> 00:42:54.429
Posey's because of Hurricane Dennis came through,

00:42:54.530 --> 00:42:57.190
and it took out a lot. It took out that whole

00:42:57.190 --> 00:42:59.409
restaurant. That was a long time ago. It was,

00:42:59.570 --> 00:43:01.889
yeah. And so Blue Moon stops playing. You formed

00:43:01.889 --> 00:43:04.929
the New 76ers. Yeah. And how many records has

00:43:04.929 --> 00:43:08.750
the New 76ers put out over the years? So we have...

00:43:10.519 --> 00:43:16.760
Two full length and then two or three EPs. And

00:43:16.760 --> 00:43:19.619
then we've been on some other compilations and

00:43:19.619 --> 00:43:22.719
supported Grant Peoples on some of his stuff.

00:43:23.119 --> 00:43:27.280
So do you remember some of the songs that you

00:43:27.280 --> 00:43:29.579
were playing back in that time period? Do you

00:43:29.579 --> 00:43:31.260
want to play one? Yeah, I still play them still.

00:43:31.539 --> 00:43:33.940
Not all the time, but yeah. Let's hear one. Okay.

00:43:34.380 --> 00:43:36.280
Do you want to talk about it first a little bit?

00:43:36.280 --> 00:43:39.000
Sure. I'll talk about it. It's called To Be Young.

00:43:39.639 --> 00:43:42.500
And I wrote it in an elevator. And then I was

00:43:42.500 --> 00:43:44.639
like, I better write this down before it's gone.

00:43:47.000 --> 00:43:49.239
It's called To Be Young. And it's just at the

00:43:49.239 --> 00:43:52.679
time, I didn't feel very young. I had young children.

00:43:53.480 --> 00:43:55.980
And I was like always, I'm still always tired.

00:43:56.079 --> 00:44:00.619
But I was really tired then. And so it was just

00:44:00.619 --> 00:44:06.119
kind of like daydreaming about. You know, youth

00:44:06.119 --> 00:44:36.570
well spent, I think. So here it goes. To be young.

00:44:39.010 --> 00:44:49.369
Oh, to be young. There's too much going on. I'm

00:44:49.369 --> 00:44:55.630
just breezing by. Time's never cut short. I can't

00:44:55.630 --> 00:45:03.289
watch it fly. Oh, watch it fly. Then I'll say

00:45:03.289 --> 00:47:00.840
goodbye. to be Hell yeah. So, first question

00:47:00.840 --> 00:47:03.800
I have about that song. It seems like it might

00:47:03.800 --> 00:47:06.039
mean more to you now than when you wrote it.

00:47:06.739 --> 00:47:10.639
Maybe you relate to it more now. Yeah, maybe.

00:47:10.800 --> 00:47:14.840
I don't know. I sing it different this time.

00:47:15.019 --> 00:47:17.840
It was a little bit slower. A little bit slower,

00:47:17.980 --> 00:47:21.780
so whenever I play slower or sing a little slower,

00:47:21.880 --> 00:47:26.559
I can get into the notes more. I got you. But

00:47:26.559 --> 00:47:31.659
that's one of my favorite songs I've ever written,

00:47:31.719 --> 00:47:36.940
for sure. It captures just that period in time

00:47:36.940 --> 00:47:41.860
that is really sweet and special. But also, it's

00:47:41.860 --> 00:47:45.880
life. It's just, yeah. And if it's going to fuck

00:47:45.880 --> 00:47:47.820
you up, I'm not going to let it bring me down

00:47:47.820 --> 00:47:51.900
forever. You've got to get back up. I think overall,

00:47:52.079 --> 00:47:55.630
that is an overarching... Theme in my songs is

00:47:55.630 --> 00:48:03.090
hope and love. What keeps you hopeful? The kids.

00:48:04.690 --> 00:48:08.309
All the kids. Even when you see their noses buried

00:48:08.309 --> 00:48:13.670
in their phones. Are you worried? Yeah. What

00:48:13.670 --> 00:48:16.789
they might see? There's some crazy shit out there.

00:48:16.949 --> 00:48:20.690
I feel like our youth has been hijacked by billionaires.

00:48:21.920 --> 00:48:25.480
They're all slaves to their devices. Yeah. And

00:48:25.480 --> 00:48:28.599
we are too, but they always have been. They don't

00:48:28.599 --> 00:48:30.360
know. They don't know any different. A life without

00:48:30.360 --> 00:48:32.739
an iPhone. My son does not know a life without

00:48:32.739 --> 00:48:35.219
an iPhone. And we're both in this age period

00:48:35.219 --> 00:48:39.059
where we remember before the internet, but we

00:48:39.059 --> 00:48:42.880
also are young enough to where the internet wasn't

00:48:42.880 --> 00:48:45.980
this new fandangled thing that we didn't understand.

00:48:46.059 --> 00:48:50.000
We were very online too. That's true. What have

00:48:50.000 --> 00:48:53.659
you seen change in the music industry online

00:48:53.659 --> 00:48:58.159
other than like the obvious stuff that we've

00:48:58.159 --> 00:49:00.760
all seen? What have you seen like as an artist,

00:49:01.000 --> 00:49:05.079
as an artist that's more on the local level,

00:49:05.179 --> 00:49:06.820
right? And I'm thinking about things like when

00:49:06.820 --> 00:49:09.119
back in the day, Facebook, it was like free advertising

00:49:09.119 --> 00:49:13.860
for people like you and me. Yes, still is. But

00:49:13.860 --> 00:49:17.500
like less users. They hide it. They hide that

00:49:17.500 --> 00:49:20.059
stuff unless you pay for ads. Yeah. So, like,

00:49:20.139 --> 00:49:23.239
I'm sure you've probably noticed, like, a large

00:49:23.239 --> 00:49:25.900
dip in response to things like events. Yep, that's

00:49:25.900 --> 00:49:27.960
true. Over the last five years. Yeah. And the

00:49:27.960 --> 00:49:30.159
days of, like, free advertising on Facebook are

00:49:30.159 --> 00:49:32.559
really over. We remember a time without the internet.

00:49:32.900 --> 00:49:38.940
Yeah. Like, we used to go out and play. All damn

00:49:38.940 --> 00:49:41.219
day. Yeah, even, like, when we weren't kids.

00:49:41.420 --> 00:49:45.280
I would ride my bike as an adult, even. And it's

00:49:45.280 --> 00:49:47.539
like slowly, it's like I can look back and it's

00:49:47.539 --> 00:49:51.460
like slowly chipped away at all of these things

00:49:51.460 --> 00:49:56.599
and they've commodified everything, right? You

00:49:56.599 --> 00:49:59.480
can't just do any, even hobbies are commodified

00:49:59.480 --> 00:50:04.000
now, right? It's true. Everything. And it's,

00:50:04.000 --> 00:50:11.690
this all started with. I asked you what keeps

00:50:11.690 --> 00:50:13.969
you hopeful, and then you're like the kids, and

00:50:13.969 --> 00:50:19.409
I'm like, no! They're not okay! There's nothing

00:50:19.409 --> 00:50:22.050
to be hopeful there! No, but that's not true,

00:50:22.170 --> 00:50:24.929
though. No, I agree. But it's not their fault.

00:50:25.269 --> 00:50:28.570
No, I'm not saying that the kids don't have a

00:50:28.570 --> 00:50:33.219
lot of... Listen, we all got a lot of work to

00:50:33.219 --> 00:50:36.199
do to try and make things right. Yeah. Because

00:50:36.199 --> 00:50:39.079
I think there's that quote. I love it so much.

00:50:41.880 --> 00:50:46.239
It's not Toni Morrison. Oh, my God. I don't know

00:50:46.239 --> 00:50:49.239
if it's her name. I know why I cage bird things.

00:50:50.639 --> 00:50:54.099
You know what I'm talking about? Fuck. Anyway,

00:50:54.219 --> 00:50:57.239
the quote is, do the best you can until you know

00:50:57.239 --> 00:50:59.139
better. And when you know better, do better.

00:51:00.159 --> 00:51:02.619
And I have that quote on my desk and I love it

00:51:02.619 --> 00:51:06.280
because it's like, you can't, you're not really

00:51:06.280 --> 00:51:09.380
responsible for the shit you get taught. But

00:51:09.380 --> 00:51:12.219
once you are taught or shown a way that is okay,

00:51:12.320 --> 00:51:14.840
like we don't hate, everybody can agree on that.

00:51:14.920 --> 00:51:18.980
Even Christians, even Christian nationalists.

00:51:18.980 --> 00:51:22.380
Wait, no, sorry. Their main leader just said

00:51:22.380 --> 00:51:25.900
that they can't hate their enemies. Sorry. Just

00:51:25.900 --> 00:51:28.880
kidding. Okay, but most Christians agree you

00:51:28.880 --> 00:51:31.940
shouldn't hate other people. I think that any

00:51:31.940 --> 00:51:33.800
Christian that's not a socialist isn't a real

00:51:33.800 --> 00:51:35.679
Christian, so I'll just leave it at that. That's

00:51:35.679 --> 00:51:37.820
the thing, right? It's like taking responsibility,

00:51:37.860 --> 00:51:42.699
and I was taught that. I was taught that, and

00:51:42.699 --> 00:51:47.539
it's weird now because I have family that reinforce

00:51:47.539 --> 00:51:51.659
those ideas, and we see so differently in terms

00:51:51.659 --> 00:51:55.460
of how things should go. Or like who's okay to

00:51:55.460 --> 00:52:00.099
belong. But most of the time that I find, and

00:52:00.099 --> 00:52:03.800
this is why people are like, oh, you should surround

00:52:03.800 --> 00:52:05.619
yourself with people that disagree with you and

00:52:05.619 --> 00:52:08.099
not isolate yourself. And I agree with that.

00:52:08.619 --> 00:52:12.219
But the limit for me is when you have people

00:52:12.219 --> 00:52:15.119
making bad faith arguments. And that has become

00:52:15.119 --> 00:52:17.889
the norm. They don't have to be idiots. They

00:52:17.889 --> 00:52:20.289
can disagree, but they don't have to be like,

00:52:20.409 --> 00:52:22.730
cause. And that's the thing is it comes down

00:52:22.730 --> 00:52:25.429
to misinformation. Now more, pretty much every

00:52:25.429 --> 00:52:27.769
single time. It's just like the misinformation

00:52:27.769 --> 00:52:30.889
is what's driving their narrative. Yeah. And

00:52:30.889 --> 00:52:33.750
I do worry about that on my side too. Sometimes

00:52:33.750 --> 00:52:37.489
I'm like, did I get the whole story? Do I actually

00:52:37.489 --> 00:52:40.780
know? The Democrats have been like. Democrats,

00:52:40.780 --> 00:52:44.019
they're not just as guilty as the right, because

00:52:44.019 --> 00:52:51.960
they will still try to use minorities and struggling

00:52:51.960 --> 00:52:55.559
people as pawns by fighting for their rights

00:52:55.559 --> 00:52:58.099
instead of trying to take them away. Still just

00:52:58.099 --> 00:53:00.219
using them as pawns. They don't actually, because

00:53:00.219 --> 00:53:04.519
the only way to actually fix the problems in

00:53:04.519 --> 00:53:07.199
America are to disrupt the interests of capital.

00:53:07.900 --> 00:53:10.519
And Democrats won't do that. Yeah, but people

00:53:10.519 --> 00:53:14.260
can grow food. Even gardening is commodified.

00:53:15.099 --> 00:53:22.360
Everything was owned by some corporation at some

00:53:22.360 --> 00:53:25.699
point. Don't get me wrong. There's ways to avoid

00:53:25.699 --> 00:53:29.159
that. It's a lot of work that most people aren't

00:53:29.159 --> 00:53:31.840
willing to put in. And then that's the thing.

00:53:31.940 --> 00:53:35.579
So what then? If nobody is willing to put the

00:53:35.579 --> 00:53:38.739
work in, then what happens? What happens to the...

00:53:40.670 --> 00:53:44.710
Organization. Do we deserve to be saved? My family's

00:53:44.710 --> 00:53:47.590
going to love this. The climate that we're in

00:53:47.590 --> 00:53:49.250
right now makes it really hard for us to not

00:53:49.250 --> 00:53:51.150
talk about some of these things. But I'm also

00:53:51.150 --> 00:53:56.849
like, I really want to talk about you and your

00:53:56.849 --> 00:54:00.130
experiences. Okay. Let's get back to that, though.

00:54:00.130 --> 00:54:03.690
Let's get to that. But I also understand that's

00:54:03.690 --> 00:54:08.230
not really separable for you. Yeah. I wish it

00:54:08.230 --> 00:54:11.429
was. And that's why I'm like, I'm saying this

00:54:11.429 --> 00:54:13.929
to bring it all back together. To be like. Yeah.

00:54:15.269 --> 00:54:18.429
As much as you can't not talk about it. What

00:54:18.429 --> 00:54:20.730
I do is I go write it. And I think you can too.

00:54:20.909 --> 00:54:23.210
Yeah. Because you go write a song. Yeah. I go

00:54:23.210 --> 00:54:27.070
write a joke. Yeah. But I think. What I guess

00:54:27.070 --> 00:54:34.250
I'm getting at is. The way I see. All of this

00:54:34.250 --> 00:54:39.010
has played out is. The corporatization of America

00:54:39.010 --> 00:54:45.010
and the kids are the worst victims of it. 100%.

00:54:45.010 --> 00:54:52.050
I 100 % agree. And that's where I find it really

00:54:52.050 --> 00:54:55.250
hard to be hopeful for them. And not of any fault

00:54:55.250 --> 00:54:58.329
of their own. Partially our fault, right? Like

00:54:58.329 --> 00:55:01.010
we gave them iPads at whatever age and all that

00:55:01.010 --> 00:55:03.690
shit. But here's the thing. Here's the beautiful

00:55:03.690 --> 00:55:06.469
thing that I do know about the human brain. It

00:55:06.469 --> 00:55:10.510
is always open. It's resilient and it's open

00:55:10.510 --> 00:55:13.409
to changing. You can literally train your brain

00:55:13.409 --> 00:55:16.849
how to learn guitar at 25. But you have to want

00:55:16.849 --> 00:55:19.969
to. You have to want to. You have to want to.

00:55:20.110 --> 00:55:22.650
You have to want all those things. It's work.

00:55:22.829 --> 00:55:25.210
It's like work. And I think that kind of can

00:55:25.210 --> 00:55:29.619
bring us to our exit ramp on the politics. We're

00:55:29.619 --> 00:55:32.380
dealing with the most incompetent fascists ever.

00:55:32.900 --> 00:55:38.059
And they can get all these little bullshit cultural

00:55:38.059 --> 00:55:42.659
victories here and there. And it like gives blood

00:55:42.659 --> 00:55:45.699
to their base ever. But they're still not improving

00:55:45.699 --> 00:55:48.619
the material conditions of anybody in this country.

00:55:48.900 --> 00:55:51.679
No. And so eventually... In fact, they're taking

00:55:51.679 --> 00:55:54.139
a lot of it. They're making it worse for everybody,

00:55:54.320 --> 00:55:56.199
including their base. Because let's be honest,

00:55:56.360 --> 00:55:59.300
who doesn't love a fucking shopping spree? Like,

00:55:59.400 --> 00:56:02.480
who doesn't? It's so fun! I love going to the

00:56:02.480 --> 00:56:05.639
doctor and it being free. They're not improving

00:56:05.639 --> 00:56:07.719
the material conditions of anyone in this country.

00:56:07.739 --> 00:56:13.420
No, definitely not. And eventually, like... Someone's

00:56:13.420 --> 00:56:16.679
going to be. I don't even mean eventually. It's

00:56:16.679 --> 00:56:18.780
already happening. It's coming to a head. When

00:56:18.780 --> 00:56:21.559
did you start writing political songs? Probably

00:56:21.559 --> 00:56:25.340
as soon as early. It's pretty much right around

00:56:25.340 --> 00:56:30.400
the time. I think the most political song or

00:56:30.400 --> 00:56:32.800
the earliest one that I wrote was What the Wind

00:56:32.800 --> 00:56:38.019
Said. It's off of the new 76ers CD called Super

00:56:38.019 --> 00:56:43.599
Highway. It's our first release. I wrote that

00:56:43.599 --> 00:56:47.940
while working out at Mission San Luis. And it

00:56:47.940 --> 00:56:53.480
was during Bush W., during his term. But each,

00:56:53.619 --> 00:56:56.940
like, when there's a line that was like, they

00:56:56.940 --> 00:57:01.260
rule by fear, put him back in his chair, like

00:57:01.260 --> 00:57:05.480
no one sees and no one really cares. And so that

00:57:05.480 --> 00:57:10.050
was a line for... And then when Trump came in

00:57:10.050 --> 00:57:14.849
the first time, I rewrote that line to say, they

00:57:14.849 --> 00:57:18.469
rule by fear and put a wig in that chair because

00:57:18.469 --> 00:57:22.949
of his grandiose toupee. And I haven't rewrote

00:57:22.949 --> 00:57:24.949
it this time, but that was the first one that

00:57:24.949 --> 00:57:30.010
I wrote. And I love it. It's like one that still

00:57:30.010 --> 00:57:33.820
speaks to me. It's very much about just. decimating

00:57:33.820 --> 00:57:37.280
the earth. And it's, I had a friend who worked

00:57:37.280 --> 00:57:39.860
with me at the time. His name was rabbit. And

00:57:39.860 --> 00:57:42.559
he was given that name from a Cherokee chief.

00:57:43.239 --> 00:57:46.960
This guy was, this was like in a native American

00:57:46.960 --> 00:57:50.159
ceremony was gifted. This name rabbit told me

00:57:50.159 --> 00:57:53.920
he was like, listen to the wind. That's like

00:57:53.920 --> 00:57:56.199
the birds and the wind and the trees is it will

00:57:56.199 --> 00:57:59.280
talk to you. If you like, listen to it, it carries

00:57:59.280 --> 00:58:02.190
like messages on the wind. And I always loved

00:58:02.190 --> 00:58:06.550
that idea. So what the wind said is what I wrote

00:58:06.550 --> 00:58:11.289
about. So the Tennessee River runs through Florence,

00:58:11.309 --> 00:58:16.489
Alabama and Muscle Shoals and that whole area.

00:58:16.610 --> 00:58:22.429
And the Native Americans there said that the

00:58:22.429 --> 00:58:26.969
river would sing. Always writing political songs,

00:58:27.090 --> 00:58:32.659
I think. Do you? When you put out a record, do

00:58:32.659 --> 00:58:38.900
you have goals of it blowing up or getting popular?

00:58:39.340 --> 00:58:42.840
Or are you just putting it out there? Yeah. At

00:58:42.840 --> 00:58:45.760
this point in my life, I am. But at one point,

00:58:45.820 --> 00:58:48.059
do you think you were? Maybe. I think when I

00:58:48.059 --> 00:58:53.869
was younger. Did you tour? No. Never. Only once.

00:58:54.010 --> 00:58:56.829
Yeah. We only toured once. Let's talk about that.

00:58:56.829 --> 00:59:01.469
But I had a two -year -old at home and a ten

00:59:01.469 --> 00:59:05.030
-year -old. And my mom was stuck with them for

00:59:05.030 --> 00:59:06.449
a week. And she was like, you're never doing

00:59:06.449 --> 00:59:11.690
this again. And I was like, you're right. It

00:59:11.690 --> 00:59:15.210
sucks, man. We didn't have a fucking tour bus

00:59:15.210 --> 00:59:30.860
with a driver or a chef. The tour bus I can get

00:59:30.860 --> 00:59:34.380
behind. The chef seems a little... Bougie? I'm

00:59:34.380 --> 00:59:37.059
not even sure Jason Isbell has a chef on tour

00:59:37.059 --> 00:59:42.920
with him. Dude, maybe not because he has a bus

00:59:42.920 --> 00:59:45.690
with probably a full kitchen and shit. Maybe

00:59:45.690 --> 00:59:48.289
he can cook on there. I don't know. But it was

00:59:48.289 --> 00:59:52.909
just a week and it was like, I had to stay in

00:59:52.909 --> 00:59:56.670
the room with my brother and my, he's my husband

00:59:56.670 --> 00:59:59.889
now, but he loves when I call him that too. Especially

00:59:59.889 --> 01:00:12.630
on podcasts. At what point did you start? branching

01:00:12.630 --> 01:00:16.710
out from the new 76ers into other bands and because

01:00:16.710 --> 01:00:19.389
because that band has been off and on for a long

01:00:19.389 --> 01:00:21.909
time whether you and danny were together or not

01:00:21.909 --> 01:00:24.710
yeah yeah so at what point did you start branching

01:00:24.710 --> 01:00:26.570
out because that was kind of your main vehicle

01:00:26.570 --> 01:00:30.429
for a long time for yeah most of the 20 years

01:00:30.429 --> 01:00:34.449
or i would say 17 years that i was like in fully

01:00:34.449 --> 01:00:39.360
married in a relationship And we toured. I say

01:00:39.360 --> 01:00:42.179
we toured. We did tour. We would go like on little

01:00:42.179 --> 01:00:45.340
trips like to St. Augustine or like Panama City

01:00:45.340 --> 01:00:49.800
for the weekend or like St. Pete, Tampa, that

01:00:49.800 --> 01:00:56.000
area, mostly in Florida. But. I guess it was

01:00:56.000 --> 01:00:59.920
around 2020. It was like basically when we separated

01:00:59.920 --> 01:01:01.679
and I was like, I don't want to play music with

01:01:01.679 --> 01:01:04.239
you right now. We need some time away from each

01:01:04.239 --> 01:01:08.500
other. And I know he felt the same way. Is that

01:01:08.500 --> 01:01:11.179
when the Dolce Trio formed? Yeah, yeah. Elizabeth

01:01:11.179 --> 01:01:14.320
and Jillian and I just got together on the porch

01:01:14.320 --> 01:01:17.599
just to hang out. And we had never played music

01:01:17.599 --> 01:01:20.760
together, but I had wanted to play music with

01:01:20.760 --> 01:01:25.679
somebody. Somebody new. I was like, looking for

01:01:25.679 --> 01:01:29.699
new people, new friends, or I'd known them for

01:01:29.699 --> 01:01:32.219
a long time. We never, like, connected like that.

01:01:32.340 --> 01:01:35.199
And when we sat down on the porch, we would,

01:01:35.219 --> 01:01:37.619
after a beer or a glass of wine or something,

01:01:37.880 --> 01:01:41.599
and just take turns doing songs. And we just,

01:01:41.840 --> 01:01:49.699
it was like, it was therapy. It was, like, comradeship,

01:01:49.699 --> 01:01:53.050
sisterhood. We all three have daughters about

01:01:53.050 --> 01:01:57.269
the same age. So, yeah, it's been lovely. Do

01:01:57.269 --> 01:01:59.090
you all have plans to record, or are you recording

01:01:59.090 --> 01:02:02.789
now? We are not recording now, but I'm currently

01:02:02.789 --> 01:02:05.690
working on a solo project that I started last

01:02:05.690 --> 01:02:09.650
August with Gatorbone Records down in Keystone

01:02:09.650 --> 01:02:16.869
Heights. And the new 76ers are going back Tuesday

01:02:16.869 --> 01:02:20.800
and Thursday of next week to... cut more vocals

01:02:20.800 --> 01:02:23.940
on our third full length record. Cool. Yeah.

01:02:24.059 --> 01:02:26.639
Can we talk, and we can wrap things up here,

01:02:26.820 --> 01:02:30.440
but can we talk a little bit about what it was

01:02:30.440 --> 01:02:34.960
like and how the dynamics have changed from when

01:02:34.960 --> 01:02:37.460
you took that hiatus and you took some time off,

01:02:37.500 --> 01:02:40.159
you and Danny playing together and how the dynamics

01:02:40.159 --> 01:02:43.659
have changed, how, and musically more than anything,

01:02:43.840 --> 01:02:46.099
right? Like in the songwriting, I would assume

01:02:46.099 --> 01:02:48.219
that they're not the same as they were when y

01:02:48.219 --> 01:02:52.380
'all were married. but maybe they are but the

01:02:52.380 --> 01:02:55.840
collaboration the yeah and then also just like

01:02:55.840 --> 01:02:59.820
how like why was that even like a priority necessarily

01:02:59.820 --> 01:03:02.659
i feel like a lot of people what was the priority

01:03:02.659 --> 01:03:05.860
getting like getting back together as a band

01:03:05.860 --> 01:03:08.289
because i feel like a lot of people would be

01:03:08.289 --> 01:03:10.650
like, oh, the marriage is over, so is the band.

01:03:11.070 --> 01:03:14.730
Yeah, probably. And so can you just talk a little

01:03:14.730 --> 01:03:18.050
bit about what went into all that and the decisions

01:03:18.050 --> 01:03:20.690
to put out a new record and everything? Yeah,

01:03:20.690 --> 01:03:25.809
okay. Any relationship goes. There's seasons,

01:03:25.929 --> 01:03:31.369
right? And so when we made the decision to separate

01:03:31.369 --> 01:03:35.329
and definitely divorce, I... It's always been

01:03:35.329 --> 01:03:38.969
really important to both of us to remain as amicable

01:03:38.969 --> 01:03:42.650
as we can. And there's deep love there and respect,

01:03:42.909 --> 01:03:47.769
primarily. And I don't think he wanted to either

01:03:47.769 --> 01:03:52.650
do anything to like... Burn bridges. Yes, make

01:03:52.650 --> 01:03:55.349
it so we can't be around our kids together. It

01:03:55.349 --> 01:03:57.670
was important that... And we had really good

01:03:57.670 --> 01:04:01.570
examples, actually. His mom and stepdad split

01:04:01.570 --> 01:04:05.769
up, but... remained cohesive and so that was

01:04:05.769 --> 01:04:09.869
always like an option for me it was like we could

01:04:09.869 --> 01:04:13.110
do that and for a long time I didn't think I

01:04:13.110 --> 01:04:16.550
could but recently I'm I like invited his girlfriend

01:04:16.550 --> 01:04:19.409
and her kids over and like we were all hanging

01:04:19.409 --> 01:04:24.139
out and it was like this beautiful that my kids

01:04:24.139 --> 01:04:26.280
were happy with and her kids were happy with.

01:04:26.440 --> 01:04:29.039
Is that how the band started to get back together?

01:04:29.239 --> 01:04:32.360
No, not really. This is more recent. Sorry, I'll

01:04:32.360 --> 01:04:36.860
check. But the band never really wanted it to

01:04:36.860 --> 01:04:43.630
go away. That was always something. I guess I

01:04:43.630 --> 01:04:46.150
didn't want to get too far down this road of

01:04:46.150 --> 01:04:49.570
resentment or anger or whatever that we couldn't

01:04:49.570 --> 01:04:52.309
go back to a musical place. Gotcha. Because that,

01:04:52.469 --> 01:04:56.670
I don't know what it is, but we all three of

01:04:56.670 --> 01:04:59.570
us agree it's something really special and sacred

01:04:59.570 --> 01:05:04.929
to the three of us. Yeah, yeah. That I think

01:05:04.929 --> 01:05:09.630
we will just always be linked in that way. I

01:05:09.630 --> 01:05:11.869
think that is the main thing is like none of

01:05:11.869 --> 01:05:14.909
us really want that to go away. At some point

01:05:14.909 --> 01:05:17.449
it will. At some point. Yeah, everything does.

01:05:17.610 --> 01:05:21.010
Yeah. So now it's just a little bit different.

01:05:21.050 --> 01:05:23.949
There's not quite as much collaboration. Like

01:05:23.949 --> 01:05:26.349
we would write songs together, Danny and I. Yeah.

01:05:26.349 --> 01:05:28.650
But we don't do that as much now. It's more like

01:05:28.650 --> 01:05:30.710
you'll come in with an idea and you might add

01:05:30.710 --> 01:05:32.269
things to each other's songs. Exactly. But you're

01:05:32.269 --> 01:05:34.190
not sitting down and writing a song together.

01:05:34.250 --> 01:05:37.199
Yeah. Do you have a song that you're going to

01:05:37.199 --> 01:05:38.800
put on the new record you'd like to close us

01:05:38.800 --> 01:05:46.579
out with? Yeah, I do. All right, cool. It's been

01:05:46.579 --> 01:05:48.219
awesome talking to you, Kelly. Thanks for being

01:05:48.219 --> 01:05:51.860
here. Thank you for indulging me in all my neural

01:05:51.860 --> 01:05:56.900
pathway diversions. Yeah, that it's natural.

01:05:57.340 --> 01:05:59.840
Take us out, Kelly. All right, so this song is,

01:05:59.920 --> 01:06:04.440
as I said, like one of the... Some of the biggest

01:06:04.440 --> 01:06:07.699
themes I have are hope and love in my music,

01:06:08.019 --> 01:06:13.880
and this one is all about love and how I believe

01:06:13.880 --> 01:06:18.500
it will, like, help us just see a little bit,

01:06:18.579 --> 01:06:42.019
like, tomorrow be a little more rosy. question

01:06:42.019 --> 01:06:49.019
you're too scared to ask yourself see i've been

01:06:49.019 --> 01:10:15.670
running scared I believe it. Thanks, man. That

01:10:15.670 --> 01:10:22.810
was my conversation with Kelly Goddard. I think

01:10:22.810 --> 01:10:26.189
we had just an awesome time. I hope you enjoyed

01:10:26.189 --> 01:10:27.930
listening to it. I hope you enjoyed her songs.

01:10:29.729 --> 01:10:33.390
Next week, I'm going to Pyramid Studios for their

01:10:33.390 --> 01:10:36.630
Grooves for Good drumming competition. I'm talking

01:10:36.630 --> 01:10:41.090
to... organizers at Pyramid Studios. It's a nonprofit

01:10:41.090 --> 01:10:45.590
that helps developmentally disabled people create

01:10:45.590 --> 01:10:49.430
art that they can then sell as an alternate to

01:10:49.430 --> 01:10:53.329
a traditional line of work. So it's a really

01:10:53.329 --> 01:10:55.689
cool organization. They had a drumming competition.

01:10:55.890 --> 01:10:58.890
I spoke to several of the contestants, several

01:10:58.890 --> 01:11:01.729
of the organizers. It's a really cool episode.

01:11:02.489 --> 01:11:05.850
I'm looking forward to y 'all hearing it. In

01:11:05.850 --> 01:11:08.310
a couple of weeks, we got... Taylor Hollingsworth

01:11:08.310 --> 01:11:12.270
on the show. I spoke to him last night right

01:11:12.270 --> 01:11:19.229
before his show at the Blue Tavern. And we had

01:11:19.229 --> 01:11:21.729
a great conversation. I've also got Matthew Dudley,

01:11:21.850 --> 01:11:24.510
the tattoo artist, visual artist, coming on.

01:11:24.529 --> 01:11:28.329
Old friend of mine coming on the show. We had

01:11:28.329 --> 01:11:30.710
a great talk as well. I've been recording a lot

01:11:30.710 --> 01:11:34.909
of episodes for you guys. So you got a lot coming

01:11:34.909 --> 01:11:38.039
your way. And then I've got... Still a lot of

01:11:38.039 --> 01:11:40.840
really cool interviews coming later this fall

01:11:40.840 --> 01:11:44.859
as well. So hit that subscribe button. Make sure

01:11:44.859 --> 01:11:48.640
you check out our YouTube channel. If you're

01:11:48.640 --> 01:11:52.260
not watching it this season, you're able to.

01:11:53.439 --> 01:11:56.979
That's all I can say. Thanks for tuning in, y

01:11:56.979 --> 01:11:57.100
'all.
