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Welcome to the GuiltTrips podcast. I'm your host, Kendra Lockhart. As a goldsmith and

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gemologist, I'll be speaking 24 carat on all things jewelry, metals, and gems. Join

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me plus a few friends to demystify both materials and designs as your private jeweler. Let's

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tune in on these topics and get golden. The best parts about being a jeweler to me are

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the storytelling, the nostalgia, and the fondness for both clients and projects. Most of the

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people I know can recall their favorite commission at the drop of a hat. In fact, if you meet

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somebody who doesn't have that tail at their fingertips, either it didn't happen or maybe

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they really just don't like this job. I'm not one of those, and neither are the people

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that are my favorite colleagues. In today's talk, I'm going to share my top ten projects

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and what they taught me. Now, that may sound very romantic. I assure you, not all of these

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went well or according to plan. And that's the magic of what we do, is the alchemy of

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having to turn straw into gold and in a way become our own fairytale of taking something

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useless and transforming it into value. So the first one isn't just chronological when

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I was younger in my career, but you've heard about it before because it's really what

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started my entire trajectory. It was the client who got me into making in gold. When I graduated

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undergrad, I was just a kid making metal things, and somebody approached me and said,

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will you make my wedding rings? If you're listening to this one in more of a standalone

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format, I said, I don't work in gold. And her response was, gold schmold, it's metal,

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why don't you give it a shot? Short story, I came up with some sketches, I got the go-ahead,

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bought the stones, reserved the gold, and then was told, hey, we're going to save some

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money and use our family rings instead. I had already graduated early to cut costs and

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still left with debt. So to add another $1,500 as a 21-year-old on top of that was not a

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good omen. Fast forward to how this resolved itself. I met somebody who encouraged me to

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finish the rings, the money would be loaned, and it was the beginning of my relationship

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with awards and competitions for design and craftsmanship abilities.

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The project that became one of my favorites as far as cluster of clients was a Chicago

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recruiter, and she found me through the only ad I've ever run in a magazine. Most of my

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visibility was word of mouth or referrals or me networking. It was her 20th anniversary,

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she had gotten the center stone from a different jeweler, however they weren't very skilled

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at design and couldn't bring a vision for her pieces to life using her old wedding set.

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That's pretty much what I do best. Not only did she show her ring generously to several

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of her colleagues, not just in Chicago, but also in Dallas. But they all became my clients

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too with the same type of project. Here's all my old stuff. I don't want to buy more

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jewelry or at the time I can't buy more jewelry. How can this get reinvented? Not only do I

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have beautiful portfolio pieces of before and after, but I also dubbed this type of program

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and sometimes we would even take the exact same metal and recast it into its new project.

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So it became this running joke called have a meltdown.

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That same sponsor, the one who said make the rings mentioned previously, had a mother-in-law

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who in her travels came back with a pair of incredibly well matched, highly saturated

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as far as color, Colombian emeralds. And she had been through a few designers and retail

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stores and she wasn't finding that fit. They weren't her artists and the ideas that were

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getting suggested did no justice to these beautiful stones. My business sponsor said

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I'm going to put you in front of my mother-in-law and not knowing what to expect because I was

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young, I didn't have a mother-in-law, it wasn't an intimidation factor for me. Two different

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generations got along swimmingly. And because of my art background, because I had done so

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much life drawing, because I had done architecture before I was into jewelry, because I took

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a lot of studio arts as my minor in undergrad, I was able to envision something for her that

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was going to work with the color that she brought to the table in the gem. The design

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of her ear to jaw line and the timeline in which she expected this to be completed. What

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came out of it is I had it professionally photographed, which back then was quite the

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expense. When I partnered with the gallery that made me their house designer, I had a

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print of this. It was that print that the gallery owner submitted in a PR blast that

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led to an article on me in the local newspaper. The set of wedding rings that I did for a

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couple came out of me having my business cards at the local crystal and gem shop. Dave's

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Rock Shop in Evanston, Illinois is pretty famous. It has a prehistoric museum in its

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basement, so it's not your typical New Age place. It's geological in nature. And this

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particular couple had gone shopping for stones. And now we're looking for an artist to put

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them into their commitment rings. I had been doing a lot of large diamond engagement rings

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for the North Shore type of clientele. And so to get a phone call saying hi, I got your

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name and information from the Rock Shop, and we're looking to do something extremely symbolic.

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Great, you have my attention. When I called her back, her voicemail had the most intriguing

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recording on it. I'm not available right now. Please answer two questions that are very

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important. Who are you? What do you want? And it was so much more philosophical than just,

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yeah, leave your name and your business. So when I met these two, I was expecting something

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out of the ordinary. And they delivered. It just so happened that this was the paradigm

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shift for the type of clientele that I would be helping. I went exactly from their project

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into the arena of working with extremely creative types, professional artists, alternative lifestyles.

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And it just so happened that this couple would end up introducing me to landmark education,

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which would profoundly accelerate my personal growth as well as my business direction.

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This next couple will always held a special place in my heart because of their sweetness.

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But more importantly, I learned to become a master at keeping secrets, helping him retain

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a certain level of surprise. During our collaboration, there were times where I'd have to call him

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except his girlfriend was always around. And so you can't just walk into the other room

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and take all these strange phone calls that are in hushed voices and coded words because

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you will raise suspicion. My client called me one day as we were wrapping up and getting

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ready to have him pick up his piece to go get engaged on their vacation. What do I do?

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I think she's on to me. I said, I've got you covered. When you two come by as you're leaving

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town, I want you to ask me to go to the bathroom, go upstairs. I'll leave my door open. Put

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the check on my workbench. Take the ring. I'll talk to her. So as he did that when they

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stopped by, she had what we call a shit eating grin. And my response to her was, I hope you

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have the world's best vacation. I am so excited for you to have some real rest and relaxation.

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And when you get back, we can start working on your ring designs. There is no phrase strong

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enough for the defeat that became her new expression. The engagement went so well that

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she burst into tears. And to this day, 20 years later, still wearing that ring. My transition

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into working in non-profit was completely unexpected. I had been doing wedding jewelry

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for a philanthropic couple. And at one point she asked me, can you make some cuff links

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that we can give to some of our strongest advocates on the board? And so it was one

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of those opportunities to interpret their logo or their icon or their symbol into something

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wearable. And that's what I did. It was for the CARA program. The visual that we used

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for them was part of their branding, which was a deconstructed outline of a butterfly

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from a profile view. This became circular pendants, tie tacks, and for the director,

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it was a pair of cuff links. I was there at the presentation, and this program is to rehabilitate

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people who have been homeless or have felonies back into a workforce so that they can be

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self-sufficient. And the director was one of their best cases of success. The letter that

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I got and the way that he honored himself and acknowledged his entire journey and how

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much this gift meant to him and that this is really just the beginning of a new beginning

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for him was something I will forever cherish. And it really made me want to continue working

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with non-for-profits, which I did do. There was a project for Bodie Spiritual Center that

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was a fundraiser to get the kids to spiritual camp. And there were charms that became part

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of the Pet Me project to match rescue animals with ideal owners. As far as unusual requests,

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conversations are free. So when a colleague came to me and said, I've got a strange one,

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my client went on vacation with his girlfriend, they panned for gold, and found a bunch of

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nuggets. Do you think you can make their engagement ring out of these? It took partnering with

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the right casting house to do so, and it had been a good 20 years since I had to make my

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own alloy, but we were able to figure out what the carriage was of these composite gold

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nuggets and what it would take to make it a workable 18 karat gold blend for the engagement

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ring. And to this day, that's probably one of my favorite projects to talk about because

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I can't think of any other clients, not just in my business, but in anybody's business,

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you can say that their fiancee, now wife, is wearing the ring from the gold they panned

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for on a vacation when they were dating. You know that I started in non-precious metals.

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So when a brewmaster and his fiancee said, we want to make his wedding band out of found

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objects at the brewery, naturally, I had to go find out what they meant. In the process,

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we walked the entire facility and looked at all that we had to work with. There were wood

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staves for aging barrels, there was copper piping for some of the fermentation vats,

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and there were also steel rings that were holding the barrels together. The project

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was an energy of trial and error, discovery, and the intersecting of worlds of two careers

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that came together as a final totem to an absolutely wonderful love story.

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At one point, I ventured into the B2B world, or business to business. The client had been

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a previous private jewelry patron, so I had done her engagement ring, her wedding ring,

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her husband's wedding ring, gifts for the family, and a few personal pieces. When it

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came time to create a line for her new company, it was a more formal process as far as the

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ideation and creation. There were sketches, meetings, line sheets, gathering contractors,

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finding suppliers, the expected. The original deal was make me 500 pieces, and I'll pay

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you for them. I made the 500 pieces and, because it was a start-up, she said, I don't have

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the money for it, loan it to me, and I'll pay you when they sell. I'm sure you know

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where this is going. What I got out of this adventure and why it's on my top ten list

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is because it turned me into being resourceful when you have unwanted inventory or product.

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Do you know how many other people could possibly desire this? I gamified it. It became an adventure

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of here is her industry, here is jewelry slash accessories for that industry. Let's move

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the rings out of the dartboard. This was that project for her business. How about this for

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the industry? How about adjacent industries? How about organic referrals? How about people

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who have nothing to do with the business itself who just love this kind of motif?

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And the last project to talk about is making a ring for yourself when you're ready to step

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away from the bench. Having designed for over 20 years, having made 10,000 rings, and of

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course, there are multiple opportunities, often daily, to come across beautiful ideas

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and try things on and envision if it was my glass slipper or not. Does this express how

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I am under my skin and in the world? At some point later than sooner, the muse came to

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me and I was able to create a quote unquote retirement ring for myself. Obviously, I wasn't

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going to stop creating, but it was time to shift from being full time professional artist

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to by appointment. That ring is what you see as the emblem for this podcast. It is a violetish

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blue sapphire I traded a fantastic colleague for and the rose gold framework is an homage

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to the metalwork and decor of the Palmer House Hilton in Chicago on Wabash and Adams,

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the very same corner that a 21 year old who didn't know what she was going to do after

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not taking a deposit or getting a contract on a ring. That same person would find herself

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standing on that corner getting ready to meet her future business sponsor at his office

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address.

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Thank you for listening and learning with me. I would love you to share this project

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with people finding rare beauty in today's world and throughout our times. Until the

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next episode, keep your own stories sparkling.

